Judging by the two bikes outside (one mine), the Festival of the Future wasn’t for cyclists. Food was also scarce at the outset of the two-day first event at Takina, Wellington’s stylish new convention centre. But that was remedied on day two and there’s a lovely cafe on the ground floor of the impressive building.
Last week’s announcement of Tākina as the new name for the new Conference Centre has brought a lively discussion about its relevance. It was also a reminder that renaming has become a habit in Wellington.
when i sleep is an interactive installation with accompanying paintings. My first solo exhibition <3 Before moving to Pōneke I lived in one house my whole life. A house my parents built for our family. Sometimes I close my eyes and check on myself back at home. It feels smaller than I remember, but she's still there, peacefully sleeping.
when i sleep is an interactive installation with accompanying paintings. My first solo exhibition <3 Before moving to Pōneke I lived in one house my whole life. A house my parents built for our family. Sometimes I close my eyes and check on myself back at home. It feels smaller than I remember, but she's still there, peacefully sleeping.
when i sleep is an interactive installation with accompanying paintings. My first solo exhibition <3 Before moving to Pōneke I lived in one house my whole life. A house my parents built for our family. Sometimes I close my eyes and check on myself back at home. It feels smaller than I remember, but she's still there, peacefully sleeping.
when i sleep is an interactive installation with accompanying paintings. My first solo exhibition <3 Before moving to Pōneke I lived in one house my whole life. A house my parents built for our family. Sometimes I close my eyes and check on myself back at home. It feels smaller than I remember, but she's still there, peacefully sleeping.
Join arts educator Charlie Hall in this fascinating lecture tracing Peggy Guggenheims path to creating one of the world's most iconic collections of twentieth-century art.