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    • Review: The Coven on Grey Street
      • The first thing that grips me as soon as I walk into Circa Two is Lucas Neal’s gorgeous set design for this show – a huge pohutakawa that stretches up and across the entire stage, a white picket fence, and the outside edge of a traditional weatherboard kiwi house. Cicadas chirp (beautiful sound design by […]

    • Review: Fifty Shades of Ray
      • Reviewed by Talia Carlisle. On a rain-splattered Wellington evening, I find myself refuge in BATS Theatre’s Studio space where paper “worries” are hung on string across the small stage. An eager smattering of audience members buzz in excitement, waiting for Ray Shipley to enter, fresh from a popular Christchurch season with a well-crafted set ready […]

    • Review: Romeo & Juliet
      • Image credit: Stephen A’Court Reviewed by Talia Carlisle What a magical place Wellington is, when you can start your evening with gin and fresh seafood at Cinderella’s for the Wellington on a Plate Launch – and pop down to the St James Theatre, home of the Royal New Zealand Ballet for their opening night of […]

    • Review: Into the Woods
      • Image credit: Maeve O’Connell. Reviewed by Talia Carlisle Not dissimilar to the high fashion of the Met Gala, I adorned my best tiara and lavender frock, ready to descend Te Auaha’s stairs to Witch Music Theatre’s Into The Woods. There isn’t a more magical staircase to a fairytale full of laughter. If the eye-catching advertising […]

    • Review: The Best is Yet to Come
      • Featured Image Graphic designer: Jared Pallesen  Featured Image Photographer: Leoluchino Linumus    The performance style for The Best is Yet to Come has a little bit of everything autobiography, ted talk, magic show and queer inspirational guidance. Adorned in wonderfully sparkling nails and gems across his forehead, Jeremy Rolston opened the show with some guidance […]

    • Review: Concept for a Film
      • A Beautiful Harmony of Theatre, Music and So Mush Spore.   I loved the novel format of storytelling that ‘Concept for a Film’ delivered. The scene opens with Max Barton, sitting at a desk that faces the audience, reading out the script for a film. These readings are intermittently dispersed with many disruptions including phone calls […]

    • Review: The Sensemaker
      • Produced by ‘Woman’s Move’ from Switzerland and co-directed by choreographers Elsa Couvreur and Iona D’Annunzio. The Sensemaker starts as a clever and understated comedy that uses dance, movement and sound as its main devices. Theatre like this is at its best when minimal and perfectly timed, which is a key strength of The Sensemaker. The […]

    • Review: The Culture
      • The Culture, starts before the performers come on stage with a montage of video footage of news articles on systemic and political misogyny. This sets the scene for the everyday ways women are disadvantaged that are so embedded, that they often go unnoticed. The newsfeed soon fades out, the lights come up, and Will and […]

    • Review: Best on Tap Stands Up
      • The Fringe Bar is packed to the gills for Best on Tap Stands Up, a little out of the ordinary for a Sunday crowd, but this is a Fringe show and this is a Fringe crowd, and Best on Tap are an excellently well-established performance company, so perhaps I shouldn’t be surprised. More well-known as […]

    • Review: U R Here
      • Reviewed by Nadia Freeman U R Here is an invitation to take things a little less seriously, to forget about the business of adulthood and be playful. Set away from the day-to-day rhythm of urban living. Barbarian Productions draws us out to Martin Luckie Park in Berhampore. On arrival, my group is welcomed by 80’s […]

    • Review: Access
      • Review by Nadia Freeman Reading the cues of human emotion is an inherent trait that we take for granted. Some of us view emotion differently from others or can find it more challenging. Access, presents an opportunity to analyse this form of human expression more closely. After collecting our tickets we are asked to wait […]

    • Review: Limits
      • Reviewed by Nadia Freeman Photo credit: David Vagg This is no typical dance number meant to distract and delight you with sparkles and clap-along numbers.  Limits sits in the realm of theatre that is to challenge its audience and give them a chance to view what it might be like to step into the shoes […]

    • Review: Wonderful
      • A Laugh for Literary Lovers  Reviewed by Nadia Freeman Richard Huber’s Wonderful opens with Lady Hermione and her butler Roberts staring straight past the audience.  We can not tell immediately what their relationship is, if they are fond of each other, if there is tension, or how long they have known each other.  The set […]

    • Review: End of the Rainbow
      • Judy’s return something to talk about By Talia Carlisle Pour the champagne because Judy Garland has come to town. Peter Quilter’s smash hit show End of the Rainbow opened to loud belly laughs, big smiles and plenty of cheers at the Wellington Opera House this weekend. While the audience and stars were dressed to impress, […]

    • Review: Professor Wild Returns
      • I’ve never seen a show at the zoo before, but that’s where Professor Wild Returns takes me for my first review of NZ Fringe 2023. Another entry in the incredible Austin Harrison Theatrical Universe, this solo show resurrects Harrison’s segment ‘Professor Wild’ from What Now in 2009 as a full-length show for adults, set amongst the climbs of the […]

    • Review: Big J: A New Legacy
      • Reviewed by Nadia Freeman Jacob Dombroski is all heart in his performance of Big J A New Legacy. It is clear that he relives the feelings of every story he shares. This vulnerability is most evident during his dance pieces. From krump to graceful, emotive sections, his actions are deliberate. He can switch from raw […]

    • Review: Jingle Elves: The Musical
      • Reviewed by Talia Carlisle. The tinsel is untangled, the star perfectly in place at the top of the tree. The only thing left is to make your way to BATS theatre to watch Pōneke’s own Pāua Ballads totally f*ck Christmas up – their word not mine! There are naughty elves and a secretive Santa, squabbling […]

    • Review: Venus Rising
      • The Royal New Zealand Ballet is back for their final offering this year, a trio of celestial ballets within the show Venus Rising. I’ve been waiting to see this show for a couple of years now, for it’s been delayed twice by COVID, so it was an absolute delight to finally catch it at its […]

    • Review: Homemade Takeaways
      • I don’t think anyone will disagree with me that it’s been one hell of a year, and Christmas is descending on us fast.  So it seemed completely appropriate to be watching a show about people who’ve had a hell of a year, too, drawn together at Christmas. Annie and Will have gravitated back to the […]

    • Review: The Griegol
      • We need more shows like this. The kind that effortlessly transports you to the same childlike sense of wonder, akin to the first time you are read what will become your favourite story. And it is no coincidence that The Griegol, written by Hannah Smith and Ralph McCubbin Howell, revolves around the power of storytelling. […]

    • Review: Olive Copperbottom
      • Leaving Circa on Wednesday after the opening night of Olive Copperbottom, one of the many things I was feeling was deep regret that it was the very first of Penny Ashton’s shows that I’d seen, and I’d missed so many others.  Ashton is a bright light.  Her energy, her wit, and her joy were incandescent […]

    • Review: Owls Do Cry
      • Owls Do Cry is not your typical theatrical retelling of a book. Instead, it is a complete reinterpretation of the work through movement, design and song.   The show starts very light-hearted with a chorus of singing, movement and audience interaction. As the show continues, however, it draws you into the real pain and fragility of […]

    • Review: Pudgy Mediocre White Men Solve Your Problems
      • A whiteboard greets us at the top of the stairs of BATS’ Dome Theatre. 10am – Dancing with Craig (R18). It reads. 1.45pm – Knitting with Craig (R18), then 8pm – Dave & Bryan Impov Thing. And that is what we’re here to see (though I am particularly taken by the concept of 12.45pm – Autopsy for Beginners.) We’re at […]

    • Review: Macbeth
      • I went into Macbeth at the St James completely cold – I know Verdi’s later operas, including his later Shakespeare operas; Otello and Falstaff.  But I’ve somehow missed Macbeth, and decided to keep it that way, I guess because it’s so exciting to go into something completely fresh and new, even if it was written […]

    • Review: Title & Deed
      • Reviewed by Lox Dixon. Presented as a part of TAHI Festival, 2022. I’m going to make an earnest effort to mention the writing as little as possible in this review because that’s not really the point and everyone probably knows by now that Will Eno is a phenomenal writer. That said, the beauty of this […]

    • Review: Effy
      • Reviewed by Lox Dixon. Presented as a part of the TAHI Festival, 2022.  Effy is a piece of physical theatre performed by a masked actor, and featuring no verbal communication. The show takes place in what ostensibly looks like a public park. A rubbish bin sits on one side of the stage, an old wooden […]

    • Review: HATCH
      • Reviewed by Jules Daniel. Presented by TAHI: New Zealand Festival of Solo Performance, HATCH is an opportunity for five emerging student artists from Te Auaha, Toi Whakaari: NZ Drama School, and Te Herenga Waka – Victoria University of Wellington to showcase and develop their work further. The mahi of a program with a kaupapa to […]

    • Review: Krishnan’s Dairy
      • Review by Talia Carlisle. A wise man once told me that real loves grows, and so does my love of Indian Ink’s now legendary tale of Krishnan’s Dairy that wound up its final season in Wellington this week. The production is a well polished gem in the crown of creative team Jacob Rajan and Justin […]

    • Review: Back to Square One?
      • Reviewed by Shona Jaunas Back to Square One invites you into conversation between 95 year old Inga’s living room in Denmark and her grandson, Anders Falstie-Jensen in New Zealand. It starts with the audience all writing their names on the stage front in chalk which immediately brings us into the space; we are all involved […]

    • Review: Skin Tight
      • Skin Tight is my favourite ever play and I’ve been wanting to see it performed since I first read it. Circa Theatre did not disappoint with their iteration of this show; a gloriously evocative piece with incredible staging, performances and movement. The play is not just a love story to its characters – and the highs […]

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