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    • Island Bay Seeds to Feeds Pot Luck- Mediterranean Feast
      • Join us for a delicious Mediterranean Feast Potluck as we come together to celebrate amazing food grown in Island Bay! This is a warm and welcoming community gathering where we’ll share Kai, meet neighbours and honour the growers, gardeners and food lovers who make this suburb so special 🌿bring a plate- and if it includes something from your own garden, even better! 🍅 celebrate our local homegrown produce 💚 connect with other locals who care about food, sustainability and community 🌱share ideas for how we can grow and strengthen our food community in Island Bay ✨ celebrate food sovereignty and the empowering act of growing and sharing Kai We have so many wonderful people growing local food, let’s celebrate abundance together. Seeds to feeds will be providing some Kai including some of the delicious creations from our IB pickle party but additional contributions will be welcome. Bring your whānau, share a dish, exchange knowledge and help shape the future of food resilience in Island Bay Well shortly make tickets available so we know who’s coming but as always, this will be a koha event and everyone is welcome
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        • Island Bay, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)


    • “Helpful” Government Gives Our Public Meeting On Saturday 3 August A Publicity Boost
      • Want a good reason to attend the Save the Basin Public Meeting at St Joseph’s Church, cnr Brougham and Paterson Sts, Mt Victoria, from 4-5pm tomorrow, Saturday 3 August? Well, if our original invitation wasn’t enough, now you have a new reason: The Government has just announced that the resource consent hearing will be before an EPA Board of Inquiry hearing rather than before the Environment Court, as Wellington City Council had recommended. You can read the Minister’s announcement, and find out the names of those she has appointed to the Board of Inquiry, on Wellington Scoop. We’d rather the Minister had taken a few more months – or years – to make her decision, but now we know exactly what we’re up against. We were already going to tell you about NZTA’s flawed and sloppy flyover proposal, and what it means for you. Now we can also tell you with more confidence what the submission process will be, and how you can tell the Board, the Government, opposition political parties and the world at large that we do not want this ugly, outdated and unnecessary concrete monstrosity within a bull’s roar of the historic Basin Reserve.
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    • Social Justice Week 2013: Resources for schools
      • Social Justice Week, 8-14 September, 2013 September 2013 Catholic schools’ resources focus on the nature of work as an important part of life. The teacher’s booklet Justice at Work draws on key ideas from the core Social Justice Week booklet Walk Alongside, adapting them for a younger readership. Learning is underpinned by the enduring understanding of how God works in our lives to make us more Christ-like. We are in God’s creative and loving hands. Primary school materials explore the meaning of work, why people work, and different kinds of work. Older students (Years 7-13) are encouraged to research and engage in topics such as workers’ rights and responsibilities, and using our gifts in working towards the Reign of God. The schools poster sent out this year doubles as a board game, using commonly heard phrases by those seeking work. It aims to encourage conversations about the uncertain future of work for many young people. These conversations are important as preparation for the challenges ahead. Prayers, liturgy and worksheets are available for downloading from the Caritas website. School visits are planned for September.  
      • Accepted from Archdiocese of Wellington - Wel-com articles
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    • Social Justice Week 2013: Resources for schools
      • Social Justice Week, 8-14 September, 2013 September 2013 Catholic schools’ resources focus on the nature of work as an important part of life. The teacher’s booklet Justice at Work draws on key ideas from the core Social Justice Week booklet Walk Alongside, adapting them for a younger readership. Learning is underpinned by the enduring understanding of how God works in our lives to make us more Christ-like. We are in God’s creative and loving hands. Primary school materials explore the meaning of work, why people work, and different kinds of work. Older students (Years 7-13) are encouraged to research and engage in topics such as workers’ rights and responsibilities, and using our gifts in working towards the Reign of God. The schools poster sent out this year doubles as a board game, using commonly heard phrases by those seeking work. It aims to encourage conversations about the uncertain future of work for many young people. These conversations are important as preparation for the challenges ahead. Prayers, liturgy and worksheets are available for downloading from the Caritas website. School visits are planned for September.  
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    • Social Justice Week 2013: Resources for schools (2)
      • Social Justice Week, 8-14 September, 2013 September 2013 Catholic schools’ resources focus on the nature of work as an important part of life. The teacher’s booklet Justice at Work draws on key ideas from the core Social Justice Week booklet Walk Alongside, adapting them for a younger readership. Learning is underpinned by the enduring understanding of how God works in our lives to make us more Christ-like. We are in God’s creative and loving hands. Primary school materials explore the meaning of work, why people work, and different kinds of work. Older students (Years 7-13) are encouraged to research and engage in topics such as workers’ rights and responsibilities, and using our gifts in working towards the Reign of God. The schools poster sent out this year doubles as a board game, using commonly heard phrases by those seeking work. It aims to encourage conversations about the uncertain future of work for many young people. These conversations are important as preparation for the challenges ahead. Prayers, liturgy and worksheets are available for downloading from the Caritas website. School visits are planned for September.  
      • Accepted from Archdiocese of Wellington - Wel-com articles
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    • Taking The Wheel: The Government Makes More Moves To Rebalance Transport
      • As Wellington waits for an announcement in its transport future, the Government is continuing to make moves to reshape transport in New Zealand away from over-reliance on the private car and towards a balanced system that gives as many people as possible options for getting off the roads: The new Government Policy Statement on Land Transport represents a significant change away from the previous Government’s motorway-dominated transport priorities, as Isabella Cawthorn explains on Talk Wellington. On Newshub, Thomas Coughlan says that public transport is the big winner in the new strategy. The previous National-led Government was completely impervious to the well-accepted research finding that adding new capacity encourages more people into cars. The news that the Government is considering tolling Transmission Gully to help prevent this is an encouraging sign that the feared flood of additional cars into Wellington from the North may not materialise. While we wait to see whether the Government’s new, balanced approach will succeed in cutting Wellington’s motorway-building cabal off at the pass, why not find out how another seaside city, Vancouver, has succeeded in making its transport system work for people, not the other way around?
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        • Transmission Gully Motorway, Kenepuru, Porirua, Porirua City, Wellington, 5022, New Zealand (OpenStreetMap)


    • Sporting students staying motivated during Lockdown (Part 3)
      • What does the lockdown mean for sporting students? How has it affected them and what are they doing to stay fit and motivated? Two more local sports students are Toby Cook (Wellington College), who spent the summer preparing to travel with his school’s rugby party to Argentina and Jacob Madigan (St Patrick’s College, Kilbirnie) who was winding up his summer sport and about to start his winter code. We asked them what they are doing during lockdown: Jacob Madigan in action for St Patricks Kilbirnie (Photo by Hamish Wareham) College Sport Wellington: Please tell us what you were preparing for before the Lockdown? Toby: As I was a part of the Wellington College touring rugby squad to Argentina, 30 of us boys had been training pretty hard from the end of last year. Although three weeks before the lockdown started we were informed the trip had been cancelled, we then shifted our focus to training for the regular season which is also currently at a standstill. Jacob: I was involved with the St Pats First XI cricket team and we were nearing the end of the season with only one game left plus a T20 tournament during summer tournament week. On that same weekend we had our first preseason First XI football games up in Palmerston North, which got cancelled CSW: what you are doing to keep fit and train? Toby: Our coaches and trainers from school have been great in sending out information so you can train no matter what equipment you have. My sister was also able to bring home an erg which is a welcome change from running. As well as trying to get a session in each day I’m also trying to keep up my basic skills. Jacob: Our football coach gave us a programme to do over the lockdown period which means hopefully we can be fit going into the season. I have also been doing some technical work for football and cricket in my back garden and at the park. CSW: Please share a lockdown sports practice or training tip for your school mates and others out there in the same situation? Toby: I normally try to complete my training in the morning as I find it gets it out of the way and sets you up for the rest of the day. Another thing I’ve found helpful is our trainer turned our sessions into a competition and we have to record and send in our training and time which keeps us accountable. Jacob: Keep doing something relating to your sport. It is hard in these times to keep motivated when you can’t actually go and train and play but if you keep doing fitness or technical work, then you will be good to go when the season comes. Also track your times of what you are doing and compare them to a friend and see who can do better as a bit of motivation. CSW: Are you in contact with your sporting friends about the above and are you motivating each other remotely? Toby: As above, the majority of the squad have been videoing and sending through their workouts to our chat. This has been great as it allows us to see what everyone else is doing to motivate each other, the videos also keep us accountable for the work we are doing. Jacob: Yes, I’ve been talking to the boys about how they are going and a few of them send me daily photos of them doing the exercises. I have also been talking to friends outside of school who are doing their own fitness work just to see what they are doing and how they are going. -Story courtesy of College Sport Media The post Sporting students staying motivated during Lockdown (Part 3) appeared first on College Sport Wellington.
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        • Kilbirnie, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)


    • What you love most about living in Ngaio or Crofton Downs
      • Even in these uncertain times, there’s one thing we know for sure – staying home for 4 weeks has given us chance to spend more time than we ever thought possible in Wellington’s best little suburb – Ngaio Crofton Downs! So it’s just the time – we thought – to ask you what things you most LOVE about living here? Is it the people? the bush? the wildlife? the hills? the clean air? or something else…? And while we’ve been staying home, what have you enjoyed most? Walking down the middle of your street without fear of being bowled over by the traffic? the peace and quiet? The call of the Tui and the Kereru? talking with your neighbours over the fence? or something else…? Upload a video, a photo, a message or an audio and tell us what you love most about living in Ngaio or Crofton Downs. And what’s been best about staying-home here – things you want to keep hold of, even when Covid-19 is beaten! Keeping down our carbon footprint and keeping up our healthier lifestyles and communities maybe…? How to get your entry to us? – send them from online at this link– or email info@ngaio.org.nz, or post to a cloud sharing facility and send us a link. DEADLINE – 5.00pm 22 May
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        • Ngaio, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)


    • Article | About Tania & Our Whare
      •   <figure class=" sqs-block-image-figure intrinsic " >  Sitting on the floor of her room, Tania Thompson says she has been working on an art piece for her bedroom wall. The 58-year-old is fond of recycling and often sees the worth in what others have thrown away. The piece she is weaving comes from discarded thin, wooden planks she found around central Wellington. It’s been a while since Thompson had a place to call home, which she could decorate how she liked. For the past two years, Thompson has been couch-surfing, living in her cousin’s shed and on the streets of central Wellington. She’s one of 41,000 people who are homeless in New Zealand. This figure included people who were living out of cars and in garages. But for the past five months, Thompson has been living in transitional housing on Manners St, provided by Wellington Homeless Women’s Trust (WHWT). “I feel really safe and wish I had come here ages ago. I look forward to coming home," she said.   <a href="https://www.stuff.co.nz/national/125008567/wellington-homeless-womens-trust-tenant-looks-forward-to-coming-home" class="sqs-block-button-element--small sqs-button-element--tertiary sqs-block-button-element" target="_blank" > Full Article   Permalink
      • Accepted from Wellington Homeless Women's Trust JOURNAL by tonytw1
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    • Social Justice Week 2013: Don't give up – bishops
      • Social Justice Week, 8-14 September, 2013 September 2013 New Zealand’s Catholic Bishops warn that young unemployed people may face decades of disadvantage. Introducing the Social Justice Week booklet, they write, ‘To young people experiencing difficulties in finding permanent, secure work, we say, "Do not give up hope.... Each of you is a precious and valued member of our society. We are not giving up on you – please don’t give up on yourself". ‘To employers, we say, "Do not give in to stereotypes that young people may be unreliable or unmotivated. Employers tell us that often their youngest employees exceed their expectations. Make a commitment to give reliable and secure work to your young workers and expect loyalty and commitment in return. ... ‘To our parishes and the wider community, we say, "Get to know the young people in your community who are looking for work. Talk to them about your experiences of work and support them in their job search." ... ‘In Social Justice Week this year, it would be great if we all make an effort to talk to those around us about our experiences of work and of looking for work. We may all be surprised at what we learn from one other and how we can help one another.’  
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    • September Update from DCM - Together we can end homelessness
      • 96 September Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } After a number of years of homelessness and, more recently, sleeping rough for a year, the future looks bright for Steven Cooking up a smile After a number of years of homelessness and, more recently, sleeping rough for a year, the future looks bright for Steven. The team at DCM have him back in a home of his own, and looking forward to getting back to work and smiling again. Steven in his whare Last year, Steven was sleeping rough, mostly in “the coves” along Wellington’s waterfront, where he felt safest. Steven qualified as a chef at 18 and worked in Australia for 20 years or so before coming back to New Zealand in 2005, often heading up busy kitchens. But back in New Zealand, things were not so good, and Steven found himself on the street, staying in different boarding houses and hostels until eventually he ended up sleeping rough on the waterfront. Instead of working in restaurants, he was now sleeping outside them, taking advantage of their heaters when they were on. “That’s where I’d go every night. It’s the safest place – much better than a tent in the bush. I’d drink to keep me warm and put me out at night so I could sleep in the cold. That was the only reason I drank – I don’t drink much now because I don’t need to.” He doesn’t need to because he’s now permanently housed in his own one-bedroom whare up in Karori, thanks to DCM and Te Aro Health. The Te Aro Health nurses, the DCM Dental Service and DCM’s volunteer physiotherapist Jeff have all been part of the team working with Steven to get him housed and well. Nurse Bronwyn and DCM kaimahi Kat continue to work together to support Steven When he was sleeping rough, Steven began coming into DCM “a lot – I was constantly on the move and this was the only place I could come and chill out and keep warm.” He’d also come in to talk with the team at DCM about how he could get off the street. They helped him onto the social housing waiting list. And then, at the end of last year, Steven was handed the keys to his new flat, and the team from DCM helped him to get together the furniture and items he needed for his home. “It was just like heaven. It was a load off my mind because you’re hyper-sensitive and aware when you’re outside doing it rough. You’re always aware, even when you’re sleeping. Moving in was a load off my mind. I could start planning ahead again and I could start thinking about getting back to work. If I hadn’t had DCM working with me, I reckon I would have been waiting three or four years." The next thing Steven plans to get sorted is his teeth, with DCM’s Dental Service having referred him to the hospital to get false teeth. “My teeth had been great till about 10 years ago but then they went real quick. I have a great smile, but I just didn’t smile with my teeth the way they were. I can’t wait to get false teeth and become a grinning idiot. It will give me so much more confidence to get back into looking for work. I want to be able to walk into an interview and give them a proper smile.” That work will likely be back in the kitchen, because cooking is what he does and unsurprisingly, having a kitchen again is Steven’s favourite thing about having his own flat. The first thing he cooked in his new whare? “A big roast pork with orange Beauregard kumara. I candied up the kumara with brown sugar and garlic, then added a little butter at the end. Delicious.” To read more of Steven’s story, click here. <!-- --> As you know, DCM is committed to ensuring that our taumai* have a voice – at DCM, in our community, and in Aotearoa New Zealand. Next month, our taumai will be able to vote in the General Election, right here at DCM. Despite the complexity of operating at Level 2 for much of September, we have continued to enrol as many taumai as possible, and to provide training and practice voting sessions – all with the support of the lovely team of Janet, Erin and Bridget from the Electoral Commission. Supporting taumai to enrol K is a 48 year old man who has been in and out of housing and often rough sleeping over the past 15 years. He has not been able to vote without an address, and voting in elections was not a major concern for him when he had so much going on in his life. Just before lock-down, DCM got K in to emergency accommodation and he is now on a waiting list for his own whare. K popped into DCM for a cup of coffee at Te Hāpai this month, asked about the enrolment forms there, and decided to get himself on the roll for this year’s General Election. K is looking forward to voting at the mobile voting booth at DCM for the first time in 15 years, especially as this year’s election will be held the day before K’s 49th birthday. A is a 40 year old Māori man who has not voted since 2005. He has been in and out of different homelessness scenarios, from rough sleeping, to the Night Shelter, to boarding houses and backpackers. In February 2019 he finally got his own Wellington City Housing whare and he has been doing well since. A came into DCM where he found out just how easy it is to enrol; he is now enrolled for the Te Tai Tonga electorate. He can’t wait to vote right here at DCM for the first time in many years. Explaining the referendum process C is a 37 year old Māori woman who has a lot going on in her life, having to deal with multiple addictions and mental health issues, which have seen her in and out of homelessness scenarios over many years. She is now in her own whare and working with DCM’s Sustaining Tenancies team. When the DCM and Electoral Commission kaimahi were able to show her how voting works this month, C decided to enrol to vote. She wanted to cast her vote immediately; we had to explain that voting wasn’t open quite yet! L is a 42 year old Māori man who is currently staying in emergency accommodation and working with DCM’s Aro Mai Housing First team. He didn’t think he’d be able to vote this year, as he doesn’t have a permanent address – until DCM staff explained that he could use DCM’s address. L was very excited and wanted to know who all the candidates are for the Te Tai Tonga Māori electorate. He too is looking forward to voting for the first time in years – right here at DCM. *We call the people we work with taumai, meaning to settle. This reflects the journey we embark on together to become settled, stable and well. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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        • Karori, Wellington, New Zealand (OpenStreetMap)


    • Updated Programme for April 11th!
      • The updated Newtown Fest Programme for April 11th is here! Unfortunately we had to say goodbye to a few artists who couldn’t make the new date but don’t worry, we have filled the gaps with more wonderful performers for the big day! Check out the updated performance programme below: ABRZY, Alpha Beta Gamma, Amba Holly, Amy Jean, Annette Esquenet, Arjuna Oakes, Aw B, Babybel, Babyteeth, Bailee Lobb, Banana Mundo, Belladonna, Ben Woods, Big Girls, Billy Lyrical, Birdfeeder, Booth the Clown, Bret McKenzie & Band, BTD B*tches, Buck Rogers & Co, By A Damn Sight, Caleb Stowers, Cameron Morris, Capoeira Angola Street Roda, CARLÖ, Cath Rogers, Charlotte Kerrigan with Bluesette, Christopher Tubbs, Clear Path Ensemble, Code Brown, COFFIN CLUB, Colette Rivers, Coolkidsplayhard, Corrosive Moses, Cosmonauts, Crash Bandihoot, Current Bias, Dance Ensemble Horo, DARTZ, Dateless, Dave Murphy and Janet Muggeridge, Deb5000, Delic, Diggy Dupé, Disconnect, DJ Ethixx, Dj Gooda, DJ Kerb, Dj Oboe, DJ Thanks, Earl Le Duke, Earth Tongue, Eddie D’amore, Estère, FABU, Feng, Fire & Emergency Burning Kitchen, First Move, Fool Steam Ahead, Footnote New Zealand Dance, Fun and Funner, Guardian Singles, Hagseed, Hans Blix and the Inspectors, Hawaiian Dance Wellington, Heleyni, Helix, Housewitches, Huia, Hummucide, Iain C,  Idhayam, Ingrid Saker, JDK Crew, Jedi, Jesper Tjarnfors, Jesse Jahmal, Joe Blossom, Judy Virago, Kaneskies, KÉDU CARLÖ, Kubatana & the Moringa Dancers, Latinaotearoa, Laughton Kora, Laura: Mighty Circus Girl, Lilith, LILSTIFFY, Mamazita, Marcos Alonso, Marrowspawn, MC Wiya, Miosis, Mongo Skato, Move It Danceworks, Mr Fungus, Mr Wizowski, MulletMan & MiM, NahBo, Nam Chucks, Newtown Rocksteady, Newtown Tuesday, Night Lunch, No L (Grove Roots), OdESSA, Oriental Voice Choir, Orlęta, Orzeł, Polish Association Storytellers, Pork Crackle, Puoro Jerome, Qualms, RadioActive.FM DJs, Raucous Productions, Rei, Revulva, Rudie Bam Bam, Sam Manzanza & Afrobeat band, Samara Alofa & Friends, Scattered Wreckage, Seamus Johnson, Sean Barker, Seaside Sloths, Ska Man, Seraph, shannengeorgiapetersen, Siblings, Ski Resort, Sky Canvas, Snowqueen, Só Samba, soda, SODA BOYZ, Soft Plastics, Sounds Almighty Sound System, Ssendam Rawkustra, Stress Ghetto, Synthetic Children, Taikoza Wellington, Tarrant Dancers Traffic Angels, Te Kahureremoa, Te Kapa Haka o Te Kura o Ngā Puna Waiora – Newtown School, Te Kupu, The Bandits, The Bulgarian Roses, The Circus Hub, The Godwits, The Good Taste Selector, The Megalodons, The Mixclub DJs, The Phoenix Foundation, The She Jays, The Steampunk Minstrels, Tight Weave, Tiny Kookie, Tū Crucial Sound System, Ügly Disco, Under Construction, Valley Kids, Vanessa Worm, Vernon x Bastian, Vince Cabrera, Vox Ethno, VU/ZU FREE-SHOP-FOTO-SHOOT, WAI, Wellington Batucada, Wellington Chinese Sports and Cultural Centre, Wellington Fire and Flow Club, Wellington Youth Circus, Will McLean + The Zooks, Wiri Donna, Zane & Degge, Zoe Moon
      • Accepted from Newtown festival 2019 by feedreader
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        • Newtown, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)


    • Newtown Community Centre Art Workshops
      • Community Art Workshops are back! The Newtown Community Centre will be hosting their 5th annual Community Art Workshops from Monday September 29th till Thursday October 9th For the past four years, the Centre has organised a series of art workshops with the aim to make art more accessible to the wider community, offering a chance for participants to get creative and learn a new skill in a visual arts practice, at a very affordable rate and in a community friendly environment. The classes are headed by local art and crafters keen to share their time and skills with others in an informal and relaxed setting. The classes are designed to reduce the normal financial barriers, with most if not all materials being provided and entry fee being a koha of the participants’ choosing. The workshops cover a wide range of arts and crafts, from making your own Native American dreamcatchers and traditional Pervian necklaces to purse making and how to make your own paint from natural clays and oil. See the Newtown Community Centre facebook page and website  for the schedule and details for the workshops. The Centre has always received great feedback from participants who have really enjoyed the opportunity to get creative without having to invest in a costly course or feel out of place at a formal art institution – we hope you can join us this year!
      • Accepted from NRA news
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      • newtown

        • Newtown, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)


    • Aitken Angst
      • We got a rare insight into Greater Wellington Regional Council-Wellington City Council dynamics when regional councillor Judith Aitken posted this odd statement on Celia Wade-Brown’s Facebook about her (last time I checked, fellow Labour Party) colleague Daran Ponter: This prompted the following stinging rebuke from Daran Ponter and Wellington City councillor Paul Eagle: Good on Ponter for calling her out. Oh, Baby Boomer with a 100% subsided Gold Card, please tell me more about how we can’t increase public transport subsidies. This is staggering. If you’re a Regional Councillor, you would need to have been hiding under a rock for the past few years not to be aware of the issues around public transport. And you’d expect someone who has been on the GWRC since 2001 to already be discussing issues with their WCC colleagues and community stakeholders. Aitken doesn’t even live in the constituency area she is elected to represent (Wellington City), enjoys fully subsidised public transport with her tax-payer funded Gold Card, and is one of those local government shapeshifters, like Helene Ritchie, who get elected to both a council and a health board purely on name recognition, then aren’t in a hurry to leave anytime soon. She should retire and let a new, fresh, and forward thinking person take her seat and actually represent Wellington City. They deserve better.
      • Accepted from WCC Watch feed
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      • wellington-city-council

    • A city with a vision? AKL x WLG
      • Wellington’s got a lot of bustle and noise (Let’s Get Wellington Moving – Spatial Plan – new subdivisions – convention centre – library) but where’s the coherent vision? Hey Auckland – can we learn some things? The Wellington Urbanerds invited some insightful Aucklanders to talk about the Auckland City Centre Masterplan (CCMP) because it’s getting a lot of positive interest in nerdy circles nationwide, and we thought “Wellington needs one of those to galvanise our progress!” But it turns out that the CCMP is not the cause of Auckland’s progress – it’s a milestone marker of a bigger evolution in Tāmaki.  Auckland City Centre’s chief urban designer George Weeks was insightful, visually engaging and occasionally very funny. Auckland city centre’s chief transport designer Daniel Newcombe injected insights that were pithy and thought-provoking. All up it’s worth watching the video – details at the bottom. But this post has some of the big insights for Wellington that we took away.  Hat tip to Charles Dawson for invaluable note taking. A galvanising vision, with a strong whakapapa  What makes the CCMP unusual as an official planning document, Weeks told us, is that it’s not “a planner’s plan” – 2,000 pages of vision down to prescriptive requirements. Instead it’s “the brochure for the city centre”. He told us that “with the 2012 CCMP, we thought it was better to have a 200 page document that 10,000 people see, or at least have skimmed, than a 2,000 page document that 100 people read in detail. We have used this approach to shape the 2020 CCMP.” It has had a major refresh in the last 8 years and the 2020 version is quite something. Galvanising vision  Weeks took us through how the updated CCMP works: how it delivers on the Auckland Plan’s promise of life in Auckland, through the city centre’s form and function. It’s worth laying these out because while we definitely have bits of the formula, there’s some powerful elements we’re missing.   Experience of being there The Auckland Plan (essentially the Tāmaki-Makaurau 30-year plan) sets out ten Outcomes for the city – effectively the promise of life experience that you should get, being in Auckland. The whole super-city is supposed to fulfil these promises, and the city centre’s no exception. In the CCMP, the ten citywide Outcomes or life promises are intertwined with eight place-specific Transformational Moves. The latter are the major initiatives to change the physical environment of the city centre so it can deliver those outcomes – the good Auckland experiences – for anyone who’s there.  A lot of this has come into the 2020 CCMP thanks to Access for Everyone (A4E), the city centre’s transport programme done to support the CCMP refresh process (more on A4E later). Street forms and place shapes… So the 2020 CCMP has street explainers that show – conceptually but with a lot of verisimilitude – the components of the streets and buildings, the overall shape of the whole public realm that’s needed for the city centre to give people that great experience.  a generic “transit street” explainer – from the CCMP These explainers are conceptual, but are tied enough to specific places, that everyone can see the trajectory of how their specific bit of the city will be changing, but crucially they can see a really solid why. …because This means “X street, and its environment, should have Y shape and form because…”. We saw, for example, that one of the biggest streets in the Learning Quarter, Symonds Street, will be a transit street for all these reasons: Symonds St, for example, needs to become a transit street not because of some abstracted notion of “sorting out the transport” but because it is at the heart of Auckland’s city centre universities, and “transit street” is the form for Symonds Street that will let it best serve people in the Learning Quarter with the good experience the Auckland Plan promises. Weeks flicked through a few examples of how the CCMP is signalling change to the built environment of Tāmaki’s city centre (which is pretty interesting – have a play here, the 2020 version is fully digital!) Our impression of all this was that the CCMP, thanks to the Auckland Plan and Access For Everyone (the transport dimension), has pretty well integrated two things that any self-respecting city needs to integrate. This is the roles of movement (transport) and place or exchange (destination activity) in any given area of the city centre. And Auckland manages to integrate these with a nice clear Why and Because for each set of changes. [Hold on, is that anything special? We know about this stuff… This tight integration – of form to function, place with movement, built form to people’s lived experience – seems pretty elementary for self-respecting cities. And you’d be forgiven for assuming Wellington has that integration in place. Indeed, things like the street concepts in Auckland’s 2020 (refreshed) CCMP don’t look too dissimilar to what LGWM put out for the Golden Mile. And the material coming out from LGWM and the Central City elements of the Spatial Plan and Wellington 2040 use a lot of the right words. Golden Mile concept from LGWM But in listening to Weeks’ presentation, we realised just how explicit and unequivocal the CCMP and A4E are about the why, the because for the physical city changes they describe, anchored home to that lived experience promised in the Auckland Plan. And the locked-in coupling between the place / destination train and the movement / transport train so they’re pulling each part of the city in the same direction towards that better experience for all Aucklanders. This coupling is something we’re muddling around in Wellington. We’re hedging our bets on saying explicitly what lived experiences we want to prioritise and privilege in our city centre. This means the transport planning and place planning are making (at best) vague bows in each other’s direction, with lots of hedging our bets about whether and how we’re prioritising “drive-through” vs “go-to” in our city centre. OK back to the presentation…] Galvanising and enabling Weeks told us that in the CCMP, when you combine the Auckland Plan’s Outcomes and the CCMP’s Transformational Moves, the product is the city centre “Opportunities”. Opportunities are projects, quite specific things, and there are quite a few listed. click on the image to have a play in the CCMP Opportunities But they’re not a set of business-case investments that clamp tunnel-vision onto ambition. They seemed to be as much illustrating the kinds of projects that would make the city centre better at giving people that great experience of Auckland living. As Weeks emphasised: “anyone can come up with an Opportunity”. (We imagine the galvanising could run like this… Hello, I’m a developer looking at buying or developing neighbouring Building X and Building Y, I can see the direction of profitable change and unprofitable change that I could make to that property, given the trajectory of change in its environment.  And I can make up a project that creates a much better laneway space between them, plus better delivery access, better stormwater handling, and augmented residential-plus-commercial uses… This bundle of investments will make me money, and enhance really well that little corner of the city – so public investment and other private are likelier to come join me… ) CCMP’s generic laneways explainer (click to expand) Lesson for Wellington: let the vision be the vision, get other activity making it reality A big lesson for Wellington, Weeks said, was to “be clear about what different plans are to do. The City Centre Masterplan sets the vision, which allows many actors to work out how to deliver its different facets, or to develop their own ideas too.” The CCMP is only the green-circled bits in this picture. CCMP: a strong whakapapa The CCMP’s technical pedigree is strong – it makes good application of internationally-accepted principles of urban physics and urban dynamics. But – as Weeks put it – if the CCMP can “see further, it’s because [it is] standing on the shoulders of giants”. Complementing the CCMP’s technical pedigree is its collective human ancestry: the people, organisations, and relationships that have coalesced around it, the support that it’s known and seen to have, and the mana that this contributes to its strong legitimacy and mandate today.  From the presentation a few points stood out on each of these… The technical pedigree of the CCMP  Weeks and Newcombe gave us a whistle-stop tour of the set of transport and urban planning documents of which the 2020 CCMP is the progeny. Auckland Unitary Plan – The supercity’s first joined up District Plan, the “rulebook” for implementing the Auckland Plan. Forced much more collaboration in planning, for everything. City Centre Future Access Study – NZTA, Ministry of Transport, Auckland Council, Treasury, Auckland Transport found the City Rail Link would blitz all other 46 options for getting people to and from the city centre. The City Rail Link (CRL) –  an underground railway link turning the city centre heavy rail terminus into a through-station, building 4 new underground stations. Doubles the number of Aucklanders with 30min access to city centre. After years of arguing, finally underway once tax was to pay 50% (thanks ATAP). Auckland Transport Alignment Project (ATAP) (2016-17, updated 2018) Auckland-region-wide (not just one bit) merit-based priority list of all the big-ticket transport projects, costed and agreed by all funders and deliverers.  Crucially: first acknowledgement by central government that Auckland couldn’t road-build its way out of its traffic problems Business Case for Walking – first quantification of the value of city centre walking to Auckland’s economy, done in 2017. [Hey “walkable capital”, where’s ours?] The creation of documents always sounds more coherent in retrospect, but Weeks and Newcombe emphasised that it’s not been a nice clean sequential progress.  Key principles of urban physics (like the role of people walking) have only been given oxygen relatively late in the sequence. The need to get tax funding to co-fund megaprojects has meant a lot of back-and-forth raruraru with central government, and between the various bits of Auckland’s council family.  And some great documents – like the Business Case for Walking mentioned above – have no official legal weight: a decision-making body can completely ignore them if it wants.  But we heard that the various documents have meant that amongst the bureaucracy and other government power-holders, there’s been an accumulation of key principles of good urban physics, akin to accumulation of organic matter. Sometimes it’s just leaves falling, but sometimes there’s a large trunk. These accumulations in the establishment’s hivemind make it much harder to go back and relitigate, as there’s been some crystallisation in the thinking. (Though, of course, as Newcombe noted, that doesn’t stop people trying!)   Access for Everyone – the complementary transport element of the City Centre Masterplan which was developed as part of the CCMP refresh – is a great example. In traditionally car-mad Auckland, the entire Auckland Council voted unanimously to begin A4E trials “enabling a decisive mode shift away from private vehicles, to make better use of finite city centre space and improve the quality of the environment.” Wow. Access For Everyone’s car-free Queen Street / Horotiu Valley with Low Traffic Neighbourhoods around. And no more driving through the city centre! The human side of CCMP’s whakapapa We heard that a major benefit of the sequence of documents was the relationships and conversations that a document creates a pretext to have.   There’s been a lot of investment in behind-the-scenes engagement, with big stakeholders in the city. This has paid off in an unusual level of big players’ trust and buy-in to the vision and the big moves to get there. From large developers, through Heart of the City (the inner city Business Improvement District), through the AA, NZTA, to the City Centre Residents’ Group  (fun fact: 40,000 people live in Auckland’s city centre alone). This good stakeholder engagement bears fruit: it enabled councillors to support the 2020 CCMP relatively easily, despite it having relatively little engagement from the wider public (a few hundred submissions compared with the Unitary Plan’s ~10,000). It’s not a coincidence that Precinct Properties has seen fit to drop a billion (with a B) dollars of its shareholders’ money into the Commercial Bay development – Weeks observed that it’s on the strength of the new trust and joined-up thinking developed through the CCMP process.  Daniel Newcombe spoke from experience about the collaboration that had eventually started to come, once “you can get people to stop introducing competing plans” and come together. Sometimes this requires biding your time, working by osmosis, and finding the sensible individuals in an organisation on whom to work, and building coalitions that chip away at antipathetic organisations. Getting people to issue formal letters of support on behalf of their organisations can be extremely powerful, he said. Iwi influence  We heard that one major improvement of the 2020 refreshed CCMP over the 2012 original is the inclusion of Māori outcomes. For the refresh, the ADO worked closely in partnership with Auckland’s Mana Whenua Kaitiaki Forum to develop a Māori outcomes plan. This work shaped Transformational Move 1: Māori Outcomes, with proposals for a papa kōkiri at the waterfront and a whare tāpere at Aotea Square.  The 2020 CCMP manifests the Auckland Plan’s Māori Identity and Wellbeing outcome and Te Aranga Māori Design Principles via Outcome 1: Tāmaki Makaurau – Our place in the world. It sets out the big interventions and systemic changes to bring mana whenua presence, Māori identity and life into the city centre and waterfront.  There are some big-ticket, high-visibility things and pervasive, interwoven ones. To our (Pākehā) ears this sounded pretty great…  Attack of the roadcones! Plans are essential, but how do you get them going, especially when there’s so many large, cumbersome players with inertia?  Weeks had peppered the presentation with cool before-and-after shots of some iconic Auckland changes, including Te Ara i Whiti / the (pink) LightPath, and localised street improvements like our favourite, O’Connell Street (below). O’Connell Street. oh.yes.melbourne We know (though the webinar didn’t go in depth here) that much of Auckland city centre’s evolution that you and I can see today was driven by the Auckland Design Office, with Auckland Transport and Auckland Council partners. Their projects opened people’s eyes to how good street change could be done, and that actually the good “urban physics” did apply in Auckland too. And they gave Auckland council family a chance to practice delivering street change together, and figure out how it can be done without anyone losing an eye.  They did it with a combination of a figurehead / champion / lightning rod / air cover for the ground troops (AKA Ludo-Campbell-Reid) plus a ninja team of designers, engagers and doers, doing on-the-ground projects that brought to life the good practice of urban design.    Projects like Fort Street, O’Connell Street, Fort Lane, and Jean Batten Place showed that – contrary to received wisdom – replacement of on-street car parking with high-quality streetscape was good for business. Collaboration with Auckland Transport led to the creation of a pop-up cycleway along Quay Street (well before the Innovating Streets for People pilots) which is now being incorporated into a permanent street redesign that will finish this year.  It’s not been an easy road: by now, ten pilots of the street changes for Access for Everyone were supposed to be underway, following that unanimous Council vote, but just one (High Street) has been. And the ADO has now been disbanded, allegedly due to their irritating conservative parts of the establishment with cost-cutting as a pretext.  But there’s momentum now…  Auckland’s changing, and has lessons for us  Throughout the session the Zoom chat pane had been running hot with questions and comments from the “floor” (aka the online audience). Weeks and Newcombe took questions from the pane and from the Urbanerds presenters, and a few highlights stood out including lessons for Pōneke… Lesson for Wellington: get partners on the same transport page Weeks’ and Newcombe’s first lesson was to get a multi agency agreement on transport together. It can’t just be the city council or regional council. It has to have central government buy-in; they can’t be pulling in the other direction from the city or region with their ambitions for the city’s transport. Updated ATAP, with all the partners This consensus shifts the conversation from “Do we need that good stuff replacing the bad stuff?” to “When do we need it?”. You have to keep the focus at that “when” level, not allowing relitigation of the fundamental principle of urban physics that you’ve achieved consensus on. We wonder: is this LGWM? Is it shifting our conversation? Is NZTA pulling in the same direction as the city, as the regional council?   Lesson for Wellington: generate the brochure, together A second big lesson is that you have to have the vision, the brochure, the clear picture of the good life that your city wants to give everyone who’s in the city centre, whatever they’re doing there. This has to be the rationale for any the physical changes that you entertain or consider. The Auckland Plan’s 8 outcomes – promises of the experience of life in Auckland, that the CCMP too must deliver This “brochure” must be developed hand in glove with the actors we want to be supporting it, building on any public mandate you already have but not driven by the wider public. This conversation with the big players should not feel like it’s led by any one player (developers, or transport-planners, or inner-city-residents, or businesses – nor even, we wonder, council?). What it must be is very good quality engagement that builds a strong trust and instils a foundation layer of commitment to (or at least grudging acknowledgement of) solid urban physics, and the trajectory of change needed throughout the city.    Lesson for Wellington: CBDs are doomed Listener Sally asked whether a focus on a city centre had been overtaken by COVID and its boost to working from home, and localism, especially in Wellington where there’s such a large commuter population. Weeks’ answer put it in much more professional terms, but the message came through clearly: if your city centre is mostly a Central Business District, where “business” is the dominant activity, it’s doomed. Monocultures always make a system vulnerable to shocks, in agriculture, horticulture and in cities If it’s a central city, with a hundred or a thousand different reasons for people of all different walks of life to be there, then it’ll be fine – it’ll change and adapt, but the power of people wanting to be there is the lifeblood of a city. “The death of the city has been predicted since the invention of the city, in the Bronze Age” Weeks observed – “and if you’ve got an actual city, it won’t happen.” We wonder… how much of Wellington’s central city is a dead zone by 6.30pm? How much are we reinvigorating and diversifying the reasons to be there?   Lesson for Wellington: lock all good plans to something with teeth Weeks emphasised that the power of these plans comes from linking area plans and other non-statutory plans to ones with statutory power.  So despite being a non-statutory document, the City Centre Masterplan carries weight because they mapped its outcomes tightly against the Auckland Plan (the statutory 30-year plan for the whole city) and councillors have voted overwhelmingly in favour of it. diagram showing how the CCMP is making good on the Auckland Plan’s promises, in the city centre We definitely don’t yet have the vision and its trust, nor the solid hook between statutory and non-statutory … but we have some elements of the recipe.    We wonder… how much of the CCMP-style whakapapa do we have, if not the actual document?  Could we build these levels of trust and vision together?  Some Wellington City Council planning and design gurus attended the session and helpfully fielded some questions about where Wellington was at. Our one-liner summary was: it’s not going to hell in a handcart, but it’s definitely all up in the air. Smart engagement from Urbanerds listeners and Talk Wellington readers is really needed. We’ll pick up “so what for us?” in the next post. Here’s the video: link, passcode SUa&tOC5 Meantime… where have you seen signs of a clear vision of good Wellington city life, for everyone?
      • Accepted from Talk Wellington posts by feedreader
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      • lets-get-wellington-moving

    • Te Aro Eats - Uniting Kai Communities at CubaDupa
      • After overwhelmingly positive feedback and a heck of a good time, in 2023, Te Aro Eats: Uniting Kai Communities is back for its second year at CubaDupa! Te Aro Eats is a collaborative and interactive dining experience where you are invited to connect with fellow diners, volunteer in the meal mahi, and take time to enjoy the delicious kai that has been created to show what is possible when we mahi together. Brought to life by the volunteers and staff at Seeds to Feeds, Everybody Eats, The Free Store, Wellington Timebank, Kaibosh Food Rescue, and with the support of Kaicycle, BGI (Wellington Boys and Girls Institute), Neighbours Aotearoa, Commonsense Organics and Wellington City Council. Saturday: 12 pm - 2 pm | 4 pm - 6 pm Sunday: 12 pm - 2 pm Each session open to all This meal is designed to showcase how our community-focused organisations operate and welcome volunteers. This will be inclusive (easily catering to vegetarians, vegans, gluten intolerances, and allergies), and created to share the story of our kai and our people. Admission is by koha, either monetary or with time or resources towards the mahi. While dining you will be encouraged to meet the guests dining with you, to connect and share stories. We will have activities that create moments of fun, excitement and conversation. We can not wait to welcome you into this special space and share some delicious community kai with you.
      • Accepted from Events - Welcome to Seeds to Feeds by tonytw1
      • Tagged as:
      • cubadupa
      • wellington-city-council

        • Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Orchestra Wellington presents PITA AND THE WOLF A family...
      • Orchestra Wellington presents PITA AND THE WOLF A family concert for all ages Sunday 27 July Wellington Opera House 3pm   Prokofiev – Peter and the Wolf Goss – Tane and the Kiwi Kubik – Gerald McBoing-Boing   Marc Taddei, conductor Dave Fane & Aroha White, presenters with special guest, Bret McKenzie Three classic stories take to the stage in a family concert filled with laughter and magic, presented by David Fane, Aroha White and Flight of the Conchords’ Bret McKenzie. Who remembers listening to Saturday morning radio stories? Composer Thomas Goss does! Inspired by Alwyn Owen’s tale, How the Kiwi Lost his Wings, Goss created a delightful musical story, Tane and the Kiwi. Its perky and indomitable little hero has delighted New Zealand audiences for over a decade. Aroha White lends her voice to the birds of New Zealand that star in this story. Prokofiev’s Peter and the Wolf is a popular favourite that needs no introduction – except this time, the orchestra gives Prokofiev’s classic a Pasifika twist. Adapted by David Armstrong, Peter turns into Pita, thanks to David Fane of Bro’town and Outrageous Fortune fame. Bret McKenzie leads the laughter in a musical adaptation of Dr Seuss’ humorous children’s tale, Gerald McBoing-Boing. Gerald can’t speak words; he just goes “boing boing” instead. Watch Flight of the Conchords’ Bret Mckenzie ham it up in front of the orchestra! Tickets from Ticketek 0800 842 538 Service fee will apply $16.50 – $26.50. Children under two – free!
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      • music

    • Whitirea Students in The Mystery of Edwin Drood
      • Normal 0 false false false EN-NZ JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Cambria",serif; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-fareast-language:EN-US;} This week on drama on the waterfront, Lyndee-Jane Rutherford and a selection of the students from Whitireia School of Performing Arts spill the beans on their experience rehearsing the joyfully boisterous murder mystery musical, The Mystery of Edwin Drood. Q: What is it like working on a professional show for Circa?  Charli Gatrell (Ensemble): It’s intense! I’ve done a lot of theatre, but this is six days of rehearsal a week, it’s not like anything I’ve done before. It’s a full time job, and I love it!  Auburn Crombie (Ensemble): It’s incredible. I didn’t expect to work on a professional show as a first year. Coming in, I didn’t think it would start straight away, it’s honestly like nothing I’ve done before!  Vanessa Immink (Ensemble): Well, it’s full-time. All the other shows we’ve done apart from school shows, have been part-time. This is pretty much nine to five every single day. Sometimes we’re needed and sometimes we’re not, but it’s just so cool being in the Circa environment, working alongside professionals and having the Box Office just downstairs. It’s very… real! Q: What do you love about Musical Theatre? Ben Patterson (Neville Landless): For me, it sounds silly, but it’s what I love doing. It’s good, because I don’t think I could do anything else, but it’s lucky I got forced to audition for Musical Theatre in high school, which has lead me down this crazy path that I love.  Q: Is this something you expected you would get the chance to do during your time training at Whitireia? Flora Lloyd (Helena Landless): When they announced they were doing The Mystery of Edwin Drood, and they were getting the students to be involved I was super excited! It’s my third year studying musical theatre, and it’s just a great opportunity. I am getting to put on my “Body of Work” and be in a professional Circa show. It’s a great experience!  Q: What’s the best part about rehearsals? Flora Lloyd (Helena Landless): I’m a huge observer of the professionals working. It’s thrilling to see them in their element and learn from them.  Bronte Fitzgibbon (Ensemble): It has to be getting to know everyone. Usually the third year students are a little segregated due to their work load and timetable, but now we are right there with everyone working and bonding together on The Mystery Of Edwin Drood.  Auburn Crombie (Ensemble): I couldn’t pick who was second year or third year. They were all so welcoming to us first years and it felt like a big family from day one. It has only been a few weeks and we’re all very close friends!  Q: What’s it like to work with Lyndee-Jane? Vanessa Immink (Ensemble): She is so expressive and enthusiastic! She is like an ever-ready battery that just keeps going, it’s amazing! She is incredibly invested and is making sure everyone is having a good time and is involved.  She is so detailed about her work but she makes it so fun, you forget you’ve been working for hours! Q: How did this project come about? Lyndee-Jane Rutherford (Director): I’ve worked at Whitireia before with our amazing Musical Director, Michael Nicholas Williams, and our stunning Choreographer, Leigh Evans. We decided to pitch The Mystery Of Edwin Drood to Circa, never for a second thinking they would take it. Michael threw the comment away that we could use the students for the ensemble. Next minute, Circa has said yes and we have the entire three years of performing arts students in the show!  Q: How do you feel to be directing this massive show at Circa? Lyndee-Jane Rutherford (Director): This is possibly one of the biggest productions Circa has ever done. I have moments of absolute terror, times of sheer joy and that grateful feeling - “how lucky am I” -  that I have all these people supporting me. Everyone has been hugely positive, energized and excited by this massive undertaking!
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        • Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • February Update from DCM
      • 96 February Update from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Join us as we follow team DCM for a day… Join us as we follow team DCM for a day… Wellington filmmaker Kieran and the team from Ocular recently spent a day with DCM’s Outreach team leader Natalia Cleland, shadowing her and her team for a day, so that they could share this experience with you all. They learned a lot – in particular about how they themselves can best respond to rough sleeping and street begging on our streets, and why they will now stop giving to people who are street begging. They saw how often the public, wanting to be part of the solution, responded with kindness, kai or coffee – yet this made it difficult for Natalia and her team to connect to people, to encourage them to come down to DCM and to set out on a journey to housing and wellbeing. As Natalia notes, “All of their immediate needs may be being met by people walking past – but not their holistic needs, not the reason why they are there, not their mental health and addictions, and disconnection from their families. These needs cannot be met by people walking past; it’s such a short interaction.” As the film shows, when DCM is able to build that connection with people, we offer them holistic support, a pathway forward. “We work with people as they are, and where they are,” says Natalia. “People feel welcome, comfortable with us. We are whānau to them. There are no barriers. And the depth and breadth of what we are able to offer means that we can support people with all of their complexities. Not just their need for a meal, but with their housing needs, their primary, oral and mental health needs, their addictions, their family needs, their connection to their community and to real purpose in their lives.” “We know the people by name. We are asking the people of Wellington to tell us about the people they are concerned for on our streets, and to trust us; we will do good work.” If you are concerned for someone who is rough sleeping or street begging, call the Wellington City Council call centre on 04 499 4444 – 24 hours a day, 7 days a week. WCC has been a key partner in DCM’s mahi for many years. They will let a member of DCM’s Outreach team know and we will head out to connect with the person. You too can walk alongside Ocular and experience the life-changing mahi which you all support in so many different ways – we encourage you to watch the film clip on Youtube and hit 'share' to forward it on to everyone you know who has wondered how to respond to rough sleeping and street begging, or has asked how they can be part of the solution to homelessness. We are doing this TOGETHER, Wellington. CHECK OUT THE CLIP NOW! <!-- --> Join us in acknowledging our dentists When Natalia and her team speak with rough sleepers, they look for ways to build connection, and to encourage these people to come on down to DCM. Here we can get to know one another and build a relationship of trust. Often these people are experiencing dental pain, and the offer of a dental appointment can be the key hook which first brings them through our doors, and connects them to the rest of the team at DCM. During the month of March, we will be celebrating the 5th birthday of the DCM Dental Service in a number of different ways. Dentist David Corcoran took the very first session at the DCM Dental Service in March 2016. He has been a regular at DCM, and five years after his first session, he will be taking a session during our birthday week in March 2021. Here David shares his story, and two taumai reflect on the support David has provided them with. David Corcoran What David has to say I’m from Sheffield in England, from a big family of six brothers and sisters. I trained in Birmingham, and later met my wife (who is also a dentist, and has taken sessions at DCM) at a dental practice in London. We came to New Zealand on holiday in 1986 and have been here ever since. Some years ago I knew that Graham Symes was involved in starting a new emergency dental service based at DCM. I wanted to help, so got in touch with Michelle. The building in which both DCM and two dental rooms were situated was purchased by Maurice and Kaye Clark, who worked to address the seismic issues. When this was completed, we were able to pilot a new service in March 2016. I was fortunate to take the very first dental session. The service has really grown from there. David’s wife Charlotte Cocks has also taken dental sessions at DCM. I am always amazed at the tolerance for pain that taumai have. It’s a constant thread in everyone we see. They are sometimes walking around in severe dental pain, but always seem to have a good nature about it. They put up with things because they have to. I find it’s a two-way experience – you learn as much as you give when you join the team at the DCM Dental Service. Taumai who come along desperately need dental treatment. Sometimes they like to talk, and have someone listen. But best of all is when you’re able to offer them a release from pain – and that’s what it’s all about. What taumai have to say about David One woman who David saw at DCM had many issues with her teeth, couldn’t eat properly and told us that she hadn’t been able to sleep due to the pain, and the fact that she was rough sleeping. The barrier for her was that she assumed that any dental work would be far too expensive, and so there was nothing that could be done. David was able to do a lot in a single appointment. Afterwards she told us: “This was by far the best dental experience I have ever had. It totally sorted my teeth. I would totally recommend David to anyone!” One man who has seen David at the DCM Dental Service had been assaulted, which had caused significant damage to his teeth. “The whole service was very professional; my damaged teeth were causing me many problems. I couldn’t eat and my diet was restricted to soup. The dentist took a number of x-rays and removed some teeth. I am now not in any pain, and I can eat again. I am very happy.” <!-- --> Join our vibrant team! Would you – or someone you know – love to work for DCM? We need your help to fill several vacancies we currently have. If you have enjoyed our film clip, and experiencing our mahi in this way, please share it widely to give everyone you know a taste of our work. Encourage them to look at the jobs page on our website, and to get in touch with us if they would like to know more. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2021 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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    • Food glorious food! Plus a beverage or three…
      • Have I got your attention? Hopefully you will all remember the wine tastings and membership engagement evening and subsequent survey that came out a wee while back? Well after those events I sat down with Black and Gold and we brainstormed food ideas that could be fresh and not fried as you requested while still be able to be cooked in our small kitchen and not have you all have to wait forever for your food. We took your responses and thought long and hard and we are pretty pleased with the result. The challenge has always been preparing food in the small kitchen without a chef and a proper oven, however we think we have come up with a good solution. So as of the 8th November we will be offering a new menu. This will include some breakfast options! Yes you heard me, breakfast options. We will have things like bacon baps, scones and brownies in the morning to have when you come to the club for your coffee or to take away on the boat with you. These will be available also during the afternoon until they sell out of course. The après sailing menu includes things like salads, sandwiches, paninis, bread and dips platters and mezze platters. If you loved the fried food, we still have you covered with some old favourites. If you are vegetarian, we also have you covered with an array of choices including salads and nachos (which are delicious). We aren’t just satisfied with giving the menu a revamp however we have also looked at the wine, beer and spirit offerings. We will now have Monteiths beer to replace the Boundry Road, but don’t panic, your Tuatara Iti and Panhead Supercharger are still available. There will also be a guest tap and a range of 3 Heinekens by the bottle. This includes Heineken Light and Heineken Zero (for those who want the taste of beer but not the booze). We have some new wine offerings by the glass and by the bottle. There are around 20 wines by the glass now, so you really will have a big decision at the bar if you drink wine! A lot of the new wines are a result of the wine tastings we held. If you weren’t there you really did miss out on having your say. Inevitably prices have changed, mostly up but some have gone down too. This is the first increase in several years (big ups to Black and Gold for keeping these in check). However members do receive a discount, and members prices are still significantly cheaper than nearby bars and pubs. Hopefully you like this new menu as we have thought long and hard to try and give you what you asked for but at the same time trying to make sure we can actually produce these things in the kitchen. I look forward to seeing you all at the bar buying the new and fresh menu!
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        • Royal Port Nicholson Yacht Club, 103, Oriental Parade, Oriental Bay, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Hope vs Choat
      • Recently in David Choat’s blog he explains that a previous post recalling his observations in his first Capital and Coast DHB meeting led to him receiving a note from Board Chair Dr Virginia Hope (who was recently appointed to both the CCDHB and the Hutt Valley DHB – criticised as a first step towards amalgamation of the two health boards) as a breach of the CCDHB media policy (which effectively says that the Chair should be the person responsible for any comments for the Board) Hope’s explanation is not entirely clear from David’s post, only that it had caused her distress. It would be a fair point to make had Choat attempted to represent the Board exclusively. Yet, if anything, the article reads about what he did and thought at the meeting. I can’t see how what he said would have been any different had Choat been in a public meeting, or in a one-on-one chance meeting with one of his constituents. In fact the post by Choat in question was entitled “Reflections on my first board meeting” Go read the post for Choat’s response, which I think reflects his commitment to transparency with the public on (open) board matters being debated as part of a publicly accountable body. So, what precisely does the policy do – here is a copy (1MB PDF). It was last updated and debated at a meeting in August 2009. The comms manager wasn’t present and Helene Ritchie was the only member to vote against it. Odd. It’s no surprise how unworkable the policy has been in practice. It basically bars any direct interaction with the public by board members. I wonder what kind of world the drafters of this policy were living in when they thought that such restrictions on public debate would actually work. Would it be surprising that Dr Hope doesn’t agree with David’s very blunt but arguably popular slogan “Care not cuts” as a way to deal with the challenges at the CCDHB: “Cuts is really the wrong word. Savings, I think, is a better word” (The Wellingtonian, 6 January 2011) Clearly, any Chair would not want to have to battle the framing of an alternative viewpoint as well as the controversial challenges for an organisation like those faced by the CCDHB, but it also makes me wonder what the Chair’s personal direction will be in the Board’s response to those challenges? Regardless, there appears to be a developing division between the new board member and the new chair. Already, Choat has said that the matter of the media policy will be on the agenda at the next meeting. There doesn’t appear to be much that the Chair could do, but the board (particularly the publically elected members) should be mindful of the public’s need to be informed unfettered by the spin that sometimes happens and refuse to punish Choat. The next meeting is on February 4 at 8.30am (in the Board Room on 11th Floor of the Grace Neill Block, Wellington Regional Hospital on Riddiford Street, Newtown), and you can attend in person to make sure the Board get the point. (More info on the meeting here)
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        • Newtown, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)


    • Help needed! NZ Secondary Schools Champs
      • Help needed! NZ Secondary Schools Champs We need your help to make NZ Secondary Schools Champs a stellar event! View this email in your browser Help your club stage the ultimate Secondary School Champs! Kia ora <> Orienteering Wellington is hosting this year’s NZ Secondary Schools Championships, from Friday 19 to Sunday 21 July and we need your help to make it an awesome experience for all! Duties will be for a maximum of two hours, likely less, and volunteers run free (subject to the Controller’s approval) at Sprint and Long events. We need everyone’s help, and especially those who hold current first aid certificates or can act as medics. Volunteer roles at events Friday 19 July: Sprint, Kāpiti College/Marine Gardens 11:30 - 4:30pm Event centre setup, car-parking, registration, first aid, on-call medic, Starts, road-crossing marshals, on course marshaling (x2), computer, control collection and pack-up. Saturday 20 July: Long, Hydrabad (Waitārere South Forest) 9am - 4:30pm Event centre setup, car-parking, registration, first aid, computers, control collection and pack-up. Sunday 21 July: Relay, Spicer Botanical Park, Porirua 8:30am - 2pm Event centre setup, car-parking, registration, first aid, pegging out maps, computers, control collection and pack-up. I’m keen to help Please Helen Hughes, Event Coordinator with your availability (day and time) and duty preferences. Get in touch Sprinting to the finish at Spicers Reserve, Porirua. Copyright (C) 2024 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
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        • Porirua, Wellington Region, New Zealand (OpenStreetMap)


    • No Contingency Plans for Creche
      • In response to a request under the Local Government Official Information and Meetings Act, the Wellington City Council has confirmed that there are no contingency plans to relocate the Crossways Creche:“There are no contingency plans drawn up regarding relocating the Crossways Community Creche to the Bandoliers site. A report regarding the possibility of permitting creche activities on the Town Belt is due to be presented to the Strategy and Policy Committee in late September/early October for decision by Councillors.”The Council’s own estimates show that an investment of around $380,000 will be required to bring the Bandoliers building up to the required standard for an early childhood educational facility. As the work is extensive - new retaining walls, paths, fences, DDT removal, toilets, storage facilities and much more - it seems likely that many months of effort will be required. However no plan for either conducting the work or to manage the disruption to the creche exists.This is clearly unsatisfactory. Council officers were opposed to the retention of Crossways by the community, and at all stages in the process made recommendations that no Council resources be put into the retention of our community house. These same staff members have had nearly 18 months in which to plan for alternatives, yet it appears that they have done absolutely nothing to ensure our community creche can continue operating once Crossways is sold.Families with children at the creche should feel justifiable outrage at how they have been abandoned by Council officers.
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    • We are absolutely thrilled to have James Rolleston (Taikas’ BOY...
      • We are absolutely thrilled to have James Rolleston (Taikas’ BOY : The Movie, The Dead Lands & Dark Horse) taking on a far lighter role than his latter work as one of our guest narrators for our upcoming family concert! Orchestra Wellington Presents:  Roald Dahl’s Dirty Beasts, and Maui’s Fishhook 3pm Sunday 12 July The Opera House, Wellington James Rolleston received the 2014 Te Whanau O Waipareira Best Supporting Actor for his role as Mana in The Dark Horse opposite Cliff Curtis. In 2014 he also featured in The Dead Lands, directed by Toa Fraser in which he played young Maori Warrior Hongi, and both films have received critical acclaim internationally. James is also well known to New Zealand audiences from the film BOY in which he played the title role and received a nomination for Best Actor in a Lead Role at the 2010 Qantas Film and Television Awards. Since then James has appeared in three short films, here in NZ he featured in Frosty and the BMX Kid and shot in Australia he was in MAN and the yet to be released Amúa in which he plays a Rugby League player. James also featured as himself in campaigns for Vodafone for several years. Maui’s Fishhook is an original piece for orchestra and narrator written for Orchestra Wellington by its Education Composer in Residence, Thomas Goss. The  famous story of Maui’s fishing trip and how he pulled up the North Island from the Pacific Ocean is transformed into a musical voyage.  Tickets from Ticketek HERE, 0800 842 538
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    • Orienteering Wellington - Afterwork series and AGM
      • Orienteering Wellington - Afterwork series and AGM Spring sees us back in full swing—read on to find out more! View this email in your browser Tis the season for Afterwork Orienteering and our Christmas AGM Mihi nui kia <> Our start to spring has been a bit quiet locally but now we have plenty of news for November! Next weekend is the 37th Anniversary of the Wayne Cretney Classic, organised by Bryan Teahan. It’ll be a true endurance event using new maps around Mornington and Berhampore. Red medium, Orange, Yellow and White courses on-the-day courses are still available. We also have a club events in the pipeline, including afterwork events at Onslow College on Wednesday 15 November and Te Herenga Waka VUW campus on Wednesday 29 November. Orienteering Hutt Valley will also offer some afterwork events before Christmas and the annual Big Trig rogaine on Sunday 10 December. See you at the next event! Paul Teesdale-Spittle President Club achievements at Nationals Orienteering Wellington can celebrate a number of achievements from the NZ National Orienteering Championships held in Hawke’s Bay recently. Many members placed well, especially some of our veteran runners. Here are some of the standout achievements – which in no way overshadow the satisfaction and personal success all runners should feel irrespective of where they finished. In the sprint, Lauren Wills came first in W40A, as did Gillian Ingham in W65A, Neil Kane in M75A and Don Locke in M85A. Mattias Bengtsson took second place in M10, as did Lisa Bengtsson in W40A and Dorothy Kane in W75A. In the middle distance, Yvette Baker took first in W50A. So too did Gillian Ingham in W65A, Neil Kane in M75A and Don Locke in M85A. David King took second place in M60A, as did Kate Fortune in W75A. The long event on the Tuna Nui map was a standout whereby seven members came first in their grades: Katie Cory-Wright in W21A, Lisa Bengtsson in W21AS, Sarah O’Sullivan in W35A, William Power in M40AS, and David Middleton in M55AS. Gillian Ingham and Neil Kane took triple crowns, coming first in their classes too. Lara Molloy was hot on Katie’s heels coming second in W21A, as did Lauren Wills in W40A, Yvette Baker in W50A, and David King in M60A. We have a lot to be proud of from this year’s Nationals, and can look forward to taking spirit of fun and success to Rotorua next year. Snaps from National 2023 of club competitors and our relay team. Photos courtesy of Helen Howell. Annual General Meeting Our AGM will be on Saturday 9 December, so mark this in your calendar now. We’ll confirm the venue and details soon but our gathering tends to include plenty of time for orienteering antics, food and socialising as well as business. The Fortune Cup for service and Endeavour Cup for performance are also awarded. On the topic of business, club officers must be elected. I, Lachlan, and Gerald are all happy to stand again as president, secretary and treasurer respectively but equally happy to step aside if you’d like to have a go. Similarly, email Lachlan if you’re interested in serving on the committee in a different way. Look fit with new kit! Finally, our new gear has arrived and orders are ready to be distributed! There are several options to collect your gear: Collect from Anna Varnham at home Collect from Anna at Samuel Marsden Collegiate, 8am – 5.30pm Collect at one of our not-to-be-missed coming events. Email Anna at to let her know your preference. It’d be great if you could arrange collection at your earliest possible convenience. Extra stock is available across a range of sizes – so if what you ordered isn't perfect, there may be an option to swap. Note it seems the supplier has not included the mesh panel on the white shirts—and we’re unlikely to send them back! Sarah O’Sullivan to lead ONZ Congratulations to Sarah O’Sullivan, who has been elected Chair of Orienteering New Zealand from December! Sarah was our own club president immediately before Paul and has been active in the club for many years. Sarah runs elite grades at major events. We’re really excited for Sarah and know she’ll lead ONZ extremely capably. She is the second woman to hold the position of chair after our own Jane Harding. Here she is modelling the new club kit! Technical tip: Visualise the circle When you look to the next control, how well can you picture exactly what your approach will look like? To know precisely where the control will be placed you need to convert the map into an image in your mind of how the terrain in the control circle will look. Watch the video about developing a clear mental image of stepping stones and handrails, how they relate to each other and how you will flow through them. You should flow though control sites just as you flow through the rest of the leg. Content provided by Orienteering New Zealand Fitter, faster, better together! Magnus Bengtsson and Lizzie Ingham are continuing with group interval and sprint training at 6pm Tuesdays. You’ll get to build fitness running along the flat, up hills, or maybe a mix—and doing intervals as a group is much more motivating than doing intervals on your own. This training is primarily for Orienteering Wellington members but anyone is welcome to attend for free. The location is movable, so email Magnus if you’re keen. Looking ahead: Major events in 2024 Sprint clinic Orienteering Wellington will hold a Sprint Clinic on Saturday 20 to Monday 22 January (Wellington Anniversary Weekend) on local sprint maps. This is deliberately held ahead of the Oceania Sprint Championships but will be useful for any runner looking to develop their sprint skills. Find out more about the Sprint Clinic Oceania Sprint Champs 2024 Oceania is a trans-Tasman sprint championship, next year hosted by Orienteering Taranaki with their Lonely Mountain Sprints (26-29 January) and Auckland Orienteers with the Auckland Triple Crown (3-6 February). Lonely Mountain includes six sprints as well as a knock-out championship and relay championship, while the Triple Crown has three sprint races and Oceania Sprint Championship. Enter or find out more about Oceania 2024 NZ National Orienteering Champs in Rotorua Nationals 2024 will be held by Orienteering Bay of Plenty in Rotorua and Taupō over Easter (Friday 29 March – Monday 1 April). The maps are shaping up to be fantastic and this is a great part of the country fora family holiday if you need to coax others who aren’t so fussed on orienteering! Find out more about Nationals 2024 NZ Secondary Schools Orienteering Championships Next year it’s us—we’re hosting NZSSOC 2024 in the July school holidays! Orienteering Wellington has made an ‘in principle’ decision that events be in or within easy reach of urban Wellington. There will be courses for everybody and, with a focus on local and accessible events, we’re looking forward to folks getting involved, both running and helping run the events. Coming events Saturday 11 November — 37th ‘Classic’ and Wayne Cretney Memorial Cup, Wakefield Park, Wellington (“on the day” courses available) Wednesday 15 November — Onslow College sprint, Wellington Wednesday 22 November — afterwork event, Lower Hutt Thursday 23 November — afterwork rogaine, Whitireia Wednesday 29 November — Te Herenga Waka VUW sprint, Wellington Wednesday 6 December — afterwork event, Lower Hutt Saturday 9 December — AGM, Wellington Sunday 10 December — Big Trig ... For all events, visit Orienteering New Zealand About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington Copyright (C) 2023 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
      • Accepted from Wellington Orienteering Association feed 2024 by tonytw1
      • Tagged as:
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        • Lower Hutt, Lower Hutt City, Wellington, 5010, New Zealand (OpenStreetMap)


    • The City Gallery Pub Quiz
      • Which New Zealand artist painted herself as a smoking modern woman in 1937? Who had joined her on a painting trip to remote Cass the previous year? In 1941, who wrote the manifesto ‘Individual Happiness Now’ with British writer Robert Graves? In 1947, who wrote ‘New Zealand’s Oldest Art Galleries’ and what were they? What is New Zealand’s oldest (conventional) public art gallery? In 1948, who said McCahon’s work ‘might pass as graffiti on the walls of some celestial lavatory’?  When did McCahon move to Auckland to work at Auckland City Art Gallery? Who was Director of the Gallery back then? When did Bill Culbert leave New Zealand? Who was born Barrie Bates? When did he go blond? When did Peter McLeavey open his Wellington gallery? Who curated New Zealand Māori Culture and the Contemporary Scene in 1966? Who said: ‘My work is an investigation of positive/negative relationships within a deliberately limited range of forms.’ Where and when did he first show his koru paintings? Who was Otago University’s first Hodgkins Fellow? When was Gordon Brown and Hamish Keith’s book New Zealand Painting: An Introduction first published? Of whose work was it said: ‘When you offer only three vertical lines precisely drawn and set into a dark pool of lacquer it is a visual kind of starvation’. Who wrote that? What was the Govett-Brewster Art Gallery’s opening show? Who was its Director? When was Ngā Puna Waihanga formed? What was it? When was the first issue of Art New Zealand published? Whose work was on the cover? Who painted Drinking Couple: Fraser Analysing My Words? And who was Fraser? Where did Jeffrey Harris go to art school? When did Richard Killeen make his first cutout? Who was crucified in Christchurch the same year? When did Wellington City Art Gallery open and who was the Director? What was his last job? What was ANZART? Has Marina Abramovic ever performed publicly in New Zealand? When did Wellington’s Women’s Gallery open? That year, to where did Robin White and her family relocate? What’s White’s religion? And what’s her tribal affiliation? Auckland art dealer Gary Langsford played guitar in which famous New Zealand band? When and where did Te Māori open? At Art in Dunedin in 1984, who made music using his own dripping urine? Who made Gates of the Goddess: A Southern Crossing Attended by the Goddess and when? What was it made of? Cass Altarpiece has been described as ‘expressionism with nothing to express’. Who painted it? What Christchurch artist based much of her work on alchemy and kabbalism? Who depicted herself as a rat and a tiger? When did Auckland’s Artspace open? How many buildings has it occupied?  What New Zealand artist featured in the show Magiciennes de la Terre in Paris in 1989. What do Marlene Cubewell and Merit Groting have in common? Which Lyttelton artist had a game-changing experience in the subantarctic? What did The Active Eye, Views/Exposures, and Imposing Narratives have in common? In Views/Exposures, who presented five identical images of his own naked torso? Who dressed-up her Uncle Hugh (then suffering from dementia) to restage a series of iconic historical photos?  Which artist died at Waitangi aged 50, the day after the 1990 Waitangi Day celebrations? Who did his pe’a? Who photographed him getting it? With him, which two other expressionist painters comprised the Militant Artists Union? How old were both Clairmont and Giovanni Intra when they died? In 1992, who based the design of his exhibition catalogue cover after the one for the Nazis’ 1937 Degenerate Art show? In 1994, Hamilton city councillor Russ Rimmington was reported in the media saying: ‘I’ve got a mind as broad as a Roman sewer, but this is just sleaze.’ What was he describing? In 1997 who ‘stole’ McCahon’s Urewera Triptych and why? How did they hide it? Where did they steal it from? Who designed that building? What photobook was described as ‘a charismatic exposé of the hideous truths and self-conscious mythologies of unemployed psychopaths who frequent Verona cafe and actually believe in drag’. Who said it? When did New Zealand start going to the Venice Biennale? Who did we send? What was the Bart Wells Institute? Yvonne Todd won the inaugural Walters Prize in 2002. Who was the judge and what the name of her winning photographic series? What did Pakuranga’s Fisher Gallery and Titirangi’s Lopdell House become? Who was in the hot seat longest: Paula Savage as Director of City Gallery Wellington or Chris Saines as Director of Auckland Art Gallery?  When did Bill Culbert represent New Zealand in the Venice Biennale? In recent years, Christchurch Art Gallery acquired five ‘significant’ works by Martin Creed, Antony Gormley, Ron Mueck, Michael Parekōwhai, and Bridget Riley. Why five? Who won the Walters Prize in 2016 for a video where he talked to animals? Who has been the Herald’s art critic for over fifty years and is known for wearing a cape? What group protested Luke Willis Thompson’s inclusion in the 2018 Turner Prize? Answers here.
      • Accepted from City Gallery blog feed by feedreader
      • Tagged as:
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        • Wellington City Gallery, Civic Square, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Embedding Artist Space in the City: Co-Design the Manifesto
      • <figure class=" sqs-block-image-figure intrinsic " > People’s Cinema, Urban Dream Brokerage, Manners Street, 2013-15 Tuesday 12 March 2019, 10am-5pm Atrium, Te Aro Campus, Victoria University of Wellington, Vivian Street $25 - Covers Lunch. Register Here Now Enquiries: mark@lettingspace.org.nz Temporary art projects in cities are well and good while there’s space for them. As seen in Wellington with Urban Dream Brokerage, Letting Space over the last 9 years, and in numerous independent examples over decades: they enliven, develop city identity, transform spaces and seed new arts infrastructure. But, when a city is gentrified – with artists’ residence safely contained within events – the ability to enable the change artists inspire and provide in a city is limited. It is in allowing for the common spaces that things seed in vibrant, resilient cities. This is a call to artists of all stripes to join Letting Space and the artists in the city for a day to sprint-write a manifesto of actions to support artists with space in Wellington to be presented to Wellington City Council for its Decade of Culture (2018-2028). This is our shared development space for independent artists in Wellington. What models do you like? What has worked here? What are the opportunities we could be taking up? How do we seed more permanent development space? From big ideas – taxes on empty buildings – to the more immediate actions - guidelines on working with property owners. From new performance residency spaces to artist group housing, these models have proven to be vital to cultural cities’ vibrancy. Let’s empower change together. Best, Sophie Jerram and Mark Amery February 2019
      • Accepted from Urban Dream Brokerage Blog by tonytw1
      • Tagged as:
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    • RSD - gracias, all!!
      • Crikey, another Record Store Day (two of 'em, no less!) done and dusted for another year, just wanted to offer a massive Slow Boat CHEERS to everyone who contributed to them being a roaring success, especially our instore performers Reb Fountain (and her wingman Dave Khan!) and Anthonie Tonnon - whose wonderful "Leave Love Out Of This" debuted at number 7 on the national charts, and number 2 on the NZ chart - wonderful news!Would also like to thank old mate Pete J at Music Planet Wellington for helping out with backline, soundguys James and Sam, Ziggy from San Fran, to Ben from Flying Nun Records who filmed Reb's wonderful performance (check the clip here!), and to everyone who came down and partook in what was a wonderful, celebratory atmosphere - particularly at the second event, where seemingly endless torrential rain couldn't put a dampener on the festive spirit, as the assembled crowd diligently dodged the drips from the leaky ceiling. Also to those who doggedly queued at the door before opening time to get their mitts on desirable RSD goodies from the likes of Foo Fighters, Fear, Karen O and Willie Nelson and many more - I did find myself thinking just how much more you value something that you make a sacrifice to get hold of - something kind of glamorous about it all!! Some cool stuff coming up in the not too distant future, will keep you posted - keep an eye on our Facebook and Twitter for details! We are bursting at the seams at the moment with some terrific new and used vinyl, CDs and posters - come pay us a visit!!Keep yer powder dry - cheers!The Slow Boat Crew XX
      • Accepted from Slow Boat Records feed 2022 by tonytw1
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        • Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • The Little Dog Laughed starts at Downstage - A note from Director Willem Wassenaar
      • Diane: And that’s how one wins. By shutting up. You can win. And all you have to do is shut up. Don’t say anything. This is where we are in our lives. This world is a brothel. And we are all prostitutes; selling ourselves to fit the ideal image of success and happiness. What is hidden behind the perfect smile of those Hollywood icons we have come to love and hate? They are people at the top of their profession, who have everything, who have achieved greatness… and yet, we love to grab a random tabloid, go to the red carpet pages and put their achievements to the test. Fold the page over those cheesy grins and the eyes start to reveal a whole other story. Compromise ─ I hate that word, as a human being and as an artist. Has our idea of happiness superseded our primal need to love and be loved? The Little Dog Laughed by Douglas Carter Beane presents the façade, the make believe world that we all consume, chew over and spit out in fits and starts. But would we have it any other way? In this dark comedy of manners, we watch in horror as four people make their individual choices to be happy. The truth has consequences; but the lies are a living hell. So, do we shut up in order to win? My thanks to the amazing, brave team of The Little Dog Laughed and Downstage Theatre, and a special mention for my long term collaborator Daniel Williams. This is our last project before this beautiful man heads out into the world to go on outrageous adventures. Let’s hope for the theatre in New Zealand that he comes back. I also wish to thank… (cut to music) Willem Wassenaar Director The Little Dog Laughed
      • Automatically tagged as:
      • blogs
      • theatre

        • Hannah Playhouse, 12, Cambridge Terrace, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Informed (about) Consents
      • It’s a common complaint: “how could the Council let people build that, and not even notify anyone?” That’s partly down to a misunderstanding of what “notification” means under the RMA: it’s not just about letting people know, but also the start of a long and complex process involving hearings, lawyers and possible appeals, and it only occurs when a proposal goes some way beyond what’s permitted under the District Plan. Most resource consents aren’t notified in that sense, but they are public information, so theoretically everyone should be able to know about it. In practice, though, it’s not that easy. Lists of recently received or issued consents are published on the WCC website every fortnight, but you have to remember to look, download a PDF, and scan through to see if anything might affect you. To make that easier, I’ve been doing some work with local company Thundermaps to gather this information, map it, and let you receive alerts when something pops up. I’ve written a full description on their blog, but all you have to do is: sign up (it’s free); draw the area that you’re interested in; and receive email alerts or smartphone notifications whenever the Council publishes information about a new consent in that area. If you don’t want the notification service, you can just go and browse the map to see what’s happening across Wellington. At the moment, we’re just gathering public information about WCC consents, and this is only updated every fortnight, but we hope to get other Councils on board to make it easier for everyone to keep in the loop about developments in their community. That would make it easier for everyone to see, for instance, that…hey, a rooftop bar in Mt Vic! The post Informed (about) Consents appeared first on The Wellingtonista.
      • Accepted from Wellingtonista Blog Feed
      • Automatically tagged as:
      • blogs
      • featured

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    • Bike network plan  |  Projects - WCC Transport Projects
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