Matching Newsitems

• • CricHQ Wellington Under 19 Team Named

    • 23 Nov 2016
    • Cricket Wellington
    • The following players have been named in the CricHQ Wellington U19 team to contest the National U19 Tournament at Lincoln University from Dec 15-23; Rachin Ravindra (captain) (Hutt District CC) Troy Johnson (vice captain) (Hutt District CC) Jakob Bhula (Wellington College) Michael Fenton (Tawa College) Luke Georgeson (St Pats Town) Calvin Harrison (Onslow CC) James Hartshorn (Karori CC) Matt McComb (Hutt International Boys School) Callum McLachlan (St Pats Silverstream) Josh Peake (Wellington College) Nicholas Pile (Onslow College) Ben Sears (Hutt District CC) Tyler Simpson (Hutt International Boys School) Coaches: Rhys Morgan Sriram Krishnamurthy Manager: Jeremy Sprott The CricHQ U19 team has been picked after 7 rounds of competition in the Ewen Chatfield Trohphy. Coaches Rhys Morgan and Sriram Krishnamurthy have been pleased with the development of the squad in this competition. Rhys Morgan had this to say about the start to the competition, “The CricHQ U19s had a pretty tough start to the competition this year. What has been pleasing is seeing the improvement in the team in recent weeks. This shows the ability of the group to learn lessons and apply those learnings in competitive situations.” Sriram Krishnamurthy put a lot of the development in the squad down to the benefit of being able to use high quality training facilities. “For the past six weeks we have been able train on grass at the Basin Reserve. The coaches have really appreciated the opportunity to help the players develop their skills in fantastic conditions. The early season weather has been [...] The post CricHQ Wellington Under 19 Team Named appeared first on Cricket Wellington.
    • Accepted from Cricket Wellington 109 months ago
    • Tagged as:
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    • karori

    Karori, Wellington, New Zealand (OpenStreetMap)
  
  
• • 

    Dawn of a New Age; the Prosser Era begins!

    • 14 Feb 2020
    • Island Bay United AFC
    • <figure class=" sqs-block-image-figure intrinsic " > After yesterdays incredibly exciting news regarding Wynton Rufer’s nascent arrival at the club, today sees the dawn of a new era for the Island Bay United 1st team under the watchful eye of new coach James Prosser. James’ reign begins today with a pre-season warm-up against Palmerston North Red Sox at Wakefield Park at 3:45pm. James has brought an incredibly optimistic mood to the club due to both his personal positivity and also in securing the services of former club legends like Caleb Hilbron, not to mention connecting us with the aforementioned international footballing genius Wynton Rufer. In paraphrasing Churchill, James imparted: “This is not the beginning of the end nor is it the end of the beginning, no, it is the beginning of the beginning” If you have some spare time today why not come down to Wakefield and bask in the windless balmy weather… you may just be witnessing the birth of a reformation with a renaissance to follow.   Learn more about James here
    • Accepted from Island Bay United AFC blog 64 months ago by feedreader
    • Tagged as:
    • island-bay

    Island Bay, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)
  
  

• • HVH Consolation Races/Turkey Trot 3 Oct 2015

    • 7 Nov 2015
    • Hutt Valley Harriers
    • HVH Consolation Races/Turkey Trot 3-Oct-14 2 Under 14s – 2km Name Age Race Time Estimated Time Turkey Trot Placing Race      E M k-rate k-rate AJ Prichard Bu11 0:07:55 7:54 1st 03:58 04:03 f 5 Josh Allen Bu11 0:08:00 7:58 2nd= 04:00 04:03 f 3 Oscar Strickland Bu11 0:08:36 8:38 2nd= 04:18 04:43 f 25 Hannah Gordon Gu15 0:08:53 9:01 04:26 05:06 f 40 Aidan Jackson Bu13 0:09:14 10:00 04:37 only ran once Una Strickland Gu13 0:09:16 9:04 04:38 05:08 f 30 Gemma Gordon Gu13 0:09:17 9:35 04:39 05:09 f 30 Jessica Kincaid Gu15 0:09:19 9:17 2nd= 04:40 04:49 f 9 Cassandra Trompetter Gu15 0:09:23 9:04 04:42 05:09 f 27 Thomas Prichard 0:09:35 9:51 04:48 only ran one David Gordon Bu9 0:09:46 10:05 04:53 05:25 f 32 Harvey Butler Bu11 0:09:50 11:00 04:55 05:25 f 30 Harrison Kowalczyk Bu9 0:09:53 9:40 04:57 05:01 f 4 Tyler Rollo Bu11 0:09:53 8:40 04:57 05:20 f 23 Lily Trompetter Gu13 0:10:27 9:30 05:14 05:24 f 10 Abbie Kincaid Gu13 0:10:41 10:37 05:21 05:30 f 9 Catherine Jameson Gu9 0:13:25 9:50 06:42 05:20 s -122 Under 20s – 5km 5 Name Race Time Estimated Time Turkey Trot Placing Jayme Maxwell 0:19:30 20:02 03:54 04:23 f 29 Lars van Beusekom 0:22:53 23:08 04:35 04:46 f 11 Isobel Franklin 0:30:42 28:00 06:08 06:07 s -1 Seniors/Masters – 10km 10 Name Race Time Estimated Time Turkey Trot Placing Reon Rollo 0:40:15 45:00 no time Bill Trompetter 0:44:52 44:00 04:29 0:04:28 s -1 Graeme Burr 0:46:25 45:49 04:39 0:04:29 s -10 Neil Sargisson 0:47:33 46:27 04:45 0:05:07 f 25 Gail Kincaid 0:48:15 47:17 04:50 Peter Sparks 0:48:35 45:27 04:52 0:04:56 f 4 Keryn Morgan 0:50:30 49:54 05:03 0:05:18 f 15 Craig Anderson 0:50:30 51:01 no time Glenn Perkinson 0:50:52 50:35 3rd 05:05 0:05:33 f 28 Kristi Perkinson 0:51:15 51:19 1st 05:07 0:04:56 s -11 Mark Growcott 0:51:29 51:00 05:09 0:04:56 s -13 Tony McKone 0:52:27 53:40 05:15 0:04:52 s -23 Steve Robertson 0:52:50 51:23 05:17 0:05:02 s -15 Liz Gibson 0:53:01 53:08 2nd 05:18 0:05:38 f 20 Gary Maxwell 0:53:54 51:45 05:23 0:05:06 s -17 Paul Strickland 0:54:01 51:32 05:24 0:05:09 s -15 Keith Holmes 0:54:11 55:00 05:25 0:05:17 s -8 Vanessa Trompetter 0:55:19 55:55 05:32 0:05:23 s -9 Paul Cavie 0:55:47 54:32 05:35 0:05:26 s -9 Martyn Cherry 0:58:09 56:23 05:49 0:05:50 f 1 Albert van Veen 0:58:54 58:00
    • Accepted from HVH news 120 months ago
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    • athletics
    • hutt-valley
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• • 

    ORCHESTRA WELLINGTON presents FIREBIRDSATURDAY 13 MAY, 2017,...

    • 20 Apr 2017
    • Orchestra Wellington
    • ORCHESTRA WELLINGTON presents FIREBIRD SATURDAY 13 MAY, 2017, 7:30PM MICHAEL FOWLER CENTRE, WELLINGTON Ludwig van Beethoven Symphony No 1 in C Major — John Elmsly Violin Concerto (Orchestra Wellington Composer in Residence) — Igor Stravinsky The Firebird (Complete Ballet Score) — Marc Taddei, Conductor Jun Hong Loh, Violin (Grand Prize Winner, Gisborne International Music Competition 2015) Orchestra Wellington opens its concert season with two works that welcome the arrival of  young genius upon the world stage. Stravinsky had barely finished his studies when the great impresario of the Ballets Russes, Diaghilev, recognised his talent and commissioned the work that would make him world famous: the Firebird. Music Director Marc Taddei calls the Firebird a fantastically imaginative blend. “Stravinsky takes the folk music of Russia and mixes it with the exotic orchestration of his teacher, Rimsky Korsakov, and the harmonic language of the great Impressionists. If one score deserves to be called ‘magical’, it’s this one. It’s a masterpiece!” Taddei says he is thrilled to present the music for the full ballet. “Normally in a concert performance, the Firebird is heard in shortened suites,” Taddei says. “The full score is rarely heard, and it is a revelation,” he says. Taddei decided to pair the Firebird with Beethoven’s First Symphony. “I like the idea of hearing how two young geniuses announced their voice to the world,” he says. The First Symphony shows Beethoven’s mastery of the symphonic form developed by his teacher Haydn, and then takes a confident step beyond that into the musical territory that he would one day revolutionise. To complete the programme, the Orchestra presents the world premiere performance of one of New Zealand’s great senior composers - John Elmsly. Elmsly’s Violin Concerto will feature the Singaporean violinist Jun Hong Loh, winner of the 2015 Gisborne International Music Competition. Taddei calls 2017, “the season of the Impresario”, highlighting the link between the visionary founder of the Ballets Russes and the major body of works created at his behest: works that will be a major focus of the Orchestra’s performances this year. “This year begins with the promise of extraordinary innovation and genius - a promise that will be fully realised throughout the season.” Photography: Jon Trimmer and Judith Mohekey in The Firebird, 1973 Courtesy of the Royal New Zealand Ballet. Be sure to secure your seat for Orchestra Wellingtons ‘FIREBIRD’ from Ticketek HERE or through www.orchestrawellington.co.nz
    • Accepted from Orchestra Wellington posts 95 months ago
    • Automatically tagged as:
    • music
  
  

• • SEPTEMBER

    • 4 Sep 2019
    • Slow Boat Records
    • Howdy, y’all! Well, without wishing to jinx it, it was a pretty mild Winter, all things considered, and Spring, it was seem, has, um, sprung?! HEAPS of new stuff instore – tee shirts, posters, DVDs, NOT TO MENTION some fantastic new LPs and CDs from (here we go)… Taylor Swift (a real return to form!), Lloyd Cole, Thom Yorke, Lizzo, Ride, Peter Perrett, Purple Pilgrims, PP Arnold, Lana Del Rey… we are also digging the latest Ace Records compilation of cheery 90’s hip hop entitled “The Daisy Age”, featuring De La Soul, Brand Nubian, Queen Latifah, Del Tha Funkee Homosapien and heaps more – recommended!! We have also just taken delivery of EIGHT(!!!) boxes of terrific new LPs from the US, featuring many deleted and hard-to-find titles from a-Ha, Roy Ayers, The Beach Boys, Nine Inch Nails, King Crimson, Fugazi, The Proclaimers, Rammstein, , REM, Parquet Courts, Public Enemy, Lou Reed, Elton John, The Jesus & Mary Chain… I could go on, but perhaps best if you come and take a look for yourself – will have them out by the weekend! Also out this Friday – the brand spankin’ new release from one of the stars of last year’s Slow Boat Record Store Day event – Mermaidens, with their new album “Look Me In The Eye” – CD and lovely coloured vinyl… Also, a reminder that we place a US import order every 2-3 weeks, and there are a huge array of titles available – be warned that our falling exchange rate against the US has rendered some stuff on the pricy side… and that it will be Christmas before you/ we know it – have a think about it now and get real organised ahead of Festivus?!? We are here to help you look as kindly and generous as possible… Wishing everybody a happy and prosperous Spring – new beginnings, and all that – catch you all soon!! XX The Slow Boat Crew XX
    • Accepted from Slowboat posts 68 months ago by feedreader
    • Automatically tagged as:
    • cuba-street
    • music
    • retail

    Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)
  
  

• • March 2021

    • 3 Mar 2021
    • Slow Boat Records
    • Howdy, all – well, crikey – the rest of NZ back in Covid alert level 2, while our Auckland chums are at level 3 – appreciate it must be tough for you guys, having been there before, but we have beaten this thing before, and we’ll do it again – our thoughts are with you all…Meantime, here in the capital, we are asking that everyone does their bit for the Covid war effort – stay home if you are sick, get tested, and PLEASE – scan our QR code when you pay us a visit, and use the hand sanitiser provided; by just following these simple steps, we stand a better chance of avoiding further, or stricter, lockdowns…We have a tonne of fantastic new posters in stock with which to decorate the walls of your home – come take a flick through the racks and find something that fills you with joy – and for a measly $15 – almost too good to be true, eh!?We also have a whole heap of lovingly curated new and second-hand vinyl, CDs and DVDs heading out into the store on the daily, just waiting for you to give it that forever home!We are also doing a US order every 2 or 3 weeks, wait times are WAY down from last year, seem to be arriving in just a week or so, exchange rate pretty favourable – happy to order things in for you, just fire us an email or pay us a visit and we’ll see what we can do for you…Finally – we realise 2020 was pretty tough for a lot of people, but we need you to know that we are here for you, and that music really does help make everything just a little better – we hugely appreciate your support, hope you are doing okay, and would love to see or hear from you soon.Peace out, take care, love on ya XX The Slow Boat Crew XX
    • Accepted from Slowboat posts 57 months ago by feedreader
    • Tagged as:
    • covid-19

    Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap Up (Term 4, Week 3)

    • 1 Nov 2019
    • Wellington High School
    • Important Dates 4 November: Senior Prizegiving 7 November: Parents notified of outcome of out of zone ballot (Years 10-13 in 2020) 8 November: NCEA exams start 25 November: Board of Trustees meeting 3 December: NCEA exams end 6 December: Junior Prizegiving 6 December: End of Term 4 What’s happening Whakanuia celebration of Māori achievement      Senior students’ final day With NCEA exams just around the corner, today is our senior students’ final day of school for 2019. The day has been filled with assemblies, reminiscing, excitement, tears and sentiment. To all our seniors, we wish you all the best, whether you are sitting NCEA exams or joining the workforce, whether you are leaving us or returning to WHS in 2020.        Level 3 Art Portfolio exhibition The Level 3 Art Portfolio exhibition is happening in the Art department,  D block, Monday 4 November, 12pm – 5.45pm and Tuesday 4 November 9am-5pm. All welcome. Japan exchange students’ farewell Saaya Nakahara and Saki Sasakawa have been attending WHS since the end of August as part of their exchange from Osaki Kasei, WHS’s sister school in Japan. Below are some of the memories of their experience here. We arrived in NZ on August 30. We have had many experiences in just 2 months. We went to the Climate Change strike on 27 September. We have never been to a strike, so we were surprised that there were so many people. It was a good experience because we cannot join a big event like this in Sapporo. Our most exciting experience was the Ball. We do not have an event like this in Japan. This was the first time for us to go to a dance party. We took a lot of pictures with our friends in the photo booth. Our favourite photo was taken with our year 13 Japanese classmates and Grace. Thank you for giving us wonderful memories!!! Achievements NCEA Art folio exhibitions Folios were exhibited on two Fridays this term showcasing the enormous efforts students have put into their artmaking this year. Many friends parents and staff visited the exhibitions.       Rowing regatta success WHS Rowing have completed in their first regatta of the season: the Queen’s cup regatta. The regatta was held over a 1000m course with all rowers competing to a high level despite the cold and windy conditions. The next race will be on 2 November and is the Norton Cup Regatta.      Floorball  Former WHS student Marie Sundin is transferring from Wellington Floorball Club to Swedish IBF Falun. Last month the International Floorball Federation picked Marie as one of the top three international transfers. Congratulations Marie!
    • Accepted from WHS news 73 months ago by feedreader
    • Automatically tagged as:
    • secondary

    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    RE-BLOG KEITH JOHNSON: CentrePort Proposals to Scour Wellington Berths and Dredge Wellington Harbour Mouth need proper Multi-Criteria Appraisal

    • 17 May 2016
    • Guardians of the Bays
    • JUST BIGGER IS BETTER AS FAR AS TRAFFIC IS CONCERNED? By Keith Johnson While road transport increasingly grinds to a halt in Wellington and road rage is becoming common, partly consequent on Wellington City Council’s dog-in-the-manger approach to investment in roads, the Bigger is Better philosophy is receiving ringing endorsement from local authorities with respect to the aviation and maritime shipping industries. Much has been published on this website about Wellington International Airport’s Runway Extension Project – including an article by Dr Sea Rotmann which draws attention to the massive contribution of air travel worldwide to CO2 emissions. Maritime transport is also a major emitter. In this respect, Wellington Regional Council should be insisting upon a proper Multi-Criteria Assessment of the proposed dredging of Wellington Harbour by CentrePort. http://www.stuff.co.nz/business/industries/79692673/CentrePort-reveals-details-of-plans-to-dredge-7km-channel-in-Wellington-Harbour A Multi-Criteria Assessment would cover all dimensions of a major public investment: Cost-Benefit Analysis [including the Business Case] Economic Impacts Environmental and Safety Impacts Social and Distributional Impacts With the whole to be concluded with an over-arching summary of redlines and trade-offs. Looking at the current situation, the parallels between the CentrePort proposal and the Runway Extension Project are very interesting: Doubts about financial viability Optimistic multiplier-based ‘economic’ rather than business case justification Concern over who will eventually pay [ferry customers, GWC ratepayers] etc. Environmental concerns The one glaring difference is that Wellington ratepayers are not being asked to pay directly in the case of the Port. SOME ISSUES ON THE PORT PROPOSAL THAT NEED PROPER APPRAISAL Viability of Log Traffic growth as a major driver [with its associated road transport issues] http://maritimealumni.ac.nz/alumni/whats-the-latest/ The silt is potentially toxic: http://www.sandandgravel.com/news/article.asp?v1=4444 The cost could be anywhere between $20 million and $40 million: http://www.radionz.co.nz/news/regional/265225/dredging-plan-for-wellington-port The proposal could have adverse effects on recreational and commercial fishing, the recreational use of Wellington Harbour and artesian water pressure and purity in Eastbourne: http://wellington.scoop.co.nz/?p=76457 Wellingtonians will pay through their rate contributions to the Greater Wellington Council and possibly also through higher ferry fares to and from the South Island: http://www.stuff.co.nz/business/79886817/harbour-dredge-could-push-up-cook-strait-ferry-prices-shipping-federation Any possible relationship between the dumping of silt and its migration towards the unstable deep sea submarine canyons in Cook Strait seems unconsidered: http://www.nzherald.co.nz/nz/news/article.cfm Plus a couple of challenges on ‘shifting sands’ by ‘Old Saltie’ Jim Mikoz: Dredging, dumping, and the moving river of shingle and Why Centreport’s dumping sites are in the wrong places CentrePort’s Channel Deepening Project http://www.centreportbigpicture.co.nz/project-overview CentrePort is applying for consents to deepen the harbour to allow for ships with draughts of up to 14.5metres at the harbour entrance and the Thorndon Container Wharf. These consents would provide CentrePort the flexibility to dredge in one stage or a series of stages, allowing the port to deepen the channel only as required, in response to the size of ships actually visiting New Zealand. An extensive optimisation exercise was undertaken to identify the most cost effective design delivering the least amount of dredging for the best operational outcome. As Wellington is a naturally deep harbour, no deepening is required in the main harbour basin and the overall volume proposed to be removed is less than at other ports to achieve the same outcomes. At the harbour entrance consents are being sought that would allow the port to remove up to 6.0 million cubic metres of seabed sediment. The proposed disposal site is off Fitzroy Bay, in water approximately 50 metres deep.  This site is a refinement of the existing consented disposal area. The main container berth and northern approach at Thorndon Container Wharf would also be deepened, with placement of that material, up to 270,000 cubic metres, in deeper water near the berth. Alternatives for disposal have, and will continue to be considered [hopefully].
    • Accepted from Guardians of the Bays posts 115 months ago
    • Tagged as:
    • eastbourne
    • thorndon
    • fares
    • runway-extension

    Thorndon, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)
  
  

• • Ngā Kōrero Special - BIG THANK YOUS Concert this Sunday

    • 21 Nov 2023
    • Downtown Community Ministry
    • Ngā Kōrero Special - BIG THANK YOUS Concert this Sunday Several great musical acts are coming together to help end homelessness in support of DCM's Walk a Mile Fundraiser communities where whānau are housed, connected, valued and thriving About Us Contact Concert in support of DCM’s Walk a Mile Fundraiser The official conclusion of our Walk a Mile Challenge fundraiser is the BIG THANK YOUS concert at San Fran, 171 Cuba Street, this Sunday 26 November, 5-9pm. And we have some sensational entertainment for you! Laura Collins and the Back Porch Blues Band are masterful entertainers, moving seamlessly between ballsy blues and soulful ballads. Seamus Johnson delivers blistering vocals and guitar chops: you will think you’re listening to a whole band. Dr. Blue is a must-see for all-out entertaining roots. Beans performs beautifully written folk songs. Two Times is a band that will keep your toes tapping. Tickets are just $20 each, an absolute steal but we wanted to make it affordable for everyone. Get yours right here, right now! Click below... Big Thank Yous Tickets There will also be a charity art auction run by Dunbar Sloane, including art works by DCM’s own whānau, like Hapi and Jason! The line-up Laura Collins and the Back Porch Blues Band are dynamic, masterful and all about entertainment. Laura, with high energy and vocal strength, moves between ballsy blues and soulful ballads. She gives her band license to shine and shine they do; Wayne Mason, master of boogie ‘burning it up’ on the keys, John O’Connor ‘eating it up’ on lead guitar, George Barris on warm upright bass and Pete Cogswell on back porch drums ‘putting the car in drive’. Seamus Johnson has been described as a one man musical sensation. With blistering vocals and guitar chops you will think you’re listening to a whole band. Fresh back from touring with Sea Mouse, Seamus is here to bring some authentic old school blues! Beans is a recent addition to the Wellington folk scene, importing a wild array of original songs all the way from deepest, darkest Yorkshire. They gained international acclaim in 2021 as a finalist in the Liverpool International Song Contest and have since performed across Australia and Aotearoa. Embodying the classic singer-songwriter formula, Beans’ live shows are rich with humour, honesty and interesting word choices. Expect to feel things. Mike ‘Dr. Blue’ Mckeon is an international award winning multi-instrumentalist, singer-songwriter and poet. ‘With a unique brand of early blues’ (Blues in Britain Magazine), ‘Mesmerizing’ (Broadway Baby), ‘A sensation’ (Otago Daily Times). STOP PRESS – Dr. Blue will be joined by Vicky Weeds, a singer, cellist, and burlesque darling from Pōneke. She has been performing around Aotearoa since 2011 and in 2019 won the Wellington Alternative Performing Arts Award for favourite cabaret performance. Two Times is a toe-tapping covers band regularly entertaining audiences around the Wellington region. Expect to groove to all your favourite hits. Not only will Beans perform for us, but they have also been walking a mile in support of DCM! Here's a song Beans wrote while out and about... A Mile in These Shoes by Beans DCM is truly grateful to all those people who have been walking a mile a day in support of our mahi to create communities where whānau are housed, connected, valued and thriving. For many years, DCM held an annual Bookfair, and ever since we have been hoping to find a new fundraiser that connects in a meaningful way with the work we do with the most marginalised people in our city. The Walk a Mile Challenge and BIG THANKS YOUS Concert provide an opportunity for us to come together as a community to support DCM, and raise the pūtea we need to keep our essential services running. We look forward to connecting with you on Sunday. Can’t make it? Please forward this to anyone you know who may like to come along. Or, if you'd like to support one of the individuals or teams walking a mile in support of DCM, click here. Big Thank Yous Tickets Copyright © 2023 DCM. All rights reserved. Our mailing address is: DCM PO Box 6133 Marion Sq Wellington, Wellington 6011 New Zealand Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 25 months ago by feedreader
    • Tagged as:
    • cuba-street
    • art

    Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Skills training on Wednesday and AGM updates

    • 11 Dec 2025
    • Wellington Orienteering Association
    • Skills training on Wednesday and AGM updates Last-ditch skills training for the year on Kaukau this Wednesday ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   View this email in your browser Training this Wednesday and AGM updates Meri Kirihimete <>! After the successful and fun afterwork series—and before you check out for the holidays—we are putting on a training session focussing on compass skills. The training will occur on Kaukau, at 6—7pm Wednesday, 17 December. Our session is aimed at those wanting to learn new skills and techniques, or those with more experience who want to practise their techniques, and is suitable for every ability (kids and adults welcome!). Bring your compass and clothes suitable for the weather, as it can be exposed on the tops. No dogs are allowed on the farmland. The session will be coached by Rachel and Yvette Baker, so please email Rachel at rachel.rosara.baker@gmail.com if you have any questions, or need to borrow a compass. On-street parking is available at our meeting point at the end of McLintock Street, accessed from Truscott Avenue. See the map. Key takeouts from the AGM If you missed the AGM, don’t worry. Here are some of the key takeouts. “This year has been one of growth, development, and community spirit as we continue to promote and enhance the sport of orienteering across the Wellington region.”—Beverley Holder, President You can read more about our club achievements—events, training, mapping and more—in Beverley’s report below. There will be no change to subscription fees for 2026. President’s report Committee and working groups As elected committee for 2026 is: Beverley Holder (President) Gerald Crawford (Treasurer) Lachlan McKenzie Jake Hanson Paul Teasdale-Spittle The committee will be supported by working groups to fulfil the club’s many functions. Working groups have been proposed but not confirmed, and are not necessarily permanent—they may be based around time-bound projects. We’d love to hear from you about which groups you think might be useful, and how you may like to contribute. Read the discussion paper and send your thoughts to Lachlan at secretary@wellingtonorienteering.org.nz Discussion paper Awards Congratulations to our award recipients this year. The Endeavour Cup is awarded for development and performance, and the Fortune Cup is awarded for outstanding service to the club. Endeavour Cup Rachel Baker received this year’s Endeavour Cup for her outstanding performances including as part of the New Zealand team at this year’s Junior World Orienteering Championships in Italy. Other nominees were Morag McLellan and Jake McLellan. Fortune Cup Alan Horn received the Fortune Cup. Alan unfailingly provides outstanding support for events, gear, and controlling and planning. Other nominees were Paul Teesdale-Spittle, Helen Hughes, Lachlan McKenzie and Will Vale. Members’ League We will be trialling a members’ league in 2026—a way to introduce some fun competition into events where scores are based on comparative performance, rather than absolute as per race time. Details are being worked through but generally will look like this: For members age 16 or over who run a Red-level course CSWs and OYs will be ‘counting events’ Scores will be allocated based on the formula “Average km rate * (age and gender weighting)” Overall winner: If there are 10 ‘counting events’, we will take your top 6 scores. Coming events Orienteering Wellington’s coming events can be found on our Events page. You can also toggle the calendar to show Orienteering Hutt Valley’s events. Sprint, Whitireia Campus – Wednesday 11 February Sprint, Victoria University – Wednesday 25 February Sprint, Masey University – Wednesday 11 March CSW, Tikara, Churton Park – Sunday 23 March For all events, visit Orienteering New Zealand. About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington. Copyright (C) 2025 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
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• • 

    Circa Theatre 2012 Season

    • 5 Dec 2011
    • Circa Theatre
    • Circa Theatre 2012 SeasonBrief Synopsis of Productions Circa One Roger Hall’s Aladdin, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson3-14 JanuaryBack by popular demand for the first two weeks in January, those of you who missed out on seeing this spectacular treat before Christmas can hiss, boo, and aww along with Aladdin, Widow Twankey and the gang! The Motor CampA comedy by Dave ArmstrongBased on a story by Danny MulheronDirected by Danny Mulheron21 January – 18 FebruaryAfter the panto we have another return season by popular demand: The Motor Camp! Director Danny Mulheron once again helms this cracker Kiwi camping comedy by NZ playwright Dave Armstrong, bringing together the talented cast from the sell out 2011 season. Tickets are available now – get yours early to avoid disappointment! PeninsulaBy Gary HendersonDirected by Jane Waddell25 February – 31 MarchUp next is Circa’s contribution to the New Zealand International Arts Festival, Peninsula, by the award-winning team who scooped the Chapman Tripp Theatre Awards in 2007 with Home Land.  A touching, bitter-sweet look at life in the 60s, Peninsula provides a richly emotional journey amid childhood games and adventures and adult issues and events. Roger Hall’s A Shortcut to HappinessDirected by Ross Jolly14 April – 28 MayA fabulous new comedy about the lives, loves and misadventures of a folk-dancing class, A Shortcut to Happiness has all of the usual Hall trademarks: shrewd observations, much mocking of Kiwis’ curious customs and of course, plenty of laughs. All My SonsBy Arthur MillerDirected by Susan Wilson2 June – 7 JulyThe director who brought us the epic dramas August: Osage County and When the Rain Stops Falling in 2011, takes on this powerful Miller classic for 2012. A brilliant and compelling family drama of love, guilt and the corrupting power of greed, All My Sons was the first great success of Arthur Miller’s supremely influential career. SpectorWith the BeatGirlsDevised, written and choreographed by Andrea Sanders14-28 JulyA musical tribute to one of pop’s legendary producers, Spector showcases the best work from Phil’s career and recounts the stories around the music. Starring the always entertaining BeatGirls (performing for the first time in Circa One!) and featuring hit songs such as ‘Be My Baby’, ‘Da Do Ron Ron’, ‘Unchained Melody’ and ‘River Deep Mountain High’. West End GirlsAdapted for the stage by Ken DuncumFrom the bestselling book by Barbara TateDirected by David O’Donnell4 August – 1 SeptemberWest End Girls is a world premiere adaptation of Barbara Tate’s autobiographical bestseller, brought to you by the writer/director team behind the 2010 Circa hit, The Great Gatsby. An eye-opening, hilarious and moving story of love, life, laughter and sex. Clybourne ParkBy Bruce NorrisDirected by Ross Jolly8 September – 6 OctoberDirector Ross Jolly presents the NZ premiere of this Pulitzer Prize-winning play. A very sharp, clever and wickedly funny study of modern manners, Clybourne Park probes the contemporary fault line between property and prejudice. It is startling, unsettling and outrageously entertaining! The Truth GameBy Simon CunliffeDirected by Danny MulheronProduced by Howard Taylor13 October – 10 NovemberSex, lies and the semicolon. The Truth Game is a fast-moving contemporary drama about journalism and the very “soul” of the news, which freeze-frames the crises of the age, while traversing universal themes of ambition, loyalty, love and betrayal. Roger Hall’s Cinderella, the PantomimeDongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson17 November – 22 DecemberThere he is! Oh no he isn’t. Oh yes he is! The team that brought you Aladdin, Robin Hood, Dick Whittington and his Cat, Jack and the Beanstalk and Red Riding Hood returns to the beginning to bring you the pantomime that started it all, Roger Hall’s Cinderella. A glittering fairytale with dazzling costumes and lots of fun and laughter – the perfect Christmas treat. Circa Two Esencia del FlamencoWith special guests from Barcelona Christina Lopez and Paul Bosauder31 January – 5 FebruaryFirst up in the 2012, Desde Sevilla Flamenco Dance Company returns to Circa Two with Esencia del Flamenco, which captures the essence of flamenco: haunting song, intense emotions and mesmeric rhythms. Meeting KarpovskyWith Helen Moulder and Sir Jon TrimmerDirected by Sue Rider10-25 FebruaryOriginally produced to rapturous response in 2002, Meeting Karpovsky toured New Zealand in 2003/4 and won Listener Best New Play and Chapman Tripp Actress of the Year. By popular demand, it returns in 2012 for a strictly limited season. Floral NotesWritten by Geraldine BrophySong book adapted by Jane Keller4 -28 AprilA blooming micro musical about friendship, life and love, starring all-time theatre favourites, Geraldine Brophy and Jane Keller. Floral Notes is a glorious evening of super songs and first-rate entertainment. Chekhov in HellBy Dan RebellatoDirected by Eleanor Bishop12 May – 9 JuneDirector Eleanor Bishop brings us a bitterly comic new play that drops nineteenth century playwright, author and pitiless observer of Russian society Anton Chekhov in twenty-first century London. This New Zealand premiere asks where have we come from, how did we get here and what do we do now? Sunset RoadWritten and directed by Miria George20 June – 7 JulyBrought to us by Tawata Productions, the award-winning team behind 2011 favourites I, George Nepia and He Reo Aroha, Sunset Road is a beautiful story of family, personal history and coming of age. World premiere. The Year of Magical ThinkingBy Joan DidionDirected by Susan Wilson11 August – 8 SeptemberStarring Catherine DownesA NZ premiere, this dramatic adaptation of Joan Didion’s award-winning best-selling memoir transforms the story of the sudden and unexpected loss of her husband and only daughter into a stunning and powerful one woman play. ManawaWritten and directed by Jamie McCaskill15 September – 13 OctoberThis world premiere play by playwright Jamie McCaskill (He Reo Aroha) examines the New Zealand justice system and the idea of community. The Mourning AfterBy Ahi KarunaharanDirected by Miria George16-27 OctoberAnother contribution to the 2012 Circa Two programme from Tawata Productions, The Mourning After is a story of loss, love and family that travels from the shores of New Zealand to a village in Sri Lanka. The Tigers of WrathBy Dean ParkerDirected by Jane Waddell3 November – 1 DecemberA world premiere, The Tigers of Wrath is an intriguing play about the strange twists of life, about hopes and reams, about a developing and then disintegrating relationship. In the background run two astonishing political trajectories: The People’s Republic of China and The New Zealand Labour Party. And threaded throughout the Circa Two programme, The Improvisors continue their 22-year tradition of providing hilarious improv comedy for Circa audiences. We have Theatresports (29 April – 1 July), History Never Repeats (1-6 May), Improv Cage Match (19 August – 7 October) and three school holiday improvised shows just for kids (10-21 April, 2-14 July, 1-13 October). Don’t miss them! Visit Circa to pick up your copy of the 2012 brochure today!
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    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Yan pushes innovation to protect economy

    • 7 Aug 2013
    • WCC Watch
    • Mayoral candidate Jack Yan believes his policies on creativity and innovation are needed more than ever in light of the recent Fonterra disaster and has released a statement and a new video (speaking in English, te Reo, French and Cantonese, no sign language sadly) highlighting the need for the next mayor to be able to bridge cultures at a global level: Wellington’s innovation can be a safety net when Fonterra-level scares hit If mayors aren’t part of this dialogue, talking to the top 40 cities in the world and opening doors for our exporters, then we’re going to be affected terribly when our nation brand is damaged,’ he says. ‘We have seen real evidence of this week.’ ‘In the meantime, Wellington is the home of companies like Weta and Xero, along with numerous independents¬ has a reputation that can stand head and shoulders above this scandal.’ Mr Yan, who issued his manifesto for the Wellington mayoral election in April, months before his opponents, has remained on message throughout about the need for Wellington to become a global hub for innovation and identifying export champions. Given Wellington’s urban base, those champions were likely to be outside the primary industries. ‘New Zealand is a primary products’ nation and I recognize the sector’s importance. However, this scare shows just why it’s important for cities to back up national economic activity and to have strong brands themselves.’ ‘Wellington is in an enviable place to deliver greater innovation, with high-growth firms and strong creativity, which will be more rigorously grown if I am elected,’ he says. Mr Yan has authored books on branding and has practised in the area since the 1980s. His work at the Swedish branding think-tank, the Medinge Group, has seen him lead the way on international brand thinking, making him better equipped to develop a proper city brand, get Wellington businesses exporting, and being an advocate for them globally. He agrees with earlier commentators, including Prime Minister John Key, that the scare has harmed New Zealand’s national brand. As he predicted in his 2010 and 2013 campaigns, strong city brands will have to come to the fore to promote economic activity in export markets. Mr Yan says, ‘There is a certain level of pride in saying something comes from Wellington, but we haven’t recognized this properly. We have export earners here and by promoting a diverse economy, we can ensure that we have more of a safety net when scandals in our primary sector occur. ‘I have long been concerned since the days of the “New Zealand Way” brand in the 1990s that we were missing the mark on promoting our nation. Even then, I was outspoken on saying that the likes of Karen Walker and Tait were being excluded. Yet Kiwi innovation is unique: it comes from a sense of isolation and independence,’ he recalls. ‘We have export markets criticizing our “100 Per Cent Pure” campaign again. I have to say we deserve every criticism and it is time for cities to step up.’ As they say, never let a serious crisis go to waste. You can watch here.
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• • Weekly Wrap Up (Term 3, Week 6)

    • 29 Aug 2019
    • Wellington High School
    • Important Dates 30 August: Mid-term break — School closed 2 September: Future Focus Event & Careers Expo (see below) 5 September: WHS Brand designs forum (see below) 9 September: Sexual Abuse Prevention Network presentation (see below) 9 September: Preliminary course choices due for 2020 (Y10—12) 20 September: Learning Conversations day — students attend for their interview only 23 September: Board of Trustees meeting 27 September: Final Senior course choices due for 2020 (Y10—Y12); End of Term 3 Important Information Senior Course Choices for 2020 The Senior Course Choice Booklet for 2020 is now available on our website: http://www.whs.school.nz/course-choice-booklet/.  Students in Years 10—12 are invited to explore the options available. We will share the selection planner and process with students shortly. The timeline for making course decisions for 2020 is below. There are opportunities to discuss course choices at Future Focus Evening next week and also at your Learning Conversation: Monday 2 September 2019 Future Focus Evening, 3.45pm—5.45pm Monday 9 September 2019 Preliminary course decisions made Friday 20 September 2019 Learning Conversations Day Friday 27 September 2019 Final course decisions made for 2020 Future Focus event and Careers Expo  You and your student are invited to Wellington High School’s Future Focus event on Monday 2 September 3.45pm to 5.45pm in the Main Block and Foyer. The evening will help your student make smart course choices for 2020 and beyond. Please note that there will be no rōpū that day, and school will finish at the earlier time of 3pm to allow for setting up.   Visit the Careers Expo — Riley Centre 11am — 4.30pm  This year’s Expo features over 20 exhibitors (see the list of exhibitors here), including trades, universities and tertiary providers. All Year 10—13 students will  be attending the Expo during the day, and we encourage students to show their families any stalls of interest before Future Focus Evening starts between 3.00 – 3.45pm.  Visit the Learning Areas — M Block Levels 3 and 4 The event will include information about each Learning Area and a number of additional information sessions, all offered on a 15 minute rotation basis.  Most Learning Area presentations have the following format: Each 15-minute rotation will begin with a short presentation by the Head of  Faculty about the Learning Area and the course selections available. This will be followed by some time for questions and answers. At the end of the 15 minutes, you and your student move to the next presentation.  Faculty presentations are in Main Block and your student should be able to guide you. Student guides will also be available to provide assistance.  Level 3 M305 – Mathematics M306 – Arts M307 – Physical Education and Health M308 – English M309 – Languages Level 4 M406 – Social Sciences M407 – Science M408 – Technology M410 – Learning Support  available – no session M409 – How NCEA works  Come and view the draft Wellington High brand designs Over the past two terms, a large group of students, staff and whānau has participated in workshops to share and develop ideas about the directino of a refreshed brand identity for the school. You are warmly invited to pop into the school foyer on Thursday 5 September (anytime between 11.30—4pm) to view the draft identity designs that are in development with the designers at Chrometoaster (https://www.chrometoaster.com/).  On Thursday, Chrometoaster will have a stand in the foyer to share our draft direction so far, and take feedback from our school community. Note that the design of a central element to represent Te Kura Tuarua o Taraika ki Pukeahu is in separate development with the school. The design team can talk about this. Achievements Say ‘Yes ‘to YES! Last Saturday three WHS Young Enterprise Groups ran stalls at the YES @ The Wellington Underground Market. Congratulations to Remixxed Bags (Sienna Williamson and Sierra Williamson), Toucher Soap (Poppy Vine and Leanne Fandialan) and Poneke Ahi (Jacob Baddeley and Eliseo Biondini). Follow them on Instagram remixxedbags, PonekeAhi and ToucherSoap.   Poetry success Congratulations to Seb MacCaulay (Year 12), for being shortlisted as a finalist in the National Secondary Schools Poetry Competition. He received prizes from the New Zealand Book Council and Sport, as well as $100 and the opportunity to attend a masterclass at the International Institute of Modern Letters at Victoria University last weekend. Seb’s poem is included below: Old man I’m sitting and I watch the old man from the street rest and unfurl from his linen a pack of Dunhills. He twists off the cellophane and eyes his catch with that vintage gleam of noon-stripped old lowlifes, naked, howling at their cigarette moons. Cars and their drivers blur on by, each turning their heads as if to say yes man, light that cigarette for all you’re worth.  Yes, man lights it. Draws each drag out long like a bones player shifting keys. He exhales each time only a whisper of thin smoke-suns that twist, convulse mid-air. I have a moment when I think of my father and I driving along an afternoon’s length of country road; we could’ve been both fifteen naive and I feel as if right here and now I’ll weep watching this old new nomad smoke, pulling our car breakneck along the asphalt, filling the valleys and valleys and valleys, hauling us through them, here to someplace to every place, maybe, most likely, somewhere unideal, where infants are born dead but still live. My father and I, our cities become flame, the skyscrapers strip the blue skies, haul from the seas an urgent thunderstorm now upon us all and still. The old man smokes. Almost at the filter now. Watching our cars roll on by. Looking with those eyes at each and every person as if to say yes man, go on your way, go on your way. IYNT Winners, Minsk, 2019 WHS students Ryan Bright and Lydia Acton were part of the winning NZ team at the 2019 International Young Naturalists’ Tournament. Lydia was the team captain, having also competed in the 2018 tournament in Tbilisi, Georgia. Ryan reported his solution to problem 7, “Burning Glass” in the final against Croatia and Switzerland. He scored the highest score in the final, which was won by NZ with 47.9 points, to Croatia’s 45.9 and Switzerland’s 45.6.          The team’s achievements have been widely recognised, including this tweet from the National Science advisor! Sports Underwater Hockey HUGE congratulations go out to all our Underwater Hockey teams for their fantastic season this year.  Our Junior Open A team won bronze medals in Friday night’s CSW Premier finals, defeating Hutt Valley High School 6-2 in their playoff game. The boys were hoping for better after entering the playoffs in second place, however they suffered a shock 3-0 loss to Scots College in their semi final. The bronze medal is still a massive achievement, and the first medal won by a WHS team for as long as Murray Chisholm can remember. This team and our Senior Girls team will contest the national championships in Wellington at WRAC from September 6th-8th. If you are interested in Underwater Hockey or intrigued by this mysterious sport, please watch the video made by Year 9 student Sky Gobbi here: https://youtu.be/978v3IPhqV8  1st XI Boys Hockey vs Tararua College Last Sunday our 1st XI Boys Hockey team played Tararua College. Tararua are doing a Lower North Island tour, mainly playing schools in the Wellington region. WHS may have lost the game 3 – 0 but it was an evenly matched contest and our team benefited from the opportunity to take on Tararua College.  
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Cambridge Analytica is merely Facebook’s ‘smaller, less ambitious sibling’

    • 14 Apr 2018
    • Jack Yan
    • Beyond all that had gone on with AIQ and Cambridge Analytica, a lot more has come out about Facebook’s practices, things that I always suspected they do, for why else would they collect data on you even after you opted out?    Now, Sam Biddle at The Intercept has written a piece that demonstrates that whatever Cambridge Analytica did, Facebook itself does far, far more, and not just to 87 million people, but all of its users (that’s either 2,000 million if you believe Facebook’s figures, or around half that if you believe my theories), using its FBLearner Flow program.    Biddle writes (link in original): This isn’t Facebook showing you Chevy ads because you’ve been reading about Ford all week — old hat in the online marketing world — rather Facebook using facts of your life to predict that in the near future, you’re going to get sick of your car. Facebook’s name for this service: “loyalty prediction.”    Spiritually, Facebook’s artificial intelligence advertising has a lot in common with political consultancy Cambridge Analytica’s controversial “psychographic” profiling of voters, which uses mundane consumer demographics (what you’re interested in, where you live) to predict political action. But unlike Cambridge Analytica and its peers, who must content themselves with whatever data they can extract from Facebook’s public interfaces, Facebook is sitting on the motherlode, with unfettered access to staggering databases of behavior and preferences. A 2016 ProPublica report found some 29,000 different criteria for each individual Facebook user …    … Cambridge Analytica begins to resemble Facebook’s smaller, less ambitious sibling.    As I’ve said many times, I’ve no problem with Facebook making money, or even using AI for that matter, as long as it does so honestly, and I would hope that people would take as a given that we expect that it does so ethically. If a user (like me) has opted out of ad preferences because I took the time many years ago to check my settings, and return to the page regularly to make sure Facebook hasn’t altered them (as it often does), then I expect them to be respected (my investigations show that they aren’t). Sure, show me ads to pay the bills, but not ones that are tied to preferences that you collect that I gave you no permission to collect. As far as I know, the ad networks we work with respect these rules if readers had opted out at aboutads.info and the EU equivalent.    Regulating Facebook mightn’t be that bad an idea if there’s no punishment to these guys essentially breaking basic consumer laws (as I know them to be here) as well as the codes of conduct they sign up to with industry bodies in their country. As I said of Google in 2011: if the other 60-plus members of the Network Advertising Initiative can create cookies that respect the rules, why can’t Google? Here we are again, except the main player breaking the rules is Facebook, and the data they have on us is far more precise than some Google cookies.    Coming back to Biddle’s story, he sums up the company as a ‘data wholesaler, period.’ The 29,000 criteria per user claim is very easy to believe for those of us who have popped into Facebook ad preferences and found thousands of items collected about us, even after opting out. We also know that the Facebook data download shows an entirely different set of preferences, which means either the ad preference page is lying or the download is lying. In either case, those preferences are being used, manipulated and sold.    Transparency can help Facebook through this crisis, yet all we saw from CEO Mark Zuckerberg was more obfuscation and feigned ignorance at the Senate and Congress. This exchange last week between Rep. Anna Eshoo of Palo Alto and Zuckerberg was a good example:    Eshoo: It was. Are you willing to change your business model in the interest of protecting individual privacy?    Zuckerberg: Congresswoman, we have made and are continuing to make changes to reduce the amount of data …    Eshoo: No, are you willing to change your business model in the interest of protecting individual privacy?    Zuckerberg: Congresswoman, I’m not sure what that means.    In other words, they want to preserve their business model and keep things exactly as they are, even if they are probably in violation of a 2011 US FTC decree.    The BBC World Service News had carried the hearings but, as far as I know, little made it on to the nightly TV here.    This is either down to the natural news cycle: when Christopher Wylie blew the whistle on Cambridge Analytica in The Observer, it was major news, and subsequent follow-ups haven’t piqued the news editors’ interest in the same way. Or, the media were only outraged as it connected to Trump and Brexit, and now that we know it’s far, far more widespread, it doesn’t matter as much.    There’s still hope that the social network can be a force for good, if Zuckerberg and co. are actually sincere about it. If Facebook has this technology, why employ it for evil? That may sound a naïve question, but if you genuinely were there to better humankind (and not rate your female Harvard classmates on their looks) and you were sitting on a motherlode of user data, wouldn’t you ensure that the platform were used to create greater harmony between people rather than sow discord and spurring murder? Wouldn’t you refrain from bragging that you have the ability to influence elections? The fact that Facebook doesn’t, and continues to see us as units to be milked in the matrix, should worry us a great deal more than an 87 million-user data breach.
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• • Weekly Wrap-Up (Term 1 – Week 7)

    • 15 Mar 2019
    • Wellington High School
    • Important Dates NOTE: You can access the school calendar on our website: WHS School Calendar 26 March: FRIDAY timetable runs today 29 March: Learning Conversations all day (with rōpū teachers) 12 April: End of Term 1 Important Information Learning Conversations — 29 March 2019 The Learning Conversation takes place between your student, the student’s rōpū teacher and parent(s) / caregiver(s).  Each learning conversation will take 20 minutes at the most. Students will only be at school on Friday 29 March for their learning conversation. Emails have been sent home. Bookings for learning conversations can be made at https://www.schoolinterviews.co.nz/ using code xktku NCEA Internal Assessment calendars online Students and their families can access the NCEA Levels 1—3 assessment calendars via our website.  On the calendars, you can see all the assessment deadline for the year. Go to Students > Calendars and choose the one that applies to you. You can add the appropriate calendar to your own via the Google button at the bottom left.         Measles Outbreak — Advice to schools As you are likely aware, there is a large and ongoing outbreak of measles in Christchurch, with 26 cases as at 14 March. Auckland and Dunedin now also have measles cases. While there are currently no reported cases in the greater Wellington region, people will move around NZ during the school holiday period of 13 – 28 April, which includes Easter (19 April –22 April), and ANZAC Day (25 April), and it is likely measles will spread. Accordingly, attached is an information sheet and FAQs regarding measles for primary, intermediate and secondary schools.  Regional Public Health – www.rph.org.nz Ministry of Health – www.health.govt.nz Immunisation Advisory Centre – www.immune.org.nz What’s happening? Focus on Climate Change At the time of writing, a large number of our students are in town for the Climate Change Strike, part of a global movement of youth protest.  In the build up to this, Wellington High’s Molly Doyle in Year 13, took part in a panel with Prime Minister Jacinda Ardern, the Green Party’s James Shaw, and student leaders from other schools. You can read more about the event here.             World Vision Youth Conference Stop Press: While many of our students have been out at the Strike4Climate this morning, four students have been representing WHS at the World Vision Youth Conference. Abishkar Palma, Emily Brooke, Liberty McIntyre-Reet, and Jack Davies have been learning and sharing their ideas and vision of how they can be change makers in our community.           Talking Books with Jacinda Ardern Johanna Christ, Alex Buyck, Otis Brown and Em Flux attended a fundraiser for the Katherine Mansfield House and Garden on the evening of Wednesday 13 March to hear Jacinda Ardern talk about her love of books. The Prime Minister shared advice for teenagers, “Know yourself. Know when you are feeling fragile and get off social media. Don’t live life on a screen.” She also talked about the importance of reading saying, “In order to give children the gift of reading, we need to give parents and caregivers the gift of time.” The students came away feeling very lucky to have had the opportunity to attend the event.       Farewell to Chrissy Laing We reluctantly said goodbye to Chrissy Laing on Thursday 14 March after four and a half years of outstanding service as our Gateway coordinator. Chrissy brought enormous positive energy to this important role and she will be greatly missed. Chrissy is embarking on a new journey much closer to home and we wish her well in her new role.       French Club trip to view a French Film Festival  On Thursday members of the French film club, joined with other French students in Wellington to view the view Au Bout des Doigts.       Tongariro Crossing On Monday the GEO223 and ESS223 classes left for the long bus ride up to Tongariro. We journeyed up to the mountains and on Tuesday did the long 19.4km Tongariro Crossing. The 22 students and 3 staff made it over in just under 8 hours, some more adventurous students choosing to run the final 3km downhill. Everyone did a great job an had a great time, and the warm hot pools straight afterward were welcomed by us all. The weather was fantastic – a number of us were sporting pink noses by the afternoon. Thank you to Kerry Parker and Kyle West who accompanied and made it possible to do the Crossing for the first time in many years. Drama Camp Last week Year 13 Drama went on camp to Riversdale in the Wairarapa. The purpose of the camp was to have an extended rehearsal period for two upcoming performance assessments. While they were away students worked on their acting technique for an assessment which finished yesterday, and started drafting self-devised character-based solos for presentation in week 11 (9-11 April).       JustSpeak lunchtime lecture The lunchtime lecture on Friday 8 March was delivered by Tania Sawiki Mead.  Tania is the Director of JustSpeak: a movement of young people who are speaking up and speaking out about criminal justice, aspiring for a thriving Aotearoa. JustSpeak develops  youth-led tools, resources, spaces and support to facilitate public conversation on criminal justice informed by evidence and experience. Thank you to the Library for hosting another fascinating talk, and to Kathryn Hutchinson  for organizing the lecture and visit.       Achievements Talented footballer and former WHS student featured in Sunday Star Times The Sunday Star Times on 10 March featured the story of former WHS student, Athman Othman. Athman is remembered by many of his teachers for his sporting talent and we were glad to read of his success on the field playing for Tasman United. Read the full article here. NZYPT – New Zealand Young Physicists’ Tournament take silver On the 9th March, two teams of WHS physicists competed in the Wellington regional heat of the 14th New Zealand Young Physicists’ Tournament (NZYPT). Held at Victoria University, the teams took part in science fights defending their research into seven pre-determined problems, and challenging that of their opponents. The team of Millie Rea, Sophie Mance and Khalid Adam are to be congratulated for finishing second. They will head to Auckland next weekend to take part in the national finals.       Sport Futsal We have had another busy week sport wise.  On Wednesday 13 March we had a Junior Boys and Senior Boys team compete in the College Sport Wellington Futsal Competition held at the ASB Sport Centre in Kilbirnie.  The teams had a great day with some very close results. Big thanks goes to Mr Junca for coaching the boys. Junior vs St Patrick Town, 6-3 lost vs Hutt International, 4-2 lost (draw until last 3 minutes!) vs Hutt Valley High, 8-3 win vs Scots College, 4 all draw (excellent game!!!) vs Tawa College, 6-1 win Senior: vs Wellington College, 7 nil lost vs Aotea College, 2 all draw vs Hutt International, 7-3 lost vs St Patrick Town, 3-2 win vs Onslow College, 3 nil lost Regional Athletics On Thursday 14 March a team of six from Wellington High School competed in the College Sport Wellington Regional Athletics meet at Newtown Park. Competing were: Fynn Hutson Senior Boys High Jump Thomas Woodward Senior Boys 100m and 200m Liberty McIntyre-Reet Senior Girls 800m Tiopira Mulholland Intermediate Boys High Jump Ari Koed-Chang Intermediate Boys Long Jump Frankie Coup Junior Girls Javelin All athletes participated extremely well.  Thomas reached the final of Senior Boys 100m and Frankie  won the Junior Girls Javelin with a throw of 24.97m (which beats our school record). Netball Reminder: Junior and Senior Netball Trials take place on Saturday 16 March (tomorrow) and Saturday 23 March here at school in the Tindall Gym. Juniors 9.00-11.30am Seniors 1.00-3.30pm Players must bring the correct shoes and a drink bottle.  If you cannot make both trial dates please let Ms McIntyre (Sports Office) know. Football Trials for all Junior Boys wishing to compete in the Junior Boys Football team take place on Tuesday 19 March from 3.30-5.00pm. Players must bring their football boots and correct clothing for the trials.  Also on Tuesday 19th March, trials for Senior students (Year 11-13) wanting to compete in the 2nd and 3rd XI Football teams, should meet at Wakefield Park, Adelaide Road, Berhampore, from 3.45-5.00pm. They will need their football boots and correct clothing for the trials.  Upcoming Sporting Events Summer Tournament week is quickly approaching!  From 25-31 March, we have the following teams away competing in the NZ Secondary Schools National Sporting Events. Floorball – ASB Sports Centre 30-31 March Ultimate Frisbee – Owen Delaney Park in Taupo 25-26 March Wake Ama –  Lake Tikitapu (Blue Lakes) Rotorua 25-29 March Futsal (Senior and Junior Boys only)- ASB Sports Centre 27-29 March Mountain Biking – Waiu Trail Park, Wainuiomata 30-31 March Sports Exchange For the 2nd year running we have our Sports Exchange with Newlands College.  This year Wellington High School are hosting the exchange and we are looking forward to yet another great battle on the sports field.  The following team will be competing: Badminton – Boys and Girls Basketball – Boys and Girls Hockey – Boys Football – Boys and Girls Netball – Girls  
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap-Up (Term 1 – Week 2)

    • 8 Feb 2019
    • Wellington High School
    • Important Dates 11 February: Year 9 Meet the teachers @ 6pm (Riley Centre) 11-13 February: 9Kelly Noho Marae 14 February: WHS Aroha day to choose activities for the year 18 February: Whānau hui @ 6pm 26-28 February: 9Riley Noho Marae 1 March: Athletics Day 4-6 March: 9Royal Noho Marae 6-8 March: 9Howell Noho Marae NOTE: You can access the school calendar on our website: WHS School Calendar Important Information Year 9 Meet the Teacher Evening — 11 February, 6pm, Riley Centre Year 9 parents and caregivers are invited to our Meet the Teacher evening on Monday 11 February. Beginning with an address from the Principal, Dominic Killalea, parents and caregivers will then have the opportunity to meet with their student’s rōpū teacher and to meet parents and caregivers of others in the class.   Year 9 Noho Marae – starting next week Beginning next week Year 9 rōpū will experience noho marae, a great way for students to solidify their social connections and begin to feel more a part of the school community. Students will also have fun and challenge themselves as they take part in a wide range of activities including an overnight camp in the Taraika marae, swim, kayak and visit Adrenaline Forest.   What’s happening? Farewell to Andrew Savage, Deputy Principal On Tuesday, we farewelled Andrew Savage who has been one of our Deputy Principals since 2012. Andrew leaves WHS to take up a post at the Teaching Council and their gain is most certainly WHS’s loss. Many staff took the opportunity to speak at Andrew’s farewell, recognising his many qualities and numerous contributions to WHS and enjoying musical contributions from Fritz Wollner and Andrew himself.     Safer Internet Day #SID2019 – 5 February 2019 This week marked international Safer Internet Day 2019 so we thought we would share some new resources from Netsafe. You might find some of their conversation starters for ‘Teens (14-18)’ and the resource links useful: Managing Time Online: How would you tell if you were spending too much time online? If you wanted to cut back, what are some ways you would try to do this? Catfishing: What do you know about catfishing? How do you tell if someone really is who they say they are online? Social Media vs Reality: How well do you think social media reflects people’s real lives? How do you tell when someone is getting paid to promote content on social media? Online Bullying? What does online bullying look like? What’s the difference between bullying & banter? What advice would you give to a friend who was being bullied? Sending Nudes: How common do you think sending nudes is? What are the risks? What advice would you give to a friend who has had their nudes shared without their consent? Online Pornography: What do you think are some of the differences between pornography and sex in real life? What would you do if you saw pornography that upset you? WHS Community Education Centre have a “We Need to Talk About Porn” talk for parents of teens, coming up on March 20th from 6-8.30pm – $30 – call 04 385 8919 or go to www.cecwellington.ac.nz  to enrol. Student Services counter opening hours  Open for Parents: 9.00-10.30; 10.45-12.30; 1.00-3.30 Open for Students: 11.00-11:20, 1:30pm – 2:15, 3:20-3:30 From the Garden It is one of the most productive times of year in the school’s garden. AgHort teacher, Claire Neiman shared photos of just some of the produce harvested from the garden over the past few days. Sport Thank you to all the students who have returned their Sports Registration Forms. If you still have to return your registration form, please hand it to Student Services by Monday 11 February. Summer sports and some winter sport pre-season practices start next week. Please be aware that if your son/daughter has been selected for a summer sports team, this takes priority over the winter sport preseason training.  If you have concerns about any sport or training please feel free to contact me to discuss options on sport@whs.school.nz Weekly sports draws are always displayed on the sports noticeboard outside the office in the Lower Gym as well as on the school website.  On the website, www.whs.school.nz click on the sports icon then select sports draws. From the drop down arrow select your child’s sport. Finally, for all netballers, click and read important information about the 2019 season. Coming up this week we have: 8 February: Volleyball Seniors starts 9 February: Cricket starts 11 February: Netball preseason practices  12 February: Football preseason practices, Yoga starts 13 February: Rugby preseason practices,  Tennis Lessons start, Volleyball Juniors starts 16 February: Futsal Juniors starts  18 February: Futsal Seniors starts    
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Plimmerton Farm: getting greenfields right

    • 28 Jun 2020
    • Talk Wellington
    • If we’re hellbent on doing more residential development in greenfields, what does “decent” look like in Plimmerton, hilly land near an existing suburb – like most of our region’s greenfields? This post is basically a guide for anyone who cares about Plimmerton, good urban development, or healthy wetlands, streams and coast, but is time-poor and can’t face going through the truckloads of documents they’ve stuck up without any specific meta-guidance (some FAQ are here). Hopefully this will help you pop in a submission! PCC’s “information” pages they suggest you use for submitting. Every one of these is a large PDF document, 90% written in technical language… aargh! The background: what where and how For those who don’t know, Plimmerton Farm’s a big proposed subdivision of hilly farmland draining into the significant Taupō Wetland and to Plimmerton Beach, just over the train line and highway from Plimmerton village (original Ngāti Toa name: Taupō). It’s going through a Streamlined Planning Process, a pre-COVID government scheme for accelerating development. The key step is the requisite change of the land’s zoning in the Porirua District Plan (“rural” zone to “residential” and other “urban” zones) that sets out what kind of stuff can then be built, where. It’s mostly streamlined because there’s just one shot for the public to have input on the plan change. One shot. Why submit? I was born and raised in Plimmerton, live here now, and intend to for the rest of my days. I’d love to see it grow, well. I would love Plimmerton to get more wallets, more hearts and minds, more faces (more diverse ones too!). But not with more traffic, and pointless damage to our environment. Right now, the proposal has some serious flaws which need sorting. I say Sorting because the changes won’t make it crazy innovative, just good enough for a development in the spot it is, being kicked off in 2020. Time matters too: there’a a bunch of good things happening imminently (and some bad Porirua trends that need to be reversed). I cover these in Get it right, below. It’s worth submitting because given the situation, a 1990s-grade development just won’t cut it. So what about Plimmerton Farm needs to change? It boils down to two themes: dial down the driveability and dial up the liveabilitymake Local the logical and easy choice for daily needs I’ll outline what needs to change in each. NOTE: There’s a third – don’t stuff the wetlands and streams. This is really important as Taupō Wetland is regionally significant, and all our streams and harbours have suffered from frankly shameful mismanagement of sediment from earthworks-heavy subdivisions like Aotea and Duck Creek, and from the earthworks-a-rama of Transmission Gully. Friends of Taupo Swamp have an excellent submission guide for you – add in some of their suggested bits to your submission. I: Dial down the driveability, dial up the liveability There aren’t many truly black-and-white things in life, but there’s one for towns: If a street is nice to drive in, it’ll be a crappy place to do anything else in (walk / eat / hang out / have a conversation / play / scoot or cycle / shop / have a pint). If it’s nice to do anything else in, it’ll be a crappy place to drive in. Mostly this is because of the nature of the automobile: big solid things that smash into our soft bodies if someone makes a mistake (75% odds of death if that’s at 50km/hour, 10% odds of death if at 30km/hour) big objects that need lots of space for manoeuvering and especially parking – which offstreet can be crazy expensive and push up the cost of a home, and onstreet hoover up valuable public space. big solid things driven by us real humans (for a while at least) who respond to the environment but also get distracted, and generally aren’t good at wielding these big solid things safely. The transport setup proposed for Plimmerton Farm makes for a much too driveable and poorly liveable place. 1. Narrow down all the roads. The current proposal’s roading setup has roads and streets that are too big, and there’s too much of them. Right sized roads for a liveable community The cross-sections for the roads include on-street parking and really wide lane widths. This is really gobsmacking for a consortium that talked a big talk about good practice. For all the reasons that Low Traffic Neighbourhoods are good, this is bad. (And it’s especially nuts when you realise that the excessively wide “arterial” roads (11 metres!) will need earthworked platforms built for them where they’re drawn running up the sharp ridges and across the tops of gullies. Expensive, damaging for the environment, and … what were they thinking?) So recommended changes: NARROW DOWN THE ROADS. Seriously. Design all the living-area streets and roads, and the centre, to be self-explaining for an operating traffic speed of 30km or less – that’s the speed where mistakes are rarely fatal. What does that look like? The designers will know and if they don’t they should be fired. Narrower crossing distances; chicanes (great way to incorporate green infrastructure and trees and seating!); narrowed sight-lines (trees! sculpture!) so no-one driving feels inclined to zoom. Reduced trafficked lanes (rori iti on the larger roads!), with properly wide and friendly footpaths. Threshold treatments, humps, modal filters, all the things we know very well are the natural ways to slow us down when driving, and make streets nicer for people. The beauty of all this “restriction” on driving is how much it frees us up for making everything else appealing. Streets become hospitable for kids to walk, scoot, bike to school safely, using the road not the footpath. Older people and those with impairments can walk and wheelchair safely. Teens coming home from town of an evening can scoot or bike home, safely. Popping down to the shops or for a coffee or to the train becomes a pleasure to do on foot, or on a scooter or bike. And you’re moving in a legitimate way – seeing and being seen, not stuck off in the bush on a “recreational” track like what they’ve described. The ordinary streets and roads are walkable, bikeable, scootable, mobility-scootable, and perfectly driveable, equally safe and useable in all weathers and anytime of day or night. Used to be a big, fast road. Now, kids bike to school and old people can chill out on it. (Mark Kerrison) (And in case you’re worried about firetrucks / rubbish trucks / buses, recall that on even Wellington City’s far more winding, narrower hilly streets everyone gets their rubbish collected and fires fought just fine. On public transport, smaller buses, like those that community transport operators use, are the way of the future for less densely-populated areas like this). Don’t build the through and loop roads. You don’t need signs like this when the only people who bother to drive in are those who live there, or who are visiting friends, because you just have to drive out again the way you came. When it’s the place you live, you’re invested in not being a dick far more than if you’re just out for a drive – or worse, out for a bit of a boyrace hoon on a massive loop route through a whole place. So just don’t build those big connector roads that enable people to drive easily from one residential area to the next, especially the ones up in the hilltops (section C) that just say “come for a hoon!” Instead, connect the living spaces heavily with bikeable, walkable, scootable, disability-friendly streets and lanes, and as much as possible, only one way in and out for cars from each living area. II: Make local logical and easy Plimmerton is a true village, with a great little centre (including a train station!) but Plimmerton Farm is ultimately a damn big area. The way to go is to enable people to get the basics of life – like school, groceries, a coffee – with a little local trip on foot, bike or scooter – it’s more of a bother to get in the car. Right now though, it needs two changes: 1. Provide for a second centre “Bumping into” spaces are known to be crucial to a feeling of neighbourhood, and in the (initial) absence of third places (worship places, community hall, sports club, cafe/pub, a supermarket is a vital social centre. Yet the north end of Plimmerton Farm is currently a deadzone for anything except residential. What things will probably look like under current layout. Like in Edwards Scissorhands without the interest of a castle. There’s no provision for a place to do your household groceries, so people will drive to Mana New World – more car trips – and less opportunity to bump into people who live nearby. (There’ll be no school in Plimmerton Farm for a while, because Ministry of Education isn’t allowed by the Education Act to build a school somewhere until there’s a certain population density of kids to fill it. A shitty Catch-22 for developments which is hopefully going to be fixed … sometime. Just another reason to make walking, biking and scooting really kid-friendly, as extra dropoff traffic for kids going to St Theresa’s, Plimmerton School, Paremata and Pukerua Bay schools will be a nightmare.) So they should provide for an additional centre in the north, including a groceries place of some kind. 2. Intensify within walking distance of Plimmerton proper. We should intensify properly, with lots of medium and even some high density (6 storeys of nicely laid-out density done well!) in the area that’s within a 5-minute walk of Plimmerton Village. The more people can live and work with access to all its many amenities, and its rail station (10 min to Porirua, 30 min to Wellington), the better. But there’s not enough density provided for there. Plimmerton Railway station: buzzing in 1916 and has only got bigger. (Photo: Pātaka Porirua Museum) So they should add another zone – E – of higher density in that 5-minute walking catchment of Plimmerton Village. What could it look like? A good example is 3333 Main, Vancouver . Submission tips On the site they ask you to fill in a Word or PDF form, saying which specific bit of the gazillion proposals you are talking about and the specific changes you want. This is a BS way to treat the vast majority of people submitting: normal non-professionals, just regular people who care about good development and liveable places. So just don’t worry about that. In those question 6 column boxes just put “Transport” and “Layout”. It’s the professional planners’ job to figure out specifically how to change a planning document. Just be specific enough that they know what you want to see. The text above is worth copying and pasting – it’ll be enough. And don’t forget the Friends of Taupo Swamp and Catchment advice is essential – definitely go read and use. That’s all you really need – just go submit! But if you’re keen to know more reasons why they should be doing this better, here’s some… Get it right, now Once this plan change is through, traditional developers like Gillies like to whack in all the infrastructure – hello, massive earthworks. And yet the place will take decades to fill with actual people – those hearts and minds and wallets. (Note even before COVID, Porirua’s growth rate was 0.1% per year. Yep, one tenth of one percent.) And extra pressure’s on to do this better because all these things are features of the next one to three years: the One Network Road Classification (sets the design specs for roads of different types) is being updated right now to be more people-friendly in the specs for roads in residential and centre areas, so designs like Plimmerton Farm’s will soon be Officially Bad Practice Sales and riding of e-bikes and e-scooters are going through the roof, continuing through and beyond COVID – this shows no signs of slowing, and prices are dropping. E-power flattens the hills of Plimmerton Farm and makes wheely active travel a breeze for the middle-class people who’ll be living here, if the streets and roads are hospitablePlimmerton Railway Station (on the most popular Wellington train line) is being upgraded to be a terminus station – i.e. better servicesThe Wellington Regional Growth Framework is setting a bunch of directions for councils on how to grow well, including well-known but often well-ignored issues like intensifying around public transport hubs Councils will soon be required to do to a bunch of a bunch of international good practice including get rid of many minimum parking requirements (in the news lately), and to upzone (enable intensification) of landuse in the walking catchment of public transport hubs. (5 min walk = approx 400 metres, 10 min = 800m).Bad trends we need to stop: Porirua’s really high car-dependency (we own cars a lot and drive a lot) is continuing, due to car-dependent urban form [PDF]– despite nice words in council’s strategic intentions.People living outside Wellington City are mostly to blame for our region’s 14% increase in emissions from transport in just 10 years. OK go submit now – and share with anyone who you think might care!
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    Transmission Gully Motorway, Kenepuru, Porirua, Porirua City, Wellington, 5022, New Zealand (OpenStreetMap)
  
  

• • Metlink to boost electric buses from 2 to 22 per cent of its fleet to meet climate change goals and passenger growth

    • 26 Jun 2020
    • Greater Wellington Regional Council
    • From left to right: Cr Daran Ponter – Chair, Greater Wellington Keven Snelgrove – Tranzit Brendan Prince  – NZBus James Howard – Tranzit Cr David Lee – Greater Wellington Cr Roger Blakeley – Greater Wellington The ink has dried on contracts for 98 new electric buses, which will take Metlink’s fleet of electric buses to 108, significantly reducing its carbon footprint and taking Greater Wellington a step closer on its target of carbon neutrality by 2030. Metlink currently has 450 buses in its active fleet in the Wellington region 10 of which are EVs, making up two percent of the fleet.  Once the 98 buses are added to the fleet the proportion of EVs will rise to 22 per cent which, excluding market leader China, is high by international standards. Seventy-three of the buses will be used on current scheduled services with a further 25 to be progressively added to routes to meet future network growth. The new electric buses will eventually take 61 diesel buses off the roads, leading to a 17 per cent drop in carbon emissions and a similar reduction in harmful emissions. Greater Wellington is delivering on its promise of a building a modern low emission bus network according to Chair Daran Ponter. “I’m sure that people across the region will be pleased to see another 61 diesel buses taken off the road and this will drive real climate benefits by deploying the new electric buses on high use areas of the network. “Just like our plans for rail, this is also about ensuring we have a fleet in place that can cope with rising population trends and demand for public transport over the next few years.  That’s why 25 buses will be used to accommodate forecast passenger growth without an increase in emissions,” added Chair Ponter. Climate Committee chair Cr Thomas Nash said we have to provide attractive alternatives to our current 20th century car culture if we’re serious about responding to climate change. “Over the last two decades transport emissions rose by 14 per cent across the region, mainly from fossil fuel burning cars and trucks. “We need a real step change here and we know we can move far more people with far fewer vehicles if we provide high quality public transport. A modern, comfortable low emission fleet will play a key role in attracting new passengers, encouraging them to embrace public transport. We’ve got an opportunity to break free from the car-dominated landscape that’s been driving pollution in our cities - let’s take it,” added Cr Nash. Roger Blakeley, chair of Greater Wellington’s Transport Committee, said that the new fleet will also attract more bus drivers to the region. “This new fleet shows our intentions for growing the network and obviously more buses means more drivers.  We want buses that drivers can be proud of and these state of the art buses, many fitted out right here in New Zealand, will help us attract drivers that want to be at the forefront of the public transport industry in New Zealand and internationally.” As part of the deal, NZ Bus will source 67 ready-to-go large single decker EVs from China and Tranzurban will build 31 double decker EVs at Kiwi Bus Builders in Tauranga, with parts sourced from world leading Chinese bus manufacturers. NZ Bus CEO Barry Hinkley said he was delighted that NZ Bus was making a significant contribution to NZ’s environmental performance, commenting that growing the number of EVs in its fleet is the right way forward as NZ Bus looks to a future of reduced fossil fuel usage. "With these 67 new electric buses, NZ Bus is proud to be having the largest EV bus fleet in New Zealand. With these new orders, we will see our EV fleet grow to at least 85 buses in the short term. "Obviously, we all should try and do as much as we can to look after our environment; taking public transport is a great way of reducing emissions, and electric public transport is an even better way. “We’re committed to doing our bit to help reduce emissions in New Zealand and at the same time provide people with a safe and easy way to get around,” said Mr Hinkley. Tranzurban Director Keven Snelgrove said today’s announcement is a clear demonstration of the company’s commitment to partnering with Greater Wellington and pioneering and investing in electric bus technology and infrastructure in New Zealand. He says the 31 new double deck EVs add to the company’s fleet of 10 New Zealand-built double deck EVs successfully in operation in Wellington already. “This new fleet will deliver multiple benefits of being New Zealand built, adding to our modern and reliable electric bus fleet and help reduce carbon emissions and air pollution for Wellingtonians.” The buses will be delivered between mid-2021 and early 2023. 
    • Accepted from GW media releases 2019 65 months ago by feedreader
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• • Metlink to boost electric buses from 2 to 22 per cent of its fleet to meet climate change goals and passenger growth

    • 26 Jun 2020
    • Metlink
    • From left to right: Cr Daran Ponter – Chair, Greater Wellington Keven Snelgrove – Tranzit Brendan Prince  – NZBus James Howard – Tranzit Cr David Lee – Greater Wellington Cr Roger Blakeley – Greater Wellington The ink has dried on contracts for 98 new electric buses, which will take Metlink’s fleet of electric buses to 108, significantly reducing its carbon footprint and taking Greater Wellington a step closer on its target of carbon neutrality by 2030. Metlink currently has 450 buses in its active fleet in the Wellington region 10 of which are EVs, making up two percent of the fleet.  Once the 98 buses are added to the fleet the proportion of EVs will rise to 22 per cent which, excluding market leader China, is high by international standards. Seventy-three of the buses will be used on current scheduled services with a further 25 to be progressively added to routes to meet future network growth. The new electric buses will eventually take 61 diesel buses off the roads, leading to a 17 per cent drop in carbon emissions and a similar reduction in harmful emissions. Greater Wellington is delivering on its promise of a building a modern low emission bus network according to Chair Daran Ponter. “I’m sure that people across the region will be pleased to see another 61 diesel buses taken off the road and this will drive real climate benefits by deploying the new electric buses on high use areas of the network. “Just like our plans for rail, this is also about ensuring we have a fleet in place that can cope with rising population trends and demand for public transport over the next few years.  That’s why 25 buses will be used to accommodate forecast passenger growth without an increase in emissions,” added Chair Ponter. Climate Committee chair Cr Thomas Nash said we have to provide attractive alternatives to our current 20th century car culture if we’re serious about responding to climate change. “Over the last two decades transport emissions rose by 14 per cent across the region, mainly from fossil fuel burning cars and trucks.  “We need a real step change here and we know we can move far more people with far fewer vehicles if we provide high quality public transport. A modern, comfortable low emission fleet will play a key role in attracting new passengers, encouraging them to embrace public transport. We’ve got an opportunity to break free from the car-dominated landscape that’s been driving pollution in our cities - let’s take it,” added Cr Nash. Roger Blakeley, chair of Greater Wellington’s Transport Committee, said that the new fleet will also attract more bus drivers to the region. “This new fleet shows our intentions for growing the network and obviously more buses means more drivers.  We want buses that drivers can be proud of and these state of the art buses, many fitted out right here in New Zealand, will help us attract drivers that want to be at the forefront of the public transport industry in New Zealand and internationally.” As part of the deal, NZ Bus will source 67 ready-to-go large single decker EVs from China and Tranzurban will build 31 double decker EVs at Kiwi Bus Builders in Tauranga, with parts sourced from world leading Chinese bus manufacturers. NZ Bus CEO Barry Hinkley said he was delighted that NZ Bus was making a significant contribution to NZ’s environmental performance, commenting that growing the number of EVs in its fleet is the right way forward as NZ Bus looks to a future of reduced fossil fuel usage. "With these 67 new electric buses, NZ Bus is proud to be having the largest EV bus fleet in New Zealand. With these new orders, we will see our EV fleet grow to at least 85 buses in the short term. "Obviously, we all should try and do as much as we can to look after our environment; taking public transport is a great way of reducing emissions, and electric public transport is an even better way. “We’re committed to doing our bit to help reduce emissions in New Zealand and at the same time provide people with a safe and easy way to get around,” said Mr Hinkley. Tranzurban Director Keven Snelgrove said today’s announcement is a clear demonstration of the company’s commitment to partnering with Greater Wellington and pioneering and investing in electric bus technology and infrastructure in New Zealand. He says the 31 new double deck EVs add to the company’s fleet of 10 New Zealand-built double deck EVs successfully in operation in Wellington already. “This new fleet will deliver multiple benefits of being New Zealand built, adding to our modern and reliable electric bus fleet and help reduce carbon emissions and air pollution for Wellingtonians.” The buses will be delivered between mid-2021 and early 2023. 
    • Accepted from Metlink news 65 months ago by feedreader
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• • 

    Weekly Bulletin: Staying connected as a church - 13 November 2022

    • 11 Nov 2022
    • St John's in the City
    • Kia ora St John’s whānau, This Sunday we have a Baptism, celebrate Communion and a special guest preacher (see below), and we will consider how much we rate human wisdom in relation to God’s power! <figure class=" sqs-block-image-figure intrinsic " > If you want to read the Bible readings before Sunday, they are: Isaiah 12: 2-6 and 1 Corinthians 2:4-5 Children start at 10am with their peer group in the St John’s Centre and join in Communion later. The Youth Group will stay in the whole service this Sunday, to hear Dr Gray Manicom. If you can’t gather in the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759Passcode: worship The link to join the Zoom worship service is below. https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09   If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet  <a href="https://www.dropbox.com/s/c2g9klv741oqk46/13th%20November%202022%20Order%20of%20Service.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet <a href="https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Link to Zoom Service If worshipping via Zoom, please be prepared for Communion at home with your bread and cup. <figure class=" sqs-block-image-figure intrinsic " > VISITING MATHEMATICIAN We are delighted to be hosting Dr Gray Manicom for a visit at St John’s in the City this weekend (12th & 13th November)There will be three opportunities to hear him: on Saturday at 3pm (for students), in the Sunday morning service, and an informal presentation after the service. Dr Gray Manicom is a mathematician with interests in dynamical systems. His PhD is in the study of memory effects in heteroclinic networks. He is a research fellow in the Department of Physics at the University of Auckland, modelling and investigating the spread of the COVID-19 epidemic on a network. He loves cricket, movies and talking about ideas. Please help us share the Saturday event for students… <figure class=" sqs-block-image-figure intrinsic " > ‘Uses of Mathematics today: How Mathematics helps solve the world’s problems’Can 42 actually be the answer to the ultimate question? Can an equation take over the world? Can mathematics unlock lockdowns and quarantine pandemics? The next few decades of human development will depend on big data, AI, genetic editing, quantum computing, space travel and other fields that are, in essence, entirely dependent on mathematics. Quantum particles are too small, space too far, data too plentiful and AI too unpredictable to experiment on these things in traditional ways. Scientists in these fields typically no longer rely on experimental data to tell them what is true or not, instead, they rely on the language of mathematics' ability to describe the world. But is this trust justified? What are the differences between science and mathematics? And where does God fit in? Saturday 12th November, at 3pm in the St John’s Centre at St John’s in the City On Sunday after the morning service the talk in the St John’s Centre is: ‘Mathematics, Creativity and the Creator’All mathematics is created by people, and imagination is still the main tool for mathematical progress. However, just like with inspiring art, sometimes it seems to go beyond something created, beyond the imagination of the human creator, to suggest there was something fantastic and real waiting to be discovered the entire time. Join me as I reveal the secret life of the mathematician, and how my quest through the realm of mathematics has led me closer to the ultimate Creator.   OTHER THINGS TO KNOW ABOUT... THE MESSENGER The most recent St John’s Messenger newsletter reviews some recent events, and looks ahead to what is next. <a href="https://www.stjohnsinthecity.org.nz/news/october-messenger" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > The Messenger Newsletter   RAISING THE STANDARD OF GIVING Last week, we highlighted the slides from the AGM about the church finances. <a href="https://www.dropbox.com/s/s9vqtz7wnuqaegp/AGM%20Finances%2030th%20October%202022%20slides.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Slides from the AGM These show that we are continuing to navigate a difficult financial environment with multiple pressures. Even though St John’s achieved an “accounting surplus” for 2021/22, a large deficit of $400,000 is budgeted for 2022/23. This arises because of:• The need to inflation protect the Trust Fund – high inflation and low returns means very limited real returns are expected this year• Insurance costs are $176,000 (plus GST) for the year – a $20,000 increase on last year and a 50% increase over the last 3 years• Repairs and maintenance – painting the manse, washing the buildings on the St John’s site, and the repair of the Church reception roof have added to costs this year• Higher salaries arising from market demand and the intention to fill the youth and children’s ministry vacancies• A significant decline in annual congregational giving of about $60,000 compared with 2018.Some of these challenges, such as insurance, will require a regional or national approach, as other Churches are facing similar cost challenges. And some of these challenges are ours. Giving should be a joy that reflects our faith and enables our worship, ministry, mission and outreach. Jesus talked about money a lot. At least a third of his teaching was about money and property related matters – the incidents of the rich young ruler and the widow’s mite are forthright in their implications. Jesus did this because he knew that many of those he spoke to considered money more important than the Kingdom of God. Let’s prayerfully re-examine our giving as an important expression of our faith and rise to the challenge of an additional $20,000 a year over the next three years. <figure class=" sqs-block-image-figure intrinsic " >   ONE CONFERENCE We are excited to have over 240 participants registered for the One Conference here at St John's in the City November 17-19. <figure class=" sqs-block-image-figure intrinsic " > You have the opportunity to attend any of the four main sessions of the conference for just $5 per session. For information on the main sessions go to: https://www.oneconference.org.nz/keynote-speakersYou do not need to preregister to attend, simply come with $5 cash before the session and pay it at the hospitality desk in the St Johns Centre.   WHĀNAU NIGHT 5pm-6.30pm, Sunday 20 November, BYO Picnic. The theme for the evening will be a youth-led Code Breaker night.We started off the year with a picnic in the park, and we are going to finish off with a picnic in the hall. We invite you to bring your own meal to our final celebration.This will be our LAST whānau night of 2022. And in order to continue whānau nights in 2023, we are looking for a committed leader to help orchestrate and organise teams, as Gordon Fitch is stepping down from this role. Please get in touch if you can to help organise whānau nights. <figure class=" sqs-block-image-figure intrinsic " >   DCM Foodbank Appeal …Saturday 19th of November. St John's have been asked to collect from 9am -1pm at Chaffers St New World, with two collectors per hour. You might consider doing this for the sake of those in our city who need help. Please contact Carolyn Goudswaard, if you are able to help. Annual General Meeting …Monday 28th November. Their AGM is in the St John’s Centre. Refreshments will be served from 5:30pm with a meeting start time of 6pm. DCM’s Manahautū, Stephen Turnock, will offer a reflection.   SCOTS COLLEGE ADVENT SERVICE At St John’s in the City 4pm Sunday 27th November 2022.   COMBINED ADVENT SERVICE With St Mary of the Angels and St Peter’s.At St Mary of the Angels 7pm Sunday 27th November 2022 <figure class=" sqs-block-image-figure intrinsic " >   FELLOWSHIP GROUP The Fellowship Group meets for the traditional Advent Service on Tuesday 29th November at 11am in the St John’s Church. Please note this is the fifth Tuesday of the month.The usual shared lunch will be enhanced by strawberries and ice-cream. And a koha will be invited in support of the work of Christian World Service.   The grace and peace of our Lord Jesus Christ be with you.Allister
    • Accepted from News - St John's in the City Presbyterian Church 37 months ago by feedreader
    • Tagged as:
    • covid-19

    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Miramar v BNU 1sts - 25th August 2013

    • 28 Aug 2013
    • Brooklyn Northern United AFC
    • 2pm, David Farrington Park We headed to David Farrington Park to play Miramar in the final game of the season.  Following Saturday's results, we believed a solitary point would be enough to keep us clear of the relegation places.   The game kicked off with the intensity of a cup final.  The Brooklyn crowd were vocal in their support, the large travelling contingent of fans certainly made the lads feel 10 feet tall.  The game was being played at a cracking pace: a strong Miramar side featuring former All White Campbell Banks and current Solomon Islands International Henry Fa'arodo, was being matched by the heroes in red and black.   The first 30 minutes was fairly even.  Both sides were spraying the ball around with confidence and great speed,  the Miramar coach admitting the game was being played at Capital Premier standard.   The deadlock was broken when Miramar smashed a volley from the top of the box after 32 minute s, a quality strike that left Zen no chance.  Miramar doubled their lead 10 minutes later from a free kick, the Miramar player's run not being picked up, leaving him unmarked at the far post for an easy finish.  2-nil down and all to play for.   BNU were awarded a penalty right on half time for a handball in the box.  Paul Sanchez, who has been great from the penalty spot, strode forward with purpose, only to watch his shot go wide of the left hand upright.  The score remained 2-nil to Miramar at half time.   There was calm in the changing room, as we were creating a number of chances and our covering defence had prevented Miramar from testing Zen with shots on goal.  We believed if we kept to our standards we could get back into the game.  The next goal would be the most important of the match.   The 2nd half started at the same pace as the first.  We continued to press high up the pitch to prevent Miramar from getting into any kind of rhythm.  Their increased ball speed certainly tested us and the class and experience of their players was stretching us right across the pitch.  However, we were not giving up without a fight and were rewarded for our efforts when Paul Clune smashed home after 58 minutes to bring the score back to 2-1.  This also bought the crowd back into the game, they had been fantastic throughout.   Ben Goodwin, who had been introduced at half time, went close on two occasions shortly after, with almost identical shots from the edge of the area.  His pace and direct style were causing problems for the Miramar back four.  We were dealt a blow on 70 minutes when Campbell Banks finally got the better of Damian Gurnick, turning on the edge of the area, to beat Zen in the left hand bottom corner.  3-1 down, with 20 minutes to play.  It was time to gamble and throw numbers forward.  We had nothing to lose and everything to gain.   2 minutes later Banks was at it again, losing his marker and slotting his 2nd to make it 4-1 with 15 minutes to play.  You would forgive BNU if heads dropped, but not with this team, the lads weren't prepared to throw in the towel, and in true BNU fashion they fought for every possession and continued to push forward.   Tom Bisley and Ben Purser were introduced, giving us 4 strikers on the pitch for the final 15 minutes of the season.  Tom Bisley went close, not once but twice, but unfortunately shot wide on both occasions.   As we pressed forward, there were inevitably gaps left at the back and Banks completed his hat-trick with 3 minutes to play.  Just to rub salt into the wound, Miramar scored a 6th with the last kick of the game. 6-1 the final score which in no way reflects how close the game was.   As the lads left the pitch, and rightly applauded the large BNU crowd, our attention now turned to the Island Bay vs Seatoun match being played at Wakefield Park.  A Seatoun win would see us clear of the bottom 2.  We received update after update from our Chairman Martin Gray, who was finally able to phone through the result we had all been waiting for, 2-1 victory to Seatoun.   Back in the Miramar clubrooms, there was a mix of cheer and relief as we believed we could now reflect on a season of highs and lows.   Strong performances, in this our last game, from Captain Andy Cochrane, who was all industry and quality in the middle of the park, Damian Gurnick, who put his body on the line time and time again, and Man of the Match Simon Barker, who won everything in the air and reminded everyone of his undoubted talent.   A special thanks to the crowd who really helped the lads dig deep right to the end.  You guys were fantastic!   I would also like to take this opportunity to thank Martin Gray, Adam Brownie and the Committee for all of their support over the last 2 seasons.  Special thanks needs to go to our physio Dan Sainsbury and my team manager Annie Bannister for all of their hard work and high standards set and maintained throughout the season.   Finally, I would like to publicly thank the playing group for their contribution to the 2013 season.  It has been a pleasure working with you all this year.  You have represented this club in the best possible way, on and off the pitch.  You all bought into the plan and genuinely wanted to play football the way it's meant to be played.  Andy Cochrane and Simon Barker led the team each week with class and integrity.  Without them, the task would have been so much harder.  Thank you both.   I look forward to seeing you all this weekend at the Prize Giving.  Hopefully we can sit down over a beer and celebrate what has been an eventful season. Dene Bannister
    • Accepted from BNU match reports 147 months ago
    • Tagged as:
    • seatoun
    • brooklyn
    • miramar
    • island-bay

    Island Bay, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)
  
  

• • It's May - and things are on the move!

    • 19 May 2025
    • Wellington Orienteering Association
    • It's May - and things are on the move! SGM, Club Successes and a Matariki Spectacular! ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   View this email in your browser May 2025 news Kia ora <> As we transition into the winter months, it’s exciting to reflect on the successes of the past few weeks. On Sunday 4 May, we held our Course Planning Seminar, which was a resounding success! About 12 people came along and we were thrilled to see such strong participation from experienced orienteers and those newer to the sport. The seminar provided valuable insights into course design and use of Condes software that is used for mapping orienteering courses. A huge thank you to Dick Dinsdale for arranging this as well as our contingent of helpers, and all who attended! This seminar not only strengthened our collective knowledge but also helped build a more connected and engaged community. We’re already planning future educational events to continue this momentum. I encourage all of you to keep the conversation going and apply what you've learned at our upcoming events. Throughout May and June, there are plenty of exciting opportunities to get outdoors, improve your skills, and continue to challenge yourself. We’re also looking forward to an SGM and potluck on Sunday 8 June where we will vote on Orienteering Wellington’s new Constitution. Looking forward to seeing you all at our events! Beverley Holder President Participants at the Course Planning Seminar. SGM and pot-luck – Sunday 8 June A reminder that our Special General Meeting(SGM) and Potluck is just around the corner! Join us at 5.30pm Sunday, 8 June to enjoy some great food and your drink of choice with fellow orienteers. Members will also be invited to vote on our proposed new Constitution, which is a requirement for continued registration as a society. Details Date: Sunday, 8 June 2025 Time: 5:30 PM, followed by potluck Location: 30 Gurkha Crescent, Khandallah, Wellington 6035 Afterwards we’ll enjoy a wonderful potluck dinner—always a highlight of our community gatherings. Please bring a dish to share! All members are welcome but it would be helpful if you could RSVP by Thursday 5 June. RSVP Club successes NZ Orienteering Championships 2025 Orienteering Wellington can boast some terrific successes and consistently competitive performance at the year’s national championships hosted in Canterbury by Peninsula and Plains Orienteers. This includes both Lizzie and Gillian Ingham taking the triple crown for sprint, long and middle courses in their categories. Our club contingent was 36 strong – a great showing! Sprint distance W21E 1st Lizzie Ingham M20E 1st Jake McLellan W20E 1st Rachel Baker W70A 1st Gillian Ingham M70A 3rd Dick Dinsdale W75A 3rd Dorothy Kane M21A 3rd Alan Teesdale W21A 3rd Alison Power Middle distance W21E 1st Lizzie Ingham M70A 1st Dick Dinsdale W70A 1st Gillian Ingham W21A 1st Alison Power W20E 2nd Rachel Baker M20E 3rd Jake McLellan M21A 3rd Alan Teesdale Long distance W21E 1st Lizzie Ingham M20E 1st Jake McLellan W20E 1st Rachel Baker W70A 1st Gillian Ingham M55AS 1st William Power M70A 2nd Dick Dinsdale W21AS 2nd Ellie Molloy M55AS 2nd David Middleton M40A 3rd Simon Robinson W21A 3rd Alison Power Relay Mixed Veterans 2nd Dick Dinsdale, Gillian Ingham, Peter Wood Mixed Veteran relay winners Dick Dinsdale, Gillian Ingham and Peter Wood. North Island Secondary Schools Champs This year’s North Island Secondary Schools Champs was hosted by Counties Manukau Orienteering Club. Congratulations to Orienteering Wellington members Troy Thompson, Morag McLellan and Jake McLellan, who came second in the Year 12-13 Senior Boys relay. Morag McLellan also came fourth in Year 12-13 Senior Girls long distance champs, and fifth in the sprint. Supporting our members Orienteering Wellington has awarded a $750 travel grant to club members selected to represent New Zealand internationally at International Orienteering Federation events. Rachel Baker and Jake McLellan will be representing New Zealand at the Junior World Orienteering Champs in Trentino, Italy, from June 26 to July 3, 2025, as has Morag McLellan at Brno, Czechia, from 17 – 20 July. Lizzie Ingham has been selected for the team attending the World Orienteering Champs in Kuopio, Finland, from 8 – 12 July. Jake McLellan, World-Class Orienteer and Mountain Man Orienteering Wellington member Jake McLellan won the fabled Tararua Mountain Race – Southern Crossing, a 36km mountain run from Kaitoke to Ōtaki Forks. It was an epic effort that saw Jake crossing the finish line in 7:08:08. Jake says: “The race kicked off fast, and I couldn’t stick with the early pace, so I settled into my own rhythm and made sure to save some gas for the back half. Just after Alpha Hut, I spotted the leaders a couple of minutes ahead — that gave me a real boost and helped me keep pushing across the tops. I made goodtime across the tops and caught up to Chester at Kime Hut. After Bridge Peak, I put the hammer down on the technical descent and managed to pull away. From there, it was just a fast hobble down from Field Hut to the finish. “I'm absolutely stoked to take the win at such an iconic event! It's an honour to have my name on the trophy alongside some legends of the sport.” Tips and Tricks To help you improve your orienteering skills this winter, here are a few tips from our experienced members: Stay on the trail: In challenging conditions, it’s often easier to follow a trail, path, or prominent feature rather than trying to cross open terrain. It will save you time and help you maintain orientation. Map reading in low visibility: If you're out in low-light conditions, try marking key features(like water bodies or trails) on your map before starting. This will help you stay oriented even when visibility is reduced. Check your compass often: Don’t rely on your compass just once at the start. Check it regularly to ensure you’re staying on course. Small errors in direction can add up to big detours! Practise regularly: Winter orienteering training doesn’t have to be outdoors. Use mapsin your local area to practice route planning, compass work, and even map-reading skills indoors. Familiarity with your map will pay off in the field. Development and events There’s a lot happening in the coming months. This Sunday sees us at Baring Head, followed by another event at Battle Hill on Sunday 8 June. Pre-registration is greatly appreciated. Advanced entries close 11.59pm Saturday. We’re offering a practical training session at Karori Park on Sunday 15 June. You’ll get a chance to put your newfound skills to the test at Matariki, in the pine forest and sand dunes of Waikawa, north of Ōtaki. Further afield is the three-day King’s Birthday event in the Hawkes Bay. Entries close Thursday. Orienteering Bay of Plenty’s Great Forest Rogaine in Rotorua is coming up on Saturday 26 July 2025 – a fun, team navigation challenge where you try to collect as many controls as you can in the time allowed. There are 3- and 6-hourevents that you can do on foot or mountain bike. It’s a great adventure for groups of friends and family. Entries close Tuesday 22 July. Coming events Orienteering Wellington’s coming events can be found on our Events page. You can also toggle the calendar to show Orienteering Hutt Valley’s events. Sunday 25 May – CSW and Public Event, Baring Head Sunday 8 June – CSW and Public Event, Battle Hill Wednesday 11 June – Afterwork Rogaine, Miramar Sunday 15 June – Practical training, Karori Park Sunday 22 June – Matariki special, Waikawa … For all events, visit Orienteering New Zealand About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington Copyright (C) 2025 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
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    Khandallah, Wellington, Wellington City, Wellington, 6035, New Zealand (OpenStreetMap)
  
  
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    Circa 2015 Season - jam-packed with theatre for all audiences!

    • 8 Dec 2014
    • Circa Theatre
    • Red Riding Hood, the PantomimeBy Roger HallSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson2-10 JanuaryCirca One What a big smile you’ll have …Don’t miss Circa’s fabulous Christmas panto! And this year Red Riding Hood is back with one of the great traditional stories – innocent Red Riding Hood, her poor, short sighted grandmother, and of course the handsome woodcutter and that villain of all villains, the Wolf!There’s lots of laughter, hilarious jokes and musical goodies in Red’s basket as she sets off on her journey to entertain young and old with this marvellous magical treat.“A great way to introduce kids to the magic of theatre, and Red Riding Hood is easily the ideal Christmas outing for the holdiays … a treat” – Salient“Roger Hall’s helter-skelter Red Riding Hood… is wonderfully exuberant seasonal fun” – The Dominion Post The Kitchen at the End of the WorldBy William ConnorDirected by Steffen Kreft16-25 JanuaryCirca Two “Something is coming. I don’t know what it is. And I don’t know if I should fight it or welcome it.” One snowy evening, an empty 83-room hotel on the edge of the Vastness receives a thin guest who has walked all the way from the City. Penniless, he is smuggled into the hotel kitchen where a kind cook works near an extraordinary thyme plant. He says that creativity is dying. Described as “intensely beautiful”, “provocative and moving”, The Kitchen at the End of the World is the story of marionettes who know they are limited by the extent of their strings – even kissing can tangle them – but they crave what lies beyond their reach. A story about home, the unknown, and the courage to face everything in between. The show captivated audiences at its sell-out debut season during the Greytown Festival 2012and is a powerful reminder that puppetry is not just a children's art form. SeedBy Elisabeth EastherDirected by Kerryn Palmer17 January – 14 FebruaryCirca One SEX & DRUGS, WITHOUT THE ROCK ‘N’ ROLL IVF isn’t foolproof and IUDs aren’t failsafe. iPhones come with ovulation apps and ‘choosing from the menu’ means selecting your sperm. Seed follows four women as they try to get pregnant, stay pregnant or become un-pregnant - the dilemmas of modern reproduction. Elisabeth Easther’s Seed is winner of the 2014 Adam New Zealand Play Award, which recognises and celebrates the best in new writing for the theatre. It’s a multi-narrative play about the mysterious business of fertility, with all of its challenges, heartaches and hormones. Seed is a drama that’ll have you laughing ‘til the tears are running down your face, and it’s a comedy that’ll make you cry. “Highly entertaining, funny and sophisticated” - Adam Play Award Judges “[A] sophisticated, witty and very contemporary meditation on the timeless processes of procreation.” - NZ Herald STARRING: Tess Jamieson-Karaha, Jamie McCaskill, Emily Regtien, Holly Shanahan and Amy Tarleton Warning: Adult themes and strong language. Demolition of the CenturyBased on the novel by Duncan SarkiesCreated by Duncan Sarkies and Sean O’Brien31 January – 21 FebruaryCirca Two Welcome to the world of Tom Spotswood, an insurance investigator who has lost his socks, his suitcase, his ex-wife and his son, Frank. Fresh from performances in the New Zealand Festival, Auckland Writers Festival, Tauranga Arts Festival and Nelson Arts Festival, Demolition of the Century sees author/performer Duncan Sarkies (Two Little Boys/Scarfies/Flight of the Conchords) stage a humorous and sometimes heartbreaking look at families, memories and the fragility of the human mind. He is accompanied by musician Joe Blossom, who plays a soundtrack that is both haunting and invigorating. “A series of brilliant vignettes, delivered in an inspired cabaret-style reading by the multi-talented Sarkies, and outstanding musician Joe Blossom… Blossom not only creates fluid and essential musical transitions, but his beautiful vocals, self-accompanied on piano and guitar, imbue this work with a powerful pathos that allow glimpses of the inner landscape of these characters. Demolitionis a fast-paced, darkly captivating cabaret-comedy, which leaves us fully entertained and tantalizingly close to solving a puzzle.” –Bay of Plenty Times Wake Up TomorrowPresented by Everybody Cool Lives HereIn association with ActiveDirected by Isobel MacKinnon21-28 FebruaryCirca One Welcome aboard Active Airlines! Join the eccentric passengers during this compelling, surreal and funny flight. Made under the guidance of Wellington theatre makers in collaboration with Active, a service for youth with an intellectual impairment, Wake Up Tomorrow was created from the minds of these incredible young people. Audiences will be transported from the mundane moments on a long haul flight to bizarre and hilarious scenarios.  Please fasten your seat belts, make sure you are in the upright position and enjoy the journey. We may or may not arrive at the expected destination. “In a work of this kind there is always a delicate balance to be held between presenting a polished product at the same time as allowing for a playful improvised quality to emerge that allows the actors to perform to their strengths. This was very evident in the final few scenes …” – Madeline McNamara Yep, Still Got It!By Jane Keller and Sandy BrewerDirected by Alan PalmerMusical Director Michael Nicholas Williams28 February – 21 MarchCirca Two YOUTH IS A GIFT OF NATURE, BUT AGE IS A WORK OF ART – Stanislaw Jerzy Lec Following the huge success of BOOMERS BEHAVING BADLY, Jane Keller returns with another hilarious show. A little older, a little wiser, a lot sassier, and even more confused. Whatever happened to the days when a cloud was a cloud, when face time was over a G&T, and we punctuated our sentences with full stops - not smiley faces? From senior sex and those pesky STDs to shopping sprees and colonoscopies, Jane shares stories of abject embarrassment, medical (mis)adventures, empowerment, and acceptance. In YEP, STILL GOT IT!  she embraces the power of an older woman with no FOMO. Together with the brilliant Michael Nicholas Williams on the piano Jane brings a brand-new show to Circa Two combining her special style of storytelling with her virtuoso Broadway voice. Capital E Kids FestivalCirca One CaterpillarsBy Kallo Collective Directed by Thomas MoncktonProduced by Show Pony7 March 10 am & 11.30am A tale of two puppeteers’ failed attempts at beautification. In the magical world of flitting butterflies, jumping eggs and giant swaying flowers, two lycra-clad puppeteers try their hardest to remain unseen and at service to their puppets: two enormous plump caterpillars. Caught in the wrong place at the wrong time, with nothing but their wits to cover up their escalating blunders, two appealingly hopeless clown puppeteers bring upbeat absurdity, slapstick silliness, and a good dose of reality to their hilarious and unpredictable antics. Beards! Beards! Beards!By Trick of the Light TheatreDirected by Hannah SmithWritten by Ralph McCubbin HowellProduced by Show Pony21 March 10am & 1pm Beatrix didn’t want a tiara. Beatrix wanted a BEARD! From Charles Darwin to Abraham Lincoln, Karl Marx to Mr Twit, it is said the secret to power and greatness is all in the size and shape of the beard. This is a tale of one young girl’s increasingly inventive efforts to grow the world’s most magnificent beard. Join a madcap and hilarious musical romp of physical comedy and clowning, as our plucky young heroine shakes up social rules and attempts to answer the questions that have puzzled mankind since the dawn of the beard. Suitable for  children 5+. The PianistBy Circo Aereo (Fin) and Thomas Monckton (NZ)In conjunction with Show Pony (NZ)Directed by Sanna Silvennoinen and Thomas Monckton7-22 MarchCirca One Direct from Edinburgh Fringe and the London Mime Festival, last year’s hit returns to Circa! “It would be no exaggeration to declare Thomas Monckton nothing short of a genius.” – Broadway Baby (UK) “I doubt very much that you’ll see, in fact I am prepared to bet on it, a funnier show this year…miss him at your peril”  – The Dominion Post (NZ) Fresh from a five-star reviewed season at the Edinburgh Festival Fringe and a sell-out season at Circa Two last year, award-winning performer Thomas Monckton returns with his smash hit The Pianist, this time at Circa One! The Pianist is a solo comic contemporary circus piece by Thomas Monckton (NZ) and Circo Aereo (Finland). The show is centered on, in, under, and around the magnificent grand piano. Accompanying this elegant apparatus is the poised pianist himself. Only he is so focused on impressing everyone that before he realises it, his show has transformed from the highbrow concert he hoped for, into a spectacularly amusing catastrophe. Suitable for all ages. The Mystery of Edwin DroodA musical by Rupert HolmesDirected by Lyndee-Jane Rutherford28 March – 25 AprilCirca One Who the Dickens did the deed? You decide! A non-stop ride of mystery, murder, and musical delight! Based on Charles Dickens’ final, unfinished novel, The Mystery of Edwin Drood is filled with clues, red herrings, villainy, and debauchery. Everyone on stage is a suspect – and it's up to you to decide how this mystery ends!Hot off Broadway, this Tony Award-winning theatrical genius is led by director Lyndee-Jane Rutherford (Midsummer (a play with songs)), who reunites with the artistic team that brought Grease and Mamma Mia to the Wellington stage. The cast includes beloved actor of stage, screen and radio, Lloyd Scott, and internationally renowned soprano, Barbara Graham (Christine, Phantom of the Opera). The Mystery of Edwin Drood boasts spectacular big dance numbers, rousing showtunes, stunning theatrics, magic, and illusions!  Tony Awards for Best Musical, Best Book, and Best Score“One of the most inventive, inspired and rousing musicals ever devised.”—AM New York“Infectious fun!”—Time Out New York “Bawdy fun!”—Associated Press “Sheer fun!”—The Wall Street Journal Two MortalsDirected by Geoff PinfieldPerformed by Rachael Dyson-McGregor & Mike McEvoyComposed by Beatrice Lewis1-18 AprilCirca Two 'A powerful theatrical experience suffused with humour, beauty and emotional intelligence' – The Melbourne AgeTwo Mortals is a delicate, poetic and humorous exploration of life, death and the moment in between. Composed word-for-word from interviews with people who live and work at the ends of life – morticians, cryogenicists, palliative care workers and ministers – Two Mortals weaves these true stories and experiences into a richly theatrical exploration of mortality. This uplifting work about one of our society's most taboo subjects was directed by Chapman Tripp Director of the Year Geoff Pinfield. Created and performed by Rachael Dyson-MacGregor and Mike McEvoy, Two Mortals sold out two critically-acclaimed seasons at Melbourne's La Mama Theatre. Improv for KidsBy The Improvisors7-18 AprilCirca Two Kids love theatre that’s interactive. So do the Improvisors. Kids (and their grown-ups) loved the 2014 season of Improv For Kids, so we’re bringing it back. It’s a great opportunity to introduce your kids to the world of live theatre. We may not have millions of dollars worth of computer-generated effects, but we do listen to kids and we make their ideas central to what happens on stage. In Improv For Kids, imagination is the best special effect of them all! Don JuanBased on Don Juan by MoliereCreated by A Slightly Isolated DogDirected by Leo Gene Peters25 April – 23 MayCirca Two World Premiere A sexy, fierce, raucous celebration.  Don Juan explodes with the energy of a music gig or a club.  It’s a cabaret.  It’s chaos.  It’s a furious adrenalized romp through the games of attraction and sexuality.  It’s the BEST… PARTY… EVER.  Five mad performers use a variety of theatrical forms and styles to bring an adaptation of Moliere’s classic play to life.  Loaded with pop songs and flirting, this imaginative work will continually intrigue, delight and surprise. While the bar keeps serving drinks.  All night long.   Created by A Slightly Isolated Dog, one of Wellington’s most innovative and exciting companies.  Critically acclaimed and award winning shows include:  Death and the Dreamlife of Elephants (2009, 2011), Perfectly Wasted (2012 - in partnership with Long Cloud Youth Theatre) and Settling (2007). A Servant to Two MastersBy Carlo GoldoniA new adaptation by Lee HallDirected by Ross Jolly2-30 MayCirca One NZ Premiere Love, passion and pandemonium Goldoni’s much-loved comic classic is a masterpiece starring a wily servant whose cheeky, inventive trickery gets the best of his masters, in a merry mix-up of mayhem and mistaken identity. Truffaldino, the scheming and perpetually hungry servant, concocts a zany scheme to double his wages (and his meals) by simultaneously serving two masters – the lovelorn Beatrice (disguised as a man) and her lost lover Florindo. Hilarity abounds In this sharp, new, rapid-fire adaptation by award winning dramatist Lee Hall (The Pitmen Painters, Billy Elliot).   A delicious, madcap Italian comedy of lovers, disguises, tricks, traps, mishaps and meatballs! “A sparkling, wonder filled new version by Lee Hall... An evening to cherish” – Daily Mail “A hugely enjoyable night out" – Covent Garden Life TheatresportsBy The Improvisors3 May – 14 JuneCirca Two Part of NZ International Comedy Festival The Improvisors are back at Circa with another season of this very popular show. Each night two teams of Improvisors take suggestions from the audience and spin them into short scenes, songs, poems or whatever else takes their fancy. Each show is completely different – what does stay the same is that Theatresportsis always a great night’s entertainment for the whole family. We don’t know what ideas you are going to throw at us – we do know that our kind of improv magic has been keeping audiences laughing over many years. Theatresports – putting the “make up” on stage. Second AfterlifeBy Ralph McCubbin HowellDirected by Kerryn Palmer29 May – 13 JuneCirca Two Return Season of the 2014 Young and Hungry sensation!Dan was an internet junkie – now he’s calling it quits. But in order to forge a new profile, he must face up to his online history and it’s not going down without a fight.When Dan finds himself sucked into the Second Afterlife – a dark underworld of the internet, a very real and dangerous landscape of broken memes, deleted pages, and the ghosts of profiles past. Second Afterlife is a dark comedy about life (and death) in the digital age. Inspired by Dante's Inferno, and in the tradition of Scott Pilgrim vs. the World, it is a twisted allegory for the Facebook generation – a poetic, ass-kicking romp to the darkest corners of the web. “Ralph McCubbin Howell cements his status as one of NZ's best young playwrights with Second Afterlife and director Kerryn Palmer, her designers and crew, and her exemplary cast of six do him proud.” - TheatreviewBy arrangement with Playmarket.Edge/Turning PageBroadway Star, ANGELICA PAGE“An actress of the highest possible voltage” – Wall Street JournalPerforming two shows, alternate nights, two weeks only6-20 JuneCirca One EDGE written by PAUL ALEXANDER Set in 1963 on the day of Sylvia Plath’s death, Edge presents the self-told story of the troubled poet and author of The Bell Jar, The Colossus, Ariel and the Pulitzer-Prize winning Collected Poems. “… a resurrected Sylvia Plath… the showcase of a lifetime” NEW YORK TIMESRETURNING TO OUR STAGE 10 YEARS AFTER ITS SENSATIONAL 2005 CIRCA SEASON TURNING PAGE written by ANGELICA PAGEGeraldine Page’s sparkling career earned her a record-breaking eight Academy Award nominations, an Oscar for Best Actress in 1986, and made her one of the most influential American artists of the 20th century. Turning Page is the triumphant and heartbreaking true story of one of the most celebrated actresses of all time, written and performed by the person who knew her best: her own daughter. “A privilege” Los Angeles Times Matariki Development FestivalPresented by Tawata Productions22 June – 4 JulyCirca TwoAn international indigenous playwrights’ festival boasting an enviable whakapapa of the very best of contemporary Maori & Pasifika theatre.  MDF 2015 features new writing by Natano Keni, James Nokise and Pikihuia Haenga. the beautiful onesWritten and Directed by Hone KoukeProduced by Tawata ProductionsMovement by Dolina Wehipeihana & Hone KoukaDesign by K*Saba, Tama Waipara, Johnson Witehira, Wai Mihinui, Jaimee Warda, Sopheak Seng, Laurie Dean 27 June – 11 JulyCirca One World Premiere A hyperreal digital love story.  the beautiful ones is a story of young love.  A promise Hana made to Ihia – a promise to return.  Will she return?  Will love triumph over temptation?  the beautiful ones bursts from the late night sheen of a city club.  Beautiful bodies & vital vocals.  Defiant dance moves and the meaning of love.  the beautiful ones features a dance floor for the audience to share the vibe.  From the company that brought you I, George Nepia, Sunset Road and TŪ. Warning: Contains Big Beats & Dance Music. The Ugly OneWritten by Marius von Mayenburg; translated by Maja ZadaDirected by Giles Burton11 July – 8 AugustCirca Two A scalpel sharp, absurd comic fantasy about beauty. Lette thinks he is normal, but when he discovers that he is, in fact, unbelievably ugly he turns to a plastic surgeon for help. Suddenly he is the most beautiful man in the world. Fame and riches follow; women want to sleep with him and men want to look like him. And with surgery they can look like him. Exactly like him. Received around the world to great acclaim, The Ugly One now receives its NZ premiere. With writer von Mayenburg’s star very much in the ascendant, this show is a must see.   "A stripped bare satire on the nature of beauty. If you are interested in theatrical story-telling see this show." – The Times (UK) “Savage social satire … A small but perfectly formed play” – The Guardian (UK) “The concept is simple but the philosophical implications are profound: What if money could buy the perfect face? It’s The Elephant Manmeets The Matrix” – Post City (Toronto) The Hound of the BaskervillesBy Arthur Conan DoyleAdapted for the stage by Clive FrancisDirected by Ross Jolly25 July – 29 AugustCirca One Sherlock Holmes vs the Powers of Evil A bloodcurdling howl is heard across a cold, moonlit moor; the horrifying, spectral hound has claimed another victim … When Sir Charles Baskerville is found dead on his remote estate, in eerie, seemingly supernatural circumstances, Sherlock Holmes, the legendary, world-famous detective and his assistant, the ever-reliable Dr Watson are called upon to unravel the extraordinary mystery of The Hound of the Baskervilles. Sir Arthur Conan Doyle's most famous and most popular story, in an exhilarating adaptation by Clive Francis (Our Man in Havana), sees four actors playing all the parts in this gripping, classic tale of terror. A thrilling, ripping good night of fun, drama and suspense! “A cracking good yarn … Excellent ... Highly enjoyable." - Daily Telegraph "Chillingly atmospheric... this fun show will really thrill. " - The Observer Downton AdlibBy The Improvisors2 August – 27 SeptemberCirca Two Quality costume drama – only funnier. An aristocratic English family and their servants face the challenges of life in the early twentieth century. A cast of Wellington’s top improv comedians face the challenge of making up a brand new episode every night. We supply the characters, you supply the key plot ingredients and the result is costume drama as you’ve never seen it before. Love, laughter, passion and a wide range of hats! The Travelling SquirrelBy Robert LordDirected by Susan Wilson5 September – 3 OctoberCirca One NZ Premiere “We that live to please must please to live” – Dr Samuel Johnson From Robert Lord, the author of the award-winning and much loved Joyful & Triumphant, comes The Travelling Squirrel, a romp through the fickle nature of the entertainment industry. Protagonist Bart compares his struggles as a writer to those of Roger the squirrel, a misunderstood painter. Hilarious and packed with larger-than-life characters, this play is a testament to Lord’s ability to write brilliant comedy.  A satire tempered with deep affection, The Travelling Squirrel depicts a dangerous world in which fame and fortune are always temptingly just around the corner “This is surely one of Lord’s funniest plays, just as it is one of the most moving”   – Philip Mann “For two decades, Robert Lord’s plays astonished and entertained theatre audiences with their sharp satire and flamboyant farce.”  - David O’Donnell The BookbinderWritten by Ralph McCubbin HowellDirected by Hannah SmithPresented by Trick of the Light Theatre25 September – 10 OctoberCirca TwoThey say you can get lost in a good book. But it's worse to get lost in a bad one... From award-winning company Trick of the Light Theatre (The Road That Wasn’t There) comes a story of mystery, magic and mayhem. The Bookbinder weaves shadowplay, paper art, puppetry, and music into an original dark fairytale in the vein of Coraline and Jonathon Strange and Mr Norrell. An inventive one-man performance for curious children and adventurous adults... suitable for children 8+. Best Theatre and Best in the Fringe - NZ Fringe 2014 International Excellence Award - Sydney Fringe 2014 "Spell-binding storytelling at its purest and best..." - Theatreview"Absorbing and imaginative… a small gem of theatre" - The Dominion Post "Tuned to perfection... Bookworms of all stripes and ages will adore it."- The Age, Melbourne For more information visit www.trickofthelight.co.nz GiftedBy Patrick EvansBased on the novel of the same nameDirected by Conrad Newport10-31 OctoberCirca One It is 1955 and beyond the famous hedge something magic is about to happen. In his beloved garden the “Father of the Nations Fiction” Frank Sargeson is waiting for his old mate Harry to turn up. Instead, he encounters a young woman fresh from a mental institution. Her name is Janet Frame. Their world is about to change forever. From the director of Rita and Douglas comes this very funny and profoundly moving story. Touring the Arts Festivals in 2013 to incredible reviews and widespread acclaim it’s now Wellington’s chance to experience this celebrated New Zealand production. “Like an exquisite work of art, the play Gifted is honed to near perfection … go and see this gorgeous production.” – Taranaki “Superb performances by all … it is thrilling … it makes for astonishingly joyful, mischievous theatre.” – Dunedin “Sheer quality” – Christchurch Adventures in PianolandWritten and performed by JAN PRESTONDirected by GAYLENE PRESTON15-17 OctoberCirca Two How I learned to stop worrying and love the piano The irrepressible Jan Preston comes clean on her longstanding and sometimes bumpy road to piano stardom. Jan will spin yarns from dives in Soho to the concert halls of Europe, to stealing a piano in broad daylight from the 1860s Bar in Lambton Quay. She will accompany herself, of course, on Circa Theatres' lovingly cared for piano.  You will hear Chopsticks as you have never heard it, with Jan's original songs and compositions providing perfect counterpoint to her story. AcheBy Pip HallDirected by Lyndee-Jane Rutherford24 October – 21 NovemberCirca Two Fate, chance and rooftop romance.  Ache is a fateful comedy about two thirty-somethings trying to find their way through modern love, materialism and the Wellington dating-drought. At a time when we are promised happiness with the swipe of a card or the swig of a bottle, true joy and connection seems almost impossible. At crossroads and rooftop gardens, fate decides to surprise them. At last, connection, chemistry, charisma. He’s perfect, she’s gorgeous. Only timing’s not as kind – he’s taken. Is it just not meant to be or will she push timing aside and take fate into her own hands?   Achingly-funny and heart-breakingly sad, Ache is a modern story of love, timing and seizing the day.Don’t miss this WELLINGTON PREMIERE, finally on our stage after its SOLD-OUT season at Christchurch’s Court Theatre. All Our SonsBy Witi IhimaeraPresented by Taki Rua5-14 NovemberCirca One World Premiere Courage and loyalty is tested in this new play by Witi Ihimaera “Once they fought each other, now shoulder to shoulder they fight together” Two generations go to war while a third fights a battle to keep her family at home. Waru Mataira and his two sons Tai and Rangi volunteer to represent the Maori iwi of Mataira Mountain in the New Zealand Native Contingent to Gallipoli. Under the guidance of their Pakeha leader Alec Campbell, they join the battle on the western front as part of the newly titled Pioneer Battalion where their courage is tested and so too are their loyalties. Taki Rua Productions presents the World Premiere of All Our Sons, a ground-breaking play by Witi Ihimaera. Roger Hall’s Robin Hood, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson21 November – 20 DecemberCirca One There he is! Oh no he isn’t. Oh, yes he is!! With loaded bow behind a treeYou never know where he will beHe moves like velvet, sleek and svelteAround the Wellington town belt His eye is quick, his aim is sureHe robs the rich to feed the poorHe’s always on the side of goodThe hero known as Robin Hood He lies in wait for those who ownA big estate and second homeFor millionaires who don’t pay tax  For bankers who don’t watch their backs You’ll see them suffer their defeatIn Circa’s brand new summer treatA pantomime for one and allIt’s Robin Hood by Roger Hall “fabulously fast and furious ... A treat”  - Capital Times “ACTION-PACKED… TONS OF FUN FOR YOUNG AND OLD!”  - The Dominion Post A Child’s Christmas in Wales (and other memories of childhood)By Dylan ThomasDramatised and performed by Ray Henwood28 November – 20 DecemberCirca Two What has been described as one of the most magical of Christmas stories is brought to the stage by Ray Henwood. It is rounded out by other memories of childhood, first presented by Dylan Thomas in one of his regular talks on the BBC Welsh Home Service. Thomas had a very happy childhood and so many of his young experiences resonate still with us today.The town of Swansea which is the locale of his stories had changed little by the time Ray was growing up. While Dylan lived in more salubrious surroundings, Ray was a “Sandfields” boy referred to by Dylan- and played in many of the areas described in the stories. It is a truly timeless tale and family celebrations have changed little, even in countries that celebrate a summer Christmas. Dylan’s work brings back memories that resonate so well with young and old. it is a true celebration of our experiences growing up. www.circa.co.nz
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    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap-Up (Term 1 – Week 8)

    • 22 Mar 2019
    • Wellington High School
    • Important Dates NOTE: You can access the school calendar on our website: WHS School Calendar 26 March: FRIDAY timetable runs today 29 March: Learning Conversations all day (with rōpū teachers) 1 April: BoT NZSTA event: Becoming a Trustee (see below) 12 April: End of Term 1 Principal’s message: Support, unity and strength of action It was lovely to see a number of current and past students and teachers at the Basin Reserve last Sunday evening for a chance to grieve and to show strength and unity with our muslim communities. SLT met with WERO leaders on Monday who had a range of ideas for support and these have been actioned this week: the school made available a reflection room with senior staff for students who needed time out and someone to talk to in order to help process the event, a book of condolences is available at reception in which members of our community can write, draw and express their messages for those affected in Christchurch the school came together on the field yesterday at lunch for a unity picnic – it was great to see so many of our students there, particularly senior students – and students took part in impromptu sing-a-longs, football matches, frisbee throwing and hula hooping, to name a few activities, today the school has observed the ‘colour your day’ promotion and have observed the call to prayer at 1.30pm followed by the 2 minute silence at 1.32pm, students have created a chalk wall where anyone can leave a message for our muslim whānau, and, students have been busy creating art works inspired by and in answer to the events. The students through all of this have been wonderful and caring and I hope we can all emerge from this feeling more kinship towards each other. The events last Friday overshadowed what was a wonderful response from our young people in civic square and at parliament in relation to climate change. A large number of our students took part in the climate change march and this was worthy of national focus. We made it very clear at Wellington High School that we supported our students with this action and I was really disappointed to see some principals and teachers in other areas devaluing the students’ initiative. We should all take strength from their actions last Friday and their continuing action this week in unrelated events. They are our future and their actions over the past week have been inspiring. Dominic Killalea Principal Important Information Learning Conversations — 29 March 2019 The Learning Conversation takes place between your student, the student’s rōpū teacher and parent(s) / caregiver(s).  Each learning conversation will take 20 minutes at the most. Students will only be at school on Friday 29 March for their learning conversation. Emails have been sent home. Bookings for learning conversations can be made at https://www.schoolinterviews.co.nz/ using code xktku. Lift Access: Please note that we have no lift access at the moment and are awaiting a new lift. If you would usually require the lift, please email Alison Jeffery (alison.jeffery@whs.school.nz) to request an accessible room. We apologise for any inconvenience this may cause. Emergency preparation We acknowledge that this has been a difficult week for everyone. We are keen to make sure you are fully informed of how our school would respond in an emergency. We are upgrading our alarm system at present but will conduct a practice lockdown and evacuation soon. We will inform you and the students in advance when we plan to do this. Meanwhile, you can read about our processes here: Emergency preparation.     Viewing disturbing content online This week, we issued a reminder to students that they should not be viewing or sharing disturbing content related to the Christchurch events online. We amended the use of computers in the library in relation to the kinds of games being played and we reviewed our whole school filtering options. We will continue to take this very seriously. Netsafe has issued the following advice: “The footage of the Christchurch attacks is disturbing and will be harmful for people to see. If you or someone you know has viewed the video and are struggling with what you have seen please contact ‘Need to talk’ – free call or text 1737. While the content is online there is some risk that children or young people may come across it. We encourage all parents to proactively discuss with their children what they should do if they come across distressing content online. Further information is available at netsafe.org.nz/upsetting-content/     What’s happening? In support of Christchurch: Unity Picnic At lunchtime on Thursday, several hundred members of the WHS community congregated on the school field for our Unity Picnic. An inspired, inclusive and community-focused idea from our WERO leaders, the picnic gave us all the opportunity to sit, eat, chat and enjoy each others company. Students took the opportunity to play guitar and sing, or get involved with games of frisbee, or even to focus on school work while they ate.            Memorial Wall Students have taken the opportunity to express their respect and support for those affected by the Christchurch shootings creating a colourful memorial wall. Located by the car park near the Science block, the wall is a striking feature at the entrance to the campus.   Board Elections  | A message from the Wellington High School Board of Trustees 2019 is an election year for school trustees.  We understand that asking people to put their hand up and stand for election is difficult, especially if parents aren’t really clear on what the role entails! Find out about becoming a trustee New Zealand School Trustees Association are offering a new programme, Kōrari, which is designed to recognise the experience of existing trustees and help to encourage potential new trustees to come and find out what it really means to serve on a school board. People who want to understand what school governance looks like can come along and find out more. A hui will be facilitated by a regional adviser from NZSTA who will talk about the reality of being a trustee, the support and training that is available and encourage existing trustees to tell their story. The Hui will be held at Wellington High School on Monday 1st April at 6pm. NZSTA will provide refreshments. If you are interested in becoming a school trustee we encourage you to come along. Please RSVP using this link if you ARE attending. Meet Ron Year 10 2018’s second semester sculpture will be taking up residence on the WHS campus very soon.   New Zealand Young Scientists’ Tournament Last week, teams from schools in Auckland, New Plymouth, Lower Hutt and Wellington met to compete in the first New Zealand Young Scientists’  Tournament (NZYST). Over two days, the 9 teams took part in Science Fights, presenting, opposing and reporting on research completed since September.  WHS fielded two teams: the Immovable Concrete Pillars and the Generous Practitioners who are to be congratulated for finishing 3rd and 4th respectively. Competitors may now be selected to take part in the International Young Naturalists’ Tournament in Minsk, Belarus later in 2019.                 Sport Futsal New Zealand Secondary School FUTSAL Champs will be held on Wednesday 27, Thursday 28 and Friday 29 March at the ASB Sport Center in Kilbirnie Wellington High School will be represented at the NZSS FUTSAL champs by a Junior Boys and a Senior Boys teams. A list of the students representing us at the Championships are: Junior Futsal (Boys): National Beau Buckley Yusef Idris Ibrahim Arthur Kraemer Ashwin Ellis Ibrahim Idris Ibrahim Hidu Choi Mohammad Mazraeh Senior Futsal (Boys): National Nathan McConnel Willem Rodgers-Rowe Louis Cowan Ruairi Whelan Turbull Leo Clark Jack Ure Seth Mitchell Webster Liam Gillespie Thomas Woodward Cade Kelly Felix Ayland Jibril Abid Yusef Callum Godfrey (Manager)   Waka Ama The CSW Waka Ama championships were held on Saturday 16th March at Onepoto in Porirua.  All of our teams did so well and represented Wellington High School to a high standard. A huge thank you to their coach Matua Whakamarurangi for all his time and expertise.       Lawn Bowls On Tuesday 19 March College Sport Wellington held the Lawn Bowls Championships out at Silverstream.  Theo Sutorius competed at the event for Wellington High School. Theo has played Lawn Bowls for the school for the last four years and has enjoyed every aspect of the sport.  Well done Theo!       Achievements WHS Alumnus wins Gold at Special Olympics Dominic Faherty, one of our alumni, won a GOLD MEDAL in the 200m event, and achieved a personal best, at the Special Olympics in Dubai. Dom is pictured on the podium. Congratulations! Frankie Coup — From Javelin novice to national competitor in 3 weeks! Frankie Coup threw her first javelin at the WHS Athletics day on 1st March 2019. She managed an impressive second in the junior girls’ category. After the competition she threw a few more times, one of which was 4m further than the current Junior Girls WHS record! Unfortunately, as it was out of competition, it wasn’t able to be officially recorded. Frankie was chosen to represent Wellington High at the Western Zone Athletics meet on 6 March 2019. Here she managed to win the Junior Girls’ competition, and earn a spot at the Regional Athletics meet. At the Regionals on 14 March, she won again, making her the best javelineer in Wellington. She has now been selected to represent Wellington at the National Athletics meet in Tauranga on 6 April 2019, a stunning feat for someone who threw their first javelin fewer than three weeks ago!
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    The artist as many other things first

    • 16 Feb 2023
    • Urban Dream Brokerage
    • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
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• • May update from DCM - together we can end homelessness

    • 28 May 2020
    • Downtown Community Ministry
    • 96 May update from DCM - together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Here at DCM, we have been determined to do whatever it takes to support our taumai during the COVID crisis. Doing things differently Here at DCM, we have been determined to do whatever it takes to support our taumai during the COVID crisis. For many of us, this has meant taking on different roles and tasks. In our March update, we saw Rob from our Outreach Team manning DCM’s new 0800 number phone support service for our taumai from his home. In our April update, we saw how DCM and Westpac kaimahi immediately worked together to enable our taumai to access their money during lock-down. Today we talk to Paula, a team leader on our Aro Mai team, about the fantastic work she and her team have been doing during this time... Paula As soon as we learned that lock-down was imminent, my team and I had to rapidly shift our focus – from supporting people with long histories of homelessness into permanent housing, to getting people off the streets and in to emergency housing. Together we can end homelessness – yes, this is always what it comes down to. The success of this work has been built on collaboration – in particular, between the government, government agencies and organisations like DCM. Prior to the lock-down, the whole process around emergency housing was slow and complex, but to respond rapidly to the COVID challenge, we were able to work together to rapidly improve and expedite the process. HUD* immediately stepped up; like us, they quickly shifted their focus, organising emergency housing and entering in to contracts with motels and the like, to ensure that the spaces we needed would be available. MSD were regularly in touch with us, asking us what we needed and supporting our work every step of the way. We received referrals from many different sources – from DCM kaimahi and our Outreach Team, but also from Wellington City Council, the police, Probation Services, the hospital and from mental health nurses and services. When it came to placing these people in emergency housing, I was able to work closely with Regina – another key to our success. Reg has been at DCM since 2011; she knows a lot about the most marginalised people, and often knows their story. She offers insight into what will work for them, and what the issues are. Together we could determine the right location, mix of people and a plan for the management of each location. Regina You asked me what success has looked like. To begin with, people have settled and stayed in their emergency housing, and this has actually enabled us to be true to our kaupapa, and to our commitment to Housing First. We have been able to engage with taumai, see them regularly and go forward together. People who have been homeless and who were not on our radar at all have stepped forward. With street begging not an option, limited toilet facilities and with drop-in spaces closed, emergency housing has become much more attractive to those who have been rough sleeping in our city. Now we are in touch with them, building relationships, getting their names on the housing register and – yes! – moving the first of them on in to permanent housing. So it has been a change in focus for me and my team, but ultimately, it has totally supported our over-riding goal as a team and an organisation which is committed to a Housing First kaupapa. *Ministry of Housing and Urban Development (HUD) <!-- --> From emergency housing to a permanent home DCM kaimahi helping taumai move into a permanent home Yes, as Paula says, we can now begin to share the stories of people who have already moved from emergency housing into their own whare. A has had a long history of engagement with DCM; he has been a regular at Te Hāpai, we have supported him to sort his benefit and to get his name on the housing register, he has had dental appointments, seen Te Aro Health nurses and received food support at DCM. A is a very pleasant, quiet and unassuming man who doesn’t ask for support and values his independence. We initially got an emergency housing room for him at AC International; it was immediately clear that a shared place like this didn’t work for him. There were too many people – A was accustomed to living in the bush on his own. We were then able to get him a self-contained place where he could be independent, but where there are also other taumai we are working with. Together, they have formed a very supportive community. They have been company for one another, and have been able to provide advice and support to one another. Dominic from our Aro Mai team then stepped up to support A in to a permanent home. DCM has a strong relationship with Wellington City Housing, and we were able to get A a WCH tenancy – yes, last week, he moved in to his own home. He can walk in to town, and has friends and supports close by. Dominic will continue to check in with him regularly, but A is enjoying the independence that is so important to him. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Read More Success Stories Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • Ngā Kōrero - Latest stories from DCM

    • 22 Aug 2022
    • Downtown Community Ministry
    • 96 Ngā Kōrero - Latest stories from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Looking back into the past, and toward the future, Jason remembers kindness – “The biggest thing on my list today.” Building commuities where whānau are housed, connected, valued and thriving About Us Contact Healing through kindness – Jason’s story It’s a cold mid-winter’s Monday morning at DCM, and the building is bustling with activity. Jason has just arrived for work, and there’s plenty to be done. Jason is going to show a new volunteer the ropes. Food awaits pick-up at some local churches, Kaibosh and New World – and when the DCM van returns back to base Jason will have food parcels to pack so taumai can receive emergency food assistance. For Jason, employed as kaiāwhina in DCM’s Foodbank, he knows that there are lots of little ways he can help. For example, “If someone needs an overnight food parcel, chances are they’re rough sleeping. So I’ll go out of my way to make sure they have some disposable containers, tear tabs – I couldn’t think of anything worse than being given some food and not being able to eat it!” Another day in DCM's busy Foodbank. Jason describes it as a selfless job. “It really gets me out of my own way, to help share the vision of DCM. I always walk away at the end of my shift feeling better about myself.” Looking back into the past, and toward the future, Jason remembers kindness. But life was not always kind to Jason, and he is remarkably honest about his journey. Jason was born in the Hawke’s Bay, where family life was pretty tough. “I had an alcoholic stepfather who brought violence into the home,” Jason shares. “My mum was trying to raise me and my two brothers and she kind of got trapped in this relationship and couldn’t escape.” Jason came out when he was quite young, and he was bullied at school. This had a big impact on him, as did working in hospitality from a young age. Jason is reflective about how drugs and alcohol helped him to suppress his emotions. “So you have the cultural aspects, and the family harm aspects, and also depression runs right through my family. I didn’t have good coping mechanisms. So one thing I learned is that when things get tough you just pack up and run. “I learned to pack very lightly, and not put roots down. I couch surfed, spending many years doing that. I learned that all your possessions are the clothes on your back, and what you can carry.” Jason was thrown out of places for not paying rent due to his drug problem, ending up in Australia. But despite the change of scene, and a good job in hospitality, Jason acknowledges, “I thought life would be OK. But I still hadn’t addressed that I had a drug and alcohol problem. Or that I was an addict.” It was back in New Zealand that Jason reached what he describes as his lowest point. “I remember getting to a point where I’d use drugs, walk around the house, and felt like I just ‘existed’. That was a scary feeling. I just felt empty, like I had nothing.” With family help, Jason was finally able to start the process of getting into rehab. That took four months, and in the meantime Jason started going to 12-step meetings, and anything he could find that was recovery-focussed. “I found online blogs of people sharing stories about how they managed to give up drugs, and I was drawn to that kōrero,” Jason says. “I thought, ‘Hang on, there’s a life outside this?’” After a relapse, Jason found himself rough sleeping. He went to Work and Income to ask for help with emergency housing, and they suggested popping down to DCM to get some food, where Dominic was his first point of contact. “I was a mess, but Dom was really kind. He helped me with a food parcel and then we had a bit of a kōrero about how DCM could help. I was willing to take whatever help I could get, and he said that Evan had just started at DCM, and that he would like to engage me with him. I wasn’t too keen on meeting a drug and alcohol counsellor! I just wanted to isolate in my own little bubble, and wallow in my pity. But as I was walking out of the interview room, Dom goes, ‘Oh, this is Evan here!’ So I didn’t have a choice in the matter! And that was kind of a turning point in my life.” Jason with DCM drug and alcohol counsellor Evan. From then, Jason started popping down to DCM regularly. “I would come down most mornings, even if it was only for a coffee and a chat to the staff. Just so that they had ‘eyes’ on me. I started opening my doors for change. I just let DCM in. “I maintained going to regular meetings – every single day, even when I didn’t want to. I joined Te Awatea. I would go along Mondays and Fridays. And have a kōrero in there with the other taumai, sharing my journey, and what was going on for me. It is so good that there is a safe space at DCM for people to speak openly and honestly. “Evan used to call me, saying ‘Hey brother, I’ve put your name down for this. If you’re not interested, you don’t have to do it’. As I started getting better I decided to take up the challenge of doing the things that scared me the most. And one of those things was doing the peer support training with Brodie and Hannah at DCM.” Jason was able to access other services at DCM, such as the emergency dental service. “I was terrified of seeing the dentist!” Jason explains. “I hadn’t looked after myself, but the dentist (Morris Wong) was amazing. He sees people. He talked me through my anxiety. It wasn’t as bad as I expected. I needed a tooth extraction and a filling, probably two things people fear the most. And he helped me through it. I went away thinking, ‘Wow, what a great experience!’” Jason also saw the Te Aro Health nurses at DCM. “Don’t even get me started on them! Rebecca and Bronwyn have been incredible, and super-supportive. I went to Bronwyn with a medical problem and she made it her business to push for the hospital to see me. They helped me, and it’s been great. She went above and beyond, just pushing for them to do something. “All the staff at DCM are amazing,” Jason adds. “All the staff who are there now, and those who have moved on.” Having completed training with PeerZone, another kaiāwhina (Renee) suggested Jason apply for a job working in the DCM Foodbank. “She set up an interview and I was absolutely terrified about going into a job. I hadn’t been in employment for eight years. I didn’t know if I’d be any good or be able to hold the job down. So much unknown, but I used a bit of courage. Then I thought, actually, the job’s not about me. I found purpose in the job and that’s about knowing that the mahi that I’m doing is impacting the lives of others today. “I used to give money to street beggars – until Evan pointed out the dangers. If I’m walking down the street now and hear a taumai calling out to ask for money I say, ‘If you’re hungry, pop down to DCM. WE can help.’” Jason now has a whare with help from Evan and DCM's Aro Mai Housing First team. He is proud to be housed, working, and officially off Work and Income’s books. He’s even ditched cigarettes. But most of all, Jason is proud to be living clean, one day at a time. “What I have learned in that time is to show others compassion and kindness. And that comes from the people who have loved me since walking through the doors at DCM. I wasn’t judged and they were there to help me. So today I try to see people and meet them where they’re at. I’m continuing to show that love and kindness to others.” Jason now has a life he never dreamed he’d have. “Some days I still feel like an alien trapped in my own body. I definitely don’t have it all together – but that’s OK. I’m on the right path. I’ve had many months of re-building my Te Whare Tapa Whā. I’ve learned core values and spiritual principles along the way. I’m a better person today, and I’m OK with who I am. “When I look back to my darkest times, what stands out to me the most are those who showed me kindness. Those who were able to be there for me, to say ‘It’s OK. It won’t be like this forever.’ “So I remember kindness – that’s the biggest thing on my list today.” Photoshoot by Gabrielle McKone. <!-- --> Te Awatea – Doing whatever it takes It's later on Monday morning at DCM – almost 11am. “Last call for coffee!” Clifton announces to the room. Some taumai get their final cup, while others mill around, waiting for Te Awatea to begin. Evan and Jo have set up the space, where taumai are welcome to come and go. They are joined by Clifton and other kaiāwhina, offering peer support for the group. Te Awatea is as accommodating as possible, though Evan and Jo will keep an eye on disruptions, and manage any behaviour that starts to impact other members of the group. Te Awatea is all about harm reduction – and today the nine members of the group start with a round of, “How are you doing today, on a scale of 1-10?” Some taumai rate themselves pretty high, a 7 or 8, while others are feeling a bit down today. A couple of taumai are dealing with medical issues at the moment, which is not making life any easier. Everyone shares how their weekend went. For some taumai, there are challenges. There are members of the group who freely share that they are dependent on drugs or alcohol, and feel stuck. But there’s no judgement from Evan and Jo, or from other taumai in the room. This is a safe space to share whatever you’re feeling, wherever you’re at. One taumai has to leave early to see a nurse. Before he goes he shares how he’s managed to reduce his alcohol intake. He had a great weekend, and is feeling good today. The group cheer him on – “Awesome mahi!” – as he pops out to see the Te Aro Health team. After the intros, Evan leads a kōrero about mental health. By sharing some of his story Evan knows that it will help break the ice, and get the group to open up about their own experiences. Taumai share how they face mental health challenges too, and some acknowledge that they use drugs and alcohol to self-medicate, but that it doesn’t really help. There are a lot of laughs at Te Awatea. Everyone is different – and there are some characters! – but everyone is so open and honest that it’s hard not to share in a joke or two, to lift the spirit in the room. As the session comes to a close Evan leads with the serenity prayer, “Grant me the serenity to accept the things I cannot change; courage to change the things I can; and wisdom to know the difference.” Taumai chat amongst themselves as they head off. Some are looking forward to the next session, which will take place on Friday. In the meantime, Evan and Jo have their own little side room at DCM for one-on-one sessions with taumai who need them. While the group focusses on harm reduction, the offer of other pathways forward is always there if that’s what it takes for taumai to thrive. “Whatever it takes” is part and parcel of DCM’s kaupapa. Te Awatea truly shows that kaupapa in action. It’s not just on Mondays we hear stories like these. Here at DCM we are privileged to journey with taumai towards their housing and wellbeing aspirations, each and every day. You can help support us by forwarding this email on to anyone you think may be interested in learning more about our mahi. We will share our Ngā Kōrero bi-monthly. <!-- --> Support DCM We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • DCM Bookfair 2018 - One Week to Go!

    • 27 Jul 2018
    • Downtown Community Ministry
    • 96 DCM Bookfair 2018 - One Week to Go! p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ #templatePreheader{ display:block !important; } } @media only screen and (max-width: 480px){ #templatePreheader .mcnTextContent,#templatePreheader .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ #templateHeader .mcnTextContent,#templateHeader .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ #templateBody .mcnTextContent,#templateBody .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ #templateFooter .mcnTextContent,#templateFooter .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Saturday 4 August, Shed 6, Queen's Wharf, 8am-6pm. DCM Bookfair 2018 - One Week to Go! View this email in your browser DCM's annual, fundraising Bookfair is ONE week away! Saturday 4 August, Shed 6, Queen's Wharf, 8am-6pm. Wellington's annual DCM Bookfair has been raising funds for vulnerable Wellingtonians for 23 years - but unless a new storage venue is found, this year's event will be the last. Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. There's never a shortage of donations but the storage unit DCM has relied on will not be available next year, leaving the future of the book fair in doubt. Every year, book lovers flock to the DCM Bookfair on Wellington's waterfront to grab an armful of bargains in support of vulnerably housed citizens. But unless a new storage venue is found, this year's event will be the last. Lee-Anne Duncan reports. It's catnip to bibliophiles, that smell. It's the bouquet of books, heavy with dust and knowledge, to be stacked and sorted, packed then transported to Wellington's Shed 6 for next Saturday's DCM Bookfair. This year is the 23rd time hundreds of volunteers have poured thousands of hours into collecting, sorting, boxing and setting out nearly 100,000 books for the country's biggest book fair. The event is also DCM's biggest single fundraiser. Formerly known as the Downtown Community Ministry, DCM works "at the serious end" of homelessness. Along with supporting people to find sustainable accommodation, DCM provides a variety of services to support vulnerable Wellingtonians. The organisation calls the people they work with "taumai", meaning "to settle", preferring it to the less personal "client". While DCM receives funds from local and central government to carry out some of its work, donations and fundraising events like this one are its lifeblood. If this book fair is as successful as those past, a near quarter century of book fairs will have collectively raised at least $2 million to fund DCM's work. "That's $2 million we haven't had to ask of central or local government agencies," says Stephanie McIntyre, DCM's director for the past 14 years. "The only reason we have been able to raise that money is through the generosity of Wellingtonians who donate their books, the people who buy them, and of course the volunteers who give their time to make it all happen." A fundraiser's success often comes down to those volunteers, especially for an event as large and complex as DCM's annual book fair. But this year's event might be its last, as the planned development of Shelly Bay means the Wellington City Council-owned warehouse used to store and sort donated books won't be available next year. "All this is absolutely at risk," says McIntyre. "We have had zero response trying to find another warehouse. We'd love to have another book fair as it's become such a classic Wellington thing and it's essential fundraising for us. Next year is our 50th birthday and it would be a great shame not to have a book fair in such an important year." DCM director Stephanie McIntyre. Many – if not most – of the fair's volunteers give their time year after year. A core group of about 30 helpers travel to the warehouse on Thursdays or Saturdays, or both, for generally five or six hours a day every week between April and August. There, wrapped up against the winter chill, they receive donations, sort the books into categories, then into subcategories, and sometimes even into micro-categories. "I've found quite a few books on grief. I'm hoping I can get enough together to make a section of its own," says long-time volunteer Wendy Nelson. "And I've got all these diet books. This year we seem to have a lot of paleo books." Spirited exchanges have been known to happen over categories. All Blacks Don't Cry by John Kirwan, for example: "Is that sport or mental health? I even found copy in Psychology earlier," says Nelson. If there's more than one copy – and often there is – the books can be allotted wherever book seekers may think to find it. A marine biologist, Nelson works full time as a principal scientist at Niwa but spends her Saturdays sorting. She's been involved in the book fair every year since the first, in 1996. "The then director, Helen Walch, said she'd had this great idea to hold a second-hand book fair as a fundraiser that would engage the volunteers and community. "I thought it sounded like a good idea – I like books, so why not get involved? DCM does such important work, and is such an important part of Wellington. Sometimes it's hard to know how to contribute, but this is a way for us to do our own small bit."  Volunteer Wendy Nelson, a marine biologist and book lover. Each year DCM supports about 1000 people who are experiencing homelessness or in danger of becoming homeless. But the work DCM does goes far beyond putting a roof over their heads. Every DCM day begins with a karakia and waiata. DCM kaimahi (staff) and their taumai gather to give thanks for the new day at 9am when the organisation's doors open in Te Aro's Lukes Lane. Social workers are on hand to talk to taumai to get to the heart of why they're experiencing homelessness. They support the person to access a benefit and manage their money, find and sustain housing, and connect to whānau and culture, health and other services. Statistics New Zealand defines homelessness as: "Living situations where people with no other options to acquire safe and secure housing are without shelter, in temporary accommodation, sharing accommodation with a household, or living in uninhabitable housing." Research by Otago School of Medicine in 2016 put the number of New Zealanders living this way at more than 40,000 people, nearly 1 per cent of our total population – the highest rate of homelessness in the OECD. It's difficult to accurately quantify homelessness. During this year's census, DCM staff worked with Statistics NZ staff to encourage and support people who were homeless to complete the census forms. "We explained that government funding decisions are made on census data, so filling out the census made sure they were counted," says McIntyre. DCM's own data vividly describes the increase in demand. Over the past five years, the number of people who are homeless that come to DCM for support has increased by more than a third. "Even more worrying, the number of people we see who are actually without shelter – so rough sleeping, or sleeping in cars – has more than doubled." McIntyre expects the number of people DCM supports to increase this year. "When you get a severe housing crisis, as we have now, it's the most vulnerable who are kicked to the end of the line. As housing gets harder for everyone it gets especially hard for these people, which makes our work even more necessary." In May, the Government announced $100 million to address homelessness – $37 million of that was allocated to find places by the end of this winter, with the rest spent over four years on the Housing First programme. While DCM will be at the forefront of delivering Housing First in Wellington, the organisation will continue to rely on volunteers and donations to pay for its core services. We visit four Saturdays from sale day. There's a stiff nor'wester whipping the waves a few metres from the warehouse. Out in the harbour, a rare southern right whale is leading the news. Te Amo Roberts, another volunteer and someone DCM has supported, reports he saw the whale on his way in. He stirs himself a coffee between breaking down cardboard boxes and helping with some of the "grunt work". Volunteer Te Amo Roberts received assistance from DCM in the past. Today, he's an important part of the book fair team. "There are some biscuits on the sideboard, Te Amo – Cameo Cremes," says McIntyre, who's holding a brief meeting with a small group of volunteers, a long, tightly written to-do list on her crossed knee. Cut sandwiches and fruit are boxed on the sideboard, along with those Cameo Cremes. Everyone knows a volunteer army sorts and packs on its stomach. Most of the fair's book-sorting volunteers stick to their areas of expertise – a retired anaesthetist is set to work deciding which medical books are still useful, and a war buff flicks through the military books. They determine which books will sell and for how much, which subjects are likely to be "in"' this year, and which – judging by the number of those donated – are on their way out. The volunteers' knowledge also means they're well-placed to spot a valuable book. Then, with the aid of local auction house expertise and internet bookseller searches, a price is applied and the book is included in the high-value stack. "We do get some amazing finds where people might not have realised they've gifted us an extraordinary treasure, but we have no way of reuniting it with its owner," says McIntyre, who, drawing on her own pre DCM music industry career knowledge, found a rare Beatles book some fairs back. "At the same time I'm sure we've had books we've sold for $2 that may have been worth hundreds. But you've got to be philosophical." A hand-drawn diagram of the Shed 6 book fair layout is pinned to the wall. Each table has a number assigned to a book category: children's, history, health, fiction (so much fiction), New Zealand, art, and so on. The more work done now, the better 100 or so volunteers on set-up day know exactly where everything fits. Taking too many books to fit a category's allocated section would lead to chaos – setting out 90,000 books is a precise science. "We've got a phenomenally good offering of children's books this year, so we've had to shuffle up some other things to accommodate that," says McIntyre, scrutinising the diagram. "The foreign languages are fine but the music is the big headache at the moment," says one volunteer, popping in to give McIntyre a quick update on her areas. The team is following a packing plan with scheduled revision points. According to the plan, by this day 75 per cent of books must be sorted, tallied and packed on pallets (each holding about 800 books) ready for transportation to Shed 6 at dawn the day before fair day. With clipboard in hand, Alexi Manouilenko is responsible for the tally. DCM stepped in when he needed support a couple of years ago, which led to him volunteering on fair day in 2016. "As well as wanting to give back to DCM, I'd been out of work for a while and people are reluctant to hire you when you don't have anything to explain your time off. I realised the best way to get back into work was to volunteer to show I could work. I already knew DCM so I volunteered for two years. That led to some paid work and now I have a full-time job with DCM."  Part of Manouilenko's job is to decide how many books in each category should go to the fair and use his maths skills to keep tabs on the packing. "I look at the previous two years to see how many books were taken in each category and how many were sold. From that I try to guess at what we should take this year, and I tell the volunteers how many boxes in each category to pack." This level of organisation is why DCM must close the book on donations four weeks out from the fair. Even on the last day, every few minutes book-toting donors poke their heads around the peeling-painted door. "I just want to drop some books," says a man, setting down his burden. "Thank you, mate," says McIntyre. "Come to the fair and buy a whole lot more, won't you?" Surely he will – book lovers only clear their shelves to fill them with new finds. While the DCM Bookfair is certainly about finding new homes for old books, it's also about raising funds to support marginalised Wellingtonians into homes of their own. Nelson remembers when the team was ecstatic to raise $15,000 – now the book fair raises around $100,000, which goes directly into funding DCM's work with people experiencing homelessness. It's that work, as well as their shared love of books, that motivates the volunteers. Volunteer Tamara Morton with stacks of books ready for the fair. Tamara Morton is a consulate advisor at the Ministry of Foreign Affairs and Trade, but spends her Saturday mornings in the warehouse's fiction section, estimating the book-buying public's appetite for Philippa Gregory and Dan Brown. "When I was living overseas, circumstances happened that I found myself looking for a place to live. It was short-lived and I've never been truly homeless, but I can't forget the anguish that came with thinking, 'What am I going to do? I've got nowhere to go.' To be able to help an organisation with the resources to address that is why I do this for DCM. "There's also the huge bonus of making connections with people you wouldn't meet in a lifetime of routine days. The people who work here come from all sorts of backgrounds and different stages of life. It's really cute to see the cheeky banter that goes on between a Millennial and a Baby Boomer. It's really delightful to be a part of that." Nelson is busy assessing travel guides (nothing published before 2010 goes on sale). "What I love about the book fair is that everyone's winning," she says. "The people off-loading their books feel they're going to a good place, the people who rock up to the book fair get fantastic bargains, and the people who volunteer get satisfaction from contributing to something. And it's about making connections into the community." Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. Feel free get in touch with us at DCM over the coming week if you have any questions about the Bookfair on (04) 384 7699 or events@dcm.org.nz Click Here to Donate Now! <!-- --> Copyright © 2018 DCM, All rights reserved. Want to change how you receive these emails? You can update your preferences or unsubscribe from this list
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• • June Update from DCM - Together we can end homelessness

    • 29 Jun 2022
    • Downtown Community Ministry
    • 96 June Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Clifton shares his story and we hear from Hapi again.  About Us Contact Clifton’s Story “I love being part of a major change in people’s lives.” Ko Clifton tōku ingoa. I was born in Wellington but lived in Ōpōtiki for the first 13 years of my life. I was raised by my Koro and Nanny in a whole house full of cousins and aunties and uncles. We grew up on the family farm. They had 14 children, so we were never without whānau around us. My favourite thing to do growing up was to ride my horse with my brother and cousins, down to the river for a swim or up the bush for a hunt, just exploring. My mother spent most of her time in Australia and down in Wellington. Then, out of nowhere, when I was 12 years old she turned up, and my brother and I went to live with her in Wellington. I have worked in a number of different jobs over the years. I started off in the family taxi office in Miramar as soon as I left Rongotai College. I have worked in the sugar cane fields of Fiji; I have had work with other whānau up in Ōpōtiki in kiwifruit orchards. Back in the early 2000s I worked for a time as a forklift operator. I was working for Fletcher Construction when the first lockdown began. When all the work stopped, I lost my job and my income. I was trapped in Wellington with no whānau support and nowhere to stay. I had to move into emergency accommodation. Clifton volunteered his time to support the DCM Foodbank Appeal in May. When was the first time I heard about DCM? It was during that first lockdown, and I was at AC International. There were three of us in the one room; myself and my two adult daughters. I saw a pamphlet about DCM, and gave them a call. Steph answered. I think originally I was asking for food, for a food parcel. It was a proper lockdown, and DCM was only open at very specific times. Steph told me to come down on the Wednesday morning, and I did. I told Steph that there were three of us in the same room. She said “we can’t have that” and got straight on to it. Paula arranged for us to move to two rooms at Halswell. My room number was Room 24, I remember that clearly. I was in one room, and the two girls were in the other. Once I was settled in at Halswell, Kat and Peni from DCM came over to speak to me – about getting housed! They spoke to me about finding the right place. I told them about the issues I had had, with places in certain suburbs where family and others from my past would come by. It was not so good. We agreed that I needed an apartment where others couldn’t just come in to my whare, and that it needed to be in the city. And it sure was meant to be! They offered me, Clifton, a place on Clifton Terrace! And I moved in – on 31 August 2020. Clifton with George on Super Saturday vaccine day. DCM supports people like me in so many ways. Not just with housing and food parcels, but I have also seen the audiologist, the dentist and the Te Aro Health nurses. I have been vaccinated at DCM – I had my first two shots there, and went off myself to get my booster. When I was in emergency housing, I would regularly come to Te Hāpai to get out and about and away from emergency housing for a while. I was always made welcome; the DCM kaimahi were genuinely interested in getting to know me, and hearing what my own hopes and dreams were. It was one of the DCM team, Dom, who supported and encouraged me to stop smoking. And then, a month after I moved in to my place, Kat asked me if I would like to work at DCM. I knew Fabian, and I had wondered how he came to get a job at DCM. The next step was for me to be part of one of the Peer Support courses which DCM offers to people who are interested in a kaiāwhina* role. No sooner was that done, than Kat came back to see me. She helped me with my CV and a cover letter. Then I had an interview at DCM – with Natalia and Paula. They asked me what sort of work I was interested in. I said I would love to work with the Outreach team, and they immediately agreed. They listened to me, to what I was keen to do. It was the ultimate miracle. Clifton is always looking out for ways to support others. He has stepped up to help all of DCM’s teams at one time or another. He enjoys working with Evan to deliver the Te Awatea programme (left) and participating in DCM training and team-building days (with Moses, Bella and Michelle at right). Since then, I have got to be involved right across the many areas of DCM’s mahi. I am part of the Outreach team, but I have also been out with Arieta, Adriana and George from DCM’s Aro Mai Housing First team and with Nadeeka to support our Sustaining Tenancies mahi. I have worked in Te Hāpai, and on DCM’s Te Awatea programme. I have been part of the team delivering our Community Connections programme. I was even at the very first session when we launched the programme at Newlands. I love the patience and resilience of DCM. We roll with it. When taumai are ready, we go forward with them. If they are not ready today, we will try again tomorrow. There are endless chances. We won’t give up on you. And now, I have been able to add more mahi in to my week. I have also joined the Take 10 team, working with youth. On a Saturday night, we are out from 9pm–4am in the city, connecting to young people, checking that they are safe, even paying for them to get an Uber home when this is what needs to happen. We offer water, sweets, etc., to get the young people to connect with us so that we can check in with them. All the DCM taumai seem to go by! They greet me, wonder what I am doing there. The way DCM has stepped up during this pandemic has been ever so encouraging and inspiring. They have come up with ways of supporting those who need it most, regardless of the traffic light system or regular lockdowns. That’s what separates DCM from other community services – the constancy of our level of passion for the work we do. It has been exceptionally impressive – the aroha and manaakitanga I have experienced and have seen others experience over my time at DCM – first as taumai, and now as a kaimahi. Clifton with his team leader, Natalia, outside DCM in Lukes Lane. Natalia Clifton is the type of person who will do anything for anyone. He is generous with his time, cares about his colleagues and keeps his eyes and ears open for ways that he can help people. Clifton also loves learning. It’s one of his great strengths – he listens, watches, and then tries something himself. He also asks for feedback from colleagues which shows great strength of character and humility. He is always open to doing things differently or better. Clifton has covered so much work for DCM including supporting us on outreach visits, running manaakitanga in Te Hāpai, coaching new kaiāwhina, moving furniture for taumai who have become housed, supporting community connections mahi, and sharing his own story in Te Awatea to help the taumai open up and share their story. He’s probably the only DCM staff member who has worked across all services and all teams. How would I describe Clifton? He is collaborative, humble, kind, patient and always supportive. Of both his colleagues – those he works alongside here at DCM – and of taumai. Clifton is always ready to lend a helping hand – whether it is cleaning up the hall after one of DCM’s Community Connections afternoons (left) or staying behind with Fiona after DCM’s last AGM to do the dishes and tidy up (right). <!-- --> Hapi In January, we introduced you to Hapi and shared his story. Hapi is a creative and sociable man who is thriving in his new home, a house provided by private landlord Dev. Hapi loves his art, and this month, some of his pieces have featured in a very successful exhibition organised by MIX, a mental health service which offers programmes in art and wellbeing. Hapi’s work has been popular, with more than half of the items he has prepared for the exhibition selling on opening night alone. Here’s what Hapi has to say about what art means to him: “Bro, it frees my mind. It frees me. I’m free! I'm free and I don’t have no other thoughts about anything else, but just go for my own things. Do my own style of work. I feel awesome when I make anything that I know that I can do, or whatever vision comes in my mind. I just lay it out how it is. What really makes me feel good is other people love it.” You can hear Hapi speak about his art for yourself, in this brief film clip: <!-- --> Support DCM *DCM uses the term kaiāwhina, meaning a helper or advocate for those staff who bring lived experience to their mahi at DCM. We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 41 months ago by feedreader
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    Newlands, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)
  
  

• • The unsung heroes of DCM

    • 6 Feb 2023
    • Downtown Community Ministry
    • 96 The unsung heroes of DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Solving problems with Fahimeh communities where whānau are housed, connected, valued and thriving About Us Contact 2023 – a year of challenges and opportunities Kia ora koutou We hope you have had a great start to your year. Here at DCM, there isn’t a closing down time, as we continue to support the most marginalised and vulnerable members of our community throughout the Christmas and New Year period. You may have seen other social services in the news talking about how they are finding that people are harder off than ever before. We’re finding this too at DCM. While milestones are being met, we know that the housing crisis is not over yet, and the people we meet here at DCM continue to be among the most economically-impacted members of our community. Fortunately, our incredible team – DCM’s hard-working kaimahi – makes sure that our whānau are not left on the bottom rung of the housing ladder. While our people may face significant challenges amidst the cost of living crisis, our team ensures they have access to the supports they need to thrive. We have two significant opportunities this year to ensure our whānau also have a voice on the national stage – the March census and October general election. We will do everything we can to make these opportunities accessible for our people, including having a polling booth right here at DCM, just as we did in 2020 when over 100 whānau voted, many for the very first time. We hope you will also ensure your voice is heard at the general election, so that the progress that has been made to tackle homelessness in Aotearoa is maintained. Behind our team are the many unsung heroes of DCM. In this update we share the story of Fahimeh, who has been collaborating with DCM to build our capability, so that we can continue doing what we do – but do it even better. Perhaps her story might spark some ideas about how you too can support DCM in 2023? Stephen Turnock  Manahautū DCM Manahautū Stephen (centre) leads karakia and waiata in Te Aro Park. DCM is taking part in Neighbours Aotearoa and will be leading waiata in the park every Monday and Friday at 9am for the next few months. If you're in the neighbourhood, join us! <!-- --> Unsung heroes of DCM Solving problems with Fahimeh Fahimeh McGregor loves to solve problems. And she certainly has the skills to do so – with a doctorate in the adoption of IT for performance and productivity improvement from AUT (Auckland University of Technology), she has 19 publications and 42 citations to her original family name, which is Zaeri. Fahimeh was born in Iran in the strategic town of Bandarabbas, on the Persian Gulf. Fahimeh was the youngest of seven siblings, and describes her early family life as very difficult. “I’m a revolution baby. The Iran Revolution happened in 1978 and was followed by a war between Iran and Iraq, which makes me part of the war generation as well. This took place during my primary schooling, and as my city is located in the south, close to the border – a port on the Gulf – it had a huge impact.” There was a lot of trauma for Fahimeh and her family. She describes nights without power, with all access to utilities cut for hours, while having to do her homework next to a little oil lamp. “Years later, I realised that I never had any wishes as a child. We had family wishes, which were to make sure that in the morning all of us would get to have another day together. There was no certainty, or an understanding of what a stable life is. Here in New Zealand, people have got a very natural stability – unless, perhaps, they are experiencing hardship and homelessness.” Fahimeh at five years old - the only photo from her childhood. Fahimeh’s big inspiration was her father. He was highly educated for his time, leaving his farming background to do a diploma in literacy and accounting. As Bandarabbas is such a significant port city, the Iran government feared it could be lost, and though 90% of trade came through the port, profits only went to the capital, Tehran. Fahimeh’s father tried to protect the rights of his community. “But after the revolution, he came under a lot of pressure,” Fahimeh reflects. “He had to give up everything. The only memory I have from when I was two years old was the night we had to burn his books. That picture is still in my head. I am always asking myself, ‘Why? What’s wrong with his books?’” Fahimeh’s father died from a heart attack at a young age, but he continued to inspire her. “He loved his community. He believed in change. That’s why when I got my first job, I put my community's rights at the top of my list.” Fahimeh went to university in Iran, where she met many people appointed to their first position by her father. She started volunteering – always a passion of Fahimeh’s – and later got a job working for the Ministry of Housing and Urban Design, where she worked hard to introduce transparency within a corrupt system. “I was quite hot-headed. I was young and thought I could change everything. I did my best, whatever I could, but my mum realised it wasn’t a safe environment for me. She tapped me on the shoulder one day and said, ‘You need to leave this country’.” Realising she wouldn't be safe any longer, Fahimeh left Iran. She moved to Malaysia in 2010, where she continued studying toward her Master's Degree. This was supposed to take two years, but Fahimeh finished her Master's in 14 months. Despite not knowing anyone, Fahimeh’s next destination was New Zealand, where in 2013 she picked up her studies at AUT thanks to a scholarship. With a doctorate added to her name, Fahimeh soon turned her attention to giving back. “I want to be utilised for the community. That’s the most important thing for me. I want to make sure that wherever there are challenges, I can help people and organisations.” Fahimeh started her industry experience by applying her research in a large infrastructure project, Waterview Well-Connected Alliance. She was then offered an innovative leadership role by Fletcher Building, to lead a continuous improvement culture in the New Zealand International Convention Centre (NZICC) project. Always wanting to create her own consulting business, Fahimeh later formed a company called DELTA Informed Decisions, which brought her to DCM. Fahimeh met with DCM Manahautū Stephen, to collaborate on solving the challenges of DCM’s processes and systems. “I had regular meetings with Stephen,” Fahimeh says. “I needed to hear what he is passionate about. He is a very driven person and wants to deliver quality outcomes that drive improvement.” Fahimeh with DCM's Kaiarataki Kāhui. From there, Fahimeh met with DCM’s Kaiarataki Kāhui (leadership group), guiding them through a collaborative process to identify how DCM can best work towards its strategic goals. While Fahimeh has the knowledge and expertise, it was the leadership team that needed to ensure everything was moving in the right direction, to allow DCM to engage in a meaningful way with whānau and other stakeholders. Fahimeh also spent time with many other kaimahi. “First is people. I listen to the language, and pick up different lenses people have got. Everyone is like a big ocean to me. There’s so much you can discover to help shape a better practice model.” With DCM’s new organisational model and strategic goals implemented, it was time to look at some technology solutions to help pull this 53-year-old social service into the modern world. One of Fahimeh’s first projects was tackling DCM’s long-time Money Management Service. Fahimeh started with a diagnostic phase, analysing the efficiency of the processes to gain an understanding of where opportunities for improvement may lie. While DCM’s kaimahi may not have known it, all of Fahimeh’s tools are science-based. “Everyone downloads their knowledge to the table,” Fahimeh says. “People around the table will often say, ‘Oh! I thought it was this way, not that way?’ And it can be frustrating in a way, because I have to ask a lot of questions!” Another project Fahimeh has undertaken is the adoption of an entirely new database system for DCM – Exess. While it may not sound very exciting, DCM is completely reliant on data and evidence to gain insights into the whānau they are working with, and trends that are happening with homelessness in Wellington. For example, did you know that DCM engaged with 1,085 whānau last year, of whom 647 experienced homelessness, and 230 went without shelter altogether at some point during the year? Or that 71.6% of all DCM whānau are male, and that 52.8% are Māori? Importantly, it is this kind of data that DCM needs to report back to the powers-that-be. Exess is now in its testing phase, and DCM looks forward to the massive improvements this information management system will achieve for the organisation, especially with its whānau-centric outcomes model. Fahimeh has enjoyed her time at DCM, which is why she has given back by donating her valuable time in-kind. “DCM has its challenges, but this has been the most enjoyable and rewarding project I’ve done,” Fahimeh shares. “You guys have got a passion for people. I can feel your heart beating for your whānau. That’s quite fascinating to me – everything is about them. Businesses often say they are customer-centric, but it’s not as tangible as you experience at DCM.” Fahimeh and Stephen. Fahimeh is saddened by the current situation in Iran. She recently went to Turkey to help two of her nieces escape the country. Both are now safely in Istanbul – one registered at high school, and the other at university, continuing the family’s passion for education. “It’s another revolutionary time in Iran. It’s really sad to see what is happening. What I always say is that I wish for peace in the world. And not just for the Iranian people – everyone deserves a peaceful life. And that is true for the whānau DCM is supporting too. Living outside, sleeping out, is so damaging for your health. I hope that the tools DCM now has will help your kaimahi achieve amazing results for them.” <!-- --> Can you help? There are many ways that you can be part of our work here at DCM. One way is – like Fahimeh – through offering your professional expertise. Volunteer dentist Shennae (left) with dental assistant Ella (right) at a session at DCM in January. Oral health care is one of the most significant unmet needs of the people DCM works with. We are looking forward to celebrating the 7th anniversary of DCM's emergency dental service in March 2023 – read about our 5th anniversary here. But we haven't been able to do as many dental sessions as we'd like since the pandemic arrived. Are you a dentist, or do you know a dentist who may like to do a session with us? If you can help, or if you know someone who can, please get in touch.   Support DCM <!-- --> Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2023 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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