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• • Maranui newsletter january 2023

    • 27 Jan 2023
    • Maranui Surf Life Saving Club
    • 96 MARANUI NEWSLETTER JANUARY 2023 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. HAPPY NEW YEAR Ngā mihi o te tau hou! Hope you have all had a wonderful summer break, and have enjoyed some time in the sunshine. We have an action packed month ahead. Junior Surf starts back this Sunday (Please note time change below). We have Lifeguard Sport competing at the Eastern Region Champs in Mt Maunganui this weekend (starting today), Capital Coast Champs for Seniors and Juniors coming up, IRB Race Team Quiz Fundraiser evening, Whitehorse (Lifeguard Sport), Oceans'23, IRB race team is heading to Southerns (Christchurch), Northerns (Waipu Cove) and Nationals (Whangamata) and the TSB NZ Surf Life Saving Champs (Lifeguard Sport) in Christchurch. Get your Clothing Orders in by this Sunday 29 January, this is the last order for the season. Link below. There will be samples to try on in the clubhouse this Sunday at Junior Surf from 3.15pm. Lifeguards, it’s your last chance to get a Red Hoodie until December.  Don't miss out. The Maranui IRB Race Team have a Quiz Night Fundraiser at the 1852 Pub and Kitchen, 55 Cleveland Street, Brooklyn on Sunday 14 February, 7pm. A FUN evening not to be missed. See details below. During the season we encourage ‘everyone' to get involved, whether it be helping with setting up, sign-in, grooming the beach, washing caps, helping with water safety, washing down boards or helping out with the BBQ. Please jump in and help. Ngā mihi. <!-- --> CAPITAL COAST 2023 JUNIOR CHAMPIONSHIPS PLEASE REGISTER FOR THE CAPITAL COAST JUNIOR CHAMPS: https://forms.gle/HyV8PviooqE8oaTX6 DEADLINE:  Sunday 5 February 2023 WHEN: SATURDAY 11 FEBRUARY  (Yes, it is a Saturday event) WHERE: MARANUI SLSC  (in front of clubhouse on the beach) AGE GROUPS: U8s - U14s  SIGN-IN: 8am (Sign-in, briefing, warm up) RACING STARTS: 9am PROGRAMME: Surf Race U14 - U11 Board Race U14 - U11 Board / Boogie Board Relay U14 - U8 Diamond U14 – U8 200m Badge Surf Race U10 200m Badge Board Race U10 Boogie Board Race U10 - U8 Run Wade Run U10 - U8 Beach Flags U14 - U8 Beach Sprints U14 – U8 Beach Relay U14 - U11 Board Rescue U14 - U11 Grand Cameron U14 - U11 We are going to need an army of volunteers to help with everything from beach setup/pack up, clearing beach on Saturday, beach sweep, sign-in, officials and BBQ. Roll your sleeves up to make this event a success. It’s time to put your ‘Maranui Competition Beanie’ to use. We would love to have all members (U8 - U14) register for this fun event. Carnivals are a fun day out for the family where the children are able to participate in individual & team events. Capital Coast Champs Flyer: https://www.surflifesaving.org.nz/media/997220/2023-capital-coast-junior-champs-flyer.pdf Carnival Information - www.maranui.co.nz/carnivals SURF OFFICIALS 1:10   For our Maranui junior athletes that wish to compete at carnivals, there is a national official ratio which must be met by all clubs.  All clubs will need to provide one qualified surf official for every 10 athletes competing to be able to participate.  LATE CANCELLATIONS AND NO SHOWS Late cancellations and no shows create challenges for team managers / coaches and admin as at the Maranui Carnival there is a team event and teams are arranged prior to the carnival. These cancellations result in team re-arrangements or scratching from events on the day, as the admin team no longer have access to the entries.  <!-- --> CAPITAL COAST 2023 SENIOR CHAMPIONSHIPS Our seniors will be competing at the Capital Coast Senior Champs at Lyall Bay Beach on Sunday 12 February. WHEN: SUNDAY 12 FEBRUARY 2023 HOSTING: Lyall Bay SLSC Calendar: https://www.surflifesaving.org.nz/calendar/2023/february/capital-coast-2023-senior-championships Carnival Information - www.maranui.co.nz/carnivals <!-- --> Left to Right: Joshua Bethell, Bruno Joli, Joe Barry, Tom Warburton, Kano Hill, Olivia Butcher, Ruby Douglas, Holly Reynolds, Olivia Brown, Lola Beck, Ella Strang, Molly Dreaver-Stimpson and  Rhys Speirs (Head Coach) LIFEGUARD SPORT January kicked off with a good performance and Central Regional Champs, Fitzroy Beach, New Plymouth. Maranui had 12 senior athletes competing. The team came home with 4 gold, 7 Silver and 5 bronze medals. Holly Reynolds dominated in the U19 womens. Smoking her opposition in the iron woman and board taking golds then silver in the Run Swim Run and surf race and ski race. The team did really well in team events with a bronze in the U17 mens tube rescue, Silver in the U19 women's tube rescue, Gold in the U19 women's beach sprint relay. Amelia and Ella took silver and bronze in the 2km run, Bruno took bronze in the U17 beach sprint and Joe took bronze in the U15 beach sprint, silver in 2km & boys U17 silver in beach relay. There were other good results that can be seen on Waves. Results in Waves: https://www.wavesresults.surflifesaving.org.nz/competition/413/wavesResults The team then travelled to camp at Waimarama for a week of intense mahi and fun with our friends from Foxton. A team of 8, Ella, Amelia, Ruby, Holly, Tom, Bruno, Joe and Kano are heading to Eastern Regional Champs at Mount Maunganui as part of their campaign to Nationals in Christchurch. Rhys Speirs Director of Sport / Head Coach Maranui SLSC <!-- --> U11-U14 Athletes, Supporters and Coaches JUNIOR SURF What a break our juniors have had, Wellington brought some great beach days…. 13th of January saw a team of 12 U11-U14 athletes compete at the Central Regional Junior Champs (CRJC), Fitzroy, New Plymouth. Our young participants showed the Maranui values coming away with several medals and putting the club 7th overall in our region. Well done everyone. Last week we had our annual trip to Papamoa with the development team and tamariki planning to attend Oceans. What an amazing week. Training with local clubs Papamoa & Mount Maunganui helps the development of skills in conditions we can’t provide in Wellington. The coaches were super proud of the effort, resilience and confidence our team showed, even when a large fishy predator turned up. For all our U10s we have next years camp booked for 18-22nd January 2024 for anyone who wants to enjoy more time in the surf developing skills. Catch any of the development coaching team to discuss this programme if you are interested. A small team represented us at Riversdale carnival and I want to send a massive thanks to the parents who stepped up to make it happen for the kids. It’s our parent volunteers that make our club work. Junior surf restarts this Sunday, with a time change to 3.30pm start for all to allow for those participating in the Ocean swim. Sign in by 3.15pm. Look forward to catching up on the beach. Lucy Barry Director Junior Surf Development A small team representing Maranui SLSC at Riversdale Carnival. <!-- --> MARANUI IRB RACE TEAM QUIZ NIGHT Please support our four IRB race teams heading to Southerns (Christchurch), Northerns (Waipu Cove) and Nationals (Whangamata) this season by coming to a fun quiz night fundraiser on SUNDAY, FEB 12. It's the first time Maranui has fielded IRB race teams in competitions since the infamous Maranui fire back in 2009, so we're excited to have two men's and two women's team representing the club this summer. Please show your support by coming along! IRB RACE TEAM: John Tuia, Lucan Speirs, Ben Wickens, Max Reynolds, Kano Hill, Tom Warburton, Niamh Hanna, Bella Tuia, Amelia Brown, Ella Strang, Olivia Butcher and Bruno Joli  WHERE: 1852 Pub and Kitchen, 55 Cleveland Street, Brooklyn, Wellington WHEN: SUNDAY 12 FEBRUARY TIME: 7pm start COST: $20 per ticket To book your ticket/or table: Contact: Sue Tuia at sue.tuia@outlook.co.nz Check out the 1852 Pub and Kitchen - www.1852pubandkitchen.co.nz/ Facebook - www.facebook.com/1852PubandKitchen <!-- --> MARANUI CLUB CLOTHING - LAST ORDER FOR THE SEASON (Sunday 29 January) CLICK HERE TO ORDER CLOTHING - http://goo.gl/9AzpoK There will be samples to try on in the clubhouse this Sunday at Junior Surf. CLOTHING ORDER DEADLINE THIS SUNDAY 29 JANUARY 2023. This is the last opportunity to order club clothing until November 2023.  LIFEGUARD RED HOODIES Lifeguards, it’s your last chance to get a new Hoodie until December. Get your orders in now.  CLOTHING (EXPLANATIONS ABOUT STYLES - MALI/ WAFER TEES etc) /TOGS SIZE GUIDE- https://docs.google.com/document/d/1q_ee9WxNPVKIBcGmXHIKs_I5DhYLmC03zPwbiJXKAVQ/edit <!-- --> FIRST AID OFFICER WANTED After 6 years in the role I am stepping down.  I will do a proper hand over and provide support in the transition. If you are interested please contact Carrie on redmanatee@gmail.com Look forward to hearing from you, Carrie Matson Speirs Thanks Carrie for your support and dedication in this role. <!-- --> BANANA BOAT NZ OCEAN SWIM SERIES Interislander Swim the Lighthouse We always have a number of clubbies enter this event each year. Maranui Clubbies, we hope to see you down at Oriental Bay on Sunday 29 January 2023.  Check it out here  -  www.oceanswim.co.nz/ All Surf Life Saving NZ members can use code SURFNZ10 for a 10% discount*. *Discount code can be used on ANY individual entry. Consisting of different swim events, the Interislander Swim the Lighthouse provides an ocean swim event for all ages and abilities. We encourage all our Maranui athletes to give it a go. Events on offer at the Interislander Swim the Lighthouse: Round the Lighthouse – 3.3km Round the Fountain – 1000m Round the Fountain – 500m Banana Boat OceanKids – 100m and 200m (7–12 years) <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347. JUNIOR SURF (TIME CHANGE FOR SUNDAY 29 JANUARY) Junior Surf Sunday sessions start back on SUNDAY 29 JANUARY 2023. As many Maranui Clubbies are involved with the Banana Boat Series (New Zealand Ocean Swim series) at Oriental Bay, Junior Surf will be at a later time this Sunday 29 January 2023: SUNDAY 29 JANUARY 2023 U7 - U10: 3.30pm - 4.30pm (signed in by 3.15pm) U11 - U14: 3.30pm - 5pm (signed in by 3.15pm) Please Note: The change in times above only refers to Sunday 29 January 2023 Athletes stay in the same age group for the whole season.   <!-- --> KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 Limited numbers and sizes. 380gsm fleece 3000mm waterproof Comes below the knee.  The fit is quite generous. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com <!-- --> THE MARANUI WAY Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. VISION: One of New Zealand's premier surf lifesaving clubs providing world class surf lifesaving services and developing leaders and champions. PURPOSE: Provide our community a safe surf and beach environment. OUR CORE VALUES: Community, Excellence, Fun, Respect, and Tradition. <!-- --> LIFEGUARD SPORT - CENTRAL REGIONAL CHAMPS <!-- --> <!-- --> SEASON CALENDAR 2023 2023 Eastern Region Championships (Seniors)  - Friday 27 - Sunday 29 January 2023, Mt Maunganui Junior Surf starts back - Sunday 29 January (3.30pm start for Junior Surf - Banana Boat series) Banana Boat Swim Series - Sunday 29 January 2023  Waitangi Day - Monday 6 February 2023 Capital Coast Junior Championships - Saturday 11 February, venue Maranui SLSC Capital Coast Senior Championships - Sunday 12 February, venue Lyall Bay SLSC Maranui IRB Race Team Quiz Night - Sunday 12 February, 7pm @ 1852 Pub and Kitchen, 55 Cleveland St, Brooklyn Whitehorse #3 (Seniors) - Sunday 19 February, venue TBC Oceans’23 - Thursday 23 February to Sunday 26 February, Mt Maunganui 2023 Canterbury IRB Championships - Sunday 26 February, North Beach SLSC, Christchurch 2023 TSB NZ Surf Life Saving Champs (Seniors) - Thursday 9 - Sunday 12 March, New Brighton Beach Last Junior Surf Sunday session for the season - Sunday 19 March 2023 BP Surf Rescue North Island Championships (IRB) - Saturday 25 - Sunday 26 March, Waipu Cove 2023 BP Surf Rescue New Zealand Championships (IRB) - Saturday 15 - Sunday 16 April, Whangamata Beach Easter - Friday 7 April to Monday 10 April 2023 School Holidays - Friday 7 April to Tuesday 25 April 2023  ANZAC Day - Tuesday 25 April 2023 Awards of Excellence / Prize giving (Everyone) - Sunday 30 April, TBC SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2023 Maranui SLSC, All rights reserved. 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    • Accepted from Maranui Surf Life Saving Club newsletters 30 months ago by tonytw1
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    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  

• • May 2021 Residents’ Association meeting minutes

    • 15 May 2021
    • Pukerua Bay Residents Association
    • (DRAFT)Tuesday May 11th 2021Pukerua Bay RSA, 5-7 Wairaka Road Present: Paul FitzGerald, Margaret Blair, Kate Dreaver, Mel Galletly, Moira Lawler, Josh Trlin (PCC), Jenny Brash (GWRC), Nikky Winchester, Mike JebsonApologies: Jonathan Harker, Chris Kirk-Burnand (GWRC), Tess Law, Iain McClean, Pauline MorumMinutes of Last Meeting – correction of spelling of Nikky’s name Motion to receive: moved Moira, seconded Kate, motion carried. Matters arising None. Porirua City Council (PCC) update Long Term Plan (LTP) keeping us busy – hearings start tomorrow. Wellington Water building a large sewer containment tank north of Porirua rail station to help mitigate sewer overflow. Greater Wellington Regional Council (GWRC) update GWRC busy with LTP hearings next week. Discussion on National Policy Statement on Urban Development – clashing with local government District Plans. Whaitua Implementation programme – Jenny trying to get it into the LTP. Good support for electrification of transport, reforesting parks and harbour action. Financial Report Balances: BNZ 00 account $6221.75BNZ 25 account $100.10 Income: 00 $250.00 Tommy’s Real Estate/Kōrero25 $15.00 2022 Calendar Expenditure: Flying Colours/Kōrero $501.40Invoices Outstanding: 2021-012 McClean Electrical Services $50 Motion to receive financial report: Moved Margaret, seconded Paul, motion carried. Correspondence Jenny Wrightson re signage for Pou on beach, and Tess Law re SH1 crossing near Onepu Road. A letter from Council on work planned for Ara Harakeke shared pathway work and Wairaka Road intersection work. Progress on Action Items (Not included in project updates): none Projects Update He Ara Pukerua Panels: Preparation of further panels continues. The large panel for Centennial Highway will be made public at an event to coincide with the opening of Transmission Gully. Road block/tank trap: Heritage New Zealand Pouhere Taonga supports He Ara Pukerua’s submission to include this place in the Proposed Porirua District Plan, subject to it meeting the values listed in HH-P1 (HH-P1 Identify historic heritage that contributes to an understanding and appreciation of the history and cultures of Porirua City, the Wellington Region or New Zealand and is significant in terms of one or more of the following values: Historic values; Physical values; Social values; Tangata whenua values; Surroundings; Rarity; or Representativeness.) On April 21 at 2:44pm the story of 𝗔 𝘄𝗮𝗿-𝘁𝗶𝗺𝗲 𝘁𝗿𝗮𝗴𝗲𝗱𝘆 𝗮𝘁 𝗣𝘂𝗸𝗲𝗿𝘂𝗮 𝗕𝗮𝘆 was posted on the He Ara Pukerua Facebook page. This post has now been seen by 57,936 people, commented on by 185, shared by 223, liked by 458 with 14,447 engagements. Food Forest/Community Garden Going well. Had a working bee during the school holidays that went well. More people coming along with enthusiasm. Discussed the garden group being a committee of the Residents Association. A member of the group will come to the next meeting to discuss. Village Plan Review 27 responses so far. Agreed to promote newsletter at various locations: July 15 at RSA Pat/MoiraJuly 17 Coffee cart NikkyJuly 22 3-5pm Library PaulMel to deliver posters Executive committee handbook Paul and Nikky have met. Jon is going to document our technology processes, Margaret our financial information. Jon is posting minutes on the website. Kōrero (Newsletter) Next edition out early July – Matariki theme. There was a discussion about essential services/facilities based on the repeat questions on FB. A school report and kindy report would also be good. Action Items Paul to chase up NZTA to get an update on roading revocation and other issues.Paul speaking on Residents Association submission to Council tomorrow.Paul also sent a further submission to summary of submission on the District Plan responding to the Kainga Ora submission request a 6 storey zone around the PKB train station. Residents such as Mike Jebson also made private submissions. It would be good to get together a group interested in development issues to lead responses on district plan and other land use issues. General Business Residents Association website – looking good. Jon will post the list of local groups and businesses. We are asked to look at the list to check its accuracy. Tess Law sent through maps on roading improvements needed to get pedestrians across SH1 in the Onepu Te Pari Pari Road areas. Tess has sent apologies as she has just had new baby. Will defer to later meeting. Trees on Teihana Road getting dangerous and need trimming. Paul reports there is a plan to trim them. Meeting ended: 8.57pmNext meeting: Tuesday 8 June 2021
    • Accepted from Pukerua Bay Residents Association feed 55 months ago by feedreader
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    Pukerua Bay, Porirua, Porirua City, Wellington, New Zealand (OpenStreetMap)
  
  

• • June Update from DCM - Together we can end homelessness

    • 29 Jun 2021
    • Downtown Community Ministry
    • 96 June Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Hearing, homelessness – and being heard Hearing, homelessness – and being heard This month we have marked National Volunteer Week. One of the very special health professionals who volunteer their time at DCM is our long-time audiologist, Dr. Lisa Seerup. We especially want to lift up Lisa and to congratulate her on her appointment as President of the New Zealand Hearing Association. Lisa is committed to using her time in this role to ensure that the most marginalised, the people she supports at DCM, have a voice and are heard. She has learned a lot during her time at DCM, but she has also taught us a lot. “It was Michelle Scott from DCM who initially approached Hearing Association Wellington. Michelle knew that the Māori population have higher rates of ear and hearing problems. DCM does a great job of looking beyond the usual to see what other factors might be contributing to a person not meeting their potential. Hearing issues have a causative impact on a person’s life. No other New Zealand programme for people who are homeless has incorporated audiology services into their support network. I really applaud DCM for the foresight." Photo by Pat Shepherd, One Percent Collective "One of the things I can’t thank DCM enough for is recognising where barriers exist. Out there, barriers are everywhere and for Māori and Pasifika, it can go right back to childhood. The middle ear predominantly affects Māori kids – can you imagine going to school with an ear infection. You can’t hear, and you’re getting yelled at by the teacher. This leads to so many problems later in life, including mental health issues. The data tells us that 60% of people in New Zealand prisons have hearing issues, and this climbs to 90% for Māori in prisons. We know that many of these individuals would not be in prison if they had been able to hear the charges and questions they faced. Nodding and signalling assent is often a way of responding when you cannot hear. It is an honour for me to take on this leadership role in our profession, and to share these learnings and voices with those who most need to hear – decision-makers, funders and the wider community. Because we need to address this together.” Earlier this year, Lisa shared her story and spoke about her work with DCM with our friends at One Percent Collective. We encourage you to read the story in full here. <!-- --> Celebrating three more years Earlier this year we shared a special film clip with you all, inviting you to spend a day both here at DCM, and heading out on to the street with our Outreach team. The difference DCM’s Outreach team makes in the lives of the most marginalised people in our city has again been acknowledged by Wellington City Council. This month they committed to continuing to fund this mahi, along with DCM's work supporting vulnerable Wellington City Housing tenants, for a further three years. Wellington City Council has a long history of work to end homelessness, including supporting DCM in many different ways over the years. They grasped the need to address and end homelessness before any other local authority in Aotearoa, and this has been critical to DCM playing the role which we do in our city. Since 2018, they have partnered with DCM to deliver this Assertive Outreach Programme, whereby DCM kaimahi go out and connect directly with our city’s rough sleeping community. The council’s contact centre manages the notifications and concerns from members of the public, passing them on to DCM. This 'assertive' approach focuses on assisting and encouraging people to exit homelessness, rather than supporting them in maintaining their homelessness. It can take a long time, but we work to build a relationship of trust, in order to connect people with the many wrap-around supports which DCM offers, and with other appropriate services. The hook which gets people to engage may be the removal of pain which comes from a dental appointment at DCM, the ability to access a benefit through DCM’s Money Management Service, or the hospitality and purposeful activity we offer at Te Hāpai. Those with long histories of homelessness can then be supported by our Aro Mai Housing First team to access a home and improve their quality of life. Wellington City Housing tenant Johnny has been supported by DCM over many years. Here Nani from DCM's Sustaining Tenancies team visits Johnny in his whare. At DCM, we understand that ending homelessness means working to ensure that homelessness is rare, brief and non-recurring. Our commitment is not only to those experiencing homelessness, but we also support people at risk of losing their tenancies and falling back into homelessness. Wellington City Council funds and has committed to continuing to fund DCM’s work with the most vulnerable Wellington City Housing tenants, ensuring that they not only sustain their tenancies, but go on to thrive in their lives and communities. This month it is especially appropriate that we lift up Wellington City Council, along with all of our many supporters and partners, for your commitment to being part of the “together”. Together we can end homelessness in our city… We encourage you to enjoy the film clip again: For stories about the work of DCM's Outreach team, including during last year’s COVID-19 lock-down, visit our website. If you are concerned about anyone you see rough sleeping in Wellington, please call Wellington City Council on 04 499 4444 and they will let us know. <!-- --> A place called home Earlier this year while most of us were enjoying a break or summer holiday, we were able to treat some of our taumai* to an outing, thanks to your generosity. One of those people was Dylan. Since that time, we have had even more to celebrate, as Dylan is now housed. It has been a long, long journey for him, and so many people and organisations have been part of this journey – including Te Aro Health Centre, several mental health services, Kāinga Ora, Emerge Aotearoa, and many different workers and supporters at DCM over the last nine years. From the first DCM worker, DJ, who greeted Dylan on his first visit and supported him over several years, to his current support worker, Jordon from DCM’s Aro Mai Housing First team, we have all been part of something special. Recently Dylan sat down with Deepal from Emerge to share his thoughts and reflections on what it means to him to have “a place called home”. Dylan has asked us to share this with you all. A place called home 'where I wanna be' Being taken-away from my parent’s home as a child to keep me safe, so I’ve been told Made me miss-out a place called home where I wanna be from the very beginning of my life journey From my early recollections under foster home care for rest of my childhood Running-away as a teen looking for the home where I wanna be Having walls of trust, understanding, faith, hope & most importantly, with a roof of ‘Aroha’ of unconditional love to keep me going Living rough on the street & within grey walls of prison cells ever since By losing control of things done influenced by video games, rap music & living in environments of violence & crime I did have short stays at Housing NZ accommodation that sorted-out my homelessness Yet, they never were the home where I wanna be From life of unsatisfactory accommodation, homelessness & destituteness I have now been offered new social housing to help me overcome all the adversities of the past I am looking forward with hope to make it a home where I wanna be a home full of good faith where no dream is impossible, where memory is a garden in which the future grows. <!-- --> How can I help? This month we have marked the shortest day of the year, and we are very much in the throes of winter. We have also been reminded of the importance of home during these COVID times, with Wellington experiencing the added restrictions of Level 2. We would like to be able to lift up taumai who have recently been housed and who are doing the hard mahi to sustain their tenancies and go forward. Many would enjoy having a flat screen television or DVD player, a way to settle and spend time in their whare during the darkest days of the year. If you would like to donate one of these items, please get in touch with Matt. <!-- --> *We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2021 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • 

    NUHC Patron Rex Manning has passed away

    • 29 May 2019
    • Northern United Hockey Club
    • <figure class=" sqs-block-image-figure intrinsic " > Rex Manning in 2018 Longtime player, president and patron of Northern United, Rex Manning, passed away at the age of 91. A service was held for Rex on Saturday, 1 June at 2:00pm, and many club members past and present attended, including the whole NUHC committee. Rex joined Wellington Tech Old Boys hockey club in 1944 when he left college. Two years later, while still a teenager, he was made club delegate to the Wellington Hockey Association. It only took Rex two years to join the Senior team, where he played for 17 years, with 7 as captain. The highlight was the legendary 1950 team, which won the senior championship for the first time (shared with Karori) – and the only time in the first 50 years of the club history. That was back in the days when, in Rex’s words, “We didn’t warm up or stretch or anything, just had a few hits before we ran on. And lemons, not water, at half time.” Tech Old Boys later became Northern United, where Rex served as team captain, selector, coach, club captain, president and patron. Rex never just played the game; he was always helping run the organisations that allowed everyone else to also play the game he loved. <figure class=" sqs-block-image-figure intrinsic " > President’s message from the 50th Jubilee booklet, 1980 When Rex retired from playing, he immediately switched to umpiring, coaching, and drawmaster/ umpires appointee for WHA. His son Bruce recalls a typical Saturday morning in the Manning household in the 1960s: <blockquote data-animation-role="quote" > “Dad would have already done the draw on Tuesday, so it could be put into the paper on Thursday; then at some ungodly hour of Saturday morning, if it was raining, the phone would start ringing. If grounds were closed, he would have to rearrange the draw, ring the radio station to broadcast cancellations and game changes, and ring the umpires to tell them their new games. Then it was up and off to coach the junior team Ross and I played in. Back for lunch and more phone calls – he was always on the phone – then off for his two games as umpire (at 1:15 and 3 pm), and we would all meet up at the clubrooms at Alex Moore park to socialise and hear team results. Repeat the next week...” — Bruce Manning Not surprising, then, that the 50th Jubilee booklet (1980) recorded this little fact: <figure class=" sqs-block-image-figure intrinsic " > This involvement over a long time saw Rex receive the 1992 Club Administrator of the Year award from the Johnsonville Sports Association. From 1986-2010, Rex was involved in the Foundation for the National Hockey Stadium, doing the turf timetabling, chairing the Trust Board, running the Pavilion and fixing the goals. On one occasion he tried to convince a lawn bowls player that they should hire the turf for special bowling events. The man said “you’ll never get bowlers playing on turf, it just won’t happen” – Rex remembered this every time he passes an artificial turf at a lawn bowls club. Along with another Northern Club member, Ken Wood, Rex was instrumental in the fundraising and installation of the Maidstone Park and Elsdon turfs, the bowling clubs have had to put their own turfs in. Rex’s continual presence in the pavilion was handy for many teams, when they had no umpire. Rex filled in as an umpire until he was almost 80! Rex continued to attend committee meetings and was still at the turf at the weekends, watching a new generation of Northern United hockey players. Rex served as patron of the Northern United Hockey Club, of which he was also a Life Member.He was also a Life Member of the Wellington Hockey Association. He was made an Officer of the New Zealand Order of Merit for services to hockey in 2000. In 2012 he received a Hockey New Zealand Gold Award. These accolades however, barely recognise Rex’s over 70 years service to hockey. Rex will be sorely missed by his family, friends and all of the Wellington hockey community. Article and photos courtesy of Suzanne Manning <figure class=" sqs-block-image-figure intrinsic " > Rex Manning, Johnsonville Sports Association Administrator of the Year, 1992
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    Karori, Wellington, New Zealand (OpenStreetMap)
  
  

• • November Update from DCM - Together We Can End Homelessness

    • 29 Nov 2020
    • Downtown Community Ministry
    • 96 November Update from DCM - Together We Can End Homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Latest stories and updates from DCM The end of an era A letter from Stephanie Stephanie and Kaye Clark at this month’s DCM AGM Tēnā koutou katoa As many of you will know, my time as Director of this very special organisation, DCM, will come to an end in December. I want to thank you all for your support, and to challenge and encourage you to continue your commitment to the most marginalised people in the years ahead. During my time at DCM, our focus has been on one key marginalised group – those who are experiencing homelessness or who are at risk of homelessness. We have adopted the tagline “together we can end homelessness”. One of the highlights of my time as Director has been the way in which this “together” has grown, with so many individuals, groups, businesses, funders and agencies joining us in our commitment to supporting the most vulnerable to thrive. I also want to pay particular tribute to our taumai themselves, for the courage they display when they “pick up the paddle” and join us on a journey to sustainable housing and greater wellbeing.   Many things have changed in the past 17 years, and much has changed in the landmark year which 2020 has proven to be. With more of the most marginalised people now newly housed, or in emergency housing while they wait to move in to their own home, we must ensure that these taumai are supported to sustain their housing, and do not fall back in to homelessness. I always enjoy sharing stories with you, and this month it has been my pleasure to share the story of Joanne, one of our peer support workers. I have a particular passion for peer support work; it provides an opportunity for those who are now stably housed to obtain employment, while at the same time supporting the newly housed to settle in their homes and sustain their tenancies.   Thank you so much for your support of DCM, and of me. I leave knowing that DCM’s vision is in good hands, with so many of you committed to our kaupapa and to lifting up the most marginalised people in our city.   Ngā mihi mahana, Stephanie McIntyre Director    Would you like to send a message for Stephanie on the occasion of her retirement? Email Matt at matthew@dcm.org.nz <!-- --> Joanne's story Joanne with Arthur at his whare. We shared Arthur’s story with you in 2018. Arthur has now been housed for more than two years. "I was brought up in the Hutt Valley, and it was my mum and dad who gave me a heart to help others. But when I was about 8 years old, our mum left. I ran away when I was 11, and lived rough for a while. One of my friends told her mum that I was staying on the streets, and she took me in. I really didn’t like anything about school as a teenager, so I left when I was 15 and got a job. I did all sorts, but I most enjoyed anything that involved working closely with people. I first heard about DCM when my sister Regina started working here. She used to volunteer me – “My sister will do it!” - usually without asking me first. I began volunteering at DCM, driving the old DCM van, picking up goods for the Foodbank Appeal, and making sure the many volunteers at the DCM Bookfair were fed well.  After a while I decided to take a 3 month sabbatical from my job because I really loved what DCM does, and wanted to be more involved. That was in 2018 - and I've been here ever since. I have done all sorts in my role as a Peer Support worker at DCM - filing, driving, cooking, working in Te Hāpai, outreach and home support. I love going into people’s homes and helping them with their basic cleaning and life skills. We used to turn up to T’s place and his whole house would be filled with bags of clothing and rubbish. You could hardly walk in to the place. I started by cleaning his kitchen. After a while, he began to look forward to us being there, and would work alongside us. Sometimes he just needed someone to talk to. With another taumai, W, we would sit down with him and his keyworker. We would just sit and listen to him. Now when he comes into DCM he wants to talk; whereas before that he would come in and wouldn’t speak to anyone. Many of our taumai have similar experiences to our peer workers; this is why peer support is a great thing. I recently completed a peer support course at DCM, and now I am working as a peer support worker with our Aro Mai Housing First team. Taone asked me whether I wanted to do peer support mahi out in the Hutt. I had moved back to the Hutt just before lock-down, so the timing was perfect. I am back in my own community and I love it. But the thing I miss most is being in Te Hāpai. Having that face-to-face contact with all our taumai, every day, is such a special privilege. I know that DCM wants to raise money to pay more Peer Support workers to work alongside taumai who are newly housed or who need support to sustain their tenancy. What would I say to anyone thinking about supporting this work, or to taumai who are thinking about applying for a Peer Support role at DCM? I think it would be the best thing that you have ever done! Taumai are more likely to gravitate to peer workers as they know that we have had the same lived experiences. I love absolutely everything about my job. My favourite moments always involve interactions with our taumai. Before we closed Te Hāpai one Christmas Eve, I stood by the door and as each of our taumai walked past, I said “Give us a hug!” And I gave everyone a hug. Some of them said to me “I smell” but I said “So what?” And some of them cried, because they had not been touched for years – no physical contact with anybody. That was a revelation to me. Another favourite moment was when M came in. I was sitting watching him and he looked really, really down. This was a long time before he got his own whare. I walked over and hugged him and hugged him, until he was ready to let go. I could see all the taumai around us watching. They’ve seen the way he has shouted abuse in the past. But they had also seen what DCM is about, what our kaupapa is. DCM will never give up on the most marginalised people, and we are all so fortunate to be part of something so special." You can read a longer version of Joanne’s story on our website. <!-- --> DCM in the news Photo by Melissa Nightingale (NZ Herald). This month the NZ Herald spoke with DCM’s Natalia Cleland about some of the successes which came out of lock-down for our taumai, including the numbers who were able to move in to emergency housing and on in to their own homes. Natalia also had an opportunity this week to speak on TV One’s Breakfast show, making the point that emergency housing is not a long-term solution, and calling for more permanent homes: "We need more social housing, we need the government to keep building...we need landlords who have rentals who can provide their house for community housing, coming to a service like ours where we can support their tenancy for as long as it takes for them to thrive...we need harm-reduction housing...we need a whole range of housing options." Check out the clip on the Breakfast Facebook page. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 60 months ago by feedreader
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    • hutt-valley

    Lower Hutt, Wellington, New Zealand (OpenStreetMap)
  
  
• • 

    New Zealand International Film Festival 2014

    • 13 Jul 2014
    • The Wellingtonista
    • It’s less than 2 weeks till The Wellington round of the New Zealand International Film Festival Typical Wellington behaviour at this time often includes - Courtenay Place place being full during daylight hours - people taking no lunch breaks to allow for an extra long lunch break to catch a film - taking a day off work to see 4 films in a row - Taking 2 weeks off work to spend the time in a darkened cinema - Catching up with people you only see once a year at film festival - taking mini trips to other Cities just to see films you missed in Wellington - excessive listening to the Rancho Notorious podcast to see what Dan or Kailey think of a film or special watching tips - running between the Paramount and the Embassy to catch a film - eating while standing in line for a film - trying to guess which film will come back when caught in a timetable dilemma   In light of what will be a wonderful 2 weeks in Wellington, here’s our personal tips for what to catch during the festival. Also trust us if you can see something at Film Festival see it at Film Festival. Don’t wait for a film to  return, for Video on Demand. nothing beats the big screen and nothing beats a big screen filled with fellow film fans, even worse the returning film might be something edited down for timing or some other stupid reason. Heather C   Aunty and the Star People – inspiring, uplifting and she’s a local. Beauty and the Beast – one of the great original classic fairytales which looks to have amazing detail.. Beloved Sisters – for the emotion and passion of two centuries prior.   Tom Beard REALITi: While NZ doesn’t have a stellar track record for science fiction movies, Chad Taylor and Jonathan King make an intriguing team that should bring dark, literate menace to this existential dystopian thriller. Particle Fever: Themes don’t come much bigger than the nature and fate of the universe, so this documentary about the Large Hadron Collider and the search for the Higgs boson should appeal to more than just physics junkies. Goodbye to Language 3D: Godard infamously said that “a film should have a beginning, a middle and an end but not necessarily in that order”. He continues to throw out the rules, not just for the 3D technology normally reserved for popcorn fodder, but for language itself. Tom Ackroyd Boyhood. Because of the idea of the lead aging from 6 to 18 over the course of the story, and because it’s a Richard Linklater picture. Hard to Be a God. Never heard of the director but the NZIFF write-up is irresistible. Under the Skin. Jonathan Glazer’s long-evolving back catalogue points to him eventually doing something extraordinary and I’m hoping this is it.   Runner-up:  Is the Man Who is Tall Happy? I’m a Michel Gondry nut. He can do no wrong. I actually have a crush on him. Sue Tyler The Tale of The Princess Kaguya – for what is film festival without a Studio Ghibli film National Gallery – behind the scenes at the national gallery, it looks like all the things i crave in a documentary The Lady from Shanghai - I love the old restored films that are brought back every year. I still remember the year Rear Window played at The Embassy and despite having seen that film on video many of times it blew my mind. So to not see anything Orson Welles would be a crime against cinema Bonus Track The Kingdom of Dreams and Madness – behind the scenes at Studio Ghibli the year that Miyazaki Hayao was completing his last film The Wind Rises and Takahata Isao worked on The Tale of Princess Kaguya The post New Zealand International Film Festival 2014 appeared first on The Wellingtonista.
    • Accepted from Wellingtonista Blog Feed 137 months ago
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• • 

    Plimmerton Farm: getting greenfields right

    • 28 Jun 2020
    • Talk Wellington
    • If we’re hellbent on doing more residential development in greenfields, what does “decent” look like in Plimmerton, hilly land near an existing suburb – like most of our region’s greenfields? This post is basically a guide for anyone who cares about Plimmerton, good urban development, or healthy wetlands, streams and coast, but is time-poor and can’t face going through the truckloads of documents they’ve stuck up without any specific meta-guidance (some FAQ are here). Hopefully this will help you pop in a submission! PCC’s “information” pages they suggest you use for submitting. Every one of these is a large PDF document, 90% written in technical language… aargh! The background: what where and how For those who don’t know, Plimmerton Farm’s a big proposed subdivision of hilly farmland draining into the significant Taupō Wetland and to Plimmerton Beach, just over the train line and highway from Plimmerton village (original Ngāti Toa name: Taupō). It’s going through a Streamlined Planning Process, a pre-COVID government scheme for accelerating development. The key step is the requisite change of the land’s zoning in the Porirua District Plan (“rural” zone to “residential” and other “urban” zones) that sets out what kind of stuff can then be built, where. It’s mostly streamlined because there’s just one shot for the public to have input on the plan change. One shot. Why submit? I was born and raised in Plimmerton, live here now, and intend to for the rest of my days. I’d love to see it grow, well. I would love Plimmerton to get more wallets, more hearts and minds, more faces (more diverse ones too!). But not with more traffic, and pointless damage to our environment. Right now, the proposal has some serious flaws which need sorting. I say Sorting because the changes won’t make it crazy innovative, just good enough for a development in the spot it is, being kicked off in 2020. Time matters too: there’a a bunch of good things happening imminently (and some bad Porirua trends that need to be reversed). I cover these in Get it right, below. It’s worth submitting because given the situation, a 1990s-grade development just won’t cut it. So what about Plimmerton Farm needs to change? It boils down to two themes: dial down the driveability and dial up the liveabilitymake Local the logical and easy choice for daily needs I’ll outline what needs to change in each. NOTE: There’s a third – don’t stuff the wetlands and streams. This is really important as Taupō Wetland is regionally significant, and all our streams and harbours have suffered from frankly shameful mismanagement of sediment from earthworks-heavy subdivisions like Aotea and Duck Creek, and from the earthworks-a-rama of Transmission Gully. Friends of Taupo Swamp have an excellent submission guide for you – add in some of their suggested bits to your submission. I: Dial down the driveability, dial up the liveability There aren’t many truly black-and-white things in life, but there’s one for towns: If a street is nice to drive in, it’ll be a crappy place to do anything else in (walk / eat / hang out / have a conversation / play / scoot or cycle / shop / have a pint). If it’s nice to do anything else in, it’ll be a crappy place to drive in. Mostly this is because of the nature of the automobile: big solid things that smash into our soft bodies if someone makes a mistake (75% odds of death if that’s at 50km/hour, 10% odds of death if at 30km/hour) big objects that need lots of space for manoeuvering and especially parking – which offstreet can be crazy expensive and push up the cost of a home, and onstreet hoover up valuable public space. big solid things driven by us real humans (for a while at least) who respond to the environment but also get distracted, and generally aren’t good at wielding these big solid things safely. The transport setup proposed for Plimmerton Farm makes for a much too driveable and poorly liveable place. 1. Narrow down all the roads. The current proposal’s roading setup has roads and streets that are too big, and there’s too much of them. Right sized roads for a liveable community The cross-sections for the roads include on-street parking and really wide lane widths. This is really gobsmacking for a consortium that talked a big talk about good practice. For all the reasons that Low Traffic Neighbourhoods are good, this is bad. (And it’s especially nuts when you realise that the excessively wide “arterial” roads (11 metres!) will need earthworked platforms built for them where they’re drawn running up the sharp ridges and across the tops of gullies. Expensive, damaging for the environment, and … what were they thinking?) So recommended changes: NARROW DOWN THE ROADS. Seriously. Design all the living-area streets and roads, and the centre, to be self-explaining for an operating traffic speed of 30km or less – that’s the speed where mistakes are rarely fatal. What does that look like? The designers will know and if they don’t they should be fired. Narrower crossing distances; chicanes (great way to incorporate green infrastructure and trees and seating!); narrowed sight-lines (trees! sculpture!) so no-one driving feels inclined to zoom. Reduced trafficked lanes (rori iti on the larger roads!), with properly wide and friendly footpaths. Threshold treatments, humps, modal filters, all the things we know very well are the natural ways to slow us down when driving, and make streets nicer for people. The beauty of all this “restriction” on driving is how much it frees us up for making everything else appealing. Streets become hospitable for kids to walk, scoot, bike to school safely, using the road not the footpath. Older people and those with impairments can walk and wheelchair safely. Teens coming home from town of an evening can scoot or bike home, safely. Popping down to the shops or for a coffee or to the train becomes a pleasure to do on foot, or on a scooter or bike. And you’re moving in a legitimate way – seeing and being seen, not stuck off in the bush on a “recreational” track like what they’ve described. The ordinary streets and roads are walkable, bikeable, scootable, mobility-scootable, and perfectly driveable, equally safe and useable in all weathers and anytime of day or night. Used to be a big, fast road. Now, kids bike to school and old people can chill out on it. (Mark Kerrison) (And in case you’re worried about firetrucks / rubbish trucks / buses, recall that on even Wellington City’s far more winding, narrower hilly streets everyone gets their rubbish collected and fires fought just fine. On public transport, smaller buses, like those that community transport operators use, are the way of the future for less densely-populated areas like this). Don’t build the through and loop roads. You don’t need signs like this when the only people who bother to drive in are those who live there, or who are visiting friends, because you just have to drive out again the way you came. When it’s the place you live, you’re invested in not being a dick far more than if you’re just out for a drive – or worse, out for a bit of a boyrace hoon on a massive loop route through a whole place. So just don’t build those big connector roads that enable people to drive easily from one residential area to the next, especially the ones up in the hilltops (section C) that just say “come for a hoon!” Instead, connect the living spaces heavily with bikeable, walkable, scootable, disability-friendly streets and lanes, and as much as possible, only one way in and out for cars from each living area. II: Make local logical and easy Plimmerton is a true village, with a great little centre (including a train station!) but Plimmerton Farm is ultimately a damn big area. The way to go is to enable people to get the basics of life – like school, groceries, a coffee – with a little local trip on foot, bike or scooter – it’s more of a bother to get in the car. Right now though, it needs two changes: 1. Provide for a second centre “Bumping into” spaces are known to be crucial to a feeling of neighbourhood, and in the (initial) absence of third places (worship places, community hall, sports club, cafe/pub, a supermarket is a vital social centre. Yet the north end of Plimmerton Farm is currently a deadzone for anything except residential. What things will probably look like under current layout. Like in Edwards Scissorhands without the interest of a castle. There’s no provision for a place to do your household groceries, so people will drive to Mana New World – more car trips – and less opportunity to bump into people who live nearby. (There’ll be no school in Plimmerton Farm for a while, because Ministry of Education isn’t allowed by the Education Act to build a school somewhere until there’s a certain population density of kids to fill it. A shitty Catch-22 for developments which is hopefully going to be fixed … sometime. Just another reason to make walking, biking and scooting really kid-friendly, as extra dropoff traffic for kids going to St Theresa’s, Plimmerton School, Paremata and Pukerua Bay schools will be a nightmare.) So they should provide for an additional centre in the north, including a groceries place of some kind. 2. Intensify within walking distance of Plimmerton proper. We should intensify properly, with lots of medium and even some high density (6 storeys of nicely laid-out density done well!) in the area that’s within a 5-minute walk of Plimmerton Village. The more people can live and work with access to all its many amenities, and its rail station (10 min to Porirua, 30 min to Wellington), the better. But there’s not enough density provided for there. Plimmerton Railway station: buzzing in 1916 and has only got bigger. (Photo: Pātaka Porirua Museum) So they should add another zone – E – of higher density in that 5-minute walking catchment of Plimmerton Village. What could it look like? A good example is 3333 Main, Vancouver . Submission tips On the site they ask you to fill in a Word or PDF form, saying which specific bit of the gazillion proposals you are talking about and the specific changes you want. This is a BS way to treat the vast majority of people submitting: normal non-professionals, just regular people who care about good development and liveable places. So just don’t worry about that. In those question 6 column boxes just put “Transport” and “Layout”. It’s the professional planners’ job to figure out specifically how to change a planning document. Just be specific enough that they know what you want to see. The text above is worth copying and pasting – it’ll be enough. And don’t forget the Friends of Taupo Swamp and Catchment advice is essential – definitely go read and use. That’s all you really need – just go submit! But if you’re keen to know more reasons why they should be doing this better, here’s some… Get it right, now Once this plan change is through, traditional developers like Gillies like to whack in all the infrastructure – hello, massive earthworks. And yet the place will take decades to fill with actual people – those hearts and minds and wallets. (Note even before COVID, Porirua’s growth rate was 0.1% per year. Yep, one tenth of one percent.) And extra pressure’s on to do this better because all these things are features of the next one to three years: the One Network Road Classification (sets the design specs for roads of different types) is being updated right now to be more people-friendly in the specs for roads in residential and centre areas, so designs like Plimmerton Farm’s will soon be Officially Bad Practice Sales and riding of e-bikes and e-scooters are going through the roof, continuing through and beyond COVID – this shows no signs of slowing, and prices are dropping. E-power flattens the hills of Plimmerton Farm and makes wheely active travel a breeze for the middle-class people who’ll be living here, if the streets and roads are hospitablePlimmerton Railway Station (on the most popular Wellington train line) is being upgraded to be a terminus station – i.e. better servicesThe Wellington Regional Growth Framework is setting a bunch of directions for councils on how to grow well, including well-known but often well-ignored issues like intensifying around public transport hubs Councils will soon be required to do to a bunch of a bunch of international good practice including get rid of many minimum parking requirements (in the news lately), and to upzone (enable intensification) of landuse in the walking catchment of public transport hubs. (5 min walk = approx 400 metres, 10 min = 800m).Bad trends we need to stop: Porirua’s really high car-dependency (we own cars a lot and drive a lot) is continuing, due to car-dependent urban form [PDF]– despite nice words in council’s strategic intentions.People living outside Wellington City are mostly to blame for our region’s 14% increase in emissions from transport in just 10 years. OK go submit now – and share with anyone who you think might care!
    • Accepted from Talk Wellington posts 65 months ago by feedreader
    • Tagged as:
    • paremata
    • porirua
    • transmission-gully
    • sculpture
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    • parking
    • design
    • covid-19
    • law
    • planning
    • wellington
    • education
    • developments
    • sport
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    Transmission Gully Motorway, Kenepuru, Porirua, Porirua City, Wellington, 5022, New Zealand (OpenStreetMap)
  
  

• • Vosseler Shield

    • 30 Apr 2019
    • Athletics Wellington
    • Come race New Zealand’s TOUGHEST cross country race!! The Vosseler Shield is one of New Zealand’s most historic races, with the 2019 edition being the 96th time the race has been held! Organised by Wellington Harrier Athletic Club, in conjunction with Athletics Wellington, the Vosseler Shield is the perfect way to test out your early season fitness! For many, finishing the race will be a fantastic goal, as the course takes you up and down the beautiful trails of Mt Vic. For those at the top end, the race is the best early-season opportunity to race against some of Wellington’s toughest competitors. WHAC welcomes club runners from around NZ to participate in the Vosseler Shield 2019!! Event Information – Click Here Vosseler Shield Map – Click Here
    • Accepted from Athletics Wellington 2019 79 months ago by feedreader
    • Tagged as:
    • vosseler

    Alexandra Road, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand/Aotearoa (OpenStreetMap)
  
  
• • 

    Popoalii right at home as a Highlander in 2013

    • 22 Feb 2013
    • Wellington Club Weekly
    • Above: Buxton Popoalii on his way to the tryline in his last game for Northern United - the 2010 Jubilee Cup Final at Westpac Stadium With a Rolls Royce back division, comprising no fewer than five current or former Wellington players, plus a sixth, Tamati Ellison, who is sidelined after having shoulder surgery but still very much part of the set-up, it’s little wonder that big things are predicted for the Highlanders this Super Rugby season. Their contracted players from Wellington that they can call on over the next five months are Old Boys-University first five-eighth Lima Sopoaga, Oriental-Rongotai second five-eighth Ma’a Nonu, Tawa midfielder Shaun Treeby, Hutt Old Boys Marist wing Hosea Gear and Northern United wing/fullback Buton Popoalii...
    • Accepted from Rugby Club Weekly Feed 154 months ago
    • Tagged as:
    • tawa

    Tawa, Wellington, New Zealand (OpenStreetMap)
  
  
• • 

    One of our favourite things we’re blessed to be involved...

    • 9 Sep 2015
    • Orchestra Wellington
    • One of our favourite things we’re blessed to be involved with is the *FREE AROHANUI STRINGS HOLIDAY MUSIC PROGRAM* Monday 5th to Thursday 9th October St Michael’s School, Cooper St, Taita *INSTRUMENTS PROVIDED *MORNING TEA PROVIDED *HAVE FUN LEARNING AN INSTRUMENT *PROFESSIONAL ARTISTS & TEACHERS *END OF THE WEEK INFORMAL CONCERT Beginners welcome and NO EXPERIENCE NECESSARY! VERY LIMITED SPACES AVAILABLE for kids aged 6-13 from the Taita/Pomare/Avalon/Stokes Valley/Nae Nae areas so sign up below ASAP so you don’t miss out. This is an Internationally recognised SISTEMA approach to HAVE FUN whilst learning music skills. Contact 04 563 8877 or admin@arohanuistrings.org to secure your spot this school holidays. Arohanui Strings - Sistema Hutt Valley Hutt City Council Creative New Zealand Kaibosh
    • Accepted from Orchestra Wellington posts 123 months ago
    • Tagged as:
    • stokes-valley
    • hutt-valley

    Lower Hutt, Wellington, New Zealand (OpenStreetMap)
  
  

• • The dubious transport solution for Wellington: the cheapest option

    • 5 Oct 2011
    • Wellington Scoop
    • Wellington city councillors were told yesterday that the government will not pay for Option X. What would be best for the city is not acceptable for the politicians. They want the cheapest possible deal. Not that the government delivered this decision directly. The information emerged at a briefing meeting, almost as a throwaway line, in response to a question from a councillor who asked: “In terms of funding for Option X, what are the chances of the government fronting up with the extra money?”
    • Accepted from Wellington Scoop features 170 months ago
    • Tagged as:
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    • wellington-city-council

    Basin Reserve, Dufferin Street, Mount Victoria, Wellington, Wellington City, Wellington, 6021, New Zealand (OpenStreetMap)
  
  

• • On your books

    • 27 Jan 2011
    • Architectural Centre Inc
    • In the mean time - here’s a round up on projects completing, underway, or even just starting off, as there a couple of new cranes that have appeared over Christmas. The big push around Wellington at the moment is of course the Housing Upgrade Project. A number of well-respected practices around town have got a project or two in there - with a total of about 20 WCC housing projects to upgrade, we’re guessing there is some work in there to last for a few years
    • Submitted by tonytw1
    • Tagged as:
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    • wellington-city-council
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• • April 2025 news

    • 11 Apr 2025
    • Wellington Orienteering Association
    • April 2025 news More CSW events on their way, so too is a new Constitution ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   View this email in your browser April 2025 news Mihi nui kia <> It has been great to see so many people participating at events, and the over 200 people at Karori were treated to an excellent navigational challenge with the maze of tracks and many route choice options. With participation up, this is great evidence that our club is in a strong position. Although I've been on the Committee over the years since arriving in Wellington in 1988, I haven't yet had the honour of leading Orienteering Wellington. My focus at this time is ensuring your club maintains momentum with quality events and training, as we gear up to hosting Nationals in a year's time. We have now wrapped up our evening sprint series and are moving on to the classic-style events. Our two most recent events were at Tikara and Karori Park and have also been part of a College Sport Wellington(CSW) orienteering series. We are grateful to our partnership with Orienteering Hutt Valley in delivering the CSW championship events. In the meantime, I wish everybody heading to Nationals in Canterbury safe travels, and good orienteering! Beverley Holder President Training opportunities Course Planning Seminar If you are currently a course planner or controller, or are interested in these roles, then Orienteering Wellington has a session for you! Our half-day Course Planning Seminar will be a practical session with some tips and tricks on how to set good courses, how to use the course software, and additional compliance responsibilities for controllers. You will also get the chance to share ideas with others who are planning and controlling courses. When: Sunday 4 May Date 4th May Where: Johnsonville Community Centre Find out more and register your interest. Course Planning Seminar Practical training for developing orienteers On Sunday 15 June, we will host training aimed at skills for orange-level orienteers – either those currently running orange or yellow courses and who want to start preparing for the next level. The focus will be on moving away from “handrails” like tracks, fences and streams, as well as improving accuracy of navigation near the control site. The location isn’t confirmed but will be in Wellington. Weekly interval training is back! Lizzie Ingham is offering group interval training at 6pm Wednesdays. You’ll get to build fitness running along the flat, up hills, or maybe a mix—and doing intervals as a group is much more motivating than doing intervals on your own. The group typically meets at the upper Ōtari carpark on Wilton Road. Find out more. Dodge the line with your own dibber! A challenge of the growing number of events and participation is the queues at registration. Did you know that you can buy your own sport ident, register online – and bypass that registration queue! One vendor is Michael Wood, whose MapSport shop sells all sorts of orienteering gear, including SportIdents (dibbers). You’ll see him at most local events. All Societies need a new Constitution Why now? As an incorporated society, Orienteering Wellington must provide a new Constitution to comply with the Incorporated Societies Act 2022. Any society that does not reregister by 5 April 2026 will cease to exist. The Act had not been reviewed since 1908 and the new Act is far more explicit regarding the Committee, expectations of officer, conflicts of interest and concerns and complaints. What is changing? Currently, our Committee quorum is five. Orienteering Wellington now proposes a minimum Committee size of five, with a majority quorum. The Committee would be supported by working parties to help carry out the Club’s operations. We’ve effectively used such arrangements for delivering major events, club events, design, and reviews. Lachlan, our secretary, has led a small team to draft a new Constitution. We ask that you now read the draft Constitution. Read the draft Constitution Next steps Send any thoughts you have to the Committee at secretary@wellingtonorienteering.org.nz by Sunday 4 May. The Committee will consider your feedback and distribute this to members, noting any revisions to the proposed draft Constitution. We will look to pass a confirmed Constitution at our club Winter Potluck at 30 Gurkha Crescent on Sunday 8 June. Useful links Key changes provided by the Incorporated Societies Act 2022 Existing Constitution of Wellington Orienteering Club Read the draft Constitution Look flash in club kit! You can still purchase club shirts and headbands in a range of sizes. If you’re heading to Nationals in Canterbury, we can bring your order to you! You can also collect your order at a local event. Get shopping now, or contact Anna Varnham for more. Get your kit! Nationals 2026 Once again, Orienteering Wellington is teaming up with nearby clubs Red Kiwis, Hutt Valley and Taranaki to offer the NZ Orienteering Champs (Nationals) in the lower North Island next Easter (3-6 April 2026). At the moment, Malcolm Ingham is identifying suitable areas to map and Paul Teesdale-Spittle is assembling a small technical committee for the event. But we need your help to make the event a success! If you're keen to get involved, let us know. In any case, mark it in your diary for next year. Mapping news Since November, we returned to Tikara Farmland, a relatively new map for us. You can see a map of mapped areas on our website. We’d like to hear your suggestions for new areas to map. Talk to Jake Hanson if you have some good ideas of areas you have spotted – get in touch through our website. World-class Wellingtonians! Congratulations to Wellington orienteers Lara Molloy, Lizzie Ingham and Rachel Baker – all of who have been named in as representatives in the New Zealand team at the World Orienteering Championships in Kuopio, Finland (7-12 July). Jake McLellan and Rachel Baker will also represent New Zealand at the Junior World Orienteering Championships in Trentino, Italy (26 June - 3July). Coming events Orienteering Wellington’s coming events can be found on our Events page. You can also toggle the calendar to show Orienteering Hutt Valley’s events. Sunday 13 April – Riverbank Route Choice, Upper Hutt Sunday 5 May – Course Planning Seminar, Johnsonville Wednesday 14 May – Afterwork Rogaine, Eastbourne Sunday 25 May – CSW and Public Event, Baring Head Wednesday 6 June – Afterwork Rogaine, Miramar Sunday 15 June – Practical training Sunday 22 June – Matariki special, Waikawa … For all events, visit Orienteering New Zealand About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington Copyright (C) 2025 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
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• • Junior Hockey Have-A-Go Day – Come Try It Out!

    • 22 Apr 2025
    • Northern United Hockey Club
    • Saturday 26 April | 9:00 – 10:00am National Hockey Stadium – Turf 1 Open to Years 3–8 Is your child curious about hockey? Or maybe they've had a go before and want to give it another shot? Our Junior Hockey Have-A-Go Day is the perfect chance for tamariki to try out the sport in a fun, supportive environment – no experience needed! We’re inviting all keen kids in Years 3–8 to join us on Saturday 26 April from 9–10am at the National Hockey Stadium (Turf 1). Whether your child has played before or is completely new to the game, this event is a great way to get active, make new friends, and build confidence on the turf. What to Expect: A relaxed and fun session run by friendly coaches Games and drills to learn basic hockey skills A mix of new players and returning ones Spare sticks available for those who don’t have their own Just bring a water bottle and sports gear 🎟 Tickets are $5 (+ booking fee) on Eventbrite – gate sales available on the day 👉 Book your ticket here 📝 Ready to Join the Club? If your child enjoys the session and wants to play this season, head over to our Junior’s Page to sign up for the 2025 season! We’d love to welcome some new faces to the Northern United whānau – come along, give it a go, and experience the fun of hockey!
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• • Ngā Kōrero Special - BIG THANK YOUS Concert this Sunday

    • 21 Nov 2023
    • Downtown Community Ministry
    • Ngā Kōrero Special - BIG THANK YOUS Concert this Sunday Several great musical acts are coming together to help end homelessness in support of DCM's Walk a Mile Fundraiser communities where whānau are housed, connected, valued and thriving About Us Contact Concert in support of DCM’s Walk a Mile Fundraiser The official conclusion of our Walk a Mile Challenge fundraiser is the BIG THANK YOUS concert at San Fran, 171 Cuba Street, this Sunday 26 November, 5-9pm. And we have some sensational entertainment for you! Laura Collins and the Back Porch Blues Band are masterful entertainers, moving seamlessly between ballsy blues and soulful ballads. Seamus Johnson delivers blistering vocals and guitar chops: you will think you’re listening to a whole band. Dr. Blue is a must-see for all-out entertaining roots. Beans performs beautifully written folk songs. Two Times is a band that will keep your toes tapping. Tickets are just $20 each, an absolute steal but we wanted to make it affordable for everyone. Get yours right here, right now! Click below... Big Thank Yous Tickets There will also be a charity art auction run by Dunbar Sloane, including art works by DCM’s own whānau, like Hapi and Jason! The line-up Laura Collins and the Back Porch Blues Band are dynamic, masterful and all about entertainment. Laura, with high energy and vocal strength, moves between ballsy blues and soulful ballads. She gives her band license to shine and shine they do; Wayne Mason, master of boogie ‘burning it up’ on the keys, John O’Connor ‘eating it up’ on lead guitar, George Barris on warm upright bass and Pete Cogswell on back porch drums ‘putting the car in drive’. Seamus Johnson has been described as a one man musical sensation. With blistering vocals and guitar chops you will think you’re listening to a whole band. Fresh back from touring with Sea Mouse, Seamus is here to bring some authentic old school blues! Beans is a recent addition to the Wellington folk scene, importing a wild array of original songs all the way from deepest, darkest Yorkshire. They gained international acclaim in 2021 as a finalist in the Liverpool International Song Contest and have since performed across Australia and Aotearoa. Embodying the classic singer-songwriter formula, Beans’ live shows are rich with humour, honesty and interesting word choices. Expect to feel things. Mike ‘Dr. Blue’ Mckeon is an international award winning multi-instrumentalist, singer-songwriter and poet. ‘With a unique brand of early blues’ (Blues in Britain Magazine), ‘Mesmerizing’ (Broadway Baby), ‘A sensation’ (Otago Daily Times). STOP PRESS – Dr. Blue will be joined by Vicky Weeds, a singer, cellist, and burlesque darling from Pōneke. She has been performing around Aotearoa since 2011 and in 2019 won the Wellington Alternative Performing Arts Award for favourite cabaret performance. Two Times is a toe-tapping covers band regularly entertaining audiences around the Wellington region. Expect to groove to all your favourite hits. Not only will Beans perform for us, but they have also been walking a mile in support of DCM! Here's a song Beans wrote while out and about... A Mile in These Shoes by Beans DCM is truly grateful to all those people who have been walking a mile a day in support of our mahi to create communities where whānau are housed, connected, valued and thriving. For many years, DCM held an annual Bookfair, and ever since we have been hoping to find a new fundraiser that connects in a meaningful way with the work we do with the most marginalised people in our city. The Walk a Mile Challenge and BIG THANKS YOUS Concert provide an opportunity for us to come together as a community to support DCM, and raise the pūtea we need to keep our essential services running. We look forward to connecting with you on Sunday. Can’t make it? Please forward this to anyone you know who may like to come along. Or, if you'd like to support one of the individuals or teams walking a mile in support of DCM, click here. Big Thank Yous Tickets Copyright © 2023 DCM. All rights reserved. Our mailing address is: DCM PO Box 6133 Marion Sq Wellington, Wellington 6011 New Zealand Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • Ngā Kōrero - Latest Stories from DCM

    • 3 Jul 2023
    • Downtown Community Ministry
    • Ngā Kōrero - Latest Stories from DCM Wellington Mayor Tory Whanau joins DCM's Outreach team, checking in with people who are rough sleeping in the city communities where whānau are housed, connected, valued and thriving About Us Contact Reaching out with the Mayor GUEST WRITER: LEE-ANNE DUNCAN DCM’s Toro Atu (Outreach) Team were delighted when Wellington Mayor, Tory Whanau, accompanied them as they checked on people sleeping rough on the city’s streets. She declared herself “an advocate” to see their heart, passion – and impact. “Kia ora, gidday, would you like to say hello to the Mayor?” says Rowan McCardle, introducing a man sitting in Te Aro Park to the Wellington Mayor, Tory Whanau. The man – who Rowan knows well from his visits to DCM – is keen to chat, almost flirtatious, from his spot in the bright afternoon sun. After a quick chat, Tory, Rowan, and her co-worker Clifton Raukawa, head down to Courtenay Place responding to a notification just through from the Wellington City Council. A woman has been rough sleeping outside a business on Courtenay Place, and while it’s sunny, it’s June, so it’s chilly. “She has only a thin blanket, and the person who notified the council about her is concerned,” says Clifton to Mayor Tory, reading off the email on his mobile phone. “We know this woman. She’s been away but must be back in town, so we will need to see how we can support her.” The WCC email notification is great timing as this is exactly what Rowan and Clifton, workers from DCM’s Toru Atu, or Outreach Team, want to show the mayor – how DCM responds when a member of the public calls the council to report concerns about someone sleeping rough. It’s a service the council helps fund. It’s also not great timing – the woman’s blankets are spread out in the lee of a post box, but she is nowhere to be seen. “It’s okay, I’ll circle back in a few hours. She won’t have gone far,” says Clifton. He’s troubled though. As the woman has been out of town for some time, she’s no longer eligible for emergency housing here and must start the process again. Clifton’s already thinking about how he can support her, ensuring she’s connected in with DCM’s Aro Mai Housing First team. Tory and Mere – Photo by Damon Keen. Rowan, Clifton and the Mayor (and, yes, a couple of photographers and journalists) continue down Courtenay Place. Within a few steps, Rowan spots another familiar face. “Nanny! I haven’t seen you in ages! Kia ora!” It’s Mere, whose face is also familiar to Wellingtonians who spend time at this end of town. However, for some weeks her usual spot outside the St. James Theatre has been vacant as she’s been settled into a rest home. Rowan introduces the Mayor, and Tory and Mere sit down on a bench to discover their whanaunga – who they know in common. It doesn’t take long to find connections, to the evident delight of both. “DCM worked with Mere for a long time to get her into the rest home,” says Clifton. “We had to build a lot of trust with her, but she agreed to go and it’s clearly agreeing with her. She’s looking really good.” Nonetheless, here she is back on Courtenay Place? “Yeah, but that’s her social connection. Coming here to chat to people, to connect with her friends, that’s what she knows. But now we know she’s well housed and cared for, so that’s okay,” says Clifton. Some of the people street begging are housed, but having a house costs money. Benefit payments don’t go far, and often street beggars aren’t physically or mentally able to work. Being on the street supplements their income, but, also, like Mere, gives them the chance to meet up with their mates. Clifton has his own experience of homelessness. Living and working in Auckland, he was visiting Wellington when the COVID-19 lockdowns began. Suddenly, he was homeless and jobless. Luckily, he found a flyer for DCM, which found him housing, then offered him a job as a peer support worker, as DCM values lived experience. Clifton is now studying to bring theory into his practice. Like Rowan, he loves his Outreach work, as tricky as it is at first to bowl up to people who – quite honestly – might tell you to bugger off in no uncertain terms… Clifton - Photo by Juan Zarama Perini. A little further down Courtenay Place, the trio have a quick chat with Mark. With everyone they meet it’s a quick, “Kia ora, how are you, how’s it going?” Much of their work is making repeated connections, building trust, finding the right supports at the right time, even after someone is housed, like Mark. He was rough sleeping but now is permanently housed and being supported by DCM’s Noho Pai (Sustaining Tenancies) Team, as keeping house is tough when you’ve not had to do housework, be a good neighbour, or pay bills for quite some time. The Outreach Team were lucky with the weather the day they took Mayor Tory for an up-close look at their mahi. On the streets of the capital city, the days are not always so clement. Wellingtonians are generally compassionate people, they want to help, and the way many action that support is by handing over food, money, blankets, clothes. “But that’s short-term assistance, which actually makes their situation more long-term,” says DCM Director, Stephen Turnock. “It teaches people they can get money and food by street begging or rough sleeping. At DCM, we are about providing long-term change. So we say, if you want to buy kai or provide support to people on the street, then look at donating to DCM. You’re still helping by ensuring people who are trained to engage will work with that person long term to get more sustained outcomes than just that brief moment where you give someone some lunch.” DCM’s Outreach Team approach street beggars and rough sleepers with nothing more than a warm smile – and often, like Clifton, their own lived experience of homelessness. Every week day they’re out on Wellington’s streets, in all weather, stopping and chatting to people they already know by name, and, importantly, scanning for people they don’t know. If so, they will approach them, encourage them to come to DCM to access the many support services available at Lukes Lane, and get connected with social agencies, all in the one place. Social Issues reporter Hanna McCallum (left) wrote this great article about Outreach in The Post – Photo by Damon Keen. The other thing Wellingtonians can do, especially as winter grips tighter, is call the Wellington City Council on 04 499 4444 if they spot someone sleeping rough on the street, in the bush or in a car. After that call, a ‘ticket’ is created and emailed to the Outreach Team. The team receive at least two a day, but sometimes 10, usually numbering between 90 and 120 notifications a quarter. Sometimes notifications are for the same person, showing people are really concerned. After receiving the notification, the team races off to try to connect with the person, wherever they are across the Wellington region, whether out on the streets or tucked in the bush. “The team’s tagline is ‘Whatever it takes’,” Stephen says. “If they’re told to go away, they’ll respectfully keep checking back in, and usually the person will come into DCM. When they do, that’s a great win for the team. “For people experiencing homelessness, the value our team brings is showing them that someone in the community cares. For the wider city, our team is about recognising that the people we see rough sleeping are people. Yes, they might have some issues, and they come with a history, but they’re so much more than that. Our team brings that insight and knowledge to the wider public.” Walking out with the team has also brought insight to Tory Whanau. The Outreach Team has been walking the streets since 2016, with Wellington City Council providing funding for the team since 2019. Mayor Tory is more than reassured it’s money well spent, and she – like DCM – is perplexed no other council in Aotearoa New Zealand does anything similar. Her walk-out with the team has spurred her to urge other Mayors to follow suit. “Until you come out here and see what the team does, you don’t really see the value. I can see that clearly. Until all the systems are fixed – mental health, welfare, housing, which are all long-term issues – homelessness won’t go away. As a society, we need to have more compassion and see the human side of homelessness. If more of us know the people sleeping rough on our streets, we would be more compassionate and understanding. This city is also where they live.” Tory and Rowan – Photo by Damon Keen. Stephen is equally warm about the council’s support. “Everyone there is truly invested in the social wellbeing of our people. There’s a continued and genuine passion that’s shared about these vulnerable communities. That, I would say, is the primary reason the Outreach mahi exists and is so well supported here in Wellington.” The final stop on Mayor Tory’s tour is for Rowan to check in on a young woman in her early 20s, ‘living’ behind a piece of cardboard down an alleyway an arm’s length from Wellington’s home of high culture, the Michael Fowler Centre. Her behaviour – caused by a history of trauma, mental illness and drug addiction – has seen her evicted from emergency housing, which means she’s no longer eligible for it. So, if she’s not on the psychiatric ward, she must live on the street or with her abusive boyfriend. Usually, she prefers the street. Rowan walks up to the cardboard, calling the young woman’s name. After a few words, Rowan’s back. She wasn’t up for talking today, but Rowan knows they’ll likely see her tomorrow at DCM, at Te Hāpai, where people can come for a cuppa, a chat, and have any health, addiction, housing, benefit and money issues dealt with, and maybe collect some kai from the Foodbank. “She’s engaged with us and we have a rapport with her. If we don’t see her, someone from our team will look for her. We’ve got her working with Aro Mai Housing First, so hopefully we can find her a permanent home soon.” And from there, the Sustaining Tenancies team will step in, guiding this traumatised young woman to keep her home. Photo by Juan Zarama Perini. Back at DCM in Lukes Lane, Mayor Tory Whanau is vocal in her admiration of what she’s witnessed. And she’s hopeful more Wellingtonians will call the council if they see someone street begging or sleeping rough this winter, rather than handing over food, money, blankets, clothes. “It’s been great to be here and see the notification process in action, and then to see the heart Rowan and Clifton have when they approach people in response. That’s how they deserve to be treated. I was already a big supporter of DCM but being out here today has taken it to the next level. “Seeing what’s happening here, and meeting the people, hearing the stories, it brings it home to me even more. If more Wellingtonians could experience what the Outreach Team sees each day, they would have a greater understanding of homelessness, and how we must protect our most vulnerable.” Lee-Anne Duncan is a freelance writer and editor who has written many stories for DCM, such as ‘We count, we matter – and we vote’, the 2020 General Election at DCM, and ‘Right at Home’, the story of Arthur. Thank you Lee-Anne for hitting the streets with Tory and the DCM team. It’s getting cold out there As we have shown in this story, help is just a phone call away. If you spot someone sleeping rough on the street, in the bush or in a car, call Wellington City Council on 04 499 4444 and they will notify us. You can also help by telling all your friends and whānau about DCM and our important work in Wellington with those who need us most. Please forward this email on. Because together – with your help – we truly can end homelessness in our city. Support DCM Copyright © 2023 DCM. All rights reserved. Our mailing address is: DCM PO Box 6133 Marion Sq Wellington, Wellington 6011 New Zealand Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 29 months ago by feedreader
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• • 

    Yan pushes innovation to protect economy

    • 7 Aug 2013
    • WCC Watch
    • Mayoral candidate Jack Yan believes his policies on creativity and innovation are needed more than ever in light of the recent Fonterra disaster and has released a statement and a new video (speaking in English, te Reo, French and Cantonese, no sign language sadly) highlighting the need for the next mayor to be able to bridge cultures at a global level: Wellington’s innovation can be a safety net when Fonterra-level scares hit If mayors aren’t part of this dialogue, talking to the top 40 cities in the world and opening doors for our exporters, then we’re going to be affected terribly when our nation brand is damaged,’ he says. ‘We have seen real evidence of this week.’ ‘In the meantime, Wellington is the home of companies like Weta and Xero, along with numerous independents¬ has a reputation that can stand head and shoulders above this scandal.’ Mr Yan, who issued his manifesto for the Wellington mayoral election in April, months before his opponents, has remained on message throughout about the need for Wellington to become a global hub for innovation and identifying export champions. Given Wellington’s urban base, those champions were likely to be outside the primary industries. ‘New Zealand is a primary products’ nation and I recognize the sector’s importance. However, this scare shows just why it’s important for cities to back up national economic activity and to have strong brands themselves.’ ‘Wellington is in an enviable place to deliver greater innovation, with high-growth firms and strong creativity, which will be more rigorously grown if I am elected,’ he says. Mr Yan has authored books on branding and has practised in the area since the 1980s. His work at the Swedish branding think-tank, the Medinge Group, has seen him lead the way on international brand thinking, making him better equipped to develop a proper city brand, get Wellington businesses exporting, and being an advocate for them globally. He agrees with earlier commentators, including Prime Minister John Key, that the scare has harmed New Zealand’s national brand. As he predicted in his 2010 and 2013 campaigns, strong city brands will have to come to the fore to promote economic activity in export markets. Mr Yan says, ‘There is a certain level of pride in saying something comes from Wellington, but we haven’t recognized this properly. We have export earners here and by promoting a diverse economy, we can ensure that we have more of a safety net when scandals in our primary sector occur. ‘I have long been concerned since the days of the “New Zealand Way” brand in the 1990s that we were missing the mark on promoting our nation. Even then, I was outspoken on saying that the likes of Karen Walker and Tait were being excluded. Yet Kiwi innovation is unique: it comes from a sense of isolation and independence,’ he recalls. ‘We have export markets criticizing our “100 Per Cent Pure” campaign again. I have to say we deserve every criticism and it is time for cities to step up.’ As they say, never let a serious crisis go to waste. You can watch here.
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• • 

    The artist as many other things first

    • 16 Feb 2023
    • Urban Dream Brokerage
    • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
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    Brooklyn, Wellington, New Zealand (OpenStreetMap)
  
  
• • 

    Player Profile - Rohith Row Yeluri

    • 30 Oct 2016
    • Taita District Cricket Club
    • Name: Rohith Yeluri Nickname (and why): Row, Darren Dingle gave me this name (Just because it’s easy to say Row than Rooheath)  Place of Birth: Khammam, a beautiful town in Telangana State (India) Taita Debut: 2015 for Premier Reserves Highest Honors: Premier Reserves Most Memorable Game: Game against Upper Hutt this season where I picked 9/9 (My best ever bowling figures) Favorite holiday destination: Queenstown Best advice you’ve received: Keep bowling those Out Swingers and don’t bowl slow deliveries. Almost everyone who fields behind the stumps gave me this advice. Favorite Movie: Rockstar (Bollywood) Favorite Musician: A R Rehaman & Ilayaraja Sporting hero: Glenn McGrath Favorite cricketer: Saurav Ganguly Non-Sporting hero: My Dad Best Taita memory: Obus scoring 140 on the same day I picked up 9 wickets Biggest pest at Taita: Diz Interesting fact about you: I was a top order batsman for most of my life and never batted below 6 before I started playing for Taita Premier Reserves (I bat at 9 or 10 here) <figure class=" sqs-block-image-figure intrinsic " >
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• • 

    Player Profile - Rohith Row Yeluri

    • 30 Oct 2016
    • Taita District Cricket Club
    • Name: Rohith Yeluri Nickname (and why): Row, Darren Dingle gave me this name (Just because it’s easy to say Row than Rooheath)  Place of Birth: Khammam, a beautiful town in Telangana State (India) Taita Debut: 2015 for Premier Reserves Highest Honors: Premier Reserves Most Memorable Game: Game against Upper Hutt this season where I picked 9/9 (My best ever bowling figures) Favorite holiday destination: Queenstown Best advice you’ve received: Keep bowling those Out Swingers and don’t bowl slow deliveries. Almost everyone who fields behind the stumps gave me this advice. Favorite Movie: Rockstar (Bollywood) Favorite Musician: A R Rehaman & Ilayaraja Sporting hero: Glenn McGrath Favorite cricketer: Saurav Ganguly Non-Sporting hero: My Dad Best Taita memory: Obus scoring 140 on the same day I picked up 9 wickets Biggest pest at Taita: Diz Interesting fact about you: I was a top order batsman for most of my life and never batted below 6 before I started playing for Taita Premier Reserves (I bat at 9 or 10 here) <figure class=" sqs-block-image-figure intrinsic " >
    • Accepted from Taita District Cricket Club feed 2020 65 months ago by feedreader
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• • 

    Circa 2015 Season - jam-packed with theatre for all audiences!

    • 8 Dec 2014
    • Circa Theatre
    • Red Riding Hood, the PantomimeBy Roger HallSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson2-10 JanuaryCirca One What a big smile you’ll have …Don’t miss Circa’s fabulous Christmas panto! And this year Red Riding Hood is back with one of the great traditional stories – innocent Red Riding Hood, her poor, short sighted grandmother, and of course the handsome woodcutter and that villain of all villains, the Wolf!There’s lots of laughter, hilarious jokes and musical goodies in Red’s basket as she sets off on her journey to entertain young and old with this marvellous magical treat.“A great way to introduce kids to the magic of theatre, and Red Riding Hood is easily the ideal Christmas outing for the holdiays … a treat” – Salient“Roger Hall’s helter-skelter Red Riding Hood… is wonderfully exuberant seasonal fun” – The Dominion Post The Kitchen at the End of the WorldBy William ConnorDirected by Steffen Kreft16-25 JanuaryCirca Two “Something is coming. I don’t know what it is. And I don’t know if I should fight it or welcome it.” One snowy evening, an empty 83-room hotel on the edge of the Vastness receives a thin guest who has walked all the way from the City. Penniless, he is smuggled into the hotel kitchen where a kind cook works near an extraordinary thyme plant. He says that creativity is dying. Described as “intensely beautiful”, “provocative and moving”, The Kitchen at the End of the World is the story of marionettes who know they are limited by the extent of their strings – even kissing can tangle them – but they crave what lies beyond their reach. A story about home, the unknown, and the courage to face everything in between. The show captivated audiences at its sell-out debut season during the Greytown Festival 2012and is a powerful reminder that puppetry is not just a children's art form. SeedBy Elisabeth EastherDirected by Kerryn Palmer17 January – 14 FebruaryCirca One SEX & DRUGS, WITHOUT THE ROCK ‘N’ ROLL IVF isn’t foolproof and IUDs aren’t failsafe. iPhones come with ovulation apps and ‘choosing from the menu’ means selecting your sperm. Seed follows four women as they try to get pregnant, stay pregnant or become un-pregnant - the dilemmas of modern reproduction. Elisabeth Easther’s Seed is winner of the 2014 Adam New Zealand Play Award, which recognises and celebrates the best in new writing for the theatre. It’s a multi-narrative play about the mysterious business of fertility, with all of its challenges, heartaches and hormones. Seed is a drama that’ll have you laughing ‘til the tears are running down your face, and it’s a comedy that’ll make you cry. “Highly entertaining, funny and sophisticated” - Adam Play Award Judges “[A] sophisticated, witty and very contemporary meditation on the timeless processes of procreation.” - NZ Herald STARRING: Tess Jamieson-Karaha, Jamie McCaskill, Emily Regtien, Holly Shanahan and Amy Tarleton Warning: Adult themes and strong language. Demolition of the CenturyBased on the novel by Duncan SarkiesCreated by Duncan Sarkies and Sean O’Brien31 January – 21 FebruaryCirca Two Welcome to the world of Tom Spotswood, an insurance investigator who has lost his socks, his suitcase, his ex-wife and his son, Frank. Fresh from performances in the New Zealand Festival, Auckland Writers Festival, Tauranga Arts Festival and Nelson Arts Festival, Demolition of the Century sees author/performer Duncan Sarkies (Two Little Boys/Scarfies/Flight of the Conchords) stage a humorous and sometimes heartbreaking look at families, memories and the fragility of the human mind. He is accompanied by musician Joe Blossom, who plays a soundtrack that is both haunting and invigorating. “A series of brilliant vignettes, delivered in an inspired cabaret-style reading by the multi-talented Sarkies, and outstanding musician Joe Blossom… Blossom not only creates fluid and essential musical transitions, but his beautiful vocals, self-accompanied on piano and guitar, imbue this work with a powerful pathos that allow glimpses of the inner landscape of these characters. Demolitionis a fast-paced, darkly captivating cabaret-comedy, which leaves us fully entertained and tantalizingly close to solving a puzzle.” –Bay of Plenty Times Wake Up TomorrowPresented by Everybody Cool Lives HereIn association with ActiveDirected by Isobel MacKinnon21-28 FebruaryCirca One Welcome aboard Active Airlines! Join the eccentric passengers during this compelling, surreal and funny flight. Made under the guidance of Wellington theatre makers in collaboration with Active, a service for youth with an intellectual impairment, Wake Up Tomorrow was created from the minds of these incredible young people. Audiences will be transported from the mundane moments on a long haul flight to bizarre and hilarious scenarios.  Please fasten your seat belts, make sure you are in the upright position and enjoy the journey. We may or may not arrive at the expected destination. “In a work of this kind there is always a delicate balance to be held between presenting a polished product at the same time as allowing for a playful improvised quality to emerge that allows the actors to perform to their strengths. This was very evident in the final few scenes …” – Madeline McNamara Yep, Still Got It!By Jane Keller and Sandy BrewerDirected by Alan PalmerMusical Director Michael Nicholas Williams28 February – 21 MarchCirca Two YOUTH IS A GIFT OF NATURE, BUT AGE IS A WORK OF ART – Stanislaw Jerzy Lec Following the huge success of BOOMERS BEHAVING BADLY, Jane Keller returns with another hilarious show. A little older, a little wiser, a lot sassier, and even more confused. Whatever happened to the days when a cloud was a cloud, when face time was over a G&T, and we punctuated our sentences with full stops - not smiley faces? From senior sex and those pesky STDs to shopping sprees and colonoscopies, Jane shares stories of abject embarrassment, medical (mis)adventures, empowerment, and acceptance. In YEP, STILL GOT IT!  she embraces the power of an older woman with no FOMO. Together with the brilliant Michael Nicholas Williams on the piano Jane brings a brand-new show to Circa Two combining her special style of storytelling with her virtuoso Broadway voice. Capital E Kids FestivalCirca One CaterpillarsBy Kallo Collective Directed by Thomas MoncktonProduced by Show Pony7 March 10 am & 11.30am A tale of two puppeteers’ failed attempts at beautification. In the magical world of flitting butterflies, jumping eggs and giant swaying flowers, two lycra-clad puppeteers try their hardest to remain unseen and at service to their puppets: two enormous plump caterpillars. Caught in the wrong place at the wrong time, with nothing but their wits to cover up their escalating blunders, two appealingly hopeless clown puppeteers bring upbeat absurdity, slapstick silliness, and a good dose of reality to their hilarious and unpredictable antics. Beards! Beards! Beards!By Trick of the Light TheatreDirected by Hannah SmithWritten by Ralph McCubbin HowellProduced by Show Pony21 March 10am & 1pm Beatrix didn’t want a tiara. Beatrix wanted a BEARD! From Charles Darwin to Abraham Lincoln, Karl Marx to Mr Twit, it is said the secret to power and greatness is all in the size and shape of the beard. This is a tale of one young girl’s increasingly inventive efforts to grow the world’s most magnificent beard. Join a madcap and hilarious musical romp of physical comedy and clowning, as our plucky young heroine shakes up social rules and attempts to answer the questions that have puzzled mankind since the dawn of the beard. Suitable for  children 5+. The PianistBy Circo Aereo (Fin) and Thomas Monckton (NZ)In conjunction with Show Pony (NZ)Directed by Sanna Silvennoinen and Thomas Monckton7-22 MarchCirca One Direct from Edinburgh Fringe and the London Mime Festival, last year’s hit returns to Circa! “It would be no exaggeration to declare Thomas Monckton nothing short of a genius.” – Broadway Baby (UK) “I doubt very much that you’ll see, in fact I am prepared to bet on it, a funnier show this year…miss him at your peril”  – The Dominion Post (NZ) Fresh from a five-star reviewed season at the Edinburgh Festival Fringe and a sell-out season at Circa Two last year, award-winning performer Thomas Monckton returns with his smash hit The Pianist, this time at Circa One! The Pianist is a solo comic contemporary circus piece by Thomas Monckton (NZ) and Circo Aereo (Finland). The show is centered on, in, under, and around the magnificent grand piano. Accompanying this elegant apparatus is the poised pianist himself. Only he is so focused on impressing everyone that before he realises it, his show has transformed from the highbrow concert he hoped for, into a spectacularly amusing catastrophe. Suitable for all ages. The Mystery of Edwin DroodA musical by Rupert HolmesDirected by Lyndee-Jane Rutherford28 March – 25 AprilCirca One Who the Dickens did the deed? You decide! A non-stop ride of mystery, murder, and musical delight! Based on Charles Dickens’ final, unfinished novel, The Mystery of Edwin Drood is filled with clues, red herrings, villainy, and debauchery. Everyone on stage is a suspect – and it's up to you to decide how this mystery ends!Hot off Broadway, this Tony Award-winning theatrical genius is led by director Lyndee-Jane Rutherford (Midsummer (a play with songs)), who reunites with the artistic team that brought Grease and Mamma Mia to the Wellington stage. The cast includes beloved actor of stage, screen and radio, Lloyd Scott, and internationally renowned soprano, Barbara Graham (Christine, Phantom of the Opera). The Mystery of Edwin Drood boasts spectacular big dance numbers, rousing showtunes, stunning theatrics, magic, and illusions!  Tony Awards for Best Musical, Best Book, and Best Score“One of the most inventive, inspired and rousing musicals ever devised.”—AM New York“Infectious fun!”—Time Out New York “Bawdy fun!”—Associated Press “Sheer fun!”—The Wall Street Journal Two MortalsDirected by Geoff PinfieldPerformed by Rachael Dyson-McGregor & Mike McEvoyComposed by Beatrice Lewis1-18 AprilCirca Two 'A powerful theatrical experience suffused with humour, beauty and emotional intelligence' – The Melbourne AgeTwo Mortals is a delicate, poetic and humorous exploration of life, death and the moment in between. Composed word-for-word from interviews with people who live and work at the ends of life – morticians, cryogenicists, palliative care workers and ministers – Two Mortals weaves these true stories and experiences into a richly theatrical exploration of mortality. This uplifting work about one of our society's most taboo subjects was directed by Chapman Tripp Director of the Year Geoff Pinfield. Created and performed by Rachael Dyson-MacGregor and Mike McEvoy, Two Mortals sold out two critically-acclaimed seasons at Melbourne's La Mama Theatre. Improv for KidsBy The Improvisors7-18 AprilCirca Two Kids love theatre that’s interactive. So do the Improvisors. Kids (and their grown-ups) loved the 2014 season of Improv For Kids, so we’re bringing it back. It’s a great opportunity to introduce your kids to the world of live theatre. We may not have millions of dollars worth of computer-generated effects, but we do listen to kids and we make their ideas central to what happens on stage. In Improv For Kids, imagination is the best special effect of them all! Don JuanBased on Don Juan by MoliereCreated by A Slightly Isolated DogDirected by Leo Gene Peters25 April – 23 MayCirca Two World Premiere A sexy, fierce, raucous celebration.  Don Juan explodes with the energy of a music gig or a club.  It’s a cabaret.  It’s chaos.  It’s a furious adrenalized romp through the games of attraction and sexuality.  It’s the BEST… PARTY… EVER.  Five mad performers use a variety of theatrical forms and styles to bring an adaptation of Moliere’s classic play to life.  Loaded with pop songs and flirting, this imaginative work will continually intrigue, delight and surprise. While the bar keeps serving drinks.  All night long.   Created by A Slightly Isolated Dog, one of Wellington’s most innovative and exciting companies.  Critically acclaimed and award winning shows include:  Death and the Dreamlife of Elephants (2009, 2011), Perfectly Wasted (2012 - in partnership with Long Cloud Youth Theatre) and Settling (2007). A Servant to Two MastersBy Carlo GoldoniA new adaptation by Lee HallDirected by Ross Jolly2-30 MayCirca One NZ Premiere Love, passion and pandemonium Goldoni’s much-loved comic classic is a masterpiece starring a wily servant whose cheeky, inventive trickery gets the best of his masters, in a merry mix-up of mayhem and mistaken identity. Truffaldino, the scheming and perpetually hungry servant, concocts a zany scheme to double his wages (and his meals) by simultaneously serving two masters – the lovelorn Beatrice (disguised as a man) and her lost lover Florindo. Hilarity abounds In this sharp, new, rapid-fire adaptation by award winning dramatist Lee Hall (The Pitmen Painters, Billy Elliot).   A delicious, madcap Italian comedy of lovers, disguises, tricks, traps, mishaps and meatballs! “A sparkling, wonder filled new version by Lee Hall... An evening to cherish” – Daily Mail “A hugely enjoyable night out" – Covent Garden Life TheatresportsBy The Improvisors3 May – 14 JuneCirca Two Part of NZ International Comedy Festival The Improvisors are back at Circa with another season of this very popular show. Each night two teams of Improvisors take suggestions from the audience and spin them into short scenes, songs, poems or whatever else takes their fancy. Each show is completely different – what does stay the same is that Theatresportsis always a great night’s entertainment for the whole family. We don’t know what ideas you are going to throw at us – we do know that our kind of improv magic has been keeping audiences laughing over many years. Theatresports – putting the “make up” on stage. Second AfterlifeBy Ralph McCubbin HowellDirected by Kerryn Palmer29 May – 13 JuneCirca Two Return Season of the 2014 Young and Hungry sensation!Dan was an internet junkie – now he’s calling it quits. But in order to forge a new profile, he must face up to his online history and it’s not going down without a fight.When Dan finds himself sucked into the Second Afterlife – a dark underworld of the internet, a very real and dangerous landscape of broken memes, deleted pages, and the ghosts of profiles past. Second Afterlife is a dark comedy about life (and death) in the digital age. Inspired by Dante's Inferno, and in the tradition of Scott Pilgrim vs. the World, it is a twisted allegory for the Facebook generation – a poetic, ass-kicking romp to the darkest corners of the web. “Ralph McCubbin Howell cements his status as one of NZ's best young playwrights with Second Afterlife and director Kerryn Palmer, her designers and crew, and her exemplary cast of six do him proud.” - TheatreviewBy arrangement with Playmarket.Edge/Turning PageBroadway Star, ANGELICA PAGE“An actress of the highest possible voltage” – Wall Street JournalPerforming two shows, alternate nights, two weeks only6-20 JuneCirca One EDGE written by PAUL ALEXANDER Set in 1963 on the day of Sylvia Plath’s death, Edge presents the self-told story of the troubled poet and author of The Bell Jar, The Colossus, Ariel and the Pulitzer-Prize winning Collected Poems. “… a resurrected Sylvia Plath… the showcase of a lifetime” NEW YORK TIMESRETURNING TO OUR STAGE 10 YEARS AFTER ITS SENSATIONAL 2005 CIRCA SEASON TURNING PAGE written by ANGELICA PAGEGeraldine Page’s sparkling career earned her a record-breaking eight Academy Award nominations, an Oscar for Best Actress in 1986, and made her one of the most influential American artists of the 20th century. Turning Page is the triumphant and heartbreaking true story of one of the most celebrated actresses of all time, written and performed by the person who knew her best: her own daughter. “A privilege” Los Angeles Times Matariki Development FestivalPresented by Tawata Productions22 June – 4 JulyCirca TwoAn international indigenous playwrights’ festival boasting an enviable whakapapa of the very best of contemporary Maori & Pasifika theatre.  MDF 2015 features new writing by Natano Keni, James Nokise and Pikihuia Haenga. the beautiful onesWritten and Directed by Hone KoukeProduced by Tawata ProductionsMovement by Dolina Wehipeihana & Hone KoukaDesign by K*Saba, Tama Waipara, Johnson Witehira, Wai Mihinui, Jaimee Warda, Sopheak Seng, Laurie Dean 27 June – 11 JulyCirca One World Premiere A hyperreal digital love story.  the beautiful ones is a story of young love.  A promise Hana made to Ihia – a promise to return.  Will she return?  Will love triumph over temptation?  the beautiful ones bursts from the late night sheen of a city club.  Beautiful bodies & vital vocals.  Defiant dance moves and the meaning of love.  the beautiful ones features a dance floor for the audience to share the vibe.  From the company that brought you I, George Nepia, Sunset Road and TŪ. Warning: Contains Big Beats & Dance Music. The Ugly OneWritten by Marius von Mayenburg; translated by Maja ZadaDirected by Giles Burton11 July – 8 AugustCirca Two A scalpel sharp, absurd comic fantasy about beauty. Lette thinks he is normal, but when he discovers that he is, in fact, unbelievably ugly he turns to a plastic surgeon for help. Suddenly he is the most beautiful man in the world. Fame and riches follow; women want to sleep with him and men want to look like him. And with surgery they can look like him. Exactly like him. Received around the world to great acclaim, The Ugly One now receives its NZ premiere. With writer von Mayenburg’s star very much in the ascendant, this show is a must see.   "A stripped bare satire on the nature of beauty. If you are interested in theatrical story-telling see this show." – The Times (UK) “Savage social satire … A small but perfectly formed play” – The Guardian (UK) “The concept is simple but the philosophical implications are profound: What if money could buy the perfect face? It’s The Elephant Manmeets The Matrix” – Post City (Toronto) The Hound of the BaskervillesBy Arthur Conan DoyleAdapted for the stage by Clive FrancisDirected by Ross Jolly25 July – 29 AugustCirca One Sherlock Holmes vs the Powers of Evil A bloodcurdling howl is heard across a cold, moonlit moor; the horrifying, spectral hound has claimed another victim … When Sir Charles Baskerville is found dead on his remote estate, in eerie, seemingly supernatural circumstances, Sherlock Holmes, the legendary, world-famous detective and his assistant, the ever-reliable Dr Watson are called upon to unravel the extraordinary mystery of The Hound of the Baskervilles. Sir Arthur Conan Doyle's most famous and most popular story, in an exhilarating adaptation by Clive Francis (Our Man in Havana), sees four actors playing all the parts in this gripping, classic tale of terror. A thrilling, ripping good night of fun, drama and suspense! “A cracking good yarn … Excellent ... Highly enjoyable." - Daily Telegraph "Chillingly atmospheric... this fun show will really thrill. " - The Observer Downton AdlibBy The Improvisors2 August – 27 SeptemberCirca Two Quality costume drama – only funnier. An aristocratic English family and their servants face the challenges of life in the early twentieth century. A cast of Wellington’s top improv comedians face the challenge of making up a brand new episode every night. We supply the characters, you supply the key plot ingredients and the result is costume drama as you’ve never seen it before. Love, laughter, passion and a wide range of hats! The Travelling SquirrelBy Robert LordDirected by Susan Wilson5 September – 3 OctoberCirca One NZ Premiere “We that live to please must please to live” – Dr Samuel Johnson From Robert Lord, the author of the award-winning and much loved Joyful & Triumphant, comes The Travelling Squirrel, a romp through the fickle nature of the entertainment industry. Protagonist Bart compares his struggles as a writer to those of Roger the squirrel, a misunderstood painter. Hilarious and packed with larger-than-life characters, this play is a testament to Lord’s ability to write brilliant comedy.  A satire tempered with deep affection, The Travelling Squirrel depicts a dangerous world in which fame and fortune are always temptingly just around the corner “This is surely one of Lord’s funniest plays, just as it is one of the most moving”   – Philip Mann “For two decades, Robert Lord’s plays astonished and entertained theatre audiences with their sharp satire and flamboyant farce.”  - David O’Donnell The BookbinderWritten by Ralph McCubbin HowellDirected by Hannah SmithPresented by Trick of the Light Theatre25 September – 10 OctoberCirca TwoThey say you can get lost in a good book. But it's worse to get lost in a bad one... From award-winning company Trick of the Light Theatre (The Road That Wasn’t There) comes a story of mystery, magic and mayhem. The Bookbinder weaves shadowplay, paper art, puppetry, and music into an original dark fairytale in the vein of Coraline and Jonathon Strange and Mr Norrell. An inventive one-man performance for curious children and adventurous adults... suitable for children 8+. Best Theatre and Best in the Fringe - NZ Fringe 2014 International Excellence Award - Sydney Fringe 2014 "Spell-binding storytelling at its purest and best..." - Theatreview"Absorbing and imaginative… a small gem of theatre" - The Dominion Post "Tuned to perfection... Bookworms of all stripes and ages will adore it."- The Age, Melbourne For more information visit www.trickofthelight.co.nz GiftedBy Patrick EvansBased on the novel of the same nameDirected by Conrad Newport10-31 OctoberCirca One It is 1955 and beyond the famous hedge something magic is about to happen. In his beloved garden the “Father of the Nations Fiction” Frank Sargeson is waiting for his old mate Harry to turn up. Instead, he encounters a young woman fresh from a mental institution. Her name is Janet Frame. Their world is about to change forever. From the director of Rita and Douglas comes this very funny and profoundly moving story. Touring the Arts Festivals in 2013 to incredible reviews and widespread acclaim it’s now Wellington’s chance to experience this celebrated New Zealand production. “Like an exquisite work of art, the play Gifted is honed to near perfection … go and see this gorgeous production.” – Taranaki “Superb performances by all … it is thrilling … it makes for astonishingly joyful, mischievous theatre.” – Dunedin “Sheer quality” – Christchurch Adventures in PianolandWritten and performed by JAN PRESTONDirected by GAYLENE PRESTON15-17 OctoberCirca Two How I learned to stop worrying and love the piano The irrepressible Jan Preston comes clean on her longstanding and sometimes bumpy road to piano stardom. Jan will spin yarns from dives in Soho to the concert halls of Europe, to stealing a piano in broad daylight from the 1860s Bar in Lambton Quay. She will accompany herself, of course, on Circa Theatres' lovingly cared for piano.  You will hear Chopsticks as you have never heard it, with Jan's original songs and compositions providing perfect counterpoint to her story. AcheBy Pip HallDirected by Lyndee-Jane Rutherford24 October – 21 NovemberCirca Two Fate, chance and rooftop romance.  Ache is a fateful comedy about two thirty-somethings trying to find their way through modern love, materialism and the Wellington dating-drought. At a time when we are promised happiness with the swipe of a card or the swig of a bottle, true joy and connection seems almost impossible. At crossroads and rooftop gardens, fate decides to surprise them. At last, connection, chemistry, charisma. He’s perfect, she’s gorgeous. Only timing’s not as kind – he’s taken. Is it just not meant to be or will she push timing aside and take fate into her own hands?   Achingly-funny and heart-breakingly sad, Ache is a modern story of love, timing and seizing the day.Don’t miss this WELLINGTON PREMIERE, finally on our stage after its SOLD-OUT season at Christchurch’s Court Theatre. All Our SonsBy Witi IhimaeraPresented by Taki Rua5-14 NovemberCirca One World Premiere Courage and loyalty is tested in this new play by Witi Ihimaera “Once they fought each other, now shoulder to shoulder they fight together” Two generations go to war while a third fights a battle to keep her family at home. Waru Mataira and his two sons Tai and Rangi volunteer to represent the Maori iwi of Mataira Mountain in the New Zealand Native Contingent to Gallipoli. Under the guidance of their Pakeha leader Alec Campbell, they join the battle on the western front as part of the newly titled Pioneer Battalion where their courage is tested and so too are their loyalties. Taki Rua Productions presents the World Premiere of All Our Sons, a ground-breaking play by Witi Ihimaera. Roger Hall’s Robin Hood, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson21 November – 20 DecemberCirca One There he is! Oh no he isn’t. Oh, yes he is!! With loaded bow behind a treeYou never know where he will beHe moves like velvet, sleek and svelteAround the Wellington town belt His eye is quick, his aim is sureHe robs the rich to feed the poorHe’s always on the side of goodThe hero known as Robin Hood He lies in wait for those who ownA big estate and second homeFor millionaires who don’t pay tax  For bankers who don’t watch their backs You’ll see them suffer their defeatIn Circa’s brand new summer treatA pantomime for one and allIt’s Robin Hood by Roger Hall “fabulously fast and furious ... A treat”  - Capital Times “ACTION-PACKED… TONS OF FUN FOR YOUNG AND OLD!”  - The Dominion Post A Child’s Christmas in Wales (and other memories of childhood)By Dylan ThomasDramatised and performed by Ray Henwood28 November – 20 DecemberCirca Two What has been described as one of the most magical of Christmas stories is brought to the stage by Ray Henwood. It is rounded out by other memories of childhood, first presented by Dylan Thomas in one of his regular talks on the BBC Welsh Home Service. Thomas had a very happy childhood and so many of his young experiences resonate still with us today.The town of Swansea which is the locale of his stories had changed little by the time Ray was growing up. While Dylan lived in more salubrious surroundings, Ray was a “Sandfields” boy referred to by Dylan- and played in many of the areas described in the stories. It is a truly timeless tale and family celebrations have changed little, even in countries that celebrate a summer Christmas. Dylan’s work brings back memories that resonate so well with young and old. it is a true celebration of our experiences growing up. www.circa.co.nz
    • Accepted from drama* on the waterfront posts 132 months ago
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    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Another season, another reason for making coffee

    • 18 Mar 2012
    • The Wellingtonista
    • How hard can it be to make a really good cup of coffee? The correct answer, as any Wellingtonian knows, is “Really bloody hard!” A good barista is a thing to be cherished, and the best of the best come together every year for the Huhtamaki New Zealand Barista Championship to show off their skills and find one winner to stand tall for Kiwi coffee culture at the World Barista Championship in Vienna. Thanks to the championship organisers, we got to spend some time hanging out with one of this year’s competitors, Richard Legg from Coffee Supreme. Back in 2009, Richard was spending his gap year making coffee in his home town of Feilding when the Supreme account rep for the cafe where he worked encouraged him to enter the championship. He came first in the Wellington region heat and sixth overall. Now, after a couple of years at university, realising halfway through his degree that he was going to go back to making coffee as soon as he graduated and so there was really no reason not to cut to the chase, he’s saddling up for another go. The Wellingtonista’s videographer-in-residence, Tom A., and I listened intently as he told us how it’s done: You can find Richard at Coffee Supreme on Hopper Street Monday–Friday until 12.30, and the Huhtamaki New Zealand Barista Championship is being held at the Michael Fowler Centre from 23–25 March: heats on Friday and Saturday, with finals and semi-finals on Sunday. Spectators are welcome and entry is free.
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• • 

    We are absolutely thrilled to have James Rolleston (Taikas’ BOY...

    • 29 Jun 2015
    • Orchestra Wellington
    • We are absolutely thrilled to have James Rolleston (Taikas’ BOY : The Movie, The Dead Lands & Dark Horse) taking on a far lighter role than his latter work as one of our guest narrators for our upcoming family concert! Orchestra Wellington Presents:  Roald Dahl’s Dirty Beasts, and Maui’s Fishhook 3pm Sunday 12 July The Opera House, Wellington James Rolleston received the 2014 Te Whanau O Waipareira Best Supporting Actor for his role as Mana in The Dark Horse opposite Cliff Curtis. In 2014 he also featured in The Dead Lands, directed by Toa Fraser in which he played young Maori Warrior Hongi, and both films have received critical acclaim internationally. James is also well known to New Zealand audiences from the film BOY in which he played the title role and received a nomination for Best Actor in a Lead Role at the 2010 Qantas Film and Television Awards. Since then James has appeared in three short films, here in NZ he featured in Frosty and the BMX Kid and shot in Australia he was in MAN and the yet to be released Amúa in which he plays a Rugby League player. James also featured as himself in campaigns for Vodafone for several years. Maui’s Fishhook is an original piece for orchestra and narrator written for Orchestra Wellington by its Education Composer in Residence, Thomas Goss. The  famous story of Maui’s fishing trip and how he pulled up the North Island from the Pacific Ocean is transformed into a musical voyage.  Tickets from Ticketek HERE, 0800 842 538
    • Accepted from Orchestra Wellington posts 125 months ago
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• • RSD - gracias, all!!

    • 29 Jul 2021
    • Slow Boat Records
    • Crikey, another Record Store Day (two of 'em, no less!) done and dusted for another year, just wanted to offer a massive Slow Boat CHEERS to everyone who contributed to them being a roaring success, especially our instore performers Reb Fountain (and her wingman Dave Khan!) and Anthonie Tonnon - whose wonderful "Leave Love Out Of This" debuted at number 7 on the national charts, and number 2 on the NZ chart - wonderful news!Would also like to thank old mate Pete J at Music Planet Wellington for helping out with backline, soundguys James and Sam, Ziggy from San Fran, to Ben from Flying Nun Records who filmed Reb's wonderful performance (check the clip here!), and to everyone who came down and partook in what was a wonderful, celebratory atmosphere - particularly at the second event, where seemingly endless torrential rain couldn't put a dampener on the festive spirit, as the assembled crowd diligently dodged the drips from the leaky ceiling. Also to those who doggedly queued at the door before opening time to get their mitts on desirable RSD goodies from the likes of Foo Fighters, Fear, Karen O and Willie Nelson and many more - I did find myself thinking just how much more you value something that you make a sacrifice to get hold of - something kind of glamorous about it all!! Some cool stuff coming up in the not too distant future, will keep you posted - keep an eye on our Facebook and Twitter for details! We are bursting at the seams at the moment with some terrific new and used vinyl, CDs and posters - come pay us a visit!!Keep yer powder dry - cheers!The Slow Boat Crew XX
    • Accepted from Slow Boat Records feed 2022 46 months ago by tonytw1
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    • music
    • retail

    Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)
  
  

• • 6hr tow of yacht from Wellington south coast

    • 7 Jan 2023
    • Coastguard Mana
    • Operation Details Date/Time:  Thu, 05/01/2023 - 09:30 - 21:30 Operation Type:  CG Operation (good samaritan) People Assisted:  2 Total Volunteer Hours:  84 38ft steel yacht got it's anchor stuck near Makara/Ohau. Whilst manoeuvring to release it they overheated the engine. They were unable to sail due to low wind and inexperience, so ended up drifting south in the strong currents. By the time we got to them they had drifted 10NM into Cook Strait, south of Karori Rock through the Karori Rip. It took us 5hrs to tow them back to Mana, by which point the tide was at it's lowest point. We had to put them on the mooring just outside the bar and then return the passenger back to base, leaving the skipper aboard. Vessel Details Length:  12.00m Resources Attendees:  Devine Jason Hall Mark Presling espi NZ Tuatara Trevor Farmer zanebublitz CRV's Used:  Te Awarua Rescue read more
    • Accepted from Coastguard Mana news 35 months ago by feedreader
    • Tagged as:
    • karori
    • makara
    • tuatara

    -41.400833, 174.629722
  
  

• • Southerly Storm Mooring Lines

    • 13 Jul 2017
    • Coastguard Mana
    • Operation Details Date/Time:  Thu, 13/07/2017 - 12:15 - 15:00 Operation Type:  CG Operation (good samaritan) People Assisted:  3 Total Volunteer Hours:  16 Day 2 of a major southerly storm in Wellington took it's toll on vessels moored in the channel. We initially received a callout from Police to assist a 15m catamaran who's mooring lines had broken in the main channel. Police ended up putting their own small boat in the water and assisted him. Coastguard Mana then continued on and assessed other moored vessels, finding 2 with broken bow lines. One large launch had a secondary line that was holding the vessel on the mooring, but it was very small so we added a new line to it to hold in the 50kt+ wind gusts. Vessel Details Length:  10.00m Resources Attendees:  Chris Darch Jake Jimmythekiwi Mark Presling Neil Cornwell Trevor Burgess CRV's Used:  CRV Trust Porirua Rescue read more
    • Accepted from Coastguard Mana news 95 months ago
    • Tagged as:
    • porirua

    -41.106362, 174.859187
  
  

• • JUNE

    • 4 Jun 2019
    • Slow Boat Records
    • Howdy, y’all! Trusting everybody is well and good as we (finally!) head into the cooler months – I mean, you really can’t complain TOO much when it’s blimmin’ JUNE and the weather hasn’t been too savage, right?! Anyhow – plenty to be getting on with here at t’Boat – we were surprised and chuffed to get a shoutout from Mark Kozelek of Sun Kil Moon at his recent show, for an Andre Segovia CD set he bought off us last time he visited Wellington in 2008, and we are also looking forward to forthcoming shows from Nadia Reid, Aldous Harding, Warpaint (!!!) and Lloyd Cole… You may also wish to spend some quality time with exceptional new releases from the aforementioned Aldous Harding -her glorious third album, “Designer” is a cracker, along with Mavis Staples‘ excellent Ben Harper-written/ produced set “We Get By”, Sharon Van Etten‘s lovely “Remind Me Tomorrow”, the return of Vampire Weekend with the hefty “Father Of The Bride”, or Big Thief‘s mysterious and lovely “UFOF”… we are also packing a fresh batch of stylin’ Slow Boat tees in some new colours and a range of sizes – a charcoal coloured one, and a reddish-marle are my picks of the litter… We also have tonnes of new posters to brighten up the walls of your pad, DVDs and box sets to hunker down with, a heap of nice priced new vinyl from the good folks at Universal Music NZ, and if you were wanting a special order from the US, say – an order going early next week… do feel free to drop us a line and enquire about anything you fancy. Stay warm, keep safe, be seein’ ya!! XX THE SLOW BOAT CREW XX
    • Accepted from Slowboat posts 68 months ago by feedreader
    • Tagged as:
    • design
    • music
    • wellington

    Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)
  
  
• • 

    Reflections from week one of The Mystery of Edwin Drood

    • 7 Apr 2015
    • Circa Theatre
    • Drood, Glorious Drood! This week on *drama on the waterfront, we hear reflections from week one of The Mystery of Edwin Drood Just over a week ago The Mystery of Edwin Drood thundered out of the gate at Circa, with a bold and boisterous opening night event that served up a feast of madness, mystery, murder and music to the more than 200 people who joined the cast and crew to send Drood off to the races in style. Fabulous....Brilliant...Awesome...Amazing...You should see it more than once!By now, nearly 1500 of you have been welcomed to the Music Hall Royale to meet the incredible suspects, watch for clues and red herrings and decide for yourselves who the Dickens did the deed! Highly recommended that all lovers of Dickens go see this show. It’s been wonderfully exciting to see the different possible endings emerge (with some hilariously improbable pairings already proving popular! Most of all, it’s been humbling and gratifying to hear how much fun you’re all having Stunning in every way and rollicking good fun!Phew! As those of you who’ve seen it will know, The Mystery of Edwin Drood is a massive and spectacular undertaking, needing truckloads of energy, wit, speed, passion…..and people to share it with! We’re still  firing on all cylinders and there are heaps of endings still to be seen, so it’s just as well we’ve got another three weeks to bring you a larger-than-life experience at The Mystery of Edwin Drood. Everyone should go and see this as quickly as they can; it is HILARIOUS!All photos taken by Tabitha Arthur, with quotes from the audience of this season of The Mystery of Edwin Drood.
    • Accepted from drama* on the waterfront posts 128 months ago
    • Tagged as:
    • waterfront

    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • DCM – together we can end homelessness – one very special story

    • 27 Apr 2022
    • Downtown Community Ministry
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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Many of the people DCM supports die at a young age. Today we share the story of Russell, who died two days before Christmas last year. Remembering Russell Two days before Christmas, the team from DCM stood with two police representatives down on the waterfront, at the site where the body of a man they had all supported over the years had been found that morning. After a karakia led by the police iwi liaison kaimahi, the DCM team sang waiata, beginning with “Te Hokinga Mai”...   ...TANGI ANA TE NGĀKAU I TE AROHA... How my heart weeps with sorrowful love... HEI ORANGA MO TE MŌREHU, TANGI MŌKAI NEI... The survivor cries out with loneliness... E RAPU ANA I TE ARA TIKA... Seeking out the right path...   Russell Fleming was born in Palmerston North and spent his earliest years in Levin. Later the family moved to Lower Hutt. Russell had two older sisters and two older brothers. His mother describes him as her “surprise baby”. Growing up, Russell learned many skills from his father. He loved tinkering with bikes and as an adult, this continued to be something he enjoyed. On the morning of Russell’s funeral, there was a bike in his flat which he had been working on. He rode bikes; he rode scooters. This was part of who he was. His father Hugh helped him get his heavy truck driver’s license. Russell always saw himself as a worker. This had been one of his family’s core values. Drunk or sober-ish, he would say to us “I have to get a job!”; “I have to get my truck driver’s license back.” His mother recalls how, when they were together, he would say, “You sit down, Mum. I will make you a cup of tea.” His house was clean. Even on the day of his funeral, there was his washing drying on a clothes horse indoors. Russell’s undoing was his alcohol addiction. He kind of didn’t have a choice. He faced so many challenges – addictions, mental health, a back injury and a head injury, which he attempted to address through self-medication. Combining his prescription meds with alcohol led to a seizure. Being diagnosed as epileptic meant he lost his truck driver’s license and could not work, something that was so important to him. As a result of this complexity, Russell could not access or receive the support which he needed, something we often see with the taumai we support at DCM when they experience multiple, complex issues. He did not fit in one category; the fact that he needed support around all three (mental health, addiction, cognitive impairment through head injury) meant he slipped through the cracks of secondary health services. Russell lived a mobile life, but was always drawn back to Wellington, to this area, to “home”. And so many people in Wellington were connected to him and were part of his story: his friends in the street community, the street cleaners, the Wellington City Council local hosts, his lawyer, all the different tenancy managers, Mōkai Kāinga and the community gardens – even the police were fond of him! At DCM, Russell connected with and was supported by so many of the team over the years – from the dentists, eye doctor, and Te Aro Health nurses to many DCM kaimahi. Every team at DCM was part of his journey – the Outreach team when he was rough sleeping, the Sustaining Tenancies team when he was struggling to stay in a home, and towards the end of his life, he was housed again through the Aro Mai Housing First collaboration. Here a few of those he was closest to, share their memories and reflections about Russell. Russell loved spending time with Natalia and Rob. Natalia Natalia Cleland, DCM I was the first person Russell met when he came back to Wellington in 2018. He had been living at a campsite in Nelson, and he said to me, “I can’t keep living on the street! I need a house!” He connected with people well, and was able to voice his own aspirations well. I didn’t want to be the one who told him that there was no house for him. I wanted to be in his corner, supporting him. So I put him on the line to the MSD Social Housing team. He howled and screamed down the line – “I need a house! I am going to die out here!” He absolutely demanded a house – and he got one! This is when he got his first tenancy – at Lower Hutt, just around the corner from his parents. “Yes, the housing stuff; well, it’s stuffed!” – this was probably one of the most incredible things Russell said. He was really smart and could see what was going on in the broken system. Not just looking at his personal situation but seeing that he was caught in a system that was “stuffed”. I was blown away by his insight and how he didn’t complain about his homelessness necessarily but rather he called out the problem for everyone. He was such a friendly guy, so happy and gregarious. In every photo shown at his funeral, he is smiling, laughing. This was his strength, but also the challenge. He was so connected, he didn’t always know when to step back and give others some space. His personality could be too much for others at times. Russell was always connected to his family, even in his dis-connection. He always wanted to be re-connected to them all. There was a birthday card from his parents that he kept on his mantelpiece in his final home. When we mentioned this to his mother, she said that it would have been a card from several birthdays ago. He had carried it around with him while he slept on the streets and put it on display when he moved into that final house.   “Yes, the housing stuff; well, it’s stuffed!” Russell Fleming Robert Robert Sarich, DCM How would I describe Russell? He was ENERGETIC – literally a ball of energy. And he was LOVING. He was also completely and utterly committed to social justice. I first met Russell on Lambton Quay. I was out on outreach, walking along the street en route to work early in the morning. I explained where DCM was and left him a card. “Please come down and see us,” was my kōrero. He was open to this, immediately, which was awesome. When he was housed out at the Hutt, I helped him move in. He was always positive. He was only ever negative when he was drinking. I guess that in a past time, he would have been the lovable town drunk. As I say, Russell was committed to social justice. If things were going wrong for other people, he would often raise it with us. He would tell us about the person, tell us that they needed help, tell us that it wasn’t “fair” how things were for this person. You often had to listen and reflect, wait to see what it was that Russell was getting at, what it was that was going on with the person he was concerned for. But often when you got to the heart of it, Russell was bang on. Russell was assaulted a few times, when his behaviour was just too big for others to deal with. He would advocate for himself too. I thought it was very brave; he would go to the police, name no names, but he understood he needed to do this – for himself, and for others. “If they could do it to me, they could do it to anyone, Rob!” he would reflect to me. My feeling is that Russell was a lot more settled in the final months of this life. Russell knew that he was loved, not merely tolerated. Yes, he was a loved ball of energy, dressed in a beautiful korowai. Hamish Hamish Knight, Police City Community team, Wellington I have been in the Police for 14 years, and Russell Fleming is one of those characters like Ben Hana, who you really connect with, who many people know and have connected with. He had that wow factor. He has evolved over time; he has grown and he has changed. And it’s not just that the numbers of bangles up his arm have been added to, the jewellery has changed. But some things have also stayed the same. Russell has always been pleasant to chat to. Banter. That’s the word. Russell and I enjoyed plenty of banter. He went through his camo stage, with that huge backpack, full of everything! I would pretend that I couldn’t see him in his camo gear. He would be calling out to me, and I would be going: “Who is that talking? I can’t see anyone!” Yarns – that’s another word. There were some big yarns about his life. I usually had to cut him off or we would be talking on and on and on – forever. He was talkative, yes, but he was never disrespectful of me, of police, of authority. I didn’t arrest him; there was no offending that I dealt with. I would take the alcohol off him. He would listen to reason. Like when I would explain that he was just being too loud. He knew he needed to tone it down; he just didn’t really know how to go about it. He didn’t go looking for trouble, but it did seem to find him at times. Russell seemed to be on the fringes. In so many ways. On the fringes of many friendship groups, but never at the heart; never quite experiencing the connections and close friendships he seemed to want. That was a bit sad, watching him try to find a place he belonged.   “I am a homeless person. But I look out for others.” Russell Fleming Joe Pastor Joe Serevi, Salvation Army I first met Russell at DCM. He was sitting outside, and he wasn’t having a good day. I said to him, “Come on, let’s go for a walk and have a chat.” I took him for a cuppa. Russell just loved to talk, and that’s how I began to connect with him. Russell was such a character, with his great big backpack, and his military fatigues. He was intelligent, and this shone through whenever you had a kōrero with him, especially when he was sober. He was one of the more challenging people on the streets, and he found it very challenging when he got housed. Those four walls and living alone were difficult for him. Russell was someone who really needed and was always seeking connection with other people. I was privileged to be one of those people, and to be able to support him in different ways over the years. Russell Russell Fleming, in his own words Many of you have “met” Russell through DCM’s film clip. He was keen to be involved with this – he saw it as a way to lift up DCM and acknowledge the support he, and others, had received from the team. At the time, he was rough sleeping. In amongst all of the film footage which Ocular shot while making the DCM film clip are conversations which the film crew had with Russell. Producer Steph Miller pulled some of these reflections out for us this month. There is Russell, in his own words, talking about his life and about homelessness. He speaks about the complexity – of being so used to the street that he often felt more settled there:   “It’s hard. Every time I go in to a house, I am used to being out here.” “A house. It’s just four walls, you just sit there and do nothing. Whereas out on the street… I guess it’s more of a social thing.” ...while at the same time being totally over it, and wanting to have a safe place to be – ”But then again, you want a house cos you are sick of it.” He asks the film crew – “If you were homeless...would you be able to go to sleep at night, in the cold, in the wind, in the rain?” Over and over again, Russell lifts up DCM.    “Natalia is a lovely person; she has put me in to a few houses and stuff”; “Natalia and that; they are cool. DCM are cool fellows!” At the same time, he draws attention to the key underlying issue – too many people experiencing homelessness and too few houses:   “Natalia and DCM; they are doing a really good job! But they have had to help so many people.” “DCM have so much on their plate, dealing with so many homeless people!” “Yes, the housing stuff; well, it’s stuffed!”   And his own kaupapa and commitment to others also comes through, as he shares examples of times when he has been able to help others, especially young people experiencing homelessness and addictions.   “I am a homeless person. But I look out for others”.   Sia Sia To’omaga, DCM Russell was little, and loud, and often all over the place with his thoughts, with his kōrero. When he was referred to our team, he had a property in the Hutt, back when DCM’s Sustaining Tenancies team was still covering the Hutt. When he was living on the streets, he was bullied. I would go out and look for him, go out and find him. He found a safe space for himself, up by parliament. We knew where to find him. At DCM, we have housed him three or four times, and have tried some different options. The challenges were always around his drinking and his behaviour. He could get to a situation where he didn’t feel safe in the whare or living situation we had sorted for him, and then he would return to the street. One day a few months before his death, he came in to DCM; he was drunk and he was loud. He was calling out to me. “I am going on a course, Sia! Then I can get a job.” He had this card; he was anxious that he might have missed the course, the chance to do this. I was asking him to calm down and to explain what was going on slowly and carefully to me. Here I was trying to call the number on the card – and then a phone call came through! Magic, amazing timing. It wasn’t the same name or number as on the card, but it was a man named Tone, calling to ask DCM about Russell and the course. Tone and I figured out that we knew each other, and we were able to make sure there was a spot on the course reserved for Russell. But it wasn’t going to be easy. When I heard that this training course was going to be at a place at the bottom of Ngauranga Gorge, and that it was going to begin at 7.30am – well, I did not know how Russell was going to get to the right place at the right time. But you know what? He made it! And he completed the course!   The last time I saw Russell, I congratulated him on passing the course. He showed me photos of his house on his phone. I said to him “Wow, Russell! You could eat off the floor. It is so tidy! Well done.” Russell kept a beautiful home.   Yes, many things were going well for Russell in the final months of his life. He was housed – in a home provided by a private landlord. He was more settled and was feeling very hopeful that he would soon be able to work again. After his death, Tone called Sia to ask how he could forward on Russell’s certificate. Sia had to let him know that Russell had passed away, but that the team would love to pick up the certificate. Russell would have been so proud of this achievement, and sharing it with the team at DCM has been another way of acknowledging him, and all that he meant to so many. Two days before Christmas, the team from DCM stood with two police representatives down on the waterfront, at the spot where Russell’s body had been found that morning. With Rob Sarich on guitar, the team sang waiata, ending with “Ma te kahukura”... MAU ANA TĀKU AROHA Cloak yourself with my love WHAI AKE I NGĀ WHETU Follow the pathway to the stars RERE TŌTIKA RERE PAI Fly straight, fly true RERE RUNGA RAWA RĀ E Soar high towards the heavens. Russell Mark Fleming 31 Mar 1974 – 23 December 2021 “A loved ball of energy” <!-- --> Support DCM We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 43 months ago by feedreader
    • Tagged as:
    • waterfront
    • lower-hutt

    Lower Hutt, Lower Hutt City, Wellington, 5010, New Zealand (OpenStreetMap)
  
  
• • 

    Weekly Bulletin: Staying connected as a church - 11 September 2022

    • 8 Sep 2022
    • St John's in the City
    • Kia ora St John’s whānau, This Sunday’s date recalls a day of terror, which for most of us was within living memory: September 11 <figure class=" sqs-block-image-figure intrinsic " > Stephen Harris is our Guest Preacher, and will be reflecting on how the scriptures speak to the current perils of our world. His sermon is titled ‘Biblical Times’. If you want to read the Bible readings before Sunday, they are: Jeremiah 4:11-12, 22-28 and 2 Timothy 3: 1-5, 14-17 Our youth and kids will start at 10am in their peer groups (in the Centre) and join together in the Church for Communion. After the service we have our Quarterly Communion Lunch, so please bring food to share If you can’t get into the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759Passcode: worship The link to join the Zoom worship service is below. https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09   If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet  <a href="https://www.dropbox.com/s/kzpicbcfm4xq4j4/11%20September%202022%20Order%20of%20Service.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet <a href="https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Link to Zoom Service  ELECTION OF NEW ELDERS At last week’s Congregational Meeting we elected two new elders: Jason Fyfe and Nisha George. We thank God for their sense of call and look forward to their ordination to this leadership role in our church  ST JOHN’S CHURCH CAMP This is a special weekend for all of us! 16th – 18th September 2022The theme is ‘Journeying Together’. Online registrations are closed. But we might be able to squeeze in some extras. Please contact Naomi to enquire. Contact: Naomi Contact: Naomi <form method="POST" novalidate data-form-id="631949492645ee7c5a5dcd8e" data-success-redirect="" autocomplete="on" action="https://stjohnsinthecity.squarespace.com" data-dynamic-strings onsubmit="return (function (form) { Y.use('squarespace-form-submit', 'node', function usingFormSubmit(Y) { (new Y.Squarespace.FormSubmit(form)).submit({ formId: '631949492645ee7c5a5dcd8e', collectionId: '5eaba2aa9758022539788d0f', objectName: 'item-63194863e1325949ba993a7e' }); }); return false; })(this);" > Name * <input data-title="First" spellcheck="false" maxlength="30" name="fname" aria-required="true" type="text" class="field-element field-control" x-autocompletetype="given-name" /> First Name <input data-title="Last" spellcheck="false" maxlength="30" name="lname" aria-required="true" type="text" class="field-element field-control" x-autocompletetype="surname" /> Last Name Email * <input autocomplete="email" spellcheck="false" name="email" aria-required="true" id="email-yui_3_17_2_1_1662601295138_56015-field" type="email" class="field-element" /> Subject * <input aria-required="true" id="text-yui_3_17_2_1_1662601295138_56016-field" type="text" class="field-element text" /> Message * <textarea aria-required="true" id="textarea-yui_3_17_2_1_1662601295138_56017-field" class="field-element " > <input type="submit" class="button sqs-system-button sqs-editable-button sqs-button-element--primary" value="Submit" /> Thank you! <figure class=" sqs-block-image-figure intrinsic " > VISION TO ACTION <figure class=" sqs-block-image-figure intrinsic " > Our Vision: We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. How to get involved… Join a project team – everyone is welcome!!Site and Space – Get involved in exploring how the St John’s site can be used in an outreach capacity. This could involve physical changes, projects, use of the Centre.Current Project: Community Christmas MarketContact Rob Anderson or Judi Ferguson       Community Rebuild – Help re-establish and build back internal relationships and friendship in the St John’s community post COVID.Current Project: Supporting Attendance at Church Camp and Talent ShowContact: Margaret Gilkison or Jemma August Caring for Specific Groups of Need in the St John’s Community – Help us intentionally build connections between generations and serve specific groups of need e.g. young, elderly, youth.Contact: TBC Whānau Night Extension – Get involved in building on the success of Whānau Night. Held each month during school terms in the St John’s Centre or in homes. Food, fun, faith and focus.Current Project: Youth Lead Code Breaker Night, 20 November 2022Coordinator contacts for 20 November Whanau Night: Antonia Milkop and Bronwyn Wood with St John’s Youth GroupWhat we need:  In order for the church to carry on running Whanau Nights from 2023 onwards, we will need to find a committed leader to help orchestrate and organise teams to run future Whanau nights.  Does this sound like you? Vision Communication and Connections – Ensuring St John’s is communicating our Vision with the wider community and supporting the project teams.Current Project: Improving Signage and BillboardsContact: Elizabeth Gibbs Getting to Know our Neighbours /Understanding Our - Eco System/Community – Building direct relationships with our immediate neighbourhood i.e. business and organisations, Victoria University of Wellington and Massey University, Kaianga Ora, building developers, WCC, neighbouring Churches, schools.Current Projects: Follow-up event from Art Installation and Connecting with local property developers to understand future populations.Contact: Pamela Cohen         The St John’s Vision is a key focus for Session Leaders so feel free to contact any one of them about this. In particular you can contact the Session Clerk, Rob Anderson New IdeasSt John’s wants to innovate and try new things that fit in with our Vision. If you have a creative idea the following information might help you work out how to progress that from a thought to action. <figure class=" sqs-block-image-figure intrinsic " > If needed, talk to Ino Pasullean so he can connect you with the right project team or provide further advice.  NAME TAGS As we turn our Vision into action, one very easy and practical way we can build community is to wear a name tag.This Sunday all those who wear a name tag (or sign up to get one) will get a chocolate!Please keep your name tag on when you come over for Morning Tea in the Centre, and there will be a receptacle to drop your name tag into before you leave.  LEADERSHIP FOR OUR MINISTRY WITH YOUNG PEOPLE We are looking for new paid leadership to support our ministry with Children & Families and Youth. These are important and life-giving ministries for us at St John’s and we remain committed to these ministries as an expression of our faith shared and grown together.While we have existing position descriptions for these roles (half-time for the Children & Families role, and full-time for the Youth Pastor role), we are also wanting to be flexible and shape the responsibilities of these roles, where appropriate, to match a) the strengths of suitable applicants, and b) with the emerging needs at St John’s.Our St John’s Vision is encouraging us to focus on being intergenerational, having safe spaces for people to belong, being flexible and responsive, with an open-minded and positive culture.We are open to explore possibilities with anyone who has a passion and aptitude for these ministries.If you, or someone you know, might consider these roles, please contact Rev Allister Lane for more information, including the current position descriptions (Ph: 021 466 526).Applications close 23rd September 2022. including a CV and a covering letter that lays out your vision for the role. <figure class=" sqs-block-image-figure intrinsic " >  FREE GAMELAN CONCERT <figure class=" sqs-block-image-figure intrinsic " >  FELLOWSHIP GROUP “Seeing the Invisible: Black Holes, the Universe and our place in it”This was the title of a presentation given last month at a Science & Faith seminar at St John’s by Prof Jeff Tallon.At this month’s Fellowship Group you can hear this presentation again, along with the wondrous images from the deepest parts of space.Tuesday 27th September, 11am in the Hall.  ONE CONFERENCE This leadership training conference for the Presbyterian Church is being hosted at St John’s in November (2pm 17th of November - 2:30pm Saturday the 19th of November).We will have many folks travelling from out of town and many have asked if there any possibility of being billeted. Would you like to consider billeting out-of-town attendees to the conference?Conference attendees will have all meals provided at the conference except breakfast. If you can offer billeting please fill in this form One Conference Billet Host Form or email grace@presbyterian.org.nz <figure class=" sqs-block-image-figure intrinsic " >  The grace and peace of our Lord Jesus Christ be with you.Allister
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)