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    • Luminary I He Tinana Tiretiera
      • 31 Jul 2022
      • St John's in the City
      • The Dawning of Dreams Aotearoa I New Zealand Church & Cathedral Tour 2022 Sunday 31 July to Sunday 7 August, 2022 Opening Hours: 10am to 4 pm (except Sundays start at 1pm) Cost: Free St John’s in the City Church, Corner Willis St & Dixon St, Wellington Karin Sewell is a significant Auckland artist, recently returned from this year’s Venice Biennale where her work was featured as a collateral part of the 2022 Venice Biennale. The work shown below is touring New Zealand in Cathedrals and Churches. St John’s is showing this work both to showcase it as a fascinating artwork and to offer an opportunity for the wider Wellington community to connect with St Johns, seeing our Church and what we do as well the art. We need members of the Congregation to help by opening the Church for 3-hour periods while the work is on display. Please let David Galt know if you can help: david@galt.net.nz or 022 0321143. <figure class=" sqs-block-image-figure intrinsic " > Awakenings IV, 2020 installation, PVC sphere, helium, organza mesh, light, Holy Trinity Cathedral, Parnell, Auckland, New Zealand Art week, Auckland. October 2020, 2m x 2m x 6m. <figure class=" sqs-block-image-figure intrinsic " > Karen Sewell
      • Accepted from News - St John's in the City Presbyterian Church by feedreader
      • Tagged as:
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        • St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • June Update from DCM - Together we can end homelessness
      • 29 Jun 2022
      • Downtown Community Ministry
      • 96 June Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Clifton shares his story and we hear from Hapi again.  About Us Contact Clifton’s Story “I love being part of a major change in people’s lives.” Ko Clifton tōku ingoa. I was born in Wellington but lived in Ōpōtiki for the first 13 years of my life. I was raised by my Koro and Nanny in a whole house full of cousins and aunties and uncles. We grew up on the family farm. They had 14 children, so we were never without whānau around us. My favourite thing to do growing up was to ride my horse with my brother and cousins, down to the river for a swim or up the bush for a hunt, just exploring. My mother spent most of her time in Australia and down in Wellington. Then, out of nowhere, when I was 12 years old she turned up, and my brother and I went to live with her in Wellington. I have worked in a number of different jobs over the years. I started off in the family taxi office in Miramar as soon as I left Rongotai College. I have worked in the sugar cane fields of Fiji; I have had work with other whānau up in Ōpōtiki in kiwifruit orchards. Back in the early 2000s I worked for a time as a forklift operator. I was working for Fletcher Construction when the first lockdown began. When all the work stopped, I lost my job and my income. I was trapped in Wellington with no whānau support and nowhere to stay. I had to move into emergency accommodation. Clifton volunteered his time to support the DCM Foodbank Appeal in May. When was the first time I heard about DCM? It was during that first lockdown, and I was at AC International. There were three of us in the one room; myself and my two adult daughters. I saw a pamphlet about DCM, and gave them a call. Steph answered. I think originally I was asking for food, for a food parcel. It was a proper lockdown, and DCM was only open at very specific times. Steph told me to come down on the Wednesday morning, and I did. I told Steph that there were three of us in the same room. She said “we can’t have that” and got straight on to it. Paula arranged for us to move to two rooms at Halswell. My room number was Room 24, I remember that clearly. I was in one room, and the two girls were in the other. Once I was settled in at Halswell, Kat and Peni from DCM came over to speak to me – about getting housed! They spoke to me about finding the right place. I told them about the issues I had had, with places in certain suburbs where family and others from my past would come by. It was not so good. We agreed that I needed an apartment where others couldn’t just come in to my whare, and that it needed to be in the city. And it sure was meant to be! They offered me, Clifton, a place on Clifton Terrace! And I moved in – on 31 August 2020. Clifton with George on Super Saturday vaccine day. DCM supports people like me in so many ways. Not just with housing and food parcels, but I have also seen the audiologist, the dentist and the Te Aro Health nurses. I have been vaccinated at DCM – I had my first two shots there, and went off myself to get my booster. When I was in emergency housing, I would regularly come to Te Hāpai to get out and about and away from emergency housing for a while. I was always made welcome; the DCM kaimahi were genuinely interested in getting to know me, and hearing what my own hopes and dreams were. It was one of the DCM team, Dom, who supported and encouraged me to stop smoking. And then, a month after I moved in to my place, Kat asked me if I would like to work at DCM. I knew Fabian, and I had wondered how he came to get a job at DCM. The next step was for me to be part of one of the Peer Support courses which DCM offers to people who are interested in a kaiāwhina* role. No sooner was that done, than Kat came back to see me. She helped me with my CV and a cover letter. Then I had an interview at DCM – with Natalia and Paula. They asked me what sort of work I was interested in. I said I would love to work with the Outreach team, and they immediately agreed. They listened to me, to what I was keen to do. It was the ultimate miracle. Clifton is always looking out for ways to support others. He has stepped up to help all of DCM’s teams at one time or another. He enjoys working with Evan to deliver the Te Awatea programme (left) and participating in DCM training and team-building days (with Moses, Bella and Michelle at right). Since then, I have got to be involved right across the many areas of DCM’s mahi. I am part of the Outreach team, but I have also been out with Arieta, Adriana and George from DCM’s Aro Mai Housing First team and with Nadeeka to support our Sustaining Tenancies mahi. I have worked in Te Hāpai, and on DCM’s Te Awatea programme. I have been part of the team delivering our Community Connections programme. I was even at the very first session when we launched the programme at Newlands. I love the patience and resilience of DCM. We roll with it. When taumai are ready, we go forward with them. If they are not ready today, we will try again tomorrow. There are endless chances. We won’t give up on you. And now, I have been able to add more mahi in to my week. I have also joined the Take 10 team, working with youth. On a Saturday night, we are out from 9pm–4am in the city, connecting to young people, checking that they are safe, even paying for them to get an Uber home when this is what needs to happen. We offer water, sweets, etc., to get the young people to connect with us so that we can check in with them. All the DCM taumai seem to go by! They greet me, wonder what I am doing there. The way DCM has stepped up during this pandemic has been ever so encouraging and inspiring. They have come up with ways of supporting those who need it most, regardless of the traffic light system or regular lockdowns. That’s what separates DCM from other community services – the constancy of our level of passion for the work we do. It has been exceptionally impressive – the aroha and manaakitanga I have experienced and have seen others experience over my time at DCM – first as taumai, and now as a kaimahi. Clifton with his team leader, Natalia, outside DCM in Lukes Lane. Natalia Clifton is the type of person who will do anything for anyone. He is generous with his time, cares about his colleagues and keeps his eyes and ears open for ways that he can help people. Clifton also loves learning. It’s one of his great strengths – he listens, watches, and then tries something himself. He also asks for feedback from colleagues which shows great strength of character and humility. He is always open to doing things differently or better. Clifton has covered so much work for DCM including supporting us on outreach visits, running manaakitanga in Te Hāpai, coaching new kaiāwhina, moving furniture for taumai who have become housed, supporting community connections mahi, and sharing his own story in Te Awatea to help the taumai open up and share their story. He’s probably the only DCM staff member who has worked across all services and all teams. How would I describe Clifton? He is collaborative, humble, kind, patient and always supportive. Of both his colleagues – those he works alongside here at DCM – and of taumai. Clifton is always ready to lend a helping hand – whether it is cleaning up the hall after one of DCM’s Community Connections afternoons (left) or staying behind with Fiona after DCM’s last AGM to do the dishes and tidy up (right). <!-- --> Hapi In January, we introduced you to Hapi and shared his story. Hapi is a creative and sociable man who is thriving in his new home, a house provided by private landlord Dev. Hapi loves his art, and this month, some of his pieces have featured in a very successful exhibition organised by MIX, a mental health service which offers programmes in art and wellbeing. Hapi’s work has been popular, with more than half of the items he has prepared for the exhibition selling on opening night alone. Here’s what Hapi has to say about what art means to him: “Bro, it frees my mind. It frees me. I’m free! I'm free and I don’t have no other thoughts about anything else, but just go for my own things. Do my own style of work. I feel awesome when I make anything that I know that I can do, or whatever vision comes in my mind. I just lay it out how it is. What really makes me feel good is other people love it.” You can hear Hapi speak about his art for yourself, in this brief film clip: <!-- --> Support DCM *DCM uses the term kaiāwhina, meaning a helper or advocate for those staff who bring lived experience to their mahi at DCM. We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
      • Accepted from DCM alerts archive by feedreader
      • Tagged as:
      • miramar
      • newlands
      • covid-19
      • exhibitions

        • Newlands, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)


    • Stars of the Matariki cluster: Matariki
      • 23 Jun 2022
      • Te Papa's blog
      • The star Matariki (Greek: Alcyone) signifies reflection, hope, our connection to the environment, and the gathering of people. Matariki is also connected to the health and wellbeing of people. Kaitohutohu Rautaki-ā-Iwi Strategic Advisor Iwi Relationships Watene Campbell talks about how te ponga in our collections connects to the whetū (star) Matariki. Read more
      • Accepted from Te Papa blog feed by tonytw1
      • Tagged as:
      • matariki

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    • Arts Wellington
      • The Wellington Regional Art & Cultural Development Trust (Arts Wellington) is a charitable trust that provides networking opportunities, communication platforms, advocacy and capability building forums for our membership base. Our members are made up of most of the Greater Wellington region’s professional arts, culture and heritage organisations, arts service organisations and education institutions.
      • Submitted by tonytw1
      • Tagged as:
      • art

    • City Gallery
      • The City Gallery Wellington is New Zealand's leading contemporary art gallery. Situated in the heart of the capital city, the Gallery presents innovative and challenging exhibitions that feature the best in contemporary visual arts, including painting, ph
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      • museumsandgalleries

        • Wellington City Gallery, Civic Square, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


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      • Submitted by tonytw1
      • Tagged as:
      • art

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      • Established in June 2000, Enjoy Public Art Gallery is a non-commercial artist-run initiative based in Wellington, New Zealand. We encourage experimental art projects from both emergent and more established practitioners, and aim to present a diverse exhibition series.
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      • museumsandgalleries

        • Left Bank, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


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      • Tagged as:
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        • Pataka, Porirua Museum and Art Gallery, Norrie Street, Porirua City Centre, Porirua, Porirua City, Wellington, 5022, New Zealand (OpenStreetMap)


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        • Randell Cottage, 14, St Mary Street, Wellington Central, Wellington, Wellington City, Wellington, 6140, New Zealand (OpenStreetMap)


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      • art

    • The Plush Room
      • Plush installation exhibition at Thistle hall by Antoinette Ratcliffe 16 November 2010 – 20 November 2010 Open 11 – 5.30pm Monday to Friday 11-4pm Saturday At last, someone was able to help the slashed up and dying bear, Morris. The bunnies Sugar and Sadie had been unsuccessful with their first aid kit in previous installations, but Duke the zombie Dachshound has transformed Morris into a zombie bear. They keep each other company, but Morris is still having trouble training Duke to be abit more civilized.
      • Submitted by tonytw1
      • Tagged as:
      • exhibitions
      • cubastreet

    • The life and times of James Walter Chapman-Taylor
      • ‘The life and times of James Walter Chapman-Taylor’ enables us to enter into the life and times of a man, a family, a society, and ways of thinking and acting different to, yet not so distant from, our own. We enter the world of an architect, who is also an artist; builder, craftsman; a theosophist, an astrologer, a photographer, a furniture maker.
      • Tagged as:
      • heritagebuildings
      • art

    • Toi Pōneke
      • Toi Pōneke Arts Centre is a creative space where the city's arts communities interact, produce innovative works, teach and exhibit in the heart of Wellington.
      • Submitted by tonytw1
      • Tagged as:
      • toi-pneke

        • Toi Pōneke Arts Centre, Footscray Avenue, Mount Cook, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Urban Dream Brokerage
      • We are incredibly excited to have relaunched Urban Dream Brokerage Wellington. UDB had previously assisted and brokered space for over 100 creative projects in Te Whanganui-e-tara and wider Aotearoa from 2013-2018. The programme has encouraged the innovative use of vacant and underutilised retail and public space to creatively build community.
      • Submitted by tonytw1
      • Tagged as:
      • art

    • Vincents Art Workshop
      • Vincents Art Workshop is a unique, dynamic community art workshop in the middle of Wellington. Vincents is a groundbreaking model of true integration at work, providing an environment of acceptance, expression, raised self-esteem and a sense of belonging
      • Tagged as:
      • art
      • communitygroups

    • Wellington Art Club
      • In 1892 James M. Nairn, a Scottish immigrant and art teacher at the Wellington School of Design, formed the Wellington Art Club with a group of regular artists. Over the years membership of the club has included well-known and distinguished New Zealand artists, many of whom served on the council of the Academy of Fine Arts.
      • Submitted by tonytw1
      • Tagged as:
      • art
      • communitygroups

    • Wellington Creative
      • Wellington Creative (a not for profit Trust) was formed in 2007 to help artists, crafters and designers to make a living from their craft. Wellington Creative aims to bring to life Wellington's abundant creativity and innovation and present it in a vivid sensory experience for everyone to enjoy!
      • Tagged as:
      • art
      • communitygroups

    • Wellington Sculpture Trust
      • The trust was established in 1982 to raise funds for Tanya Ashken's Albatross and to commission high quality sculpture for Wellington. It works in partnership with Wellington City Council, Creative New Zealand, other trusts with Wellington links, public a
      • Tagged as:
      • art

    • Whirinaki Whare Taonga
      • Whirinaki Whare Taonga is a vibrant arts centre where you can to enjoy art, culture, history and entertainment. Five fabulous galleries have a constantly changing programme of exhibitions ranging from the very best New Zealand and international art, to local arts and craft and historical exhibitions, with a special focus on interactive experiences and family friendly activities.
      • Submitted by tonytw1
      • Tagged as:
      • museumsandgalleries
      • upper-hutt

        • Expressions, Fergusson Drive, Upper Hutt Central, Upper Hutt, Upper Hutt City, Wellington, 5218, New Zealand (OpenStreetMap)


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