Covid-19 related newsitems

• • A surreal period: The vaccine protests in photos

    • 9 Mar 2023
    • Capital Magazine
    • Photographer Alan Blundell got amongst the action in February 2022, capturing a dramatic, and unprecedented period in Wellington’s history. The post A surreal period: The vaccine protests in photos appeared first on Capital Magazine.
    • Accepted from Capital Magazine 1 week ago by tonytw1
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• • Borrow a carbon dioxide meter

    • 8 Mar 2023
    • Wellington City Libraries
    • Air quality is taonga and is essential to human health and wellbeing. While outdoor air quality will always influence indoor… Continue reading Borrow a carbon dioxide meter →
    • Accepted from WCL Blog feed 1 week ago by tonytw1
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• • Kiwi-made Covid-19 booster vaccine offers 100% protection in preclinical study

    • 5 Mar 2023
    • Victoria University of Wellington
    • A preclinical study evaluating a Kiwi-made Covid-19 vaccine has shown that it's safe and highly effective, making it a promising booster vaccine candidate.
    • Accepted from VUW News feed 2 weeks ago by feedreader
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• • The artist as many other things first

    • 16 Feb 2023
    • Urban Dream Brokerage
    • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
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• • The unsung heroes of DCM

    • 6 Feb 2023
    • Downtown Community Ministry
    • 96 The unsung heroes of DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Solving problems with Fahimeh communities where whānau are housed, connected, valued and thriving About Us Contact 2023 – a year of challenges and opportunities Kia ora koutou We hope you have had a great start to your year. Here at DCM, there isn’t a closing down time, as we continue to support the most marginalised and vulnerable members of our community throughout the Christmas and New Year period. You may have seen other social services in the news talking about how they are finding that people are harder off than ever before. We’re finding this too at DCM. While milestones are being met, we know that the housing crisis is not over yet, and the people we meet here at DCM continue to be among the most economically-impacted members of our community. Fortunately, our incredible team – DCM’s hard-working kaimahi – makes sure that our whānau are not left on the bottom rung of the housing ladder. While our people may face significant challenges amidst the cost of living crisis, our team ensures they have access to the supports they need to thrive. We have two significant opportunities this year to ensure our whānau also have a voice on the national stage – the March census and October general election. We will do everything we can to make these opportunities accessible for our people, including having a polling booth right here at DCM, just as we did in 2020 when over 100 whānau voted, many for the very first time. We hope you will also ensure your voice is heard at the general election, so that the progress that has been made to tackle homelessness in Aotearoa is maintained. Behind our team are the many unsung heroes of DCM. In this update we share the story of Fahimeh, who has been collaborating with DCM to build our capability, so that we can continue doing what we do – but do it even better. Perhaps her story might spark some ideas about how you too can support DCM in 2023? Stephen Turnock  Manahautū DCM Manahautū Stephen (centre) leads karakia and waiata in Te Aro Park. DCM is taking part in Neighbours Aotearoa and will be leading waiata in the park every Monday and Friday at 9am for the next few months. If you're in the neighbourhood, join us! <!-- --> Unsung heroes of DCM Solving problems with Fahimeh Fahimeh McGregor loves to solve problems. And she certainly has the skills to do so – with a doctorate in the adoption of IT for performance and productivity improvement from AUT (Auckland University of Technology), she has 19 publications and 42 citations to her original family name, which is Zaeri. Fahimeh was born in Iran in the strategic town of Bandarabbas, on the Persian Gulf. Fahimeh was the youngest of seven siblings, and describes her early family life as very difficult. “I’m a revolution baby. The Iran Revolution happened in 1978 and was followed by a war between Iran and Iraq, which makes me part of the war generation as well. This took place during my primary schooling, and as my city is located in the south, close to the border – a port on the Gulf – it had a huge impact.” There was a lot of trauma for Fahimeh and her family. She describes nights without power, with all access to utilities cut for hours, while having to do her homework next to a little oil lamp. “Years later, I realised that I never had any wishes as a child. We had family wishes, which were to make sure that in the morning all of us would get to have another day together. There was no certainty, or an understanding of what a stable life is. Here in New Zealand, people have got a very natural stability – unless, perhaps, they are experiencing hardship and homelessness.” Fahimeh at five years old - the only photo from her childhood. Fahimeh’s big inspiration was her father. He was highly educated for his time, leaving his farming background to do a diploma in literacy and accounting. As Bandarabbas is such a significant port city, the Iran government feared it could be lost, and though 90% of trade came through the port, profits only went to the capital, Tehran. Fahimeh’s father tried to protect the rights of his community. “But after the revolution, he came under a lot of pressure,” Fahimeh reflects. “He had to give up everything. The only memory I have from when I was two years old was the night we had to burn his books. That picture is still in my head. I am always asking myself, ‘Why? What’s wrong with his books?’” Fahimeh’s father died from a heart attack at a young age, but he continued to inspire her. “He loved his community. He believed in change. That’s why when I got my first job, I put my community's rights at the top of my list.” Fahimeh went to university in Iran, where she met many people appointed to their first position by her father. She started volunteering – always a passion of Fahimeh’s – and later got a job working for the Ministry of Housing and Urban Design, where she worked hard to introduce transparency within a corrupt system. “I was quite hot-headed. I was young and thought I could change everything. I did my best, whatever I could, but my mum realised it wasn’t a safe environment for me. She tapped me on the shoulder one day and said, ‘You need to leave this country’.” Realising she wouldn't be safe any longer, Fahimeh left Iran. She moved to Malaysia in 2010, where she continued studying toward her Master's Degree. This was supposed to take two years, but Fahimeh finished her Master's in 14 months. Despite not knowing anyone, Fahimeh’s next destination was New Zealand, where in 2013 she picked up her studies at AUT thanks to a scholarship. With a doctorate added to her name, Fahimeh soon turned her attention to giving back. “I want to be utilised for the community. That’s the most important thing for me. I want to make sure that wherever there are challenges, I can help people and organisations.” Fahimeh started her industry experience by applying her research in a large infrastructure project, Waterview Well-Connected Alliance. She was then offered an innovative leadership role by Fletcher Building, to lead a continuous improvement culture in the New Zealand International Convention Centre (NZICC) project. Always wanting to create her own consulting business, Fahimeh later formed a company called DELTA Informed Decisions, which brought her to DCM. Fahimeh met with DCM Manahautū Stephen, to collaborate on solving the challenges of DCM’s processes and systems. “I had regular meetings with Stephen,” Fahimeh says. “I needed to hear what he is passionate about. He is a very driven person and wants to deliver quality outcomes that drive improvement.” Fahimeh with DCM's Kaiarataki Kāhui. From there, Fahimeh met with DCM’s Kaiarataki Kāhui (leadership group), guiding them through a collaborative process to identify how DCM can best work towards its strategic goals. While Fahimeh has the knowledge and expertise, it was the leadership team that needed to ensure everything was moving in the right direction, to allow DCM to engage in a meaningful way with whānau and other stakeholders. Fahimeh also spent time with many other kaimahi. “First is people. I listen to the language, and pick up different lenses people have got. Everyone is like a big ocean to me. There’s so much you can discover to help shape a better practice model.” With DCM’s new organisational model and strategic goals implemented, it was time to look at some technology solutions to help pull this 53-year-old social service into the modern world. One of Fahimeh’s first projects was tackling DCM’s long-time Money Management Service. Fahimeh started with a diagnostic phase, analysing the efficiency of the processes to gain an understanding of where opportunities for improvement may lie. While DCM’s kaimahi may not have known it, all of Fahimeh’s tools are science-based. “Everyone downloads their knowledge to the table,” Fahimeh says. “People around the table will often say, ‘Oh! I thought it was this way, not that way?’ And it can be frustrating in a way, because I have to ask a lot of questions!” Another project Fahimeh has undertaken is the adoption of an entirely new database system for DCM – Exess. While it may not sound very exciting, DCM is completely reliant on data and evidence to gain insights into the whānau they are working with, and trends that are happening with homelessness in Wellington. For example, did you know that DCM engaged with 1,085 whānau last year, of whom 647 experienced homelessness, and 230 went without shelter altogether at some point during the year? Or that 71.6% of all DCM whānau are male, and that 52.8% are Māori? Importantly, it is this kind of data that DCM needs to report back to the powers-that-be. Exess is now in its testing phase, and DCM looks forward to the massive improvements this information management system will achieve for the organisation, especially with its whānau-centric outcomes model. Fahimeh has enjoyed her time at DCM, which is why she has given back by donating her valuable time in-kind. “DCM has its challenges, but this has been the most enjoyable and rewarding project I’ve done,” Fahimeh shares. “You guys have got a passion for people. I can feel your heart beating for your whānau. That’s quite fascinating to me – everything is about them. Businesses often say they are customer-centric, but it’s not as tangible as you experience at DCM.” Fahimeh and Stephen. Fahimeh is saddened by the current situation in Iran. She recently went to Turkey to help two of her nieces escape the country. Both are now safely in Istanbul – one registered at high school, and the other at university, continuing the family’s passion for education. “It’s another revolutionary time in Iran. It’s really sad to see what is happening. What I always say is that I wish for peace in the world. And not just for the Iranian people – everyone deserves a peaceful life. And that is true for the whānau DCM is supporting too. Living outside, sleeping out, is so damaging for your health. I hope that the tools DCM now has will help your kaimahi achieve amazing results for them.” <!-- --> Can you help? There are many ways that you can be part of our work here at DCM. One way is – like Fahimeh – through offering your professional expertise. Volunteer dentist Shennae (left) with dental assistant Ella (right) at a session at DCM in January. Oral health care is one of the most significant unmet needs of the people DCM works with. We are looking forward to celebrating the 7th anniversary of DCM's emergency dental service in March 2023 – read about our 5th anniversary here. But we haven't been able to do as many dental sessions as we'd like since the pandemic arrived. Are you a dentist, or do you know a dentist who may like to do a session with us? If you can help, or if you know someone who can, please get in touch.   Support DCM <!-- --> Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2023 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • COVID-19 impacts worse for Māori, Pasifika and disabled people, study finds

    • 25 Jan 2023
    • Victoria University of Wellington
    • Research highlights barriers to healthcare and higher rates of financial stress for populations already significantly disadvantaged.
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• • Council’s Top of the Pops for 2022

    • 20 Dec 2022
    • Wellington City Council
    • It’s been a bumper year with an election, COVID-19 challenges, and hundreds of events, activities and services provided in the capital, but nothing stops the elves from compiling Wellington City Council’s weird, wonderful and whacky lists for 2022.
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• • Courtenay Place: Safe for the summer

    • 19 Dec 2022
    • Wellington City Council
    • With Covid restrictions a thing of the past, it’s going to be a big summer for our inner-city party precinct. We’re working with our partners to ensure Courtenay Place is a safe and welcoming place for everybody over the busy festive season.
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• • Cubadupa, aotearoa’s finest, free arts festival is back and coming to you this summer.

    • 12 Dec 2022
    • Cubadupa
    • Famed as the largest post-lockdown festival in the world in the Summer of 2021, followed by a year of Covid disruptions, CubaDupa is back to bring you a festival like...
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• • Weekly E-News – 9 December 2022

    • 9 Dec 2022
    • St Andrews on the Terrace Presbyterian Church
    • I am writing from my bed this morning with shortness of breath, fever, and terrible cough. The effects of having Covid-19 two weeks ago still haven’t gone away. I had […]
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    St Andrew's on the Terrace, 30, The Terrace, Paekākā, Wellington Central, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Duke of Edinburgh

    • 6 Dec 2022
    • Scots College
    • In a year when COVID has impacted detrimentally on our Duke of Edinburgh Hillary Award programme, it was a great honour to be able to attend a Gold Award Ceremony at the Parliament Buildings on Monday. The Gold Award is the highest award in the programme. Rangatahi who earn the award will have spent a Read more The post Duke of Edinburgh appeared first on Scots College.
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    Scots College, 1, Monorgan Road, Strathmore Park, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  

• • Ngā Kōrero - Latest Stories from DCM

    • 5 Dec 2022
    • Downtown Community Ministry
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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Supporting the most marginalised this Christmas communities where whānau are housed, connected, valued and thriving About Us Contact Supporting the most marginalised this Christmas We have almost made it through another challenging year at DCM. I am proud of the way our team has delivered our vision – for communities where whānau are housed, connected, valued and thriving – regardless of everything the ongoing pandemic has thrown at us. I am also proud of the courage displayed by the people we work with. They come to DCM because they genuinely feel welcome here, and because the practical mahi we do makes a huge difference in their lives. But it is when whānau are housed that true transformation takes place. This is why DCM has always believed in ‘Housing First’ – dramatically improved wellbeing comes from having a permanent roof over your head. You shouldn’t have to earn a home – you have a human right to have one. At DCM, it all starts at Te Hāpai, our hauora-focussed, week day services at 2 Lukes Lane. Read on for the story of just one day at Te Hāpai, where the most marginalised and vulnerable people in our city come. Stephen <!-- --> Another day in the life of Te Hāpai Te Hāpai – which means “to lift up” – is a safe, welcoming place where people who are rough sleeping in Wellington are supported on a journey to housing and wellbeing. DCM began Te Hāpai in 2015 amid growing concerns from the community when a number of Wellington drop-in services closed. But nobody just ‘drops in’ to DCM – our hope is that everyone who walks through our door is lifted up, so they can then engage with the services available at Te Hāpai every week day. These services have a hauora-focus – by providing a safe and supportive environment, we build relationships to encourage people to take the steps needed to be well, and to thrive. Tea, coffee and kai helps, and Tanoa has carefully set up everything for the day. Our team know that kai is a great way to build connections with people. It can be easier to have a chat about someone’s housing needs over a cuppa, especially on a cold Wellington day. DCM’s on-site team gather at 8:45am for a briefing. Rowan is our team leader today, and talks us through what’s happening. We have a carving course upstairs, some manuhiri visiting, and Jo from MSD will also join us, to work through any issues people may have, from getting on a benefit or on the housing waitlist, through to accessing a special needs grant. There are a couple of whānau the team are looking out for today, including someone Rowan and Jenny need to catch up with. Everyone is welcome at Te Hāpai, even if they are excluded from other services. We employ a ‘high tolerance, low threshold’ approach. If someone is having a bad day, they are still welcome to come back on another day. Accessibility and inclusivity are important parts of DCM’s kaupapa. At 9am, Clifton, who is taking part in the carving course, calls us to waiata with one of the instruments the team has created. We know that these sounds were once heard frequently around our building on Lukes Lane, which sits on the site of the historic Te Aro Pā. The entire DCM team gathers outside for waiata. Whaea Jenny, DCM’s Toa, leads the gathering crowd, letting us know what is happening at Te Hāpai today. Jenny reminds everyone to treat each other with respect – “Remember – manaakitanga, whānau!” “Kia ora, nan.” At the door, everyone’s name is recorded. Kaimahi ask how everyone is feeling; if anyone says they’re unwell, we will chat to them out in the courtyard. COVID is still a feature in Aotearoa, and DCM takes extra precautions. For example, if someone would like to see one of the Te Aro Health nurses, they will need to mask up. At the welcome desk, things quickly get busy. A man walks up – “I need to talk to someone about my housing.” Kaimahi take him to a private space to talk through the issues he is facing. Someone else says he has a toothache and needs to see the dentist. DCM has its own emergency dental service, but because it relies on the expertise of volunteer dentists, is only available once or twice a week. He is booked in to come back for treatment on another day. Others are here today for kai, but especially for kōrero. Carl likes to make and share his own crosswords, but today he shares an anagram – ‘DUMP OLD RANT’. Carl says the words are a hint at who this political figure may be. Te Hāpai is a place where DCM’s teams can both refer, and – helpfully – find people. DCM’s Toru Atu (Outreach) team connects with people who are rough sleeping and street begging wherever they may happen to be. They often send people down to Te Hāpai, where members of their team provide familiar faces. Kai helps as a drawcard, as does the free internet, and all the practical programmes DCM provides. Need ID? A bank account? Food parcel? Housing? Nurse, audiologist, dentist? You’ve come to the right place! DCM does it all, and does whatever it takes, to connect whānau to the supports they need. Other DCM teams pop by Te Hāpai to find whānau. Aro Mai Housing First kaimahi catch up with people here, especially if they need to access one of the many on-site health services. Today Johnny has dropped in, and Jenny gives his key worker Penny a call to come by and see him. Penny works with DCM’s Noho Pai (Sustaining Tenancies) team, supporting newly housed and vulnerable tenants within their own communities. Penny encourages some of these whānau to come to Te Hāpai on a Monday or Friday when Te Awatea – which means “the awakening of the dawn” – is running. Te Awatea is a group that aims to reduce the harm associated with substance abuse. People are welcome to come and go from the meeting, but 1-1 counselling is also available when people are ready to take the next step and talk to one of DCM’s expert AOD practitioners. DCM also receives visitors from many other agencies and services. Often nurses from TACT (Team for Assertive Community Treatment) come by, looking for whānau in need of their monthly depot – slow-release medication to help treat people for mental illnesses. Just as we have with MSD today, DCM will make a private room available for the TACT Team. Accessibility is what it’s all about at Te Hāpai, but perhaps most important is inclusivity. No one is judged here – and everyone is made to feel welcome. DCM takes this inclusivity to the next level by employing people who have been homeless themselves – their commitment to doing what it takes to become well and then go on to support others on a journey to housing and wellbeing is inspiring. Our day is winding down at Te Hāpai, and participants in the carving course are ready for some lunch. Like many of the endeavours we undertake at Te Hāpai, this mahi is only possible thanks to donations from the people of Wellington. One example is the St. John’s in the City Outreach Committee who funded our carving course, providing access to culture that is often absent for the whānau DCM works with. We have enjoyed seeing the participants in the carving course thrive – having grown in confidence, they will now go on to share their knowledge with others. Carving course at DCM: Sam from Wānanga Taonga Puoro ki Pōneke led us with his beautiful and gentle way of teaching, while we grew in confidence sharing this experience together. Outside in the courtyard Matt bumps into Piripi, who is currently rough sleeping. “What do you think of Te Hāpai – do you feel lifted up when you come here?” Piripi gets straight to the point: “DCM is awesome – you’re always there when we need you. It’s a place where everyone can come, because everyone is welcome. There are people out there who are kind of stuck, but your staff never give up on anyone.” For DCM’s kaimahi, it’s never just another day at the office. Our vision is for communities where whānau are housed, connected, valued, and thriving. We feel privileged to see this vision become a reality each and every day at the very special place that is Te Hāpai. <!-- --> We need your help more than ever We are worried about our whānau in the face of the rising cost of living. When you already have so little to begin with, the shocks from global crises will have a greater impact in every way. But DCM will be here to support them, and we know you will too. Our Te Hāpai service is not funded by central or local government contracts – but by YOU. This is why DCM’s byline is “Together we can end homelessness”. If you are in a position to help, here are some ways you can support us: Support DCM Together, in these most challenging of times, we will continue to empower those who are homeless or at risk of becoming homeless to reach their housing and social aspirations. Ngā mihi o te tau hou ki a tātou, Stephen Turnock  Manahautū <!-- --> Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • Caroline Laurent arrives at Randell Cottage

    • 2 Dec 2022
    • Randell Cottage Writers Trust
    • We are thrilled to welcome French writer Caroline Laurent for a short residency at Randell Cottage, after her original visit was delayed by Covid restrictions.
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    Randell Cottage, 14, St Mary Street, Wellington Central, Wellington, Wellington City, Wellington, 6140, New Zealand (OpenStreetMap)
  
  

• • Weekly Bulletin: Staying connected as a church - 13 November 2022

    • 11 Nov 2022
    • St John's in the City
    • Kia ora St John’s whānau, This Sunday we have a Baptism, celebrate Communion and a special guest preacher (see below), and we will consider how much we rate human wisdom in relation to God’s power! <figure class=" sqs-block-image-figure intrinsic " > If you want to read the Bible readings before Sunday, they are: Isaiah 12: 2-6 and 1 Corinthians 2:4-5 Children start at 10am with their peer group in the St John’s Centre and join in Communion later. The Youth Group will stay in the whole service this Sunday, to hear Dr Gray Manicom. If you can’t gather in the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759Passcode: worship The link to join the Zoom worship service is below. https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09   If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet  <a href="https://www.dropbox.com/s/c2g9klv741oqk46/13th%20November%202022%20Order%20of%20Service.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet <a href="https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Link to Zoom Service If worshipping via Zoom, please be prepared for Communion at home with your bread and cup. <figure class=" sqs-block-image-figure intrinsic " > VISITING MATHEMATICIAN We are delighted to be hosting Dr Gray Manicom for a visit at St John’s in the City this weekend (12th & 13th November)There will be three opportunities to hear him: on Saturday at 3pm (for students), in the Sunday morning service, and an informal presentation after the service. Dr Gray Manicom is a mathematician with interests in dynamical systems. His PhD is in the study of memory effects in heteroclinic networks. He is a research fellow in the Department of Physics at the University of Auckland, modelling and investigating the spread of the COVID-19 epidemic on a network. He loves cricket, movies and talking about ideas. Please help us share the Saturday event for students… <figure class=" sqs-block-image-figure intrinsic " > ‘Uses of Mathematics today: How Mathematics helps solve the world’s problems’Can 42 actually be the answer to the ultimate question? Can an equation take over the world? Can mathematics unlock lockdowns and quarantine pandemics? The next few decades of human development will depend on big data, AI, genetic editing, quantum computing, space travel and other fields that are, in essence, entirely dependent on mathematics. Quantum particles are too small, space too far, data too plentiful and AI too unpredictable to experiment on these things in traditional ways. Scientists in these fields typically no longer rely on experimental data to tell them what is true or not, instead, they rely on the language of mathematics' ability to describe the world. But is this trust justified? What are the differences between science and mathematics? And where does God fit in? Saturday 12th November, at 3pm in the St John’s Centre at St John’s in the City On Sunday after the morning service the talk in the St John’s Centre is: ‘Mathematics, Creativity and the Creator’All mathematics is created by people, and imagination is still the main tool for mathematical progress. However, just like with inspiring art, sometimes it seems to go beyond something created, beyond the imagination of the human creator, to suggest there was something fantastic and real waiting to be discovered the entire time. Join me as I reveal the secret life of the mathematician, and how my quest through the realm of mathematics has led me closer to the ultimate Creator.   OTHER THINGS TO KNOW ABOUT... THE MESSENGER The most recent St John’s Messenger newsletter reviews some recent events, and looks ahead to what is next. <a href="https://www.stjohnsinthecity.org.nz/news/october-messenger" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > The Messenger Newsletter   RAISING THE STANDARD OF GIVING Last week, we highlighted the slides from the AGM about the church finances. <a href="https://www.dropbox.com/s/s9vqtz7wnuqaegp/AGM%20Finances%2030th%20October%202022%20slides.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Slides from the AGM These show that we are continuing to navigate a difficult financial environment with multiple pressures. Even though St John’s achieved an “accounting surplus” for 2021/22, a large deficit of $400,000 is budgeted for 2022/23. This arises because of:• The need to inflation protect the Trust Fund – high inflation and low returns means very limited real returns are expected this year• Insurance costs are $176,000 (plus GST) for the year – a $20,000 increase on last year and a 50% increase over the last 3 years• Repairs and maintenance – painting the manse, washing the buildings on the St John’s site, and the repair of the Church reception roof have added to costs this year• Higher salaries arising from market demand and the intention to fill the youth and children’s ministry vacancies• A significant decline in annual congregational giving of about $60,000 compared with 2018.Some of these challenges, such as insurance, will require a regional or national approach, as other Churches are facing similar cost challenges. And some of these challenges are ours. Giving should be a joy that reflects our faith and enables our worship, ministry, mission and outreach. Jesus talked about money a lot. At least a third of his teaching was about money and property related matters – the incidents of the rich young ruler and the widow’s mite are forthright in their implications. Jesus did this because he knew that many of those he spoke to considered money more important than the Kingdom of God. Let’s prayerfully re-examine our giving as an important expression of our faith and rise to the challenge of an additional $20,000 a year over the next three years. <figure class=" sqs-block-image-figure intrinsic " >   ONE CONFERENCE We are excited to have over 240 participants registered for the One Conference here at St John's in the City November 17-19. <figure class=" sqs-block-image-figure intrinsic " > You have the opportunity to attend any of the four main sessions of the conference for just $5 per session. For information on the main sessions go to: https://www.oneconference.org.nz/keynote-speakersYou do not need to preregister to attend, simply come with $5 cash before the session and pay it at the hospitality desk in the St Johns Centre.   WHĀNAU NIGHT 5pm-6.30pm, Sunday 20 November, BYO Picnic. The theme for the evening will be a youth-led Code Breaker night.We started off the year with a picnic in the park, and we are going to finish off with a picnic in the hall. We invite you to bring your own meal to our final celebration.This will be our LAST whānau night of 2022. And in order to continue whānau nights in 2023, we are looking for a committed leader to help orchestrate and organise teams, as Gordon Fitch is stepping down from this role. Please get in touch if you can to help organise whānau nights. <figure class=" sqs-block-image-figure intrinsic " >   DCM Foodbank Appeal …Saturday 19th of November. St John's have been asked to collect from 9am -1pm at Chaffers St New World, with two collectors per hour. You might consider doing this for the sake of those in our city who need help. Please contact Carolyn Goudswaard, if you are able to help. Annual General Meeting …Monday 28th November. Their AGM is in the St John’s Centre. Refreshments will be served from 5:30pm with a meeting start time of 6pm. DCM’s Manahautū, Stephen Turnock, will offer a reflection.   SCOTS COLLEGE ADVENT SERVICE At St John’s in the City 4pm Sunday 27th November 2022.   COMBINED ADVENT SERVICE With St Mary of the Angels and St Peter’s.At St Mary of the Angels 7pm Sunday 27th November 2022 <figure class=" sqs-block-image-figure intrinsic " >   FELLOWSHIP GROUP The Fellowship Group meets for the traditional Advent Service on Tuesday 29th November at 11am in the St John’s Church. Please note this is the fifth Tuesday of the month.The usual shared lunch will be enhanced by strawberries and ice-cream. And a koha will be invited in support of the work of Christian World Service.   The grace and peace of our Lord Jesus Christ be with you.Allister
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • October Messenger

    • 7 Nov 2022
    • St John's in the City
    • RASING THE STANDARD OF GIVING <figure class=" sqs-block-image-figure intrinsic " > ‘Raising the standard of giving’ – describes the thoughtful re-examination of our giving as an important expression for our faith.  We give meaningfully, not because the Church needs it (it does, of course) but because as Christians we need to give it for our own sake spiritually. Our giving connected to our:  Discipleship Shared mission and vision Expression of generosity in proportion to our means. Together we are encouraging one another to think about our values, to examine or re-examine our giving habits accordingly, to make carefully thought-out decisions, and to re-arrange our priorities in using money to enable us to carry out these decisions.  Money is a real responsibility. The more we have of it, the greater our responsibility. The place we give it in our lives, the purposes to which we put it, are very relevant to our Christian life.   Our attitude to money and possessions provides a practical test of our love of God and for others. Often our money may be taken as a yardstick measuring the value we put upon our beliefs. Our attitudes to money, the place we give it in our lives, provide a telling clue to our Christian character.  What is ‘token giving’? Giving is not primarily token by the size of the gift, but by its relationship to the financial means of the giver and how it relates to her/his intention in making it.  What about ‘sacrificial giving’? Graham Redding recently wrote:  “Has the concept of sacrificial giving had its day? For as long as people deem the act of giving to be an integral part of their sense of vocation, then the answer to that question must be no. What is freely and abundantly given, even at a sacrificial level, can be a joy, not a burden.”1  Sacrificial giving is best understood as generous enough to involve substantial cost, and so has real meaning to the giver. It brings to the giver a sense of fulfilment - of responsibilities faced and met. It comes only after careful thought, realisation of the issues involved, prayer and the planning that makes such a gift practicable. It makes a significant impression on the giver’s spiritual life because it brings into sharp focus the importance of spiritual values in life.  So, as we move forward on the journey of faith together, let us re-examination our giving as we put our faith into action every day.  [1] ‘Time to talk about responsible rather than sacrificial giving?’ Graham Redding, Otago Daily Times, 29th April 2022. https://www.odt.co.nz/opinion/time-talk-about-responsible-rather-sacrificial-giving LUMINARY Luminary is a sculptural installation by artist Auckland Karen Sewell which was installed in St John’s chapel from 29 July to 7 August this year, having earlier been shown as part of the collateral projects programme of the Venice Biennale 2022 in Italy and in Auckland, Dunedin and Christchurch. It explored the metaphor of light and light giving bodies and was an effort to revive the long-standing tradition of placing art in churches, in this case with contemporary art. It involved a large sphere illuminated in white and gold light high in the ceiling of the chapel, accompanied by a display of lumen prints, showing another aspect of light.  We saw it as more than that. While providing an opportunity for people to reflect on creation and light, it was also an opportunity for St John’s to connect with the wider community and tell people about our own historic building, with its own art works of high interest such as our stained-glass window of the Good Samaritan on our north wall or Christ’s last supper, shown in the chapel. It worked well. With support from the Congregation contributing to expenses and volunteers helping to open Church, more than 300 people saw the work, including more than 200 from beyond the Congregation. Some stayed for up to half an hour and engaged well about St Johns and what we do on site. A good range of people showed interest, including many students and younger people, some who just wanted to see inside the Church which is normally not open. The sale of Karen Sewell’s donated artworks raised $207 for DCM’s work with the homeless too.   A big thank you to all who helped, including to show us some other ways to connect with our community, as we want to fulfil our vision for St John’s.   See the video production of the installation at St John’s in the city https://www.luminaryvenice.com/luminary-wellington-video  See more at www.luminaryvenice.com  David Galt  <figure class=" sqs-block-image-figure intrinsic " > CHURCH CAMP 2022 This month saw our church whānau join together at Forest Lakes campground for Church Camp 2022. We were treated to lovely spring weather, a plethora of activities, and meaningful worship sessions all packed into just 2 nights! <figure class=" sqs-block-image-figure intrinsic " > Arriving on Friday night, we quickly stowed our things in our cabins, then started camp right with icebreaker games, and a session in the chapel. We got to sing along with the combined worship band and hear more about our theme of “Journeying together”. It felt apt knowing that not only had we all journeyed to Otaki to be together, but we’ve all been on our own journeys through COVID and a rapidly changing world. Games and movies and supper sufficiently tired us all out ready for what we hoped would be a good nights’ sleep in cold cabins. Saturday dawned bright and the whole day stretched before us. After breakfast it was time to welcome our day campers and get stuck into more worship. Truly, guitars and clapping and singing - such a great way to wake up! Then came a life auction; working together in multi-generational teams and trying to build a meaningful life on a (imaginary) budget created rich conversations for sure. Being a part of a ‘poorer’ group really did make our group focus on just a few, top priority qualities that make a huge difference to a good life. Digesting this while hearing more stories of people on a journey brought home how lucky we are, and how we can keep going towards more. Free time in the sun followed our time together, with kayaking, golfing, archery and more. Kids entertained and happy campers mingling together and chatting through life with smiles beaming. <figure class=" sqs-block-image-figure intrinsic " > After more games and then dinner, it was time for the long-awaited camp concert. What talent our church whānau possesses! From dancing to singing to karate to hose trumpets, it all ended with a blow out youth band jam session. What do you do when you’re alone in an elevator?? And of course, camp wouldn’t be complete without the bonfire. We saw roaring flames, gooey marshmallows, and warmth all on a beautifully still night. A perfect chance to be real, and engage with one another. <figure class=" sqs-block-image-figure intrinsic " > Sunday morning worship and we tied together our journeying theme of the weekend. All tied together like a fairy tale.Church camp had been just another casualty of the COVID cancellation era last year, and it was fantastic that we got to pick it up and revive it for this year. It seemed extra rewarding that it came following a big time of post-pandemic change and busy-ness in our lives. A huge thanks to the team of volunteers who helped plan and organise to get it going, and to all those that helped while we were there to keep things running smoothly for us all. God is definitely close when we’re moving towards Him together. Amanda Fitch A FUTURE IN THE CITY In 1853 St John’s was surrounded by paddocks, on the fringe of a new settlement town. Down the road was Te Aro Pa, and in and around Dixon St were ramshackle shanty buildings and an abattoir. Muddy roads, typhoid outbreaks and a British immigrant population were seeking a new beginning having bought land from the unscrupulous NZ Company. Meanwhile Tangata Whenua hailing from Taranaki Whanui and Te Ati Awa were slowly being disenfranchised from their land. The history of Wellington’s settlement is far from pretty. By 1893 women had the vote and there was a strong movement for social improvement. As expressed in the NZ Presbyterian magazine the ‘Christian Outlook’, the place of cities, their influence, the call to be a part of the social fabric and be Christ ‘where you are’ was strong. To ‘Make that one corner, room, house, office as like heaven as you can.’… to “Beautify it, ventilate it, drain it.’… Educate it, Amuse it, Church it. Christianise capital; dignify labour.’’ In 1895, the church was calling members to get involved in the nitty gritty and dirty parts of life, to use their capital for good. To be involved in the hard stuff, to engage in social issues and matters of justice. Not to sit back and watch, but to “Join councils and committees. Provide for the poor, the sick, and the widow. So will you serve the city." This is the whakapapa of St Johns – In the City. Fast forward to 2022. 169 years later we are asking ourselves once again, what does it mean to be part of the City? How do we be Christ’s hands and feet amongst the high-rises, the apartments, and the shadows of the City where loneliness is common? How do we provide a place of restoration in a world of hard tarmac and where open spaces are rare? How do we meaningfully share the knowledge of a loving, hope-filled God to a understandably cynical generation, who have heard more about the damage meted out by religious authority, and never had firsthand experience of the church as a loving, accepting and generous community? This is what we have been grappling with for the last year. We’ve been asking ourselves what is our future? Who do we need to be for a new generation? How do we demonstrate Christ’s message of love, hope and create a place where people feel they belong and can find respite, in order to recharge for whatever life throws at them?After much deliberation, prayerful, presbyterian debate and discussion, we agreed the following statement captured our Vision for the future:We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. <figure class=" sqs-block-image-figure intrinsic " > The Pohutukawa tree represents our community, our hopes and aspirations – with strong roots in God’s love building faith together, a trunk with many strands that is a place of acceptance and belonging, reaching out our branches in many diverse ways to connect with the dynamic community that surrounds our site and explore the Gospel together.Quickly moving onto Actions, we have tried to put legs on good intentions, and turn theory into practical actions providing a renewed sense of community purpose post-COVID. An interactive workshop where members got a chance to choose a project team they wanted to participate in kicked off this stage. Site and Space TeamChristmas in the Courtyard - a celebration with food, music and carols    Friday 9 DecemberContact Rob Anderson or Judi Ferguson , Phone: 021 239 1702    Community Rebuild Supporting Attendance at Church Camp and Talent Show. 20 older congregation members came to church camp for the day! Awesome job team!!  Whānau Night ExtensionYouth Lead Code Breaker Night, 20 November 2022 – Come along! Vision Communication and ConnectionsImproving Signage and Billboards, Contact: Elizabeth Gibbs. This group has met and made plans. Now…full steam ahead! Getting to Know our Neighbours / Understanding Our Eco System/CommunityParticipating in Wellington Heritage Week (with our Open Day on 5 November), connecting with local property developers to understand future populations.  Contact: Pamela Cohen  Phone:  027 440 1838 Fiona Purchas NOTABLE MENTIONS New MembersAnjali George, Robyn Albertson Pearse Lane for receiving the Chief Scout Award, as well as a Karori Youth Award and MVP for his Football season with Wellington College. Alice Carter won Hutt singing competition and sang in the national Memorial Service for QEII Leon Scohpa (Son of Richard Hpa and Chantelle Scoon) for his Baptism. Bhanu Pancha for her Baptism
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • No surprise: covid on the cruise ship

    • 26 Oct 2022
    • Wellington Scoop
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• • Kiwi Athletic Club celebrate 96 years

    • 17 Oct 2022
    • Athletics Wellington
    • Kiwi Athletics Club celebrate 96 years  With the intention to honour their club’s 95th year last year the club finally managed after several Covid enforced… Read More »
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• • COVID-19 – Updates for visiting libraries

    • 13 Sep 2022
    • Wellington City Libraries
    • As of 11:59pm Monday 12 September, New Zealand’s COVID-19 Protection Framework (traffic lights) ends. Mask wearing You are not required… Continue reading COVID-19 – Updates for visiting libraries →
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• • Coronavirus Update

    • 13 Sep 2022
    • Samuel Marsden Collegiate School
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    Samuel Marsden Collegiate School, Marsden Avenue, Karori, Wellington, Wellington City, Wellington, 6012, New Zealand (OpenStreetMap)
  
  

• • Face masks no longer required on Metlink services

    • 13 Sep 2022
    • Metlink
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• • Notice | COVID Update 12 September 2022

    • 12 Sep 2022
    • South Wellington Intermediate School
    • New long-term strategy for COVID-19 You’ll be aware that New Zealand will move to a new, long-term approach to COVID-19. These changes have been made based on public health advice and reflect high levels of immunity and declining case numbers across New Zealand.This new approach … The post Notice | COVID Update 12 September 2022 appeared first on South Wellington Intermediate School.
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    South Wellington Intermediate School, 30, Waripori Street, Berhampore, Wellington, Wellington City, Wellington, 6023, New Zealand (OpenStreetMap)
  
  

• • COVID-19 Protection Framework Update

    • 12 Sep 2022
    • Capital & Coast District Health Board
    • Following the Government's announcement, the COVID-19 Protection Framework will end, along with several other COVID-19 public health measures at 11.59pm on 12 September 2022.
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• • COVID-19 Protection Framework Updates

    • 12 Sep 2022
    • Hutt Valley District Health Board
    • The COVID-19 Protection Framework will end, along with several other COVID-19 public health measures at 11.59pm on 12 September 2022.
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• • NZ moves away from Covid protection framework

    • 12 Sep 2022
    • Porirua City Council
    • From midnight tonight, face masks will no longer be required in Council facilities.
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• • Being the best you in a dystopia

    • 11 Sep 2022
    • Low Carbon Kapiti
    • One person’s Utopia is another’s Dystopia By Anthony Britton, 12 September 2022 Dear reader if you’re having a bad day you may find this article hard to read, it was very hard to write without feeling depressed and without hope. The Covid-19 pandemic, with the misery, suffering and death this has brought all around the […]
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• • Weekly Bulletin: Staying connected as a church - 11 September 2022

    • 8 Sep 2022
    • St John's in the City
    • Kia ora St John’s whānau, This Sunday’s date recalls a day of terror, which for most of us was within living memory: September 11 <figure class=" sqs-block-image-figure intrinsic " > Stephen Harris is our Guest Preacher, and will be reflecting on how the scriptures speak to the current perils of our world. His sermon is titled ‘Biblical Times’. If you want to read the Bible readings before Sunday, they are: Jeremiah 4:11-12, 22-28 and 2 Timothy 3: 1-5, 14-17 Our youth and kids will start at 10am in their peer groups (in the Centre) and join together in the Church for Communion. After the service we have our Quarterly Communion Lunch, so please bring food to share If you can’t get into the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759Passcode: worship The link to join the Zoom worship service is below. https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09   If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet  <a href="https://www.dropbox.com/s/kzpicbcfm4xq4j4/11%20September%202022%20Order%20of%20Service.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet <a href="https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Link to Zoom Service  ELECTION OF NEW ELDERS At last week’s Congregational Meeting we elected two new elders: Jason Fyfe and Nisha George. We thank God for their sense of call and look forward to their ordination to this leadership role in our church  ST JOHN’S CHURCH CAMP This is a special weekend for all of us! 16th – 18th September 2022The theme is ‘Journeying Together’. Online registrations are closed. But we might be able to squeeze in some extras. Please contact Naomi to enquire. Contact: Naomi Contact: Naomi <form method="POST" novalidate data-form-id="631949492645ee7c5a5dcd8e" data-success-redirect="" autocomplete="on" action="https://stjohnsinthecity.squarespace.com" data-dynamic-strings onsubmit="return (function (form) { Y.use('squarespace-form-submit', 'node', function usingFormSubmit(Y) { (new Y.Squarespace.FormSubmit(form)).submit({ formId: '631949492645ee7c5a5dcd8e', collectionId: '5eaba2aa9758022539788d0f', objectName: 'item-63194863e1325949ba993a7e' }); }); return false; })(this);" > Name * <input data-title="First" spellcheck="false" maxlength="30" name="fname" aria-required="true" type="text" class="field-element field-control" x-autocompletetype="given-name" /> First Name <input data-title="Last" spellcheck="false" maxlength="30" name="lname" aria-required="true" type="text" class="field-element field-control" x-autocompletetype="surname" /> Last Name Email * <input autocomplete="email" spellcheck="false" name="email" aria-required="true" id="email-yui_3_17_2_1_1662601295138_56015-field" type="email" class="field-element" /> Subject * <input aria-required="true" id="text-yui_3_17_2_1_1662601295138_56016-field" type="text" class="field-element text" /> Message * <textarea aria-required="true" id="textarea-yui_3_17_2_1_1662601295138_56017-field" class="field-element " > <input type="submit" class="button sqs-system-button sqs-editable-button sqs-button-element--primary" value="Submit" /> Thank you! <figure class=" sqs-block-image-figure intrinsic " > VISION TO ACTION <figure class=" sqs-block-image-figure intrinsic " > Our Vision: We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. How to get involved… Join a project team – everyone is welcome!!Site and Space – Get involved in exploring how the St John’s site can be used in an outreach capacity. This could involve physical changes, projects, use of the Centre.Current Project: Community Christmas MarketContact Rob Anderson or Judi Ferguson       Community Rebuild – Help re-establish and build back internal relationships and friendship in the St John’s community post COVID.Current Project: Supporting Attendance at Church Camp and Talent ShowContact: Margaret Gilkison or Jemma August Caring for Specific Groups of Need in the St John’s Community – Help us intentionally build connections between generations and serve specific groups of need e.g. young, elderly, youth.Contact: TBC Whānau Night Extension – Get involved in building on the success of Whānau Night. Held each month during school terms in the St John’s Centre or in homes. Food, fun, faith and focus.Current Project: Youth Lead Code Breaker Night, 20 November 2022Coordinator contacts for 20 November Whanau Night: Antonia Milkop and Bronwyn Wood with St John’s Youth GroupWhat we need:  In order for the church to carry on running Whanau Nights from 2023 onwards, we will need to find a committed leader to help orchestrate and organise teams to run future Whanau nights.  Does this sound like you? Vision Communication and Connections – Ensuring St John’s is communicating our Vision with the wider community and supporting the project teams.Current Project: Improving Signage and BillboardsContact: Elizabeth Gibbs Getting to Know our Neighbours /Understanding Our - Eco System/Community – Building direct relationships with our immediate neighbourhood i.e. business and organisations, Victoria University of Wellington and Massey University, Kaianga Ora, building developers, WCC, neighbouring Churches, schools.Current Projects: Follow-up event from Art Installation and Connecting with local property developers to understand future populations.Contact: Pamela Cohen         The St John’s Vision is a key focus for Session Leaders so feel free to contact any one of them about this. In particular you can contact the Session Clerk, Rob Anderson New IdeasSt John’s wants to innovate and try new things that fit in with our Vision. If you have a creative idea the following information might help you work out how to progress that from a thought to action. <figure class=" sqs-block-image-figure intrinsic " > If needed, talk to Ino Pasullean so he can connect you with the right project team or provide further advice.  NAME TAGS As we turn our Vision into action, one very easy and practical way we can build community is to wear a name tag.This Sunday all those who wear a name tag (or sign up to get one) will get a chocolate!Please keep your name tag on when you come over for Morning Tea in the Centre, and there will be a receptacle to drop your name tag into before you leave.  LEADERSHIP FOR OUR MINISTRY WITH YOUNG PEOPLE We are looking for new paid leadership to support our ministry with Children & Families and Youth. These are important and life-giving ministries for us at St John’s and we remain committed to these ministries as an expression of our faith shared and grown together.While we have existing position descriptions for these roles (half-time for the Children & Families role, and full-time for the Youth Pastor role), we are also wanting to be flexible and shape the responsibilities of these roles, where appropriate, to match a) the strengths of suitable applicants, and b) with the emerging needs at St John’s.Our St John’s Vision is encouraging us to focus on being intergenerational, having safe spaces for people to belong, being flexible and responsive, with an open-minded and positive culture.We are open to explore possibilities with anyone who has a passion and aptitude for these ministries.If you, or someone you know, might consider these roles, please contact Rev Allister Lane for more information, including the current position descriptions (Ph: 021 466 526).Applications close 23rd September 2022. including a CV and a covering letter that lays out your vision for the role. <figure class=" sqs-block-image-figure intrinsic " >  FREE GAMELAN CONCERT <figure class=" sqs-block-image-figure intrinsic " >  FELLOWSHIP GROUP “Seeing the Invisible: Black Holes, the Universe and our place in it”This was the title of a presentation given last month at a Science & Faith seminar at St John’s by Prof Jeff Tallon.At this month’s Fellowship Group you can hear this presentation again, along with the wondrous images from the deepest parts of space.Tuesday 27th September, 11am in the Hall.  ONE CONFERENCE This leadership training conference for the Presbyterian Church is being hosted at St John’s in November (2pm 17th of November - 2:30pm Saturday the 19th of November).We will have many folks travelling from out of town and many have asked if there any possibility of being billeted. Would you like to consider billeting out-of-town attendees to the conference?Conference attendees will have all meals provided at the conference except breakfast. If you can offer billeting please fill in this form One Conference Billet Host Form or email grace@presbyterian.org.nz <figure class=" sqs-block-image-figure intrinsic " >  The grace and peace of our Lord Jesus Christ be with you.Allister
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Report from the Chair 2022

    • 5 Sep 2022
    • Hoe Tonga Pacifica Waka Ama Association
    • What an interesting year it has been. Even though COVID started back in early 2020, it did not really adversely impact our sport until late 2021. Until that time, our regional membership and participation across the board looked strong, and … Continue reading →
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• • Friday Five: Fabulous ways to celebrate Pride in Wellington

    • 2 Sep 2022
    • Wellington City Council
    • Pride festivities were postponed in Pōneke earlier this year due to COVID, but now it’s time to come out and finally celebrate our queer community with two weeks of events and activities for the Wellington Pride Festival. Check out what you can do to celebrate Pride!
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• • Shirley Barton Trophy and Ballantyne Cup race

    • 28 Aug 2022
    • Wellington Scottish Athletics Club
    • All you need to know about this year’s race This year marks the centenary of the Ballantyne Cup — one of the club’s oldest trophies. We would have held the centenary last year but, well, COVID. So here we are celebrating 100 (and 1) years instead. The Shirley Barton Trophy (for women) and the Ballantyne […]
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• • Upper Makaroro

    • 24 Aug 2022
    • Wellington Tramping and Mountainneering Club
    • Our trip planning got off to a shaky start when James Wratt, the original trip leader, needed to isolate as a Covid close contact. Finding out I would lead an overnight trip for the first time, two days before the trip was due to start, was a bit of a shock. However James had done ... Read more
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