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    • Tether
      • <figure class=" sqs-block-image-figure intrinsic " > This collection of abstract works explore the common thread that runs through the human experience and into the natural world. With contrasting tones, botanical and native New Zealand plant illustrations, the thread we all share returns to the earth to be reformed again and again. My journey with mental health almost always finds its way into my art practice, where I predominantly explore expressions of the 'self' and consciousness. Painting and illustration have been my preferred medium throughout the years, and my use of abstraction allows the viewer the opportunity of "tethering" their own journey to each piece.
      • Accepted from Black Coffee exhibitions by feedreader
      • Automatically tagged as:
      • cafes
      • newtown
      • exhibitions

        • Black coffee, Riddiford Street, Newtown, Wellington, Wellington City, Wellington, 6021, New Zealand (OpenStreetMap)


    • Informed (about) Consents
      • It’s a common complaint: “how could the Council let people build that, and not even notify anyone?” That’s partly down to a misunderstanding of what “notification” means under the RMA: it’s not just about letting people know, but also the start of a long and complex process involving hearings, lawyers and possible appeals, and it only occurs when a proposal goes some way beyond what’s permitted under the District Plan. Most resource consents aren’t notified in that sense, but they are public information, so theoretically everyone should be able to know about it. In practice, though, it’s not that easy. Lists of recently received or issued consents are published on the WCC website every fortnight, but you have to remember to look, download a PDF, and scan through to see if anything might affect you. To make that easier, I’ve been doing some work with local company Thundermaps to gather this information, map it, and let you receive alerts when something pops up. I’ve written a full description on their blog, but all you have to do is: sign up (it’s free); draw the area that you’re interested in; and receive email alerts or smartphone notifications whenever the Council publishes information about a new consent in that area. If you don’t want the notification service, you can just go and browse the map to see what’s happening across Wellington. At the moment, we’re just gathering public information about WCC consents, and this is only updated every fortnight, but we hope to get other Councils on board to make it easier for everyone to keep in the loop about developments in their community. That would make it easier for everyone to see, for instance, that…hey, a rooftop bar in Mt Vic! The post Informed (about) Consents appeared first on The Wellingtonista.
      • Accepted from Wellingtonista Blog Feed
      • Automatically tagged as:
      • blogs
      • featured

    • Newsletter - September 2024
      • Kia ora and thanks for being friends with Porirua Little Theatre! Currently our key focus is supporting the much anticipated opening of Coven. Put together by the highly successful Hollywood to Broadway team, with a cast oozing talent and timing aligned with Halloween, Coven is sure to bewitch and entertain its audiences. The Committee continues to hone our processes and procedures, finalising our 2025 programme including of course the celebrations of our 75th year! Make sure if you have been a PLT member in the past to look out for information coming soon on how to register your expression of interest.
      • Submitted by tonytw1
      • Automatically tagged as:
      • porirua
      • theatre
      • titahi-bay

    • Goalkeeper Training Session – March 23rd!
      • Calling all goalies! Don't miss this goalkeeper-specific training session with top-level coaching from: 🔹 Julia Gluyas – Recent Black Stick, Falcons, and Wellington representative keeper, Northern P1 Women’s team 🔹 Cameron Loader – Northern Men’s P1 goalkeeper 🔹 Andrew Webborn – Experienced goalkeeping coach from the UK 📅 Date: Sunday, March 23rd 📍 Location: NHS1 ⏰ Time: 1:00 PM – 3:00 PM ⚠️ Limited spots available! To secure your place, RSVP by Thursday, 19 March 2025 to info@northernunited.co.nz This is a fantastic opportunity to sharpen your skills with expert coaching—see you there! 🏑💪
      • Accepted from Northern United Hockey Club news by feedreader
      • Automatically tagged as:
      • hockey

    • Vaiei Tupuna
      • 4 October – 15 December 2024 Vaiei Tupuna is an exhibition of contemporary tapa from across Moana Nui that brings together newly commissioned responses to taonga from the collections of Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection and The Museum of New Zealand Te Papa Tongarewa, alongside historic and contemporary artworks that acknowledge the tupuna and atua who activate this practice. Gifted by Sarah Vaki, elder and master tapa maker from Fatu Hiva in the Marquesas, the title of the exhibition translates as “heritage of our ancestors”. Vaiei Tupuna takes up these shared genealogies and histories of tapa to celebrate the vitality of the artform in the present, and to extend and build knowledge for the future. Hina, the atua of tapa makers, is present throughout Vaiei Tupuna.
      • Submitted by anonfae46e43-8454-41c9-a297-6056b1bc15a8
      • Tagged as:
      • exhibitions

        • Adam Art Gallery, Hunter Car Park, Kelburn, Wellington, Wellington City, Wellington, 6145, New Zealand (OpenStreetMap)


    • Henry Russell Walden (1934-2013)
      • Russell died last week. His funeral is tomorrow (Tues 30th, 3pm Old St Pauls). He was born in Timaru, studied architecture at the University of Auckland, and was awarded the first MArch in New Zealand in 1964 with his thesis: “New Zealand Anglican church architecture, 1814-1963″ – all nine volumes of it. Another first he achieved was gaining a New Zealand Post-Graduate Scholarship in Architecture. The next year he headed to Birmingham to PhD study and private practice, returning in 1978 as a Reader in Architectural History at VUW, having completed his PhD (1975) and edited the MIT Press publication: The Open Hand: Essays on Le Corbusier (1977), an early collection of essays on Le Corbusier in English. http://www.futunatrust.org.nz/wp-content/header-images/windows.jpg Russell is renowned for his passionate relationship to Futuna Chapel – the subject of his Voices of Silence (1987) – as bicultural architecture.
      • Accepted from Architecture Centre news
      • Tagged as:
      • futuna-chapel
      • obituaries

        • Futuna Chapel, Futuna Close, Karori, Wellington, Wellington City, Wellington, 6012, New Zealand (OpenStreetMap)


    • Cellar Door
      • <figure class=" sqs-block-image-figure intrinsic " > Taxidermy and photography both exist as a state of preservation of the subject, denying organic decay in a disjointed modernity, a concept that Ben Klocek and Antoinette Ratcliffe emulate in their show Cellar Door. Crepuscular and discarded, the specimens in their photographs take on new flesh in composition, and in their sentience. Antoinette’s practice explores the anthropomorphic through her use of a variety of media, including her own taxidermy, where the animals find themselves in relationships created out of circumstance. This photographic series examines the chronotope allegory between taxidermy and the captured image. Exploring the connection between the physical and the subconscious, Ben constructs situational realities between taxidermy, found spaces and objects. In his use of vibrant and sometimes conflicting colour palettes, Ben creates limbic resonance between the subject, the artist and the viewer. @AntoinetteRatcliffe thesickbay.com @klocek.ben @Ben Klocek Illustration
      • Accepted from Black Coffee exhibitions by feedreader
      • Automatically tagged as:
      • cafes
      • newtown
      • exhibitions

        • Black coffee, Riddiford Street, Newtown, Wellington, Wellington City, Wellington, 6021, New Zealand (OpenStreetMap)


    • 5m runabout with flat battery then no fuel
      • Operation Details Date/Time:  Mon, 23/01/2012 - 18:15 - 21:30 Operation Type:  CG Operation (good samaritan) People Assisted:  2 Total Volunteer Hours:  29 A 5m runabout with battery fault was reported to Coastguard Mana as anchored just north of Mana Island. Located vessel with 2 people on board with PFD's and hand held radio (no flares, no torch, no GPS) drifting almost 4NM north of their reported location. Initially flat battery - jump started & headed to Paremata boat ramp - motor died opposite Hongeka Bay - run out of fuel - boat taken under tow @ 2025. Vessel Details Length:  5.00m Resources Attendees:  AlanFisher Ben Ryan Chris Darch Grant Porter Matt Annear Peter Feely Rachel Porter Rod Hall Trevor Farmer CRV's Used:  CRV Trust Porirua Rescue Attachments Image: 
      • Accepted from Coastguard Mana news
      • Tagged as:
      • porirua
      • paremata

        • Porirua, Wellington Region, New Zealand (OpenStreetMap)


    • Spring into summer, plus potluck AGM
      • Spring into summer, plus potluck AGM Finish the year strong with our "sixes and sevens" series, the Classic, and potluck AGM! ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   View this email in your browser Spring into Summer with all things orienteering! Kia ora koutou During the last two months there has been some great local orienteering. A big thanks to Red Kiwis for an excellent Pokapū regional champs weekend over Labour weekend. This was really well organised, on great maps, and with excellent course setting. I made a big muck up of the night event but totally loved it. Our club members were right behind Red Kiwis too—a big thank you to Gillian and Lizzie Ingham, as well as to Rob Collier for being there every day to help run the finish. Our Wednesday night events have started up and are highly recommended. Our first offering was in Seatoun, planned by Demelza Robinson and controlled by Luis Slyfied. Our Wednesday events are great for everyone, with start times between 6-7pm, and two or three short courses that hopefully don’t leave you at sixes and sevens! Great fun for everyone! About a month ago, friends and I were in Queensland at the Australian Orienteering Championships and associated events—of which there were 7 events in 9 days. We thoroughly enjoyed the orienteering and the camaraderie of staying together in a shared house during that week away. If you’re lucky enough to be heading overseas and get the opportunity to try orienteering in totally foreign terrain and conditions then I thoroughly recommend the experience. One thing I’d like to see next year is a growing and active membership. Membership brings rewards—being more involved in the sport, attending training events, a sense of belonging and making new friends. To that end, come to our AGM and social on Saturday 6 December, which is great chance to connect with others in your sport. And, next year, don’t just tell your friends about orienteering—make it your resolution to bring em’ along! Yours in orienteering, Beverley Holder President Annual General Meeting and potluck social Mark your calendars: Saturday, 6 December is our AGM and potluck social. We’ll start with a fun event at 4pm, followed by the meeting at 5pm. The AGM will include the President and Treasurer’s report, and an overview of the year. We will also confirm the draft minutes for 2024. This year we also passed a new Constitution and will need to elect a smaller Committee for 2026: President Treasurer 3 other officers. The Secretary will be appointed from within the Committee. The Committee will also be supported by working parties reporting into the Committee, but these are not elected roles. This is a bit of change, and we’re open to hearing what working groups you think would be useful and may like to be part of going forward. If you would like to stand for the Committee, or have any queries, please contact Lachlan McKenzie, Secretary at secretary@wellingtonorienteering.org.nz This is a chance to celebrate the year, discuss plans, and enjoy time together and great food! Details will follow soon—don’t miss it! RSVP to AGM and potluck social Nationals 2026 We’re pulling together with neighbouring clubs to host next year’s New Zealand Orienteering Championships in the Wairarapa. The first bulletin is out!… you can find this on the Nationals website. Club members Will Vale, Dick Dinsdale, Caspar Harmer, Gillian Ingham, Yvette Baker and Rob Collier are all involved in the courses, as are supporters and stalwarts Malcolm Ingham, Geoff Morrison and Liz Nicholson. Sprint – 03 Apr 2026 Middle Distance – 04 Apr 2026 Long Distance – 05 Apr 2026 Relay – 06 Apr 2026 Nationals website Gear and supplies Need a new compass or SI dibber? Mapsport and other specialist vendors stock a range of orienteering gear, including compasses, dibbers, and accessories. Visit https://www.mapsport.co.nz or your local supplier to ensure you’re race-ready. The “Classic” Don’t miss the Classic on Sunday 23 November at Waikanae! Originally held in winter, the “Classic” is an endurance event that is both physically and mentally demanding. The event takes the form of a one-person relay with a pivot control and a series of loops—meaning you get the thrill of trying all loops and legs yourself! A rogaine is also offered as part of the Classic. The event was founded by the Wairarapa Orienteering Club, and the M40 class incorporates the Wayne Cretney Memorial in memory of Wayne Cretney, a Wairarapa member tragically killed in a work accident in 1987. Enter now! Major events around the motu Canterbury Champs – 14–16 Nov 2025 (Ashburton/Oamaru) North Island Secondary Schools Champs – 25 Apr 2026 (Wesley College and Muir’s Farm, Auckland) South Island Secondary Schools Champs – 25–26 Apr 2026 (Cromwell and Alexandra) For all events, visit Orienteering New Zealand. Coming events Orienteering Wellington’s coming events can be found on our Events page. You can also toggle the calendar to show Orienteering Hutt Valley’s events. Spring afterwork, Trentham – 12 Nov 2025 Spring afterwork, Central Park – 19 November Spring Classic – 23 Nov 2025 Spring afterwork, Hutt Central – 26 November 2025 Spring afterwork, Wellington waterfront – 3 Dec 2025 The Big Trig – 7 Dec 2025 Whiteria Campus Sprint, Porirua – 11 Feb 2026 Victoria University Sprint, Kelburn – 25 Feb 2026 Massey University Sprint, Mount Cook – 11 Mar 2026 Tikara Sprint, Tawa – 22 Mar 2026 For all events, visit Orienteering New Zealand. About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington. Copyright (C) 2025 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
      • Accepted from Wellington Orienteering Association feed 2024 by feedreader
      • Tagged as:
      • hutt-valley
      • kelburn
      • waikanae
      • orienteering
      • wairarapa
      • mount-cook
      • waterfront
      • tawa
      • porirua
      • seatoun

        • Seatoun


    • Weekly Wrap Up (T3, W1)
      • Important Dates 1 August : Parent Teacher interviews (Year 9 & 10 only) 3 August : Sports & Clubs Photos 19 – 25 August : School Exams for Seniors 22 August : Board of Trustees Meeting 26 August : Mid-Term Break (SCHOOL CLOSED) 29 August : Future Focus for Senior Students and families 14 September : Learning Conversations 2 23 September : Last day of Term 3 23 September : Year 11 – 13 School Reports on Portal Volunteers Needed Friday 19 August – Thursday 25 August 2016 Some students who receive Special Assessment Conditions (SAC) are approved by NZQA to have someone read or write for them. This enables them to perform to their full potential in exams. We have over sixty senior students who receive SAC. The school receives no funding to employ reader writers.  NZQA pays for reader/writers for externals only. At exam times it is very difficult to cater for the high numbers and we are looking for volunteers to help us out. Morning exams begin at 9am and the afternoon session starts at 1.20 pm. They can vary between 1.5 – 3 hours.   You do not need to know the subject but have equivalent to High School Literacy and have legible writing.  You will not be placed with a student you know. Please email Tash.Stuart@whs.school.nz to register your interest. Staff Success  Michaela Manley, science, music and Year 10 roopu teacher, is a finalist in the Aotearoa Category of World of Wearable Arts with a dress made of inner tubes that have been recycled.  We are all looking forward to seeing her creation on display. Further details to come!  
      • Accepted from WHS news
      • Automatically tagged as:
      • secondary

        • Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • It’s a Renters World, and We’re…Not Living in it?
      • You may have seen headlines telling you that Wellington rental prices are dropping, that it’s a renter’s market, or that with the exodus of public service workers from the capital, landlords are getting desperate. To some extent, that is true, and to a greater extent, it’s not. Salient asked Trade Me about the current perceptions of the rental market. Year on year, the asking price for a property in Wellington was down 2.9%, and since September 2024, Trade Me saw a 28% increase in the number of rental listings in the city. These figures might lead you to believe that rents are dropping. Well, they’re not (in most places). Between December 2024 and January 2025, the median rental price went from $650 to $675 according to Trade Me’s data.
      • Submitted by tonytw1
      • Tagged as:
      • housing

    • It's May - and things are on the move!
      • It's May - and things are on the move! SGM, Club Successes and a Matariki Spectacular! ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   View this email in your browser May 2025 news Kia ora <> As we transition into the winter months, it’s exciting to reflect on the successes of the past few weeks. On Sunday 4 May, we held our Course Planning Seminar, which was a resounding success! About 12 people came along and we were thrilled to see such strong participation from experienced orienteers and those newer to the sport. The seminar provided valuable insights into course design and use of Condes software that is used for mapping orienteering courses. A huge thank you to Dick Dinsdale for arranging this as well as our contingent of helpers, and all who attended! This seminar not only strengthened our collective knowledge but also helped build a more connected and engaged community. We’re already planning future educational events to continue this momentum. I encourage all of you to keep the conversation going and apply what you've learned at our upcoming events. Throughout May and June, there are plenty of exciting opportunities to get outdoors, improve your skills, and continue to challenge yourself. We’re also looking forward to an SGM and potluck on Sunday 8 June where we will vote on Orienteering Wellington’s new Constitution. Looking forward to seeing you all at our events! Beverley Holder President Participants at the Course Planning Seminar. SGM and pot-luck – Sunday 8 June A reminder that our Special General Meeting(SGM) and Potluck is just around the corner! Join us at 5.30pm Sunday, 8 June to enjoy some great food and your drink of choice with fellow orienteers. Members will also be invited to vote on our proposed new Constitution, which is a requirement for continued registration as a society. Details Date: Sunday, 8 June 2025 Time: 5:30 PM, followed by potluck Location: 30 Gurkha Crescent, Khandallah, Wellington 6035 Afterwards we’ll enjoy a wonderful potluck dinner—always a highlight of our community gatherings. Please bring a dish to share! All members are welcome but it would be helpful if you could RSVP by Thursday 5 June. RSVP Club successes NZ Orienteering Championships 2025 Orienteering Wellington can boast some terrific successes and consistently competitive performance at the year’s national championships hosted in Canterbury by Peninsula and Plains Orienteers. This includes both Lizzie and Gillian Ingham taking the triple crown for sprint, long and middle courses in their categories. Our club contingent was 36 strong – a great showing! Sprint distance W21E 1st Lizzie Ingham M20E 1st Jake McLellan W20E 1st Rachel Baker W70A 1st Gillian Ingham M70A 3rd Dick Dinsdale W75A 3rd Dorothy Kane M21A 3rd Alan Teesdale W21A 3rd Alison Power Middle distance W21E 1st Lizzie Ingham M70A 1st Dick Dinsdale W70A 1st Gillian Ingham W21A 1st Alison Power W20E 2nd Rachel Baker M20E 3rd Jake McLellan M21A 3rd Alan Teesdale Long distance W21E 1st Lizzie Ingham M20E 1st Jake McLellan W20E 1st Rachel Baker W70A 1st Gillian Ingham M55AS 1st William Power M70A 2nd Dick Dinsdale W21AS 2nd Ellie Molloy M55AS 2nd David Middleton M40A 3rd Simon Robinson W21A 3rd Alison Power Relay Mixed Veterans 2nd Dick Dinsdale, Gillian Ingham, Peter Wood Mixed Veteran relay winners Dick Dinsdale, Gillian Ingham and Peter Wood. North Island Secondary Schools Champs This year’s North Island Secondary Schools Champs was hosted by Counties Manukau Orienteering Club. Congratulations to Orienteering Wellington members Troy Thompson, Morag McLellan and Jake McLellan, who came second in the Year 12-13 Senior Boys relay. Morag McLellan also came fourth in Year 12-13 Senior Girls long distance champs, and fifth in the sprint. Supporting our members Orienteering Wellington has awarded a $750 travel grant to club members selected to represent New Zealand internationally at International Orienteering Federation events. Rachel Baker and Jake McLellan will be representing New Zealand at the Junior World Orienteering Champs in Trentino, Italy, from June 26 to July 3, 2025, as has Morag McLellan at Brno, Czechia, from 17 – 20 July. Lizzie Ingham has been selected for the team attending the World Orienteering Champs in Kuopio, Finland, from 8 – 12 July. Jake McLellan, World-Class Orienteer and Mountain Man Orienteering Wellington member Jake McLellan won the fabled Tararua Mountain Race – Southern Crossing, a 36km mountain run from Kaitoke to Ōtaki Forks. It was an epic effort that saw Jake crossing the finish line in 7:08:08. Jake says: “The race kicked off fast, and I couldn’t stick with the early pace, so I settled into my own rhythm and made sure to save some gas for the back half. Just after Alpha Hut, I spotted the leaders a couple of minutes ahead — that gave me a real boost and helped me keep pushing across the tops. I made goodtime across the tops and caught up to Chester at Kime Hut. After Bridge Peak, I put the hammer down on the technical descent and managed to pull away. From there, it was just a fast hobble down from Field Hut to the finish. “I'm absolutely stoked to take the win at such an iconic event! It's an honour to have my name on the trophy alongside some legends of the sport.” Tips and Tricks To help you improve your orienteering skills this winter, here are a few tips from our experienced members: Stay on the trail: In challenging conditions, it’s often easier to follow a trail, path, or prominent feature rather than trying to cross open terrain. It will save you time and help you maintain orientation. Map reading in low visibility: If you're out in low-light conditions, try marking key features(like water bodies or trails) on your map before starting. This will help you stay oriented even when visibility is reduced. Check your compass often: Don’t rely on your compass just once at the start. Check it regularly to ensure you’re staying on course. Small errors in direction can add up to big detours! Practise regularly: Winter orienteering training doesn’t have to be outdoors. Use mapsin your local area to practice route planning, compass work, and even map-reading skills indoors. Familiarity with your map will pay off in the field. Development and events There’s a lot happening in the coming months. This Sunday sees us at Baring Head, followed by another event at Battle Hill on Sunday 8 June. Pre-registration is greatly appreciated. Advanced entries close 11.59pm Saturday. We’re offering a practical training session at Karori Park on Sunday 15 June. You’ll get a chance to put your newfound skills to the test at Matariki, in the pine forest and sand dunes of Waikawa, north of Ōtaki. Further afield is the three-day King’s Birthday event in the Hawkes Bay. Entries close Thursday. Orienteering Bay of Plenty’s Great Forest Rogaine in Rotorua is coming up on Saturday 26 July 2025 – a fun, team navigation challenge where you try to collect as many controls as you can in the time allowed. There are 3- and 6-hourevents that you can do on foot or mountain bike. It’s a great adventure for groups of friends and family. Entries close Tuesday 22 July. Coming events Orienteering Wellington’s coming events can be found on our Events page. You can also toggle the calendar to show Orienteering Hutt Valley’s events. Sunday 25 May – CSW and Public Event, Baring Head Sunday 8 June – CSW and Public Event, Battle Hill Wednesday 11 June – Afterwork Rogaine, Miramar Sunday 15 June – Practical training, Karori Park Sunday 22 June – Matariki special, Waikawa … For all events, visit Orienteering New Zealand About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington Copyright (C) 2025 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
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        • Lower Hutt, Wellington, New Zealand (OpenStreetMap)


    • Lockdown Colouring Competition
      • Are you running out of fun stuff to do in your bubble? If you’re stuck at the home office and your new workmate/ parents/ teachers are stuck for ideas for something to do, we have something for you! Lockdown Colouring Competition PDFDownload Lockdown Colouring Competition JPEGDownload This colouring competition is open to anyone of any age that belongs to a harriers club in the Wellington region. If you’re not a member but your parent or partner is in a running club, you can enter too! Download the image or the pdf below, print it off and colour it in. When you’ve finished your masterpiece, take a picture and email it to us at membership@scottish.org.nz, or post to Instagram and tag us. You can win some cool spot prizes! We will announce prize winners on 30 April 2020. Alternatively, if you don’t have a printer, download the jpeg image then visit this artwork site: aggie.io, re-upload the jpeg and colour it in online. Then save it and send it to us. A very special thank you to Dawn Tuffery for lending her running and drawing skills for this fantastic illustration.
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    • 2024 Season Honours Roll
      • We’re incredibly proud of the individual honours achieved by our players this season: Vantage Black Sticks: Julia Gluyas (named for the January 2025 USA series) New Zealand Māori Hockey: Ruby Baker (Senior Wahine Squad 2024/25) New Zealand Masters 2024: Nathan Croad (40s) Premier Hockey League: Julia Gluyas (Falcons), Ruby Baker (Mavericks) Wellington Masters 2024: Jenny Whitworth (35s), Sarah Neilson (40s), Jonny Lusby (40s), Sam Ros (40s), Aaron Clulow (45s), Ash Drake (45s), Ian Norman (55s), Peter Thomas (60s) Tauranga Masters: Chantelle Badenhorst (35s), Jason Parry (50s) Wellington Under 16s: Tom Agate Wellington Under 18s: Lucy Pottinger, Adam Baker, Zac Fowler, Moritz Lohstöter Wellington Under 21s: Ruby Baker, Hannah McNaughtan Wellington NHC Tier 1: Julia Gluyas, Nita Sullivan, Victoria O’Keefe, Ruby Baker, Jenny Whitworth (Manager) Hawkes Bay NHC Tier 1: Tayla Hansen Wellington NHC Tier 2: Jack Paton, Aryan Vallabh A huge thank you and congratulations to all our players for their outstanding achievements this season. You continue to inspire us and represent Northern United with pride! Julia Gluyas and Victoria O’Keefe
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      • hockey

    • Orienteering Wellington February News
      • Orienteering Wellington February News Our summer sprint series kicks off this Wednesday—don't miss it! ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   ͏ ‌   View this email in your browser Summer of “O” kicks off in Wellington! Mihi nui kia <> First event Wednesday, at Whitireia Welcome back to another year of orienteering! We’re kicking things off this Wednesday with our afterwork sprints, part of our College Sport Wellington (CSW) Series, which will be followed by forest and farm orienteering in March. Although CSW events are aimed at getting school students orienteering, don’t be put off by the name—courses are open to everyone, and we’d love to see you there. A big thank you to our course planner, Ali Power, and our controller, Sarah O’Sullivan, for knocking our first sprint into shape at Whitireia Campus in Porirua. Register for Whitireia Ready to join in? You can find all our events (including those offered by Orienteering Hutt Valley) on our website. Just subscribe to the calendar and they’ll magically appear in your diary! AGM highlights Congratulations to Morag McLellan, who took out the Endeavour Cup for development, and to Helen Hughes for receiving the Fortune Cup for outstanding service to the club! Beverley Holder was welcomed as the new President of Orienteering Wellington, taking over from Paul Teesdale-Spittle, who has dedicated many years to leading the club. Beverley has been deeply involved, most recently helping steer a successful Oceania organising committee. Draft minutes from the AGM 2024 will soon be available on the website Morag McLellan Helen Hughes Wellington makes waves at Oceania Oceania was a fantastic event, with over 700 orienteers from both sides of the Tasman and further enjoying beautiful courses at Massey University (sprint) and Santoft forest maps of Koitiata (middle), Knottingly (long), and Parewanui (relay). Orienteering Wellington members achieved some impressive results, especially Lizzie Ingham, who reigned supreme by taking first in Women’s 21E for the Sprint, Middle, and Long events. Jake McLellan also shone with a second place in M20E Sprint and Long courses, and both he and Rachel Baker were part of the New Zealand junior teams that won their Trans-Tasman relay competitions. Orienteering Wellington can be proud of hosting a brilliant event for all. A huge thank you to our wonderful volunteers, particularly Helen Hughes, who wrangled the volunteers to ensure everything ran seamlessly each day. 2025 subscriptions now due Members attending the AGM resolved to raise subscriptions by 20% to cover Orienteering New Zealand levies—our first increase in quite some time! Subscriptions for 2025 are now due and invoices have been sent. Please email Anna Varnham if any of the following apply. You’re ready to become a member. You haven’t yet received your subscription invoice for this year. You aren’t looking to renew your membership this year. Find out more about membership and join us today. Here’s to another great year of orienteering! Membership Coming events Wednesday 12 February — CSW and afterwork sprint at Whitireia Campus, Porirua Wednesday 19 February — CSW and afterwork sprint, St Patrick’s College, Upper Hutt Wednesday 26 February — CSW and afterwork sprint, Wellington East Girls’ College Wednesday 5 March — CSW and afterwork sprint, Lower Hutt CBD Wednesday 12 March — CSW and afterwork sprint, Wellington Botanic Gardens ... Find more local events or, for all events, visit Orienteering New Zealand About us We welcome all who live around Te Whanganui-a-Tara to discover our special region through orienteering. Be part of our community at Orienteering Wellington Copyright (C) 2025 Orienteering Wellington. All rights reserved. Our mailing address is: Want to change how you receive these emails? You can update your preferences or unsubscribe
      • Accepted from Wellington Orienteering Association feed 2024 by feedreader
      • Tagged as:
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      • lower-hutt
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        • Upper Hutt, Upper Hutt City, Wellington, 5218, New Zealand (OpenStreetMap)


    • Newtown Community Centre Art Workshops
      • Community Art Workshops are back! The Newtown Community Centre will be hosting their 5th annual Community Art Workshops from Monday September 29th till Thursday October 9th For the past four years, the Centre has organised a series of art workshops with the aim to make art more accessible to the wider community, offering a chance for participants to get creative and learn a new skill in a visual arts practice, at a very affordable rate and in a community friendly environment. The classes are headed by local art and crafters keen to share their time and skills with others in an informal and relaxed setting. The classes are designed to reduce the normal financial barriers, with most if not all materials being provided and entry fee being a koha of the participants’ choosing. The workshops cover a wide range of arts and crafts, from making your own Native American dreamcatchers and traditional Pervian necklaces to purse making and how to make your own paint from natural clays and oil. See the Newtown Community Centre facebook page and website  for the schedule and details for the workshops. The Centre has always received great feedback from participants who have really enjoyed the opportunity to get creative without having to invest in a costly course or feel out of place at a formal art institution – we hope you can join us this year!
      • Accepted from NRA news
      • Tagged as:
      • newtown

        • Newtown, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)


    • Announcing the Verb Writers Resident 2020
      •   <figure class=" sqs-block-image-figure intrinsic " > We are thrilled to be offering a new writers residency in Wellington thanks to our partners Katherine Mansfield House & Garden and Park Hotel. We had a lot of applications from across Aotearoa for our first residency experience. It was a real privilege to read through so many incredible applications and gain new insights into what writers are working on and why residencies are so important.We are delighted to announce that our inaugural resident is Auckland writer Himali McInnes. Himali’s application was exceptional and we look forward to welcoming Himali to Wellington later in 2020. About Himali: Himali McInnes is a family doctor who works in a busy Auckland practice and in the prison system. She enjoys writing short stories, essays, articles, flash fiction and mediocre poetry. She has been published locally and internationally, and has either won or been short-listed in several writing competitions. She is an NZSA Mentorship recipient for 2020. Himali is also a maker of messes - through gardening, beekeeping, cooking and chicken farming. She is humbled and so grateful to be a Verb Wellington Residency recipient, as she loves Wellington (best op shops ever) and is very much looking forward to time spent writing at the Katherine Mansfield House & Garden. Read Himali’s brilliant review of Bernadine Evaristo’s Girl, Woman, Other on The Spinoff here.
      • Accepted from Verb Wellington feed by tonytw1
      • Automatically tagged as:
      • books
      • community-groups

    • Merch, baby - MERCH!!!
      • Well, lordy, lordy me - what have we here, then?! After running an (entirely unscientific) Insta poll, we here at Slow Boat have listened to the voice of the people, and have bowed to popular consensus, and had manufactured a limited quantity of marvellous looking Slow Boat hoodies, alongside the regular tee shirts, a new style of (very robust!) tote bags (shall we refer to them as Boat Totes? Yes, I think we shall!) and, for the first time ever - two (count 'em!) varieties of SB trucker caps!! These are available for purchase instore now (my advice - get in quick while we still have a good range of sizes and colours!) so you can be fashion forward, and the envy of your pals. Tees are now $39.50, caps $30, totes $25 and the deluxe hoodies are a still perfectly reasonable $75 - I mean, what price happiness? What price... fashion... Feel free to drop us a line or call (04 385 1330) if you'd like to secure yours, and we'll be seein' ya soon - will have some Record Store Day 2025 related news to share in the upcoming weeks... Peace and love, THE SLOW BOAT CREW XX
      • Accepted from Slow Boat Records feed 2022 by feedreader
      • Automatically tagged as:
      • cuba-street
      • music
      • retail

        • Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Hope vs Choat
      • Recently in David Choat’s blog he explains that a previous post recalling his observations in his first Capital and Coast DHB meeting led to him receiving a note from Board Chair Dr Virginia Hope (who was recently appointed to both the CCDHB and the Hutt Valley DHB – criticised as a first step towards amalgamation of the two health boards) as a breach of the CCDHB media policy (which effectively says that the Chair should be the person responsible for any comments for the Board) Hope’s explanation is not entirely clear from David’s post, only that it had caused her distress. It would be a fair point to make had Choat attempted to represent the Board exclusively. Yet, if anything, the article reads about what he did and thought at the meeting. I can’t see how what he said would have been any different had Choat been in a public meeting, or in a one-on-one chance meeting with one of his constituents. In fact the post by Choat in question was entitled “Reflections on my first board meeting” Go read the post for Choat’s response, which I think reflects his commitment to transparency with the public on (open) board matters being debated as part of a publicly accountable body. So, what precisely does the policy do – here is a copy (1MB PDF). It was last updated and debated at a meeting in August 2009. The comms manager wasn’t present and Helene Ritchie was the only member to vote against it. Odd. It’s no surprise how unworkable the policy has been in practice. It basically bars any direct interaction with the public by board members. I wonder what kind of world the drafters of this policy were living in when they thought that such restrictions on public debate would actually work. Would it be surprising that Dr Hope doesn’t agree with David’s very blunt but arguably popular slogan “Care not cuts” as a way to deal with the challenges at the CCDHB: “Cuts is really the wrong word. Savings, I think, is a better word” (The Wellingtonian, 6 January 2011) Clearly, any Chair would not want to have to battle the framing of an alternative viewpoint as well as the controversial challenges for an organisation like those faced by the CCDHB, but it also makes me wonder what the Chair’s personal direction will be in the Board’s response to those challenges? Regardless, there appears to be a developing division between the new board member and the new chair. Already, Choat has said that the matter of the media policy will be on the agenda at the next meeting. There doesn’t appear to be much that the Chair could do, but the board (particularly the publically elected members) should be mindful of the public’s need to be informed unfettered by the spin that sometimes happens and refuse to punish Choat. The next meeting is on February 4 at 8.30am (in the Board Room on 11th Floor of the Grace Neill Block, Wellington Regional Hospital on Riddiford Street, Newtown), and you can attend in person to make sure the Board get the point. (More info on the meeting here)
      • Tagged as:
      • hutt-valley
      • newtown

        • Newtown, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)


    • Weekly Bulletin: Staying connected as a church - 16 June 2024
      • Kia ora St John’s whānau, This Sunday Martyn Day will preach on the Bible passage Luke 1:26-38 – which is about the birth of Jesus being announced to Mary! We would normally hear this part of the Gospel story just before Christmas – what will Martyn draw out of this passage for us this Sunday? Students, staff and families from Aitken House at Scots College will join us for worship, with students leading parts of our worship. The burning bush is a symbol of Aitken House. Our children have their peer group time, going out part-way through the service (after the Sung Blessing). Our youth will stay in for the full service this Sunday. If you can’t gather in the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759 Passcode: worship The link to join the Zoom worship service is below. If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet: Order of Service Link to Zoom Service OTHER THINGS TO KNOW ABOUT... UNDERSTANDING THE BIBLE This series of evening workshops with Martyn Day will give you a ‘toolkit’ to read the Bible, SO THAT you can know Jesus better. Sun 16th June - Can we trust the Gospels? Mon 17th June - Taking God’s Word for it Tue 18th June - Get into the Gospels! Wed 19th June - Lifting the lid on the book of Revelation 6:30 – 8:30pm in the St John’s Centre, on the corner of Dixon and Willis Streets Martyn Day pastors the South Harbour Vineyard Church in Auckland. A British export to NZ, Martyn is passionate about helping people to love, learn and live God’s Word. He is an outstanding communicator and this series will be of great interest to anyone curious about useful tools for reading the Bible. This series offers fresh understanding of the rich meaning in God’s Word available through classic interpretive techniques that ‘connect the dots’! Facebook Event: https://www.facebook.com/events/1417153395671117/ Eventfinda: https://www.eventfinda.co.nz/2024/understanding-the-bible-with-martyn-day/wellington ST JOHN’S QUIZ NIGHT – FRIDAY 14th JUNE FELLOWSHIP GROUP Kay Webster, who was our guest Minister last October, will be the guest speaker at the next Fellowship Group meeting on Tuesday 25 June 2024 at 11.00am in the Hall. In her role as the Advanced Care Planning Coordinator with Age Concern, Kay has some insights for us on how to plan for our own later days to keep it simple for ourselves, our caregivers and our near and dear. DUTY ROSTERS – SERVING OTHERS It’s time to prepare the rosters for serving in July - October. Please let Linda van Milligan know your availability for this season by 20 June. UPDATE ON CAFÉ All the residents of the Dixon Street Flats have been moved out – so what has happened to the regular Café St John’s has been part of…? Read all about the next phase of the Café here: St John's Café FOLLOW ME SERIES – CARE FOR CREATION How can we practice the care of creation as an act of worship? Over four weeks we will explore the practice of Care for Creation. This continues our emphasis of putting our faith into practice, and will focus on our desire for knowing God more through intentional practices, relationships, and experiences. We will be doing this as a community of all generations, starting with an intergenerational service on Sunday 23rd June. STUDENT STUDY SPACE A massive thank you to the big team of volunteers who were the ‘friendly face’ of us as a Church for students wanting a warm quiet space to study. Making this space available for the students in our city preparing for their exams was an experiment for us as part of our Vision to connect more with our neighbourhood – creating safe spaces to be, to belong, and to navigate the tough stuff. We continue to pray for those with exams, and that they may know the support of our community throughout the year, and for ‘all of life’. CHURCH CAMP We’re excited to let you know there's a church camp happening this year! It's at Paekakariki Holiday Park from Fri evening 20 Sept till Sunday 22 Sept. We’ll be aiming to keep costs down and you can choose to sleep in the lodge, pitch a tent or stay in an onsite cabin (more details will be available at a later stage.) (FYI - El Rancho/Forest Lakes and Kaitoke were booked for this date.) CROSS CULTURAL ENCOUNTER TRIP TO INDONESIA MESSENGER NEWSLETTER Read our latest St John’s newsletter here: Messenger ‘Here am I, the servant of the Lord; let it be with me according to your word.’ - Mary Allister
      • Accepted from News - St John's in the City Presbyterian Church by feedreader
      • Tagged as:
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        • St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • The artist as many other things first
      • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
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    • Award winners for the 2016/17 season
      • Team player of the year:   Women's Grade-Becca McHugh   Fireblades-Mahendra Sadaye   Yodhas-Leks Alagappan   Legends- Shay Thomson   Kamos- Henry Clayton   Third Grade-Matthew Heissenbuttel   Premier Reserve- Aaron Curtis/ Sam Bourne    Premier-Obus Pienaar   Peter Smith Trophy (Best Bowling Women's) Carlene Angus   GJ Robertson Trophy (Most Wickets all Lower Grade Cricket Men) Hayden Moore   TrophySchoferPhil (Best Batting Aggregate Women’s) Lisa Carter   BR Clarke Cup (Highest Batting Aggregate Lower Grade Cricket Men) Matthew Heissenbuttel   Don Hazlett Trophy (Best Fieldsman in Premier and Premier Reserve) Obus Pienaar   Ray Tyler Cup (Best Lower Grade Fielder) Jonny Hare   Practice Award Mark Houghton/ Matt McComb   Taita District Cricket Club (Club Captains Trophy) Hayden Moore   Stuart Briggs Cup (Most scores over 30 throughout the Season all Grades) Obus Pienaar/ Mitchell Scott   KJ Rowley Trophy (Most Wickets in Premier & Premier Reserve Grades) Liam Sullivan   Fawcett Plate (Best Bowling Average in All Grades) Hayden Moore Life Members Trophy (Highest Batting Aggregate in Premier & Premier Reserve Grades) Obus Pienaar   Vice Presidents Partnership Award (Open to all teams in the Club) Jason Doyle/ Tim Brown   Taita Cricket Club Cup (Best Individual Performance in Lower Grades Mens) Tom McHugh ( 6/11 and 49* and 29* vs Petone- Riverside- Grade 3)   Petone Radiators Cup (Best Individual Performance in Intercity Premier & Premier Reserve Grades) Rohith Yeluri 9/9 vs Upper Hutt   WE Schofer Trophy (Open to all teams – Points scored throughout the season) Obus Pienaar   McCurley Cup (Most Improved Woman's Cricketer - Points scored throughout the Season) Shayne Martin   CupGllespieDJ (Most Promising Young Cricketer in the Club) Mitchell Scott   Robin Randell Memorial Cup (Best Club Member – awarded for Services to the Club over the season) Johnny Hare   Doug Urry Memorial Trophy (Cricketer of the Year) Obus Pienaar  
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    • Award winners for the 2016/17 season
      • Team player of the year:   Women's Grade-Becca McHugh   Fireblades-Mahendra Sadaye   Yodhas-Leks Alagappan   Legends- Shay Thomson   Kamos- Henry Clayton   Third Grade-Matthew Heissenbuttel   Premier Reserve- Aaron Curtis/ Sam Bourne    Premier-Obus Pienaar   Peter Smith Trophy (Best Bowling Women's) Carlene Angus   GJ Robertson Trophy (Most Wickets all Lower Grade Cricket Men) Hayden Moore   TrophySchoferPhil (Best Batting Aggregate Women’s) Lisa Carter   BR Clarke Cup (Highest Batting Aggregate Lower Grade Cricket Men) Matthew Heissenbuttel   Don Hazlett Trophy (Best Fieldsman in Premier and Premier Reserve) Obus Pienaar   Ray Tyler Cup (Best Lower Grade Fielder) Jonny Hare   Practice Award Mark Houghton/ Matt McComb   Taita District Cricket Club (Club Captains Trophy) Hayden Moore   Stuart Briggs Cup (Most scores over 30 throughout the Season all Grades) Obus Pienaar/ Mitchell Scott   KJ Rowley Trophy (Most Wickets in Premier & Premier Reserve Grades) Liam Sullivan   Fawcett Plate (Best Bowling Average in All Grades) Hayden Moore Life Members Trophy (Highest Batting Aggregate in Premier & Premier Reserve Grades) Obus Pienaar   Vice Presidents Partnership Award (Open to all teams in the Club) Jason Doyle/ Tim Brown   Taita Cricket Club Cup (Best Individual Performance in Lower Grades Mens) Tom McHugh ( 6/11 and 49* and 29* vs Petone- Riverside- Grade 3)   Petone Radiators Cup (Best Individual Performance in Intercity Premier & Premier Reserve Grades) Rohith Yeluri 9/9 vs Upper Hutt   WE Schofer Trophy (Open to all teams – Points scored throughout the season) Obus Pienaar   McCurley Cup (Most Improved Woman's Cricketer - Points scored throughout the Season) Shayne Martin   CupGllespieDJ (Most Promising Young Cricketer in the Club) Mitchell Scott   Robin Randell Memorial Cup (Best Club Member – awarded for Services to the Club over the season) Johnny Hare   Doug Urry Memorial Trophy (Cricketer of the Year) Obus Pienaar  
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    • Parking for sensible cities: webinar 2
      • Equity, residents’ parking, behaviour change, and some myths busted – by popular demand, expert insights on parking plus some Wellington changemaking Following our much-viewed first webinar (check it out here), TUI Climate Community and Millions of Mothers with the Wellington Urbanerds are proud to have brought you transport and economics expert Stuart Donovan on everyone’s favourite topic! This one was a bit different: in addition to Stuart speaking on some particularly hot topics of parking, we heard about one area ripe for change. Check out the webinar video courtesy of Millions of Mothers:Parking: how we behave, fairness, and price Stuart’s presentation focussed on a few key aspects including the longer-run interesting questions like how people change our behaviour in response to parking prices, and the equity effects of pricing parking (inspired by questions from councillors concerned about the effects of the proposed new Parking Policy on poorer people). Stu’s slides are here [PDF 2.7 MB]Residents’ parking: what’s with that? Following Stu, we heard from Wellingtonian Oliver Bruce (of Urbanerds fame). He highlighted a particularly amazing feature of the current system: massive subsidies (underpricing) for residents’ parking. They’re skewing people’s choices in our transport system, in a generally bad way, but since the last webinar Oliver and Connect Wellington have a path forward… Oliver’s slides are here [611KB PDF]. So many questionsWhen it was time for questions, we summarised the areas of interest in the chat and Isabella fired the questions to Stuart and Oliver. There was lots of interest in equity, and the ethics of charging for access to publicly owned space. There was a hunger for case-studies of cities that had successfully communicated to their citizenry the good news that managing parking well is overall progressive (i.e. reduces inequality). The catch-22 of on-street vs off-street parking was a big topic, as people like residents’ associations and councillors react to the current (poorly managed) on-street parking, and feel resistant to good developments that don’t provide many carparks. There was also discussion of the opportunity cost of space, and the extent to which home buyers factor in transport options to their purchase price decisions (or assume they’ll get free street parking and grizzle once they’ve moved in with their car/s). (There’s also a good little discussion on Stuart’s Twitter feed, worth a look)Help Wellington do parking better There was a lot of interest from our audience in helping improve parking management in Wellington, reflecting its huge importance to our city’s transport system and its influence on affordable housing. It’s a complicated space and good comprehensive change will take years – see here for more. But the good news is that all kinds of contributions can make a difference.  There’s something for everyone! And the process of change will take years, as observed We’re also keen to have more learning and discussion type initiatives, with more local voices and insight. If you’ve got suggestions for events, speakers, stunts or nifty schemes, or are just interested in finding out more about how you could help, drop us a line. Meantime, make sure you’re on the Urbanerds signup list so we can alert you to the next in-person gatherings and the next webinars! Image credits: Banner – Wellington City CouncilParking lot – Steven Davis
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    • Made to order products with your child's artwork
      • Purchase unique calendars, cards, diaries, mouse mats and sketch pads/notebooks with your child's cover art on them! Looking for personalised keepsakes, gifts or just great practical items? Students have been very busy creating their own artwork that can be printed onto calendars, cards, diaries, mouse mats and sketch pads (spiral bound A5 notebook with blank pages) that are available for you to buy. All orders are to be placed online via the KidsArtWorks website. Orders cannot be made via the school by cash or on the school account. Here is the timeline: Friday 31st July, each student will bring home a named order code form (like the one below) that will have a unique code that is linked to their artThe Kids Artworks website is then live and open for viewing art and purchasing products.  To avoid missing out, please submit orders between Friday 31st July and Sunday 16th AugustFINAL ORDERS - the website is closed at 10am on Monday 17th August and no late orders will be accepted.  Purchased items will be delivered to school mid September and will be given to students to bring home There are samples at the office if you would like to have a closer look at sizing, details, or quality before placing your order online. Only the artwork done at school and already submitted to Kids Artworks is able to be used as part of this offer. The original artwork will be returned to students. Any questions, please contact Rachel office@amesbury.school.nz  Thank you for supporting this school fundraiser!By Amesbury OfficeAttachments Kid Artworks Order Code Form   PDF, 130.8 KBPhoto Gallery
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    • Junior Hockey Have-A-Go Day – Come Try It Out!
      • Saturday 26 April | 9:00 – 10:00am National Hockey Stadium – Turf 1 Open to Years 3–8 Is your child curious about hockey? Or maybe they've had a go before and want to give it another shot? Our Junior Hockey Have-A-Go Day is the perfect chance for tamariki to try out the sport in a fun, supportive environment – no experience needed! We’re inviting all keen kids in Years 3–8 to join us on Saturday 26 April from 9–10am at the National Hockey Stadium (Turf 1). Whether your child has played before or is completely new to the game, this event is a great way to get active, make new friends, and build confidence on the turf. What to Expect: A relaxed and fun session run by friendly coaches Games and drills to learn basic hockey skills A mix of new players and returning ones Spare sticks available for those who don’t have their own Just bring a water bottle and sports gear 🎟 Tickets are $5 (+ booking fee) on Eventbrite – gate sales available on the day 👉 Book your ticket here 📝 Ready to Join the Club? If your child enjoys the session and wants to play this season, head over to our Junior’s Page to sign up for the 2025 season! We’d love to welcome some new faces to the Northern United whānau – come along, give it a go, and experience the fun of hockey!
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    • Plimmerton Farm: getting greenfields right
      • If we’re hellbent on doing more residential development in greenfields, what does “decent” look like in Plimmerton, hilly land near an existing suburb – like most of our region’s greenfields? This post is basically a guide for anyone who cares about Plimmerton, good urban development, or healthy wetlands, streams and coast, but is time-poor and can’t face going through the truckloads of documents they’ve stuck up without any specific meta-guidance (some FAQ are here). Hopefully this will help you pop in a submission! PCC’s “information” pages they suggest you use for submitting. Every one of these is a large PDF document, 90% written in technical language… aargh! The background: what where and how For those who don’t know, Plimmerton Farm’s a big proposed subdivision of hilly farmland draining into the significant Taupō Wetland and to Plimmerton Beach, just over the train line and highway from Plimmerton village (original Ngāti Toa name: Taupō). It’s going through a Streamlined Planning Process, a pre-COVID government scheme for accelerating development. The key step is the requisite change of the land’s zoning in the Porirua District Plan (“rural” zone to “residential” and other “urban” zones) that sets out what kind of stuff can then be built, where. It’s mostly streamlined because there’s just one shot for the public to have input on the plan change. One shot. Why submit? I was born and raised in Plimmerton, live here now, and intend to for the rest of my days. I’d love to see it grow, well. I would love Plimmerton to get more wallets, more hearts and minds, more faces (more diverse ones too!). But not with more traffic, and pointless damage to our environment. Right now, the proposal has some serious flaws which need sorting. I say Sorting because the changes won’t make it crazy innovative, just good enough for a development in the spot it is, being kicked off in 2020. Time matters too: there’a a bunch of good things happening imminently (and some bad Porirua trends that need to be reversed). I cover these in Get it right, below. It’s worth submitting because given the situation, a 1990s-grade development just won’t cut it. So what about Plimmerton Farm needs to change? It boils down to two themes: dial down the driveability and dial up the liveabilitymake Local the logical and easy choice for daily needs I’ll outline what needs to change in each. NOTE: There’s a third – don’t stuff the wetlands and streams. This is really important as Taupō Wetland is regionally significant, and all our streams and harbours have suffered from frankly shameful mismanagement of sediment from earthworks-heavy subdivisions like Aotea and Duck Creek, and from the earthworks-a-rama of Transmission Gully. Friends of Taupo Swamp have an excellent submission guide for you – add in some of their suggested bits to your submission. I: Dial down the driveability, dial up the liveability There aren’t many truly black-and-white things in life, but there’s one for towns: If a street is nice to drive in, it’ll be a crappy place to do anything else in (walk / eat / hang out / have a conversation / play / scoot or cycle / shop / have a pint). If it’s nice to do anything else in, it’ll be a crappy place to drive in. Mostly this is because of the nature of the automobile: big solid things that smash into our soft bodies if someone makes a mistake (75% odds of death if that’s at 50km/hour, 10% odds of death if at 30km/hour) big objects that need lots of space for manoeuvering and especially parking – which offstreet can be crazy expensive and push up the cost of a home, and onstreet hoover up valuable public space. big solid things driven by us real humans (for a while at least) who respond to the environment but also get distracted, and generally aren’t good at wielding these big solid things safely. The transport setup proposed for Plimmerton Farm makes for a much too driveable and poorly liveable place. 1. Narrow down all the roads. The current proposal’s roading setup has roads and streets that are too big, and there’s too much of them. Right sized roads for a liveable community The cross-sections for the roads include on-street parking and really wide lane widths. This is really gobsmacking for a consortium that talked a big talk about good practice. For all the reasons that Low Traffic Neighbourhoods are good, this is bad. (And it’s especially nuts when you realise that the excessively wide “arterial” roads (11 metres!) will need earthworked platforms built for them where they’re drawn running up the sharp ridges and across the tops of gullies. Expensive, damaging for the environment, and … what were they thinking?) So recommended changes: NARROW DOWN THE ROADS. Seriously. Design all the living-area streets and roads, and the centre, to be self-explaining for an operating traffic speed of 30km or less – that’s the speed where mistakes are rarely fatal. What does that look like? The designers will know and if they don’t they should be fired. Narrower crossing distances; chicanes (great way to incorporate green infrastructure and trees and seating!); narrowed sight-lines (trees! sculpture!) so no-one driving feels inclined to zoom. Reduced trafficked lanes (rori iti on the larger roads!), with properly wide and friendly footpaths. Threshold treatments, humps, modal filters, all the things we know very well are the natural ways to slow us down when driving, and make streets nicer for people. The beauty of all this “restriction” on driving is how much it frees us up for making everything else appealing. Streets become hospitable for kids to walk, scoot, bike to school safely, using the road not the footpath. Older people and those with impairments can walk and wheelchair safely. Teens coming home from town of an evening can scoot or bike home, safely. Popping down to the shops or for a coffee or to the train becomes a pleasure to do on foot, or on a scooter or bike. And you’re moving in a legitimate way – seeing and being seen, not stuck off in the bush on a “recreational” track like what they’ve described. The ordinary streets and roads are walkable, bikeable, scootable, mobility-scootable, and perfectly driveable, equally safe and useable in all weathers and anytime of day or night. Used to be a big, fast road. Now, kids bike to school and old people can chill out on it. (Mark Kerrison) (And in case you’re worried about firetrucks / rubbish trucks / buses, recall that on even Wellington City’s far more winding, narrower hilly streets everyone gets their rubbish collected and fires fought just fine. On public transport, smaller buses, like those that community transport operators use, are the way of the future for less densely-populated areas like this). Don’t build the through and loop roads. You don’t need signs like this when the only people who bother to drive in are those who live there, or who are visiting friends, because you just have to drive out again the way you came. When it’s the place you live, you’re invested in not being a dick far more than if you’re just out for a drive – or worse, out for a bit of a boyrace hoon on a massive loop route through a whole place. So just don’t build those big connector roads that enable people to drive easily from one residential area to the next, especially the ones up in the hilltops (section C) that just say “come for a hoon!” Instead, connect the living spaces heavily with bikeable, walkable, scootable, disability-friendly streets and lanes, and as much as possible, only one way in and out for cars from each living area. II: Make local logical and easy Plimmerton is a true village, with a great little centre (including a train station!) but Plimmerton Farm is ultimately a damn big area. The way to go is to enable people to get the basics of life – like school, groceries, a coffee – with a little local trip on foot, bike or scooter – it’s more of a bother to get in the car. Right now though, it needs two changes: 1. Provide for a second centre “Bumping into” spaces are known to be crucial to a feeling of neighbourhood, and in the (initial) absence of third places (worship places, community hall, sports club, cafe/pub, a supermarket is a vital social centre. Yet the north end of Plimmerton Farm is currently a deadzone for anything except residential. What things will probably look like under current layout. Like in Edwards Scissorhands without the interest of a castle. There’s no provision for a place to do your household groceries, so people will drive to Mana New World – more car trips – and less opportunity to bump into people who live nearby. (There’ll be no school in Plimmerton Farm for a while, because Ministry of Education isn’t allowed by the Education Act to build a school somewhere until there’s a certain population density of kids to fill it. A shitty Catch-22 for developments which is hopefully going to be fixed … sometime. Just another reason to make walking, biking and scooting really kid-friendly, as extra dropoff traffic for kids going to St Theresa’s, Plimmerton School, Paremata and Pukerua Bay schools will be a nightmare.) So they should provide for an additional centre in the north, including a groceries place of some kind. 2. Intensify within walking distance of Plimmerton proper. We should intensify properly, with lots of medium and even some high density (6 storeys of nicely laid-out density done well!) in the area that’s within a 5-minute walk of Plimmerton Village. The more people can live and work with access to all its many amenities, and its rail station (10 min to Porirua, 30 min to Wellington), the better. But there’s not enough density provided for there. Plimmerton Railway station: buzzing in 1916 and has only got bigger. (Photo: Pātaka Porirua Museum) So they should add another zone – E – of higher density in that 5-minute walking catchment of Plimmerton Village. What could it look like? A good example is 3333 Main, Vancouver . Submission tips On the site they ask you to fill in a Word or PDF form, saying which specific bit of the gazillion proposals you are talking about and the specific changes you want. This is a BS way to treat the vast majority of people submitting: normal non-professionals, just regular people who care about good development and liveable places. So just don’t worry about that. In those question 6 column boxes just put “Transport” and “Layout”. It’s the professional planners’ job to figure out specifically how to change a planning document. Just be specific enough that they know what you want to see. The text above is worth copying and pasting – it’ll be enough. And don’t forget the Friends of Taupo Swamp and Catchment advice is essential – definitely go read and use. That’s all you really need – just go submit! But if you’re keen to know more reasons why they should be doing this better, here’s some… Get it right, now Once this plan change is through, traditional developers like Gillies like to whack in all the infrastructure – hello, massive earthworks. And yet the place will take decades to fill with actual people – those hearts and minds and wallets. (Note even before COVID, Porirua’s growth rate was 0.1% per year. Yep, one tenth of one percent.) And extra pressure’s on to do this better because all these things are features of the next one to three years: the One Network Road Classification (sets the design specs for roads of different types) is being updated right now to be more people-friendly in the specs for roads in residential and centre areas, so designs like Plimmerton Farm’s will soon be Officially Bad Practice Sales and riding of e-bikes and e-scooters are going through the roof, continuing through and beyond COVID – this shows no signs of slowing, and prices are dropping. E-power flattens the hills of Plimmerton Farm and makes wheely active travel a breeze for the middle-class people who’ll be living here, if the streets and roads are hospitablePlimmerton Railway Station (on the most popular Wellington train line) is being upgraded to be a terminus station – i.e. better servicesThe Wellington Regional Growth Framework is setting a bunch of directions for councils on how to grow well, including well-known but often well-ignored issues like intensifying around public transport hubs Councils will soon be required to do to a bunch of a bunch of international good practice including get rid of many minimum parking requirements (in the news lately), and to upzone (enable intensification) of landuse in the walking catchment of public transport hubs. (5 min walk = approx 400 metres, 10 min = 800m).Bad trends we need to stop: Porirua’s really high car-dependency (we own cars a lot and drive a lot) is continuing, due to car-dependent urban form [PDF]– despite nice words in council’s strategic intentions.People living outside Wellington City are mostly to blame for our region’s 14% increase in emissions from transport in just 10 years. OK go submit now – and share with anyone who you think might care!
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        • Transmission Gully Motorway, Kenepuru, Porirua, Porirua City, Wellington, 5022, New Zealand (OpenStreetMap)


    • Pinehaven Notified Consent Application
      • Decision and Recommendation of the Hearing PanelThe Hearing Panel issued their decision on the resource consent application and recommendation on the Notice of Requirement on the 4th of September 2020Decision and Recommendation of the Hearing Panel 4 September 2020 - Pinehaven Streamworks (pdf)Appeal PeriodsPlease note that the appeal periods for the decision on the resource consent application and the recommendation on the Notice of Requirement are different as outlined below.Resource Consent granted by GWRCIf the applicant or any submitters are dissatisfied with the decision to grant the resource consent, they may appeal to the Environment Court under sections 120 and 121 of the Resource Management Act 1991 within 15 working days of the decision date (ie. by 25 September 2020). If no appeals are received by 25 September 2020 on the resource consent decision, GWRC will issue the applicant the consent certificates.Recommendation on the Notice of Requirement to UHCC The Committee have made a recommendation that the Notice of Requirement be approved under section 171 of the Act. This recommendation is to the Upper Hutt City as requiring authority. The Upper Hutt City Council will make a decision within the next 30 working days under section 172 of the Act as to whether to accept or reject the recommendation. When that decision has been made, the Upper Hutt City Council must issue a notice of decision to submitters within 15 working days under section 173 of the Act. Submitters who are dissatisfied with this decision may appeal to the Environment Court under s174 of the Act within 15 working days of receiving that decision. Upper Hutt City Council will therefore inform submitters by email as to when this decision has been made, and the relevant appeal period.Summary of the proposalThe works are proposed over a length of approximately 1,200m in the lower catchment of the Pinehaven Stream. This extends from the Pinehaven Reserve to the inlet where the Pinehaven Stream is piped to the Hulls Creek.The purpose of the works is to reduce flood risk from the Pinehaven Stream to the surrounding area. The works will increase the capacity of the stream and its tributaries to a 1 in 25 year return period, reduce risk of injury or harm from flood flows, integrate overland flow paths into the stormwater network, and enable efficient and effective construction and ongoing maintenance of the structures.The proposal includes changes to the Pinehaven Stream channel and crossing structures in the lower reaches to provide for a 25-year channel capacity. The proposed stream improvement works include the:Creation of natural channel sections with riparian plantingConstruction of vertically sided lined stream sectionsSecuring overland flow pathsRemoving, replacing and constructing new bridgesRemoving three dwellings (4 Sunbrae Drive, 28 and 48 Blue Mountains Road)Upgrading stormwater system inlet pipes and fit with debris screensConstruction of a low wall along the boundary of Willow Park and 10a Blue Mountains Road to divert floodwatersConstruction of a private road access to 30, 32, 34 and 36 Blue Mountains RoadRelocation of utilities which cross the streamThe proposed works are intended to be completed in stages. It is anticipated that construction for stream improvement works will occur over 18 months but may take up to 2 years to complete.Resource consents sought from GWRCThe applicant has applied for the following resource consents from GWRC:Land use consent for excavations within the streambedLand use consent for bank stabilisation works, erosion repair, structures in and over the streambed and earthworksLand use consent for the relocation of utility pipelines over the streambedWater permit for the temporary take, use, damming and diversion of water during worksWater permit for the permanent diversion of water by structures erected as part of the worksReclamation of approximately 50m of streambed as a result of the relocation of the streambedWater permit for the diversion of flood water outside of the streambedDischarge permit for the discharge of sediment-laden water during worksNotice of Requirement sought from UHCCThe proposed designation would cover the area of the proposed construction works described above and would allow for these works to occur. The designation boundary would be adjusted once the structural works are complete. It will be reduced to an extent that is required for the on-going maintenance of the works.The applicant has proposed a number of conditions for the designation to address the effects associated with the proposal. The Requiring Authority for the designation is Upper Hutt City Council.Application documentsThe application and all supporting information, including the Assessment of Environmental Effects (AEE), initial technical reviews, and formal correspondence has been provided. See the Document Library panel on the right side of this page.Index of superseded documentsSuperseded document:Replaced by:Appendices S to V received 19 Sept 2019 Note: Only Appendix U is superseded by Updated Flood Hazard Assessment 15 June 2020SUPERSEDED Appendix B - General Arrangement PlansAppendix B Updated General Arrangement Plans – received June 2020SUPERSEDED Appendix C - Designation Plans received 19 Sept 2019Appendix C - Designation Plan Set received 1 May 2020SUPERSEDED Flood Hazard Assessment Addendum 27-11-2019Updated Flood Hazard Assessment 15 June 2020SUPERSEDED Flood Hazard Assessment Addendum 14-11-2019Updated Flood Hazard Assessment 15 June 2020SUPERSEDED Mike Law, Flood Model and Flood Hazard Assessment 21-11-2019Mike Law Technical Review 4 - Flooding 30-06-2020SUPERSEDED Pinehaven Streamworks Prehearing Meeting Report 20-04-2020Pinehaven Streamworks Updated Prehearing Meeting Report 20-04-2020Pinehaven Notified Consent HearingThe hearing is set to take place August 3rd - 5th 2020 at the Upper Hutt Cosmopolitan Club, 11 Logan Street, Upper Hutt. The hearing is open to the public and you are welcome to come and view the proceedings.The order of appearances and speaking times are outlined in the Hearing Schedule (pdf).SubmissionsThe submission period closed on 4.30 pm on Thursday 18 December 2019.All submissions received have been summarised in the Summary of Submissions (pdf) document.Processing officersThe officers in charge of processing this application are:Notice of Requirement: James Beban, UHCC, 022 659 1996 or James@uep.co.nz, or planning@uhcc.govt.nzResource consent: Josie Burrows, Resource Advisor, Environmental Regulation, GWRC.Please address enquiries to the consent assistant, Claire McKevitt on 021 813 384 or Claire.mckevitt@gw.govt.nz .
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    • Corporate Rowing 2015 – Give it a Go!!!
      • CORPORATE ROWING 2015 – WELLINGTON ROWING CLUB This is a business team challenge for any work team, social group or individual and will be ideal for :  building teamwork  encouraging colleague support  developing a team focus and commitment  fostering and boosting personal health and fitness  creating motivation and enthusiasm  providing fun and enjoyment  helping networking within the business community Mixed corporate 8 race on the Whanganui River as part of the training camp Corporate Challenge as an introduction to rowing: The Corporate Challenge is a good opportunity for anyone with no rowing experience to participate in an introductory program, before contemplating joining the club as a Novice rower. It works equally well as a stand-alone program. The Corporate Challenge runs from May to August. Key Dates  Land based Fitness training – Commences 5:30pm Tuesday 12thMay at Wellington Rowing Club.  Corporate Challenge Briefing 2.30pm Sun 10th May upstairs at the Wellington Rowing Club  Training camp in Wanganui date July 11th/12th 2015  Practice Regatta at the completion of Training camp  Indoor Rowing competition 6pm Monday 10th August  Corporate regatta 1000 metres Saturday August 15th (reserve day Sunday 16th – dependent on weather) This date will be confirmed once we have confirmation from Wellington Rowing Association. * Note that these dates are indicative – final dates yet to be confirmed based on the Wellington Rowing Association’s regatta programme – and the much-revered Wellington weather!! The Value of Participation  Great for team spirit—an excellent team building exercise  Promotes Healthy lifestyle–get into a keep fit habit  Enjoy Wellington at its best–enjoy Wellington from the harbour – one of its greatest assets  Something New– it’s great to try something new  A gateway to future fun–it may be the beginning to a lifetime of enjoyment in rowing. A final couple of words: We do endeavour to accommodate everyone that is interested in rowing. As there is a random element to the breadth of fitness etc of a crew, we ask that people allow for this. In addition, the Club is constrained in it’s boat and coaching resources. We will accommodate as many people as we can without overburdening the facilities, but it is possible that we will have to turn some people away. Our policy will be first-in, first-served. What Next—Who Do We Contact ? If you like the sound of this and would like to sign up or have any further questions, please email your details to Wellington Rowing Club at email: challenge@wellingtonrowing.org.nz See you at 2.30pm Sunday the 10th May 2015 upstairs at the Wellington Rowing Club!
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        • The Boatshed, Odlins Plaza, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


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      • The name Rembuden was given to the club by Kuroda Sensei, a leading teacher of the Martial Arts and Calligraphy. The name is made up from the Japanese - REM, to train with the heart and spirit, BU meaning the Martial Ways and DEN being the place of practice.
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        • Enjoy Contemporary Art Space, 211, Left Bank, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


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        • Hannah Playhouse, 12, Cambridge Terrace, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


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