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    • Weekly Wrap Up (Term 3, Week 8)
      • Important Dates Te Wiki o Te Reo Māori: September 14th – 20th Monday 21st – Friday 25th September: Mental Health Awareness Week Course choices for 2021 for current Years 9—12 to be entered in the portal: Sunday 20th September  Friday 25th September: End of Term 3 Important Information Year 9 Choices for Year 10 in 2021 The Year 10 Course Choice Booklet for 2021 is now available on our website: http://www.whs.school.nz/course-choice-booklet/ Your student is invited to explore the options available. They will receive a copy of the planning sheet in rōpū and the planning sheet is also included as the last page in the booklet online. Choices can be made online in the Student Portal from Monday 14th September. It would be appreciated if students can have their options entered by Sunday 20th September (note: this is earlier than reported in the email home). Senior Course Choices for 2021 The second part of senior course choice selection for 2021 is now underway. Students now need to re-confirm their subjects on the portal by Friday 18th September.  Please note there have been considerable movements with the lines to eliminate as many clashes as possible. It is unlikely there will be significant changes to the lines from now, so students are strongly advised to choose non-clashing subjects if possible. However, students who still have a problematic clash should indicate this on the updated lines sheet (which will be given out at rōpū) and give this to their rōpū teacher. Concerning online content  Netsafe has received several reports about a concerning video that was shared on social media. It has now been removed from Facebook. The video has been shared on other social media sites, such as Tik Tok and Instagram, and the platforms are actively removing this video.  Regardless of whether students have seen the video or heard about it second-hand, young people may experience emotional distress given the nature of this content. As a school, our best advice is to make sure that your students are supported and have avenues to talk about how this content may be affecting them.  If students do come across copies of the video being shared, we’d strongly encourage them to report it to the social media site or website that it’s on, and to report it to Netsafe. Netsafe has several helpful resources: Helping students exposed to upsetting content Online Safety Parent Toolkit is a wider framework for helping parents navigate online safety with their young people. If students would like further support they can contact Youthline on free text 234 or call 0800 376 633 Achievements Debating Finalists! A huge congratulations to our Junior Prem and Prem B teams who have made it through to their regional finals for debating! The Junior Prem team of Sky Gobbi, Liv Calder, Tom Bonert, and Fergus Martin-Edgar, won their semi-final debate last Tuesday against Samuel Marsden. The Senior Prem B team of Julia Randerson,  Alex Buyck, Corwin Heath-Cameron, and Rata Petherick won their semi-final debate this week against Scots. It is a very impressive result for Wellington High School debate teams to make it into two finals! We are very proud of both teams and wish them all the best for their finals.  Also — a special congratulations to Julia Randerson who qualified for Wellington Black (one of the two Wellington regional teams) a couple of months ago. Her team made it to the national semi-finals for debating after winning four of their preliminary debates! Katherine Mansfield Short Story success! Congratulations to Nadezhda Macey for winning the Katherine Mansfield Short Story Award 2020 with her story ‘Matahiwi’, and to Cadence Chung for her Highly Commended story ‘The End of the World’. Wellington High School was the only school to have two students short-listed — a great achievement. Both pieces of writing received glowing praise and you can enjoy all the short-listed stories online at: https://www.katherinemansfield.com/creative-corner/km-short-story-competition. Nadezhda received a $500 cash prize and the eleven short-listed students were presented with certificates by guest judge Tina Makereti at the annual award ceremony at the National Library on Tuesday night. [Image right: Nadezhda and Cadence are pictured with Tina Makereti, Principal Dominic Killalea and Head of English Faculty, Caitlin Reilly.] What’s happening? Mural workshop with Sheyne Tuffery This week a group of art students joined Sheyne in developing a design for a mural for the level 2 linkwell. This is a WCC funded project that Sheyne has been working on for some months. Sheyne’s mural work can be seen on Wallace Street and Hopper Street. We look forward to seeing the final results — BSJ WHS Tramping Club heads to Atiwhakatu Hut Last weekend, 18 students tramped to Atiwhakatu hut. We walked from Holdsworth station car park along the river to Atiwhakatu hut and back. Students cooked their own meals and lit the fire for a cosy night. A little rain failed to dampen our spirits; there is no such thing as bad weather, just bad gear! — AEJ/PAB From the Greenhouse! From the school garden greenhouse this week orchids for WHS reception. Grown with care by the senior horticulture students. He Kākano news Our He Kākano students have enjoyed an outdoor education week. We visited the learning centre at the Botanical Gardens to learn about how produce grows from a seed to a fruit and vegetable. There were opportunities to pick our own carrots too! A visit to Toi Art at Te Papa had us in a colour room with some interesting group photos. Sports Underwater Hockey Congratulations go to Carlos Relph and Henry Murdoch from our Senior Open team for their selection to the U18 Central Zone B team, and to Milly Woodbury from our Senior Girls team for her selection to the U18 Central Zone A team. We wish them good luck at nationals. Well done to them, and something to aim for in future years for our junior players Junior Girls’ Football Our Junior Girls’ Football played their last game this week, this is the first team we have had in this grade for a number of years and we are looking forward to having a team in this grade for years to come. Huge thanks to Bea Gladding and Jennifer Argyle for really driving this team and making it fun for all the girls. Winter Tournament Our Girls’ Football 1st XI finished their Round robin the Regional Premier 2 competition in 3rd place with Semi Finals, and possibly Finals, to come. At the Winter Tournament, the girls place 12th which is their best finish to date. A special thanks to Isobel Smith, Heidi Coleman, Ella Blakely, Gala Baumfield, Emma Allen, Kayla Landers and Isla McInnes who all competed in their final tournament for the school. Also, thanks to Will Dewhirst who has done a great job coaching. Our Boys’ Football 1st XI finished their last game of the Round Robin D1 competition, finishing unbeaten after 7 games. So, we have finished 1st with 17 points (5 wins and 2 draw). We are heading now into Semi Finals on Saturday 12 September. Our Boys’ Hockey 1st XI are currently in 2nd place in the P3 division and are hoping to compete at the final in week 10. The boys competed hard at Winter Tournament week and finished it off with a win over Newlands. Big thank you to Will Pinckney, Jess Johnson and Kether Gati for looking after the team. Netball: Last year our Senior A netball team won their grade and this year they have done it again! Well done, too, to our Senior B team who won their grade too. Great things are coming from these young strong wāhine…and our Year 13s finishing on a high. Senior A – Isobel Smith, Tilly Coup, Rebecca Te Kahika, Senior B – Lily Parkin-Foon, Mai Cooper, Emily Rosemergy
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    • Weekly Wrap Up (Term 3, Week 8)
      • Important Dates Te Wiki o Te Reo Māori: September 14th – 20th Monday 21st – Friday 25th September: Mental Health Awareness Week Course choices for 2021 for current Years 9—12 to be entered in the portal: Sunday 20th September  Friday 25th September: End of Term 3 Important Information Year 9 Choices for Year 10 in 2021 The Year 10 Course Choice Booklet for 2021 is now available on our website: http://www.whs.school.nz/course-choice-booklet/ Your student is invited to explore the options available. They will receive a copy of the planning sheet in rōpū and the planning sheet is also included as the last page in the booklet online. Choices can be made online in the Student Portal from Monday 14th September. It would be appreciated if students can have their options entered by Sunday 20th September (note: this is earlier than reported in the email home). Senior Course Choices for 2021 The second part of senior course choice selection for 2021 is now underway. Students now need to re-confirm their subjects on the portal by Friday 18th September.  Please note there have been considerable movements with the lines to eliminate as many clashes as possible. It is unlikely there will be significant changes to the lines from now, so students are strongly advised to choose non-clashing subjects if possible. However, students who still have a problematic clash should indicate this on the updated lines sheet (which will be given out at rōpū) and give this to their rōpū teacher. Concerning online content  Netsafe has received several reports about a concerning video that was shared on social media. It has now been removed from Facebook. The video has been shared on other social media sites, such as Tik Tok and Instagram, and the platforms are actively removing this video.  Regardless of whether students have seen the video or heard about it second-hand, young people may experience emotional distress given the nature of this content. As a school, our best advice is to make sure that your students are supported and have avenues to talk about how this content may be affecting them.  If students do come across copies of the video being shared, we’d strongly encourage them to report it to the social media site or website that it’s on, and to report it to Netsafe. Netsafe has several helpful resources: Helping students exposed to upsetting content Online Safety Parent Toolkit is a wider framework for helping parents navigate online safety with their young people. If students would like further support they can contact Youthline on free text 234 or call 0800 376 633 Achievements Debating Finalists! A huge congratulations to our Junior Prem and Prem B teams who have made it through to their regional finals for debating! The Junior Prem team of Sky Gobbi, Liv Calder, Tom Bonert, and Fergus Martin-Edgar, won their semi-final debate last Tuesday against Samuel Marsden. The Senior Prem B team of Julia Randerson,  Alex Buyck, Corwin Heath-Cameron, and Rata Petherick won their semi-final debate this week against Scots. It is a very impressive result for Wellington High School debate teams to make it into two finals! We are very proud of both teams and wish them all the best for their finals.  Also — a special congratulations to Julia Randerson who qualified for Wellington Black (one of the two Wellington regional teams) a couple of months ago. Her team made it to the national semi-finals for debating after winning four of their preliminary debates! Katherine Mansfield Short Story success! Congratulations to Nadezhda Macey for winning the Katherine Mansfield Short Story Award 2020 with her story ‘Matahiwi’, and to Cadence Chung for her Highly Commended story ‘The End of the World’. Wellington High School was the only school to have two students short-listed — a great achievement. Both pieces of writing received glowing praise and you can enjoy all the short-listed stories online at: https://www.katherinemansfield.com/creative-corner/km-short-story-competition. Nadezhda received a $500 cash prize and the eleven short-listed students were presented with certificates by guest judge Tina Makereti at the annual award ceremony at the National Library on Tuesday night. [Image right: Nadezhda and Cadence are pictured with Tina Makereti, Principal Dominic Killalea and Head of English Faculty, Caitlin Reilly.] What’s happening? Mural workshop with Sheyne Tuffery This week a group of art students joined Sheyne in developing a design for a mural for the level 2 linkwell. This is a WCC funded project that Sheyne has been working on for some months. Sheyne’s mural work can be seen on Wallace Street and Hopper Street. We look forward to seeing the final results — BSJ WHS Tramping Club heads to Atiwhakatu Hut Last weekend, 18 students tramped to Atiwhakatu hut. We walked from Holdsworth station car park along the river to Atiwhakatu hut and back. Students cooked their own meals and lit the fire for a cosy night. A little rain failed to dampen our spirits; there is no such thing as bad weather, just bad gear! — AEJ/PAB From the Greenhouse! From the school garden greenhouse this week orchids for WHS reception. Grown with care by the senior horticulture students. He Kākano news Our He Kākano students have enjoyed an outdoor education week. We visited the learning centre at the Botanical Gardens to learn about how produce grows from a seed to a fruit and vegetable. There were opportunities to pick our own carrots too! A visit to Toi Art at Te Papa had us in a colour room with some interesting group photos. Sports Underwater Hockey Congratulations go to Carlos Relph and Henry Murdoch from our Senior Open team for their selection to the U18 Central Zone B team, and to Milly Woodbury from our Senior Girls team for her selection to the U18 Central Zone A team. We wish them good luck at nationals. Well done to them, and something to aim for in future years for our junior players Junior Girls’ Football Our Junior Girls’ Football played their last game this week, this is the first team we have had in this grade for a number of years and we are looking forward to having a team in this grade for years to come. Huge thanks to Bea Gladding and Jennifer Argyle for really driving this team and making it fun for all the girls.   Skateboard success Congratulations to Gala Baumfield who top scored across all competitions with 85/100 to win the Senior Girls’ section at the regional Skateboard Champs this week.     Winter Tournament Our Girls’ Football 1st XI finished their Round robin the Regional Premier 2 competition in 3rd place with Semi Finals, and possibly Finals, to come. At the Winter Tournament, the girls place 12th which is their best finish to date. A special thanks to Isobel Smith, Heidi Coleman, Ella Blakely, Gala Baumfield, Emma Allen, Kayla Landers and Isla McInnes who all competed in their final tournament for the school. Also, thanks to Will Dewhirst who has done a great job coaching. Our Boys’ Football 1st XI finished their last game of the Round Robin D1 competition, finishing unbeaten after 7 games. So, we have finished 1st with 17 points (5 wins and 2 draw). We are heading now into Semi Finals on Saturday 12 September. Our Boys’ Hockey 1st XI are currently in 2nd place in the P3 division and are hoping to compete at the final in week 10. The boys competed hard at Winter Tournament week and finished it off with a win over Newlands. Big thank you to Will Pinckney, Jess Johnson and Kether Gati for looking after the team. Netball: Last year our Senior A netball team won their grade and this year they have done it again! Well done, too, to our Senior B team who won their grade too. Great things are coming from these young strong wāhine…and our Year 13s finishing on a high. Senior A – Isobel Smith, Tilly Coup, Rebecca Te Kahika, Senior B – Lily Parkin-Foon, Mai Cooper, Emily Rosemergy The post Weekly Wrap Up (Term 3, Week 8) first appeared on Wellington High School.
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    • Plimmerton Farm: getting greenfields right
      • If we’re hellbent on doing more residential development in greenfields, what does “decent” look like in Plimmerton, hilly land near an existing suburb – like most of our region’s greenfields? This post is basically a guide for anyone who cares about Plimmerton, good urban development, or healthy wetlands, streams and coast, but is time-poor and can’t face going through the truckloads of documents they’ve stuck up without any specific meta-guidance (some FAQ are here). Hopefully this will help you pop in a submission! PCC’s “information” pages they suggest you use for submitting. Every one of these is a large PDF document, 90% written in technical language… aargh! The background: what where and how For those who don’t know, Plimmerton Farm’s a big proposed subdivision of hilly farmland draining into the significant Taupō Wetland and to Plimmerton Beach, just over the train line and highway from Plimmerton village (original Ngāti Toa name: Taupō). It’s going through a Streamlined Planning Process, a pre-COVID government scheme for accelerating development. The key step is the requisite change of the land’s zoning in the Porirua District Plan (“rural” zone to “residential” and other “urban” zones) that sets out what kind of stuff can then be built, where. It’s mostly streamlined because there’s just one shot for the public to have input on the plan change. One shot. Why submit? I was born and raised in Plimmerton, live here now, and intend to for the rest of my days. I’d love to see it grow, well. I would love Plimmerton to get more wallets, more hearts and minds, more faces (more diverse ones too!). But not with more traffic, and pointless damage to our environment. Right now, the proposal has some serious flaws which need sorting. I say Sorting because the changes won’t make it crazy innovative, just good enough for a development in the spot it is, being kicked off in 2020. Time matters too: there’a a bunch of good things happening imminently (and some bad Porirua trends that need to be reversed). I cover these in Get it right, below. It’s worth submitting because given the situation, a 1990s-grade development just won’t cut it. So what about Plimmerton Farm needs to change? It boils down to two themes: dial down the driveability and dial up the liveabilitymake Local the logical and easy choice for daily needs I’ll outline what needs to change in each. NOTE: There’s a third – don’t stuff the wetlands and streams. This is really important as Taupō Wetland is regionally significant, and all our streams and harbours have suffered from frankly shameful mismanagement of sediment from earthworks-heavy subdivisions like Aotea and Duck Creek, and from the earthworks-a-rama of Transmission Gully. Friends of Taupo Swamp have an excellent submission guide for you – add in some of their suggested bits to your submission. I: Dial down the driveability, dial up the liveability There aren’t many truly black-and-white things in life, but there’s one for towns: If a street is nice to drive in, it’ll be a crappy place to do anything else in (walk / eat / hang out / have a conversation / play / scoot or cycle / shop / have a pint). If it’s nice to do anything else in, it’ll be a crappy place to drive in. Mostly this is because of the nature of the automobile: big solid things that smash into our soft bodies if someone makes a mistake (75% odds of death if that’s at 50km/hour, 10% odds of death if at 30km/hour) big objects that need lots of space for manoeuvering and especially parking – which offstreet can be crazy expensive and push up the cost of a home, and onstreet hoover up valuable public space. big solid things driven by us real humans (for a while at least) who respond to the environment but also get distracted, and generally aren’t good at wielding these big solid things safely. The transport setup proposed for Plimmerton Farm makes for a much too driveable and poorly liveable place. 1. Narrow down all the roads. The current proposal’s roading setup has roads and streets that are too big, and there’s too much of them. Right sized roads for a liveable community The cross-sections for the roads include on-street parking and really wide lane widths. This is really gobsmacking for a consortium that talked a big talk about good practice. For all the reasons that Low Traffic Neighbourhoods are good, this is bad. (And it’s especially nuts when you realise that the excessively wide “arterial” roads (11 metres!) will need earthworked platforms built for them where they’re drawn running up the sharp ridges and across the tops of gullies. Expensive, damaging for the environment, and … what were they thinking?) So recommended changes: NARROW DOWN THE ROADS. Seriously. Design all the living-area streets and roads, and the centre, to be self-explaining for an operating traffic speed of 30km or less – that’s the speed where mistakes are rarely fatal. What does that look like? The designers will know and if they don’t they should be fired. Narrower crossing distances; chicanes (great way to incorporate green infrastructure and trees and seating!); narrowed sight-lines (trees! sculpture!) so no-one driving feels inclined to zoom. Reduced trafficked lanes (rori iti on the larger roads!), with properly wide and friendly footpaths. Threshold treatments, humps, modal filters, all the things we know very well are the natural ways to slow us down when driving, and make streets nicer for people. The beauty of all this “restriction” on driving is how much it frees us up for making everything else appealing. Streets become hospitable for kids to walk, scoot, bike to school safely, using the road not the footpath. Older people and those with impairments can walk and wheelchair safely. Teens coming home from town of an evening can scoot or bike home, safely. Popping down to the shops or for a coffee or to the train becomes a pleasure to do on foot, or on a scooter or bike. And you’re moving in a legitimate way – seeing and being seen, not stuck off in the bush on a “recreational” track like what they’ve described. The ordinary streets and roads are walkable, bikeable, scootable, mobility-scootable, and perfectly driveable, equally safe and useable in all weathers and anytime of day or night. Used to be a big, fast road. Now, kids bike to school and old people can chill out on it. (Mark Kerrison) (And in case you’re worried about firetrucks / rubbish trucks / buses, recall that on even Wellington City’s far more winding, narrower hilly streets everyone gets their rubbish collected and fires fought just fine. On public transport, smaller buses, like those that community transport operators use, are the way of the future for less densely-populated areas like this). Don’t build the through and loop roads. You don’t need signs like this when the only people who bother to drive in are those who live there, or who are visiting friends, because you just have to drive out again the way you came. When it’s the place you live, you’re invested in not being a dick far more than if you’re just out for a drive – or worse, out for a bit of a boyrace hoon on a massive loop route through a whole place. So just don’t build those big connector roads that enable people to drive easily from one residential area to the next, especially the ones up in the hilltops (section C) that just say “come for a hoon!” Instead, connect the living spaces heavily with bikeable, walkable, scootable, disability-friendly streets and lanes, and as much as possible, only one way in and out for cars from each living area. II: Make local logical and easy Plimmerton is a true village, with a great little centre (including a train station!) but Plimmerton Farm is ultimately a damn big area. The way to go is to enable people to get the basics of life – like school, groceries, a coffee – with a little local trip on foot, bike or scooter – it’s more of a bother to get in the car. Right now though, it needs two changes: 1. Provide for a second centre “Bumping into” spaces are known to be crucial to a feeling of neighbourhood, and in the (initial) absence of third places (worship places, community hall, sports club, cafe/pub, a supermarket is a vital social centre. Yet the north end of Plimmerton Farm is currently a deadzone for anything except residential. What things will probably look like under current layout. Like in Edwards Scissorhands without the interest of a castle. There’s no provision for a place to do your household groceries, so people will drive to Mana New World – more car trips – and less opportunity to bump into people who live nearby. (There’ll be no school in Plimmerton Farm for a while, because Ministry of Education isn’t allowed by the Education Act to build a school somewhere until there’s a certain population density of kids to fill it. A shitty Catch-22 for developments which is hopefully going to be fixed … sometime. Just another reason to make walking, biking and scooting really kid-friendly, as extra dropoff traffic for kids going to St Theresa’s, Plimmerton School, Paremata and Pukerua Bay schools will be a nightmare.) So they should provide for an additional centre in the north, including a groceries place of some kind. 2. Intensify within walking distance of Plimmerton proper. We should intensify properly, with lots of medium and even some high density (6 storeys of nicely laid-out density done well!) in the area that’s within a 5-minute walk of Plimmerton Village. The more people can live and work with access to all its many amenities, and its rail station (10 min to Porirua, 30 min to Wellington), the better. But there’s not enough density provided for there. Plimmerton Railway station: buzzing in 1916 and has only got bigger. (Photo: Pātaka Porirua Museum) So they should add another zone – E – of higher density in that 5-minute walking catchment of Plimmerton Village. What could it look like? A good example is 3333 Main, Vancouver . Submission tips On the site they ask you to fill in a Word or PDF form, saying which specific bit of the gazillion proposals you are talking about and the specific changes you want. This is a BS way to treat the vast majority of people submitting: normal non-professionals, just regular people who care about good development and liveable places. So just don’t worry about that. In those question 6 column boxes just put “Transport” and “Layout”. It’s the professional planners’ job to figure out specifically how to change a planning document. Just be specific enough that they know what you want to see. The text above is worth copying and pasting – it’ll be enough. And don’t forget the Friends of Taupo Swamp and Catchment advice is essential – definitely go read and use. That’s all you really need – just go submit! But if you’re keen to know more reasons why they should be doing this better, here’s some… Get it right, now Once this plan change is through, traditional developers like Gillies like to whack in all the infrastructure – hello, massive earthworks. And yet the place will take decades to fill with actual people – those hearts and minds and wallets. (Note even before COVID, Porirua’s growth rate was 0.1% per year. Yep, one tenth of one percent.) And extra pressure’s on to do this better because all these things are features of the next one to three years: the One Network Road Classification (sets the design specs for roads of different types) is being updated right now to be more people-friendly in the specs for roads in residential and centre areas, so designs like Plimmerton Farm’s will soon be Officially Bad Practice Sales and riding of e-bikes and e-scooters are going through the roof, continuing through and beyond COVID – this shows no signs of slowing, and prices are dropping. E-power flattens the hills of Plimmerton Farm and makes wheely active travel a breeze for the middle-class people who’ll be living here, if the streets and roads are hospitablePlimmerton Railway Station (on the most popular Wellington train line) is being upgraded to be a terminus station – i.e. better servicesThe Wellington Regional Growth Framework is setting a bunch of directions for councils on how to grow well, including well-known but often well-ignored issues like intensifying around public transport hubs Councils will soon be required to do to a bunch of a bunch of international good practice including get rid of many minimum parking requirements (in the news lately), and to upzone (enable intensification) of landuse in the walking catchment of public transport hubs. (5 min walk = approx 400 metres, 10 min = 800m).Bad trends we need to stop: Porirua’s really high car-dependency (we own cars a lot and drive a lot) is continuing, due to car-dependent urban form [PDF]– despite nice words in council’s strategic intentions.People living outside Wellington City are mostly to blame for our region’s 14% increase in emissions from transport in just 10 years. OK go submit now – and share with anyone who you think might care!
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      • Transmission Gully Motorway, Kenepuru, Porirua, Porirua City, Wellington, 5022, New Zealand (OpenStreetMap)


    • October Messenger
      • RASING THE STANDARD OF GIVING <figure class=" sqs-block-image-figure intrinsic " > ‘Raising the standard of giving’ – describes the thoughtful re-examination of our giving as an important expression for our faith.  We give meaningfully, not because the Church needs it (it does, of course) but because as Christians we need to give it for our own sake spiritually. Our giving connected to our:  Discipleship Shared mission and vision Expression of generosity in proportion to our means. Together we are encouraging one another to think about our values, to examine or re-examine our giving habits accordingly, to make carefully thought-out decisions, and to re-arrange our priorities in using money to enable us to carry out these decisions.  Money is a real responsibility. The more we have of it, the greater our responsibility. The place we give it in our lives, the purposes to which we put it, are very relevant to our Christian life.   Our attitude to money and possessions provides a practical test of our love of God and for others. Often our money may be taken as a yardstick measuring the value we put upon our beliefs. Our attitudes to money, the place we give it in our lives, provide a telling clue to our Christian character.  What is ‘token giving’? Giving is not primarily token by the size of the gift, but by its relationship to the financial means of the giver and how it relates to her/his intention in making it.  What about ‘sacrificial giving’? Graham Redding recently wrote:  “Has the concept of sacrificial giving had its day? For as long as people deem the act of giving to be an integral part of their sense of vocation, then the answer to that question must be no. What is freely and abundantly given, even at a sacrificial level, can be a joy, not a burden.”1  Sacrificial giving is best understood as generous enough to involve substantial cost, and so has real meaning to the giver. It brings to the giver a sense of fulfilment - of responsibilities faced and met. It comes only after careful thought, realisation of the issues involved, prayer and the planning that makes such a gift practicable. It makes a significant impression on the giver’s spiritual life because it brings into sharp focus the importance of spiritual values in life.  So, as we move forward on the journey of faith together, let us re-examination our giving as we put our faith into action every day.  [1] ‘Time to talk about responsible rather than sacrificial giving?’ Graham Redding, Otago Daily Times, 29th April 2022. https://www.odt.co.nz/opinion/time-talk-about-responsible-rather-sacrificial-giving LUMINARY Luminary is a sculptural installation by artist Auckland Karen Sewell which was installed in St John’s chapel from 29 July to 7 August this year, having earlier been shown as part of the collateral projects programme of the Venice Biennale 2022 in Italy and in Auckland, Dunedin and Christchurch. It explored the metaphor of light and light giving bodies and was an effort to revive the long-standing tradition of placing art in churches, in this case with contemporary art. It involved a large sphere illuminated in white and gold light high in the ceiling of the chapel, accompanied by a display of lumen prints, showing another aspect of light.  We saw it as more than that. While providing an opportunity for people to reflect on creation and light, it was also an opportunity for St John’s to connect with the wider community and tell people about our own historic building, with its own art works of high interest such as our stained-glass window of the Good Samaritan on our north wall or Christ’s last supper, shown in the chapel. It worked well. With support from the Congregation contributing to expenses and volunteers helping to open Church, more than 300 people saw the work, including more than 200 from beyond the Congregation. Some stayed for up to half an hour and engaged well about St Johns and what we do on site. A good range of people showed interest, including many students and younger people, some who just wanted to see inside the Church which is normally not open. The sale of Karen Sewell’s donated artworks raised $207 for DCM’s work with the homeless too.   A big thank you to all who helped, including to show us some other ways to connect with our community, as we want to fulfil our vision for St John’s.   See the video production of the installation at St John’s in the city https://www.luminaryvenice.com/luminary-wellington-video  See more at www.luminaryvenice.com  David Galt  <figure class=" sqs-block-image-figure intrinsic " > CHURCH CAMP 2022 This month saw our church whānau join together at Forest Lakes campground for Church Camp 2022. We were treated to lovely spring weather, a plethora of activities, and meaningful worship sessions all packed into just 2 nights! <figure class=" sqs-block-image-figure intrinsic " > Arriving on Friday night, we quickly stowed our things in our cabins, then started camp right with icebreaker games, and a session in the chapel. We got to sing along with the combined worship band and hear more about our theme of “Journeying together”. It felt apt knowing that not only had we all journeyed to Otaki to be together, but we’ve all been on our own journeys through COVID and a rapidly changing world. Games and movies and supper sufficiently tired us all out ready for what we hoped would be a good nights’ sleep in cold cabins. Saturday dawned bright and the whole day stretched before us. After breakfast it was time to welcome our day campers and get stuck into more worship. Truly, guitars and clapping and singing - such a great way to wake up! Then came a life auction; working together in multi-generational teams and trying to build a meaningful life on a (imaginary) budget created rich conversations for sure. Being a part of a ‘poorer’ group really did make our group focus on just a few, top priority qualities that make a huge difference to a good life. Digesting this while hearing more stories of people on a journey brought home how lucky we are, and how we can keep going towards more. Free time in the sun followed our time together, with kayaking, golfing, archery and more. Kids entertained and happy campers mingling together and chatting through life with smiles beaming. <figure class=" sqs-block-image-figure intrinsic " > After more games and then dinner, it was time for the long-awaited camp concert. What talent our church whānau possesses! From dancing to singing to karate to hose trumpets, it all ended with a blow out youth band jam session. What do you do when you’re alone in an elevator?? And of course, camp wouldn’t be complete without the bonfire. We saw roaring flames, gooey marshmallows, and warmth all on a beautifully still night. A perfect chance to be real, and engage with one another. <figure class=" sqs-block-image-figure intrinsic " > Sunday morning worship and we tied together our journeying theme of the weekend. All tied together like a fairy tale.Church camp had been just another casualty of the COVID cancellation era last year, and it was fantastic that we got to pick it up and revive it for this year. It seemed extra rewarding that it came following a big time of post-pandemic change and busy-ness in our lives. A huge thanks to the team of volunteers who helped plan and organise to get it going, and to all those that helped while we were there to keep things running smoothly for us all. God is definitely close when we’re moving towards Him together. Amanda Fitch A FUTURE IN THE CITY In 1853 St John’s was surrounded by paddocks, on the fringe of a new settlement town. Down the road was Te Aro Pa, and in and around Dixon St were ramshackle shanty buildings and an abattoir. Muddy roads, typhoid outbreaks and a British immigrant population were seeking a new beginning having bought land from the unscrupulous NZ Company. Meanwhile Tangata Whenua hailing from Taranaki Whanui and Te Ati Awa were slowly being disenfranchised from their land. The history of Wellington’s settlement is far from pretty. By 1893 women had the vote and there was a strong movement for social improvement. As expressed in the NZ Presbyterian magazine the ‘Christian Outlook’, the place of cities, their influence, the call to be a part of the social fabric and be Christ ‘where you are’ was strong. To ‘Make that one corner, room, house, office as like heaven as you can.’… to “Beautify it, ventilate it, drain it.’… Educate it, Amuse it, Church it. Christianise capital; dignify labour.’’ In 1895, the church was calling members to get involved in the nitty gritty and dirty parts of life, to use their capital for good. To be involved in the hard stuff, to engage in social issues and matters of justice. Not to sit back and watch, but to “Join councils and committees. Provide for the poor, the sick, and the widow. So will you serve the city." This is the whakapapa of St Johns – In the City. Fast forward to 2022. 169 years later we are asking ourselves once again, what does it mean to be part of the City? How do we be Christ’s hands and feet amongst the high-rises, the apartments, and the shadows of the City where loneliness is common? How do we provide a place of restoration in a world of hard tarmac and where open spaces are rare? How do we meaningfully share the knowledge of a loving, hope-filled God to a understandably cynical generation, who have heard more about the damage meted out by religious authority, and never had firsthand experience of the church as a loving, accepting and generous community? This is what we have been grappling with for the last year. We’ve been asking ourselves what is our future? Who do we need to be for a new generation? How do we demonstrate Christ’s message of love, hope and create a place where people feel they belong and can find respite, in order to recharge for whatever life throws at them?After much deliberation, prayerful, presbyterian debate and discussion, we agreed the following statement captured our Vision for the future:We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. <figure class=" sqs-block-image-figure intrinsic " > The Pohutukawa tree represents our community, our hopes and aspirations – with strong roots in God’s love building faith together, a trunk with many strands that is a place of acceptance and belonging, reaching out our branches in many diverse ways to connect with the dynamic community that surrounds our site and explore the Gospel together.Quickly moving onto Actions, we have tried to put legs on good intentions, and turn theory into practical actions providing a renewed sense of community purpose post-COVID. An interactive workshop where members got a chance to choose a project team they wanted to participate in kicked off this stage. Site and Space TeamChristmas in the Courtyard - a celebration with food, music and carols    Friday 9 DecemberContact Rob Anderson or Judi Ferguson , Phone: 021 239 1702    Community Rebuild Supporting Attendance at Church Camp and Talent Show. 20 older congregation members came to church camp for the day! Awesome job team!!  Whānau Night ExtensionYouth Lead Code Breaker Night, 20 November 2022 – Come along! Vision Communication and ConnectionsImproving Signage and Billboards, Contact: Elizabeth Gibbs. This group has met and made plans. Now…full steam ahead! Getting to Know our Neighbours / Understanding Our Eco System/CommunityParticipating in Wellington Heritage Week (with our Open Day on 5 November), connecting with local property developers to understand future populations.  Contact: Pamela Cohen  Phone:  027 440 1838 Fiona Purchas NOTABLE MENTIONS New MembersAnjali George, Robyn Albertson Pearse Lane for receiving the Chief Scout Award, as well as a Karori Youth Award and MVP for his Football season with Wellington College. Alice Carter won Hutt singing competition and sang in the national Memorial Service for QEII Leon Scohpa (Son of Richard Hpa and Chantelle Scoon) for his Baptism. Bhanu Pancha for her Baptism
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    • Waiting for light rail? Let’s build a busway now!
      • One question on the mind of everyone suffering from Wellington’s transport problems is – when will Let’s Get Wellington Moving actually get us moving? Guest poster Marko Garlick sees a supercharger hiding in plain sight There seem to be lots of abstract projects planned to be delivered, maybe years from now: urban State Highway 1 “improvement” with more tunnels, and a rapid (or maybe just frequent) mass transit line from Lambton through Newtown and to the Airport.  But where will these actually go? And how do we deal with difficult questions about flows around the Basin Reserve? Wellingtonians waiting for new transport infrastructure to be built… Where does mass transit go? For mass transit, there are many things to consider. Is it along the waterfront quays or along Lambton Quay / the Golden Mile? Along Taranaki St or along Cambridge Terrace? Where does it go through the Basin Reserve? Many people are speculating. And the big one: light rail or trackless trams, or both? Mock-up of a route down Taranaki St What about the urban motorway? The LGWM proposal has a pretty good plan to maintain the amenity of the city above. They want to underground the motorway from the Terrace to Mt Vic. A new Te Aro park will be created on top. However people are questioning the need for more lanes created by a new Terrace and a new general traffic Mt Vic tunnel. More lanes in urban motorways creates induced demand. More lanes means make people drive more which kills off any travel savings created by the bigger road. It’s a transport strategy just as smart as trying to lose weight by buying bigger pants! Bigger roads take up valuable space and just fill up with more traffic (looking at you Auckland, thanks for showing us what not to do) This uncertainty is paralysing! Those who are in the “pro-car” camp say they like mass-transit but that must come after their bigger road. Those in the “pro-PT” camp want light rail first and a smaller road. Finger-pointing and party lines are drawn. Tough and costly decisions will have to be made about irreversible projects around the Basin. Once you make a flyover, tunnel or lay down tracks you can’t (quickly) go back. I think we can break out of this inaction and stupor with an interim middle ground: a busway. Case Study: Auckland’s Northern busway The idea for this has come from the success of Auckland’s northern busway. It is a dedicated two-lanes for buses from the northern foot of the Harbour Bridge up SH1 to Constellation Drive with world-class stations and frequent congestion-free services into the city.  It has seen year-on-year double-digit growth numbers over its 11 years in service, and is being extended to Albany and beyond shortly. Eventually tracks will be laid down for a second-harbour crossing for light-rail. Radical incrementalism Initially the busway was just a narrow shoulder each side of the northern motorway. People were sceptical initially but its success was undeniable and has provided the basis for upgrades and extensions. What the Northern busway shows is that doing something now, and building on it, is more practical and politically palatable than trying to justify a massive spend up front. This is applicable to Wellington’s light rail situation. It is relatively low-cost initially, can display almost mass-transit qualities and is more flexible as progress is made towards light-rail. Why a busway? A busway is what Wellington needs now. We cannot wait another 10-15 years for a big decision on the Basin and Mt Vic tunnel. A busway will provide many benefits: It is far cheaper to implement right away and far quicker to implement (I envisage 3 years for the first stage).It also demonstrates demand for mass-transit and will allow us to see whether a certain route is a good idea or not.It also allows for land-use intensification now, providing greater density and amenity to a future light rail line. What will it look like? So what would this look like? I think that the busway should start at the train station, go along the waterfront quays, and then either go along Taranaki St or Cambridge/Kent Terrace. Ideally, it should run in the centre of street with weather protected stops and room for cycleway and signal-priority. Stops should mirror light rail ones, being spaced out for speed and reliability.  Along most of the route the buses could probably hit 60km/h speeds, congestion free, all day. [Ed: just let that sink in. Congestion free. A clear run.] Separate branding would be an excellent addition. The Northern Express (NEX) is what Auckland has; the Wellington Express (WEX) is what we could have. This post is about incrementalism and the key takeaway is something half-done is better than waiting ages for the ‘perfect’ solution. If the busway is barebones at first before getting upgrades then so be it. The mess at the Basin can be avoided by stopping bus priority at the start, then resuming it into Newtown. This is what the Northern Busway does with dedicated lanes ending at the Harbour Bridge, then resuming on Fanshawe St. What the waterfront quays look like now (shudders). Hardly the “walkable city”. A thing of beauty: What a complete Wellington busway could look like The busway can be upgraded over time. Greenspace, cycleways, better stops, a possible underpass on Waterloo Quay to connect to the railway station. Summing up In an ideal world, we can all agree on the light-rail and grade-separation issues at the Basin and they may already have been implemented. But that is not the case. Although there is lots of details to work, the principle of a busway now then future conversion to higher-capacity light-rail is a sound one in my mind. Do you have any ideas why Wellington has not had bus priority – via a busway, or anything else – for so long? What do you think of fast buses in the city centre, and in the suburbs? A version of this post was originally published on TraNZport; see the original here. Image credits Cover image by Smarter TransportSkeleton waiting, original unknownTaranaki mock-up by LGWMAuckland rush hour by Getty imagesAuckland busway by Greater AucklandQuays now, screen grabBusway by AT
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    • Ngā Kōrero – Latest Stories from DCM
      • Ngā Kōrero – Latest Stories from DCM Ngā Kōrero – Latest Stories from DCM communities where whānau are housed, connected, valued and thriving About Us Contact A Message From Our Manahautū He Rā Ka Huri: Seasons Change, Our Purpose Remains Stephen Turnock, Manahautū (Director) at DCM Tēnā koutou katoa, As the seasons shift once again, I find myself reflecting on just how much change we’ve witnessed lately, not only in the weather, but across our communities, sector, and Aotearoa. Like the turn from summer to autumn, some changes are expected, while others arrive quickly, bringing with them a sense of uncertainty. This changing environment is being felt deeply across the community sector. Policy directions are shifting, funding decisions are pending. Many of us are operating in a space where the future feels less certain than before. At DCM, this has real impacts. The security of our contracts, the continuity of our mahi, and the wellbeing of our kaimahi (staff) are all front of mind. And it's not just our sector, every day we see how these pressures are being experienced by whānau across Te-Whanganui-a-Tara: the cost of living, the struggle to find and keep a safe place to live, and the weight of navigating systems that often don’t work for them. Change is constant, but for many, it doesn’t always feel like it’s moving in the right direction. In the face of this, we ground ourselves in what remains constant. Our commitment to whānau-led support, our belief in housing as a human right, and our dedication to walking alongside those doing it tough. No matter the season, our purpose stays the same. And we want you to know, we have a plan. Even in a time of shifting sands, we’re clear on our direction. We’re committed to building on what works, data-informed insights, whanau-centred practice and courageous leadership. And we know we can’t do this alone. It’s through community collaboration, with whānau, with partners, and with people like you, that real solutions are found and created. So as the leaves begin to fall and we prepare for the colder months ahead, we do so with determination, with hope, and with deep gratitude for your continued support. You are part of this journey, and together, we will keep working towards a city where everyone has a place to stand. Ngā manaakitanga, Stephen Turnock Finding An Oasis At DCM I was homeless and running around the country before I came to Wellington. I was drinking heavily. I was an alcoholic. My mental health issues hadn’t been diagnosed, so I was unmedicated and pretty messy. Before that I was in Christchurch. I got made redundant, and then I had nothing to do. I started drinking, getting into hard drugs, getting in trouble. I made a lot of people mad and I had to leave. I just wanted to hide somewhere and drink. That was my plan. It’s crazy I kept drinking even when I was that sick. I knew I was sick, but the need for alcohol was stronger than any concern I had for my own safety. I was housed out in the Hutt maybe six or seven years ago, not by DCM but someone else. They put me there to get me out of Wellington, away from the drinking. But I still drank sometimes. Then I got told my liver couldn’t take it anymore. They said it was no good. That changed everything. I had to stop drinking, and that changed my life completely. I couldn’t fill the voids with alcohol anymore. I had to deal with stuff. Face my demons. And it was too much, really. I ended up needing medication. There was nothing like DCM out in the Hutt then. I came back into town because there’s more here, and DCM is a hub that has everything I need. I’ve been coming here every day, every week, for as long as I’ve been back in Wellington. DCM has supported me in all sorts of ways. I come here for coffee, for health, for dental, and they make sure I get to my appointments. Te Aro Health and the nurse let me know if the doctors want to see me. It’s amazing that everything is just here. And yeah, I get food from DCM. It’s good to know it comes from people I know, not some stranger. It keeps it in the whānau, you know? I don’t eat much. Once a day is usually enough to keep me going. I used to be a good cook, but I’ve lost all interest in it. Cooking for one is boring. Food is just something I put in myself now. The DCM staff are even trying to get more fruits and vegetables into me. I’ll eat it if it’s put in front of me, but I won’t cook it. I’m eating like an old man now. DCM hasn’t given up on people, not like other places have. That’s what surprised me. DCM is an oasis and people rely on this place. If they weren’t here, there’d be nothing for us. We’d be eating out of rubbish bins. "DCM is absolutely brilliant because it’s saving people in Wellington. It’s keeping people alive. Without this service, people would be lost. They’d just be lost." These days, I guess, I’m mostly just working out what life looks like until I die. That’s what concerns me now. My health isn’t great. I don’t know how long I’ve got, but I’m trying to be all right until then. If you’re struggling, don’t stop yourself. Get to DCM. If they see the need, they’ll help. I fully recommend it to anyone in Wellington who needs support. Spotlight on Lynda: Fundraising For Hope Lynda McGregor, owner of Little Bread Loaf, wears many hats. She runs a small artisan bakery in Lower Hutt where everything is made from scratch, a busy café in Miramar, works in fresh produce markets, and does catering too. Yet despite her full plate (pun intended), Lynda makes time to support DCM. Her connection with DCM began when she saw one of our Instagram posts calling for donations. “It really moved me,” she says. “I just thought, we can all do something to help our community. It’s not about pity, it’s about showing up and helping.” Lynda shared the post, a conversation followed, then a tour, and she soon found herself organising her first foodbank collection for DCM at Little Bread Loaf where she and her community raised over 200 cans of food. “I’ve always known about DCM and the work you do. I know you don’t get as much funding as the bigger charities, and I felt I could add value here in a way that would make a real impact.” Supporting DCM wasn’t a random choice. It aligned with Lynda’s values. “My mum always tithed. She gave a portion of what she had or her time to help others. I’ve always tried to do that too. I’m not religious, but giving back is a part of who I am.” She’s also realistic. “In the charity sector, it’s often the causes that are more ‘attractive’ that get attention". But DCM, she says, offers something deeper. “I truly believe that nobody wakes up wanting to be on the street. DCM works with some of the most vulnerable people in Wellington and you stay constant, even when others would walk away. The whānau you support can keep coming back for coffee, a chat, or whatever they need and you are always there for them.” For Lynda, donating food is not about charity. It’s about manaakitanga. “If the food isn’t good enough for me to eat, I won’t bring it in. What I give has to be mana enhancing; for DCM, for me as the maker, and for anyone who receives it. I want people to feel dignity when they receive something from me.” She adds that contributing makes her feel good too. “It feeds my soul. I do this for selfish reasons because it makes me happy and brings me joy.” Lynda has seen the challenges facing our communities and the pressure DCM is under. “It makes me sad to see the foodbank shelves so bare. You’re doing incredible work, and so much of it comes from heart. You can tell that your team is here because they genuinely want to be of service.” She believes anyone can make a difference and her hope is that more people and businesses will step up.. “You don’t have to give a lot. A couple of cans, a few dollars, whatever you can manage. That small act might have a huge impact on someone’s day." She adds, "It’s not about changing someone’s whole life. It’s about easing their path just a little. It’s about giving someone a little hope.” We are so thankful to Lynda, and our other wonderful supporters, for standing with us. DCM is proud to work alongside people who care so deeply about making Wellington a city where everybody has a place. This year, we are running a Foodbank Appeal Week from 17 to 24 May, and we are inviting the community to help us to continue to provide essential food support to Wellington’s most marginalised residents. There are many ways you can get involved. You could host a food donation box at your workplace, school, or church, run a fundraiser for DCM, or, if you would like to support us financially, you can do so by clicking the button below. Support DCM Copyright © 2025 DCM. All rights reserved. Our mailing address is: DCM Wellington, 2 Lukes Lane, Te Aro, Wellington Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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    • Ngā Kōrero - Latest Stories from DCM
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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Supporting the most marginalised this Christmas communities where whānau are housed, connected, valued and thriving About Us Contact Supporting the most marginalised this Christmas We have almost made it through another challenging year at DCM. I am proud of the way our team has delivered our vision – for communities where whānau are housed, connected, valued and thriving – regardless of everything the ongoing pandemic has thrown at us. I am also proud of the courage displayed by the people we work with. They come to DCM because they genuinely feel welcome here, and because the practical mahi we do makes a huge difference in their lives. But it is when whānau are housed that true transformation takes place. This is why DCM has always believed in ‘Housing First’ – dramatically improved wellbeing comes from having a permanent roof over your head. You shouldn’t have to earn a home – you have a human right to have one. At DCM, it all starts at Te Hāpai, our hauora-focussed, week day services at 2 Lukes Lane. Read on for the story of just one day at Te Hāpai, where the most marginalised and vulnerable people in our city come. Stephen <!-- --> Another day in the life of Te Hāpai Te Hāpai – which means “to lift up” – is a safe, welcoming place where people who are rough sleeping in Wellington are supported on a journey to housing and wellbeing. DCM began Te Hāpai in 2015 amid growing concerns from the community when a number of Wellington drop-in services closed. But nobody just ‘drops in’ to DCM – our hope is that everyone who walks through our door is lifted up, so they can then engage with the services available at Te Hāpai every week day. These services have a hauora-focus – by providing a safe and supportive environment, we build relationships to encourage people to take the steps needed to be well, and to thrive. Tea, coffee and kai helps, and Tanoa has carefully set up everything for the day. Our team know that kai is a great way to build connections with people. It can be easier to have a chat about someone’s housing needs over a cuppa, especially on a cold Wellington day. DCM’s on-site team gather at 8:45am for a briefing. Rowan is our team leader today, and talks us through what’s happening. We have a carving course upstairs, some manuhiri visiting, and Jo from MSD will also join us, to work through any issues people may have, from getting on a benefit or on the housing waitlist, through to accessing a special needs grant. There are a couple of whānau the team are looking out for today, including someone Rowan and Jenny need to catch up with. Everyone is welcome at Te Hāpai, even if they are excluded from other services. We employ a ‘high tolerance, low threshold’ approach. If someone is having a bad day, they are still welcome to come back on another day. Accessibility and inclusivity are important parts of DCM’s kaupapa. At 9am, Clifton, who is taking part in the carving course, calls us to waiata with one of the instruments the team has created. We know that these sounds were once heard frequently around our building on Lukes Lane, which sits on the site of the historic Te Aro Pā. The entire DCM team gathers outside for waiata. Whaea Jenny, DCM’s Toa, leads the gathering crowd, letting us know what is happening at Te Hāpai today. Jenny reminds everyone to treat each other with respect – “Remember – manaakitanga, whānau!” “Kia ora, nan.” At the door, everyone’s name is recorded. Kaimahi ask how everyone is feeling; if anyone says they’re unwell, we will chat to them out in the courtyard. COVID is still a feature in Aotearoa, and DCM takes extra precautions. For example, if someone would like to see one of the Te Aro Health nurses, they will need to mask up. At the welcome desk, things quickly get busy. A man walks up – “I need to talk to someone about my housing.” Kaimahi take him to a private space to talk through the issues he is facing. Someone else says he has a toothache and needs to see the dentist. DCM has its own emergency dental service, but because it relies on the expertise of volunteer dentists, is only available once or twice a week. He is booked in to come back for treatment on another day. Others are here today for kai, but especially for kōrero. Carl likes to make and share his own crosswords, but today he shares an anagram – ‘DUMP OLD RANT’. Carl says the words are a hint at who this political figure may be. Te Hāpai is a place where DCM’s teams can both refer, and – helpfully – find people. DCM’s Toru Atu (Outreach) team connects with people who are rough sleeping and street begging wherever they may happen to be. They often send people down to Te Hāpai, where members of their team provide familiar faces. Kai helps as a drawcard, as does the free internet, and all the practical programmes DCM provides. Need ID? A bank account? Food parcel? Housing? Nurse, audiologist, dentist? You’ve come to the right place! DCM does it all, and does whatever it takes, to connect whānau to the supports they need. Other DCM teams pop by Te Hāpai to find whānau. Aro Mai Housing First kaimahi catch up with people here, especially if they need to access one of the many on-site health services. Today Johnny has dropped in, and Jenny gives his key worker Penny a call to come by and see him. Penny works with DCM’s Noho Pai (Sustaining Tenancies) team, supporting newly housed and vulnerable tenants within their own communities. Penny encourages some of these whānau to come to Te Hāpai on a Monday or Friday when Te Awatea – which means “the awakening of the dawn” – is running. Te Awatea is a group that aims to reduce the harm associated with substance abuse. People are welcome to come and go from the meeting, but 1-1 counselling is also available when people are ready to take the next step and talk to one of DCM’s expert AOD practitioners. DCM also receives visitors from many other agencies and services. Often nurses from TACT (Team for Assertive Community Treatment) come by, looking for whānau in need of their monthly depot – slow-release medication to help treat people for mental illnesses. Just as we have with MSD today, DCM will make a private room available for the TACT Team. Accessibility is what it’s all about at Te Hāpai, but perhaps most important is inclusivity. No one is judged here – and everyone is made to feel welcome. DCM takes this inclusivity to the next level by employing people who have been homeless themselves – their commitment to doing what it takes to become well and then go on to support others on a journey to housing and wellbeing is inspiring. Our day is winding down at Te Hāpai, and participants in the carving course are ready for some lunch. Like many of the endeavours we undertake at Te Hāpai, this mahi is only possible thanks to donations from the people of Wellington. One example is the St. John’s in the City Outreach Committee who funded our carving course, providing access to culture that is often absent for the whānau DCM works with. We have enjoyed seeing the participants in the carving course thrive – having grown in confidence, they will now go on to share their knowledge with others. Carving course at DCM: Sam from Wānanga Taonga Puoro ki Pōneke led us with his beautiful and gentle way of teaching, while we grew in confidence sharing this experience together. Outside in the courtyard Matt bumps into Piripi, who is currently rough sleeping. “What do you think of Te Hāpai – do you feel lifted up when you come here?” Piripi gets straight to the point: “DCM is awesome – you’re always there when we need you. It’s a place where everyone can come, because everyone is welcome. There are people out there who are kind of stuck, but your staff never give up on anyone.” For DCM’s kaimahi, it’s never just another day at the office. Our vision is for communities where whānau are housed, connected, valued, and thriving. We feel privileged to see this vision become a reality each and every day at the very special place that is Te Hāpai. <!-- --> We need your help more than ever We are worried about our whānau in the face of the rising cost of living. When you already have so little to begin with, the shocks from global crises will have a greater impact in every way. But DCM will be here to support them, and we know you will too. Our Te Hāpai service is not funded by central or local government contracts – but by YOU. This is why DCM’s byline is “Together we can end homelessness”. If you are in a position to help, here are some ways you can support us: Support DCM Together, in these most challenging of times, we will continue to empower those who are homeless or at risk of becoming homeless to reach their housing and social aspirations. Ngā mihi o te tau hou ki a tātou, Stephen Turnock  Manahautū <!-- --> Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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    • WMTBC December Newsletter
      • In this newsletter:     Race report: WDHS Rd 2 - Karori     Juvie & Duel Slalom Track Opening     South Coast Kids Track Update     Draft Suburban Reserves Management Plan     WDHS Round 3 - Maidstone     WORD Bike-a-Polooza     Escape from Mt Crawford Mini Enduro     Klunkers, Chainless & Kids Bike Dual Slalom     Trail Building Updates Wellington Downhill Series Round 2 - Karori The second race in the Wellington Downhill Series went down last month on the revitalised 98DH aka K-Hole. Historically, racing at this venue has been in the wet, and under these conditions simply getting a bike down the track becomes a game of survival. But on this occasion, Karori turned it on for riders. At the end of racing - Daniel Meilink took out the Open Men category ahead of Michael Mells and Bryn Dickerson. In Masters 1 & 2 - Nathan Timoko and Ali Quinn claimed the top spots respectively. And the juniors were dominated by the Macdonalds - with Finlay taking out under 17 and brother Lachie, under 15. Current National Champ Sarah Atkin recorded a very respectable time that would have put her just outside top 10 in Open Men, and Finn van Leuven also put down a solid time in Hardtail. We’ll catch everyone at the final WDHS round this Saturday, 6th December at Maidstone. Race Results & Series Points Juvie & Duel Slalom Grand Opening Crews and contractors have been hard at work at Miramar of the past months and we’ve recently seen the completion of two new tracks - Juvenile Delinquent, and the Kids Duel Slalom. The sum of these, combined with the pump track and dirt jumps is a great zone for kids and beginners to hone their skills, only minutes from the City. The grand opening of Juvie and the Kids Duel Slalom last weekend was a huge success. About 150 people turned up to mark the occasion on Sunday, including City Councillors and Mayor, Celia Wade Brown. Once the tape was cut, Mayor Celia spoke positively of the Club’s recent work at Miramar and Island Bay. South Coast Kids Track Wins Another Award You may recall that earlier this year, the Club received a Wellington Airport Community Award for its work on the South Coast Kids Track. Well last week the Kids Track did it again - this time at the 2014 NZ Recreation Association Awards. The annual awards recognise excellence in the recreation and leisure industry, and the South Coast Kids Track was named Most Outstanding Project. Thanks once again to Wellington City Council, Trail Fund NZ, Bike Wellington, Revolve Cycling and Southstar Trails.  Draft Suburban Reserves Management Plan Submissions close this Friday 5th on the WCC Draft Suburban Reserves Management Plan. This is the last opportunity members of the public will have to share their views on the future management of Wellington’s suburban reserves - between Khandallah and Miramar (including Makara). This plan will have a significant impact on the future of mountain biking in our city, and the planning process only comes around once every 10 years. So, if you have a few spare minutes and a desire to see the WCC supporting mountain biking in our suburban reserves, get in there.   Upcoming Events WDHS Round 3 - Maidstone - THIS SATURDAY The final round of the 2014 Wellington Downhill Series will take place THIS SATURDAY, 6th December at Maidstone, Upper Hutt. Check the WMTBC website for details and online registration. Online registration closes Friday, 5pm. Enter online >> The Club would also like to welcome Adrenaline MTB as the event’s major sponsor. **VOLUNTEERS** Race marshals and drivers are urgently needed for this event. We greatly appreciate any help offered. If interested - please contact events@wmtbc.org.nz. WORD Bike-a-Polooza - Sunday Dec 7th This Sunday at the Wainuiomata Trails - WORD invites you to join them for the first Bike-a-Polooza - New Zealand's best, super fun, and raddest kids mountain bike event ever! There will be four great courses to choose from on the day - so something for all the 3-17 year olds. Cost: $15 individual, $40 family of 3 kids. For more info and online registration check out WORD Bike-a-Polooza Escape from Mt Crawford Mini Enduro - Jan 19th, 2015 The third annual Escape from Mt Crawford Mini Enduro is upcoming - Wellington Anniversary weekend, January 19th. We’ve run the annual fundraiser for the Miramar Track Project for the past couple of years, and 2015 will undoubtedly be the biggest yet. As per last year, we’ll be running two classes - Misdemeanor and Felony, plus the Sufferfest hill climb, and we’re throwing in a Kids Mini D for the little rippers. Also, in breaking news - Yeastie Boys have just come on board as a sponsor. This is great news if you like beer.   Online entries opening later this month Event Details >> Klunkers, Chainless & Kids Bike Dual Slalom - Jan 24th, 2015 After a successful event earlier this year, Klunkers is back! The aim of the race is simple: dig out your old kit and 90s race weapon, do as many timed runs of Jailbrake as your body (or bike) will permit within 2 ½ hours, and heckle like you’ve never heckled. There will be four categories: Klunkers, Chainless, proKlunkers and Klunkers (under 12), and an additional Kids Bike Dual Slalom race. Entry is by donation of old (useful) bike parts, cash, or your bike. All proceeds go to Biketech and the Mechanical Tempest. Event Details >> Trail Building Updates Clinical (Polhill Reserve) As you may recall from the last Polhill update, The Brooklyn Trail Builders reported significant progress on Clinical. When it’s complete, the track will round off a grand loop of the Reserve. Most of the track is now rideable, and it’s set for completion sometime during early 2015. Currently, contractors are finishing construction of bridges on the trail, and volunteers are working on approximately 200m at the bottom. Although this section is incomplete, there’s a steep track that can be used to bypass it. The next dig is this coming Sunday, 7th December at 3pm. Details over at Brooklyn Trail Builders. There will be an event to commemorate the official opening of Clinical, tentatively around April 2015. We’ll keep you posted. We would also like to congratulate BTB whose work was this week recognised at the Roll on Wellington Cycle Awards. Mt Victoria Thanks to all those who contributed recently to the Mt Victoria trail user survey. We’re currently compiling the results, but feedback was largely positive. In case you missed it - here’s the full rundown. But in short, the WCC has requested that changes be made to the lower part of the Super D line. The Club, in consultation with trail leaders and the Council, has come up with a plan that involves essentially realigning the trail, from the SPCA south. In addition, the plan includes work around busy junctions to reduce the risk of conflict with other trail users. No major work will take place on Mt Victoria until the new year. We’ll keep you updated.  Want to keep in touch? For up-to-date Club news, updates and media - follow WMTBC on Facebook or check the Club page at WMTBC.org.nz
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    • Maranui newsletter january 2023
      • 96 MARANUI NEWSLETTER JANUARY 2023 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. HAPPY NEW YEAR Ngā mihi o te tau hou! Hope you have all had a wonderful summer break, and have enjoyed some time in the sunshine. We have an action packed month ahead. Junior Surf starts back this Sunday (Please note time change below). We have Lifeguard Sport competing at the Eastern Region Champs in Mt Maunganui this weekend (starting today), Capital Coast Champs for Seniors and Juniors coming up, IRB Race Team Quiz Fundraiser evening, Whitehorse (Lifeguard Sport), Oceans'23, IRB race team is heading to Southerns (Christchurch), Northerns (Waipu Cove) and Nationals (Whangamata) and the TSB NZ Surf Life Saving Champs (Lifeguard Sport) in Christchurch. Get your Clothing Orders in by this Sunday 29 January, this is the last order for the season. Link below. There will be samples to try on in the clubhouse this Sunday at Junior Surf from 3.15pm. Lifeguards, it’s your last chance to get a Red Hoodie until December.  Don't miss out. The Maranui IRB Race Team have a Quiz Night Fundraiser at the 1852 Pub and Kitchen, 55 Cleveland Street, Brooklyn on Sunday 14 February, 7pm. A FUN evening not to be missed. See details below. During the season we encourage ‘everyone' to get involved, whether it be helping with setting up, sign-in, grooming the beach, washing caps, helping with water safety, washing down boards or helping out with the BBQ. Please jump in and help. Ngā mihi. <!-- --> CAPITAL COAST 2023 JUNIOR CHAMPIONSHIPS PLEASE REGISTER FOR THE CAPITAL COAST JUNIOR CHAMPS: https://forms.gle/HyV8PviooqE8oaTX6 DEADLINE:  Sunday 5 February 2023 WHEN: SATURDAY 11 FEBRUARY  (Yes, it is a Saturday event) WHERE: MARANUI SLSC  (in front of clubhouse on the beach) AGE GROUPS: U8s - U14s  SIGN-IN: 8am (Sign-in, briefing, warm up) RACING STARTS: 9am PROGRAMME: Surf Race U14 - U11 Board Race U14 - U11 Board / Boogie Board Relay U14 - U8 Diamond U14 – U8 200m Badge Surf Race U10 200m Badge Board Race U10 Boogie Board Race U10 - U8 Run Wade Run U10 - U8 Beach Flags U14 - U8 Beach Sprints U14 – U8 Beach Relay U14 - U11 Board Rescue U14 - U11 Grand Cameron U14 - U11 We are going to need an army of volunteers to help with everything from beach setup/pack up, clearing beach on Saturday, beach sweep, sign-in, officials and BBQ. Roll your sleeves up to make this event a success. It’s time to put your ‘Maranui Competition Beanie’ to use. We would love to have all members (U8 - U14) register for this fun event. Carnivals are a fun day out for the family where the children are able to participate in individual & team events. Capital Coast Champs Flyer: https://www.surflifesaving.org.nz/media/997220/2023-capital-coast-junior-champs-flyer.pdf Carnival Information - www.maranui.co.nz/carnivals SURF OFFICIALS 1:10   For our Maranui junior athletes that wish to compete at carnivals, there is a national official ratio which must be met by all clubs.  All clubs will need to provide one qualified surf official for every 10 athletes competing to be able to participate.  LATE CANCELLATIONS AND NO SHOWS Late cancellations and no shows create challenges for team managers / coaches and admin as at the Maranui Carnival there is a team event and teams are arranged prior to the carnival. These cancellations result in team re-arrangements or scratching from events on the day, as the admin team no longer have access to the entries.  <!-- --> CAPITAL COAST 2023 SENIOR CHAMPIONSHIPS Our seniors will be competing at the Capital Coast Senior Champs at Lyall Bay Beach on Sunday 12 February. WHEN: SUNDAY 12 FEBRUARY 2023 HOSTING: Lyall Bay SLSC Calendar: https://www.surflifesaving.org.nz/calendar/2023/february/capital-coast-2023-senior-championships Carnival Information - www.maranui.co.nz/carnivals <!-- --> Left to Right: Joshua Bethell, Bruno Joli, Joe Barry, Tom Warburton, Kano Hill, Olivia Butcher, Ruby Douglas, Holly Reynolds, Olivia Brown, Lola Beck, Ella Strang, Molly Dreaver-Stimpson and  Rhys Speirs (Head Coach) LIFEGUARD SPORT January kicked off with a good performance and Central Regional Champs, Fitzroy Beach, New Plymouth. Maranui had 12 senior athletes competing. The team came home with 4 gold, 7 Silver and 5 bronze medals. Holly Reynolds dominated in the U19 womens. Smoking her opposition in the iron woman and board taking golds then silver in the Run Swim Run and surf race and ski race. The team did really well in team events with a bronze in the U17 mens tube rescue, Silver in the U19 women's tube rescue, Gold in the U19 women's beach sprint relay. Amelia and Ella took silver and bronze in the 2km run, Bruno took bronze in the U17 beach sprint and Joe took bronze in the U15 beach sprint, silver in 2km & boys U17 silver in beach relay. There were other good results that can be seen on Waves. Results in Waves: https://www.wavesresults.surflifesaving.org.nz/competition/413/wavesResults The team then travelled to camp at Waimarama for a week of intense mahi and fun with our friends from Foxton. A team of 8, Ella, Amelia, Ruby, Holly, Tom, Bruno, Joe and Kano are heading to Eastern Regional Champs at Mount Maunganui as part of their campaign to Nationals in Christchurch. Rhys Speirs Director of Sport / Head Coach Maranui SLSC <!-- --> U11-U14 Athletes, Supporters and Coaches JUNIOR SURF What a break our juniors have had, Wellington brought some great beach days…. 13th of January saw a team of 12 U11-U14 athletes compete at the Central Regional Junior Champs (CRJC), Fitzroy, New Plymouth. Our young participants showed the Maranui values coming away with several medals and putting the club 7th overall in our region. Well done everyone. Last week we had our annual trip to Papamoa with the development team and tamariki planning to attend Oceans. What an amazing week. Training with local clubs Papamoa & Mount Maunganui helps the development of skills in conditions we can’t provide in Wellington. The coaches were super proud of the effort, resilience and confidence our team showed, even when a large fishy predator turned up. For all our U10s we have next years camp booked for 18-22nd January 2024 for anyone who wants to enjoy more time in the surf developing skills. Catch any of the development coaching team to discuss this programme if you are interested. A small team represented us at Riversdale carnival and I want to send a massive thanks to the parents who stepped up to make it happen for the kids. It’s our parent volunteers that make our club work. Junior surf restarts this Sunday, with a time change to 3.30pm start for all to allow for those participating in the Ocean swim. Sign in by 3.15pm. Look forward to catching up on the beach. Lucy Barry Director Junior Surf Development A small team representing Maranui SLSC at Riversdale Carnival. <!-- --> MARANUI IRB RACE TEAM QUIZ NIGHT Please support our four IRB race teams heading to Southerns (Christchurch), Northerns (Waipu Cove) and Nationals (Whangamata) this season by coming to a fun quiz night fundraiser on SUNDAY, FEB 12. It's the first time Maranui has fielded IRB race teams in competitions since the infamous Maranui fire back in 2009, so we're excited to have two men's and two women's team representing the club this summer. Please show your support by coming along! IRB RACE TEAM: John Tuia, Lucan Speirs, Ben Wickens, Max Reynolds, Kano Hill, Tom Warburton, Niamh Hanna, Bella Tuia, Amelia Brown, Ella Strang, Olivia Butcher and Bruno Joli  WHERE: 1852 Pub and Kitchen, 55 Cleveland Street, Brooklyn, Wellington WHEN: SUNDAY 12 FEBRUARY TIME: 7pm start COST: $20 per ticket To book your ticket/or table: Contact: Sue Tuia at sue.tuia@outlook.co.nz Check out the 1852 Pub and Kitchen - www.1852pubandkitchen.co.nz/ Facebook - www.facebook.com/1852PubandKitchen <!-- --> MARANUI CLUB CLOTHING - LAST ORDER FOR THE SEASON (Sunday 29 January) CLICK HERE TO ORDER CLOTHING - http://goo.gl/9AzpoK There will be samples to try on in the clubhouse this Sunday at Junior Surf. CLOTHING ORDER DEADLINE THIS SUNDAY 29 JANUARY 2023. This is the last opportunity to order club clothing until November 2023.  LIFEGUARD RED HOODIES Lifeguards, it’s your last chance to get a new Hoodie until December. Get your orders in now.  CLOTHING (EXPLANATIONS ABOUT STYLES - MALI/ WAFER TEES etc) /TOGS SIZE GUIDE- https://docs.google.com/document/d/1q_ee9WxNPVKIBcGmXHIKs_I5DhYLmC03zPwbiJXKAVQ/edit <!-- --> FIRST AID OFFICER WANTED After 6 years in the role I am stepping down.  I will do a proper hand over and provide support in the transition. If you are interested please contact Carrie on redmanatee@gmail.com Look forward to hearing from you, Carrie Matson Speirs Thanks Carrie for your support and dedication in this role. <!-- --> BANANA BOAT NZ OCEAN SWIM SERIES Interislander Swim the Lighthouse We always have a number of clubbies enter this event each year. Maranui Clubbies, we hope to see you down at Oriental Bay on Sunday 29 January 2023.  Check it out here  -  www.oceanswim.co.nz/ All Surf Life Saving NZ members can use code SURFNZ10 for a 10% discount*. *Discount code can be used on ANY individual entry. Consisting of different swim events, the Interislander Swim the Lighthouse provides an ocean swim event for all ages and abilities. We encourage all our Maranui athletes to give it a go. Events on offer at the Interislander Swim the Lighthouse: Round the Lighthouse – 3.3km Round the Fountain – 1000m Round the Fountain – 500m Banana Boat OceanKids – 100m and 200m (7–12 years) <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347. JUNIOR SURF (TIME CHANGE FOR SUNDAY 29 JANUARY) Junior Surf Sunday sessions start back on SUNDAY 29 JANUARY 2023. As many Maranui Clubbies are involved with the Banana Boat Series (New Zealand Ocean Swim series) at Oriental Bay, Junior Surf will be at a later time this Sunday 29 January 2023: SUNDAY 29 JANUARY 2023 U7 - U10: 3.30pm - 4.30pm (signed in by 3.15pm) U11 - U14: 3.30pm - 5pm (signed in by 3.15pm) Please Note: The change in times above only refers to Sunday 29 January 2023 Athletes stay in the same age group for the whole season.   <!-- --> KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 Limited numbers and sizes. 380gsm fleece 3000mm waterproof Comes below the knee.  The fit is quite generous. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com <!-- --> THE MARANUI WAY Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. VISION: One of New Zealand's premier surf lifesaving clubs providing world class surf lifesaving services and developing leaders and champions. PURPOSE: Provide our community a safe surf and beach environment. OUR CORE VALUES: Community, Excellence, Fun, Respect, and Tradition. <!-- --> LIFEGUARD SPORT - CENTRAL REGIONAL CHAMPS <!-- --> <!-- --> SEASON CALENDAR 2023 2023 Eastern Region Championships (Seniors)  - Friday 27 - Sunday 29 January 2023, Mt Maunganui Junior Surf starts back - Sunday 29 January (3.30pm start for Junior Surf - Banana Boat series) Banana Boat Swim Series - Sunday 29 January 2023  Waitangi Day - Monday 6 February 2023 Capital Coast Junior Championships - Saturday 11 February, venue Maranui SLSC Capital Coast Senior Championships - Sunday 12 February, venue Lyall Bay SLSC Maranui IRB Race Team Quiz Night - Sunday 12 February, 7pm @ 1852 Pub and Kitchen, 55 Cleveland St, Brooklyn Whitehorse #3 (Seniors) - Sunday 19 February, venue TBC Oceans’23 - Thursday 23 February to Sunday 26 February, Mt Maunganui 2023 Canterbury IRB Championships - Sunday 26 February, North Beach SLSC, Christchurch 2023 TSB NZ Surf Life Saving Champs (Seniors) - Thursday 9 - Sunday 12 March, New Brighton Beach Last Junior Surf Sunday session for the season - Sunday 19 March 2023 BP Surf Rescue North Island Championships (IRB) - Saturday 25 - Sunday 26 March, Waipu Cove 2023 BP Surf Rescue New Zealand Championships (IRB) - Saturday 15 - Sunday 16 April, Whangamata Beach Easter - Friday 7 April to Monday 10 April 2023 School Holidays - Friday 7 April to Tuesday 25 April 2023  ANZAC Day - Tuesday 25 April 2023 Awards of Excellence / Prize giving (Everyone) - Sunday 30 April, TBC SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2023 Maranui SLSC, All rights reserved. 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    • Orienteering Wellington - Afterwork series and AGM
      • Orienteering Wellington - Afterwork series and AGM Spring sees us back in full swing—read on to find out more! View this email in your browser Tis the season for Afterwork Orienteering and our Christmas AGM Mihi nui kia <> Our start to spring has been a bit quiet locally but now we have plenty of news for November! Next weekend is the 37th Anniversary of the Wayne Cretney Classic, organised by Bryan Teahan. It’ll be a true endurance event using new maps around Mornington and Berhampore. Red medium, Orange, Yellow and White courses on-the-day courses are still available. We also have a club events in the pipeline, including afterwork events at Onslow College on Wednesday 15 November and Te Herenga Waka VUW campus on Wednesday 29 November. Orienteering Hutt Valley will also offer some afterwork events before Christmas and the annual Big Trig rogaine on Sunday 10 December. See you at the next event! Paul Teesdale-Spittle President Club achievements at Nationals Orienteering Wellington can celebrate a number of achievements from the NZ National Orienteering Championships held in Hawke’s Bay recently. Many members placed well, especially some of our veteran runners. Here are some of the standout achievements – which in no way overshadow the satisfaction and personal success all runners should feel irrespective of where they finished. In the sprint, Lauren Wills came first in W40A, as did Gillian Ingham in W65A, Neil Kane in M75A and Don Locke in M85A. Mattias Bengtsson took second place in M10, as did Lisa Bengtsson in W40A and Dorothy Kane in W75A. In the middle distance, Yvette Baker took first in W50A. So too did Gillian Ingham in W65A, Neil Kane in M75A and Don Locke in M85A. David King took second place in M60A, as did Kate Fortune in W75A. The long event on the Tuna Nui map was a standout whereby seven members came first in their grades: Katie Cory-Wright in W21A, Lisa Bengtsson in W21AS, Sarah O’Sullivan in W35A, William Power in M40AS, and David Middleton in M55AS. Gillian Ingham and Neil Kane took triple crowns, coming first in their classes too. Lara Molloy was hot on Katie’s heels coming second in W21A, as did Lauren Wills in W40A, Yvette Baker in W50A, and David King in M60A. We have a lot to be proud of from this year’s Nationals, and can look forward to taking spirit of fun and success to Rotorua next year. Snaps from National 2023 of club competitors and our relay team. Photos courtesy of Helen Howell. Annual General Meeting Our AGM will be on Saturday 9 December, so mark this in your calendar now. We’ll confirm the venue and details soon but our gathering tends to include plenty of time for orienteering antics, food and socialising as well as business. The Fortune Cup for service and Endeavour Cup for performance are also awarded. On the topic of business, club officers must be elected. I, Lachlan, and Gerald are all happy to stand again as president, secretary and treasurer respectively but equally happy to step aside if you’d like to have a go. Similarly, email Lachlan if you’re interested in serving on the committee in a different way. Look fit with new kit! Finally, our new gear has arrived and orders are ready to be distributed! There are several options to collect your gear: Collect from Anna Varnham at home Collect from Anna at Samuel Marsden Collegiate, 8am – 5.30pm Collect at one of our not-to-be-missed coming events. Email Anna at to let her know your preference. It’d be great if you could arrange collection at your earliest possible convenience. Extra stock is available across a range of sizes – so if what you ordered isn't perfect, there may be an option to swap. Note it seems the supplier has not included the mesh panel on the white shirts—and we’re unlikely to send them back! Sarah O’Sullivan to lead ONZ Congratulations to Sarah O’Sullivan, who has been elected Chair of Orienteering New Zealand from December! Sarah was our own club president immediately before Paul and has been active in the club for many years. Sarah runs elite grades at major events. We’re really excited for Sarah and know she’ll lead ONZ extremely capably. She is the second woman to hold the position of chair after our own Jane Harding. Here she is modelling the new club kit! Technical tip: Visualise the circle When you look to the next control, how well can you picture exactly what your approach will look like? To know precisely where the control will be placed you need to convert the map into an image in your mind of how the terrain in the control circle will look. Watch the video about developing a clear mental image of stepping stones and handrails, how they relate to each other and how you will flow through them. You should flow though control sites just as you flow through the rest of the leg. Content provided by Orienteering New Zealand Fitter, faster, better together! Magnus Bengtsson and Lizzie Ingham are continuing with group interval and sprint training at 6pm Tuesdays. You’ll get to build fitness running along the flat, up hills, or maybe a mix—and doing intervals as a group is much more motivating than doing intervals on your own. This training is primarily for Orienteering Wellington members but anyone is welcome to attend for free. The location is movable, so email Magnus if you’re keen. Looking ahead: Major events in 2024 Sprint clinic Orienteering Wellington will hold a Sprint Clinic on Saturday 20 to Monday 22 January (Wellington Anniversary Weekend) on local sprint maps. This is deliberately held ahead of the Oceania Sprint Championships but will be useful for any runner looking to develop their sprint skills. Find out more about the Sprint Clinic Oceania Sprint Champs 2024 Oceania is a trans-Tasman sprint championship, next year hosted by Orienteering Taranaki with their Lonely Mountain Sprints (26-29 January) and Auckland Orienteers with the Auckland Triple Crown (3-6 February). Lonely Mountain includes six sprints as well as a knock-out championship and relay championship, while the Triple Crown has three sprint races and Oceania Sprint Championship. Enter or find out more about Oceania 2024 NZ National Orienteering Champs in Rotorua Nationals 2024 will be held by Orienteering Bay of Plenty in Rotorua and Taupō over Easter (Friday 29 March – Monday 1 April). The maps are shaping up to be fantastic and this is a great part of the country fora family holiday if you need to coax others who aren’t so fussed on orienteering! Find out more about Nationals 2024 NZ Secondary Schools Orienteering Championships Next year it’s us—we’re hosting NZSSOC 2024 in the July school holidays! Orienteering Wellington has made an ‘in principle’ decision that events be in or within easy reach of urban Wellington. There will be courses for everybody and, with a focus on local and accessible events, we’re looking forward to folks getting involved, both running and helping run the events. Coming events Saturday 11 November — 37th ‘Classic’ and Wayne Cretney Memorial Cup, Wakefield Park, Wellington (“on the day” courses available) Wednesday 15 November — Onslow College sprint, Wellington Wednesday 22 November — afterwork event, Lower Hutt Thursday 23 November — afterwork rogaine, Whitireia Wednesday 29 November — Te Herenga Waka VUW sprint, Wellington Wednesday 6 December — afterwork event, Lower Hutt Saturday 9 December — AGM, Wellington Sunday 10 December — Big Trig ... For all events, visit Orienteering New Zealand About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington Copyright (C) 2023 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
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    • Weekly Bulletin: Staying connected as a church - 11 September 2022
      • Kia ora St John’s whānau, This Sunday’s date recalls a day of terror, which for most of us was within living memory: September 11 <figure class=" sqs-block-image-figure intrinsic " > Stephen Harris is our Guest Preacher, and will be reflecting on how the scriptures speak to the current perils of our world. His sermon is titled ‘Biblical Times’. If you want to read the Bible readings before Sunday, they are: Jeremiah 4:11-12, 22-28 and 2 Timothy 3: 1-5, 14-17 Our youth and kids will start at 10am in their peer groups (in the Centre) and join together in the Church for Communion. After the service we have our Quarterly Communion Lunch, so please bring food to share If you can’t get into the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759Passcode: worship The link to join the Zoom worship service is below. https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09   If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet  <a href="https://www.dropbox.com/s/kzpicbcfm4xq4j4/11%20September%202022%20Order%20of%20Service.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet <a href="https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Link to Zoom Service  ELECTION OF NEW ELDERS At last week’s Congregational Meeting we elected two new elders: Jason Fyfe and Nisha George. We thank God for their sense of call and look forward to their ordination to this leadership role in our church  ST JOHN’S CHURCH CAMP This is a special weekend for all of us! 16th – 18th September 2022The theme is ‘Journeying Together’. Online registrations are closed. But we might be able to squeeze in some extras. Please contact Naomi to enquire. Contact: Naomi Contact: Naomi <form method="POST" novalidate data-form-id="631949492645ee7c5a5dcd8e" data-success-redirect="" autocomplete="on" action="https://stjohnsinthecity.squarespace.com" data-dynamic-strings onsubmit="return (function (form) { Y.use('squarespace-form-submit', 'node', function usingFormSubmit(Y) { (new Y.Squarespace.FormSubmit(form)).submit({ formId: '631949492645ee7c5a5dcd8e', collectionId: '5eaba2aa9758022539788d0f', objectName: 'item-63194863e1325949ba993a7e' }); }); return false; })(this);" > Name * <input data-title="First" spellcheck="false" maxlength="30" name="fname" aria-required="true" type="text" class="field-element field-control" x-autocompletetype="given-name" /> First Name <input data-title="Last" spellcheck="false" maxlength="30" name="lname" aria-required="true" type="text" class="field-element field-control" x-autocompletetype="surname" /> Last Name Email * <input autocomplete="email" spellcheck="false" name="email" aria-required="true" id="email-yui_3_17_2_1_1662601295138_56015-field" type="email" class="field-element" /> Subject * <input aria-required="true" id="text-yui_3_17_2_1_1662601295138_56016-field" type="text" class="field-element text" /> Message * <textarea aria-required="true" id="textarea-yui_3_17_2_1_1662601295138_56017-field" class="field-element " > <input type="submit" class="button sqs-system-button sqs-editable-button sqs-button-element--primary" value="Submit" /> Thank you! <figure class=" sqs-block-image-figure intrinsic " > VISION TO ACTION <figure class=" sqs-block-image-figure intrinsic " > Our Vision: We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. How to get involved… Join a project team – everyone is welcome!!Site and Space – Get involved in exploring how the St John’s site can be used in an outreach capacity. This could involve physical changes, projects, use of the Centre.Current Project: Community Christmas MarketContact Rob Anderson or Judi Ferguson       Community Rebuild – Help re-establish and build back internal relationships and friendship in the St John’s community post COVID.Current Project: Supporting Attendance at Church Camp and Talent ShowContact: Margaret Gilkison or Jemma August Caring for Specific Groups of Need in the St John’s Community – Help us intentionally build connections between generations and serve specific groups of need e.g. young, elderly, youth.Contact: TBC Whānau Night Extension – Get involved in building on the success of Whānau Night. Held each month during school terms in the St John’s Centre or in homes. Food, fun, faith and focus.Current Project: Youth Lead Code Breaker Night, 20 November 2022Coordinator contacts for 20 November Whanau Night: Antonia Milkop and Bronwyn Wood with St John’s Youth GroupWhat we need:  In order for the church to carry on running Whanau Nights from 2023 onwards, we will need to find a committed leader to help orchestrate and organise teams to run future Whanau nights.  Does this sound like you? Vision Communication and Connections – Ensuring St John’s is communicating our Vision with the wider community and supporting the project teams.Current Project: Improving Signage and BillboardsContact: Elizabeth Gibbs Getting to Know our Neighbours /Understanding Our - Eco System/Community – Building direct relationships with our immediate neighbourhood i.e. business and organisations, Victoria University of Wellington and Massey University, Kaianga Ora, building developers, WCC, neighbouring Churches, schools.Current Projects: Follow-up event from Art Installation and Connecting with local property developers to understand future populations.Contact: Pamela Cohen         The St John’s Vision is a key focus for Session Leaders so feel free to contact any one of them about this. In particular you can contact the Session Clerk, Rob Anderson New IdeasSt John’s wants to innovate and try new things that fit in with our Vision. If you have a creative idea the following information might help you work out how to progress that from a thought to action. <figure class=" sqs-block-image-figure intrinsic " > If needed, talk to Ino Pasullean so he can connect you with the right project team or provide further advice.  NAME TAGS As we turn our Vision into action, one very easy and practical way we can build community is to wear a name tag.This Sunday all those who wear a name tag (or sign up to get one) will get a chocolate!Please keep your name tag on when you come over for Morning Tea in the Centre, and there will be a receptacle to drop your name tag into before you leave.  LEADERSHIP FOR OUR MINISTRY WITH YOUNG PEOPLE We are looking for new paid leadership to support our ministry with Children & Families and Youth. These are important and life-giving ministries for us at St John’s and we remain committed to these ministries as an expression of our faith shared and grown together.While we have existing position descriptions for these roles (half-time for the Children & Families role, and full-time for the Youth Pastor role), we are also wanting to be flexible and shape the responsibilities of these roles, where appropriate, to match a) the strengths of suitable applicants, and b) with the emerging needs at St John’s.Our St John’s Vision is encouraging us to focus on being intergenerational, having safe spaces for people to belong, being flexible and responsive, with an open-minded and positive culture.We are open to explore possibilities with anyone who has a passion and aptitude for these ministries.If you, or someone you know, might consider these roles, please contact Rev Allister Lane for more information, including the current position descriptions (Ph: 021 466 526).Applications close 23rd September 2022. including a CV and a covering letter that lays out your vision for the role. <figure class=" sqs-block-image-figure intrinsic " >  FREE GAMELAN CONCERT <figure class=" sqs-block-image-figure intrinsic " >  FELLOWSHIP GROUP “Seeing the Invisible: Black Holes, the Universe and our place in it”This was the title of a presentation given last month at a Science & Faith seminar at St John’s by Prof Jeff Tallon.At this month’s Fellowship Group you can hear this presentation again, along with the wondrous images from the deepest parts of space.Tuesday 27th September, 11am in the Hall.  ONE CONFERENCE This leadership training conference for the Presbyterian Church is being hosted at St John’s in November (2pm 17th of November - 2:30pm Saturday the 19th of November).We will have many folks travelling from out of town and many have asked if there any possibility of being billeted. Would you like to consider billeting out-of-town attendees to the conference?Conference attendees will have all meals provided at the conference except breakfast. If you can offer billeting please fill in this form One Conference Billet Host Form or email grace@presbyterian.org.nz <figure class=" sqs-block-image-figure intrinsic " >  The grace and peace of our Lord Jesus Christ be with you.Allister
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      • St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Weekly Bulletin: Staying connected as a church - 13 November 2022
      • Kia ora St John’s whānau, This Sunday we have a Baptism, celebrate Communion and a special guest preacher (see below), and we will consider how much we rate human wisdom in relation to God’s power! <figure class=" sqs-block-image-figure intrinsic " > If you want to read the Bible readings before Sunday, they are: Isaiah 12: 2-6 and 1 Corinthians 2:4-5 Children start at 10am with their peer group in the St John’s Centre and join in Communion later. The Youth Group will stay in the whole service this Sunday, to hear Dr Gray Manicom. If you can’t gather in the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759Passcode: worship The link to join the Zoom worship service is below. https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09   If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet  <a href="https://www.dropbox.com/s/c2g9klv741oqk46/13th%20November%202022%20Order%20of%20Service.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet <a href="https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Link to Zoom Service If worshipping via Zoom, please be prepared for Communion at home with your bread and cup. <figure class=" sqs-block-image-figure intrinsic " > VISITING MATHEMATICIAN We are delighted to be hosting Dr Gray Manicom for a visit at St John’s in the City this weekend (12th & 13th November)There will be three opportunities to hear him: on Saturday at 3pm (for students), in the Sunday morning service, and an informal presentation after the service. Dr Gray Manicom is a mathematician with interests in dynamical systems. His PhD is in the study of memory effects in heteroclinic networks. He is a research fellow in the Department of Physics at the University of Auckland, modelling and investigating the spread of the COVID-19 epidemic on a network. He loves cricket, movies and talking about ideas. Please help us share the Saturday event for students… <figure class=" sqs-block-image-figure intrinsic " > ‘Uses of Mathematics today: How Mathematics helps solve the world’s problems’Can 42 actually be the answer to the ultimate question? Can an equation take over the world? Can mathematics unlock lockdowns and quarantine pandemics? The next few decades of human development will depend on big data, AI, genetic editing, quantum computing, space travel and other fields that are, in essence, entirely dependent on mathematics. Quantum particles are too small, space too far, data too plentiful and AI too unpredictable to experiment on these things in traditional ways. Scientists in these fields typically no longer rely on experimental data to tell them what is true or not, instead, they rely on the language of mathematics' ability to describe the world. But is this trust justified? What are the differences between science and mathematics? And where does God fit in? Saturday 12th November, at 3pm in the St John’s Centre at St John’s in the City On Sunday after the morning service the talk in the St John’s Centre is: ‘Mathematics, Creativity and the Creator’All mathematics is created by people, and imagination is still the main tool for mathematical progress. However, just like with inspiring art, sometimes it seems to go beyond something created, beyond the imagination of the human creator, to suggest there was something fantastic and real waiting to be discovered the entire time. Join me as I reveal the secret life of the mathematician, and how my quest through the realm of mathematics has led me closer to the ultimate Creator.   OTHER THINGS TO KNOW ABOUT... THE MESSENGER The most recent St John’s Messenger newsletter reviews some recent events, and looks ahead to what is next. <a href="https://www.stjohnsinthecity.org.nz/news/october-messenger" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > The Messenger Newsletter   RAISING THE STANDARD OF GIVING Last week, we highlighted the slides from the AGM about the church finances. <a href="https://www.dropbox.com/s/s9vqtz7wnuqaegp/AGM%20Finances%2030th%20October%202022%20slides.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Slides from the AGM These show that we are continuing to navigate a difficult financial environment with multiple pressures. Even though St John’s achieved an “accounting surplus” for 2021/22, a large deficit of $400,000 is budgeted for 2022/23. This arises because of:• The need to inflation protect the Trust Fund – high inflation and low returns means very limited real returns are expected this year• Insurance costs are $176,000 (plus GST) for the year – a $20,000 increase on last year and a 50% increase over the last 3 years• Repairs and maintenance – painting the manse, washing the buildings on the St John’s site, and the repair of the Church reception roof have added to costs this year• Higher salaries arising from market demand and the intention to fill the youth and children’s ministry vacancies• A significant decline in annual congregational giving of about $60,000 compared with 2018.Some of these challenges, such as insurance, will require a regional or national approach, as other Churches are facing similar cost challenges. And some of these challenges are ours. Giving should be a joy that reflects our faith and enables our worship, ministry, mission and outreach. Jesus talked about money a lot. At least a third of his teaching was about money and property related matters – the incidents of the rich young ruler and the widow’s mite are forthright in their implications. Jesus did this because he knew that many of those he spoke to considered money more important than the Kingdom of God. Let’s prayerfully re-examine our giving as an important expression of our faith and rise to the challenge of an additional $20,000 a year over the next three years. <figure class=" sqs-block-image-figure intrinsic " >   ONE CONFERENCE We are excited to have over 240 participants registered for the One Conference here at St John's in the City November 17-19. <figure class=" sqs-block-image-figure intrinsic " > You have the opportunity to attend any of the four main sessions of the conference for just $5 per session. For information on the main sessions go to: https://www.oneconference.org.nz/keynote-speakersYou do not need to preregister to attend, simply come with $5 cash before the session and pay it at the hospitality desk in the St Johns Centre.   WHĀNAU NIGHT 5pm-6.30pm, Sunday 20 November, BYO Picnic. The theme for the evening will be a youth-led Code Breaker night.We started off the year with a picnic in the park, and we are going to finish off with a picnic in the hall. We invite you to bring your own meal to our final celebration.This will be our LAST whānau night of 2022. And in order to continue whānau nights in 2023, we are looking for a committed leader to help orchestrate and organise teams, as Gordon Fitch is stepping down from this role. Please get in touch if you can to help organise whānau nights. <figure class=" sqs-block-image-figure intrinsic " >   DCM Foodbank Appeal …Saturday 19th of November. St John's have been asked to collect from 9am -1pm at Chaffers St New World, with two collectors per hour. You might consider doing this for the sake of those in our city who need help. Please contact Carolyn Goudswaard, if you are able to help. Annual General Meeting …Monday 28th November. Their AGM is in the St John’s Centre. Refreshments will be served from 5:30pm with a meeting start time of 6pm. DCM’s Manahautū, Stephen Turnock, will offer a reflection.   SCOTS COLLEGE ADVENT SERVICE At St John’s in the City 4pm Sunday 27th November 2022.   COMBINED ADVENT SERVICE With St Mary of the Angels and St Peter’s.At St Mary of the Angels 7pm Sunday 27th November 2022 <figure class=" sqs-block-image-figure intrinsic " >   FELLOWSHIP GROUP The Fellowship Group meets for the traditional Advent Service on Tuesday 29th November at 11am in the St John’s Church. Please note this is the fifth Tuesday of the month.The usual shared lunch will be enhanced by strawberries and ice-cream. And a koha will be invited in support of the work of Christian World Service.   The grace and peace of our Lord Jesus Christ be with you.Allister
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      • Tagged as:
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      • St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Circa 2015 Season - jam-packed with theatre for all audiences!
      • Red Riding Hood, the PantomimeBy Roger HallSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson2-10 JanuaryCirca One What a big smile you’ll have …Don’t miss Circa’s fabulous Christmas panto! And this year Red Riding Hood is back with one of the great traditional stories – innocent Red Riding Hood, her poor, short sighted grandmother, and of course the handsome woodcutter and that villain of all villains, the Wolf!There’s lots of laughter, hilarious jokes and musical goodies in Red’s basket as she sets off on her journey to entertain young and old with this marvellous magical treat.“A great way to introduce kids to the magic of theatre, and Red Riding Hood is easily the ideal Christmas outing for the holdiays … a treat” – Salient“Roger Hall’s helter-skelter Red Riding Hood… is wonderfully exuberant seasonal fun” – The Dominion Post The Kitchen at the End of the WorldBy William ConnorDirected by Steffen Kreft16-25 JanuaryCirca Two “Something is coming. I don’t know what it is. And I don’t know if I should fight it or welcome it.” One snowy evening, an empty 83-room hotel on the edge of the Vastness receives a thin guest who has walked all the way from the City. Penniless, he is smuggled into the hotel kitchen where a kind cook works near an extraordinary thyme plant. He says that creativity is dying. Described as “intensely beautiful”, “provocative and moving”, The Kitchen at the End of the World is the story of marionettes who know they are limited by the extent of their strings – even kissing can tangle them – but they crave what lies beyond their reach. A story about home, the unknown, and the courage to face everything in between. The show captivated audiences at its sell-out debut season during the Greytown Festival 2012and is a powerful reminder that puppetry is not just a children's art form. SeedBy Elisabeth EastherDirected by Kerryn Palmer17 January – 14 FebruaryCirca One SEX & DRUGS, WITHOUT THE ROCK ‘N’ ROLL IVF isn’t foolproof and IUDs aren’t failsafe. iPhones come with ovulation apps and ‘choosing from the menu’ means selecting your sperm. Seed follows four women as they try to get pregnant, stay pregnant or become un-pregnant - the dilemmas of modern reproduction. Elisabeth Easther’s Seed is winner of the 2014 Adam New Zealand Play Award, which recognises and celebrates the best in new writing for the theatre. It’s a multi-narrative play about the mysterious business of fertility, with all of its challenges, heartaches and hormones. Seed is a drama that’ll have you laughing ‘til the tears are running down your face, and it’s a comedy that’ll make you cry. “Highly entertaining, funny and sophisticated” - Adam Play Award Judges “[A] sophisticated, witty and very contemporary meditation on the timeless processes of procreation.” - NZ Herald STARRING: Tess Jamieson-Karaha, Jamie McCaskill, Emily Regtien, Holly Shanahan and Amy Tarleton Warning: Adult themes and strong language. Demolition of the CenturyBased on the novel by Duncan SarkiesCreated by Duncan Sarkies and Sean O’Brien31 January – 21 FebruaryCirca Two Welcome to the world of Tom Spotswood, an insurance investigator who has lost his socks, his suitcase, his ex-wife and his son, Frank. Fresh from performances in the New Zealand Festival, Auckland Writers Festival, Tauranga Arts Festival and Nelson Arts Festival, Demolition of the Century sees author/performer Duncan Sarkies (Two Little Boys/Scarfies/Flight of the Conchords) stage a humorous and sometimes heartbreaking look at families, memories and the fragility of the human mind. He is accompanied by musician Joe Blossom, who plays a soundtrack that is both haunting and invigorating. “A series of brilliant vignettes, delivered in an inspired cabaret-style reading by the multi-talented Sarkies, and outstanding musician Joe Blossom… Blossom not only creates fluid and essential musical transitions, but his beautiful vocals, self-accompanied on piano and guitar, imbue this work with a powerful pathos that allow glimpses of the inner landscape of these characters. Demolitionis a fast-paced, darkly captivating cabaret-comedy, which leaves us fully entertained and tantalizingly close to solving a puzzle.” –Bay of Plenty Times Wake Up TomorrowPresented by Everybody Cool Lives HereIn association with ActiveDirected by Isobel MacKinnon21-28 FebruaryCirca One Welcome aboard Active Airlines! Join the eccentric passengers during this compelling, surreal and funny flight. Made under the guidance of Wellington theatre makers in collaboration with Active, a service for youth with an intellectual impairment, Wake Up Tomorrow was created from the minds of these incredible young people. Audiences will be transported from the mundane moments on a long haul flight to bizarre and hilarious scenarios.  Please fasten your seat belts, make sure you are in the upright position and enjoy the journey. We may or may not arrive at the expected destination. “In a work of this kind there is always a delicate balance to be held between presenting a polished product at the same time as allowing for a playful improvised quality to emerge that allows the actors to perform to their strengths. This was very evident in the final few scenes …” – Madeline McNamara Yep, Still Got It!By Jane Keller and Sandy BrewerDirected by Alan PalmerMusical Director Michael Nicholas Williams28 February – 21 MarchCirca Two YOUTH IS A GIFT OF NATURE, BUT AGE IS A WORK OF ART – Stanislaw Jerzy Lec Following the huge success of BOOMERS BEHAVING BADLY, Jane Keller returns with another hilarious show. A little older, a little wiser, a lot sassier, and even more confused. Whatever happened to the days when a cloud was a cloud, when face time was over a G&T, and we punctuated our sentences with full stops - not smiley faces? From senior sex and those pesky STDs to shopping sprees and colonoscopies, Jane shares stories of abject embarrassment, medical (mis)adventures, empowerment, and acceptance. In YEP, STILL GOT IT!  she embraces the power of an older woman with no FOMO. Together with the brilliant Michael Nicholas Williams on the piano Jane brings a brand-new show to Circa Two combining her special style of storytelling with her virtuoso Broadway voice. Capital E Kids FestivalCirca One CaterpillarsBy Kallo Collective Directed by Thomas MoncktonProduced by Show Pony7 March 10 am & 11.30am A tale of two puppeteers’ failed attempts at beautification. In the magical world of flitting butterflies, jumping eggs and giant swaying flowers, two lycra-clad puppeteers try their hardest to remain unseen and at service to their puppets: two enormous plump caterpillars. Caught in the wrong place at the wrong time, with nothing but their wits to cover up their escalating blunders, two appealingly hopeless clown puppeteers bring upbeat absurdity, slapstick silliness, and a good dose of reality to their hilarious and unpredictable antics. Beards! Beards! Beards!By Trick of the Light TheatreDirected by Hannah SmithWritten by Ralph McCubbin HowellProduced by Show Pony21 March 10am & 1pm Beatrix didn’t want a tiara. Beatrix wanted a BEARD! From Charles Darwin to Abraham Lincoln, Karl Marx to Mr Twit, it is said the secret to power and greatness is all in the size and shape of the beard. This is a tale of one young girl’s increasingly inventive efforts to grow the world’s most magnificent beard. Join a madcap and hilarious musical romp of physical comedy and clowning, as our plucky young heroine shakes up social rules and attempts to answer the questions that have puzzled mankind since the dawn of the beard. Suitable for  children 5+. The PianistBy Circo Aereo (Fin) and Thomas Monckton (NZ)In conjunction with Show Pony (NZ)Directed by Sanna Silvennoinen and Thomas Monckton7-22 MarchCirca One Direct from Edinburgh Fringe and the London Mime Festival, last year’s hit returns to Circa! “It would be no exaggeration to declare Thomas Monckton nothing short of a genius.” – Broadway Baby (UK) “I doubt very much that you’ll see, in fact I am prepared to bet on it, a funnier show this year…miss him at your peril”  – The Dominion Post (NZ) Fresh from a five-star reviewed season at the Edinburgh Festival Fringe and a sell-out season at Circa Two last year, award-winning performer Thomas Monckton returns with his smash hit The Pianist, this time at Circa One! The Pianist is a solo comic contemporary circus piece by Thomas Monckton (NZ) and Circo Aereo (Finland). The show is centered on, in, under, and around the magnificent grand piano. Accompanying this elegant apparatus is the poised pianist himself. Only he is so focused on impressing everyone that before he realises it, his show has transformed from the highbrow concert he hoped for, into a spectacularly amusing catastrophe. Suitable for all ages. The Mystery of Edwin DroodA musical by Rupert HolmesDirected by Lyndee-Jane Rutherford28 March – 25 AprilCirca One Who the Dickens did the deed? You decide! A non-stop ride of mystery, murder, and musical delight! Based on Charles Dickens’ final, unfinished novel, The Mystery of Edwin Drood is filled with clues, red herrings, villainy, and debauchery. Everyone on stage is a suspect – and it's up to you to decide how this mystery ends!Hot off Broadway, this Tony Award-winning theatrical genius is led by director Lyndee-Jane Rutherford (Midsummer (a play with songs)), who reunites with the artistic team that brought Grease and Mamma Mia to the Wellington stage. The cast includes beloved actor of stage, screen and radio, Lloyd Scott, and internationally renowned soprano, Barbara Graham (Christine, Phantom of the Opera). The Mystery of Edwin Drood boasts spectacular big dance numbers, rousing showtunes, stunning theatrics, magic, and illusions!  Tony Awards for Best Musical, Best Book, and Best Score“One of the most inventive, inspired and rousing musicals ever devised.”—AM New York“Infectious fun!”—Time Out New York “Bawdy fun!”—Associated Press “Sheer fun!”—The Wall Street Journal Two MortalsDirected by Geoff PinfieldPerformed by Rachael Dyson-McGregor & Mike McEvoyComposed by Beatrice Lewis1-18 AprilCirca Two 'A powerful theatrical experience suffused with humour, beauty and emotional intelligence' – The Melbourne AgeTwo Mortals is a delicate, poetic and humorous exploration of life, death and the moment in between. Composed word-for-word from interviews with people who live and work at the ends of life – morticians, cryogenicists, palliative care workers and ministers – Two Mortals weaves these true stories and experiences into a richly theatrical exploration of mortality. This uplifting work about one of our society's most taboo subjects was directed by Chapman Tripp Director of the Year Geoff Pinfield. Created and performed by Rachael Dyson-MacGregor and Mike McEvoy, Two Mortals sold out two critically-acclaimed seasons at Melbourne's La Mama Theatre. Improv for KidsBy The Improvisors7-18 AprilCirca Two Kids love theatre that’s interactive. So do the Improvisors. Kids (and their grown-ups) loved the 2014 season of Improv For Kids, so we’re bringing it back. It’s a great opportunity to introduce your kids to the world of live theatre. We may not have millions of dollars worth of computer-generated effects, but we do listen to kids and we make their ideas central to what happens on stage. In Improv For Kids, imagination is the best special effect of them all! Don JuanBased on Don Juan by MoliereCreated by A Slightly Isolated DogDirected by Leo Gene Peters25 April – 23 MayCirca Two World Premiere A sexy, fierce, raucous celebration.  Don Juan explodes with the energy of a music gig or a club.  It’s a cabaret.  It’s chaos.  It’s a furious adrenalized romp through the games of attraction and sexuality.  It’s the BEST… PARTY… EVER.  Five mad performers use a variety of theatrical forms and styles to bring an adaptation of Moliere’s classic play to life.  Loaded with pop songs and flirting, this imaginative work will continually intrigue, delight and surprise. While the bar keeps serving drinks.  All night long.   Created by A Slightly Isolated Dog, one of Wellington’s most innovative and exciting companies.  Critically acclaimed and award winning shows include:  Death and the Dreamlife of Elephants (2009, 2011), Perfectly Wasted (2012 - in partnership with Long Cloud Youth Theatre) and Settling (2007). A Servant to Two MastersBy Carlo GoldoniA new adaptation by Lee HallDirected by Ross Jolly2-30 MayCirca One NZ Premiere Love, passion and pandemonium Goldoni’s much-loved comic classic is a masterpiece starring a wily servant whose cheeky, inventive trickery gets the best of his masters, in a merry mix-up of mayhem and mistaken identity. Truffaldino, the scheming and perpetually hungry servant, concocts a zany scheme to double his wages (and his meals) by simultaneously serving two masters – the lovelorn Beatrice (disguised as a man) and her lost lover Florindo. Hilarity abounds In this sharp, new, rapid-fire adaptation by award winning dramatist Lee Hall (The Pitmen Painters, Billy Elliot).   A delicious, madcap Italian comedy of lovers, disguises, tricks, traps, mishaps and meatballs! “A sparkling, wonder filled new version by Lee Hall... An evening to cherish” – Daily Mail “A hugely enjoyable night out" – Covent Garden Life TheatresportsBy The Improvisors3 May – 14 JuneCirca Two Part of NZ International Comedy Festival The Improvisors are back at Circa with another season of this very popular show. Each night two teams of Improvisors take suggestions from the audience and spin them into short scenes, songs, poems or whatever else takes their fancy. Each show is completely different – what does stay the same is that Theatresportsis always a great night’s entertainment for the whole family. We don’t know what ideas you are going to throw at us – we do know that our kind of improv magic has been keeping audiences laughing over many years. Theatresports – putting the “make up” on stage. Second AfterlifeBy Ralph McCubbin HowellDirected by Kerryn Palmer29 May – 13 JuneCirca Two Return Season of the 2014 Young and Hungry sensation!Dan was an internet junkie – now he’s calling it quits. But in order to forge a new profile, he must face up to his online history and it’s not going down without a fight.When Dan finds himself sucked into the Second Afterlife – a dark underworld of the internet, a very real and dangerous landscape of broken memes, deleted pages, and the ghosts of profiles past. Second Afterlife is a dark comedy about life (and death) in the digital age. Inspired by Dante's Inferno, and in the tradition of Scott Pilgrim vs. the World, it is a twisted allegory for the Facebook generation – a poetic, ass-kicking romp to the darkest corners of the web. “Ralph McCubbin Howell cements his status as one of NZ's best young playwrights with Second Afterlife and director Kerryn Palmer, her designers and crew, and her exemplary cast of six do him proud.” - TheatreviewBy arrangement with Playmarket.Edge/Turning PageBroadway Star, ANGELICA PAGE“An actress of the highest possible voltage” – Wall Street JournalPerforming two shows, alternate nights, two weeks only6-20 JuneCirca One EDGE written by PAUL ALEXANDER Set in 1963 on the day of Sylvia Plath’s death, Edge presents the self-told story of the troubled poet and author of The Bell Jar, The Colossus, Ariel and the Pulitzer-Prize winning Collected Poems. “… a resurrected Sylvia Plath… the showcase of a lifetime” NEW YORK TIMESRETURNING TO OUR STAGE 10 YEARS AFTER ITS SENSATIONAL 2005 CIRCA SEASON TURNING PAGE written by ANGELICA PAGEGeraldine Page’s sparkling career earned her a record-breaking eight Academy Award nominations, an Oscar for Best Actress in 1986, and made her one of the most influential American artists of the 20th century. Turning Page is the triumphant and heartbreaking true story of one of the most celebrated actresses of all time, written and performed by the person who knew her best: her own daughter. “A privilege” Los Angeles Times Matariki Development FestivalPresented by Tawata Productions22 June – 4 JulyCirca TwoAn international indigenous playwrights’ festival boasting an enviable whakapapa of the very best of contemporary Maori & Pasifika theatre.  MDF 2015 features new writing by Natano Keni, James Nokise and Pikihuia Haenga. the beautiful onesWritten and Directed by Hone KoukeProduced by Tawata ProductionsMovement by Dolina Wehipeihana & Hone KoukaDesign by K*Saba, Tama Waipara, Johnson Witehira, Wai Mihinui, Jaimee Warda, Sopheak Seng, Laurie Dean 27 June – 11 JulyCirca One World Premiere A hyperreal digital love story.  the beautiful ones is a story of young love.  A promise Hana made to Ihia – a promise to return.  Will she return?  Will love triumph over temptation?  the beautiful ones bursts from the late night sheen of a city club.  Beautiful bodies & vital vocals.  Defiant dance moves and the meaning of love.  the beautiful ones features a dance floor for the audience to share the vibe.  From the company that brought you I, George Nepia, Sunset Road and TŪ. Warning: Contains Big Beats & Dance Music. The Ugly OneWritten by Marius von Mayenburg; translated by Maja ZadaDirected by Giles Burton11 July – 8 AugustCirca Two A scalpel sharp, absurd comic fantasy about beauty. Lette thinks he is normal, but when he discovers that he is, in fact, unbelievably ugly he turns to a plastic surgeon for help. Suddenly he is the most beautiful man in the world. Fame and riches follow; women want to sleep with him and men want to look like him. And with surgery they can look like him. Exactly like him. Received around the world to great acclaim, The Ugly One now receives its NZ premiere. With writer von Mayenburg’s star very much in the ascendant, this show is a must see.   "A stripped bare satire on the nature of beauty. If you are interested in theatrical story-telling see this show." – The Times (UK) “Savage social satire … A small but perfectly formed play” – The Guardian (UK) “The concept is simple but the philosophical implications are profound: What if money could buy the perfect face? It’s The Elephant Manmeets The Matrix” – Post City (Toronto) The Hound of the BaskervillesBy Arthur Conan DoyleAdapted for the stage by Clive FrancisDirected by Ross Jolly25 July – 29 AugustCirca One Sherlock Holmes vs the Powers of Evil A bloodcurdling howl is heard across a cold, moonlit moor; the horrifying, spectral hound has claimed another victim … When Sir Charles Baskerville is found dead on his remote estate, in eerie, seemingly supernatural circumstances, Sherlock Holmes, the legendary, world-famous detective and his assistant, the ever-reliable Dr Watson are called upon to unravel the extraordinary mystery of The Hound of the Baskervilles. Sir Arthur Conan Doyle's most famous and most popular story, in an exhilarating adaptation by Clive Francis (Our Man in Havana), sees four actors playing all the parts in this gripping, classic tale of terror. A thrilling, ripping good night of fun, drama and suspense! “A cracking good yarn … Excellent ... Highly enjoyable." - Daily Telegraph "Chillingly atmospheric... this fun show will really thrill. " - The Observer Downton AdlibBy The Improvisors2 August – 27 SeptemberCirca Two Quality costume drama – only funnier. An aristocratic English family and their servants face the challenges of life in the early twentieth century. A cast of Wellington’s top improv comedians face the challenge of making up a brand new episode every night. We supply the characters, you supply the key plot ingredients and the result is costume drama as you’ve never seen it before. Love, laughter, passion and a wide range of hats! The Travelling SquirrelBy Robert LordDirected by Susan Wilson5 September – 3 OctoberCirca One NZ Premiere “We that live to please must please to live” – Dr Samuel Johnson From Robert Lord, the author of the award-winning and much loved Joyful & Triumphant, comes The Travelling Squirrel, a romp through the fickle nature of the entertainment industry. Protagonist Bart compares his struggles as a writer to those of Roger the squirrel, a misunderstood painter. Hilarious and packed with larger-than-life characters, this play is a testament to Lord’s ability to write brilliant comedy.  A satire tempered with deep affection, The Travelling Squirrel depicts a dangerous world in which fame and fortune are always temptingly just around the corner “This is surely one of Lord’s funniest plays, just as it is one of the most moving”   – Philip Mann “For two decades, Robert Lord’s plays astonished and entertained theatre audiences with their sharp satire and flamboyant farce.”  - David O’Donnell The BookbinderWritten by Ralph McCubbin HowellDirected by Hannah SmithPresented by Trick of the Light Theatre25 September – 10 OctoberCirca TwoThey say you can get lost in a good book. But it's worse to get lost in a bad one... From award-winning company Trick of the Light Theatre (The Road That Wasn’t There) comes a story of mystery, magic and mayhem. The Bookbinder weaves shadowplay, paper art, puppetry, and music into an original dark fairytale in the vein of Coraline and Jonathon Strange and Mr Norrell. An inventive one-man performance for curious children and adventurous adults... suitable for children 8+. Best Theatre and Best in the Fringe - NZ Fringe 2014 International Excellence Award - Sydney Fringe 2014 "Spell-binding storytelling at its purest and best..." - Theatreview"Absorbing and imaginative… a small gem of theatre" - The Dominion Post "Tuned to perfection... Bookworms of all stripes and ages will adore it."- The Age, Melbourne For more information visit www.trickofthelight.co.nz GiftedBy Patrick EvansBased on the novel of the same nameDirected by Conrad Newport10-31 OctoberCirca One It is 1955 and beyond the famous hedge something magic is about to happen. In his beloved garden the “Father of the Nations Fiction” Frank Sargeson is waiting for his old mate Harry to turn up. Instead, he encounters a young woman fresh from a mental institution. Her name is Janet Frame. Their world is about to change forever. From the director of Rita and Douglas comes this very funny and profoundly moving story. Touring the Arts Festivals in 2013 to incredible reviews and widespread acclaim it’s now Wellington’s chance to experience this celebrated New Zealand production. “Like an exquisite work of art, the play Gifted is honed to near perfection … go and see this gorgeous production.” – Taranaki “Superb performances by all … it is thrilling … it makes for astonishingly joyful, mischievous theatre.” – Dunedin “Sheer quality” – Christchurch Adventures in PianolandWritten and performed by JAN PRESTONDirected by GAYLENE PRESTON15-17 OctoberCirca Two How I learned to stop worrying and love the piano The irrepressible Jan Preston comes clean on her longstanding and sometimes bumpy road to piano stardom. Jan will spin yarns from dives in Soho to the concert halls of Europe, to stealing a piano in broad daylight from the 1860s Bar in Lambton Quay. She will accompany herself, of course, on Circa Theatres' lovingly cared for piano.  You will hear Chopsticks as you have never heard it, with Jan's original songs and compositions providing perfect counterpoint to her story. AcheBy Pip HallDirected by Lyndee-Jane Rutherford24 October – 21 NovemberCirca Two Fate, chance and rooftop romance.  Ache is a fateful comedy about two thirty-somethings trying to find their way through modern love, materialism and the Wellington dating-drought. At a time when we are promised happiness with the swipe of a card or the swig of a bottle, true joy and connection seems almost impossible. At crossroads and rooftop gardens, fate decides to surprise them. At last, connection, chemistry, charisma. He’s perfect, she’s gorgeous. Only timing’s not as kind – he’s taken. Is it just not meant to be or will she push timing aside and take fate into her own hands?   Achingly-funny and heart-breakingly sad, Ache is a modern story of love, timing and seizing the day.Don’t miss this WELLINGTON PREMIERE, finally on our stage after its SOLD-OUT season at Christchurch’s Court Theatre. All Our SonsBy Witi IhimaeraPresented by Taki Rua5-14 NovemberCirca One World Premiere Courage and loyalty is tested in this new play by Witi Ihimaera “Once they fought each other, now shoulder to shoulder they fight together” Two generations go to war while a third fights a battle to keep her family at home. Waru Mataira and his two sons Tai and Rangi volunteer to represent the Maori iwi of Mataira Mountain in the New Zealand Native Contingent to Gallipoli. Under the guidance of their Pakeha leader Alec Campbell, they join the battle on the western front as part of the newly titled Pioneer Battalion where their courage is tested and so too are their loyalties. Taki Rua Productions presents the World Premiere of All Our Sons, a ground-breaking play by Witi Ihimaera. Roger Hall’s Robin Hood, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson21 November – 20 DecemberCirca One There he is! Oh no he isn’t. Oh, yes he is!! With loaded bow behind a treeYou never know where he will beHe moves like velvet, sleek and svelteAround the Wellington town belt His eye is quick, his aim is sureHe robs the rich to feed the poorHe’s always on the side of goodThe hero known as Robin Hood He lies in wait for those who ownA big estate and second homeFor millionaires who don’t pay tax  For bankers who don’t watch their backs You’ll see them suffer their defeatIn Circa’s brand new summer treatA pantomime for one and allIt’s Robin Hood by Roger Hall “fabulously fast and furious ... A treat”  - Capital Times “ACTION-PACKED… TONS OF FUN FOR YOUNG AND OLD!”  - The Dominion Post A Child’s Christmas in Wales (and other memories of childhood)By Dylan ThomasDramatised and performed by Ray Henwood28 November – 20 DecemberCirca Two What has been described as one of the most magical of Christmas stories is brought to the stage by Ray Henwood. It is rounded out by other memories of childhood, first presented by Dylan Thomas in one of his regular talks on the BBC Welsh Home Service. Thomas had a very happy childhood and so many of his young experiences resonate still with us today.The town of Swansea which is the locale of his stories had changed little by the time Ray was growing up. While Dylan lived in more salubrious surroundings, Ray was a “Sandfields” boy referred to by Dylan- and played in many of the areas described in the stories. It is a truly timeless tale and family celebrations have changed little, even in countries that celebrate a summer Christmas. Dylan’s work brings back memories that resonate so well with young and old. it is a true celebration of our experiences growing up. www.circa.co.nz
      • Accepted from drama* on the waterfront posts
      • Tagged as:
      • tawa
      • town-belt
      • snow
      • matariki
      • Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • September Update from DCM - Together we can end homelessness
      • 96 September Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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text-align:center; } #templateHeader{ background-color:#0f288b; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; 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font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } After a number of years of homelessness and, more recently, sleeping rough for a year, the future looks bright for Steven Cooking up a smile After a number of years of homelessness and, more recently, sleeping rough for a year, the future looks bright for Steven. The team at DCM have him back in a home of his own, and looking forward to getting back to work and smiling again. Steven in his whare Last year, Steven was sleeping rough, mostly in “the coves” along Wellington’s waterfront, where he felt safest. Steven qualified as a chef at 18 and worked in Australia for 20 years or so before coming back to New Zealand in 2005, often heading up busy kitchens. But back in New Zealand, things were not so good, and Steven found himself on the street, staying in different boarding houses and hostels until eventually he ended up sleeping rough on the waterfront. Instead of working in restaurants, he was now sleeping outside them, taking advantage of their heaters when they were on. “That’s where I’d go every night. It’s the safest place – much better than a tent in the bush. I’d drink to keep me warm and put me out at night so I could sleep in the cold. That was the only reason I drank – I don’t drink much now because I don’t need to.” He doesn’t need to because he’s now permanently housed in his own one-bedroom whare up in Karori, thanks to DCM and Te Aro Health. The Te Aro Health nurses, the DCM Dental Service and DCM’s volunteer physiotherapist Jeff have all been part of the team working with Steven to get him housed and well. Nurse Bronwyn and DCM kaimahi Kat continue to work together to support Steven When he was sleeping rough, Steven began coming into DCM “a lot – I was constantly on the move and this was the only place I could come and chill out and keep warm.” He’d also come in to talk with the team at DCM about how he could get off the street. They helped him onto the social housing waiting list. And then, at the end of last year, Steven was handed the keys to his new flat, and the team from DCM helped him to get together the furniture and items he needed for his home. “It was just like heaven. It was a load off my mind because you’re hyper-sensitive and aware when you’re outside doing it rough. You’re always aware, even when you’re sleeping. Moving in was a load off my mind. I could start planning ahead again and I could start thinking about getting back to work. If I hadn’t had DCM working with me, I reckon I would have been waiting three or four years." The next thing Steven plans to get sorted is his teeth, with DCM’s Dental Service having referred him to the hospital to get false teeth. “My teeth had been great till about 10 years ago but then they went real quick. I have a great smile, but I just didn’t smile with my teeth the way they were. I can’t wait to get false teeth and become a grinning idiot. It will give me so much more confidence to get back into looking for work. I want to be able to walk into an interview and give them a proper smile.” That work will likely be back in the kitchen, because cooking is what he does and unsurprisingly, having a kitchen again is Steven’s favourite thing about having his own flat. The first thing he cooked in his new whare? “A big roast pork with orange Beauregard kumara. I candied up the kumara with brown sugar and garlic, then added a little butter at the end. Delicious.” To read more of Steven’s story, click here. <!-- --> As you know, DCM is committed to ensuring that our taumai* have a voice – at DCM, in our community, and in Aotearoa New Zealand. Next month, our taumai will be able to vote in the General Election, right here at DCM. Despite the complexity of operating at Level 2 for much of September, we have continued to enrol as many taumai as possible, and to provide training and practice voting sessions – all with the support of the lovely team of Janet, Erin and Bridget from the Electoral Commission. Supporting taumai to enrol K is a 48 year old man who has been in and out of housing and often rough sleeping over the past 15 years. He has not been able to vote without an address, and voting in elections was not a major concern for him when he had so much going on in his life. Just before lock-down, DCM got K in to emergency accommodation and he is now on a waiting list for his own whare. K popped into DCM for a cup of coffee at Te Hāpai this month, asked about the enrolment forms there, and decided to get himself on the roll for this year’s General Election. K is looking forward to voting at the mobile voting booth at DCM for the first time in 15 years, especially as this year’s election will be held the day before K’s 49th birthday. A is a 40 year old Māori man who has not voted since 2005. He has been in and out of different homelessness scenarios, from rough sleeping, to the Night Shelter, to boarding houses and backpackers. In February 2019 he finally got his own Wellington City Housing whare and he has been doing well since. A came into DCM where he found out just how easy it is to enrol; he is now enrolled for the Te Tai Tonga electorate. He can’t wait to vote right here at DCM for the first time in many years. Explaining the referendum process C is a 37 year old Māori woman who has a lot going on in her life, having to deal with multiple addictions and mental health issues, which have seen her in and out of homelessness scenarios over many years. She is now in her own whare and working with DCM’s Sustaining Tenancies team. When the DCM and Electoral Commission kaimahi were able to show her how voting works this month, C decided to enrol to vote. She wanted to cast her vote immediately; we had to explain that voting wasn’t open quite yet! L is a 42 year old Māori man who is currently staying in emergency accommodation and working with DCM’s Aro Mai Housing First team. He didn’t think he’d be able to vote this year, as he doesn’t have a permanent address – until DCM staff explained that he could use DCM’s address. L was very excited and wanted to know who all the candidates are for the Te Tai Tonga Māori electorate. He too is looking forward to voting for the first time in years – right here at DCM. *We call the people we work with taumai, meaning to settle. This reflects the journey we embark on together to become settled, stable and well. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
      • Accepted from DCM alerts archive by feedreader
      • Tagged as:
      • karori
      • waterfront
      • Karori, Wellington, New Zealand (OpenStreetMap)


    • Ngā Kōrero - Latest Stories from DCM
      • 96 Ngā Kōrero - Latest Stories from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } This month we share DCM's new film clip, and hear the story of DCM's whaea Jenny, in her own words communities where whānau are housed, connected, valued and thriving About Us Contact Te Rahi o DCM The Breadth of DCM  Kia ora koutou We are excited to show you our new film clip – Te Rahi o DCM – as we hear from our Manahautū Stephen, other members of the DCM team, and whānau like Hapi and Smurf, who share some of their story. You’ll see our carving group in action, and other cultural activities such as our daily waiata. Amidst the activities, you’ll see DCM’s Whaea Jenny, whose role as Toa is to support the development and implementation of DCM’s Te Ao Māori strategic approach. Whaea Jenny supports, mentors, and role models the organisation’s kaupapa Māori competency programme to strengthen our cultural capacity and capability. She is a champion of our kaupapa, and a true unsung hero of DCM. We are delighted to share her story – in her own words. <!-- --> Unsung heroes of DCM Whaea Jenny My name is Jenny Langford-James, but I was born as Jeanette Whetumarama, and grew up with this name – it is the name on my driver’s licence, for example. It wasn’t until I was an adult and went to get a passport in 1986 that I found out my father hadn’t registered me under this chosen name, but rather had recorded my middle name as May. Originally, I’m from Motueka. My iwi is Ngāti Kuia – that’s on my nana’s side. My koro is from Ngāti Apa. I am the third of eight siblings: Laura, Michael, Jenny, Stuart, Patrick, Peter, Shaun, Jerry. My older sister was brought up by my grandmother, so as the second oldest I had a big role in looking after everyone. Things weren’t very good growing up. We were very poor. We couldn’t afford to have our power on most of the time – and so we lived in the dark. For many years we had no shoes. I remember being sent around the neighbourhood with a note to ask for bread. But when we didn’t have kai we walked down to the beach – about half an hour’s walk from home – and lived off the sea. Mussels and cockles, cooked on a bonfire. The last thing on my mind was education, but I did go to school. We couldn’t afford books, so we cut big white drawing paper into little booklets and used that. A lot of stuff we were taught at school I learned through memory. Front left in this photo is our very own Whaea Jenny. I wasn’t allowed to speak te reo Māori as a child – I got a whack with a ruler on my first day of school for that. Mum and my aunties used to kōrero in te reo, but behind closed doors. In the end the reo started when we did our prayers, our karakia. That’s how we learned the language. I joined a Māori culture group and performed at a young age. It was a place where you could go away and express yourself. It was non-judgemental. And whatever you put in to it, you got out of it. To this day I love kapa haka. Our father was an alcoholic and a violent man. My mother, brothers and I all suffered beatings from him. But our mum made sure that we weren’t brought up outside a pub. She was our saviour really. She supported us all, and it is thanks to her that we have gone on to have the lives we’ve had. One day my parents got a visit from the government saying they were going to take us kids away. And so, I left school at 14 and a half to look after the two youngest ones while mum went to work. It is these experiences that give me empathy for our whānau – a real understanding of what they have experienced and what they are going through now. Manaakitangata was an everyday thing for us. Mum was strict about it – we had to uphold the mana of ourselves and of the family, and we learned to respect others’ beliefs too. We need to prepare our whānau for the next generation. From a Māori perspective, it’s about making sure someone else can step into your shoes. When my oldest brother died, one of the whānau from back home got up to speak and said, “Who’s going to look after us now?” My whānau – all of us – were the ones who looked after everyone in Motueka. So, when someone died, we were the ones who went in and supported the families, sat on the paepae, did the karanga – did all the work to look after everyone. And then it dawned on me – all of this manaakitangata was taught to us. Now I understand what it means. Today, it is great to work for an organisation like DCM, where manaakitanga is one of our core values. Whaea Jenny and her colleagues worked together with police to develop a new family violence kaupapa while she was employed in Taranaki. At the age of 40 I decided to enrol at Nelson Polytechnic where I studied for a Mental Health Support Workers Certificate. I was nervous as I’d had very little education growing up; however, thanks to my kaiako (teacher) and follow peers, I managed to graduate. I have worked in both the North and South Islands, with kaupapa Māori services and mental health services. I was with Gateway Housing Trust in Nelson, up in Auckland working for Te Whare Tiaki Trust, then in South Taranaki for 18 years working for Ngāti Ruanui Iwi Social Services, before joining Kahungunu Whānau Services in Wellington, in the same building where I work with DCM today. I first came to know about the mahi of DCM by beginning and ending our days alongside the team here in Lukes Lane, as we joined together for the morning waiata and karakia. I felt a calling that I just had to be with DCM. I wanted to work with the most marginalised whānau. So, after a hui with DCM Director Stephanie, and an interview with Taone and Neavin, I was employed by DCM. I began here in September 2019. Whaea Jenny lends her support at one of DCM's COVID vaccine clinics, November 2021. I love the whānau who come here to DCM. If we can give a bit of ourselves to them, we get so much back. I want to see them all housed, and for DCM to show them a different way forward. We’re getting them into homes, but we need more than just homes. For me in my role as Toa, I am working alongside our Practice Leader Sia to get DCM’s Tātai Aro practice framework in place. We are learning what mana-enhancing services are all about, and making sure that DCM is culturally viable, and that all of our staff have the capacity and capability to step up and make things work. Among our team, there is a wealth of knowledge, and everyone has their own tikanga, with so much to share. I am grateful to have this opportunity to share my knowledge too. I always go back to Stephanie, who made this job happen for me. Stephanie was DCM's director for 16 years, and she made the place rock. I am excited to be part of the team with Stephen at the helm, as we map our way forward, and can't wait to see what comes next for our amazing organisation, where manaakitanga sits at the heart of everything we do. Thank you Whaea Jenny for sharing the precious taonga that is your story with us. This story uses elements of Whaea Jenny's Kaimahi Kōrero with Michelle Scott. (Thanks Michelle!) <!-- --> Do you know someone who may like to join DCM? We currently have a Kaiarataki Piki te Kaha (Senior Manager) role, Kaimahi (Key Worker) roles as part of DCM's Piki te Ora Pou, along with Kaiāwhina (Peer Support Worker) roles available at DCM. Do you know someone who, like Jenny, could use their life experience to help support others on the journey to sustainable housing and wellbeing? All the info is available on our website. Please get in touch, and, as always, please forward this Ngā Kōrero on to anyone who may like to learn more about our mahi.   Support DCM <!-- --> <!-- --> Copyright © 2023 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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    • Maranui newsletter december 2022
      • 96 MARANUI NEWSLETTER DECEMBER 2022 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. MERRY CHRISTMAS AND HAPPY HOLIDAYS FA LA LA LA LA LA!   It's beginning to feel a lot Like Christmas... Let's hope we have many sun-filled balmy days.  Junior Surf Carnival #2 at Titahi Bay. Huge thanks to everyone who helped out - management team, age group managers, managers, coaches, officials. You all rock!  Well Done to all our Maranui Lifeguard sport athletes (seniors) who competed at The Mount Monster on Saturday 18 December at Main Beach, Mount Maunganui. See below. Thank you to our Surf Lifeguards for giving up your own personal time so that others can enjoy the beach this Summer and to ALL of our volunteers from parent help & patrol support, instructors, administrators, coaches, officials, managers, trailer towers, admin, management committee - every one of you has made a difference. Junior Surf athletes make sure you sign up for the 2023 Central Regional Junior Championships, Fitzroy, New Plymouth (U11 - U14) and the Riversdale Carnival (U8 - U14). DEADLINE FOR REGISTRATION: TUESDAY 27 DECEMBER  2022 (no late entries will be accepted). See below. All the best for a safe and happy holiday season and we look forward to seeing you all again in 2023. Merry Christmas & Happy Holidays Maranui whānau  Remember 'Swim Between the Flags' and be ‘Sunsmart’. That's a wrap! Meri Kirihimete. x <!-- --> THE MARANUI WAY Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. VISION: One of New Zealand's premier surf lifesaving clubs providing world class surf lifesaving services and developing leaders and champions. PURPOSE: Provide our community a safe surf and beach environment. OUR CORE VALUES: Community, Excellence, Fun, Respect, and Tradition. <!-- --> 2023 CENTRAL REGIONAL JUNIOR CHAMPIONSHIPS  PLEASE REGISTER FOR THE CENTRAL REGIONAL CHAMPS: https://forms.gle/apvYmwsQqcrFRnoU6 DEADLINE:  TUESDAY 27 DECEMBER  2022 WHEN: FRIDAY 13 JANUARY 2023 WHERE: Fitzroy Beach, New Plymouth AGE GROUPS: U11 - U14 (age groups to compete) WARM UP: 7.30am  RACING STARTS: 8.30am  Calendar: https://www.surflifesaving.org.nz/calendar/2023/january/2023-central-regional-junior-championships Carnival Information - www.maranui.co.nz/carnivals PROGRAMME: <!-- --> CAPITAL COAST JUNIOR SURF #3 - RIVERSDALE CARNIVAL  This is a great carnival to attend in the coastal town of Riversdale in the Wairarapa. A fantastic spot for swimming, surfing and fishing. It also has a small general store that doubles as the local fish and chip shop. PLEASE REGISTER FOR THE RIVERSDALE CARNIVAL: https://forms.gle/fZepjeqTcV2Kjubz6 DEADLINE: TUESDAY 27 DECEMBER  2022 WHEN: SUNDAY 22 JANUARY 2023 VENUE: Riversdale (see http://goo.gl/gwi0xa - allow two & a half hours for travel time). Riversdale Beach. It is located on the southeast coast, 40 kilometres east of Masterton.  RACING STARTS: 9.30am  SIGN-IN: 8.30am  TENT SET UP: 8am  We would love to see all U8 - U14 Maranui athletes attending this carnival. Anyone registering for the Riversdale will need to contact Lucy Barry directly to arrange gear, Lucy Barry - lucyjanebarry@gmail.com Programme: TBC More information will be emailed once it becomes available. Calendar: https://www.surflifesaving.org.nz/calendar/2023/january/capital-coast-junior-surf-series-3 Carnival Information - www.maranui.co.nz/carnivals <!-- --> THE MOUNT MONSTER  10th Anniversary, this event has gone from strength to strength.  This year's line up was... 12k Surf Ski 5 Beach Run 1.5k Ocean Swim  6k Board  We are so proud of our athletes who have worked their butts off to get here.  Team Maranui comprises of  3x Individual Athletes - Ella, Tom & Amelia 1x 2-Person Team - Kano & Bruno 1x 4-Person Team - Joe, Bella, Olivia & Josh 1x Collab Mixed 2-Person Team - Holly & Kit (Lyall Bay) MCA - MOST COMMITTED ATHLETE  This year goes to Holly!!! After 2 cancelled flights she finally got off the ground in Wellington only to be turned back after not being able to land in Tauranga. Plan D was to jump in the car and Super Dad, Glenn, drove through the night to deliver her on the start line just in time. Holly got 3rd in the Mixed Teams - Amazing Result.  Congratulations to all the athletes that competed in this great event.  Thank you to all the parent helpers that organised, booked, shopped, fed, and looked after the team. <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347. MARANUI SLSC CLUBHOUSE Cleaners will not be operating over the Christmas and New Year holiday period.  This means any members, Junior, Senior or Parent need to ensure the club is kept clean. Please squeegee, sweep, empty trash, wipe benches and keep the club like you would your home. Please wash any items you use, don't leave anything in the sink. Thanks for your understanding.   <!-- --> KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 Limited numbers and sizes. 380gsm fleece 3000mm waterproof Comes below the knee.  The fit is quite generous. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com <!-- --> MARANUI CLUB CLOTHING  We have togs (limited stock), competition beanies, hi-vis vests, swim caps in stock. These can be ordered at any time.   CLOTHING ORDER DEADLINE SUNDAY 29 JANUARY 2023. CLICK HERE TO ORDER CLOTHING - http://goo.gl/9AzpoK CLOTHING (EXPLANATIONS ABOUT STYLES - MALI/ WAFER TEES etc) /TOGS SIZE GUIDE- https://docs.google.com/document/d/1q_ee9WxNPVKIBcGmXHIKs_I5DhYLmC03zPwbiJXKAVQ/edit JUNIOR SURF Junior Surf Sunday sessions start back on Sunday 29 January 2023. JUNIOR SURF SUNDAY SESSION TIMES  U7 - U10, 10am - 11am U11 - U14, 10am - 11.30pm  Signed in by 9.45am Athletes stay in the same age group for the whole season.   <!-- --> LAST JUNIOR SURF SESSION 2022 <!-- --> THE MOUNT MONSTER <!-- --> <!-- --> CALENDAR 2023 2023 Central Regional Junior Champs (U11 – U14) - Friday 13 January, Fitzroy 2023 Central Regional Champs (Seniors) - Saturday 14 January - Sunday 15 January, Fitzroy Junior Surf Series #3 - Sunday 22 January 2023, Riversdale Junior Surf starts back for 2023 - Sunday 29 January Capital Coast Junior Championships (Junior Surf)  - Saturday 11 February, venue Maranui SLSC Whitehorse #3 (Seniors) - Sunday 19 February, venue TBC Oceans’23 - Thursday 23 February to Sunday 26 February, Mt Maunganui 2023 TSB NZ Surf Life Saving Champs (Seniors) - Thursday 9 March - Sunday 12 March, New Brighton Beach Last Junior Surf Sunday session for the season - Sunday 19 March 2023 BP Surf Rescue North Island Championships (IRB) - Saturday 25 March - Sunday 26 March, Waipu Cove 2023 BP Surf Rescue New Zealand Championships (IRB) - Saturday 15 April - Sunday 16 April, Whangamata Beach Awards of Excellence / Prize giving (Everyone) - Sunday 30 April, TBC SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2022 Maranui SLSC, All rights reserved. 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    • April update from DCM - together we can end homelessness
      • 96 April update from DCM - together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Celebrating our neighbours Last month, New Zealanders were encouraged to connect with their neighbours during Neighbours Week. In the wake of events in Christchurch, many people reflected afresh on what it means to be a good neighbour, and expressed a commitment to showing kindness or manaakitanga to their neighbours. Here at DCM we have a number of neighbours who have become part of team DCM. From his physio practice next door to DCM, Jeff from Tiaki Wellington enjoyed listening to DCM staff and taumai singing our daily waiata outside in our courtyard. One day he came to visit us and to learn more about our work with people who are experiencing homelessness. Jeff could immediately see how he could lift up our taumai, especially those who are rough sleeping on hard ground, carrying heavy loads on their backs and dealing with multiple health challenges. And so he began offering physio sessions here at DCM. Jeff is able to help with a range of different issues, from neck or back pain, foot or knee issues, sore hips or shoulders, and other physical ailments. He joins DCM's growing pool of amazing health volunteers such as dentists, ear and eye doctors. Another of our neighbours is Neville. When Neville moved in to the apartment block next door, he came over to introduce himself to us. He offered to help us in any way he could. It turns out Neville is quite the handyman, and he has been a big help to us at DCM. If we need something fixed, installed or replaced, we just give Neville a call and he comes straight over. In our 50th birthday year, we are acknowledging the many Wellingtonians who are part of the "together" in our byline - "together we can end homelessness" - and this month we lift up our neighbours for their commitment to our mahi. <!-- --> Sharing our stories We love sharing stories about our work and the difference it makes in the lives of people experiencing homelessness. Whether it is through stories on our website, welcoming visitors here at DCM and speaking to them face-to-face, or through printed stories – it is such a pleasure to give you, our supporters, an insight in to the success that you make possible. Because together we CAN end homelessness! This month we have taken delivery of a new printed brochure, made possible by the generosity of several committed supporters of our work. We would love to share this brochure with you, and to have you share it with your networks. We encourage you to come down to DCM to pick up some copies, and to support us in getting the message out to the people of Wellington – that we can all play our part in ending homelessness in our very special corner of Aotearoa New Zealand. <!-- --> We need your books DCM would appreciate your quality secondhand books for our annual Bookfair on Saturday 17 August. From May, you can take them directly to our sorting facility on Shelly Bay Road on Thursdays or Saturdays from 9:30am - 1:00pm. Large quantities welcome, and if you have any spare banana boxes or if you can collect some from your local supermarket for us, these would be especially welcome as we have a shortfall! The door to the sorting unit is directly off Shelly Bay Road, across the street from Chocolate Fish Cafe. <!-- --> What can I do? Become a regular donor to DCM - visit our website and Support DCM Deliver your books to Shelly Bay Next month we will be contacting people about volunteering for the DCM Bookfair. If you like to join our team of Bookfair volunteers, please email events@dcm.org.nz Have you encouraged your dentist to volunteer at our dental service and do you know any dental assistants who would like to join team DCM? Our Foodbank is currently short of tinned meals, soup and canned fish - bring these items into DCM any week day or to our donation bin at New World Chaffers Do you know others who would love to learn more about DCM and our work with people who are experiencing homelessness? Encourage them to join our mailing list for monthly updates during our 50th birthday year. <!-- --> Read More Success Stories <!-- --> Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2019 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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    • A city with a vision? AKL x WLG
      • Wellington’s got a lot of bustle and noise (Let’s Get Wellington Moving – Spatial Plan – new subdivisions – convention centre – library) but where’s the coherent vision? Hey Auckland – can we learn some things? The Wellington Urbanerds invited some insightful Aucklanders to talk about the Auckland City Centre Masterplan (CCMP) because it’s getting a lot of positive interest in nerdy circles nationwide, and we thought “Wellington needs one of those to galvanise our progress!” But it turns out that the CCMP is not the cause of Auckland’s progress – it’s a milestone marker of a bigger evolution in Tāmaki.  Auckland City Centre’s chief urban designer George Weeks was insightful, visually engaging and occasionally very funny. Auckland city centre’s chief transport designer Daniel Newcombe injected insights that were pithy and thought-provoking. All up it’s worth watching the video – details at the bottom. But this post has some of the big insights for Wellington that we took away.  Hat tip to Charles Dawson for invaluable note taking. A galvanising vision, with a strong whakapapa  What makes the CCMP unusual as an official planning document, Weeks told us, is that it’s not “a planner’s plan” – 2,000 pages of vision down to prescriptive requirements. Instead it’s “the brochure for the city centre”. He told us that “with the 2012 CCMP, we thought it was better to have a 200 page document that 10,000 people see, or at least have skimmed, than a 2,000 page document that 100 people read in detail. We have used this approach to shape the 2020 CCMP.” It has had a major refresh in the last 8 years and the 2020 version is quite something. Galvanising vision  Weeks took us through how the updated CCMP works: how it delivers on the Auckland Plan’s promise of life in Auckland, through the city centre’s form and function. It’s worth laying these out because while we definitely have bits of the formula, there’s some powerful elements we’re missing.   Experience of being there The Auckland Plan (essentially the Tāmaki-Makaurau 30-year plan) sets out ten Outcomes for the city – effectively the promise of life experience that you should get, being in Auckland. The whole super-city is supposed to fulfil these promises, and the city centre’s no exception. In the CCMP, the ten citywide Outcomes or life promises are intertwined with eight place-specific Transformational Moves. The latter are the major initiatives to change the physical environment of the city centre so it can deliver those outcomes – the good Auckland experiences – for anyone who’s there.  A lot of this has come into the 2020 CCMP thanks to Access for Everyone (A4E), the city centre’s transport programme done to support the CCMP refresh process (more on A4E later). Street forms and place shapes… So the 2020 CCMP has street explainers that show – conceptually but with a lot of verisimilitude – the components of the streets and buildings, the overall shape of the whole public realm that’s needed for the city centre to give people that great experience.  a generic “transit street” explainer – from the CCMP These explainers are conceptual, but are tied enough to specific places, that everyone can see the trajectory of how their specific bit of the city will be changing, but crucially they can see a really solid why. …because This means “X street, and its environment, should have Y shape and form because…”. We saw, for example, that one of the biggest streets in the Learning Quarter, Symonds Street, will be a transit street for all these reasons: Symonds St, for example, needs to become a transit street not because of some abstracted notion of “sorting out the transport” but because it is at the heart of Auckland’s city centre universities, and “transit street” is the form for Symonds Street that will let it best serve people in the Learning Quarter with the good experience the Auckland Plan promises. Weeks flicked through a few examples of how the CCMP is signalling change to the built environment of Tāmaki’s city centre (which is pretty interesting – have a play here, the 2020 version is fully digital!) Our impression of all this was that the CCMP, thanks to the Auckland Plan and Access For Everyone (the transport dimension), has pretty well integrated two things that any self-respecting city needs to integrate. This is the roles of movement (transport) and place or exchange (destination activity) in any given area of the city centre. And Auckland manages to integrate these with a nice clear Why and Because for each set of changes. [Hold on, is that anything special? We know about this stuff… This tight integration – of form to function, place with movement, built form to people’s lived experience – seems pretty elementary for self-respecting cities. And you’d be forgiven for assuming Wellington has that integration in place. Indeed, things like the street concepts in Auckland’s 2020 (refreshed) CCMP don’t look too dissimilar to what LGWM put out for the Golden Mile. And the material coming out from LGWM and the Central City elements of the Spatial Plan and Wellington 2040 use a lot of the right words. Golden Mile concept from LGWM But in listening to Weeks’ presentation, we realised just how explicit and unequivocal the CCMP and A4E are about the why, the because for the physical city changes they describe, anchored home to that lived experience promised in the Auckland Plan. And the locked-in coupling between the place / destination train and the movement / transport train so they’re pulling each part of the city in the same direction towards that better experience for all Aucklanders. This coupling is something we’re muddling around in Wellington. We’re hedging our bets on saying explicitly what lived experiences we want to prioritise and privilege in our city centre. This means the transport planning and place planning are making (at best) vague bows in each other’s direction, with lots of hedging our bets about whether and how we’re prioritising “drive-through” vs “go-to” in our city centre. OK back to the presentation…] Galvanising and enabling Weeks told us that in the CCMP, when you combine the Auckland Plan’s Outcomes and the CCMP’s Transformational Moves, the product is the city centre “Opportunities”. Opportunities are projects, quite specific things, and there are quite a few listed. click on the image to have a play in the CCMP Opportunities But they’re not a set of business-case investments that clamp tunnel-vision onto ambition. They seemed to be as much illustrating the kinds of projects that would make the city centre better at giving people that great experience of Auckland living. As Weeks emphasised: “anyone can come up with an Opportunity”. (We imagine the galvanising could run like this… Hello, I’m a developer looking at buying or developing neighbouring Building X and Building Y, I can see the direction of profitable change and unprofitable change that I could make to that property, given the trajectory of change in its environment.  And I can make up a project that creates a much better laneway space between them, plus better delivery access, better stormwater handling, and augmented residential-plus-commercial uses… This bundle of investments will make me money, and enhance really well that little corner of the city – so public investment and other private are likelier to come join me… ) CCMP’s generic laneways explainer (click to expand) Lesson for Wellington: let the vision be the vision, get other activity making it reality A big lesson for Wellington, Weeks said, was to “be clear about what different plans are to do. The City Centre Masterplan sets the vision, which allows many actors to work out how to deliver its different facets, or to develop their own ideas too.” The CCMP is only the green-circled bits in this picture. CCMP: a strong whakapapa The CCMP’s technical pedigree is strong – it makes good application of internationally-accepted principles of urban physics and urban dynamics. But – as Weeks put it – if the CCMP can “see further, it’s because [it is] standing on the shoulders of giants”. Complementing the CCMP’s technical pedigree is its collective human ancestry: the people, organisations, and relationships that have coalesced around it, the support that it’s known and seen to have, and the mana that this contributes to its strong legitimacy and mandate today.  From the presentation a few points stood out on each of these… The technical pedigree of the CCMP  Weeks and Newcombe gave us a whistle-stop tour of the set of transport and urban planning documents of which the 2020 CCMP is the progeny. Auckland Unitary Plan – The supercity’s first joined up District Plan, the “rulebook” for implementing the Auckland Plan. Forced much more collaboration in planning, for everything. City Centre Future Access Study – NZTA, Ministry of Transport, Auckland Council, Treasury, Auckland Transport found the City Rail Link would blitz all other 46 options for getting people to and from the city centre. The City Rail Link (CRL) –  an underground railway link turning the city centre heavy rail terminus into a through-station, building 4 new underground stations. Doubles the number of Aucklanders with 30min access to city centre. After years of arguing, finally underway once tax was to pay 50% (thanks ATAP). Auckland Transport Alignment Project (ATAP) (2016-17, updated 2018) Auckland-region-wide (not just one bit) merit-based priority list of all the big-ticket transport projects, costed and agreed by all funders and deliverers.  Crucially: first acknowledgement by central government that Auckland couldn’t road-build its way out of its traffic problems Business Case for Walking – first quantification of the value of city centre walking to Auckland’s economy, done in 2017. [Hey “walkable capital”, where’s ours?] The creation of documents always sounds more coherent in retrospect, but Weeks and Newcombe emphasised that it’s not been a nice clean sequential progress.  Key principles of urban physics (like the role of people walking) have only been given oxygen relatively late in the sequence. The need to get tax funding to co-fund megaprojects has meant a lot of back-and-forth raruraru with central government, and between the various bits of Auckland’s council family.  And some great documents – like the Business Case for Walking mentioned above – have no official legal weight: a decision-making body can completely ignore them if it wants.  But we heard that the various documents have meant that amongst the bureaucracy and other government power-holders, there’s been an accumulation of key principles of good urban physics, akin to accumulation of organic matter. Sometimes it’s just leaves falling, but sometimes there’s a large trunk. These accumulations in the establishment’s hivemind make it much harder to go back and relitigate, as there’s been some crystallisation in the thinking. (Though, of course, as Newcombe noted, that doesn’t stop people trying!)   Access for Everyone – the complementary transport element of the City Centre Masterplan which was developed as part of the CCMP refresh – is a great example. In traditionally car-mad Auckland, the entire Auckland Council voted unanimously to begin A4E trials “enabling a decisive mode shift away from private vehicles, to make better use of finite city centre space and improve the quality of the environment.” Wow. Access For Everyone’s car-free Queen Street / Horotiu Valley with Low Traffic Neighbourhoods around. And no more driving through the city centre! The human side of CCMP’s whakapapa We heard that a major benefit of the sequence of documents was the relationships and conversations that a document creates a pretext to have.   There’s been a lot of investment in behind-the-scenes engagement, with big stakeholders in the city. This has paid off in an unusual level of big players’ trust and buy-in to the vision and the big moves to get there. From large developers, through Heart of the City (the inner city Business Improvement District), through the AA, NZTA, to the City Centre Residents’ Group  (fun fact: 40,000 people live in Auckland’s city centre alone). This good stakeholder engagement bears fruit: it enabled councillors to support the 2020 CCMP relatively easily, despite it having relatively little engagement from the wider public (a few hundred submissions compared with the Unitary Plan’s ~10,000). It’s not a coincidence that Precinct Properties has seen fit to drop a billion (with a B) dollars of its shareholders’ money into the Commercial Bay development – Weeks observed that it’s on the strength of the new trust and joined-up thinking developed through the CCMP process.  Daniel Newcombe spoke from experience about the collaboration that had eventually started to come, once “you can get people to stop introducing competing plans” and come together. Sometimes this requires biding your time, working by osmosis, and finding the sensible individuals in an organisation on whom to work, and building coalitions that chip away at antipathetic organisations. Getting people to issue formal letters of support on behalf of their organisations can be extremely powerful, he said. Iwi influence  We heard that one major improvement of the 2020 refreshed CCMP over the 2012 original is the inclusion of Māori outcomes. For the refresh, the ADO worked closely in partnership with Auckland’s Mana Whenua Kaitiaki Forum to develop a Māori outcomes plan. This work shaped Transformational Move 1: Māori Outcomes, with proposals for a papa kōkiri at the waterfront and a whare tāpere at Aotea Square.  The 2020 CCMP manifests the Auckland Plan’s Māori Identity and Wellbeing outcome and Te Aranga Māori Design Principles via Outcome 1: Tāmaki Makaurau – Our place in the world. It sets out the big interventions and systemic changes to bring mana whenua presence, Māori identity and life into the city centre and waterfront.  There are some big-ticket, high-visibility things and pervasive, interwoven ones. To our (Pākehā) ears this sounded pretty great…  Attack of the roadcones! Plans are essential, but how do you get them going, especially when there’s so many large, cumbersome players with inertia?  Weeks had peppered the presentation with cool before-and-after shots of some iconic Auckland changes, including Te Ara i Whiti / the (pink) LightPath, and localised street improvements like our favourite, O’Connell Street (below). O’Connell Street. oh.yes.melbourne We know (though the webinar didn’t go in depth here) that much of Auckland city centre’s evolution that you and I can see today was driven by the Auckland Design Office, with Auckland Transport and Auckland Council partners. Their projects opened people’s eyes to how good street change could be done, and that actually the good “urban physics” did apply in Auckland too. And they gave Auckland council family a chance to practice delivering street change together, and figure out how it can be done without anyone losing an eye.  They did it with a combination of a figurehead / champion / lightning rod / air cover for the ground troops (AKA Ludo-Campbell-Reid) plus a ninja team of designers, engagers and doers, doing on-the-ground projects that brought to life the good practice of urban design.    Projects like Fort Street, O’Connell Street, Fort Lane, and Jean Batten Place showed that – contrary to received wisdom – replacement of on-street car parking with high-quality streetscape was good for business. Collaboration with Auckland Transport led to the creation of a pop-up cycleway along Quay Street (well before the Innovating Streets for People pilots) which is now being incorporated into a permanent street redesign that will finish this year.  It’s not been an easy road: by now, ten pilots of the street changes for Access for Everyone were supposed to be underway, following that unanimous Council vote, but just one (High Street) has been. And the ADO has now been disbanded, allegedly due to their irritating conservative parts of the establishment with cost-cutting as a pretext.  But there’s momentum now…  Auckland’s changing, and has lessons for us  Throughout the session the Zoom chat pane had been running hot with questions and comments from the “floor” (aka the online audience). Weeks and Newcombe took questions from the pane and from the Urbanerds presenters, and a few highlights stood out including lessons for Pōneke… Lesson for Wellington: get partners on the same transport page Weeks’ and Newcombe’s first lesson was to get a multi agency agreement on transport together. It can’t just be the city council or regional council. It has to have central government buy-in; they can’t be pulling in the other direction from the city or region with their ambitions for the city’s transport. Updated ATAP, with all the partners This consensus shifts the conversation from “Do we need that good stuff replacing the bad stuff?” to “When do we need it?”. You have to keep the focus at that “when” level, not allowing relitigation of the fundamental principle of urban physics that you’ve achieved consensus on. We wonder: is this LGWM? Is it shifting our conversation? Is NZTA pulling in the same direction as the city, as the regional council?   Lesson for Wellington: generate the brochure, together A second big lesson is that you have to have the vision, the brochure, the clear picture of the good life that your city wants to give everyone who’s in the city centre, whatever they’re doing there. This has to be the rationale for any the physical changes that you entertain or consider. The Auckland Plan’s 8 outcomes – promises of the experience of life in Auckland, that the CCMP too must deliver This “brochure” must be developed hand in glove with the actors we want to be supporting it, building on any public mandate you already have but not driven by the wider public. This conversation with the big players should not feel like it’s led by any one player (developers, or transport-planners, or inner-city-residents, or businesses – nor even, we wonder, council?). What it must be is very good quality engagement that builds a strong trust and instils a foundation layer of commitment to (or at least grudging acknowledgement of) solid urban physics, and the trajectory of change needed throughout the city.    Lesson for Wellington: CBDs are doomed Listener Sally asked whether a focus on a city centre had been overtaken by COVID and its boost to working from home, and localism, especially in Wellington where there’s such a large commuter population. Weeks’ answer put it in much more professional terms, but the message came through clearly: if your city centre is mostly a Central Business District, where “business” is the dominant activity, it’s doomed. Monocultures always make a system vulnerable to shocks, in agriculture, horticulture and in cities If it’s a central city, with a hundred or a thousand different reasons for people of all different walks of life to be there, then it’ll be fine – it’ll change and adapt, but the power of people wanting to be there is the lifeblood of a city. “The death of the city has been predicted since the invention of the city, in the Bronze Age” Weeks observed – “and if you’ve got an actual city, it won’t happen.” We wonder… how much of Wellington’s central city is a dead zone by 6.30pm? How much are we reinvigorating and diversifying the reasons to be there?   Lesson for Wellington: lock all good plans to something with teeth Weeks emphasised that the power of these plans comes from linking area plans and other non-statutory plans to ones with statutory power.  So despite being a non-statutory document, the City Centre Masterplan carries weight because they mapped its outcomes tightly against the Auckland Plan (the statutory 30-year plan for the whole city) and councillors have voted overwhelmingly in favour of it. diagram showing how the CCMP is making good on the Auckland Plan’s promises, in the city centre We definitely don’t yet have the vision and its trust, nor the solid hook between statutory and non-statutory … but we have some elements of the recipe.    We wonder… how much of the CCMP-style whakapapa do we have, if not the actual document?  Could we build these levels of trust and vision together?  Some Wellington City Council planning and design gurus attended the session and helpfully fielded some questions about where Wellington was at. Our one-liner summary was: it’s not going to hell in a handcart, but it’s definitely all up in the air. Smart engagement from Urbanerds listeners and Talk Wellington readers is really needed. We’ll pick up “so what for us?” in the next post. Here’s the video: link, passcode SUa&tOC5 Meantime… where have you seen signs of a clear vision of good Wellington city life, for everyone?
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    • May Update from DCM - Together we can end homelessness
      • 96 May Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Today we introduce you to a few of our kaitautoko, people like you who support DCM and the most marginalised people in many different ways. Kaitautoko   noun Someone who supports, backs up or advocates for TOGETHER we can end homelessness – DCM's tagline acknowledges the many individuals, businesses and groups who share our vision and are part of team DCM. Here we introduce you to a few of our kaitautoko, people like you who support DCM and the most marginalised people in many different ways. Mon Mon has been supporting DCM for many years – in our Foodbank, at the DCM Bookfair, and as a regular donor. "It must have been 18 years ago that I first joined team DCM. I wasn’t working, and wanted to try something a little different. I first heard about DCM through Volunteer Wellington, and joined the team as a Foodbank volunteer one day a week, back when DCM was based in Eva Street. Steph was new in the role of director, and Pam Whittington was another key person on the team at that time. I sorted out the food donations and stocked the shelves in the Foodbank. I got to know Steph well and she shared a lot about DCM’s work and vision with me. After about a year, I got a full time job – but of course I wanted to continue to be part of DCM’s great work. Year after year, Mon was part of the team which delivered DCM's highly successful annual Bookfair. Here she is at the DCM Bookfair in 2014 (left) and 2017 (right). From 2005 right through until the final Bookfair in 2019, I was part of the team delivering the iconic DCM Bookfair, working with the book sorting teams during the year and at the Bookfair itself. In the later years, my job meant I could no longer help with sorting but I continued to work on the Bookfair weekend. Over the last four years, I have also been part of the DCM Foodbank Appeal, another great way to be involved over a weekend. As my working life has become busier and I have had less opportunity to support DCM with my time, I have chosen to become an AP donor, setting aside a little each month to support an organisation and way of working which I am totally committed to. Why is this? I guess I began with an understanding that I was fortunate while others were doing it tough, a sense of social justice and an awareness of the unfairness in our society. Over time, I came to understand more about the connectedness we have to each other. One measure of marginalisation is isolation, lack of connection, being unseen and unknown. Is that the worst thing of all? Quite possibly. To be invisible, to exist in a society where governments, societies, individuals, want you to be out of sight. DCM will NOT let this happen. Over all of these years, I have witnessed DCM doing an incredible job of truly seeing these people. Of knowing them, of connecting to them, and in turn connecting them to others. DCM is genuinely an organisation which is trying to do themselves out of a job! They really do make a difference in the lives of the most marginalised people. I love that they now regularly share awesome stories with all of us who support their work. The challenge to us now is to share those stories with our networks, to make the people DCM works with visible across our society. Through our time, our dollars and our sharing of stories, we can build and celebrate the connectedness we all have to one another." If you would like to know more about regular giving, please get in touch - donate@dcm.org.nz <!-- --> Tia Recently we put out a call for furniture for some of the people we are working with who are now housed. And then we received a message on Facebook... DCM kaimahi Stephen Bowater (left) and Moses Davis (right) visited Tia to pick up furniture for taumai who they are supporting. Tia was moving to the Hawke's Bay, and had a household of furniture to donate, which was great timing for a number of taumai who we are working with. She thought of DCM, as her late stepbrother Brad was supported by us and went on to work here. She was surprised and pleased to learn that we indeed remembered Brad, who died in 2014. You may have read the story of Russell in last month's update or on our website. So many of our taumai pass away at a young age. Brad was 47 years old when he died, but at that time he was housed and doing well. He wanted to give back to DCM, and had started volunteering in DCM's Foodbank as well as helping out at the DCM Bookfair. How special it is that Tia's furniture now lifts up other taumai - the items have been shared with several different people. What a wonderful way to support these taumai to thrive in their very own homes, just as Brad did. <!-- --> Restocking DCM's Foodbank It is that time of year again, when we need to re-stock our empty foodbank shelves for the winter. And this year it is more important than ever, with increasing prices placing even more pressure on those who have very little.  It’s a time when we are always reminded of the many different people who come together, offering their time, money, food donations or skills, to make our work possible. Here are just a few of the many supporters who were involved in last weekend’s Foodbank Appeal. Some are new faces, others will be very familiar to you all. Shaun Shaun Monaghan is DCM's Property Procurement kaimahi. Shaun and Tihema visited New World Chaffers on Saturday to support the DCM team. It was great to see DCM kaimahi popping by on Foodbank Appeal day. Day in, day out, Shaun works tirelessly, seeking out rental properties, speaking with landlords, finding whare for us to house taumai in. His partner Tihema is a dentist who has taken dental sessions at DCM. If you or anyone you know would like to find out more about providing a rental property for someone who is experiencing homelessness, Shaun would love to have a chat with you. And you can enjoy reading the story of one such very special kaitautoko, landlord Dev, again here. Stephanie DCM’s former director Stephanie McIntyre  You never know who may drop by to support the DCM Foodbank Appeal, including our former director Stephanie! "Stephen has done a great job of leading DCM through such challenging times. For many years, DCM has insisted that the answer to homelessness is homes! More than a decade later, everyone is now accepting this. None of the tail-chasing to set up emergency housing and transitional housing has been effective. All can now see that this is not the answer. I am very pleased that DCM remains committed to housing first, to supporting people to access and sustain their own homes. During the period since I left DCM, I have continued to be involved, albeit often at arm’s length, in finding ways to grow the stock of permanent homes for DCM’s taumai. And I know that DCM will continue to deliver the wrap-around support that is essential for taumai to thrive in their homes." Shaun DCM Board member Shaun Greenslade-Hibbert and his husband Alan helped out at the Foodbank Appeal. Shaun joined the DCM Board in 2021 as a representative of the Religious Society of Friends, a community which has been supporting DCM since the very early days. He trained as a nurse in the 1980s and has worked in palliative care for over 25 years. Shaun arrived in New Zealand from the UK in January 2019 to continue his work in palliative care at Mary Potter Hospice. He has welcomed the opportunity to support DCM’s work in any way that he can – including taking his turn on Foodbank Appeal day, welcoming shoppers and telling them about our work. Wesley Church It is quite a job, sorting and labelling the food we receive at our Foodbank Appeal. DCM is very grateful to Wesley Church for providing the space to sort and store this much needed kai. Wesley Methodist Church has been supporting DCM since we began as ICM back in 1969. In fact the original DCM office was located at Wesley. They have always been there when we have needed them – providing space for community events like the Thanksgiving meals we hosted with the US Embassy, a room for our uke band to practice, putting a basket out for food donations at their church services, and groups of volunteers whenever we need them. Many Wesley Church members also choose to donate regularly to DCM. And now, with space all over this city at such a premium, Wesley has stepped up again and provided somewhere for DCM to store kai, and to sort food donations during our two annual Foodbank Appeals. Tree and Rhea Tree was down at New World Chaffers last week, ensuring that the DCM food donation bin was clearly marked ready for the weekend's Foodbank Appeal. We love it when people reach out to us and suggest creative ways that they can support our mahi. Tree Mackay is an accomplished designer who approached us to offer her time and skills. She has helped us re-fresh our food donation bin at New World Chaffers. Rhea is part of a team of talented students who have been undertaking some design work for DCM, developing new templates, infographics and digital tools for us. She created some designs and flyers to let people know which items we most need for the DCM Foodbank. "I'm currently undertaking post-graduate study at Victoria University. I first heard about DCM through Ignite Consulting, an organisation which connects students with socially conscious organisations. A few weeks ago, I was able to visit DCM and see first-hand the work being done and the tangible difference DCM is making in people's lives." If you were not able to drop some food items in over the weekend, why not pop down to New World Chaffers, have a look at Tree’s handiwork, and leave some of the items suggested in Rhea's beautiful shopping list for DCM to provide for taumai. Yes, it takes many different kaitautoko to deliver DCM's mahi and vision. And this month, once again, you all stepped up, supporting us when we needed it most. TOGETHER we can end homelessness – we cannot do this important mahi without you all. It’s as simple as that. <!-- --> Support DCM We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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    • Update from DCM - Together We Can End Homelessness
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background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Help us celebrate our 50th birthday This year, DCM is celebrating 50 years of working in the city of Wellington to “focus on the needs of, and to help empower, those marginalised in the city” (DCM Constitution, 1969). This month we held our 24th annual, fundraising Bookfair, which was another huge success for DCM, with large numbers of book-lovers coming to support our work to end homelessness in Wellington. Thank you for your support of this important event - we look forward to sharing our final tally with you soon. Next month we look forward to a special photographic exhibition focussing on the many individuals and groups within our city who are very much part of our work. The exhibition will feature 50 different images, each reflecting the contribution of one kaitautoko (supporter) group, business or individual. A number of different Wellington photographers will contribute these images, and the celebration will again be a coming together of the people of Wellington to acknowledge and reconfirm our collective commitment to ending homelessness in our city. Make a note in your diaries – plan to head down to Photospace to see the beautiful images and learn more about the amazing people in your community who are part of this vision. DCM 50th Birthday Photo Exhibition 14-28 September 2019 Mon-Sat 10am-4pm Photospace Gallery 1st floor, 37 Courtenay Place Wellington <!-- --> DCM’s Dental Service gives “lives back” This month we share the story of one of DCM's amazing supporters, our dental assistant Emily Kremmer. Emily has a full-time job and is in full-time study, but she still finds time to volunteer down at DCM, where she helps take away pain and rebuild lives. Thursday is Emily Kremmer’s “free day” – at least it’s the day she’s not at her job with Wellington Periodontics or studying for her degree in public relations and communications. But this 22-year-old dental assistant spends most of her free day in the dental treatment room at DCM. For 50 years DCM has been supporting Wellington’s most marginalised, with a focus on ending homelessness in the capital. In the first instance that’s about getting people without permanent housing into a home, then DCM supports them to stay there, to learn to manage their money and look after their new whare. But it’s also very much about addressing their physical and mental health issues, including their dental health. That’s why in March 2016, in partnership with the Wellington branch of the New Zealand Dental Association, DCM began operating a fully equipped dental treatment room, staffed by dental professionals. While the dentists volunteer their time, the dental assistants may be paid or choose to volunteer. Emily – who began with a monthly shift in August 2018 but lately has been coming every week – says she’s happy to take no payment for her hours. “I really enjoy it, and it keeps me busy. I think I’d waste my day off. I work better with something to structure my day around,” she says. The people DCM works with – who they call ‘taumai’, which means ‘to settle’ – usually have little opportunity to look after their teeth and gums, so nearly all who come into DCM’s dental service are in pain. “I love taking that pain away. As soon as you numb them up, you just see them relax,” says Emily. “And when you’re taken out that painful tooth or cleaned up their gums, they’re so grateful. One patient we had in the other day said, ‘I feel like a new man. You’ve given me back my life. I feel fantastic’, so it’s really great to feel you’re making a difference. “They often ask if we’re paid, and when we say, ‘No, we’re just here to help you,’ they’re amazed. They feel like someone cares about them and values them.” Much of the work they do, Emily says, is extractions and perio-work, with the odd filling, rather than root canals and crowns. “In general dentistry, you try to keep the real tooth as much as possible but here you need to be more realistic. There’s no point in doing a root canal if the patient can’t afford the crown. A lot of our patients here don’t have access to toothbrushes and toothpaste – although we offer them these things when they leave – so we help them in a way that’s best for them. There’s a lot of calculus build-up to scrape off, which is really satisfying!” Aside from that, the Dental Service at DCM runs just like an ordinary dental clinic, she says. Emily works from 8:30am until 1:30 on days that suit her, and is very satisfied with the clinic. “Everything runs well here. It’s super well-labelled, so it’s quick and easy to find things. There’s a new steri-room and a surgery with everything we need – ultrasonic scalers, x-ray machines, very new sterilizer and bar code scanner to keep track of sterile items and equipment. “The people here at DCM are also great. So smiley and welcoming. You never feel like you’re walking into someone else’s workplace. They treat us in the Dental Service like we’re one of the family. We take part in the daily waiata and karakia that begins each day, and they even give us lunch!” While Emily works at DCM every week, most of the dentists she assists volunteer less frequently, so she values that she works alongside lots of different people. “I have learnt a lot and I’ve become really adaptable because I need to be able to work with anyone and deal with any situation. Because I meet so many dentists, I feel strongly like I’m part of the Wellington dentist community. I don’t have plans to move onto being a hygienist or dentist but if you’re a DA who has ambitions to become a dentist, there’s a real benefit to working here.” What Emily does plan to do is get involved in dental health promotion or work for a not-for-profit organisation when she finishes her communications and marketing degree. “But I hope I’ll still be able do this because I really, really enjoy it.” An obvious thought might be, isn’t it a bit smelly working with people who live in less than ideal conditions? “Sometimes, a bit,” she answers. “But you get smelly people in private practice too. And their stories are so interesting. While some are reserved and want to get out the door as soon as they leave the chair, some are really chatty and you learn all sorts of things about them. You meet so many people you’d never meet in your normal life.” And a really good thing – they don’t complain. “In private dentistry people often complain a lot about any discomfort, but these people don’t. I think they’re used to a level of discomfort and they’ve all been living with pain for such a long time that their tolerance and resilience is high. And again, they’re just so grateful for your help so they sit in the chair and let you do your job. I haven’t heard a complaint from anyone since I’ve been here.” Emily says it’s definitely changed the way she sees people sleeping or begging on the street. “Especially if I see them drinking. One patient said to me, ‘I’ve been drinking to manage the pain’. Now if I see someone drinking, I think it may be because they’ve got a sore mouth, or toothache, or gum disease that’s not manageable.” In all, Emily Kremmer highly recommends other dentists and dental assistants offer their time at DCM’s Dental Service. “It’s very easy to work here. You give whatever time you have, whenever your want – once a month, or even less if that’s all you can do. You’re given a full orientation and lots of support while you work here.  “What we do at the Dental Service is humbling and rewarding. And – at the heart of it – we do really good dentistry.” <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in books, how to respond to homelessness, photography and just generally people who are passionate about Wellington. Because together we CAN end homelessness in our city. <!-- --> Read More Success Stories Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2019 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? 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    • The artist as many other things first
      • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
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    • Ngā Kōrero - Latest stories from DCM
      • 96 Ngā Kōrero - Latest stories from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Looking back into the past, and toward the future, Jason remembers kindness – “The biggest thing on my list today.” Building commuities where whānau are housed, connected, valued and thriving About Us Contact Healing through kindness – Jason’s story It’s a cold mid-winter’s Monday morning at DCM, and the building is bustling with activity. Jason has just arrived for work, and there’s plenty to be done. Jason is going to show a new volunteer the ropes. Food awaits pick-up at some local churches, Kaibosh and New World – and when the DCM van returns back to base Jason will have food parcels to pack so taumai can receive emergency food assistance. For Jason, employed as kaiāwhina in DCM’s Foodbank, he knows that there are lots of little ways he can help. For example, “If someone needs an overnight food parcel, chances are they’re rough sleeping. So I’ll go out of my way to make sure they have some disposable containers, tear tabs – I couldn’t think of anything worse than being given some food and not being able to eat it!” Another day in DCM's busy Foodbank. Jason describes it as a selfless job. “It really gets me out of my own way, to help share the vision of DCM. I always walk away at the end of my shift feeling better about myself.” Looking back into the past, and toward the future, Jason remembers kindness. But life was not always kind to Jason, and he is remarkably honest about his journey. Jason was born in the Hawke’s Bay, where family life was pretty tough. “I had an alcoholic stepfather who brought violence into the home,” Jason shares. “My mum was trying to raise me and my two brothers and she kind of got trapped in this relationship and couldn’t escape.” Jason came out when he was quite young, and he was bullied at school. This had a big impact on him, as did working in hospitality from a young age. Jason is reflective about how drugs and alcohol helped him to suppress his emotions. “So you have the cultural aspects, and the family harm aspects, and also depression runs right through my family. I didn’t have good coping mechanisms. So one thing I learned is that when things get tough you just pack up and run. “I learned to pack very lightly, and not put roots down. I couch surfed, spending many years doing that. I learned that all your possessions are the clothes on your back, and what you can carry.” Jason was thrown out of places for not paying rent due to his drug problem, ending up in Australia. But despite the change of scene, and a good job in hospitality, Jason acknowledges, “I thought life would be OK. But I still hadn’t addressed that I had a drug and alcohol problem. Or that I was an addict.” It was back in New Zealand that Jason reached what he describes as his lowest point. “I remember getting to a point where I’d use drugs, walk around the house, and felt like I just ‘existed’. That was a scary feeling. I just felt empty, like I had nothing.” With family help, Jason was finally able to start the process of getting into rehab. That took four months, and in the meantime Jason started going to 12-step meetings, and anything he could find that was recovery-focussed. “I found online blogs of people sharing stories about how they managed to give up drugs, and I was drawn to that kōrero,” Jason says. “I thought, ‘Hang on, there’s a life outside this?’” After a relapse, Jason found himself rough sleeping. He went to Work and Income to ask for help with emergency housing, and they suggested popping down to DCM to get some food, where Dominic was his first point of contact. “I was a mess, but Dom was really kind. He helped me with a food parcel and then we had a bit of a kōrero about how DCM could help. I was willing to take whatever help I could get, and he said that Evan had just started at DCM, and that he would like to engage me with him. I wasn’t too keen on meeting a drug and alcohol counsellor! I just wanted to isolate in my own little bubble, and wallow in my pity. But as I was walking out of the interview room, Dom goes, ‘Oh, this is Evan here!’ So I didn’t have a choice in the matter! And that was kind of a turning point in my life.” Jason with DCM drug and alcohol counsellor Evan. From then, Jason started popping down to DCM regularly. “I would come down most mornings, even if it was only for a coffee and a chat to the staff. Just so that they had ‘eyes’ on me. I started opening my doors for change. I just let DCM in. “I maintained going to regular meetings – every single day, even when I didn’t want to. I joined Te Awatea. I would go along Mondays and Fridays. And have a kōrero in there with the other taumai, sharing my journey, and what was going on for me. It is so good that there is a safe space at DCM for people to speak openly and honestly. “Evan used to call me, saying ‘Hey brother, I’ve put your name down for this. If you’re not interested, you don’t have to do it’. As I started getting better I decided to take up the challenge of doing the things that scared me the most. And one of those things was doing the peer support training with Brodie and Hannah at DCM.” Jason was able to access other services at DCM, such as the emergency dental service. “I was terrified of seeing the dentist!” Jason explains. “I hadn’t looked after myself, but the dentist (Morris Wong) was amazing. He sees people. He talked me through my anxiety. It wasn’t as bad as I expected. I needed a tooth extraction and a filling, probably two things people fear the most. And he helped me through it. I went away thinking, ‘Wow, what a great experience!’” Jason also saw the Te Aro Health nurses at DCM. “Don’t even get me started on them! Rebecca and Bronwyn have been incredible, and super-supportive. I went to Bronwyn with a medical problem and she made it her business to push for the hospital to see me. They helped me, and it’s been great. She went above and beyond, just pushing for them to do something. “All the staff at DCM are amazing,” Jason adds. “All the staff who are there now, and those who have moved on.” Having completed training with PeerZone, another kaiāwhina (Renee) suggested Jason apply for a job working in the DCM Foodbank. “She set up an interview and I was absolutely terrified about going into a job. I hadn’t been in employment for eight years. I didn’t know if I’d be any good or be able to hold the job down. So much unknown, but I used a bit of courage. Then I thought, actually, the job’s not about me. I found purpose in the job and that’s about knowing that the mahi that I’m doing is impacting the lives of others today. “I used to give money to street beggars – until Evan pointed out the dangers. If I’m walking down the street now and hear a taumai calling out to ask for money I say, ‘If you’re hungry, pop down to DCM. WE can help.’” Jason now has a whare with help from Evan and DCM's Aro Mai Housing First team. He is proud to be housed, working, and officially off Work and Income’s books. He’s even ditched cigarettes. But most of all, Jason is proud to be living clean, one day at a time. “What I have learned in that time is to show others compassion and kindness. And that comes from the people who have loved me since walking through the doors at DCM. I wasn’t judged and they were there to help me. So today I try to see people and meet them where they’re at. I’m continuing to show that love and kindness to others.” Jason now has a life he never dreamed he’d have. “Some days I still feel like an alien trapped in my own body. I definitely don’t have it all together – but that’s OK. I’m on the right path. I’ve had many months of re-building my Te Whare Tapa Whā. I’ve learned core values and spiritual principles along the way. I’m a better person today, and I’m OK with who I am. “When I look back to my darkest times, what stands out to me the most are those who showed me kindness. Those who were able to be there for me, to say ‘It’s OK. It won’t be like this forever.’ “So I remember kindness – that’s the biggest thing on my list today.” Photoshoot by Gabrielle McKone. <!-- --> Te Awatea – Doing whatever it takes It's later on Monday morning at DCM – almost 11am. “Last call for coffee!” Clifton announces to the room. Some taumai get their final cup, while others mill around, waiting for Te Awatea to begin. Evan and Jo have set up the space, where taumai are welcome to come and go. They are joined by Clifton and other kaiāwhina, offering peer support for the group. Te Awatea is as accommodating as possible, though Evan and Jo will keep an eye on disruptions, and manage any behaviour that starts to impact other members of the group. Te Awatea is all about harm reduction – and today the nine members of the group start with a round of, “How are you doing today, on a scale of 1-10?” Some taumai rate themselves pretty high, a 7 or 8, while others are feeling a bit down today. A couple of taumai are dealing with medical issues at the moment, which is not making life any easier. Everyone shares how their weekend went. For some taumai, there are challenges. There are members of the group who freely share that they are dependent on drugs or alcohol, and feel stuck. But there’s no judgement from Evan and Jo, or from other taumai in the room. This is a safe space to share whatever you’re feeling, wherever you’re at. One taumai has to leave early to see a nurse. Before he goes he shares how he’s managed to reduce his alcohol intake. He had a great weekend, and is feeling good today. The group cheer him on – “Awesome mahi!” – as he pops out to see the Te Aro Health team. After the intros, Evan leads a kōrero about mental health. By sharing some of his story Evan knows that it will help break the ice, and get the group to open up about their own experiences. Taumai share how they face mental health challenges too, and some acknowledge that they use drugs and alcohol to self-medicate, but that it doesn’t really help. There are a lot of laughs at Te Awatea. Everyone is different – and there are some characters! – but everyone is so open and honest that it’s hard not to share in a joke or two, to lift the spirit in the room. As the session comes to a close Evan leads with the serenity prayer, “Grant me the serenity to accept the things I cannot change; courage to change the things I can; and wisdom to know the difference.” Taumai chat amongst themselves as they head off. Some are looking forward to the next session, which will take place on Friday. In the meantime, Evan and Jo have their own little side room at DCM for one-on-one sessions with taumai who need them. While the group focusses on harm reduction, the offer of other pathways forward is always there if that’s what it takes for taumai to thrive. “Whatever it takes” is part and parcel of DCM’s kaupapa. Te Awatea truly shows that kaupapa in action. It’s not just on Mondays we hear stories like these. Here at DCM we are privileged to journey with taumai towards their housing and wellbeing aspirations, each and every day. You can help support us by forwarding this email on to anyone you think may be interested in learning more about our mahi. We will share our Ngā Kōrero bi-monthly. <!-- --> Support DCM We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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    • DCM Bookfair 2018 - One Week to Go!
      • 96 DCM Bookfair 2018 - One Week to Go! p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ #templatePreheader{ display:block !important; } } @media only screen and (max-width: 480px){ #templatePreheader .mcnTextContent,#templatePreheader .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ #templateHeader .mcnTextContent,#templateHeader .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ #templateBody .mcnTextContent,#templateBody .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ #templateFooter .mcnTextContent,#templateFooter .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Saturday 4 August, Shed 6, Queen's Wharf, 8am-6pm. DCM Bookfair 2018 - One Week to Go! View this email in your browser DCM's annual, fundraising Bookfair is ONE week away! Saturday 4 August, Shed 6, Queen's Wharf, 8am-6pm. Wellington's annual DCM Bookfair has been raising funds for vulnerable Wellingtonians for 23 years - but unless a new storage venue is found, this year's event will be the last. Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. There's never a shortage of donations but the storage unit DCM has relied on will not be available next year, leaving the future of the book fair in doubt. Every year, book lovers flock to the DCM Bookfair on Wellington's waterfront to grab an armful of bargains in support of vulnerably housed citizens. But unless a new storage venue is found, this year's event will be the last. Lee-Anne Duncan reports. It's catnip to bibliophiles, that smell. It's the bouquet of books, heavy with dust and knowledge, to be stacked and sorted, packed then transported to Wellington's Shed 6 for next Saturday's DCM Bookfair. This year is the 23rd time hundreds of volunteers have poured thousands of hours into collecting, sorting, boxing and setting out nearly 100,000 books for the country's biggest book fair. The event is also DCM's biggest single fundraiser. Formerly known as the Downtown Community Ministry, DCM works "at the serious end" of homelessness. Along with supporting people to find sustainable accommodation, DCM provides a variety of services to support vulnerable Wellingtonians. The organisation calls the people they work with "taumai", meaning "to settle", preferring it to the less personal "client". While DCM receives funds from local and central government to carry out some of its work, donations and fundraising events like this one are its lifeblood. If this book fair is as successful as those past, a near quarter century of book fairs will have collectively raised at least $2 million to fund DCM's work. "That's $2 million we haven't had to ask of central or local government agencies," says Stephanie McIntyre, DCM's director for the past 14 years. "The only reason we have been able to raise that money is through the generosity of Wellingtonians who donate their books, the people who buy them, and of course the volunteers who give their time to make it all happen." A fundraiser's success often comes down to those volunteers, especially for an event as large and complex as DCM's annual book fair. But this year's event might be its last, as the planned development of Shelly Bay means the Wellington City Council-owned warehouse used to store and sort donated books won't be available next year. "All this is absolutely at risk," says McIntyre. "We have had zero response trying to find another warehouse. We'd love to have another book fair as it's become such a classic Wellington thing and it's essential fundraising for us. Next year is our 50th birthday and it would be a great shame not to have a book fair in such an important year." DCM director Stephanie McIntyre. Many – if not most – of the fair's volunteers give their time year after year. A core group of about 30 helpers travel to the warehouse on Thursdays or Saturdays, or both, for generally five or six hours a day every week between April and August. There, wrapped up against the winter chill, they receive donations, sort the books into categories, then into subcategories, and sometimes even into micro-categories. "I've found quite a few books on grief. I'm hoping I can get enough together to make a section of its own," says long-time volunteer Wendy Nelson. "And I've got all these diet books. This year we seem to have a lot of paleo books." Spirited exchanges have been known to happen over categories. All Blacks Don't Cry by John Kirwan, for example: "Is that sport or mental health? I even found copy in Psychology earlier," says Nelson. If there's more than one copy – and often there is – the books can be allotted wherever book seekers may think to find it. A marine biologist, Nelson works full time as a principal scientist at Niwa but spends her Saturdays sorting. She's been involved in the book fair every year since the first, in 1996. "The then director, Helen Walch, said she'd had this great idea to hold a second-hand book fair as a fundraiser that would engage the volunteers and community. "I thought it sounded like a good idea – I like books, so why not get involved? DCM does such important work, and is such an important part of Wellington. Sometimes it's hard to know how to contribute, but this is a way for us to do our own small bit."  Volunteer Wendy Nelson, a marine biologist and book lover. Each year DCM supports about 1000 people who are experiencing homelessness or in danger of becoming homeless. But the work DCM does goes far beyond putting a roof over their heads. Every DCM day begins with a karakia and waiata. DCM kaimahi (staff) and their taumai gather to give thanks for the new day at 9am when the organisation's doors open in Te Aro's Lukes Lane. Social workers are on hand to talk to taumai to get to the heart of why they're experiencing homelessness. They support the person to access a benefit and manage their money, find and sustain housing, and connect to whānau and culture, health and other services. Statistics New Zealand defines homelessness as: "Living situations where people with no other options to acquire safe and secure housing are without shelter, in temporary accommodation, sharing accommodation with a household, or living in uninhabitable housing." Research by Otago School of Medicine in 2016 put the number of New Zealanders living this way at more than 40,000 people, nearly 1 per cent of our total population – the highest rate of homelessness in the OECD. It's difficult to accurately quantify homelessness. During this year's census, DCM staff worked with Statistics NZ staff to encourage and support people who were homeless to complete the census forms. "We explained that government funding decisions are made on census data, so filling out the census made sure they were counted," says McIntyre. DCM's own data vividly describes the increase in demand. Over the past five years, the number of people who are homeless that come to DCM for support has increased by more than a third. "Even more worrying, the number of people we see who are actually without shelter – so rough sleeping, or sleeping in cars – has more than doubled." McIntyre expects the number of people DCM supports to increase this year. "When you get a severe housing crisis, as we have now, it's the most vulnerable who are kicked to the end of the line. As housing gets harder for everyone it gets especially hard for these people, which makes our work even more necessary." In May, the Government announced $100 million to address homelessness – $37 million of that was allocated to find places by the end of this winter, with the rest spent over four years on the Housing First programme. While DCM will be at the forefront of delivering Housing First in Wellington, the organisation will continue to rely on volunteers and donations to pay for its core services. We visit four Saturdays from sale day. There's a stiff nor'wester whipping the waves a few metres from the warehouse. Out in the harbour, a rare southern right whale is leading the news. Te Amo Roberts, another volunteer and someone DCM has supported, reports he saw the whale on his way in. He stirs himself a coffee between breaking down cardboard boxes and helping with some of the "grunt work". Volunteer Te Amo Roberts received assistance from DCM in the past. Today, he's an important part of the book fair team. "There are some biscuits on the sideboard, Te Amo – Cameo Cremes," says McIntyre, who's holding a brief meeting with a small group of volunteers, a long, tightly written to-do list on her crossed knee. Cut sandwiches and fruit are boxed on the sideboard, along with those Cameo Cremes. Everyone knows a volunteer army sorts and packs on its stomach. Most of the fair's book-sorting volunteers stick to their areas of expertise – a retired anaesthetist is set to work deciding which medical books are still useful, and a war buff flicks through the military books. They determine which books will sell and for how much, which subjects are likely to be "in"' this year, and which – judging by the number of those donated – are on their way out. The volunteers' knowledge also means they're well-placed to spot a valuable book. Then, with the aid of local auction house expertise and internet bookseller searches, a price is applied and the book is included in the high-value stack. "We do get some amazing finds where people might not have realised they've gifted us an extraordinary treasure, but we have no way of reuniting it with its owner," says McIntyre, who, drawing on her own pre DCM music industry career knowledge, found a rare Beatles book some fairs back. "At the same time I'm sure we've had books we've sold for $2 that may have been worth hundreds. But you've got to be philosophical." A hand-drawn diagram of the Shed 6 book fair layout is pinned to the wall. Each table has a number assigned to a book category: children's, history, health, fiction (so much fiction), New Zealand, art, and so on. The more work done now, the better 100 or so volunteers on set-up day know exactly where everything fits. Taking too many books to fit a category's allocated section would lead to chaos – setting out 90,000 books is a precise science. "We've got a phenomenally good offering of children's books this year, so we've had to shuffle up some other things to accommodate that," says McIntyre, scrutinising the diagram. "The foreign languages are fine but the music is the big headache at the moment," says one volunteer, popping in to give McIntyre a quick update on her areas. The team is following a packing plan with scheduled revision points. According to the plan, by this day 75 per cent of books must be sorted, tallied and packed on pallets (each holding about 800 books) ready for transportation to Shed 6 at dawn the day before fair day. With clipboard in hand, Alexi Manouilenko is responsible for the tally. DCM stepped in when he needed support a couple of years ago, which led to him volunteering on fair day in 2016. "As well as wanting to give back to DCM, I'd been out of work for a while and people are reluctant to hire you when you don't have anything to explain your time off. I realised the best way to get back into work was to volunteer to show I could work. I already knew DCM so I volunteered for two years. That led to some paid work and now I have a full-time job with DCM."  Part of Manouilenko's job is to decide how many books in each category should go to the fair and use his maths skills to keep tabs on the packing. "I look at the previous two years to see how many books were taken in each category and how many were sold. From that I try to guess at what we should take this year, and I tell the volunteers how many boxes in each category to pack." This level of organisation is why DCM must close the book on donations four weeks out from the fair. Even on the last day, every few minutes book-toting donors poke their heads around the peeling-painted door. "I just want to drop some books," says a man, setting down his burden. "Thank you, mate," says McIntyre. "Come to the fair and buy a whole lot more, won't you?" Surely he will – book lovers only clear their shelves to fill them with new finds. While the DCM Bookfair is certainly about finding new homes for old books, it's also about raising funds to support marginalised Wellingtonians into homes of their own. Nelson remembers when the team was ecstatic to raise $15,000 – now the book fair raises around $100,000, which goes directly into funding DCM's work with people experiencing homelessness. It's that work, as well as their shared love of books, that motivates the volunteers. Volunteer Tamara Morton with stacks of books ready for the fair. Tamara Morton is a consulate advisor at the Ministry of Foreign Affairs and Trade, but spends her Saturday mornings in the warehouse's fiction section, estimating the book-buying public's appetite for Philippa Gregory and Dan Brown. "When I was living overseas, circumstances happened that I found myself looking for a place to live. It was short-lived and I've never been truly homeless, but I can't forget the anguish that came with thinking, 'What am I going to do? I've got nowhere to go.' To be able to help an organisation with the resources to address that is why I do this for DCM. "There's also the huge bonus of making connections with people you wouldn't meet in a lifetime of routine days. The people who work here come from all sorts of backgrounds and different stages of life. It's really cute to see the cheeky banter that goes on between a Millennial and a Baby Boomer. It's really delightful to be a part of that." Nelson is busy assessing travel guides (nothing published before 2010 goes on sale). "What I love about the book fair is that everyone's winning," she says. "The people off-loading their books feel they're going to a good place, the people who rock up to the book fair get fantastic bargains, and the people who volunteer get satisfaction from contributing to something. And it's about making connections into the community." Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. Feel free get in touch with us at DCM over the coming week if you have any questions about the Bookfair on (04) 384 7699 or events@dcm.org.nz Click Here to Donate Now! <!-- --> Copyright © 2018 DCM, All rights reserved. Want to change how you receive these emails? You can update your preferences or unsubscribe from this list
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