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• • MARANUI SLSC AGM 2022 - Sunday 25 September

    • 21 Sep 2022
    • Maranui Surf Life Saving Club
    • 96 MARANUI SLSC AGM 2022 - Sunday 25 September p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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MARANUI AGM 2022 We warmly invite everyone to the Maranui SLSC AGM.  Join us and help us celebrate the year in review, reflecting on our achievements and thanking those who have played a big part in helping Maranui operate.  WHEN: SUNDAY 25 SEPTEMBER TIME: AGM, 3pm - 3.30pm. Refreshments to follow! All Welcome. WHERE: Maranui Clubhouse. Come and celebrate with us, mingle and have a drink. We look forward to you all joining us this Sunday. AGM DOCUMENTS Please click to view the One hundred and eleventh annual report and Financial statements - https://drive.google.com/file/d/17RlUBATL9S6bZj2EUX1Jok4NUSkzYJn5/view?usp=sharing Please click here to view the Performance Report - https://drive.google.com/file/d/1SpxEl_t6fiMr080gpsFMm_iOa0OjNb-y/view?usp=sharing   Please register via the online form or just come along on Sunday  - https://forms.gle/UgbbRumzvT4CyvVT7  Please send apologies to Sascha - maranuinippers@gmail.com <!-- --> SEASON CALENDAR 2022 / 2023 2022 AGM - Sunday 25th September, 3pm-3.30pm (Refreshments to follow) Working Bee - Sunday 2 October, 10am - 1pm Maranui Lifeguard Sport Quiz Night Fundraiser - Tuesday 4 October, Parrot dog, 7pm (sharp) Working Bee - Sunday 9th October, 10am - 1pm (backup if needed) Maranui Open Day - Sunday 16 October, 10am-1pm Junior Surf Starts - Sunday 6 November Whitehorse #1 - Sunday 20 November, venue TBC Junior Surf Series #1 - Sunday 27 November, venue Worser Bay Whitehorse #2 - Sunday 11 December, venue TBC Last Junior Surf session - Sunday 11 December (Santa) - TBC Junior Surf Series #2 - Sunday 18 December, venue TBC December Newsletter Deadline - Tuesday 20 December  2023 2023 Central Regional Champs (CRC & CRJC) - Friday 13 January - Sunday 15 January, Fitzroy Junior Surf Series #3 - Sunday 22 January 2023, Riversdale Capital Coast Junior Championships - Sunday 12 February, venue Maranui SLSC Whitehorse #3 - Sunday 19 February, venue TBC Oceans’23 - Thursday 23 February - Sunday 26 February, Mt Maunganui 2023 TSB NZ Surf Life Saving Champs - Thursday 9 March - Sunday 12 March, New Brighton Beach SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CONTACTS Executive Committee Members Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Rhys Speirs (Director of Sport)- rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Pru Popple (Director of Operations) - prupopple@hotmail.com Sascha Német (Director of Membership) - maranuinippers@gmail.com <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2022 Maranui SLSC, All rights reserved. Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from Maranui Surf Life Saving Club newsletters 30 months ago by tonytw1
    • Tagged as:
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    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap Up (Term 3, Week 8)

    • 11 Sep 2020
    • Wellington High School
    • Important Dates Te Wiki o Te Reo Māori: September 14th – 20th Monday 21st – Friday 25th September: Mental Health Awareness Week Course choices for 2021 for current Years 9—12 to be entered in the portal: Sunday 20th September  Friday 25th September: End of Term 3 Important Information Year 9 Choices for Year 10 in 2021 The Year 10 Course Choice Booklet for 2021 is now available on our website: http://www.whs.school.nz/course-choice-booklet/ Your student is invited to explore the options available. They will receive a copy of the planning sheet in rōpū and the planning sheet is also included as the last page in the booklet online. Choices can be made online in the Student Portal from Monday 14th September. It would be appreciated if students can have their options entered by Sunday 20th September (note: this is earlier than reported in the email home). Senior Course Choices for 2021 The second part of senior course choice selection for 2021 is now underway. Students now need to re-confirm their subjects on the portal by Friday 18th September.  Please note there have been considerable movements with the lines to eliminate as many clashes as possible. It is unlikely there will be significant changes to the lines from now, so students are strongly advised to choose non-clashing subjects if possible. However, students who still have a problematic clash should indicate this on the updated lines sheet (which will be given out at rōpū) and give this to their rōpū teacher. Concerning online content  Netsafe has received several reports about a concerning video that was shared on social media. It has now been removed from Facebook. The video has been shared on other social media sites, such as Tik Tok and Instagram, and the platforms are actively removing this video.  Regardless of whether students have seen the video or heard about it second-hand, young people may experience emotional distress given the nature of this content. As a school, our best advice is to make sure that your students are supported and have avenues to talk about how this content may be affecting them.  If students do come across copies of the video being shared, we’d strongly encourage them to report it to the social media site or website that it’s on, and to report it to Netsafe. Netsafe has several helpful resources: Helping students exposed to upsetting content Online Safety Parent Toolkit is a wider framework for helping parents navigate online safety with their young people. If students would like further support they can contact Youthline on free text 234 or call 0800 376 633 Achievements Debating Finalists! A huge congratulations to our Junior Prem and Prem B teams who have made it through to their regional finals for debating! The Junior Prem team of Sky Gobbi, Liv Calder, Tom Bonert, and Fergus Martin-Edgar, won their semi-final debate last Tuesday against Samuel Marsden. The Senior Prem B team of Julia Randerson,  Alex Buyck, Corwin Heath-Cameron, and Rata Petherick won their semi-final debate this week against Scots. It is a very impressive result for Wellington High School debate teams to make it into two finals! We are very proud of both teams and wish them all the best for their finals.  Also — a special congratulations to Julia Randerson who qualified for Wellington Black (one of the two Wellington regional teams) a couple of months ago. Her team made it to the national semi-finals for debating after winning four of their preliminary debates! Katherine Mansfield Short Story success! Congratulations to Nadezhda Macey for winning the Katherine Mansfield Short Story Award 2020 with her story ‘Matahiwi’, and to Cadence Chung for her Highly Commended story ‘The End of the World’. Wellington High School was the only school to have two students short-listed — a great achievement. Both pieces of writing received glowing praise and you can enjoy all the short-listed stories online at: https://www.katherinemansfield.com/creative-corner/km-short-story-competition. Nadezhda received a $500 cash prize and the eleven short-listed students were presented with certificates by guest judge Tina Makereti at the annual award ceremony at the National Library on Tuesday night. [Image right: Nadezhda and Cadence are pictured with Tina Makereti, Principal Dominic Killalea and Head of English Faculty, Caitlin Reilly.] What’s happening? Mural workshop with Sheyne Tuffery This week a group of art students joined Sheyne in developing a design for a mural for the level 2 linkwell. This is a WCC funded project that Sheyne has been working on for some months. Sheyne’s mural work can be seen on Wallace Street and Hopper Street. We look forward to seeing the final results — BSJ WHS Tramping Club heads to Atiwhakatu Hut Last weekend, 18 students tramped to Atiwhakatu hut. We walked from Holdsworth station car park along the river to Atiwhakatu hut and back. Students cooked their own meals and lit the fire for a cosy night. A little rain failed to dampen our spirits; there is no such thing as bad weather, just bad gear! — AEJ/PAB From the Greenhouse! From the school garden greenhouse this week orchids for WHS reception. Grown with care by the senior horticulture students. He Kākano news Our He Kākano students have enjoyed an outdoor education week. We visited the learning centre at the Botanical Gardens to learn about how produce grows from a seed to a fruit and vegetable. There were opportunities to pick our own carrots too! A visit to Toi Art at Te Papa had us in a colour room with some interesting group photos. Sports Underwater Hockey Congratulations go to Carlos Relph and Henry Murdoch from our Senior Open team for their selection to the U18 Central Zone B team, and to Milly Woodbury from our Senior Girls team for her selection to the U18 Central Zone A team. We wish them good luck at nationals. Well done to them, and something to aim for in future years for our junior players Junior Girls’ Football Our Junior Girls’ Football played their last game this week, this is the first team we have had in this grade for a number of years and we are looking forward to having a team in this grade for years to come. Huge thanks to Bea Gladding and Jennifer Argyle for really driving this team and making it fun for all the girls. Winter Tournament Our Girls’ Football 1st XI finished their Round robin the Regional Premier 2 competition in 3rd place with Semi Finals, and possibly Finals, to come. At the Winter Tournament, the girls place 12th which is their best finish to date. A special thanks to Isobel Smith, Heidi Coleman, Ella Blakely, Gala Baumfield, Emma Allen, Kayla Landers and Isla McInnes who all competed in their final tournament for the school. Also, thanks to Will Dewhirst who has done a great job coaching. Our Boys’ Football 1st XI finished their last game of the Round Robin D1 competition, finishing unbeaten after 7 games. So, we have finished 1st with 17 points (5 wins and 2 draw). We are heading now into Semi Finals on Saturday 12 September. Our Boys’ Hockey 1st XI are currently in 2nd place in the P3 division and are hoping to compete at the final in week 10. The boys competed hard at Winter Tournament week and finished it off with a win over Newlands. Big thank you to Will Pinckney, Jess Johnson and Kether Gati for looking after the team. Netball: Last year our Senior A netball team won their grade and this year they have done it again! Well done, too, to our Senior B team who won their grade too. Great things are coming from these young strong wāhine…and our Year 13s finishing on a high. Senior A – Isobel Smith, Tilly Coup, Rebecca Te Kahika, Senior B – Lily Parkin-Foon, Mai Cooper, Emily Rosemergy
    • Accepted from WHS news 63 months ago by feedreader
    • Tagged as:
    • newlands
    • libraries
    • te-papa

    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap Up (Term 3, Week 8)

    • 11 Sep 2020
    • Wellington High School
    • Important Dates Te Wiki o Te Reo Māori: September 14th – 20th Monday 21st – Friday 25th September: Mental Health Awareness Week Course choices for 2021 for current Years 9—12 to be entered in the portal: Sunday 20th September  Friday 25th September: End of Term 3 Important Information Year 9 Choices for Year 10 in 2021 The Year 10 Course Choice Booklet for 2021 is now available on our website: http://www.whs.school.nz/course-choice-booklet/ Your student is invited to explore the options available. They will receive a copy of the planning sheet in rōpū and the planning sheet is also included as the last page in the booklet online. Choices can be made online in the Student Portal from Monday 14th September. It would be appreciated if students can have their options entered by Sunday 20th September (note: this is earlier than reported in the email home). Senior Course Choices for 2021 The second part of senior course choice selection for 2021 is now underway. Students now need to re-confirm their subjects on the portal by Friday 18th September.  Please note there have been considerable movements with the lines to eliminate as many clashes as possible. It is unlikely there will be significant changes to the lines from now, so students are strongly advised to choose non-clashing subjects if possible. However, students who still have a problematic clash should indicate this on the updated lines sheet (which will be given out at rōpū) and give this to their rōpū teacher. Concerning online content  Netsafe has received several reports about a concerning video that was shared on social media. It has now been removed from Facebook. The video has been shared on other social media sites, such as Tik Tok and Instagram, and the platforms are actively removing this video.  Regardless of whether students have seen the video or heard about it second-hand, young people may experience emotional distress given the nature of this content. As a school, our best advice is to make sure that your students are supported and have avenues to talk about how this content may be affecting them.  If students do come across copies of the video being shared, we’d strongly encourage them to report it to the social media site or website that it’s on, and to report it to Netsafe. Netsafe has several helpful resources: Helping students exposed to upsetting content Online Safety Parent Toolkit is a wider framework for helping parents navigate online safety with their young people. If students would like further support they can contact Youthline on free text 234 or call 0800 376 633 Achievements Debating Finalists! A huge congratulations to our Junior Prem and Prem B teams who have made it through to their regional finals for debating! The Junior Prem team of Sky Gobbi, Liv Calder, Tom Bonert, and Fergus Martin-Edgar, won their semi-final debate last Tuesday against Samuel Marsden. The Senior Prem B team of Julia Randerson,  Alex Buyck, Corwin Heath-Cameron, and Rata Petherick won their semi-final debate this week against Scots. It is a very impressive result for Wellington High School debate teams to make it into two finals! We are very proud of both teams and wish them all the best for their finals.  Also — a special congratulations to Julia Randerson who qualified for Wellington Black (one of the two Wellington regional teams) a couple of months ago. Her team made it to the national semi-finals for debating after winning four of their preliminary debates! Katherine Mansfield Short Story success! Congratulations to Nadezhda Macey for winning the Katherine Mansfield Short Story Award 2020 with her story ‘Matahiwi’, and to Cadence Chung for her Highly Commended story ‘The End of the World’. Wellington High School was the only school to have two students short-listed — a great achievement. Both pieces of writing received glowing praise and you can enjoy all the short-listed stories online at: https://www.katherinemansfield.com/creative-corner/km-short-story-competition. Nadezhda received a $500 cash prize and the eleven short-listed students were presented with certificates by guest judge Tina Makereti at the annual award ceremony at the National Library on Tuesday night. [Image right: Nadezhda and Cadence are pictured with Tina Makereti, Principal Dominic Killalea and Head of English Faculty, Caitlin Reilly.] What’s happening? Mural workshop with Sheyne Tuffery This week a group of art students joined Sheyne in developing a design for a mural for the level 2 linkwell. This is a WCC funded project that Sheyne has been working on for some months. Sheyne’s mural work can be seen on Wallace Street and Hopper Street. We look forward to seeing the final results — BSJ WHS Tramping Club heads to Atiwhakatu Hut Last weekend, 18 students tramped to Atiwhakatu hut. We walked from Holdsworth station car park along the river to Atiwhakatu hut and back. Students cooked their own meals and lit the fire for a cosy night. A little rain failed to dampen our spirits; there is no such thing as bad weather, just bad gear! — AEJ/PAB From the Greenhouse! From the school garden greenhouse this week orchids for WHS reception. Grown with care by the senior horticulture students. He Kākano news Our He Kākano students have enjoyed an outdoor education week. We visited the learning centre at the Botanical Gardens to learn about how produce grows from a seed to a fruit and vegetable. There were opportunities to pick our own carrots too! A visit to Toi Art at Te Papa had us in a colour room with some interesting group photos. Sports Underwater Hockey Congratulations go to Carlos Relph and Henry Murdoch from our Senior Open team for their selection to the U18 Central Zone B team, and to Milly Woodbury from our Senior Girls team for her selection to the U18 Central Zone A team. We wish them good luck at nationals. Well done to them, and something to aim for in future years for our junior players Junior Girls’ Football Our Junior Girls’ Football played their last game this week, this is the first team we have had in this grade for a number of years and we are looking forward to having a team in this grade for years to come. Huge thanks to Bea Gladding and Jennifer Argyle for really driving this team and making it fun for all the girls.   Skateboard success Congratulations to Gala Baumfield who top scored across all competitions with 85/100 to win the Senior Girls’ section at the regional Skateboard Champs this week.     Winter Tournament Our Girls’ Football 1st XI finished their Round robin the Regional Premier 2 competition in 3rd place with Semi Finals, and possibly Finals, to come. At the Winter Tournament, the girls place 12th which is their best finish to date. A special thanks to Isobel Smith, Heidi Coleman, Ella Blakely, Gala Baumfield, Emma Allen, Kayla Landers and Isla McInnes who all competed in their final tournament for the school. Also, thanks to Will Dewhirst who has done a great job coaching. Our Boys’ Football 1st XI finished their last game of the Round Robin D1 competition, finishing unbeaten after 7 games. So, we have finished 1st with 17 points (5 wins and 2 draw). We are heading now into Semi Finals on Saturday 12 September. Our Boys’ Hockey 1st XI are currently in 2nd place in the P3 division and are hoping to compete at the final in week 10. The boys competed hard at Winter Tournament week and finished it off with a win over Newlands. Big thank you to Will Pinckney, Jess Johnson and Kether Gati for looking after the team. Netball: Last year our Senior A netball team won their grade and this year they have done it again! Well done, too, to our Senior B team who won their grade too. Great things are coming from these young strong wāhine…and our Year 13s finishing on a high. Senior A – Isobel Smith, Tilly Coup, Rebecca Te Kahika, Senior B – Lily Parkin-Foon, Mai Cooper, Emily Rosemergy The post Weekly Wrap Up (Term 3, Week 8) first appeared on Wellington High School.
    • Accepted from WHS 2019 62 months ago by feedreader
    • Tagged as:
    • newlands
    • libraries
    • te-papa

    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • October Update from DCM - Together We Can End Homelessness

    • 30 Oct 2019
    • Downtown Community Ministry
    • 96 October Update from DCM - Together We Can End Homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } A trip down memory lane This year we have been celebrating our 50th birthday. DCM (Downtown Community Ministry) began life as ICM (Inner City Ministry) in 1969. That’s 50 years of working “to focus on the needs of, and to help empower, those marginalised in the city”. At our Annual General Meeting next month we will be taking a trip down memory lane, and coming together to mark this milestone birthday. As we reflect back over the past five decades, we have been reminded of the common threads which have woven through our mahi. “It was a turbulent age, the sixties... It was against this background that the Inner City Ministry, in the heart of Wellington city, was born...to find ways of helping those who lived in the city, but who were marginalised by it, to take greater control of their lives... People look to the ICM for help, and they are given it. But more importantly, they are helped, individually and as part of groups working together, to find ways of changing their lives.” And from 25 years ago, as we marked our first quarter-of-a-century - “the Inner City Ministry has kept faith with its belief that change is possible, that people can be given the power to shape their own lives, that all of us are responsible for each other”. (Ministry in the City, April 1994.) How appropriate it is that today, our by-line is “together we can end homelessness”, reflecting our focus over the past 15 years on one key marginalised group – people who are experiencing homelessness or who are at risk of homelessness. As people who are part of the “together” and who continue the commitment to supporting the most marginalised people in our city, we invite you to join us on Monday 25 November for our AGM.   When: Monday 25 November, 5:15pm Where: St. Peter’s Church, cnr Ghuznee/Willis St (hall around the back of the church) Please RSVP by Friday 15 November to matthew@dcm.org.nz or ph: (04) 384 7699. <!-- --> Permanent housing is the solution to homelessness It was an honour for DCM to again host Kris Faafoi, Associate Minister of Housing, here in Lukes Lane today. We discussed our joint commitment to ending homelessness in Wellington and Aotearoa, and we agreed that what people experiencing homelessness need is access to permanent, safe, affordable, appropriate accommodation. We now have a Housing First service here in Wellington: the key challenge is to access sufficient, appropriate, permanent housing. The evidence is clear - more investment in temporary/transitional housing is not the solution to homelessness; a significant investment in permanent housing is. Ireland and Finland have similar populations to Aotearoa. But where Ireland increased investment in shelters/emergency accommodation, Finland adopted Housing First as a national policy, converting shelters to permanent housing. The results are amazing! Ref: Y Foundation <!-- --> Provide a home Do you own any rental properties or know any landlords who would like to learn more about becoming part of the solution to homelessness? Our Housing First team can offer landlords a “no hassles” service – guaranteed rent, no fees, maintenance sorted and funded – and you will be providing a whare for a person who is experiencing homelessness. Please get in touch to find out more! <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Read More Success Stories Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2019 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • DCM Bookfair 2018 - One Week to Go!

    • 27 Jul 2018
    • Downtown Community Ministry
    • 96 DCM Bookfair 2018 - One Week to Go! p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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DCM Bookfair 2018 - One Week to Go! View this email in your browser DCM's annual, fundraising Bookfair is ONE week away! Saturday 4 August, Shed 6, Queen's Wharf, 8am-6pm. Wellington's annual DCM Bookfair has been raising funds for vulnerable Wellingtonians for 23 years - but unless a new storage venue is found, this year's event will be the last. Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. There's never a shortage of donations but the storage unit DCM has relied on will not be available next year, leaving the future of the book fair in doubt. Every year, book lovers flock to the DCM Bookfair on Wellington's waterfront to grab an armful of bargains in support of vulnerably housed citizens. But unless a new storage venue is found, this year's event will be the last. Lee-Anne Duncan reports. It's catnip to bibliophiles, that smell. It's the bouquet of books, heavy with dust and knowledge, to be stacked and sorted, packed then transported to Wellington's Shed 6 for next Saturday's DCM Bookfair. This year is the 23rd time hundreds of volunteers have poured thousands of hours into collecting, sorting, boxing and setting out nearly 100,000 books for the country's biggest book fair. The event is also DCM's biggest single fundraiser. Formerly known as the Downtown Community Ministry, DCM works "at the serious end" of homelessness. Along with supporting people to find sustainable accommodation, DCM provides a variety of services to support vulnerable Wellingtonians. The organisation calls the people they work with "taumai", meaning "to settle", preferring it to the less personal "client". While DCM receives funds from local and central government to carry out some of its work, donations and fundraising events like this one are its lifeblood. If this book fair is as successful as those past, a near quarter century of book fairs will have collectively raised at least $2 million to fund DCM's work. "That's $2 million we haven't had to ask of central or local government agencies," says Stephanie McIntyre, DCM's director for the past 14 years. "The only reason we have been able to raise that money is through the generosity of Wellingtonians who donate their books, the people who buy them, and of course the volunteers who give their time to make it all happen." A fundraiser's success often comes down to those volunteers, especially for an event as large and complex as DCM's annual book fair. But this year's event might be its last, as the planned development of Shelly Bay means the Wellington City Council-owned warehouse used to store and sort donated books won't be available next year. "All this is absolutely at risk," says McIntyre. "We have had zero response trying to find another warehouse. We'd love to have another book fair as it's become such a classic Wellington thing and it's essential fundraising for us. Next year is our 50th birthday and it would be a great shame not to have a book fair in such an important year." DCM director Stephanie McIntyre. Many – if not most – of the fair's volunteers give their time year after year. A core group of about 30 helpers travel to the warehouse on Thursdays or Saturdays, or both, for generally five or six hours a day every week between April and August. There, wrapped up against the winter chill, they receive donations, sort the books into categories, then into subcategories, and sometimes even into micro-categories. "I've found quite a few books on grief. I'm hoping I can get enough together to make a section of its own," says long-time volunteer Wendy Nelson. "And I've got all these diet books. This year we seem to have a lot of paleo books." Spirited exchanges have been known to happen over categories. All Blacks Don't Cry by John Kirwan, for example: "Is that sport or mental health? I even found copy in Psychology earlier," says Nelson. If there's more than one copy – and often there is – the books can be allotted wherever book seekers may think to find it. A marine biologist, Nelson works full time as a principal scientist at Niwa but spends her Saturdays sorting. She's been involved in the book fair every year since the first, in 1996. "The then director, Helen Walch, said she'd had this great idea to hold a second-hand book fair as a fundraiser that would engage the volunteers and community. "I thought it sounded like a good idea – I like books, so why not get involved? DCM does such important work, and is such an important part of Wellington. Sometimes it's hard to know how to contribute, but this is a way for us to do our own small bit."  Volunteer Wendy Nelson, a marine biologist and book lover. Each year DCM supports about 1000 people who are experiencing homelessness or in danger of becoming homeless. But the work DCM does goes far beyond putting a roof over their heads. Every DCM day begins with a karakia and waiata. DCM kaimahi (staff) and their taumai gather to give thanks for the new day at 9am when the organisation's doors open in Te Aro's Lukes Lane. Social workers are on hand to talk to taumai to get to the heart of why they're experiencing homelessness. They support the person to access a benefit and manage their money, find and sustain housing, and connect to whānau and culture, health and other services. Statistics New Zealand defines homelessness as: "Living situations where people with no other options to acquire safe and secure housing are without shelter, in temporary accommodation, sharing accommodation with a household, or living in uninhabitable housing." Research by Otago School of Medicine in 2016 put the number of New Zealanders living this way at more than 40,000 people, nearly 1 per cent of our total population – the highest rate of homelessness in the OECD. It's difficult to accurately quantify homelessness. During this year's census, DCM staff worked with Statistics NZ staff to encourage and support people who were homeless to complete the census forms. "We explained that government funding decisions are made on census data, so filling out the census made sure they were counted," says McIntyre. DCM's own data vividly describes the increase in demand. Over the past five years, the number of people who are homeless that come to DCM for support has increased by more than a third. "Even more worrying, the number of people we see who are actually without shelter – so rough sleeping, or sleeping in cars – has more than doubled." McIntyre expects the number of people DCM supports to increase this year. "When you get a severe housing crisis, as we have now, it's the most vulnerable who are kicked to the end of the line. As housing gets harder for everyone it gets especially hard for these people, which makes our work even more necessary." In May, the Government announced $100 million to address homelessness – $37 million of that was allocated to find places by the end of this winter, with the rest spent over four years on the Housing First programme. While DCM will be at the forefront of delivering Housing First in Wellington, the organisation will continue to rely on volunteers and donations to pay for its core services. We visit four Saturdays from sale day. There's a stiff nor'wester whipping the waves a few metres from the warehouse. Out in the harbour, a rare southern right whale is leading the news. Te Amo Roberts, another volunteer and someone DCM has supported, reports he saw the whale on his way in. He stirs himself a coffee between breaking down cardboard boxes and helping with some of the "grunt work". Volunteer Te Amo Roberts received assistance from DCM in the past. Today, he's an important part of the book fair team. "There are some biscuits on the sideboard, Te Amo – Cameo Cremes," says McIntyre, who's holding a brief meeting with a small group of volunteers, a long, tightly written to-do list on her crossed knee. Cut sandwiches and fruit are boxed on the sideboard, along with those Cameo Cremes. Everyone knows a volunteer army sorts and packs on its stomach. Most of the fair's book-sorting volunteers stick to their areas of expertise – a retired anaesthetist is set to work deciding which medical books are still useful, and a war buff flicks through the military books. They determine which books will sell and for how much, which subjects are likely to be "in"' this year, and which – judging by the number of those donated – are on their way out. The volunteers' knowledge also means they're well-placed to spot a valuable book. Then, with the aid of local auction house expertise and internet bookseller searches, a price is applied and the book is included in the high-value stack. "We do get some amazing finds where people might not have realised they've gifted us an extraordinary treasure, but we have no way of reuniting it with its owner," says McIntyre, who, drawing on her own pre DCM music industry career knowledge, found a rare Beatles book some fairs back. "At the same time I'm sure we've had books we've sold for $2 that may have been worth hundreds. But you've got to be philosophical." A hand-drawn diagram of the Shed 6 book fair layout is pinned to the wall. Each table has a number assigned to a book category: children's, history, health, fiction (so much fiction), New Zealand, art, and so on. The more work done now, the better 100 or so volunteers on set-up day know exactly where everything fits. Taking too many books to fit a category's allocated section would lead to chaos – setting out 90,000 books is a precise science. "We've got a phenomenally good offering of children's books this year, so we've had to shuffle up some other things to accommodate that," says McIntyre, scrutinising the diagram. "The foreign languages are fine but the music is the big headache at the moment," says one volunteer, popping in to give McIntyre a quick update on her areas. The team is following a packing plan with scheduled revision points. According to the plan, by this day 75 per cent of books must be sorted, tallied and packed on pallets (each holding about 800 books) ready for transportation to Shed 6 at dawn the day before fair day. With clipboard in hand, Alexi Manouilenko is responsible for the tally. DCM stepped in when he needed support a couple of years ago, which led to him volunteering on fair day in 2016. "As well as wanting to give back to DCM, I'd been out of work for a while and people are reluctant to hire you when you don't have anything to explain your time off. I realised the best way to get back into work was to volunteer to show I could work. I already knew DCM so I volunteered for two years. That led to some paid work and now I have a full-time job with DCM."  Part of Manouilenko's job is to decide how many books in each category should go to the fair and use his maths skills to keep tabs on the packing. "I look at the previous two years to see how many books were taken in each category and how many were sold. From that I try to guess at what we should take this year, and I tell the volunteers how many boxes in each category to pack." This level of organisation is why DCM must close the book on donations four weeks out from the fair. Even on the last day, every few minutes book-toting donors poke their heads around the peeling-painted door. "I just want to drop some books," says a man, setting down his burden. "Thank you, mate," says McIntyre. "Come to the fair and buy a whole lot more, won't you?" Surely he will – book lovers only clear their shelves to fill them with new finds. While the DCM Bookfair is certainly about finding new homes for old books, it's also about raising funds to support marginalised Wellingtonians into homes of their own. Nelson remembers when the team was ecstatic to raise $15,000 – now the book fair raises around $100,000, which goes directly into funding DCM's work with people experiencing homelessness. It's that work, as well as their shared love of books, that motivates the volunteers. Volunteer Tamara Morton with stacks of books ready for the fair. Tamara Morton is a consulate advisor at the Ministry of Foreign Affairs and Trade, but spends her Saturday mornings in the warehouse's fiction section, estimating the book-buying public's appetite for Philippa Gregory and Dan Brown. "When I was living overseas, circumstances happened that I found myself looking for a place to live. It was short-lived and I've never been truly homeless, but I can't forget the anguish that came with thinking, 'What am I going to do? I've got nowhere to go.' To be able to help an organisation with the resources to address that is why I do this for DCM. "There's also the huge bonus of making connections with people you wouldn't meet in a lifetime of routine days. The people who work here come from all sorts of backgrounds and different stages of life. It's really cute to see the cheeky banter that goes on between a Millennial and a Baby Boomer. It's really delightful to be a part of that." Nelson is busy assessing travel guides (nothing published before 2010 goes on sale). "What I love about the book fair is that everyone's winning," she says. "The people off-loading their books feel they're going to a good place, the people who rock up to the book fair get fantastic bargains, and the people who volunteer get satisfaction from contributing to something. And it's about making connections into the community." Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. Feel free get in touch with us at DCM over the coming week if you have any questions about the Bookfair on (04) 384 7699 or events@dcm.org.nz Click Here to Donate Now! <!-- --> Copyright © 2018 DCM, All rights reserved. Want to change how you receive these emails? You can update your preferences or unsubscribe from this list
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    September 2020 Residents’ Association meeting minutes

    • 6 Oct 2020
    • Pukerua Bay Residents Association
    • Tuesday, September 8, 2020Pukerua Bay RSA, 5-7 Wairaka Road Present: Paul FitzGerald (Chair), Nikky Winchester (Secretary), Iain MacLean, Kate Dreaver, Pauline Morum, Jonathan Harker, Margaret Blair, Mel Galletly, Bill Jackson, Nathan Waddle (PCC), Josh Trlin (PCC)Community: Glenda Robb, Whetu Bennett ( WREMO), Moira Lawler, Sara Thomson, Pat Hanley, Alan Clarke, Gillian CandlerApologies: June Penhey, Jenny Brash (GWRC)Approval of previous minutes: moved Iain MacLean, seconded Kate Dreaver, none opposed, carried. Penguin survey Glenda Robb from the Kapiti Coast Biodiversity Project explained that they have received funding to do surveys on little blue penguins in Pukerua Bay. September to December is their nesting time. They use two methods: on sandy beaches, they look for footprints in the sand early in the morning; or they use a specially-trained dog to sniff them out (this is particularly good on non-sandy beaches). Leaflets will be circulated along Ocean Parade, Beach Road and Hanui Road in the next week. There is also a trapping programme along the beach to remove predators such as rats and stoats. The hope is that a large enough population will be found that a programme can be put in place to protect them and ideally increase their numbers over time. The survey will take place in the next few weeks (weather dependent). There are groups elsewhere in the country doing similar work to protect their local korora populations. Gillian pointed out that the dog walking area on the beach is right by where there are penguin nests. Glenda suggested it may be worth lobbying PCC to make it a dog-free area, though it is difficult to get such a status. It was noted that there is still an ongoing problem of enforcement, which is not helped by the fact that there are no signs on the beach asking people to keep dogs on the leash. Action: Iain to contact Brent Tandy at DOC re signage.Action: Glenda to circulate link to a webcam in a nesting box in Paekakariki.Action: Committee to circulate flyers to other parts of the village in October with the AGM notices. Porirua City Council update Nathan explained that the District Plan was activated and is now available for people to feed back on by 20 November. PCC is approaching each Residents Association in the city to invite responses. Josh is on the Climate Change working group, which is looking at updating their terms of reference. The group currently has representatives from each of the GWRC councils plus Mana Whenua. Two big changes are being proposed: bringing in an accountability mechanism to ensure action and follow through; and providing capacity to have Mana Whenua representatives from all six iwi in the region. He noted that PCC is also starting to organise workshops for consultation on the Long Term Plan. Wellington Regional Emergency Management Office (WREMO) Whetu Bennett is the WREMO community resilience adviser in Porirua. He congratulated Pukerua Bay for our village’s response to the Covid-19 lockdown. Whetu focuses on high priority areas in the city (Whitby and Waitangirua) but is available to answer questions and provide support. He can run workshops on planning and preparing for emergencies, as well as earthquake drills. He helps PCC identify areas that they can assist with, and currently he is looking to find a location in Pukerua Bay for a new 25,000 litre water tank. There are already community water tanks at the school and the library. In case of a civil emergency, the local WREMO operations centre is in Elsdon. Emergency Assistance Centres provide support such as a nurse and social worker. However, it is likely to take at least eight days to get those set up. In the meantime, Pukerua Bay would need to be self-sufficient. Kate explained that there is a need to refresh the Civil Defence plan for the village. Whetu is happy to work with a local team to update it and also to help run a workshop to introduce residents to the updated plan. WebsiteAction: Kate/Iain/Paul/Jon to discuss edit requirements for Covid-19 page.Action: Paul to put a tshirt in the noticeboard to encourage sales.Action: Iain to talk to Archway Books about selling tote bags. Financial 00 AccountExpenses: $164.06 Surfers’ Seat $159.28 Muzzy – T-shirtsIncome: $76.70 Teas, cakes, plants at Community Garden Open Day $0.64 Interest 25 AccountIncome: $0.14 Interest Correspondence A message was received from Annette on 27 August regarding composting at the community garden. Paul has since talked to her. Progress on action items Action: Bill/Jon to discuss options for cloud storage.Action: Jon to add the information about the 25 memorials around the village to the RA website once Margaret has collected the information.Action:Pauline/Iain/Kate to continue investigating options for organising an art auction in November/December.Action: Margaret to remove Brian Sullivan and Pauline Morse as signatories from the PKBRA bank account as they are no longer committee members.Action: Margaret/Nikky to discuss the process for adding Nikky to the list of signatories.Action: Iain/Paul to ask PCC to send their monthly updates to secretary@ and chair@ and remove all other names from their mailing list.Action: Jon to ask Dave Pepperell about posting information on the website about the Surfers Seat event.Action: Margaret to organise the seat plaque for Ernie Amey and Kath Fowler.Action: Iain to look for name of DOC contact person re the installation of new signage about keeping dogs on a lead at the beach.Action: Bill to investigate possibility of recycling computer equipment. E-Waste Services have recently moved to 1 Prosser Street, 04 564 5464. They accept anything with a plug that is electronic. You can drop off or they will pick up. They also recycle polystyrene. Projects update Muri Platform building The updated lease is sitting in the Kiwirail office in Wellington Station and can’t be accessed until we move into Level 1 lockdown. The opening went well. However, some work is still required to fit the panels accurately. The event was led by representatives from Ngāti Toa who did a significant blessing of the community garden as well as the building. Thanks to Jane Comben for the design work and to Ted Coates for mowing and tidying up along the platform. The community garden group offered hot drinks and sausages, and there was also storytelling. Action: Margaret to provide appropriate details on the event to Jon for website. Village Plan review Kate met with Justine from PCC. While PCC are keen to help with our village planning review; however, with the pause on capital funding and the pause on the village planning programme, it may be difficult to get financial support from them. The Village Plan team need to write a brief explanation of the purpose of the village plan, and how we intend to engage with the community in an ongoing way over the coming decades. The hope is to still get some funding from PCC for the survey, but the timing for launching the survey will be delayed. Community centre Action: Iain to talk to the Diocese about their intentions for St Mark’s building. Annual General Meeting Date: Thursday 22 October, 7.30-9pm at the Community and School Hall. The School Newsletter is going out on 24 September. Action: Paul to ask school to include AGM notice and kororā survey leaflet in newsletter. Programme Glenda – penguin surveyGillian – litter surveyPlimmerton Farm developer?Friends of Taupo Swamp?Village Planning survey There was some discussion about whether to organise a supper. This depends on the Lockdown level at the time, so a decision will need to be made nearer to the date of the meeting. Proposed amendments to Rules There was some discussion about whether the RA should actively be advocating for local businesses. It was suggested that the Village Planning survey include a question, and that the Rules may be reconsidered after the survey has been completed. The other proposed changes were discussed. Action: Paul/Nikky to rewrite and present via email for approval by the Committee so the amendments can be circulated to the community at least 14 days before the AGM. Other business Action: Committee to read through the draft Committee handbook and discuss in more detail at the October meeting. Meeting ended: 9.54pmNext meeting: 13 October 2020 Appendix: Village Planning update from PCC He Are Pukerua The uncovering of the latest heritage panels last Saturday at the former Muri Station Southbound was a great time for celebrating and sharing the history of railways in Pukerua Bay. The research and writing the team has undertaken (especially Ashley and Margaret Blair) is an outstanding commitment to bring this heritage to the community. The final installation within the available remaining village planning budget for this project will be the wide format heritage station along Centennial Highway, celebrating the construction of the road. The structure is now in place and just needs the panels fixed to the frame later in the year. Ara Harakeke shared pathway extension After the success of widening the footpath from the shops to the overbridge, NZTA have asked if PCC could consider widening the section from Haunui Road to SH1 near Ted Coates’ house with 100% funding. PCC’s construction partner Mills & Albert are currently costing the proposal. When the costed proposal has been received, it has to be submitted to NZTA for their internal processes to evaluate and decide if it is a suitable project for funding. PCC will let us know when the costing is submitted. Community food forest It was great to see the renovations now underway again following the COVID 19 lockdown on the former northbound Muri Station building. Please keep all receipts for the materials, as they need to be submitted to Council before 31December for accounting purposes. Pukerua Bay community hub initiatives This project – which focuses on creating opportunities for community connections – has an operational budget allocation of $4,750 to support initial research and a local programme of activities. PCC are looking forward to working on this initiative in a way that aligns with broader village planning objectives.
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    Pukerua Bay, Porirua, Porirua City, Wellington, New Zealand (OpenStreetMap)
  
  
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    Circa 2015 Season - jam-packed with theatre for all audiences!

    • 8 Dec 2014
    • Circa Theatre
    • Red Riding Hood, the PantomimeBy Roger HallSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson2-10 JanuaryCirca One What a big smile you’ll have …Don’t miss Circa’s fabulous Christmas panto! And this year Red Riding Hood is back with one of the great traditional stories – innocent Red Riding Hood, her poor, short sighted grandmother, and of course the handsome woodcutter and that villain of all villains, the Wolf!There’s lots of laughter, hilarious jokes and musical goodies in Red’s basket as she sets off on her journey to entertain young and old with this marvellous magical treat.“A great way to introduce kids to the magic of theatre, and Red Riding Hood is easily the ideal Christmas outing for the holdiays … a treat” – Salient“Roger Hall’s helter-skelter Red Riding Hood… is wonderfully exuberant seasonal fun” – The Dominion Post The Kitchen at the End of the WorldBy William ConnorDirected by Steffen Kreft16-25 JanuaryCirca Two “Something is coming. I don’t know what it is. And I don’t know if I should fight it or welcome it.” One snowy evening, an empty 83-room hotel on the edge of the Vastness receives a thin guest who has walked all the way from the City. Penniless, he is smuggled into the hotel kitchen where a kind cook works near an extraordinary thyme plant. He says that creativity is dying. Described as “intensely beautiful”, “provocative and moving”, The Kitchen at the End of the World is the story of marionettes who know they are limited by the extent of their strings – even kissing can tangle them – but they crave what lies beyond their reach. A story about home, the unknown, and the courage to face everything in between. The show captivated audiences at its sell-out debut season during the Greytown Festival 2012and is a powerful reminder that puppetry is not just a children's art form. SeedBy Elisabeth EastherDirected by Kerryn Palmer17 January – 14 FebruaryCirca One SEX & DRUGS, WITHOUT THE ROCK ‘N’ ROLL IVF isn’t foolproof and IUDs aren’t failsafe. iPhones come with ovulation apps and ‘choosing from the menu’ means selecting your sperm. Seed follows four women as they try to get pregnant, stay pregnant or become un-pregnant - the dilemmas of modern reproduction. Elisabeth Easther’s Seed is winner of the 2014 Adam New Zealand Play Award, which recognises and celebrates the best in new writing for the theatre. It’s a multi-narrative play about the mysterious business of fertility, with all of its challenges, heartaches and hormones. Seed is a drama that’ll have you laughing ‘til the tears are running down your face, and it’s a comedy that’ll make you cry. “Highly entertaining, funny and sophisticated” - Adam Play Award Judges “[A] sophisticated, witty and very contemporary meditation on the timeless processes of procreation.” - NZ Herald STARRING: Tess Jamieson-Karaha, Jamie McCaskill, Emily Regtien, Holly Shanahan and Amy Tarleton Warning: Adult themes and strong language. Demolition of the CenturyBased on the novel by Duncan SarkiesCreated by Duncan Sarkies and Sean O’Brien31 January – 21 FebruaryCirca Two Welcome to the world of Tom Spotswood, an insurance investigator who has lost his socks, his suitcase, his ex-wife and his son, Frank. Fresh from performances in the New Zealand Festival, Auckland Writers Festival, Tauranga Arts Festival and Nelson Arts Festival, Demolition of the Century sees author/performer Duncan Sarkies (Two Little Boys/Scarfies/Flight of the Conchords) stage a humorous and sometimes heartbreaking look at families, memories and the fragility of the human mind. He is accompanied by musician Joe Blossom, who plays a soundtrack that is both haunting and invigorating. “A series of brilliant vignettes, delivered in an inspired cabaret-style reading by the multi-talented Sarkies, and outstanding musician Joe Blossom… Blossom not only creates fluid and essential musical transitions, but his beautiful vocals, self-accompanied on piano and guitar, imbue this work with a powerful pathos that allow glimpses of the inner landscape of these characters. Demolitionis a fast-paced, darkly captivating cabaret-comedy, which leaves us fully entertained and tantalizingly close to solving a puzzle.” –Bay of Plenty Times Wake Up TomorrowPresented by Everybody Cool Lives HereIn association with ActiveDirected by Isobel MacKinnon21-28 FebruaryCirca One Welcome aboard Active Airlines! Join the eccentric passengers during this compelling, surreal and funny flight. Made under the guidance of Wellington theatre makers in collaboration with Active, a service for youth with an intellectual impairment, Wake Up Tomorrow was created from the minds of these incredible young people. Audiences will be transported from the mundane moments on a long haul flight to bizarre and hilarious scenarios.  Please fasten your seat belts, make sure you are in the upright position and enjoy the journey. We may or may not arrive at the expected destination. “In a work of this kind there is always a delicate balance to be held between presenting a polished product at the same time as allowing for a playful improvised quality to emerge that allows the actors to perform to their strengths. This was very evident in the final few scenes …” – Madeline McNamara Yep, Still Got It!By Jane Keller and Sandy BrewerDirected by Alan PalmerMusical Director Michael Nicholas Williams28 February – 21 MarchCirca Two YOUTH IS A GIFT OF NATURE, BUT AGE IS A WORK OF ART – Stanislaw Jerzy Lec Following the huge success of BOOMERS BEHAVING BADLY, Jane Keller returns with another hilarious show. A little older, a little wiser, a lot sassier, and even more confused. Whatever happened to the days when a cloud was a cloud, when face time was over a G&T, and we punctuated our sentences with full stops - not smiley faces? From senior sex and those pesky STDs to shopping sprees and colonoscopies, Jane shares stories of abject embarrassment, medical (mis)adventures, empowerment, and acceptance. In YEP, STILL GOT IT!  she embraces the power of an older woman with no FOMO. Together with the brilliant Michael Nicholas Williams on the piano Jane brings a brand-new show to Circa Two combining her special style of storytelling with her virtuoso Broadway voice. Capital E Kids FestivalCirca One CaterpillarsBy Kallo Collective Directed by Thomas MoncktonProduced by Show Pony7 March 10 am & 11.30am A tale of two puppeteers’ failed attempts at beautification. In the magical world of flitting butterflies, jumping eggs and giant swaying flowers, two lycra-clad puppeteers try their hardest to remain unseen and at service to their puppets: two enormous plump caterpillars. Caught in the wrong place at the wrong time, with nothing but their wits to cover up their escalating blunders, two appealingly hopeless clown puppeteers bring upbeat absurdity, slapstick silliness, and a good dose of reality to their hilarious and unpredictable antics. Beards! Beards! Beards!By Trick of the Light TheatreDirected by Hannah SmithWritten by Ralph McCubbin HowellProduced by Show Pony21 March 10am & 1pm Beatrix didn’t want a tiara. Beatrix wanted a BEARD! From Charles Darwin to Abraham Lincoln, Karl Marx to Mr Twit, it is said the secret to power and greatness is all in the size and shape of the beard. This is a tale of one young girl’s increasingly inventive efforts to grow the world’s most magnificent beard. Join a madcap and hilarious musical romp of physical comedy and clowning, as our plucky young heroine shakes up social rules and attempts to answer the questions that have puzzled mankind since the dawn of the beard. Suitable for  children 5+. The PianistBy Circo Aereo (Fin) and Thomas Monckton (NZ)In conjunction with Show Pony (NZ)Directed by Sanna Silvennoinen and Thomas Monckton7-22 MarchCirca One Direct from Edinburgh Fringe and the London Mime Festival, last year’s hit returns to Circa! “It would be no exaggeration to declare Thomas Monckton nothing short of a genius.” – Broadway Baby (UK) “I doubt very much that you’ll see, in fact I am prepared to bet on it, a funnier show this year…miss him at your peril”  – The Dominion Post (NZ) Fresh from a five-star reviewed season at the Edinburgh Festival Fringe and a sell-out season at Circa Two last year, award-winning performer Thomas Monckton returns with his smash hit The Pianist, this time at Circa One! The Pianist is a solo comic contemporary circus piece by Thomas Monckton (NZ) and Circo Aereo (Finland). The show is centered on, in, under, and around the magnificent grand piano. Accompanying this elegant apparatus is the poised pianist himself. Only he is so focused on impressing everyone that before he realises it, his show has transformed from the highbrow concert he hoped for, into a spectacularly amusing catastrophe. Suitable for all ages. The Mystery of Edwin DroodA musical by Rupert HolmesDirected by Lyndee-Jane Rutherford28 March – 25 AprilCirca One Who the Dickens did the deed? You decide! A non-stop ride of mystery, murder, and musical delight! Based on Charles Dickens’ final, unfinished novel, The Mystery of Edwin Drood is filled with clues, red herrings, villainy, and debauchery. Everyone on stage is a suspect – and it's up to you to decide how this mystery ends!Hot off Broadway, this Tony Award-winning theatrical genius is led by director Lyndee-Jane Rutherford (Midsummer (a play with songs)), who reunites with the artistic team that brought Grease and Mamma Mia to the Wellington stage. The cast includes beloved actor of stage, screen and radio, Lloyd Scott, and internationally renowned soprano, Barbara Graham (Christine, Phantom of the Opera). The Mystery of Edwin Drood boasts spectacular big dance numbers, rousing showtunes, stunning theatrics, magic, and illusions!  Tony Awards for Best Musical, Best Book, and Best Score“One of the most inventive, inspired and rousing musicals ever devised.”—AM New York“Infectious fun!”—Time Out New York “Bawdy fun!”—Associated Press “Sheer fun!”—The Wall Street Journal Two MortalsDirected by Geoff PinfieldPerformed by Rachael Dyson-McGregor & Mike McEvoyComposed by Beatrice Lewis1-18 AprilCirca Two 'A powerful theatrical experience suffused with humour, beauty and emotional intelligence' – The Melbourne AgeTwo Mortals is a delicate, poetic and humorous exploration of life, death and the moment in between. Composed word-for-word from interviews with people who live and work at the ends of life – morticians, cryogenicists, palliative care workers and ministers – Two Mortals weaves these true stories and experiences into a richly theatrical exploration of mortality. This uplifting work about one of our society's most taboo subjects was directed by Chapman Tripp Director of the Year Geoff Pinfield. Created and performed by Rachael Dyson-MacGregor and Mike McEvoy, Two Mortals sold out two critically-acclaimed seasons at Melbourne's La Mama Theatre. Improv for KidsBy The Improvisors7-18 AprilCirca Two Kids love theatre that’s interactive. So do the Improvisors. Kids (and their grown-ups) loved the 2014 season of Improv For Kids, so we’re bringing it back. It’s a great opportunity to introduce your kids to the world of live theatre. We may not have millions of dollars worth of computer-generated effects, but we do listen to kids and we make their ideas central to what happens on stage. In Improv For Kids, imagination is the best special effect of them all! Don JuanBased on Don Juan by MoliereCreated by A Slightly Isolated DogDirected by Leo Gene Peters25 April – 23 MayCirca Two World Premiere A sexy, fierce, raucous celebration.  Don Juan explodes with the energy of a music gig or a club.  It’s a cabaret.  It’s chaos.  It’s a furious adrenalized romp through the games of attraction and sexuality.  It’s the BEST… PARTY… EVER.  Five mad performers use a variety of theatrical forms and styles to bring an adaptation of Moliere’s classic play to life.  Loaded with pop songs and flirting, this imaginative work will continually intrigue, delight and surprise. While the bar keeps serving drinks.  All night long.   Created by A Slightly Isolated Dog, one of Wellington’s most innovative and exciting companies.  Critically acclaimed and award winning shows include:  Death and the Dreamlife of Elephants (2009, 2011), Perfectly Wasted (2012 - in partnership with Long Cloud Youth Theatre) and Settling (2007). A Servant to Two MastersBy Carlo GoldoniA new adaptation by Lee HallDirected by Ross Jolly2-30 MayCirca One NZ Premiere Love, passion and pandemonium Goldoni’s much-loved comic classic is a masterpiece starring a wily servant whose cheeky, inventive trickery gets the best of his masters, in a merry mix-up of mayhem and mistaken identity. Truffaldino, the scheming and perpetually hungry servant, concocts a zany scheme to double his wages (and his meals) by simultaneously serving two masters – the lovelorn Beatrice (disguised as a man) and her lost lover Florindo. Hilarity abounds In this sharp, new, rapid-fire adaptation by award winning dramatist Lee Hall (The Pitmen Painters, Billy Elliot).   A delicious, madcap Italian comedy of lovers, disguises, tricks, traps, mishaps and meatballs! “A sparkling, wonder filled new version by Lee Hall... An evening to cherish” – Daily Mail “A hugely enjoyable night out" – Covent Garden Life TheatresportsBy The Improvisors3 May – 14 JuneCirca Two Part of NZ International Comedy Festival The Improvisors are back at Circa with another season of this very popular show. Each night two teams of Improvisors take suggestions from the audience and spin them into short scenes, songs, poems or whatever else takes their fancy. Each show is completely different – what does stay the same is that Theatresportsis always a great night’s entertainment for the whole family. We don’t know what ideas you are going to throw at us – we do know that our kind of improv magic has been keeping audiences laughing over many years. Theatresports – putting the “make up” on stage. Second AfterlifeBy Ralph McCubbin HowellDirected by Kerryn Palmer29 May – 13 JuneCirca Two Return Season of the 2014 Young and Hungry sensation!Dan was an internet junkie – now he’s calling it quits. But in order to forge a new profile, he must face up to his online history and it’s not going down without a fight.When Dan finds himself sucked into the Second Afterlife – a dark underworld of the internet, a very real and dangerous landscape of broken memes, deleted pages, and the ghosts of profiles past. Second Afterlife is a dark comedy about life (and death) in the digital age. Inspired by Dante's Inferno, and in the tradition of Scott Pilgrim vs. the World, it is a twisted allegory for the Facebook generation – a poetic, ass-kicking romp to the darkest corners of the web. “Ralph McCubbin Howell cements his status as one of NZ's best young playwrights with Second Afterlife and director Kerryn Palmer, her designers and crew, and her exemplary cast of six do him proud.” - TheatreviewBy arrangement with Playmarket.Edge/Turning PageBroadway Star, ANGELICA PAGE“An actress of the highest possible voltage” – Wall Street JournalPerforming two shows, alternate nights, two weeks only6-20 JuneCirca One EDGE written by PAUL ALEXANDER Set in 1963 on the day of Sylvia Plath’s death, Edge presents the self-told story of the troubled poet and author of The Bell Jar, The Colossus, Ariel and the Pulitzer-Prize winning Collected Poems. “… a resurrected Sylvia Plath… the showcase of a lifetime” NEW YORK TIMESRETURNING TO OUR STAGE 10 YEARS AFTER ITS SENSATIONAL 2005 CIRCA SEASON TURNING PAGE written by ANGELICA PAGEGeraldine Page’s sparkling career earned her a record-breaking eight Academy Award nominations, an Oscar for Best Actress in 1986, and made her one of the most influential American artists of the 20th century. Turning Page is the triumphant and heartbreaking true story of one of the most celebrated actresses of all time, written and performed by the person who knew her best: her own daughter. “A privilege” Los Angeles Times Matariki Development FestivalPresented by Tawata Productions22 June – 4 JulyCirca TwoAn international indigenous playwrights’ festival boasting an enviable whakapapa of the very best of contemporary Maori & Pasifika theatre.  MDF 2015 features new writing by Natano Keni, James Nokise and Pikihuia Haenga. the beautiful onesWritten and Directed by Hone KoukeProduced by Tawata ProductionsMovement by Dolina Wehipeihana & Hone KoukaDesign by K*Saba, Tama Waipara, Johnson Witehira, Wai Mihinui, Jaimee Warda, Sopheak Seng, Laurie Dean 27 June – 11 JulyCirca One World Premiere A hyperreal digital love story.  the beautiful ones is a story of young love.  A promise Hana made to Ihia – a promise to return.  Will she return?  Will love triumph over temptation?  the beautiful ones bursts from the late night sheen of a city club.  Beautiful bodies & vital vocals.  Defiant dance moves and the meaning of love.  the beautiful ones features a dance floor for the audience to share the vibe.  From the company that brought you I, George Nepia, Sunset Road and TŪ. Warning: Contains Big Beats & Dance Music. The Ugly OneWritten by Marius von Mayenburg; translated by Maja ZadaDirected by Giles Burton11 July – 8 AugustCirca Two A scalpel sharp, absurd comic fantasy about beauty. Lette thinks he is normal, but when he discovers that he is, in fact, unbelievably ugly he turns to a plastic surgeon for help. Suddenly he is the most beautiful man in the world. Fame and riches follow; women want to sleep with him and men want to look like him. And with surgery they can look like him. Exactly like him. Received around the world to great acclaim, The Ugly One now receives its NZ premiere. With writer von Mayenburg’s star very much in the ascendant, this show is a must see.   "A stripped bare satire on the nature of beauty. If you are interested in theatrical story-telling see this show." – The Times (UK) “Savage social satire … A small but perfectly formed play” – The Guardian (UK) “The concept is simple but the philosophical implications are profound: What if money could buy the perfect face? It’s The Elephant Manmeets The Matrix” – Post City (Toronto) The Hound of the BaskervillesBy Arthur Conan DoyleAdapted for the stage by Clive FrancisDirected by Ross Jolly25 July – 29 AugustCirca One Sherlock Holmes vs the Powers of Evil A bloodcurdling howl is heard across a cold, moonlit moor; the horrifying, spectral hound has claimed another victim … When Sir Charles Baskerville is found dead on his remote estate, in eerie, seemingly supernatural circumstances, Sherlock Holmes, the legendary, world-famous detective and his assistant, the ever-reliable Dr Watson are called upon to unravel the extraordinary mystery of The Hound of the Baskervilles. Sir Arthur Conan Doyle's most famous and most popular story, in an exhilarating adaptation by Clive Francis (Our Man in Havana), sees four actors playing all the parts in this gripping, classic tale of terror. A thrilling, ripping good night of fun, drama and suspense! “A cracking good yarn … Excellent ... Highly enjoyable." - Daily Telegraph "Chillingly atmospheric... this fun show will really thrill. " - The Observer Downton AdlibBy The Improvisors2 August – 27 SeptemberCirca Two Quality costume drama – only funnier. An aristocratic English family and their servants face the challenges of life in the early twentieth century. A cast of Wellington’s top improv comedians face the challenge of making up a brand new episode every night. We supply the characters, you supply the key plot ingredients and the result is costume drama as you’ve never seen it before. Love, laughter, passion and a wide range of hats! The Travelling SquirrelBy Robert LordDirected by Susan Wilson5 September – 3 OctoberCirca One NZ Premiere “We that live to please must please to live” – Dr Samuel Johnson From Robert Lord, the author of the award-winning and much loved Joyful & Triumphant, comes The Travelling Squirrel, a romp through the fickle nature of the entertainment industry. Protagonist Bart compares his struggles as a writer to those of Roger the squirrel, a misunderstood painter. Hilarious and packed with larger-than-life characters, this play is a testament to Lord’s ability to write brilliant comedy.  A satire tempered with deep affection, The Travelling Squirrel depicts a dangerous world in which fame and fortune are always temptingly just around the corner “This is surely one of Lord’s funniest plays, just as it is one of the most moving”   – Philip Mann “For two decades, Robert Lord’s plays astonished and entertained theatre audiences with their sharp satire and flamboyant farce.”  - David O’Donnell The BookbinderWritten by Ralph McCubbin HowellDirected by Hannah SmithPresented by Trick of the Light Theatre25 September – 10 OctoberCirca TwoThey say you can get lost in a good book. But it's worse to get lost in a bad one... From award-winning company Trick of the Light Theatre (The Road That Wasn’t There) comes a story of mystery, magic and mayhem. The Bookbinder weaves shadowplay, paper art, puppetry, and music into an original dark fairytale in the vein of Coraline and Jonathon Strange and Mr Norrell. An inventive one-man performance for curious children and adventurous adults... suitable for children 8+. Best Theatre and Best in the Fringe - NZ Fringe 2014 International Excellence Award - Sydney Fringe 2014 "Spell-binding storytelling at its purest and best..." - Theatreview"Absorbing and imaginative… a small gem of theatre" - The Dominion Post "Tuned to perfection... Bookworms of all stripes and ages will adore it."- The Age, Melbourne For more information visit www.trickofthelight.co.nz GiftedBy Patrick EvansBased on the novel of the same nameDirected by Conrad Newport10-31 OctoberCirca One It is 1955 and beyond the famous hedge something magic is about to happen. In his beloved garden the “Father of the Nations Fiction” Frank Sargeson is waiting for his old mate Harry to turn up. Instead, he encounters a young woman fresh from a mental institution. Her name is Janet Frame. Their world is about to change forever. From the director of Rita and Douglas comes this very funny and profoundly moving story. Touring the Arts Festivals in 2013 to incredible reviews and widespread acclaim it’s now Wellington’s chance to experience this celebrated New Zealand production. “Like an exquisite work of art, the play Gifted is honed to near perfection … go and see this gorgeous production.” – Taranaki “Superb performances by all … it is thrilling … it makes for astonishingly joyful, mischievous theatre.” – Dunedin “Sheer quality” – Christchurch Adventures in PianolandWritten and performed by JAN PRESTONDirected by GAYLENE PRESTON15-17 OctoberCirca Two How I learned to stop worrying and love the piano The irrepressible Jan Preston comes clean on her longstanding and sometimes bumpy road to piano stardom. Jan will spin yarns from dives in Soho to the concert halls of Europe, to stealing a piano in broad daylight from the 1860s Bar in Lambton Quay. She will accompany herself, of course, on Circa Theatres' lovingly cared for piano.  You will hear Chopsticks as you have never heard it, with Jan's original songs and compositions providing perfect counterpoint to her story. AcheBy Pip HallDirected by Lyndee-Jane Rutherford24 October – 21 NovemberCirca Two Fate, chance and rooftop romance.  Ache is a fateful comedy about two thirty-somethings trying to find their way through modern love, materialism and the Wellington dating-drought. At a time when we are promised happiness with the swipe of a card or the swig of a bottle, true joy and connection seems almost impossible. At crossroads and rooftop gardens, fate decides to surprise them. At last, connection, chemistry, charisma. He’s perfect, she’s gorgeous. Only timing’s not as kind – he’s taken. Is it just not meant to be or will she push timing aside and take fate into her own hands?   Achingly-funny and heart-breakingly sad, Ache is a modern story of love, timing and seizing the day.Don’t miss this WELLINGTON PREMIERE, finally on our stage after its SOLD-OUT season at Christchurch’s Court Theatre. All Our SonsBy Witi IhimaeraPresented by Taki Rua5-14 NovemberCirca One World Premiere Courage and loyalty is tested in this new play by Witi Ihimaera “Once they fought each other, now shoulder to shoulder they fight together” Two generations go to war while a third fights a battle to keep her family at home. Waru Mataira and his two sons Tai and Rangi volunteer to represent the Maori iwi of Mataira Mountain in the New Zealand Native Contingent to Gallipoli. Under the guidance of their Pakeha leader Alec Campbell, they join the battle on the western front as part of the newly titled Pioneer Battalion where their courage is tested and so too are their loyalties. Taki Rua Productions presents the World Premiere of All Our Sons, a ground-breaking play by Witi Ihimaera. Roger Hall’s Robin Hood, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson21 November – 20 DecemberCirca One There he is! Oh no he isn’t. Oh, yes he is!! With loaded bow behind a treeYou never know where he will beHe moves like velvet, sleek and svelteAround the Wellington town belt His eye is quick, his aim is sureHe robs the rich to feed the poorHe’s always on the side of goodThe hero known as Robin Hood He lies in wait for those who ownA big estate and second homeFor millionaires who don’t pay tax  For bankers who don’t watch their backs You’ll see them suffer their defeatIn Circa’s brand new summer treatA pantomime for one and allIt’s Robin Hood by Roger Hall “fabulously fast and furious ... A treat”  - Capital Times “ACTION-PACKED… TONS OF FUN FOR YOUNG AND OLD!”  - The Dominion Post A Child’s Christmas in Wales (and other memories of childhood)By Dylan ThomasDramatised and performed by Ray Henwood28 November – 20 DecemberCirca Two What has been described as one of the most magical of Christmas stories is brought to the stage by Ray Henwood. It is rounded out by other memories of childhood, first presented by Dylan Thomas in one of his regular talks on the BBC Welsh Home Service. Thomas had a very happy childhood and so many of his young experiences resonate still with us today.The town of Swansea which is the locale of his stories had changed little by the time Ray was growing up. While Dylan lived in more salubrious surroundings, Ray was a “Sandfields” boy referred to by Dylan- and played in many of the areas described in the stories. It is a truly timeless tale and family celebrations have changed little, even in countries that celebrate a summer Christmas. Dylan’s work brings back memories that resonate so well with young and old. it is a true celebration of our experiences growing up. www.circa.co.nz
    • Accepted from drama* on the waterfront posts 132 months ago
    • Tagged as:
    • tawa
    • town-belt
    • snow
    • matariki

    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Maranui newsletter february 2023

    • 28 Feb 2023
    • Maranui Surf Life Saving Club
    • 96 MARANUI NEWSLETTER FEBRUARY 2023 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. KIA ORA Tomorrow will be the first day of the start of autumn, let's hope summery conditions will linger. The season may be coming to an end but Lifeguard Sport Team (Seniors) and the IRB Team (Inflatable Rescue Boat) still have competitions coming up.  We still need a First Aid Officer, so if this sounds like you please get in touch with Carrie - redmanatee@gmail.com Sadly our last Junior Surf session for the season is Sunday 19 March. Make sure you don't miss this. It will be loads of FUN! Ngā mihi. <!-- --> OCEANS'23 - FESTIVAL OF JUNIOR SURF LIFESAVING It's a wrap! 16 athletes competed at this Surf Lifesaving Sport Competition extravaganza at Mt Maunganui, Thursday 23 February - Sunday 26 February (four action-packed days). Our Maranui athletes trained incredibly hard all season to compete against other athletes from all over New Zealand at this event!   This event is an iconic Surf Life Saving New Zealand (SLSNZ) tradition which encapsulates the joy, excitement and skill involved in Surf Lifesaving, as well as providing a chance for kids U11-U14 to test their mettle in a safe surf environment. Highlights from the action at Oceans'23 will feature in next month's newsletter.   <!-- --> U11 boys at Capital Coast Junior Championships JUNIOR SURF What a month. We have had some amazing sessions back at the beach. February kicked off with a very successful Cap Coast Champs where we had several overall age grade winners. U13 Female Rosie Dunn (Silver) & Isabella Bethall (Gold),  U12 Male Isaac Goodwin (Gold) & Noah Isaia (Bronze), U11 Male Eddie Dunn (Silver), U9 Female Mille Isaia & Zhana Condliffe (Bronze). Thanks to our officials Anne Ferriss, Jeff Warburton, Ben Barry and newbies Ben Gleisner & Alex Dalzell!! Our nippers sessions have been well attended and even had a few waves to play in. Great to see new coaches stepping up, next season looks exciting!  Our board development skills sessions have continued when able and it’s great to see kids developing key skills and having fun… anyone with 200m badge wanting to gain experience on boards welcome! We had a team of 16 athletes attend Oceans'23 Festival of Junior Surf lifesaving over 4 days of fun, surf and personal success. They did all the Mahi and got to have fun, race and achieve personal goals! You made us all proud! 2023/24 season jumps to mind now for me… ALL current 10/11/12/13 members, how much do you live this sport? Do you want more time developing skills and even join us up here in the Mount next year?? If you think you do, please reach out to any of the coaches or myself over the next few weeks…. We want to grow more lifeguards and more amazing youth experienced in being amazing in our surf!  Lucy Barry Director Junior Surf Development Athletes at Capital Coast Junior Championships <!-- --> MARANUI IRB RACE TEAM QUIZ NIGHT More than 100 family and friends of our fabulous Maranui IRB race team got together on February 12 for a quiz night fundraiser at Brooklyn's 1852 Pub and Kitchen. It's the first time we've held a quiz at 1852 and, thanks to our wonderful host Jono and our amazing athletes and their families, the night proved hugely successful. To help our five IRB race teams with costs to upcoming events, including southerns, northerns and nationals, we've managed to raise almost $3000. As they say, it takes a village!  <!-- --> FIRST AID OFFICER WANTED After 6 years in the role I am stepping down.  I will do a proper hand over and provide support in the transition. If you are interested please contact Carrie - redmanatee@gmail.com Look forward to hearing from you, Carrie Matson Speirs <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347. SUBS & DONATIONS Calling all members - please ensure your subs and any outstanding fees/costs have been paid. Life Members & Associates (parents/caregivers) please don't forget to support Maranui by giving a donation. Thank you for your support.   <!-- --> KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 inc GST Branded Maranui 300gsm fleece lining 3000mm water resistant shell Knee length Fleece lined hood Super toastie warm for Wellington weather or between races. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com JUNIOR SURF - SUNDAY 19 MARCH Sunday 19 March is our last Junior Surf (Nippers) session for the season. We will be running fun races: Certificates for all registered Junior Surf members FUN activities Lolly scramble BBQ / Shared Lunch  Don't miss this - we would love to have a big turnout for the last session of the season. It will be loads of FUN. <!-- --> THE MARANUI WAY Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. VISION: One of New Zealand's premier surf lifesaving clubs providing world class surf lifesaving services and developing leaders and champions. PURPOSE: Provide our community a safe surf and beach environment. OUR CORE VALUES: Community, Excellence, Fun, Respect, and Tradition. <!-- --> OCEANS '23 FESTIVAL OF JUNIOR SURF LIFESAVING   Photos Courtesy Jamie Troughton Dscribe Media Services <!-- --> SEASON CALENDAR 2023 2023 TSB NZ Surf Life Saving Champs (Seniors) - Thursday 9 - Sunday 12 March, New Brighton Beach Last Junior Surf Sunday session for the season - Sunday 19 March 2023 BP Surf Rescue North Island Championships (IRB) - Saturday 25 - Sunday 26 March, Waipu Cove 2023 BP Surf Rescue New Zealand Championships (IRB) - Saturday 15 - Sunday 16 April, Whangamata Beach Easter - Friday 7 April to Monday 10 April 2023 School Holidays - Friday 7 April to Tuesday 25 April 2023  ANZAC Day - Tuesday 25 April 2023 Awards of Excellence / Prize giving (All Club Members) - Sunday 7 May 2023 SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2023 Maranui SLSC, All rights reserved. Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from Maranui Surf Life Saving Club newsletters 30 months ago by tonytw1
    • Tagged as:
    • brooklyn

    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  

• • July Update from DCM - Together We Can End Homelessness

    • 1 Aug 2019
    • Downtown Community Ministry
    • 96 July Update from DCM - Together We Can End Homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Arthur...one year on Arthur is one of DCM’s many success stories. Remember his story - which you all enjoyed so much? Arthur was delighted to have his own whare after months of being without shelter. He was housed in Naenae, and despite some reservations about living outside central Wellington, he now describes it as “Like being in the country.” DCM’s support extended beyond getting Arthur into his own whare. He was supported through the DCM Dental Service to get a new set of teeth, and DCM’s volunteer audiologist treated him so he was able to hear much better. “DCM helped me with pretty much everything,” Arthur says. “They gave me food parcels, supported me to get my license back and got a copy of my birth certificate.” Another important support DCM was able to offer was to visit Arthur in his whare to make sure everything was going OK. Arthur has now been housed for a full year, and on his one year anniversary DCM staff dropped by with a gift and a card signed by the whole team. We are so proud of the progress he has made. “My whare is going well. I’ve been able to connect with my daughter and grand kids, and have met some new friends. I get along with my neighbours too – on both sides.” Arthur still comes in to Wellington from time to time, but he calls Naenae home, and he's proud to play a part in his community. As Arthur says, “Everything is better having your own place!” <!-- --> Support DCM at our 24th annual Bookfair DCM's iconic annual Bookfair will be held on Saturday 17 August, Shed 6, 8am-6pm. This will be our 24th fundraising Bookfair. Over the years Wellingtonians have spent well over $2 million buying books – money that goes straight to funding DCM’s work with people who are experiencing homelessness or at risk of homelessness. Preparations for the Bookfair start just after Easter each year. That’s when a small army of volunteers begins sorting, pricing and boxing books. Wellington has been generous to us this year, and we look forward to offering some 70,000 books at this year's Bookfair. To get the word out we rely on a team of 'publicity blitz' volunteers, and you will have hopefully seen our DCM Bookfair flyers, posters and signs up all around Wellington. It is not too late to help us get the word out - please drop by DCM one week day to pick up some flyers and posters for your community, school or workplace. You can also help us online. Join our Facebook event where we are featuring a 'Category of the Week'. And DCM is now on Instagram - follow us @dcm_wellington and look out for our 'Book of the Day'. <!-- --> Help us celebrate our 50th birthday In September DCM will be celebrating our 50th birthday with a photo exhibition, highlighting the amazing support you, the people of Wellington, provide us with. Please mark the dates in your diary and plan to be involved. Because together we can end homelessness in our city! <!-- --> Donating time, not sandwiches This article by Lee-Anne Duncan appeared in the July edition of North & South. Photo (above) by Victoria Birkinshaw. At DCM, every day begins with waiata and karakia. Outside the red double doors, a couple of dozen people stand in a circle, holding the lyrics on printouts, as a guitar-playing DCM social worker leads the singing. Half the singers are DCM staff, along with the day’s dentist and dental assistant, an ophthalmologist, and a Wellington City Council Local Host, there to check in about a newly arrived rough sleeper. Completing the circle are what DCM calls “taumai” – meaning ‘to settle’ – the people most organisations more clinically call “service users”. But there’s nothing clinical about the services DCM provides. When it first opened its doors back in 1969, then known as the Inner City Ministry, later becoming Downtown Community Ministry, DCM’s mission was clear – to “focus on the needs of, and help to empower, those marginalised in the city”. An ever-increasing squeeze on housing means that's more acute than ever, as DCM marks its 50th year.  The singing over, the karakia delivered, the taumai climb the stairs to Te Hāpai, meaning to lift up, a place where they can have a hot drink, some donated food, and kōrero with other taumai and DCM’s social workers. They’re genuinely welcome. “This is where people come seeking support, connection and community,” says DCM’s director of 15 years, Stephanie McIntyre. “We do all we can to give them a voice, to be heard, to be lifted up. But it is about so much more than this.” Where the instinct to help those experiencing homelessness is to hand out food, blankets, clothes – all temporary comforts – DCM is focused on dealing with the underlying causes. “More than 1200 taumai come through our doors each year. Of those, some 275 are without shelter, sleeping rough,” says McIntyre. “We focus on getting them into housing as a first step. That done, for all our taumai, we support them to sustain their tenancies and we set out on a journey together to greater wellbeing.” About half DCM’s services are backed by government or Wellington City Council funding, including an outreach programme, where social workers visit those rough sleeping or begging, ensuring they’re connected to social services and encouraging them into DCM. The other half comes from donations and fundraising, undertaken by Wellingtonians generous with their money and their time.  In Shelly Bay, a legion of volunteers is counting and sorting books ready for the upcoming DCM Bookfair (17 August), DCM’s major annual fundraiser. Many have given their time year after year. Around the city, volunteer photographers are capturing images for a photo exhibition to mark DCM’s 50th birthday this September. Back at DCM, in one of the organisation’s two treatment rooms, Paul, a retired ophthalmologist, is helping taumai see properly. “Sometimes with a few minutes of Paul’s time and a $5 pair of Warehouse glasses, our taumai leave able to see again. How amazing is that?” asks McIntyre. When Paul is not there, Jeff, a neighbouring physiotherapist, donates his time to ease the aches of sleeping rough, and Lisa, an audiologist, tests hearing, cleans ears and fits donated hearing aids. They’re all life-changing services offered gratis by skilled professionals, but potentially the most impactful is the relief dispensed by DCM’s Dental Service, with the backing of the Wellington branch of the New Zealand Dental Association. Dental Assistant Emily Kremmer gives five hours of her time once a week, despite working full time for a periodontist and studying for a communications degree. “It’s so humbling and rewarding to volunteer here. You take away their pain and get so much gratitude in return. One man we worked on the other day said, ‘I’m a new man, I feel fantastic’. I am really busy but I’ve no plans to stop volunteering. I learn so much working here.” “We have adopted the tagline ‘Together, we can end homelessness in Wellington’,” says McIntyre. “For our 50th anniversary we’re emphasising the ‘together’ part. Donating time or money is an effective way to help end homelessness.  It’s certainly a more effective way to be part of the solution than by handing over a sandwich.” <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in books, how to respond to homelessness, photography and just generally people who are passionate about Wellington. Because together we CAN end homelessness in our city. <!-- --> Read More Success Stories Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2019 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 76 months ago by tonytw1
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• • 

    October Messenger

    • 7 Nov 2022
    • St John's in the City
    • RASING THE STANDARD OF GIVING <figure class=" sqs-block-image-figure intrinsic " > ‘Raising the standard of giving’ – describes the thoughtful re-examination of our giving as an important expression for our faith.  We give meaningfully, not because the Church needs it (it does, of course) but because as Christians we need to give it for our own sake spiritually. Our giving connected to our:  Discipleship Shared mission and vision Expression of generosity in proportion to our means. Together we are encouraging one another to think about our values, to examine or re-examine our giving habits accordingly, to make carefully thought-out decisions, and to re-arrange our priorities in using money to enable us to carry out these decisions.  Money is a real responsibility. The more we have of it, the greater our responsibility. The place we give it in our lives, the purposes to which we put it, are very relevant to our Christian life.   Our attitude to money and possessions provides a practical test of our love of God and for others. Often our money may be taken as a yardstick measuring the value we put upon our beliefs. Our attitudes to money, the place we give it in our lives, provide a telling clue to our Christian character.  What is ‘token giving’? Giving is not primarily token by the size of the gift, but by its relationship to the financial means of the giver and how it relates to her/his intention in making it.  What about ‘sacrificial giving’? Graham Redding recently wrote:  “Has the concept of sacrificial giving had its day? For as long as people deem the act of giving to be an integral part of their sense of vocation, then the answer to that question must be no. What is freely and abundantly given, even at a sacrificial level, can be a joy, not a burden.”1  Sacrificial giving is best understood as generous enough to involve substantial cost, and so has real meaning to the giver. It brings to the giver a sense of fulfilment - of responsibilities faced and met. It comes only after careful thought, realisation of the issues involved, prayer and the planning that makes such a gift practicable. It makes a significant impression on the giver’s spiritual life because it brings into sharp focus the importance of spiritual values in life.  So, as we move forward on the journey of faith together, let us re-examination our giving as we put our faith into action every day.  [1] ‘Time to talk about responsible rather than sacrificial giving?’ Graham Redding, Otago Daily Times, 29th April 2022. https://www.odt.co.nz/opinion/time-talk-about-responsible-rather-sacrificial-giving LUMINARY Luminary is a sculptural installation by artist Auckland Karen Sewell which was installed in St John’s chapel from 29 July to 7 August this year, having earlier been shown as part of the collateral projects programme of the Venice Biennale 2022 in Italy and in Auckland, Dunedin and Christchurch. It explored the metaphor of light and light giving bodies and was an effort to revive the long-standing tradition of placing art in churches, in this case with contemporary art. It involved a large sphere illuminated in white and gold light high in the ceiling of the chapel, accompanied by a display of lumen prints, showing another aspect of light.  We saw it as more than that. While providing an opportunity for people to reflect on creation and light, it was also an opportunity for St John’s to connect with the wider community and tell people about our own historic building, with its own art works of high interest such as our stained-glass window of the Good Samaritan on our north wall or Christ’s last supper, shown in the chapel. It worked well. With support from the Congregation contributing to expenses and volunteers helping to open Church, more than 300 people saw the work, including more than 200 from beyond the Congregation. Some stayed for up to half an hour and engaged well about St Johns and what we do on site. A good range of people showed interest, including many students and younger people, some who just wanted to see inside the Church which is normally not open. The sale of Karen Sewell’s donated artworks raised $207 for DCM’s work with the homeless too.   A big thank you to all who helped, including to show us some other ways to connect with our community, as we want to fulfil our vision for St John’s.   See the video production of the installation at St John’s in the city https://www.luminaryvenice.com/luminary-wellington-video  See more at www.luminaryvenice.com  David Galt  <figure class=" sqs-block-image-figure intrinsic " > CHURCH CAMP 2022 This month saw our church whānau join together at Forest Lakes campground for Church Camp 2022. We were treated to lovely spring weather, a plethora of activities, and meaningful worship sessions all packed into just 2 nights! <figure class=" sqs-block-image-figure intrinsic " > Arriving on Friday night, we quickly stowed our things in our cabins, then started camp right with icebreaker games, and a session in the chapel. We got to sing along with the combined worship band and hear more about our theme of “Journeying together”. It felt apt knowing that not only had we all journeyed to Otaki to be together, but we’ve all been on our own journeys through COVID and a rapidly changing world. Games and movies and supper sufficiently tired us all out ready for what we hoped would be a good nights’ sleep in cold cabins. Saturday dawned bright and the whole day stretched before us. After breakfast it was time to welcome our day campers and get stuck into more worship. Truly, guitars and clapping and singing - such a great way to wake up! Then came a life auction; working together in multi-generational teams and trying to build a meaningful life on a (imaginary) budget created rich conversations for sure. Being a part of a ‘poorer’ group really did make our group focus on just a few, top priority qualities that make a huge difference to a good life. Digesting this while hearing more stories of people on a journey brought home how lucky we are, and how we can keep going towards more. Free time in the sun followed our time together, with kayaking, golfing, archery and more. Kids entertained and happy campers mingling together and chatting through life with smiles beaming. <figure class=" sqs-block-image-figure intrinsic " > After more games and then dinner, it was time for the long-awaited camp concert. What talent our church whānau possesses! From dancing to singing to karate to hose trumpets, it all ended with a blow out youth band jam session. What do you do when you’re alone in an elevator?? And of course, camp wouldn’t be complete without the bonfire. We saw roaring flames, gooey marshmallows, and warmth all on a beautifully still night. A perfect chance to be real, and engage with one another. <figure class=" sqs-block-image-figure intrinsic " > Sunday morning worship and we tied together our journeying theme of the weekend. All tied together like a fairy tale.Church camp had been just another casualty of the COVID cancellation era last year, and it was fantastic that we got to pick it up and revive it for this year. It seemed extra rewarding that it came following a big time of post-pandemic change and busy-ness in our lives. A huge thanks to the team of volunteers who helped plan and organise to get it going, and to all those that helped while we were there to keep things running smoothly for us all. God is definitely close when we’re moving towards Him together. Amanda Fitch A FUTURE IN THE CITY In 1853 St John’s was surrounded by paddocks, on the fringe of a new settlement town. Down the road was Te Aro Pa, and in and around Dixon St were ramshackle shanty buildings and an abattoir. Muddy roads, typhoid outbreaks and a British immigrant population were seeking a new beginning having bought land from the unscrupulous NZ Company. Meanwhile Tangata Whenua hailing from Taranaki Whanui and Te Ati Awa were slowly being disenfranchised from their land. The history of Wellington’s settlement is far from pretty. By 1893 women had the vote and there was a strong movement for social improvement. As expressed in the NZ Presbyterian magazine the ‘Christian Outlook’, the place of cities, their influence, the call to be a part of the social fabric and be Christ ‘where you are’ was strong. To ‘Make that one corner, room, house, office as like heaven as you can.’… to “Beautify it, ventilate it, drain it.’… Educate it, Amuse it, Church it. Christianise capital; dignify labour.’’ In 1895, the church was calling members to get involved in the nitty gritty and dirty parts of life, to use their capital for good. To be involved in the hard stuff, to engage in social issues and matters of justice. Not to sit back and watch, but to “Join councils and committees. Provide for the poor, the sick, and the widow. So will you serve the city." This is the whakapapa of St Johns – In the City. Fast forward to 2022. 169 years later we are asking ourselves once again, what does it mean to be part of the City? How do we be Christ’s hands and feet amongst the high-rises, the apartments, and the shadows of the City where loneliness is common? How do we provide a place of restoration in a world of hard tarmac and where open spaces are rare? How do we meaningfully share the knowledge of a loving, hope-filled God to a understandably cynical generation, who have heard more about the damage meted out by religious authority, and never had firsthand experience of the church as a loving, accepting and generous community? This is what we have been grappling with for the last year. We’ve been asking ourselves what is our future? Who do we need to be for a new generation? How do we demonstrate Christ’s message of love, hope and create a place where people feel they belong and can find respite, in order to recharge for whatever life throws at them?After much deliberation, prayerful, presbyterian debate and discussion, we agreed the following statement captured our Vision for the future:We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. <figure class=" sqs-block-image-figure intrinsic " > The Pohutukawa tree represents our community, our hopes and aspirations – with strong roots in God’s love building faith together, a trunk with many strands that is a place of acceptance and belonging, reaching out our branches in many diverse ways to connect with the dynamic community that surrounds our site and explore the Gospel together.Quickly moving onto Actions, we have tried to put legs on good intentions, and turn theory into practical actions providing a renewed sense of community purpose post-COVID. An interactive workshop where members got a chance to choose a project team they wanted to participate in kicked off this stage. Site and Space TeamChristmas in the Courtyard - a celebration with food, music and carols    Friday 9 DecemberContact Rob Anderson or Judi Ferguson , Phone: 021 239 1702    Community Rebuild Supporting Attendance at Church Camp and Talent Show. 20 older congregation members came to church camp for the day! Awesome job team!!  Whānau Night ExtensionYouth Lead Code Breaker Night, 20 November 2022 – Come along! Vision Communication and ConnectionsImproving Signage and Billboards, Contact: Elizabeth Gibbs. This group has met and made plans. Now…full steam ahead! Getting to Know our Neighbours / Understanding Our Eco System/CommunityParticipating in Wellington Heritage Week (with our Open Day on 5 November), connecting with local property developers to understand future populations.  Contact: Pamela Cohen  Phone:  027 440 1838 Fiona Purchas NOTABLE MENTIONS New MembersAnjali George, Robyn Albertson Pearse Lane for receiving the Chief Scout Award, as well as a Karori Youth Award and MVP for his Football season with Wellington College. Alice Carter won Hutt singing competition and sang in the national Memorial Service for QEII Leon Scohpa (Son of Richard Hpa and Chantelle Scoon) for his Baptism. Bhanu Pancha for her Baptism
    • Accepted from News - St John's in the City Presbyterian Church 37 months ago by feedreader
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Maranui slsc newsletter march/april 2023

    • 28 Apr 2023
    • Maranui Surf Life Saving Club
    • 96 MARANUI SLSC NEWSLETTER MARCH/APRIL 2023 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. 2023 BP Surf Rescue North Island IRB Championships IRB Team: L-R Bruno Joli, Oskar Wickens, Kano Hill, Joe Barry, Max Reynolds, John Tuia, Lucan Speirs, Ben Wickens, Tom Warburton. Kia ora e te whānau, Thank you to ALL our amazing clubbies for another epic season. Amazing work everyone.  Well Done to all our amazing tamariki and rangatahi who have given it a go, learnt new skills, grown in confidence, developed, shown leadership, achieved outstanding results, personal bests and had FUN!  Awesome work Maranui athletes. A HUGE THANKS to all the athletes, awesome coaches, parents who got in the water, managers, lifeguards, officials, IRB drivers & crew, age group managers, BBQ crew, helpers, event crew, towing the trailers, parents, supporters, sign-in crew, maranui whānau, supporters, sponsors, admin staff and board members for making it such a fantastic and awesome season.   Shout out to all those who became lifeguards and officials. We couldn’t have done it without you. Big thanks!   Nothing short of magnificent - TEAM MARANUI - LEGENDS!  We look forward to seeing you all at the Maranui End of Season Celebration on Sunday 7 May. Please join us in celebrating the 2022/2023 season. This celebration is for both juniors and seniors, we hope to see as many of you there as possible - details below.   Subs for 2023/2024 have not been agreed as of yet, but just a reminder that subs finish at end of June with a new year commencing on 1 July.  Ngā mihi. <!-- --> MARANUI END OF SEASON CELEBRATION Maranui SLSC invites you all to come and celebrate the Maranui End of Season Celebration 2023.  This is held annually to recognise the achievements and service of club members over the season for lifeguarding, junior surf, senior sports, instructors, coaches and service to Maranui SLSC over multiple years.  We encourage all club members to attend. This celebration is for both juniors and seniors, we hope to see as many of you there as possible PLEASE RSVP USING THE ONLINE FORM - https://forms.gle/k8pFYAwMcwwRZ3U37 RSVP by Monday 1 May SUNDAY 7 MAY Wellington Rugby Club Hataitai Park, Ruahine St, Hataitai AWARDS START 3PM SHARP Awards finish 5pm Finger food, water and fruit juice will be provided. Drinks can be purchased from the bar (EFTPOS is available). <!-- --> Junior Surf (Nippers) What a season we have had. I know we haven’t celebrated our tamariki as often as we should in this newsletter, but hopefully our social media content has shown how we love seeing what they and the parents achieve. Jump on Facebook www.facebook.com or instgram www.instagram.com/maranuislsc/. As I look back over this season I feel proud of every child that pulls on togs or wetsuit and hits the water at Sunday sessions, Carnivals & Mid week development sessions. I thank our amazing coaches for the effort and care they give to developing these amazing kids. We did not cancel a Sunday session, ran for 3 extra weeks into March and ran the Inaugural Boat ramp to beach swim. This year had 18 athletes regularly taking part in mid week development & 16 of those headed to Oceans - Junior surf nationals and represented Maranui with pride and showed all the values of the Maranui way. We also had a steady 6-10 keen paddlers come on a Thursday to board skills sessions. We want to grow these groups and grow more lifeguards as well as athletes who continue through to lifeguard sports. We can not achieve what we achieve without unwavering support from our parent group, sign in crew, lifeguards and board members. Thank you to the parents who have become officials this year, managed age groups at carnivals and squeegeed the floor before leaving, it was noticed and appreciated. As we plan for 2023/24 we are always looking for more officials, coaches, helpers …If your not sure what you can do give me a call/text/email. If you have any thoughts on what we can do to support more kids getting involved again reach out. Sunday 7th May is our end of season celebration. We celebrate the success of our tamariki, excellence in our senior lifeguard sport athletes, achievements of lifeguards in service and our amazing volunteers. Please do join us, its also an opportunity to meet some of those people you don’t see often or haven’t met but do heaps for our Nippers.  Lucy Barry Director Junior Surf Sport lucyjanebarry@gmail.com   <!-- --> Maranui SLSC Lifeguard Sport athletes (Seniors) Back Row L-R: Joshua Bethell, Bruno Joli, Kano Hill, Joseph Barry, Max Reynolds, Thomas Warburton + Coach Rhys Speirs. Front Row L-R: Amelia Brown, Holly Reynolds, Lola Beck, Bella Tuia, Ruby Douglas, Sarah Hay, Olivia Butcher, Ella Strang. MARANUI REPRESENTS AT TSB NATIONALS 2023 IN NEW BRIGHTON  Big, challenging, scary and exciting are all words that Maranui's lifeguard sport team would use to describe the surf conditions at TSB Nationals. Maranui has been going through a rebuilding phase of it's senior team with only 2 current athletes having experienced Nationals previously thanks to Covid. The club has some exciting talent that showed their potential and that they are heading in the right direction. Athletes made a number of finals across the age groups. Whilst only one Podium was achieved the young team showed they are on the cusp of producing podium finishes, by recording 4ths, 5ths, 6ths, 7ths and top 15's in highly competitive races and challenging conditions. Ski events were incredibly hard in 3 metre surf and gnarly sandbars. It was incredibly satisfying to see our U19 women's ski relay team of Holly Reynolds, Ruby Douglas and Ella Strang rewarded with a bronze. Coach Rhys is looking forward to continuing the work and fun, seeing what can be achieved in 2023/24 as the team matures and the mahi starts. Rhys Speirs Director of Sport rhys.speirs@gmail.com   U19 Women's Ski Relay Team L - R: Holly Reynolds, Ruby Douglas and Ella Strang  - Bronze medalists. L-R: Ella Strang, Amelia Brown, Holly Reynolds, Ruby Douglas, Kano Hill, Joe Barry, Bruno Joli, Tom Warburton <!-- --> MARANUI IRB RACE TEAM  The Maranui IRB Team competed at the 2023 bp New Zealand IRB Championships at Waihi Beach, Bay of Plenty on Saturday 15 April. Unfortunately due to surf conditions, Day 2 racing (Sunday 16 April) was cancelled. Day 1 - Strong wind and rough conditions meant a challenging day of racing for the crews.  U23 Mens - Mass Rescue Semi, Single Rescue Semi U19 Mens - Mass Rescue Semi - - - - - - - - - - - - - - - - - - - Want to be part of the IRB TEAM? Qualifications expression of interest will be sent out to lifeguards/members in the coming month. IRB Crewpersons Module - www.surflifesaving.org.nz/lifesaving/powercraft-education/irb-crewpersons Senior Lifeguard Award - IRB Driver - www.surflifesaving.org.nz/lifesaving/powercraft-education/irb-driver <!-- --> FIRST AID OFFICER WANTED After 6 years in the role I am stepping down. I will do a proper hand over and provide support in the transition. If you are interested please contact Carrie - redmanatee@gmail.com Look forward to hearing from you, Carrie Matson Speirs <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347. KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 inc GST Branded Maranui 300gsm fleece lining 3000mm water resistant shell Knee length Fleece lined hood Super toastie warm for Wellington weather or between races. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com <!-- --> IRB  <!-- --> SEASON CALENDAR 2023 / 2024 Maranui End of Season Celebration (All Club Members) - Sunday 7 May 2023, Wellington Rugby Club, 3pm - 5pm Junior Surf Starts - Sunday 5 November 2023 Oceans'24 - Thursday 22 February - Sunday 25 February 2024, Mount Maunganui Beach, Tauranga SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2023 Maranui SLSC, All rights reserved. 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    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  

• • Maranui slsc newsletter may 2023

    • 31 May 2023
    • Maranui Surf Life Saving Club
    • 96 MARANUI SLSC NEWSLETTER MAY 2023 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. The Capital and Coast Awards of Excellence Left to Right: Jim Warwick, Anna McDonnell, Lucy Barry, Rhys Speirs & Carrie Matson Speirs Kia ora, We recently held the Maranui SLSC End of Season Celebration to recognise and celebrate successes, a fabulous afternoon on Sunday 7 May at the Wellington Rugby Football Club. Congratulations to all award recipients. On Saturday 27 May, the 2023 Capital Coast Awards of Excellence was held at the Mana Cruising Club. A number of our clubbies were award winners - Holly Reynolds, Ella Strang, Joe Barry, Anna McDonnell and Carrie Matson Speirs. Huge congratulations to all our award winners. Well done and well deserved - Very proud! We are asking for Pool Rescue expressions of interest. Make sure you sign up, this is a fun event. See details below. Remember: Keep swimming. Ngā mihi. <!-- --> MARANUI END OF SEASON CELEBRATION Congratulations to all our prize winners. Thanks to everyone who helped to make it a fabulous afternoon on Sunday 7 May recognising and celebrating our members. Huge thanks to Wellington Rugby Football Club for hosting, and Maranui Board of Director Jim Warwick, Rachael Burke, Pru Popple, Lucy Barry, Rhys Speirs for organising a great event. We are very lucky to have such a great group of members who give so much to our club - as lifeguards, coaches, athletes, officials, IRB, instructors, handy men/women, parents, team managers, drivers, catering, committee - just to name a few roles!  Amazing! TOP ATHLETES UNDER 10 YEARS U8 Male Athlete of the Year - Conor Flynn U8 Female Athlete of the Year - Kitty Huggins U9 Male Athlete of the Year - Alex Barry U9 Female Athlete of the Year - Millie Isaia U10 Male Athlete of the Year - Rico Rawlins U10 Female Athlete of the Year - Lotta Leonhardt U10 Male Most Improved Athlete - Rauri Salter U10 Female Most Improved Athlete - Zhana Condliffe TOP ATHLETES UNDER 14 YEARS  U11 Athlete of the Year - Eddie Dunn U12 Male Athlete of the Year - Isaac Goodwin U12 Female Athlete of the Year - Olive Anderson U13 Athlete of the Year - Eleanor Jefferies U13 Athlete of the Year - Rosie Dunn U14 Male Athlete of the Year - Mackenzie Croxford U14 Female Athlete of the Year - Sam Leadbetter MOST IMPROVED JUNIOR ATHLETES U12 Male Most Improved Athlete - Noah Isaia U12 Female Most Improved Athlete - Ava Rowe U14 Male Most Improved Athlete - Mackenzie Croxford U14 Female Most Improved Athlete - Henry Joan Kluyskens JUNIOR DEVELOPMENT Jr Development-Empowerment - Jemima Hampton Jr Development-Empowerment - Marshall Locke  Jr Development-Inspiration - Livia Gleisner  Jr Development-Connection - Isla Dalzell Maranui SLSC Oceans Cup - Eddie Dunn Ron Simpson Cup Top Jr Surf Competitor - Isaac Goodwin Recognition for Contribution to Junior Sport - Finola Dunn, Chooi-Lee Hong, Alex Dalzell, Matt Davies  - - - - - - - SPORTS AWARDS FOR 2022-2023 SEASON Emerging Coach - Holly Reynolds Emerging Official of the Year - Ben Gleisner Team Manager of the Year - Glen Reynolds Coach of the Year - Simon Butcher Most Improved Female Athlete - Amelia Brown Most Improved Male Athletes - Bruno Joli & Josh Bethell Top Female Competitor - Holly Reynolds Top Male Competitor - Joe Barry Sportsperson of the Year - Holly Reynolds IRB Race Crew of the Year - U23 Aces (Bruno Joli, Oskar Wickens, Ben Wickens) Sports Team of the Year - U19 Women's Ski Relay Team (Holly, Ella, Ruby) Surf Official of the Year - Ben Barry  Going the Extra Mile for Sport - Deb Tapp, Chooi-Lee Hong, Katrina Bailey, Sue Tuia SERVICE AWARDS FOR 2022-2023 SEASON Club Service Awards - Lucy Barry, Luc Speirs, Ben Wickens, Holly Reynolds Club Distinguished Service Award - Carrie Matson Speirs  Maranui Life Membership Award - Anna McDonnell Rookie Lifeguard of the Year - Joe Barry U19 Surf Lifeguard of the Year - James Shields Lifeguard of the Year - Ben Wickens Rescue of the Year - John Tuia Instructor of the Year - Holly Reynolds Volunteer of the Year - Ben Wickens  Club Member of the Year - Chooi-Lee Hong & Tom Dunn 2022-23 U20 Female Lifeguards - Ruby Tui - a little inspiration from Francie Russell.  Top Left  (Clockwise) - Tom Dunn & Chooi-Lee Hong | John Tuia | Isaac Goodwin | Bruno Joli, Oskar, Wickens, Ben Wickens  | Deb Tapp, Chooi-Lee Hong, Katrina Bailey, Bella Tuia for Sue Tuia | Lucy Barry, Lucan Speirs, Ben Wickens & Holly Reynolds | Chooi-Lee Hong, Alex Dalzell, Matt Davies & Finola Dunn | Holly Reynolds, Ella Strang & Ruby Douglas | Josh Bethell & Bruno Joli | Holly Reynolds  Some of Maranui's U20 Female Lifeguards Back Row: Holly Reynolds, Ruby Douglas, Bella Tuia, Lola Beck, Abi Isaia Front Row: Georgia Brown, Amelia Brown, Olivia Butcher, Ella Strang Ruby Tui - a little inspiration from Francie Russell <!-- --> 2023 CAPITAL AND COAST AWARDS OF EXCELLENCE  The Capital and Coast awards were held recently at the Mana Boating Club. This is a chance for all Capital and Coast club representatives to get together and celebrate the achievements of lifeguards, athletes and volunteers. Maranui had a number of nominations for awards. A strong showing was put in from Maranui athletes Holly Reynolds, Ella Strang and Joe Barry. Importantly two dedicated Maranui members were recognised for their service contribution to surf lifesaving. Anna McDonnell receiving a Regional Distinguished Service Award and Carrie Matson Speirs receiving a Regional Service Award. Maranui wahine toa. Below is a summary of nominations and award recipients for the 2023 Surf Lifesaving Capital Coast Awards Nominations  Coach of the Year - Simon Butcher Sportsperson of the Year - Holly Reynolds Sports Team of the Year - U19 Women's Ski Relay Team (Holly, Ella, Ruby) Surf Official of the Year - Ben Barry  U19 Surf Lifeguard of the Year - James Shields Lifeguard of the Year - Ben Wickens Instructor of the Year - Holly Reynolds Volunteer of the Year - Ben Wickens  Award Recipients Holly Reynolds - Winner of the U19 Female Whitehorse competition Ella Strang - second in the U17 Female Whitehorse competition Joe Barry - second in the U15 Male Whitehorse competition Anna McDonnell - Regional Distinguished Service Award Carrie Matson Speirs - Regional Service Award Top Left (clockwise) - Holly Reynolds, Ella Strang, Joe Barry & Anna McDonnell Left to Right: Ella Strang, Ruby Douglas, Holly Reynolds <!-- --> bp LEADERS FOR LIFE Jim Warwick and Brad O'Leary from Maranui have been selected as mentors for the 2023/24 bp Leaders for Life programme. Well Done and huge Congratulations. bp Leaders for Life is designed to up-skill and retain people within the organisation, with the view that they can lead their clubs and the Surf Lifesaving movement into a sustainable and vibrant future. The 10-month programme aims to develop individuals so they can make meaningful contributions to their club and community, leaving a lasting impact. The programme includes weekend workshops where the volunteer Surf Lifeguards hear from top leadership speakers. The workshops also cover various topics such as effective communication, leadership skills, self-assessment of strengths and weaknesses, understanding the organisation and its strengths and challenges, gaining insights into the workings of different clubs, and learning how to make positive change. Click the link to read the full release & list of 2023/24 participants https://www.surflifesaving.org.nz/news/2023/may/bp-leaders-for-life-participants-announced-for-2023-2024-programme <!-- --> SUBSCRIPTIONS 2023/2024 FINANCIAL YEAR U7s - $60. Juniors (U8s - U14s) - $120. Patrolling Lifeguard - $85 (includes Lifeguard uniform). Associate - $85   Family - $330 three or more members of the same family household - capped. SPORT FEE 2023/2024 Oceans Sport Fee: $80  Lifeguard Sport Fee: $150 ADDITIONAL COST:   U7’s - $15 pink vest. All athletes– $25 red vest and $15 competition beanie. High visibility vests are mandatory during all trainings, competitions, carnivals, lifeguard award training, and all junior activities.  Beanies are mandatory for all competitions and carnivals. Life Members - donation   All subs cover lifeguard training courses and Capital Coast carnivals. <!-- --> POOL RESCUE 2023 Welcome to Pool Rescue! It is open to all clubbies from U11s up to Masters. It is that time of year again where we start into our pool rescue season. Pool rescue is a fun event that helps keep you in touch with lifesaving, water skills and the best club in Wellington - Maranui. The starting point is gathering expressions of Interest. Please click the link and complete the form.  Key info: U11s to Masters Practice is once a week (Pool tbc) Tentative Starting Sunday 9th of July (middle weekend of School holidays) Parent help will be needed Lead Coach Rhys Speirs Click the link you express your interest - https://forms.gle/JWssofWems3AYLuX6 Any questions, please email Rhys Speirs -  rhys.speirs@gmail.com <!-- --> FIRST AID OFFICER WANTED After 6 years in the role I am stepping down. I will do a proper hand over and provide support in the transition. If you are interested please contact Carrie - redmanatee@gmail.com Look forward to hearing from you, Carrie Matson Speirs <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347. KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 inc GST Branded Maranui 300gsm fleece lining 3000mm water resistant shell Knee length Fleece lined hood Super toastie warm for Wellington weather or between races. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com <!-- --> SEASON CALENDAR 2023 / 2024 Maranui Pool Rescue Training - Tentative Starting date Sunday 9th July  SLSNZ Awards of Excellence - Saturday 23 September, 6pm, Te Papa. Maranui AGM 2023 - Sunday 24 September, 3pm, Maranui Clubhouse (TBC) 2023 New Zealand Pool Rescue Championships - Friday 29 September - Sunday 2 October Junior Surf Starts - Sunday 5 November 2023 Oceans'24 - Thursday 22 February - Sunday 25 February 2024, Mount Maunganui  New Zealand Surf Lifesaving Championships - Thursday 14 March - Sunday 17 March 2024, Mount Maunganui BP New Zealand IRB Championships - Saturday 23 March - Sunday 24 March 2024, Waikouaiti, Dunedin SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2023 Maranui SLSC, All rights reserved. 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    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  

• • Douglas shares his story - October at DCM

    • 31 Oct 2021
    • Downtown Community Ministry
    • 96 Douglas shares his story - October at DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Douglas is a warm-hearted man of Samoan descent who has faced many challenges in his life, struggling to find spaces to belong. Douglas's story 'O LE TAGATA MA LONA AIGA, O LE TAGATA MA LONA FA'ASINOMAGA' 'A person and their family is a person and their identity' - Samoan muagagana (whakatauki) Douglas is a warm-hearted man of Samoan descent who has faced many challenges in his life, struggling to find spaces to belong. From childhood, things have not been easy for him. He was removed from his family at a young age, and as an adult has struggled with addictions, and poor health. He has been able to hold down a tenancy at some times in his life, while at others he has cycled through various forms of homelessness – rough sleeping, couch surfing, emergency accommodation and the Night Shelter. Douglas has connected with many different DCM kaimahi since he first walked through our doors in 2008, in particular our Pasifika and Māori staff. Over the years, he has been supported by a wide range of DCM services. When he was unable to access a bank account and benefit, this gap was filled by DCM’s Money Management Service. DCM has supported him with budgeting and Work and Income advocacy, and with sorting his debts. Douglas has received emergency dental treatment at DCM on several occasions, and has lost count of the number of times DCM has stepped in with food support for him when the money has run out. Douglas has now been housed for some time in Berhampore, with the support of DCM’s Sustaining Tenancies team. But perhaps even more importantly, DCM has been able to support Douglas to rebuild connection with his family, and to connect and find his place in his own community. Photo shoot by Nikki Parlane. “I was born in Wellington and grew up in a Samoan family. My father was the caretaker at Wesley Methodist Church on Taranaki Street. I was the ‘black sheep’ of my family. I didn’t see eye to eye with my father or my brothers due to my sexuality,” Douglas shares, “which isn’t just a Christian thing, it’s also cultural. Growing up, I didn’t feel loved because of who I was. It was hard for them to accept me.” But through it all, Douglas never lost his desire to reconnect with his whānau. This disconnection and sense of rejection had a lasting impact on him, and on his mental health and addictions. As DCM built stronger connections with Douglas, it became clear how very important this reconnection was for Douglas’s wellbeing. Sia To’omaga is DCM’s Practice Lead. Her team delivers DCM’s Sustaining Tenancies and Community Connections programmes. They work with vulnerable tenants in their communities so that they do not fall back into homelessness, and are supported to thrive in their lives. “We have so many connections with Douglas,” says Sia. “Even before he came to DCM back in 2008, he already knew Regina from the Benefit Rights Service, where she used to work. And Douglas and I have a family connection. So when I came to DCM I already knew his whānau. And I knew Douglas was estranged from them, and how much this had affected his life. When his father died, it was a chance for him to reconnect. We made sure he was decked out in new clothes and new shoes and Regina and I took him to the funeral. He had to sit up front. That was a huge moment for Douglas, and the significance of that moment is hard to explain. Mostly it was a time to heal old wounds. Since then Douglas has been trying to make sense of his world. By the time of his brother's funeral, his relationship with his whānau had improved massively.” “I was left out in the dark,” agrees Douglas, “until I lost my parents. Then, my relationship with my brothers started to improve. Finally, when my older brother died, I was able to really connect with my other siblings, and we’ve been a lot closer since.” In Samoan, so'otaga refers to the making of connections, and feso'otaga to the connectivity between people. The past 12 months have brought more challenges for Douglas. The Covid-19 lockdown was hard on him – “There were no positives for me – though I understand it’s better to be safe than sorry. The hardest part for me was being stuck in a bubble. I wanted to reach out to my brothers and nieces, but I couldn’t.” He has also been coping with other health concerns. Recent surgery has made accessibility to his whare a challenge, but with DCM’s support, he is working through that as well. And the past year has brought positives too. Douglas is really enjoying connecting with DCM and his community at his local community centre. Sia and DCM’s Sustaining Tenancies team lead DCM’s community connections programme. When people move into their own homes, we want to spend time with them in their new communities, rather than having them come in to DCM in Lukes Lane. This programme is focused on building strong connections between taumai and their neighbours and other groups close to their homes, so that they can not only sustain their tenancies, but thrive – in their lives and their communities. Douglas rates the Community Connections programme highly. “I think it’s a good move. It’s good for people to see DCM out in the community. A lot of people don’t know what DCM’s about, so it’s great that the staff can catch up with people right where they live. It’s not just those of us who have been supported by DCM for years who can be part of this, but others who are struggling too.” Sophie McKenna is the lead dentist at the DCM Dental Service. Her calm and reassuring manner is a taonga, and she is able to support taumai who have considerable anxiety around dental treatment. At an emergency appointment at DCM this year, Douglas saw dentist Sophie McKenna, who discovered that he had a bad infection which needed urgent treatment. Sophie was then able to catch up with Douglas at DCM’s first mobile dental clinic right in his own community at DCM's Community Connections programme there. She checked on his progress, and explained how a referral for dentures could work to better improve his oral health. Douglas has been following this up and is getting along to the hospital appointments needed to make that happen. He has also been fully vaccinated against Covid at DCM’s vaccination clinics, and is regularly attending counselling sessions. “Mama Dee suggested I keep that going, so I will.” During his life Douglas has done a lot of voluntary work, especially with Pasifika social services where his fluency in both English and Samoan has been an asset. He has to focus on getting his health back on track first, but then he really wants to get involved with peer support at DCM, so that he can support others to build connections. He knows how very important this is. “I’ve had some tough times,” says Douglas, “and DCM has been there to back me up. Thank you to all those I’ve connected with over the years. And especially to Sia, Regina, Stephanie, Alan, Ula and now Mama Dee. Thank you for being there for me.” “The majority of the people who come to DCM are estranged from their families,” says Sia. “When we have the privilege to be part of whānau reunification – at any level – it is such a beautiful thing. We don't take the positions we have here for granted!” Douglas is on a pathway to the life he has wanted for so long, a life in which he has his own place to call home, and regular contact with his family. His is a story about the importance of connections, and about the transformation that can take place in the lives of the most vulnerable when we are able to support them to build and rebuild those connections – with their whānau, with us and with their communities.   <!-- --> In the news... Interview with Stephen This month DCM’s Director Stephen Turnock talked about our mahi with Maggie from Radio Active, DCM’s neighbours in Lukes Lane. Tune in to hear the interview here! COVID vaccination clinics The New Zealand Herald visited DCM to learn more about the COVID vaccination clinics which DCM and Te Aro Health have been running for the most vulnerable people in Wellington. Read all about it here. Saturday 16 October saw DCM kaimahi out encouraging New Zealanders to get vaccinated. Super Saturday And of course also in the news this month has been the Super Saturday Vaxathon. DCM kaimahi headed out on the streets that day to encourage people to take the opportunity to get vaccinated and to point them in the right direction. This is one very important thing we can do to protect the most marginalised in our community, including those who are experiencing homelessness. One of these DCM kaimahi was Bella from the Aro Mai Housing First team. “It was genuinely a fun day,” she tells us. “People were really positive. Most were already double vaxxed but we had quite a few people asking to be pointed in the direction of the vaccination centres – wanting to make the most of the walk in, no booking opportunity. Lots of people who were already vaccinated thanked us for the effort. I got myself vaccinated when DCM first got called up. Being a young, healthy person, I didn't really get vaccinated for myself. Rather I got vaccinated for those who are more vulnerable...my grandparents, taumai, those who are immunocompromised. If me getting vaccinated can play any part in protecting these vulnerable people, then I'm happy to do this. To those who are hesitant, I would suggest that you take the same approach. I understand being worried about the impact it might have on you, but if you can – it really is the selfless decision to protect those more vulnerable than you.” <!-- --> How can I help? Get vaccinated! Here at DCM we are doing everything we can to ensure the Covid vaccine is as accessible for taumai as possible, and you can help protect the most marginalised in our community by getting vaccinated too. It has never been easier. Help us re-stock our Foodbank On the first Saturday of the month, Ngaio Union Church open their doors to receive food to help re-stock DCM's Foodbank shelves. Please bring along any food items you would like to donate on Saturday 6 November to 3 Kenya Street between 10am-12pm. We also have a Foodbank bin at New World Chaffers where you can drop items off anytime. And on the fourth Saturday in November we will be holding our Christmas Foodbank Appeal. Follow our Facebook page for more updates or if you would like to help, please get in touch with Matt. Vouchers for taumai We asked; you delivered! Thanks to all of you who donated vouchers for us to take taumai out to purchase items for their new whare. Sharnia is someone who has had a really tough time, and we're proud to see the progress she has made right up to being housed recently. Bella was able to take her to Briscoes to choose for herself some much needed items for her new home. Sharnia really enjoyed this: “Thank you so much, this is so fun, I’m excited!” We have now used up these vouchers and would love to receive more so that other taumai doing the hard mahi to get housed can also be lifted up in this way. If you can help with this, please drop off vouchers to DCM or visit our website. A heads up... On Tuesday 23 November at 5:30pm we will be holding the DCM Annual General Meeting. This may be able to be held in person, and/or we may need to facilitate this year’s AGM by Zoom. If you would like to attend, please email us and we will be in touch with further details. <!-- --> *We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well.   Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2021 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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    Ngaio, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)
  
  
• • 

    A city with a vision? AKL x WLG

    • 6 Sep 2020
    • Talk Wellington
    • Wellington’s got a lot of bustle and noise (Let’s Get Wellington Moving – Spatial Plan – new subdivisions – convention centre – library) but where’s the coherent vision? Hey Auckland – can we learn some things? The Wellington Urbanerds invited some insightful Aucklanders to talk about the Auckland City Centre Masterplan (CCMP) because it’s getting a lot of positive interest in nerdy circles nationwide, and we thought “Wellington needs one of those to galvanise our progress!” But it turns out that the CCMP is not the cause of Auckland’s progress – it’s a milestone marker of a bigger evolution in Tāmaki.  Auckland City Centre’s chief urban designer George Weeks was insightful, visually engaging and occasionally very funny. Auckland city centre’s chief transport designer Daniel Newcombe injected insights that were pithy and thought-provoking. All up it’s worth watching the video – details at the bottom. But this post has some of the big insights for Wellington that we took away.  Hat tip to Charles Dawson for invaluable note taking. A galvanising vision, with a strong whakapapa  What makes the CCMP unusual as an official planning document, Weeks told us, is that it’s not “a planner’s plan” – 2,000 pages of vision down to prescriptive requirements. Instead it’s “the brochure for the city centre”. He told us that “with the 2012 CCMP, we thought it was better to have a 200 page document that 10,000 people see, or at least have skimmed, than a 2,000 page document that 100 people read in detail. We have used this approach to shape the 2020 CCMP.” It has had a major refresh in the last 8 years and the 2020 version is quite something. Galvanising vision  Weeks took us through how the updated CCMP works: how it delivers on the Auckland Plan’s promise of life in Auckland, through the city centre’s form and function. It’s worth laying these out because while we definitely have bits of the formula, there’s some powerful elements we’re missing.   Experience of being there The Auckland Plan (essentially the Tāmaki-Makaurau 30-year plan) sets out ten Outcomes for the city – effectively the promise of life experience that you should get, being in Auckland. The whole super-city is supposed to fulfil these promises, and the city centre’s no exception. In the CCMP, the ten citywide Outcomes or life promises are intertwined with eight place-specific Transformational Moves. The latter are the major initiatives to change the physical environment of the city centre so it can deliver those outcomes – the good Auckland experiences – for anyone who’s there.  A lot of this has come into the 2020 CCMP thanks to Access for Everyone (A4E), the city centre’s transport programme done to support the CCMP refresh process (more on A4E later). Street forms and place shapes… So the 2020 CCMP has street explainers that show – conceptually but with a lot of verisimilitude – the components of the streets and buildings, the overall shape of the whole public realm that’s needed for the city centre to give people that great experience.  a generic “transit street” explainer – from the CCMP These explainers are conceptual, but are tied enough to specific places, that everyone can see the trajectory of how their specific bit of the city will be changing, but crucially they can see a really solid why. …because This means “X street, and its environment, should have Y shape and form because…”. We saw, for example, that one of the biggest streets in the Learning Quarter, Symonds Street, will be a transit street for all these reasons: Symonds St, for example, needs to become a transit street not because of some abstracted notion of “sorting out the transport” but because it is at the heart of Auckland’s city centre universities, and “transit street” is the form for Symonds Street that will let it best serve people in the Learning Quarter with the good experience the Auckland Plan promises. Weeks flicked through a few examples of how the CCMP is signalling change to the built environment of Tāmaki’s city centre (which is pretty interesting – have a play here, the 2020 version is fully digital!) Our impression of all this was that the CCMP, thanks to the Auckland Plan and Access For Everyone (the transport dimension), has pretty well integrated two things that any self-respecting city needs to integrate. This is the roles of movement (transport) and place or exchange (destination activity) in any given area of the city centre. And Auckland manages to integrate these with a nice clear Why and Because for each set of changes. [Hold on, is that anything special? We know about this stuff… This tight integration – of form to function, place with movement, built form to people’s lived experience – seems pretty elementary for self-respecting cities. And you’d be forgiven for assuming Wellington has that integration in place. Indeed, things like the street concepts in Auckland’s 2020 (refreshed) CCMP don’t look too dissimilar to what LGWM put out for the Golden Mile. And the material coming out from LGWM and the Central City elements of the Spatial Plan and Wellington 2040 use a lot of the right words. Golden Mile concept from LGWM But in listening to Weeks’ presentation, we realised just how explicit and unequivocal the CCMP and A4E are about the why, the because for the physical city changes they describe, anchored home to that lived experience promised in the Auckland Plan. And the locked-in coupling between the place / destination train and the movement / transport train so they’re pulling each part of the city in the same direction towards that better experience for all Aucklanders. This coupling is something we’re muddling around in Wellington. We’re hedging our bets on saying explicitly what lived experiences we want to prioritise and privilege in our city centre. This means the transport planning and place planning are making (at best) vague bows in each other’s direction, with lots of hedging our bets about whether and how we’re prioritising “drive-through” vs “go-to” in our city centre. OK back to the presentation…] Galvanising and enabling Weeks told us that in the CCMP, when you combine the Auckland Plan’s Outcomes and the CCMP’s Transformational Moves, the product is the city centre “Opportunities”. Opportunities are projects, quite specific things, and there are quite a few listed. click on the image to have a play in the CCMP Opportunities But they’re not a set of business-case investments that clamp tunnel-vision onto ambition. They seemed to be as much illustrating the kinds of projects that would make the city centre better at giving people that great experience of Auckland living. As Weeks emphasised: “anyone can come up with an Opportunity”. (We imagine the galvanising could run like this… Hello, I’m a developer looking at buying or developing neighbouring Building X and Building Y, I can see the direction of profitable change and unprofitable change that I could make to that property, given the trajectory of change in its environment.  And I can make up a project that creates a much better laneway space between them, plus better delivery access, better stormwater handling, and augmented residential-plus-commercial uses… This bundle of investments will make me money, and enhance really well that little corner of the city – so public investment and other private are likelier to come join me… ) CCMP’s generic laneways explainer (click to expand) Lesson for Wellington: let the vision be the vision, get other activity making it reality A big lesson for Wellington, Weeks said, was to “be clear about what different plans are to do. The City Centre Masterplan sets the vision, which allows many actors to work out how to deliver its different facets, or to develop their own ideas too.” The CCMP is only the green-circled bits in this picture. CCMP: a strong whakapapa The CCMP’s technical pedigree is strong – it makes good application of internationally-accepted principles of urban physics and urban dynamics. But – as Weeks put it – if the CCMP can “see further, it’s because [it is] standing on the shoulders of giants”. Complementing the CCMP’s technical pedigree is its collective human ancestry: the people, organisations, and relationships that have coalesced around it, the support that it’s known and seen to have, and the mana that this contributes to its strong legitimacy and mandate today.  From the presentation a few points stood out on each of these… The technical pedigree of the CCMP  Weeks and Newcombe gave us a whistle-stop tour of the set of transport and urban planning documents of which the 2020 CCMP is the progeny. Auckland Unitary Plan – The supercity’s first joined up District Plan, the “rulebook” for implementing the Auckland Plan. Forced much more collaboration in planning, for everything. City Centre Future Access Study – NZTA, Ministry of Transport, Auckland Council, Treasury, Auckland Transport found the City Rail Link would blitz all other 46 options for getting people to and from the city centre. The City Rail Link (CRL) –  an underground railway link turning the city centre heavy rail terminus into a through-station, building 4 new underground stations. Doubles the number of Aucklanders with 30min access to city centre. After years of arguing, finally underway once tax was to pay 50% (thanks ATAP). Auckland Transport Alignment Project (ATAP) (2016-17, updated 2018) Auckland-region-wide (not just one bit) merit-based priority list of all the big-ticket transport projects, costed and agreed by all funders and deliverers.  Crucially: first acknowledgement by central government that Auckland couldn’t road-build its way out of its traffic problems Business Case for Walking – first quantification of the value of city centre walking to Auckland’s economy, done in 2017. [Hey “walkable capital”, where’s ours?] The creation of documents always sounds more coherent in retrospect, but Weeks and Newcombe emphasised that it’s not been a nice clean sequential progress.  Key principles of urban physics (like the role of people walking) have only been given oxygen relatively late in the sequence. The need to get tax funding to co-fund megaprojects has meant a lot of back-and-forth raruraru with central government, and between the various bits of Auckland’s council family.  And some great documents – like the Business Case for Walking mentioned above – have no official legal weight: a decision-making body can completely ignore them if it wants.  But we heard that the various documents have meant that amongst the bureaucracy and other government power-holders, there’s been an accumulation of key principles of good urban physics, akin to accumulation of organic matter. Sometimes it’s just leaves falling, but sometimes there’s a large trunk. These accumulations in the establishment’s hivemind make it much harder to go back and relitigate, as there’s been some crystallisation in the thinking. (Though, of course, as Newcombe noted, that doesn’t stop people trying!)   Access for Everyone – the complementary transport element of the City Centre Masterplan which was developed as part of the CCMP refresh – is a great example. In traditionally car-mad Auckland, the entire Auckland Council voted unanimously to begin A4E trials “enabling a decisive mode shift away from private vehicles, to make better use of finite city centre space and improve the quality of the environment.” Wow. Access For Everyone’s car-free Queen Street / Horotiu Valley with Low Traffic Neighbourhoods around. And no more driving through the city centre! The human side of CCMP’s whakapapa We heard that a major benefit of the sequence of documents was the relationships and conversations that a document creates a pretext to have.   There’s been a lot of investment in behind-the-scenes engagement, with big stakeholders in the city. This has paid off in an unusual level of big players’ trust and buy-in to the vision and the big moves to get there. From large developers, through Heart of the City (the inner city Business Improvement District), through the AA, NZTA, to the City Centre Residents’ Group  (fun fact: 40,000 people live in Auckland’s city centre alone). This good stakeholder engagement bears fruit: it enabled councillors to support the 2020 CCMP relatively easily, despite it having relatively little engagement from the wider public (a few hundred submissions compared with the Unitary Plan’s ~10,000). It’s not a coincidence that Precinct Properties has seen fit to drop a billion (with a B) dollars of its shareholders’ money into the Commercial Bay development – Weeks observed that it’s on the strength of the new trust and joined-up thinking developed through the CCMP process.  Daniel Newcombe spoke from experience about the collaboration that had eventually started to come, once “you can get people to stop introducing competing plans” and come together. Sometimes this requires biding your time, working by osmosis, and finding the sensible individuals in an organisation on whom to work, and building coalitions that chip away at antipathetic organisations. Getting people to issue formal letters of support on behalf of their organisations can be extremely powerful, he said. Iwi influence  We heard that one major improvement of the 2020 refreshed CCMP over the 2012 original is the inclusion of Māori outcomes. For the refresh, the ADO worked closely in partnership with Auckland’s Mana Whenua Kaitiaki Forum to develop a Māori outcomes plan. This work shaped Transformational Move 1: Māori Outcomes, with proposals for a papa kōkiri at the waterfront and a whare tāpere at Aotea Square.  The 2020 CCMP manifests the Auckland Plan’s Māori Identity and Wellbeing outcome and Te Aranga Māori Design Principles via Outcome 1: Tāmaki Makaurau – Our place in the world. It sets out the big interventions and systemic changes to bring mana whenua presence, Māori identity and life into the city centre and waterfront.  There are some big-ticket, high-visibility things and pervasive, interwoven ones. To our (Pākehā) ears this sounded pretty great…  Attack of the roadcones! Plans are essential, but how do you get them going, especially when there’s so many large, cumbersome players with inertia?  Weeks had peppered the presentation with cool before-and-after shots of some iconic Auckland changes, including Te Ara i Whiti / the (pink) LightPath, and localised street improvements like our favourite, O’Connell Street (below). O’Connell Street. oh.yes.melbourne We know (though the webinar didn’t go in depth here) that much of Auckland city centre’s evolution that you and I can see today was driven by the Auckland Design Office, with Auckland Transport and Auckland Council partners. Their projects opened people’s eyes to how good street change could be done, and that actually the good “urban physics” did apply in Auckland too. And they gave Auckland council family a chance to practice delivering street change together, and figure out how it can be done without anyone losing an eye.  They did it with a combination of a figurehead / champion / lightning rod / air cover for the ground troops (AKA Ludo-Campbell-Reid) plus a ninja team of designers, engagers and doers, doing on-the-ground projects that brought to life the good practice of urban design.    Projects like Fort Street, O’Connell Street, Fort Lane, and Jean Batten Place showed that – contrary to received wisdom – replacement of on-street car parking with high-quality streetscape was good for business. Collaboration with Auckland Transport led to the creation of a pop-up cycleway along Quay Street (well before the Innovating Streets for People pilots) which is now being incorporated into a permanent street redesign that will finish this year.  It’s not been an easy road: by now, ten pilots of the street changes for Access for Everyone were supposed to be underway, following that unanimous Council vote, but just one (High Street) has been. And the ADO has now been disbanded, allegedly due to their irritating conservative parts of the establishment with cost-cutting as a pretext.  But there’s momentum now…  Auckland’s changing, and has lessons for us  Throughout the session the Zoom chat pane had been running hot with questions and comments from the “floor” (aka the online audience). Weeks and Newcombe took questions from the pane and from the Urbanerds presenters, and a few highlights stood out including lessons for Pōneke… Lesson for Wellington: get partners on the same transport page Weeks’ and Newcombe’s first lesson was to get a multi agency agreement on transport together. It can’t just be the city council or regional council. It has to have central government buy-in; they can’t be pulling in the other direction from the city or region with their ambitions for the city’s transport. Updated ATAP, with all the partners This consensus shifts the conversation from “Do we need that good stuff replacing the bad stuff?” to “When do we need it?”. You have to keep the focus at that “when” level, not allowing relitigation of the fundamental principle of urban physics that you’ve achieved consensus on. We wonder: is this LGWM? Is it shifting our conversation? Is NZTA pulling in the same direction as the city, as the regional council?   Lesson for Wellington: generate the brochure, together A second big lesson is that you have to have the vision, the brochure, the clear picture of the good life that your city wants to give everyone who’s in the city centre, whatever they’re doing there. This has to be the rationale for any the physical changes that you entertain or consider. The Auckland Plan’s 8 outcomes – promises of the experience of life in Auckland, that the CCMP too must deliver This “brochure” must be developed hand in glove with the actors we want to be supporting it, building on any public mandate you already have but not driven by the wider public. This conversation with the big players should not feel like it’s led by any one player (developers, or transport-planners, or inner-city-residents, or businesses – nor even, we wonder, council?). What it must be is very good quality engagement that builds a strong trust and instils a foundation layer of commitment to (or at least grudging acknowledgement of) solid urban physics, and the trajectory of change needed throughout the city.    Lesson for Wellington: CBDs are doomed Listener Sally asked whether a focus on a city centre had been overtaken by COVID and its boost to working from home, and localism, especially in Wellington where there’s such a large commuter population. Weeks’ answer put it in much more professional terms, but the message came through clearly: if your city centre is mostly a Central Business District, where “business” is the dominant activity, it’s doomed. Monocultures always make a system vulnerable to shocks, in agriculture, horticulture and in cities If it’s a central city, with a hundred or a thousand different reasons for people of all different walks of life to be there, then it’ll be fine – it’ll change and adapt, but the power of people wanting to be there is the lifeblood of a city. “The death of the city has been predicted since the invention of the city, in the Bronze Age” Weeks observed – “and if you’ve got an actual city, it won’t happen.” We wonder… how much of Wellington’s central city is a dead zone by 6.30pm? How much are we reinvigorating and diversifying the reasons to be there?   Lesson for Wellington: lock all good plans to something with teeth Weeks emphasised that the power of these plans comes from linking area plans and other non-statutory plans to ones with statutory power.  So despite being a non-statutory document, the City Centre Masterplan carries weight because they mapped its outcomes tightly against the Auckland Plan (the statutory 30-year plan for the whole city) and councillors have voted overwhelmingly in favour of it. diagram showing how the CCMP is making good on the Auckland Plan’s promises, in the city centre We definitely don’t yet have the vision and its trust, nor the solid hook between statutory and non-statutory … but we have some elements of the recipe.    We wonder… how much of the CCMP-style whakapapa do we have, if not the actual document?  Could we build these levels of trust and vision together?  Some Wellington City Council planning and design gurus attended the session and helpfully fielded some questions about where Wellington was at. Our one-liner summary was: it’s not going to hell in a handcart, but it’s definitely all up in the air. Smart engagement from Urbanerds listeners and Talk Wellington readers is really needed. We’ll pick up “so what for us?” in the next post. Here’s the video: link, passcode SUa&tOC5 Meantime… where have you seen signs of a clear vision of good Wellington city life, for everyone?
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• • 

    The artist as many other things first

    • 16 Feb 2023
    • Urban Dream Brokerage
    • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
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