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The letter we actually needed
- Save the Basin Reserve!
- Now that the NZ Transport Agency has got the letter it wanted from the Wellington City Council supporting the Ngauranga to Airport Corridor Plan, how about they reciprocate and provide the plans they've denying Wellingtonians for the last two years? In fact, if he really wanted to be a champion for the Basin Reserve, pro-roading WCC councillor John Morrison could get nine of his peers to support an extraordinary meeting, where the Council could decide to send a letter to the NZ Transport Agency demanding they release the designs for the Basin Reserve flyover immediately. Now that really would be putting your money where your mouth is! Or is John Morrison only ever a lion when it comes to building roads? read more
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Now With Speaker Details: Public Meeting: For A More Liveable Wellington, Monday 28 August
- Save the Basin Reserve!
- Our speakers are: Roger Blakeley: Introduction – Let’s Get Welly Moving’s principles and objectives Paula Warren: The sustainable transport hierarchy and why LGWM’s outcomes should reflect it Barry Mein (LGWM): LGWM’s progress towards meeting its objectives Russell Tregonning: Transport, climate change and public health: transport choices are health choices When: Monday 28 August, doors open 5.30pm, 6pm sharp start, 7.30pm close Where: Wellington Central Library, Mezzanine Floor Meeting Room All welcome to hear how sustainable transport design for Wellington benefits everyone—walkers, cyclists, public transport users, and drivers—reducing traffic volumes, lowering carbon emissions, and making a healthier city. Doors open 5.30 for 6pm sharp start. We’ll hear from our speakers, then have a panel discussion, with time for one-on-one discussions afterwards. Facebook event.
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2024 Season Honours Roll
- Northern United Hockey Club
- We’re incredibly proud of the individual honours achieved by our players this season: Vantage Black Sticks: Julia Gluyas (named for the January 2025 USA series) New Zealand Māori Hockey: Ruby Baker (Senior Wahine Squad 2024/25) New Zealand Masters 2024: Nathan Croad (40s) Premier Hockey League: Julia Gluyas (Falcons), Ruby Baker (Mavericks) Wellington Masters 2024: Jenny Whitworth (35s), Sarah Neilson (40s), Jonny Lusby (40s), Sam Ros (40s), Aaron Clulow (45s), Ash Drake (45s), Ian Norman (55s), Peter Thomas (60s) Tauranga Masters: Chantelle Badenhorst (35s), Jason Parry (50s) Wellington Under 16s: Tom Agate Wellington Under 18s: Lucy Pottinger, Adam Baker, Zac Fowler, Moritz Lohstöter Wellington Under 21s: Ruby Baker, Hannah McNaughtan Wellington NHC Tier 1: Julia Gluyas, Nita Sullivan, Victoria O’Keefe, Ruby Baker, Jenny Whitworth (Manager) Hawkes Bay NHC Tier 1: Tayla Hansen Wellington NHC Tier 2: Jack Paton, Aryan Vallabh A huge thank you and congratulations to all our players for their outstanding achievements this season. You continue to inspire us and represent Northern United with pride! Julia Gluyas and Victoria O’Keefe
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It's May - and things are on the move!
- Wellington Orienteering Association
- It's May - and things are on the move! SGM, Club Successes and a Matariki Spectacular! ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ View this email in your browser May 2025 news Kia ora <> As we transition into the winter months, it’s exciting to reflect on the successes of the past few weeks. On Sunday 4 May, we held our Course Planning Seminar, which was a resounding success! About 12 people came along and we were thrilled to see such strong participation from experienced orienteers and those newer to the sport. The seminar provided valuable insights into course design and use of Condes software that is used for mapping orienteering courses. A huge thank you to Dick Dinsdale for arranging this as well as our contingent of helpers, and all who attended! This seminar not only strengthened our collective knowledge but also helped build a more connected and engaged community. We’re already planning future educational events to continue this momentum. I encourage all of you to keep the conversation going and apply what you've learned at our upcoming events. Throughout May and June, there are plenty of exciting opportunities to get outdoors, improve your skills, and continue to challenge yourself. We’re also looking forward to an SGM and potluck on Sunday 8 June where we will vote on Orienteering Wellington’s new Constitution. Looking forward to seeing you all at our events! Beverley Holder President Participants at the Course Planning Seminar. SGM and pot-luck – Sunday 8 June A reminder that our Special General Meeting(SGM) and Potluck is just around the corner! Join us at 5.30pm Sunday, 8 June to enjoy some great food and your drink of choice with fellow orienteers. Members will also be invited to vote on our proposed new Constitution, which is a requirement for continued registration as a society. Details Date: Sunday, 8 June 2025 Time: 5:30 PM, followed by potluck Location: 30 Gurkha Crescent, Khandallah, Wellington 6035 Afterwards we’ll enjoy a wonderful potluck dinner—always a highlight of our community gatherings. Please bring a dish to share! All members are welcome but it would be helpful if you could RSVP by Thursday 5 June. RSVP Club successes NZ Orienteering Championships 2025 Orienteering Wellington can boast some terrific successes and consistently competitive performance at the year’s national championships hosted in Canterbury by Peninsula and Plains Orienteers. This includes both Lizzie and Gillian Ingham taking the triple crown for sprint, long and middle courses in their categories. Our club contingent was 36 strong – a great showing! Sprint distance W21E 1st Lizzie Ingham M20E 1st Jake McLellan W20E 1st Rachel Baker W70A 1st Gillian Ingham M70A 3rd Dick Dinsdale W75A 3rd Dorothy Kane M21A 3rd Alan Teesdale W21A 3rd Alison Power Middle distance W21E 1st Lizzie Ingham M70A 1st Dick Dinsdale W70A 1st Gillian Ingham W21A 1st Alison Power W20E 2nd Rachel Baker M20E 3rd Jake McLellan M21A 3rd Alan Teesdale Long distance W21E 1st Lizzie Ingham M20E 1st Jake McLellan W20E 1st Rachel Baker W70A 1st Gillian Ingham M55AS 1st William Power M70A 2nd Dick Dinsdale W21AS 2nd Ellie Molloy M55AS 2nd David Middleton M40A 3rd Simon Robinson W21A 3rd Alison Power Relay Mixed Veterans 2nd Dick Dinsdale, Gillian Ingham, Peter Wood Mixed Veteran relay winners Dick Dinsdale, Gillian Ingham and Peter Wood. North Island Secondary Schools Champs This year’s North Island Secondary Schools Champs was hosted by Counties Manukau Orienteering Club. Congratulations to Orienteering Wellington members Troy Thompson, Morag McLellan and Jake McLellan, who came second in the Year 12-13 Senior Boys relay. Morag McLellan also came fourth in Year 12-13 Senior Girls long distance champs, and fifth in the sprint. Supporting our members Orienteering Wellington has awarded a $750 travel grant to club members selected to represent New Zealand internationally at International Orienteering Federation events. Rachel Baker and Jake McLellan will be representing New Zealand at the Junior World Orienteering Champs in Trentino, Italy, from June 26 to July 3, 2025, as has Morag McLellan at Brno, Czechia, from 17 – 20 July. Lizzie Ingham has been selected for the team attending the World Orienteering Champs in Kuopio, Finland, from 8 – 12 July. Jake McLellan, World-Class Orienteer and Mountain Man Orienteering Wellington member Jake McLellan won the fabled Tararua Mountain Race – Southern Crossing, a 36km mountain run from Kaitoke to Ōtaki Forks. It was an epic effort that saw Jake crossing the finish line in 7:08:08. Jake says: “The race kicked off fast, and I couldn’t stick with the early pace, so I settled into my own rhythm and made sure to save some gas for the back half. Just after Alpha Hut, I spotted the leaders a couple of minutes ahead — that gave me a real boost and helped me keep pushing across the tops. I made goodtime across the tops and caught up to Chester at Kime Hut. After Bridge Peak, I put the hammer down on the technical descent and managed to pull away. From there, it was just a fast hobble down from Field Hut to the finish. “I'm absolutely stoked to take the win at such an iconic event! It's an honour to have my name on the trophy alongside some legends of the sport.” Tips and Tricks To help you improve your orienteering skills this winter, here are a few tips from our experienced members: Stay on the trail: In challenging conditions, it’s often easier to follow a trail, path, or prominent feature rather than trying to cross open terrain. It will save you time and help you maintain orientation. Map reading in low visibility: If you're out in low-light conditions, try marking key features(like water bodies or trails) on your map before starting. This will help you stay oriented even when visibility is reduced. Check your compass often: Don’t rely on your compass just once at the start. Check it regularly to ensure you’re staying on course. Small errors in direction can add up to big detours! Practise regularly: Winter orienteering training doesn’t have to be outdoors. Use mapsin your local area to practice route planning, compass work, and even map-reading skills indoors. Familiarity with your map will pay off in the field. Development and events There’s a lot happening in the coming months. This Sunday sees us at Baring Head, followed by another event at Battle Hill on Sunday 8 June. Pre-registration is greatly appreciated. Advanced entries close 11.59pm Saturday. We’re offering a practical training session at Karori Park on Sunday 15 June. You’ll get a chance to put your newfound skills to the test at Matariki, in the pine forest and sand dunes of Waikawa, north of Ōtaki. Further afield is the three-day King’s Birthday event in the Hawkes Bay. Entries close Thursday. Orienteering Bay of Plenty’s Great Forest Rogaine in Rotorua is coming up on Saturday 26 July 2025 – a fun, team navigation challenge where you try to collect as many controls as you can in the time allowed. There are 3- and 6-hourevents that you can do on foot or mountain bike. It’s a great adventure for groups of friends and family. Entries close Tuesday 22 July. Coming events Orienteering Wellington’s coming events can be found on our Events page. You can also toggle the calendar to show Orienteering Hutt Valley’s events. Sunday 25 May – CSW and Public Event, Baring Head Sunday 8 June – CSW and Public Event, Battle Hill Wednesday 11 June – Afterwork Rogaine, Miramar Sunday 15 June – Practical training, Karori Park Sunday 22 June – Matariki special, Waikawa … For all events, visit Orienteering New Zealand About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington Copyright (C) 2025 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
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Lower Hutt, Wellington, New Zealand (OpenStreetMap)
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Passchendaele: The Belgians Have Not Forgotten
- This exhibition focuses on how the memories of New Zealand still live on in Flanders today, 90 years after the devastating conflict that cost so many young kiwi lives. These memories are brought to life through images, movies and artefacts. New Zealand lost more men during the 100 days of fighting than any other commonwealth country - 845 on one day alone during the First Battle of Passchendaele, 12 October, 1917. The people of Flanders and, more widely, the people of Belgium have never forgotten this sacrifice, which is commemorated in this very special exhibition. Passchendaele: The Belgians Have Not Forgotten will tour New Zealand between March and November 2009. Opens Hall of Memories, National War Museum, Burke Street, Wellington 6 March - 13 April 10:00 - 4:30 Mon to Sat, 12:00-4:00 Sundays
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Deadlock & Nova
- Black Coffee
- <figure class=" sqs-block-image-figure intrinsic " > Deadlock: Built off existing cast glass, photography, found objects and photogram work, Deadlock is digitally combined and transformed into bold abstract images, This work is part of an ongoing multimedia project exploring the fragility of the mind when exposed to traumatic experiences. Deadlock embodies the emotions of hate, despair grief and helplessness, how through pain we inflict pain, blindly forming cycles of abuse and transforming into the monsters that hurt us. The key, acquired from an infamous and abandoned mental institute in Goulburn Australia, represents the hidden strength inside to unlock and transform our painful experiences into healing and growth. Nova: A multimedia work meshing electronic music, sound design and audio manipulation. Combined with a multi-faceted visually psychedelic projection and static visual art. "Inspired by travels with friends. It started as an idea to articulate this mantra we have: to follow our passions. We had been discussing how all-consuming work, social and cultural norms set us up with feelings of self-doubt, neurosis, and for many, deep feelings of depression and anxiety." Using sampled audio of these conversations I formed a narrative, a thread of individual experience and perspective that articulates the innate urge inside us to create and explore within our world." Bio: Serpent Dream is the moniker of multimedia artist James Costin. His work consists of electro-acoustic music and introspective soundscapes. His music is accompanied by visual art, this medium takes the same path as the music in which elements are borrowed and transformed into new forms that embody his personal experience in life. "Music and art are direct connections to the more abstract part of my being, a bridge to that raw humanness that lies behind all concept and logic" www.serpentdream.com - @serpent.dream
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Black coffee, Riddiford Street, Newtown, Wellington, Wellington City, Wellington, 6021, New Zealand (OpenStreetMap)
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Merch, baby - MERCH!!!
- Slow Boat Records
- Well, lordy, lordy me - what have we here, then?! After running an (entirely unscientific) Insta poll, we here at Slow Boat have listened to the voice of the people, and have bowed to popular consensus, and had manufactured a limited quantity of marvellous looking Slow Boat hoodies, alongside the regular tee shirts, a new style of (very robust!) tote bags (shall we refer to them as Boat Totes? Yes, I think we shall!) and, for the first time ever - two (count 'em!) varieties of SB trucker caps!! These are available for purchase instore now (my advice - get in quick while we still have a good range of sizes and colours!) so you can be fashion forward, and the envy of your pals. Tees are now $39.50, caps $30, totes $25 and the deluxe hoodies are a still perfectly reasonable $75 - I mean, what price happiness? What price... fashion... Feel free to drop us a line or call (04 385 1330) if you'd like to secure yours, and we'll be seein' ya soon - will have some Record Store Day 2025 related news to share in the upcoming weeks... Peace and love, THE SLOW BOAT CREW XX
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Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)
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Weekly Wrap-Up (Term 1 – Week 2)
- Wellington High School
- Important Dates 11 February: Year 9 Meet the teachers @ 6pm (Riley Centre) 11-13 February: 9Kelly Noho Marae 14 February: WHS Aroha day to choose activities for the year 18 February: Whānau hui @ 6pm 26-28 February: 9Riley Noho Marae 1 March: Athletics Day 4-6 March: 9Royal Noho Marae 6-8 March: 9Howell Noho Marae NOTE: You can access the school calendar on our website: WHS School Calendar Important Information Year 9 Meet the Teacher Evening — 11 February, 6pm, Riley Centre Year 9 parents and caregivers are invited to our Meet the Teacher evening on Monday 11 February. Beginning with an address from the Principal, Dominic Killalea, parents and caregivers will then have the opportunity to meet with their student’s rōpū teacher and to meet parents and caregivers of others in the class. Year 9 Noho Marae – starting next week Beginning next week Year 9 rōpū will experience noho marae, a great way for students to solidify their social connections and begin to feel more a part of the school community. Students will also have fun and challenge themselves as they take part in a wide range of activities including an overnight camp in the Taraika marae, swim, kayak and visit Adrenaline Forest. What’s happening? Farewell to Andrew Savage, Deputy Principal On Tuesday, we farewelled Andrew Savage who has been one of our Deputy Principals since 2012. Andrew leaves WHS to take up a post at the Teaching Council and their gain is most certainly WHS’s loss. Many staff took the opportunity to speak at Andrew’s farewell, recognising his many qualities and numerous contributions to WHS and enjoying musical contributions from Fritz Wollner and Andrew himself. Safer Internet Day #SID2019 – 5 February 2019 This week marked international Safer Internet Day 2019 so we thought we would share some new resources from Netsafe. You might find some of their conversation starters for ‘Teens (14-18)’ and the resource links useful: Managing Time Online: How would you tell if you were spending too much time online? If you wanted to cut back, what are some ways you would try to do this? Catfishing: What do you know about catfishing? How do you tell if someone really is who they say they are online? Social Media vs Reality: How well do you think social media reflects people’s real lives? How do you tell when someone is getting paid to promote content on social media? Online Bullying? What does online bullying look like? What’s the difference between bullying & banter? What advice would you give to a friend who was being bullied? Sending Nudes: How common do you think sending nudes is? What are the risks? What advice would you give to a friend who has had their nudes shared without their consent? Online Pornography: What do you think are some of the differences between pornography and sex in real life? What would you do if you saw pornography that upset you? WHS Community Education Centre have a “We Need to Talk About Porn” talk for parents of teens, coming up on March 20th from 6-8.30pm – $30 – call 04 385 8919 or go to www.cecwellington.ac.nz to enrol. Student Services counter opening hours Open for Parents: 9.00-10.30; 10.45-12.30; 1.00-3.30 Open for Students: 11.00-11:20, 1:30pm – 2:15, 3:20-3:30 From the Garden It is one of the most productive times of year in the school’s garden. AgHort teacher, Claire Neiman shared photos of just some of the produce harvested from the garden over the past few days. Sport Thank you to all the students who have returned their Sports Registration Forms. If you still have to return your registration form, please hand it to Student Services by Monday 11 February. Summer sports and some winter sport pre-season practices start next week. Please be aware that if your son/daughter has been selected for a summer sports team, this takes priority over the winter sport preseason training. If you have concerns about any sport or training please feel free to contact me to discuss options on sport@whs.school.nz Weekly sports draws are always displayed on the sports noticeboard outside the office in the Lower Gym as well as on the school website. On the website, www.whs.school.nz click on the sports icon then select sports draws. From the drop down arrow select your child’s sport. Finally, for all netballers, click and read important information about the 2019 season. Coming up this week we have: 8 February: Volleyball Seniors starts 9 February: Cricket starts 11 February: Netball preseason practices 12 February: Football preseason practices, Yoga starts 13 February: Rugby preseason practices, Tennis Lessons start, Volleyball Juniors starts 16 February: Futsal Juniors starts 18 February: Futsal Seniors starts
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Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
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Whaitua Kāpiti project
- Greater Wellington Regional Council Have Your Say
- Have your say on restoring and protecting Kāpiti's freshwaterTukuna mai he korero mō te whakaora me te whakamaru ō te wai māori ō KāpitiYou can help shape how we care for freshwater in Kāpiti for generations:Complete the 5-minute survey nowEmail us to register your interest in a face-to-face workshop What is a Whaitua?In the Wellington Region we have five ‘whaitua’ - which is a Te Reo Māori word for space, or catchment. In a whaitua, freshwater is connected from the mountains to the sea. Healthy water is central to our lives. Freshwater needs to be protected and restored as healthy waterbodies, and for the communities’ connected with it. Every whaitua is different, so we look at them individually. And now, we turn our attention to Kāpiti. The Whaitua Kāpiti is all the waterbodies from just north of Ōtaki through to Paekākāriki and right up into their headwaters in the Tararua Range.Whaitua Kāpiti CommitteeA team of community members, mana whenua, Kāpiti Coast District Council, and Greater Wellington representatives known as the Whaitua Kāpiti Committee will make recommendations how to restore freshwater in Kāpiti. They will draw on the views and aspirations of the many people who call Kāpiti home.The Committee will describe ways to protect and restore freshwater now and for future generations - such as managing contaminants, water allocation and flows, and setting freshwater aspirations as for the waterbodies throughout Kāpiti.We are interested in freshwater. This means the water in our rivers, streams, lakes, wetlands, springs and underground in aquifers and their flow on effects to estuaries and the coast. Your aspirationsWe're seeking your freshwater aspirations because everyone has a unique perspective on how we protect our fresh water. We can't do it without you.This is your opportunity to provide your views into what needs to be done to restore healthy freshwater in Kāpiti.You can have a say on Kāpiti's fresh water in two main ways.E rua ngā kōwhiringa kia tukuna mai ō whakaaro mō te wai māori ō KapitiFill in our 5-minute survey. Don't leave it too late - the survey will close on 22 November 2022.Come along to a face-to-face workshop.Our workshopJoin us in us in Kāpiti in early November for a community workshop. You’ll meet with others to share ideas and provide deeper input into restoring and protecting wai ora, freshwater. We want to ensure that workshops include the values, experiences, and views of our diverse Kāpiti communities. Anyone who would like to contribute to the kōrero is welcome to come along. We particularly welcome Māori, Pasifika, ethnic communities, rangatahi, disabled, rainbow and people living in rural communities.Our workshop will be accessible and inclusive. Please let us know how we can support you in attending.If you’d like to attend, send us an email and we’ll get back to you.What will happen with the information you share? Ka ahatia ngā korero kua tohaina e koe?Your feedback will be put together in an independent report for the Whaitua Kāpiti Committee. This report will help the Whaitua Committee develop the Whaitua Implementation Programme to suit Kāpiti's needs.Keeping you informed about the findingsKia whakamohio ai koe ki ngā otinga ō tēnei mahiWhen the findings are ready to be released, we will send you a link to the report and provide it on the Greater Wellington website. You can also join our mailing list so we can keep you up to date on restoring and protecting Kāpiti's freshwater and opportunities to have a further say.Want to know more about the Whaitua process? Kei te hiahia koe te mohio mō te tikanga Whaitua?Our website has more detail about the Whaitua process. You will also find completed Implementation Programmes for Te Whanganui-a-Tara Whaitua, Ruamāhanga Whaitua, and Te Awarua-o-Porirua Whaitua.Any questions?He pātai?Email us at whaitua@gw.govt.nz to ask questions, want to speak to someone, or to sign up to our mailing list.
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Porirua, Wellington Region, New Zealand (OpenStreetMap)
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Harakeke Happenings in Term 2
- Amesbury Drive School Blog
- We have been a busy hub in Harakeke so far this term! We have been focusing on:*Art - completing portraits either in Picasso style or using foreshortening (optical illusion making some parts of our body look closer than others) *Performance - for our official school opening all students took part in at least one performance, with most students being involved in several, including street dance, guitar, tuned percussion, Chinese dance, World Cafe maths, library activities, singing and many more! We also performed a wide variety of items for our school concert after the official opening.*Creative electives - choosing from a range of activities such as creating dioramas and print making*Language learning: Te Reo Maori and Mandarin*Developing our understanding and performance of our powhiri ceremony *Maths and literacy learning*Music - tuned percussion, singing*Learning conferences: all students spent between 30-45 minutes with one of the Harakeke teachers talking through their three matrices (maths, reading, writing). This discussion then led to the creation of a personal learning treaty (PLT) for each student, including a series of goals chosen by the student, using their matrices to identify their next learning steps. Students then talked through the matrices and their PLT with their parent/s, and these documents have been shared with students and parents so that they can be continually viewed and updated. Now that our art unveiling and school opening ceremonies are behind us we can move into the more settled part of our term. The learning conferences and creation of PLTs have been extremely useful in helping to inform our planning for the rest of this term. Focus areas for Weeks 5-10:*Maths: Specific skills based work through workshops, Snappers and World Cafe Maths. For information on World Cafe Maths please see our Harakeke blog - scroll down a little way to find an explanation of it. Snapper maths involves short videos we are creating to explain specific skills. To view Snappers we have created thus far please see the ‘Snapper’ link at the top of our Harakeke blog. Our Snappers will not only be about maths skills, they will be created for all learning areas. We have just begun to create them, so there are only a few to begin with...watch this space! Maths will be personalised for all students with workshops, activities and snappers developed for groups of students needing specific instruction or skill development. We are currently spending time showing the students how to use their maths matrix and PLT to identify their next learning steps and then choose particular activities/websites/materials/textbooks to achieve their learning goal. Specific maths areas we will be focusing on: fractions, division and multiplication skills and strategies, problem posing and solving.Below is a collage of Snapper maths work: *Literacy: Matariki module - students are reading and analysing books and information about Matariki (Maori New Year). They share their learning in a variety of ways, including retelling the story orally and in written form. Students will then be researching a range of Maori legends explaining Matariki and presenting their learning in a variety of forms, culminating in a Harakeke video telling the story of Matariki, along with a range of legends. They will then be exploring and researching explanations of the Matariki stars from other countries and cultures. We are also developing our narrative writing skills, including giving and receiving feedback from peers. Students are practicing using their reading and writing matrices and their PLTs to ascertain the particular skills they need to focus on when reading and writing. Creative writing is also an ongoing task for all students. *Inquiry: Students are continuing with their inquiries from last term (such as creating lunch orders made for students by students, exploring 1-1 devices at school and ordering senior literacy resources). These inquiries will be completed by the end of Week 6, with proposals, where necessary, written and presented, and actions taken across the school. For Weeks 7-10 a variety of different inquiry work will then begin, including beginning a travel plan for the school (a group of students investigating how students travel to school, exploring how environmentally friendly our travel habits are to/from school and looking at any actions we can take to increase sustainable and environmentally friendly travel) and exploring our school and its features. Food tech: Amaria Picard will begin working with our school lunches inquiry group to start creating school lunches prepared and cooked by students one day a week. This module will include planning, costing, purchasing, storing and cooking the lunches. Amaria will work with this group for 5 weeks, and then she will start the same module with another group of students. All Yr 4-6 students will complete this food tech module with her by the end of the year. *Active learners: We will continue to focus on students becoming active, self-directed learners through developing their understanding and use of their matrices and PLTs to inform their learning choices. All students will be directed to continually access and use their matrices to ensure their focus is on their next learning steps in reading, writing and maths. Every Friday students spend an hour reflecting on their learning, reviewing their PLT goals and identifying what they have done to achieve their learning goals. They are also asked to inform teachers of the workshops, Snappers or 1-1 guidance they now need to achieve their learning goals.
- Accepted from Amesbury Drive School feed
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following your passion
- Circa Theatre
- Normal 0 false false false EN-NZ X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman",serif;} This week in drama* on the waterfront, we hear from Scotty Cotter about atypical day in rehearsal of the beautiful ones – following your passion! Scotty Cotter, currently starring in the beautiful onesThe rehearsal day normally starts at 9.30am, everybody comes in rugged up in clothing due to the cold weather that has hit Wellington. (I’m from Auckland and as you can tell I fear the cold, TYPICAL!) Dolina Wehipeihana, the choreographer, starts the music and it’s all on. Muscle and bone for a hour. This consists of stretching, moving, rolling on the ground, body conditioning, figuring out how you get your left foot in front of your right, how to leap gracefully without feeling like a fat hippo. I successfully pass warm up! The room is now hot and everyone has shed their winter layers, including socks, and are now to the basic shorts and t-shirts. From there we head into working over one of the dance sets. Detailing and cleaning each move and lift and figuring out how we do this seamlessly. I find myself lifting a lot of people. I feel like the Hulk! This makes me smile. The room is fueled with determination to get each point right, but also filled with a lot of laughter. I walk over to Sandip, who plays Sachin, to have a pretend wrestle with him. He taps out. I win. We work on the choreography till lunch time. By this time we are all sweating and having fun. I have passed the morning. Time for lunch. Lunch normally starts with us all skulling back water to keep hydrated then rugging back up to fight the cold. Normally we're all still warm so just chuck on a hoody or a jacket. The Circa balcony has the best view of the waterfront, if you ever get a chance to see the rehearsal rooms you’ll see the balcony. You can see right to the ranges on a clear day and when it’s sunny its the most epic view. We all figure out what we are having for lunch cause by this point we are starving! This cast loves to eat – it’s great! After lunch we are into the acting side of the mahi. Braedyn and Sharn, who play Juju and Ardie, are working on their scene with the director Hone Kouka. Braedyn is cracking me up and I think to myself he is someone we should all keep our eye on. He has a natural instinct when he performs and he has a bright future in the arts. From the side of my eye I spot Sharn doing the splits, he is an amazing dancer. I somehow find myself signing up to the splits challenge where at the end of the season I would be able due to me stretching everyday, do the splits. I’ll keep you updated on how that goes. The rest of the ‘youngins’ leap up on the floor to work on the scene. Te hau and Paige who play Vaine and Lil Paulina are part of that crew. These two are our wahine force! They both effortlessly draw your attention, both amazing dancers in their own right. I like rehearsing with this crew we have a instant complicité. Kali Kopae walks in with her baby Willow. The whole room stops and makes baby noises and faces towards the baby for a couple of minutes then we are all back into rehearsal. After the youngins have finish their scene we find out that we have the music for a song that Kali sings produced by K*saba and composed and written by Tama Waipara and Kali Kopae. See starts to sing along. Her voice is a formidable. I’m glad she’s my mate so that I can tell people how flash she is. She tells me to shut up and then we laugh at each other. It’s fun to work with her again. Manny Solomon, who plays Ihia, gets up and dances to K*Saba's track. I like this kid. He’s got spark. He knows how to hold a stage. I appreciate that. I find myself trying to hug Te Hau so that I can get her into a playful headlock she is already on to my tricks and try's to get me in one. We make a truce then crack up. Besides all the fun. We work hard. Which is why I love making theatre. Work shouldn’t be boring. For me following your passion and being excited about what you do is why I am involved in the arts. Having fun creating, imagining, telling stories, allowing the audience to dream and self reflect. That is why I make theatre. To share time and transport the audience to another place. SO COME AND CHECK OUT THIS SHOW!!!! Dust off all your old dance moves and bring them along. the beautiful ones is an exiting visual tapestry that will have you shaking and grooving in your seats. See you all there! Peace. Scotty Cotter the beautiful ones is on at Circa Theatre until 11 July, the last production in the inaugural Ahi Kaa AK Festival. Book now at 04 801 7992 or www.circa.co.nz View the trailer on Youtube: https://www.youtube.com/watch?v=UTKXhFCHkMI
- Accepted from drama* on the waterfront posts
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Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
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WOAP: Bitchinheat
- The Wellingtonista
- When the amazing people behind Wellington on a Plate offer you tickets at the last minute to the very popular and sold out collaboration between La Boca Loca and Parrot Dog Brewery, you might be surprised at how hard it is to find someone to go along with you, because apparently there is a plague in town, but then you might remember that your poor public servant father is having a shit of a time lately and deserves a special treat, so all is well. Wellington’s ParrotDog Brewery plays host to a delicious evening in partnership with Miramar’s La Boca Loca Restaurant. They are serving up several hot and fresh Mexican dishes, prepared on-site at the brewery amongst the shiny stainless steel tanks. Each dish will be matched with its own flavoursome craft beer. There will even be some Mexican music courtesy of DJ Chefito and local beer with locally made Mexican cuisine: Vamos! This would have been a gorgeous event to be at in summer, with little stalls set up for each food & beer pairing, and keg tables set up to rest your glasses on. The bunting and the lighting was lovely (though not suitable for taking photos with your phone), but with concrete floors and big stainless steel tanks, even with the number of people around, we were all wearing our coats. Me being me, when Will took the microphone and told us there were five things to taste and we could have two each (at least), I wondered if that would be enough to eat, but I had forgotten the filling power of beer! So, on entry we were each given a taster of a specially brewed beer made with a Mexican herb that is as yet unnamed (the beer, that is, the herb has a name which I have very usefully forgotten EDIT: but now they’ve told me on Twitter, I can tell you it’s Epaozte), then each of the five dishes were matched with another beer. Steak & mushrooms served on thick polenta-ish pancakes was served with a Bitter Bitch IPA, wild boar was shredded and matched to a Dead Canary Pale Ale, dessert which was like a deep-fried crunchy whoopie pie came with a Dogg dark Ale, and the Bloodhound red IPA came with a slightly odd but still delicious Kina soup, done in a chili sauce with a special kind of corn. That one definitely left a spicy tingle. My favourite beer and food though was the butterfish ceviche topped with crunchy grasshopper salt (actually made from grasshoppers), served with the Flaxen Feather blonde ale. The grasshoppers were really tasty. My dad got tipsy and requested Mexican songs from the guitar player/singer, who obliged, the brewers and the chefs floated around answering questions, and all together it was a super pleasant evening. I’m pleased the ladies got to use the inside toilet while men were relegated to the portaloos outside in the wind. What surprised me though was that there was also a beer & food event at Garage Project tonight as part of Wellington on a Plate (where they were keeping all the beards normally associated with craft beer) which surely would have made it a bit of a Sophie’s Choice for hop heads – except that the Garage Project do was with Monsoon Poon, and you know how we feel about that. But while we’re on that subject, last week, we were at the Localist Jam at the City Gallery, and in between bacon donuts, we were astonished to hear Mike Egan from Monsoon Poon and also head of the hospitality association (EDIT) Restaurant Association say there is no Mexican restaurant scene in Wellington. That would probably come as a bit of a shock to La Boca Loca. And Viva Mexico. And Caliente. And Tequila Joe’s (even if that’s Tex-Mex). And Sweet Mother’s Kitchen. And Hot Like a Mexican. Perhaps what he meant was he has yet to open an expensively designed venue to serve a bastardised version of the cuisine at inflated prices to cater to the Churton Park crowd? But there’s already a Flying Burrito Brothers, so we’re mystified… The post WOAP: Bitchinheat appeared first on The Wellingtonista.
- Accepted from Wellingtonista Blog Feed
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Miramar, Wellington, New Zealand (OpenStreetMap)
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Review: After the Storm
- Salient
- Emma Salzano's After the Storm was originally a project created at Te Auaha, then went through a development season as a Lift-Off piece, and now it's making its world premiere at the New Zealand Fringe Festival. And let me tell you, I'm thrilled that it's back. It's been quite some time since I've seen a play that has genuinely touched me. And I don't say this to be disrespectful, but perhaps to acknowledge my own desensitisation towards such things. After the Storm changed that. Maybe I'm just a sucker for a good love story. But this play is more than just a romance; at its core, it's about grief and how our emotions shape our lives. The story takes place in the 1930s and follows a group of Italian immigrants who leave their volcanic island of Stromboli and start anew on the shores of Island Bay.
- Accepted from Salient 2024 by tonytw1
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Te Auaha, Dixon Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)
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Thanks to Absolutely Positively Wellington you can WIN one of...
- Orchestra Wellington
- Thanks to Absolutely Positively Wellington you can WIN one of 6 WICKED WELLINGTON ADVENTURES! This includes the once in a lifetime chance to WIN the Orchestra Wellington "MUSICAL MAESTRO" prize package which involves… *Being the Budding Conductor* As the musical maestro, you’ll take control of the baton conducting Orchestra Wellington to play exactly how you please during the dress rehearsal on the day of the event *Experiencing the Orchestra on stage* You’ll have the once-in-a-lifetime experience of sitting on stage as Orchestra Wellington perform Rimsky-Korsakov’s ‘Golden Cockerel’ at our upcoming SONGS OF THE NIGHTINGALE concert. *Enjoying a Pre-show feast* Take a seat at WBC after conducting like a pro and enjoy a delicious meal on us before you head off to the show. Click HERE to take you directly to the Wicked Wellington page and follow the details for your chance to win!
- Accepted from Orchestra Wellington posts
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Weekly Wrap Up (Week 10, Term 2)
- Wellington High School
- Important Dates Monday 29 June: Open Evening Wednesday 1 July: Music Evening please note change of date Friday 3 July: End of Term 2 Monday 20 July: Start of Term 3 Wednesday 22 July: Parents Evening (Senior Students) Monday 27 July: Parents Evening (Junior Students) Prime Minister Jacinda Ardern visits WHS Last Friday, as part of the Creatives in Schools initiative, which is enabling our He Kākano students to work with the Royal New Zealand Ballet, our Prime Minister, Jacinda Ardern visited WHS. This visit presented the opportunity for the Prime Minister to announce an additional $4 million for the project which will ultimately enable students from 500 NZ schools to work with professonal artists and creative practitioners, benefiting from their specialist artistic knowledge and creative practices. Thirteen of our He Kākano students are involved in the programme which is aimed at enhancing student wellbeing and improving their ‘core competencies in communication, collaboration and creative thinking’, as well as inspiring awareness of careers in the arts and creative sectors. As part of the visit He Kākano shared what they had learned prior to lockdown, demonstrating fantastic memory of their routines and great coordination too. The Prime Minister also met students passionate about the creative arts, taking time to talk to them about their interests and talents. Important information Breakfast club We are pleased to announce that we are opening up a Breakfast Club at the school from the start of Term 3. This will run in the canteen each day and will be free to any student who wishes to start the a nutritious bowl of Weetbix. Resources for your mental health Melon Manual is a kete of resources specifically for teenagers’ emotional wellbeing. Supported by the Ministry of Health, the website provides videos and worksheets and advice to support the young people of Aotearoa. You can access the resources here Dyslexia – How you can help WHS Community Education Centre has a 2.5 hour talk with expert Mike Styles, on Dyslexia – How You Can Help. This is an interactive and participatory session to assist parents and loved ones understand and support a family member or friend who has dyslexia or a similar learning difference. Wednesday 24 June – 5.30pm-8pm $20 Call 04 385 8919 to enrol or go here: https://www.cecwellington.ac.nz/w/courses/1506-dyslexia-how-you-can-help Now that we are at alert Level 1, CEC courses are back up and running with a wide variety of courses on offer. To find out more, and enrol, click on the image below of visit cecwellington.ac.nz. What’s happening? He Kākano hard at work This week the He Kākano students have been busy in science, art, fashion and design classes. Achievements DocEdge documentary success Contratulations to Year 10 Sky Gobbi who has secured 3rd place in the DocEdge Student Short Documentary Competition last week. Now that it has had its premiere, Sky’s documentary can be shared. To view, click on the image below or visit https://youtu.be/jVdvCoy9TSY.
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Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
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Review: Sandwich Artist
- Salient
- Maybe I’m being subjective here, but a show playing “Man or Muppet” as house music is bound to be good fun. And Sandwich Artist was! A heartwarming and silly musical, that poked fun at the genre conventions while being a genuinely well-put together show, with a lot of love and just a bit more to it than only sliced bread. The story follows Sammy Rye (Phoebe Caldeiro), an unrecognised sandwich genius working for an unnamed sandwich chain, who’s unorthodox, off-menu sandwiches get her fired, despite how good they are. She gambles it all on a bus ride to Wellington, where a fellowship is formed with a despondent carrot farmer (Catherine Gavigan-Binnie), a butcher with attachment issues (Anna Barker), and a strangely shifty baker (Dylan Hutton). Phoebe and Jack McGee worked together on a story that does a lot with very little: only 6 major speaking roles and minimal props or set.
- Accepted from Salient 2024 by tonytw1
- Tagged as:
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Te Auaha, Dixon Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)
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The artist as many other things first
- Urban Dream Brokerage
- Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice. Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland. Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support. When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns? What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula. How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space? Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending. Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context. I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work. Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal. That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge. I built my community from that in New York in that first year of parenting. At that point I had been working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be right in the heart of it. The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your relationship as an artist to the post-partum communities you engage with Your work begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work? Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it. I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work. I consider the folks facilitating workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when they came to me with a plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here? Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example. Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a generating and catalysing force Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was never an observer, I was a participant. I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project. Sometimes I was amazed at the number of people participating and how the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive. <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby. and that energy of care flows into the space and people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement in a place like Courtenay Place - buses, cars and people with so much going-to-work energy, once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that. I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body, and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world. In my first few days in Wellington I had a clear vision of that image we captured at the end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than a one-off event where communities come together and are potentially transformed. How is the website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you. Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014 she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
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Brooklyn, Wellington, New Zealand (OpenStreetMap)
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Skills training on Wednesday and AGM updates
- Wellington Orienteering Association
- Skills training on Wednesday and AGM updates Last-ditch skills training for the year on Kaukau this Wednesday ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ View this email in your browser Training this Wednesday and AGM updates Meri Kirihimete <>! After the successful and fun afterwork series—and before you check out for the holidays—we are putting on a training session focussing on compass skills. The training will occur on Kaukau, at 6—7pm Wednesday, 17 December. Our session is aimed at those wanting to learn new skills and techniques, or those with more experience who want to practise their techniques, and is suitable for every ability (kids and adults welcome!). Bring your compass and clothes suitable for the weather, as it can be exposed on the tops. No dogs are allowed on the farmland. The session will be coached by Rachel and Yvette Baker, so please email Rachel at rachel.rosara.baker@gmail.com if you have any questions, or need to borrow a compass. On-street parking is available at our meeting point at the end of McLintock Street, accessed from Truscott Avenue. See the map. Key takeouts from the AGM If you missed the AGM, don’t worry. Here are some of the key takeouts. “This year has been one of growth, development, and community spirit as we continue to promote and enhance the sport of orienteering across the Wellington region.”—Beverley Holder, President You can read more about our club achievements—events, training, mapping and more—in Beverley’s report below. There will be no change to subscription fees for 2026. President’s report Committee and working groups As elected committee for 2026 is: Beverley Holder (President) Gerald Crawford (Treasurer) Lachlan McKenzie Jake Hanson Paul Teasdale-Spittle The committee will be supported by working groups to fulfil the club’s many functions. Working groups have been proposed but not confirmed, and are not necessarily permanent—they may be based around time-bound projects. We’d love to hear from you about which groups you think might be useful, and how you may like to contribute. Read the discussion paper and send your thoughts to Lachlan at secretary@wellingtonorienteering.org.nz Discussion paper Awards Congratulations to our award recipients this year. The Endeavour Cup is awarded for development and performance, and the Fortune Cup is awarded for outstanding service to the club. Endeavour Cup Rachel Baker received this year’s Endeavour Cup for her outstanding performances including as part of the New Zealand team at this year’s Junior World Orienteering Championships in Italy. Other nominees were Morag McLellan and Jake McLellan. Fortune Cup Alan Horn received the Fortune Cup. Alan unfailingly provides outstanding support for events, gear, and controlling and planning. Other nominees were Paul Teesdale-Spittle, Helen Hughes, Lachlan McKenzie and Will Vale. Members’ League We will be trialling a members’ league in 2026—a way to introduce some fun competition into events where scores are based on comparative performance, rather than absolute as per race time. Details are being worked through but generally will look like this: For members age 16 or over who run a Red-level course CSWs and OYs will be ‘counting events’ Scores will be allocated based on the formula “Average km rate * (age and gender weighting)” Overall winner: If there are 10 ‘counting events’, we will take your top 6 scores. Coming events Orienteering Wellington’s coming events can be found on our Events page. You can also toggle the calendar to show Orienteering Hutt Valley’s events. Sprint, Whitireia Campus – Wednesday 11 February Sprint, Victoria University – Wednesday 25 February Sprint, Masey University – Wednesday 11 March CSW, Tikara, Churton Park – Sunday 23 March For all events, visit Orienteering New Zealand. About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington. Copyright (C) 2025 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
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Lower Hutt, Wellington, New Zealand (OpenStreetMap)
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Characterful medium density housing!
- Talk Wellington
- Who else is having conversations where someone goes “ooh but it’s all leaky soulless apartments, we don’t want that”? Here’s a feast for your eyes and balm for your worried soul Welcome to Talk Wellington’s random collection of neat medium-density examples to cheer you up, to show your friends, to tell the council you want … and to inspire density skeptics (presuming they’re in good faith, not just being awful). (Images’ links are in the image, caption or the text – click for more.) Enjoy! Characterful, “old”… medium density Montréal has a LOT of medium density residential neighbourhoods. They’re super liveable and beloved, and they are home to numbers of people that would sort out many of Wellington’s classic woes. Here’s some pretty historic-y medium density which has actual awesome neighbourhood vitality and character by the bucketload, for everyone. Medium density can be… no more than two storeys, with lots of mixed use and features like shop-top housing! No offence, Mt Vic / Khandallah / Thorndon / Woburn, but your neighbourhoods can’t hold a candle to the Castro for real liveable character, not just visual character. So leafy! Apartments you rent short-term: this is the Garden Wing of Singapore’s Shangri-La Hotel. It was built in the 1970s! Lush az. This is all open air How ’bout indigenous character! The stunning medium-density Utukoia replaces two detached homes on traditional quarter-acre sections with 14 new terrace homes (53 bedrooms total), communal facilities and a range of private, shared and public spaces. Phwoar. Check out the Auckland Māori Design Hub for more delicious stuff There are some smart folks stimulating Māori design and innovation at the Āpōpō accelerator right here in Te Whanganui-a-Tara, run by the Indigenous Design and Innovation Aotearoa / IDIA team. How about some modern character? Check out the beautiful high density of the Urban Habitat Collective, coming soon right in Newtown: Or the beautiful CoHaus (read their amazing story here) Even ol’ Kiwibuild is finally doing lovely stuff in Onehunga: How about the spaces in between the housing? Density done well brings your laneways to life as a part of people’s backyards, as in Queensland… Go large We really need comprehensive, multi-block developments to sort out whole areas of our cities. You can do ’em on something that’s underused space like… a golf course? Or even as a regeneration of… ooh, maybe a large area of detached housing, hello Kāinga Ora. So check out this thread on Vancouver’s Regent Park development. Hello #densitydonewell: a big uplift in density is helping fund all sorts of fantastic public amenities for the residents of the varied and accessible apartments: green space, schools, lovely public realm, community gardens, people-friendly street grid… That fourfold increase in density has helped to pay for generous public realm and community facilities including parks, athletic grounds, and an amazing aquatic centre #torontotweets #densitydonewell #citiesforall pic.twitter.com/cCy2dYq6V5 — Stuart (@HoughtonSd) September 11, 2018 Be still, our beating hearts…. And finally… DensityNOTdonewell While we tend to agree with Bernard Hickey that the battle over densifying suburbs is the battle of our generation, there’s plenty of reasonable property-owning folks who are genuinely, good-faith worried. They’re worried that crappy, ugly things will be built – and are vulnerable to being scaremongered by wild claims about housing values (hat tip Property Investors Federation). And let’s be honest: NZ has strong historical form in doing medium density badly – especially badly in construction, which means bad financially for those who bought in them. The cars seem to have the best of this bargain… And bad design is far from history: there’s still plenty of crap designs out there, thanks to our unfamiliarity with good-quality medium density. Here’s one example of rubbish medium density that appears to deny its residents most of the benefits of density done well like access to green space and social connection. So let’s also be clear: nobody wants crap design or construction, and we absolutely don’t have to accept it “because housing crisis”. So let’s get more and more people on the bandwagon for good medium density, #densitydonewell! What other examples of great (or grotty) medium density do you know? How do they make you feel and why?
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Thorndon, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)
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A response to the Destiny Church: applying Christian ethics in a time of pandemic - Rev Allister Lane
- St John's in the City
- <figure class=" sqs-block-image-figure intrinsic " > Last week Brian Tamaki vowed to hold a Destiny service this Sunday in defiance of the decision by the Government to continue the ban on large gatherings under Alert Level 2. Tamaki urged other churches to join him (see Stuff Article). Many of us will have our own instincts in responding to the pandemic, with varying appetites for social controls and government guidelines. So, as well as assessing the risks of the virus, how do we assess how we do ‘the right thing’? What should guide us in whether we side with the opinion of Destiny Church, or not? Christian ethics offer resources for us at this time, to know how best to respond as individuals, as churches, as communities, being attentive to what really matters. Here are five points of Christian ethics for us to consider in how we respond to the pandemic. The sanctity of human life Truth telling Social justice Church Witness in the world Government. Each of these is consider in more detail below as an offering toward a moral framework to help respond well in a time of pandemic. 1. The sanctity of human life. God has shown through scripture and the incarnation of Jesus that human beings have sacred worth. Given this understanding of the inviolable sacredness of human life, there is an imperative for us to protect human life. This value of human life is linked to love of neighbour. In Jesus’ parable of the Good Samaritan, we are invited to consider what this means with regard to responding to the physical health, safety and well-being of the stranger (Luke 10:25-37). In his book Kingdom Ethics, David Gushee states “Love sees with compassion and enters into the situation of persons in bondage.” (David P. Gushee, Kingdom Ethics (Downers Grove: InterVarsity Press, 2016), 204. ) The life and teaching of Jesus has shaped our understanding of prioritizing human health, and influenced the medicine and nursing vocations in caring for the sick, disabled and dying. Because Christians value the sanctity of human life, we strive to minimize any threat that destroys human life. We have all been presented with the evidence of the risks of large gatherings and how they unduly danger the lives and health of our neighbours. 2. Truth telling. A commitment to truthfulness is recognised as a hallmark of humility and forgiveness exercised in Christian discipleship. An openness to recognising the evidence and facing reality, in a way that allows our perceptions to be changed, is necessary in the pursuit of truth and the sharing of truth. We can therefore support the provision of clear and transparent information that offers guidance for making informed decisions. Insofar as the New Zealand Government and Health officials have offered clear and direct guidelines for mitigating the risks of the pandemic by limiting large gatherings, Christians should take this into account. 3. Social justice Scripture shows that human freedom is important to maintain. But human freedom is not ‘individualistic moral authority’ ( Gushee, Kingdom Ethics, 209) , rather it thrives when we live with love toward others by fostering compassionate justice. We must always recognise and advance the freedom of the other. In scripture justice is always ‘from below’, showing consideration and caring for the most vulnerable among us. Justice is only full when it includes justice for those who are the least in society. A pandemic affects everybody, but does not affect everybody equally. Our response must pay special attention therefore to those who are most vulnerable. Covid-19 is particularly dangerous and deadly to those among us who are elderly and have underlying health issues. Christians must therefore have particular regard for these vulnerable people among us. 4. Church Witness in the world Jesus says to his followers “…you will be my witnesses in Jerusalem, in all Judea and Samaria, and to the ends of the earth.” (Acts 1:8) The witness of the Church is to point to the person of Jesus as God’s revelation of truth, justice and compassion. What does the Church look and sound like when getting all grouchy and demanding our rights? Civil disobedience can be noble, and has been part of campaigns by Christians for standing up for what is right, but whose interests are we protecting? If we are witnesses to Christ, our actions will align with the interests of the least powerful and influential; we will demonstrate Christ’s love for those who may be otherwise overlooked by society. The Church exists for the sake of the world, and therefore its primary concern is not the preservation of its own internal activity. 5. Government. As part of Christian ethics, the Church must consider what is the ‘right’ relationship to hold with the Government. This needs to be assessed according to the system of government and the particular governing authorities of the time. In scripture we hear the deliberately subversive teaching of Jesus, who stated “render to Caesar the things that are Caesar’s, and to God the things that are God’s” (Mark 12:13-17; Matthew 22:15-22; Luke 20:20-26). Jesus distanced himself from the Roman power structure and tax system that oppressed the poor, and cultivated idolatry. Christians live in a tension that recognises the appropriate role of the governing authorities, while giving ultimate loyalty to God as citizens of heaven (Philippians 3:20). Importantly, the prohibition on large gatherings is not a prohibition of worship. Indeed, most churches are creatively using multiple forms of technology to continue worshipping. Therefore the ban on large gatherings for the sake of the common good is part of the appropriate role of the governing authorities – it is part of ‘the things that are Caesar’s’! Conclusion These five points of Christian ethics are offered to assist us in adequately considering how we best respond to the pandemic. They are guidance for us, as we try to do the right thing. These points are offered as a contribution toward a robust moral framework that helps us assess particular actions, decisions, proposals and priorities. But, we also need to maintain a gracious disposition toward others – especially those immediately around us. Let us not be too quick to condemn. With grace as our guide, we can assume the best in others, discover the way forward together and default to human solidarity – just as Jesus shows us. With thanks for the input of Dr Derek Woodard-Lehman and the group members of the St John’s Daily Devotion Together.
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St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
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2020!!!
- Slow Boat Records
- Just wanted to offer a huge Slow Boat CHEERS to everyone who has supported us this year; it has certainly been one of the strangest I can recall – far and away the longest the ‘Boat has ever been docked in 35-odd years of trading!Hugely grateful to everyone who has bought music and more from us, who has been patient waiting on the arrival of stock that sometimes took an absolute age, and to those who came along and lent their support on the three Record Store Day ‘drops’, and for those unforgettable instore performances from The Muttonbirds (way back in February!), and The Beths in October – just quite phenomenal to have a shop full of people after all this year’s trials and tribulations and uncertainty.Our hearts go out to those overseas who may still be in some sort of lockdown – we are thinking of you, and we appreciate that we are in a very privileged position out here in our far flung corner of the world (and how quickly that can change).This years lessons often seemed to come down to one of our Prime Minister’s oft-stated maxims – kindness. It has been amazing to give and receive support to and from our customers and community at this strange time – especially our neighbours at San Fran and Rough Peel Records, as well as our suppliers, especially Southbound, Rhythmethod, Border Music and Universal Music NZ.We are thankful to be able to do this thing we love, and to share the gift that is music in our lives – it has certainly been a great comfort to us all here in these trying times…So, take care everybody – hope you all enjoy a safe and happy festive season – we will be here every day bar Xmas Day and New Years Day, so looking forward to seeing how you all redeem the many vouchers we have sold (it’s not too late, btw…)Keep scanning those QR codes, wash your hands, get tested if you are unwell – love, peace, kindness, and music!THE SLOW BOAT CREW XX
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Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)
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Circa's Programming Process
- Circa Theatre
- Ever wanted to know how Circa chooses the plays it produces? The Circa Council is hard at work on the programme for 2014, so it seemed a good opportunity to explain to drama on the waterfront how the programming process works at Circa. Circa’s programme is the life-blood of our theatre. The Circa Council is responsible for all programming decisions and reads a large number of plays each year in order to settle on a programme which strives to match our vision: “We believe a great theatre experience inspires, entertains, transforms and nourishes the human spirit”. Circa Theatre welcomes approaches from established professional theatre directors. We have developed a two step process: 1. In the first instance, we ask directors to submit a short CV or bio along with the script of the play. We send an acknowledgement that we have received the submission, however it could then be up to six months (depending on when it is submitted) before we respond regarding the way forward while the submission is circulated amongst the Circa Council members. All submissions are read by the Council, from which a shortlist is determined. At that stage the Circa Council will invite shortlisted directors to make a pitch for a season at the theatre. 2. Up to two 'Pitch Presentation Days’ are scheduled each year for Directors to present their pitch to the Circa Council. The programme will then be confirmed based on these pitches. If there are some slots in the programme that are still vacant after the first Pitch Presentation Day, there will be a second Pitch Presentation Day. All directors who work at Circa are required to go through the pitch process. The programme is in development for much of the year - the Council accepts submissions up to the end of June, with the Pitch Days taking place in July and September. The final programme isn't decided until the end of September, and it is kept under wraps while we create the annual brochure that is released each year at the Thorndon Fair. So stay tuned for Sunday, 1 December, to find out what 2014 will have in store for you at Circa Theatre!
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Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
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Common Ground?
- Thistle Hall Community Venue
- This event is part of the Aotearoa Festival of Architecture, by Te Kāhui Whaihanga New Zealand Institute of Architects. When Kaikoura shook, photographer Andy Spain got Wellington's list of earthquake prone buildings and started photographing them. The idea of fixing time became appealing, as many of the buildings were demolished. When asked to exhibit them together however, Andy began to ask what these remnants meant. He visited the petals saved from Athfield's church of First Church of Christ Scientist and saw their fragility. He talked to architects about remedial work which never saw the light of day. What were the consequences of all these traces existing in a time when the fates of many Wellington buildings are so contested? Where heritage competes with social housing, which competes with sustainable reuse, and so on. So, this exhibition is not about the photographs that have been taken, or the drawings drawn, or the artworks saved. It is about how we decide to use these remnants, and what stories we want them to tell.
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Thistle Hall, Cuba Street, Mount Cook, Wellington, Wellington City, Wellington, 6021, New Zealand (OpenStreetMap)
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Fair Trade Fortnight 2012: A Fairtrade Breakfast in the City
- Fair Trade City Wellington
- Fair Trade City Wellington would proudly like to announce the launch of a major event for Fair Trade Fortnight: A Fairtrade Breakfast in the City Kick-start your day with a delicious Fairtrade breakfast and join Mayor Celia Wade-Brown, MP Grant Roberston and Steve Knapp (CEO of Fairtrade NZ) for some early morning Fairtrade fun and insight, upstairs at St James Theatre! Enjoy a light Fairtrade breakfast, including unlimited Fairtrade filter Celcius Coffee, unlimited Fairtrade tea thanks to KTea and All Good Banana smoothies. Watch out for amazing spot prizes from Kowtow Clothing, chances to grab an IdealCup (thanks to Celcius Coffee) and Fairtrade goodies from Cadbury Dairy Milk and Trade Aid. Presented by local coffee guru Stephanie Fry (Celcius Coffee), this event will be your opportunity to mingle with like-minded people, learn more about fair trade, and see how YOU can make difference by choosing fair. Door open 7.00am, breakfast available from 7.15am, entertainment begins at 7.30am. Tickets are only $17, places are limited so book early at Eventbrite.
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Parking for sensible cities: webinar 2
- Talk Wellington
- Equity, residents’ parking, behaviour change, and some myths busted – by popular demand, expert insights on parking plus some Wellington changemaking Following our much-viewed first webinar (check it out here), TUI Climate Community and Millions of Mothers with the Wellington Urbanerds are proud to have brought you transport and economics expert Stuart Donovan on everyone’s favourite topic! This one was a bit different: in addition to Stuart speaking on some particularly hot topics of parking, we heard about one area ripe for change. Check out the webinar video courtesy of Millions of Mothers:Parking: how we behave, fairness, and price Stuart’s presentation focussed on a few key aspects including the longer-run interesting questions like how people change our behaviour in response to parking prices, and the equity effects of pricing parking (inspired by questions from councillors concerned about the effects of the proposed new Parking Policy on poorer people). Stu’s slides are here [PDF 2.7 MB]Residents’ parking: what’s with that? Following Stu, we heard from Wellingtonian Oliver Bruce (of Urbanerds fame). He highlighted a particularly amazing feature of the current system: massive subsidies (underpricing) for residents’ parking. They’re skewing people’s choices in our transport system, in a generally bad way, but since the last webinar Oliver and Connect Wellington have a path forward… Oliver’s slides are here [611KB PDF]. So many questionsWhen it was time for questions, we summarised the areas of interest in the chat and Isabella fired the questions to Stuart and Oliver. There was lots of interest in equity, and the ethics of charging for access to publicly owned space. There was a hunger for case-studies of cities that had successfully communicated to their citizenry the good news that managing parking well is overall progressive (i.e. reduces inequality). The catch-22 of on-street vs off-street parking was a big topic, as people like residents’ associations and councillors react to the current (poorly managed) on-street parking, and feel resistant to good developments that don’t provide many carparks. There was also discussion of the opportunity cost of space, and the extent to which home buyers factor in transport options to their purchase price decisions (or assume they’ll get free street parking and grizzle once they’ve moved in with their car/s). (There’s also a good little discussion on Stuart’s Twitter feed, worth a look)Help Wellington do parking better There was a lot of interest from our audience in helping improve parking management in Wellington, reflecting its huge importance to our city’s transport system and its influence on affordable housing. It’s a complicated space and good comprehensive change will take years – see here for more. But the good news is that all kinds of contributions can make a difference. There’s something for everyone! And the process of change will take years, as observed We’re also keen to have more learning and discussion type initiatives, with more local voices and insight. If you’ve got suggestions for events, speakers, stunts or nifty schemes, or are just interested in finding out more about how you could help, drop us a line. Meantime, make sure you’re on the Urbanerds signup list so we can alert you to the next in-person gatherings and the next webinars! Image credits: Banner – Wellington City CouncilParking lot – Steven Davis
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Junior Hockey Have-A-Go Day – Come Try It Out!
- Northern United Hockey Club
- Saturday 26 April | 9:00 – 10:00am National Hockey Stadium – Turf 1 Open to Years 3–8 Is your child curious about hockey? Or maybe they've had a go before and want to give it another shot? Our Junior Hockey Have-A-Go Day is the perfect chance for tamariki to try out the sport in a fun, supportive environment – no experience needed! We’re inviting all keen kids in Years 3–8 to join us on Saturday 26 April from 9–10am at the National Hockey Stadium (Turf 1). Whether your child has played before or is completely new to the game, this event is a great way to get active, make new friends, and build confidence on the turf. What to Expect: A relaxed and fun session run by friendly coaches Games and drills to learn basic hockey skills A mix of new players and returning ones Spare sticks available for those who don’t have their own Just bring a water bottle and sports gear 🎟 Tickets are $5 (+ booking fee) on Eventbrite – gate sales available on the day 👉 Book your ticket here 📝 Ready to Join the Club? If your child enjoys the session and wants to play this season, head over to our Junior’s Page to sign up for the 2025 season! We’d love to welcome some new faces to the Northern United whānau – come along, give it a go, and experience the fun of hockey!
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Drivetribe will be a mecca for motorheads—Autocade readers welcome
- Jack Yan
- Now that the first episode of The Grand Tour has aired, and we’re nearing the official launch of Drivetribe (November 28), we’re beginning to see just how good an investment £160 million was for Amazon when it picked up the cast of The Goodies, I mean, Top Gear (sorry, I get those BBC shows mixed up, and they do have the same initials), along with producer Andy Wilman (who himself presented Top Gear segments many years ago, but we are now spared his nude scenes). Essentially, you can’t do a show these days without an internet community, so what did the four men do? Create their own. They’ve put their money into Drivetribe, which has attracted an eight-figure investment from additional parties, chief among which is 21st Century Fox—that’s right, Rupert Murdoch. Amazon’s reportedly quite happy with the arrangement—and it certainly helps boost their show. There are already signs that Drivetribe is going to succeed as a motoring portal–social network, for those of us who have been playing with it. Maybe the Murdoch Press has learned from Myspace? Or, it’s put their money in, but it’s letting experts do their job–among whom is none other than Cate Sevilla, formerly of Buzzfeed UK, and whose blog I followed even before she arrived in the UK the good part of a decade ago. It isn’t a surprise that Cate would do well in social media—she had a knack for it, even back then. Car enthusiasts were invited to pitch their ideas for tribes some months back, recognizing that we’re not all the same. Additionally, there’s a bunch of us who work in some aspect of the industry, and looking through the tribes, we’re the ones whose ideas have been adopted. For those of you who use Autocade, there’s one linked to that very venture. As many of you who follow this blog know, I founded Autocade in 2008, a car encyclopædia that wouldn’t have the fictions of Wikipedia (or ‘Wikiality’, as Stephen Colbert calls it). Eventually, I succumbed to modern marketing trends and very lately started a Facebook page on it, at least to post some behind-the-scenes thinking and publicity photos. While it proved all right, my blog posts were here and things were all over the place. When I first proposed doing a Drivetribe tribe many months ago, I centred it around the marketing of cars, and the result, the Global Motorshow, can be found here. And now that it’s started, it’s become clear that I can put all the content in one place and have it appreciated by other motorheads. In a week and a half it’s grown to about a third of the following of the Facebook page, and Drivetribe hasn’t even officially launched yet. Those members are either other tribe leaders or those who signed up early on. The question must be asked: why on earth would I bother continuing with Facebook? In addition to Cate, Drivetribe is not faceless. The support crew respond, and there are humans working here. I’m impressed with how quickly they get back to us, and how the site is reasonably robust. On all these points, Drivetribe is the opposite of Facebook. Granted, I don’t know the other members there, and some I only know through reputation. But then I didn’t know a lot of the people I now find familiar on Facebook car groups. Nor did I know the people on Vox back in 2006, or some of the folks at Blogcozy in 2016. Communities build up, often thanks to common interests, and here’s one that already has a massive online community ready to flock to it. Having three celebrities helps, too, and all three Grand Tour presenters post to the site. If you’re interested, the scope of the Global Motorshow (originally without the definite article, but when I saw the GM initials in the icon, I rethought it) is a bit wider than Autocade. I thought it might be fun to post some of the marketing materials we come across, the odd industry analyses that have appeared at this blog (updated in some cases), and even commercial vehicles, which aren’t part of Autocade. I’ve chosen to keep the tribe public, so anyone can post if they find something interesting. Let’s hope Drivetribe can keep the spammers at bay: something that the old Vox.com failed to do, and Facebook is desperately failing to do now as well. Come November 28, we’ll know just how good things are looking, but I’m erring on the side of the positive—something I was not prepared to do for sites such as Ello or Google Plus.
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Ngā Kōrero – Latest Stories from DCM
- Downtown Community Ministry
- Ngā Kōrero – Latest Stories from DCM Ngā Kōrero – Latest Stories from DCM communities where whānau are housed, connected, valued and thriving About Us Contact A Message From Our Manahautū He Rā Ka Huri: Seasons Change, Our Purpose Remains Stephen Turnock, Manahautū (Director) at DCM Tēnā koutou katoa, As the seasons shift once again, I find myself reflecting on just how much change we’ve witnessed lately, not only in the weather, but across our communities, sector, and Aotearoa. Like the turn from summer to autumn, some changes are expected, while others arrive quickly, bringing with them a sense of uncertainty. This changing environment is being felt deeply across the community sector. Policy directions are shifting, funding decisions are pending. Many of us are operating in a space where the future feels less certain than before. At DCM, this has real impacts. The security of our contracts, the continuity of our mahi, and the wellbeing of our kaimahi (staff) are all front of mind. And it's not just our sector, every day we see how these pressures are being experienced by whānau across Te-Whanganui-a-Tara: the cost of living, the struggle to find and keep a safe place to live, and the weight of navigating systems that often don’t work for them. Change is constant, but for many, it doesn’t always feel like it’s moving in the right direction. In the face of this, we ground ourselves in what remains constant. Our commitment to whānau-led support, our belief in housing as a human right, and our dedication to walking alongside those doing it tough. No matter the season, our purpose stays the same. And we want you to know, we have a plan. Even in a time of shifting sands, we’re clear on our direction. We’re committed to building on what works, data-informed insights, whanau-centred practice and courageous leadership. And we know we can’t do this alone. It’s through community collaboration, with whānau, with partners, and with people like you, that real solutions are found and created. So as the leaves begin to fall and we prepare for the colder months ahead, we do so with determination, with hope, and with deep gratitude for your continued support. You are part of this journey, and together, we will keep working towards a city where everyone has a place to stand. Ngā manaakitanga, Stephen Turnock Finding An Oasis At DCM I was homeless and running around the country before I came to Wellington. I was drinking heavily. I was an alcoholic. My mental health issues hadn’t been diagnosed, so I was unmedicated and pretty messy. Before that I was in Christchurch. I got made redundant, and then I had nothing to do. I started drinking, getting into hard drugs, getting in trouble. I made a lot of people mad and I had to leave. I just wanted to hide somewhere and drink. That was my plan. It’s crazy I kept drinking even when I was that sick. I knew I was sick, but the need for alcohol was stronger than any concern I had for my own safety. I was housed out in the Hutt maybe six or seven years ago, not by DCM but someone else. They put me there to get me out of Wellington, away from the drinking. But I still drank sometimes. Then I got told my liver couldn’t take it anymore. They said it was no good. That changed everything. I had to stop drinking, and that changed my life completely. I couldn’t fill the voids with alcohol anymore. I had to deal with stuff. Face my demons. And it was too much, really. I ended up needing medication. There was nothing like DCM out in the Hutt then. I came back into town because there’s more here, and DCM is a hub that has everything I need. I’ve been coming here every day, every week, for as long as I’ve been back in Wellington. DCM has supported me in all sorts of ways. I come here for coffee, for health, for dental, and they make sure I get to my appointments. Te Aro Health and the nurse let me know if the doctors want to see me. It’s amazing that everything is just here. And yeah, I get food from DCM. It’s good to know it comes from people I know, not some stranger. It keeps it in the whānau, you know? I don’t eat much. Once a day is usually enough to keep me going. I used to be a good cook, but I’ve lost all interest in it. Cooking for one is boring. Food is just something I put in myself now. The DCM staff are even trying to get more fruits and vegetables into me. I’ll eat it if it’s put in front of me, but I won’t cook it. I’m eating like an old man now. DCM hasn’t given up on people, not like other places have. That’s what surprised me. DCM is an oasis and people rely on this place. If they weren’t here, there’d be nothing for us. We’d be eating out of rubbish bins. "DCM is absolutely brilliant because it’s saving people in Wellington. It’s keeping people alive. Without this service, people would be lost. They’d just be lost." These days, I guess, I’m mostly just working out what life looks like until I die. That’s what concerns me now. My health isn’t great. I don’t know how long I’ve got, but I’m trying to be all right until then. If you’re struggling, don’t stop yourself. Get to DCM. If they see the need, they’ll help. I fully recommend it to anyone in Wellington who needs support. Spotlight on Lynda: Fundraising For Hope Lynda McGregor, owner of Little Bread Loaf, wears many hats. She runs a small artisan bakery in Lower Hutt where everything is made from scratch, a busy café in Miramar, works in fresh produce markets, and does catering too. Yet despite her full plate (pun intended), Lynda makes time to support DCM. Her connection with DCM began when she saw one of our Instagram posts calling for donations. “It really moved me,” she says. “I just thought, we can all do something to help our community. It’s not about pity, it’s about showing up and helping.” Lynda shared the post, a conversation followed, then a tour, and she soon found herself organising her first foodbank collection for DCM at Little Bread Loaf where she and her community raised over 200 cans of food. “I’ve always known about DCM and the work you do. I know you don’t get as much funding as the bigger charities, and I felt I could add value here in a way that would make a real impact.” Supporting DCM wasn’t a random choice. It aligned with Lynda’s values. “My mum always tithed. She gave a portion of what she had or her time to help others. I’ve always tried to do that too. I’m not religious, but giving back is a part of who I am.” She’s also realistic. “In the charity sector, it’s often the causes that are more ‘attractive’ that get attention". But DCM, she says, offers something deeper. “I truly believe that nobody wakes up wanting to be on the street. DCM works with some of the most vulnerable people in Wellington and you stay constant, even when others would walk away. The whānau you support can keep coming back for coffee, a chat, or whatever they need and you are always there for them.” For Lynda, donating food is not about charity. It’s about manaakitanga. “If the food isn’t good enough for me to eat, I won’t bring it in. What I give has to be mana enhancing; for DCM, for me as the maker, and for anyone who receives it. I want people to feel dignity when they receive something from me.” She adds that contributing makes her feel good too. “It feeds my soul. I do this for selfish reasons because it makes me happy and brings me joy.” Lynda has seen the challenges facing our communities and the pressure DCM is under. “It makes me sad to see the foodbank shelves so bare. You’re doing incredible work, and so much of it comes from heart. You can tell that your team is here because they genuinely want to be of service.” She believes anyone can make a difference and her hope is that more people and businesses will step up.. “You don’t have to give a lot. A couple of cans, a few dollars, whatever you can manage. That small act might have a huge impact on someone’s day." She adds, "It’s not about changing someone’s whole life. It’s about easing their path just a little. It’s about giving someone a little hope.” We are so thankful to Lynda, and our other wonderful supporters, for standing with us. DCM is proud to work alongside people who care so deeply about making Wellington a city where everybody has a place. This year, we are running a Foodbank Appeal Week from 17 to 24 May, and we are inviting the community to help us to continue to provide essential food support to Wellington’s most marginalised residents. There are many ways you can get involved. You could host a food donation box at your workplace, school, or church, run a fundraiser for DCM, or, if you would like to support us financially, you can do so by clicking the button below. Support DCM Copyright © 2025 DCM. All rights reserved. Our mailing address is: DCM Wellington, 2 Lukes Lane, Te Aro, Wellington Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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Lower Hutt, Lower Hutt City, Wellington, 5010, New Zealand (OpenStreetMap)
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When Road Cycling is Illegal
- Sustainable Wellington Transport
- Following my recent post on fixing cyclist infrastructure, I received a reply that questioned the rationale of pushing cyclists into pedestrian space: @sustwelltrans Lets make roads that work for all vehicles - Arras underpass should have bikes ok - leave #footpaths for #pedetrians — Ellen Blake (@Windynell) April 05, 2015 Since I didn’t know how or why cyclist restrictions happen, I emailed WCC to ask. Cyclists can use all roads except for motorways, lanes reserved for Buses Only, pedestrian malls, and some tunnels. Cyclists are banned from these places due to safety concerns which derive from conflicts very high volumes of other users who have been formally given exclusive priority. Cyclists may use all normal Bus Lanes, but not Bus Only lanes. Motorways in Wellington City area are: State Highway 1 from the Karo/Willis intersection to Ngauranga State Highway 1 from Johnsonville to Porirua Bus Only lanes are: Throndon Quay southbound centre lane into Lambton Interchange Lambton Quay from Bunny St to Whitmore St (Lambton Interchange site) Lambton Quay southbound from Brandon St to Featherston St Hunter St-Customhouse Quay-Willis St southbound from Featherston St to Manners St Manners St from Willis St to Cuba St both directions Pedestrian Malls are: Cuba St from Ghuznee St to Manners St Tunnels where cyclists are banned are: Arras Tunnel (State Highway 1) Mt Victoria Tunnel road lanes (State Highway 1) Hataitai Bus Tunnel. I’m sure that there are plenty of points that could be contested within that list, but I’ll only touch on a couple. For the road tunnels, the conditions of the road are identical to normal urban roads, with the exception of ventilation and lighting. It’s not clear how or why the Arras and Mt Victoria tunnels would create an actual safety risk beyond that of normal urban cycling. If there is some exceptional risk, wouldn’t it be better to educate the motorists that cause the risk? The decisions are the responsibility of the appropriate Road Controlling Authority. For all urban roads Wellington City Council is the RCA, for the entire state highway network it is the New Zealand Transport Agency. The timing of decisions result from safety and management reviews on an as required basis. Both tunnels are part of SH1 and fall under NZTA’s authority. I’ve just sent an OIA request for justification of the exclusion. They have until May 15 to respond.
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Porirua, Wellington Region, New Zealand (OpenStreetMap)
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Anthropology
- Black Coffee
- <figure class=" sqs-block-image-figure intrinsic " > Anthropology – The science dealing with the origins, physical and cultural development, biological characteristics, and social customs and beliefs of humankind. Artists Bio V is a multi disciplinary creative, specialising in digital and large scale surrealist imagery. Published in VICE in 2018, her work largely discusses the construction of identity and how society impacts that. Often touching on subjects around mental health and the connectedness of human beings. Her works seeks to act as an anthropological study of humankind through imagery. "Art has an amazing ability to convey a message across cultures, race, social economic groups... it speaks without words and unites like nothing else can" V has worked with the New Zealand Police and other organisations such as Woman's Refuge, presenting on education around Mental Health Awareness and Family Harm Reduction. The last year has seen her speak at Pecha Kucha, whilst also working with multiple councils painting murals and teaching a course at Hastings Girls High School. She was a featured artist in the Auckland Festival of Photography, painted the festival circuit, and has showcased her work nationally at places such as Tairawhiti Museum in Gisborne.
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Black coffee, Riddiford Street, Newtown, Wellington, Wellington City, Wellington, 6021, New Zealand (OpenStreetMap)
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Matching websites
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Finnimore House BED & BREAKFAST
- A taste of Ireland in the heart of Wellington.
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Meat Direct
- Meat Direct was setup a year ago because, as a farmer,I believed the consumer was not receiving the freshest possible quality product. I wanted people to experience the taste of the freshest meat and fish possible as I h ave enjoyed for many years fr
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Black Coffee
- Yes we offer amazing coffee, but we also boast many other features. One can enjoy a game of pinball, browse over local and international art, immense yourselves in quality classic and modern vinyl, treat your taste buds to one of our fresh and ever changing toasted sandwiches, gluten free and vegan delights and sample some of our secret recipe home-made chai.
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Black coffee, Riddiford Street, Newtown, Wellington, Wellington City, Wellington, 6021, New Zealand (OpenStreetMap)
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Whitireia Community Polytechnic
- The Whitireia Community Polytechnic website contains information about courses and services offered, how to contact the polytechnic, and news.
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Whitireia Community Polytechnic, Wi Neera Drive, Takapuwahia, Porirua, Wellington Region, New Zealand
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Downstage Theatre Blog
- Downstage's official blog. Take a look inside and get a glimpse how professional theatre is produced. Also get updates on our shows and information on specials.
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Hannah Playhouse, 12, Cambridge Terrace, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
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Let's Get Wellington Moving
- Let’s Get Wellington Moving is working with the people of Wellington to develop a transport system that supports your aspirations for how the city looks, feels, and functions.
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Stantiall Studio
- Architectural Illustration and Animation. See how your project will look before it gets built. Come and visit us at our studio in the beautiful Wellington Botanic Gardens to discuss your next project.
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Enterprise Miramar Peninsula
- Enterprise Miramar Peninsula is an innovative community led project in Wellington, New Zealand. We have a vision for how our Peninsula can enrich the lives of those who live, work and play here.
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Campaign for a Better City
- CBC is a voluntary community-based organisation, actively promoting the idea of Wellington as a living city. Check out the latest from the campaign against the Te Aro bypass, and find out how you can get involved.
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The Residents
- For five years, Lucy Revill interviewed and photographed Wellingtonians on her blog, The Residents. The experience taught her about her hometown of Pōneke, its resilience, and how people’s personal style and values are reflected in their private spaces. The Residents: Made in Wellington is the culmination of this project.
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Carlucciland Wellington
- Admire the sculptures as you weave through this unique Wellington landmark, get up and close and interact with these remarkable artworks that make this a truly exceptional mini golf. These intricately placed art installations complete with strategically placed rocks, allow guests to get up and close, revealing how these behemoths were formed by nature.
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Carlucci Land, 277, Happy Valley Road, Happy Valley, Wellington, Wellington City, Wellington, 6023, New Zealand (OpenStreetMap)
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MenzShed Kapiti
- MenzShed Kapiti is an incorporated Society, Registered as a a non-profit charitable organisation. We commenced operations in 2010 to promote the health and well-being of mainly retired and older men. Our shed is a place to socialise with like-minded men, to practice old skills, learn new ones, share know-how, pursue hobbies, enjoy company and give back to the community.
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The Thistle Inn
- The Thistle Inn was built in 1840. she is the oldest hotel in NZ still trading from the original site. In July 1866 she was burnt to the ground but by December the same year she was back operating. You will see the original beer cellar through the glass floor. She is a Category 1 historic place building and was completely restored in 2004 (as close as possible to how she was in 1866).
- Submitted by tonytw1
- Tagged as:
- heritage-buildings
- bars
- thorndon
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Bike network plan | Projects - WCC Transport Projects
- Creating a citywide network of connected bike and scooter routes in tandem with walking improvements and big public transport changes will make that possible. This is an ambitious plan. We must act swiftly to change how we move around to reduce the city’s carbon emissions and get the network completed in 10 years. To help us get there, we’ll be making interim improvements where we can, using lower-cost materials and involving local communities. The bike network plan includes finishing Tahitai, the walking and biking connection around Evans Bay between Miramar and the central city, and The Parade upgrade in Island Bay.
- Submitted by tonytw1
- Tagged as:
- consultation
- paneke-pneke
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Owhiro Bay School
- Owhiro Bay School is located on the beautiful South Coast in Wellington. We offer quality teaching for Years 0-6 in a country setting 10 minutes drive from central Wellington. A roll of 100-125 children. Spacious grounds featuring a large grass field, hard courts, tennis court and two playgrounds provide a fun and stimulating environment for the children at Owhiro Bay School. The community is central to how we do things at Owhiro Bay School. In partnership with Owhiro Bay Kindergarten we have established the Owhiro Bay Learning Community supporting learners from birth onwards. We enjoy a high level of community involvement and this is demonstrated through events such as the Annual Owhiro Bay Community Hangi and the Annual Owhiro Bay Fair. We have a number of active groups within the learning community; the Owhiro Bay Student Council, the Whanau Support Group and Parentlink to name a few.
- Submitted by anon2913
- Tagged as:
- primary
- brooklyn
- island-bay
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