Matching Newsitems

• • Weekly Wrap-Up (Term 1 – Week 8)

    • 22 Mar 2019
    • Wellington High School
    • Important Dates NOTE: You can access the school calendar on our website: WHS School Calendar 26 March: FRIDAY timetable runs today 29 March: Learning Conversations all day (with rōpū teachers) 1 April: BoT NZSTA event: Becoming a Trustee (see below) 12 April: End of Term 1 Principal’s message: Support, unity and strength of action It was lovely to see a number of current and past students and teachers at the Basin Reserve last Sunday evening for a chance to grieve and to show strength and unity with our muslim communities. SLT met with WERO leaders on Monday who had a range of ideas for support and these have been actioned this week: the school made available a reflection room with senior staff for students who needed time out and someone to talk to in order to help process the event, a book of condolences is available at reception in which members of our community can write, draw and express their messages for those affected in Christchurch the school came together on the field yesterday at lunch for a unity picnic – it was great to see so many of our students there, particularly senior students – and students took part in impromptu sing-a-longs, football matches, frisbee throwing and hula hooping, to name a few activities, today the school has observed the ‘colour your day’ promotion and have observed the call to prayer at 1.30pm followed by the 2 minute silence at 1.32pm, students have created a chalk wall where anyone can leave a message for our muslim whānau, and, students have been busy creating art works inspired by and in answer to the events. The students through all of this have been wonderful and caring and I hope we can all emerge from this feeling more kinship towards each other. The events last Friday overshadowed what was a wonderful response from our young people in civic square and at parliament in relation to climate change. A large number of our students took part in the climate change march and this was worthy of national focus. We made it very clear at Wellington High School that we supported our students with this action and I was really disappointed to see some principals and teachers in other areas devaluing the students’ initiative. We should all take strength from their actions last Friday and their continuing action this week in unrelated events. They are our future and their actions over the past week have been inspiring. Dominic Killalea Principal Important Information Learning Conversations — 29 March 2019 The Learning Conversation takes place between your student, the student’s rōpū teacher and parent(s) / caregiver(s).  Each learning conversation will take 20 minutes at the most. Students will only be at school on Friday 29 March for their learning conversation. Emails have been sent home. Bookings for learning conversations can be made at https://www.schoolinterviews.co.nz/ using code xktku. Lift Access: Please note that we have no lift access at the moment and are awaiting a new lift. If you would usually require the lift, please email Alison Jeffery (alison.jeffery@whs.school.nz) to request an accessible room. We apologise for any inconvenience this may cause. Emergency preparation We acknowledge that this has been a difficult week for everyone. We are keen to make sure you are fully informed of how our school would respond in an emergency. We are upgrading our alarm system at present but will conduct a practice lockdown and evacuation soon. We will inform you and the students in advance when we plan to do this. Meanwhile, you can read about our processes here: Emergency preparation.     Viewing disturbing content online This week, we issued a reminder to students that they should not be viewing or sharing disturbing content related to the Christchurch events online. We amended the use of computers in the library in relation to the kinds of games being played and we reviewed our whole school filtering options. We will continue to take this very seriously. Netsafe has issued the following advice: “The footage of the Christchurch attacks is disturbing and will be harmful for people to see. If you or someone you know has viewed the video and are struggling with what you have seen please contact ‘Need to talk’ – free call or text 1737. While the content is online there is some risk that children or young people may come across it. We encourage all parents to proactively discuss with their children what they should do if they come across distressing content online. Further information is available at netsafe.org.nz/upsetting-content/     What’s happening? In support of Christchurch: Unity Picnic At lunchtime on Thursday, several hundred members of the WHS community congregated on the school field for our Unity Picnic. An inspired, inclusive and community-focused idea from our WERO leaders, the picnic gave us all the opportunity to sit, eat, chat and enjoy each others company. Students took the opportunity to play guitar and sing, or get involved with games of frisbee, or even to focus on school work while they ate.            Memorial Wall Students have taken the opportunity to express their respect and support for those affected by the Christchurch shootings creating a colourful memorial wall. Located by the car park near the Science block, the wall is a striking feature at the entrance to the campus.   Board Elections  | A message from the Wellington High School Board of Trustees 2019 is an election year for school trustees.  We understand that asking people to put their hand up and stand for election is difficult, especially if parents aren’t really clear on what the role entails! Find out about becoming a trustee New Zealand School Trustees Association are offering a new programme, Kōrari, which is designed to recognise the experience of existing trustees and help to encourage potential new trustees to come and find out what it really means to serve on a school board. People who want to understand what school governance looks like can come along and find out more. A hui will be facilitated by a regional adviser from NZSTA who will talk about the reality of being a trustee, the support and training that is available and encourage existing trustees to tell their story. The Hui will be held at Wellington High School on Monday 1st April at 6pm. NZSTA will provide refreshments. If you are interested in becoming a school trustee we encourage you to come along. Please RSVP using this link if you ARE attending. Meet Ron Year 10 2018’s second semester sculpture will be taking up residence on the WHS campus very soon.   New Zealand Young Scientists’ Tournament Last week, teams from schools in Auckland, New Plymouth, Lower Hutt and Wellington met to compete in the first New Zealand Young Scientists’  Tournament (NZYST). Over two days, the 9 teams took part in Science Fights, presenting, opposing and reporting on research completed since September.  WHS fielded two teams: the Immovable Concrete Pillars and the Generous Practitioners who are to be congratulated for finishing 3rd and 4th respectively. Competitors may now be selected to take part in the International Young Naturalists’ Tournament in Minsk, Belarus later in 2019.                 Sport Futsal New Zealand Secondary School FUTSAL Champs will be held on Wednesday 27, Thursday 28 and Friday 29 March at the ASB Sport Center in Kilbirnie Wellington High School will be represented at the NZSS FUTSAL champs by a Junior Boys and a Senior Boys teams. A list of the students representing us at the Championships are: Junior Futsal (Boys): National Beau Buckley Yusef Idris Ibrahim Arthur Kraemer Ashwin Ellis Ibrahim Idris Ibrahim Hidu Choi Mohammad Mazraeh Senior Futsal (Boys): National Nathan McConnel Willem Rodgers-Rowe Louis Cowan Ruairi Whelan Turbull Leo Clark Jack Ure Seth Mitchell Webster Liam Gillespie Thomas Woodward Cade Kelly Felix Ayland Jibril Abid Yusef Callum Godfrey (Manager)   Waka Ama The CSW Waka Ama championships were held on Saturday 16th March at Onepoto in Porirua.  All of our teams did so well and represented Wellington High School to a high standard. A huge thank you to their coach Matua Whakamarurangi for all his time and expertise.       Lawn Bowls On Tuesday 19 March College Sport Wellington held the Lawn Bowls Championships out at Silverstream.  Theo Sutorius competed at the event for Wellington High School. Theo has played Lawn Bowls for the school for the last four years and has enjoyed every aspect of the sport.  Well done Theo!       Achievements WHS Alumnus wins Gold at Special Olympics Dominic Faherty, one of our alumni, won a GOLD MEDAL in the 200m event, and achieved a personal best, at the Special Olympics in Dubai. Dom is pictured on the podium. Congratulations! Frankie Coup — From Javelin novice to national competitor in 3 weeks! Frankie Coup threw her first javelin at the WHS Athletics day on 1st March 2019. She managed an impressive second in the junior girls’ category. After the competition she threw a few more times, one of which was 4m further than the current Junior Girls WHS record! Unfortunately, as it was out of competition, it wasn’t able to be officially recorded. Frankie was chosen to represent Wellington High at the Western Zone Athletics meet on 6 March 2019. Here she managed to win the Junior Girls’ competition, and earn a spot at the Regional Athletics meet. At the Regionals on 14 March, she won again, making her the best javelineer in Wellington. She has now been selected to represent Wellington at the National Athletics meet in Tauranga on 6 April 2019, a stunning feat for someone who threw their first javelin fewer than three weeks ago!
    • Accepted from WHS news 79 months ago by feedreader
    • Tagged as:
    • porirua
    • kilbirnie
    • civic-square
    • libraries

    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • August Update from DCM

    • 31 Aug 2020
    • Downtown Community Ministry
    • 96 August Update from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:center; } #templateHeader{ background-color:#0f288b; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#333333; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Together we can end homelessness When this is all over, what would you like to do differently? In our last update, we shared with you some of our taumai’s* reflections on the challenges and the positives of the COVID lock-down. Taumai also reflected on the future, and what they might like to do differently. DCM open but doing things differently at alert level 2, August 2020 Taumai spoke about the difference being housed – in emergency housing or a permanent whare – had made, and their desire to sustain this:   “No going back onto the streets” “Stay committed to the process - settle down, look at me!” “Stay in a home, and we can do it because we have done it here.” Some of the things taumai spoke about doing differently after lock-down were focused on habits they did not wish to return to, while others identified new habits or skills they wish to focus on. “I will try not to go begging; that habit”  “Hopefully go out more and be more assertive about finding work, or studying”  “I want to do some exercise” “I want to keep buying groceries and cooking – it’s a good habit” “Try to do more – access services myself because I was not aware of what support I could get, but now I do.”   As we in Aotearoa have moved back in to COVID-related restrictions this month, here at DCM we can celebrate having so many of our taumai safe and warm in their own homes or emergency housing. <!-- --> I absolutely love working at DCM Would you, or someone who you know, like to come to work with us here at DCM? We are currently advertising for several kaimahi roles here. This is a great place to work – but don’t just take our word for it! Alex Talivai started at DCM last October. This week, she shared her experience and reflections with us, including the things she has most enjoyed about working here:   Every day is different. I love the variety. I love the challenging personalities of our taumai. I enjoy seeing the regulars in the morning. I absolutely love my colleagues here at DCM. I love that DCM and our leaders are all open to change and to kōrero; we can question and discuss things, make suggestions, do things differently. I enjoy the waiata and karakia in the morning – it really does prepare us for the day – and again at the end of the day. It is cleansing, an opportunity to release the day, not take things home with you.   We asked Alex what she would say to anyone considering coming to work at DCM. She replied:   If you have a heart for it, go for it!! To put it bluntly, if you don’t take up an opportunity to be part of this team, you are a fool! You really can make a difference to someone’s life.   You can read Alex’s story here. For more information about the roles we are recruiting for, click here. Please share these opportunities widely! We really need people with big hearts to work alongside our taumai, supporting them to thrive in their homes and their lives. <!-- --> Thank you, Wellington! “Together we can end homelessness” – every month we are lifted up by the support DCM and our taumai receive from the people of Wellington. Last week, we were contacted by Pat who offered to make masks for our taumai. We have been giving these out, and including them with food support deliveries. Taumai can now use public transport, and are able to feel confident in other spaces where there are groups of people. We are also housing several people each week – moving them in to their own homes. Prue purchased some brand new linen as a house-warming gift for one of these taumai. If you would like to provide a gift of new linen for another taumai, please keep the docket so that we can provide you with a receipt for tax purposes. *We call the people we work with taumai, meaning to settle. This reflects the journey we embark on together to become settled, stable and well. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 63 months ago by feedreader
    • Tagged as:
    • covid-19
  
  

• • July Update from DCM

    • 30 Jul 2020
    • Downtown Community Ministry
    • 96 July Update from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:center; } #templateHeader{ background-color:#0f288b; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#333333; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Together we can end homelessness Ensuring that our taumai have a voice At DCM, we are committed to ensuring that our taumai* have a voice – at DCM and in Aotearoa.  Many of us have been sharing stories of lock-down; we wanted to ensure that the experience of taumai over this time was also captured and shared. We interviewed 65 of our taumai and will share some of their insights over the next few updates. We asked taumai to name the biggest challenges of the period for them, as well as what they enjoyed most about lock-down. An empty Wellington city, 2 April 2020 What have been the biggest challenges for you? Staying indoors, not being able to go out - 33% Not being able to spend time with friends or whānau - 27% Not being able to do the things I enjoy, missing my routine - 29% There haven’t been any challenges - 15% What have you enjoyed most about lock-down? One third commented that they had not enjoyed anything about this period (“Nothing really”; “I enjoyed nothing, just carried on with my life”), but two thirds spoke about the positives of lock-down. They had enjoyed the quiet, time with family, being busy and getting exercise - “watching TV and listening to music”, “cleaning my house”, “I have been enjoying the long walks daily” and “getting out and getting fresh air”. And then there were those who most enjoyed not having much to do – “the best thing has been not having to do anything”, “being lazy” and “we don’t have to do so many things”. Several referred to the positives of reduced alcohol and drug use:   “We are not drinking as much as we used to.”   “I have given up drinking and have been using my money for much needed things for my home. Utility bills and food. I always have food now.” “I've been getting off the drugs.”  “Getting off the drugs means I've been enjoying food more.” “I didn’t gamble.” But the very best thing about lock-down, mentioned by 25% of those we spoke with, was having a roof over their heads or moving in to a home:   “Not having to worry about where I am going to stay.” “Showers, warm bed, a roof.” “Having my own apartment, I can make a drink when I want to, turn my TV on.” “Having a place to stay - just knowing there was somewhere.” “Being safe and having a roof over my head.” “Being in a motel has made me feel safe and warm.” “I have coped well, better now that I am housed.” <!-- --> General Election 2020 We are excited to also share with you another way in which we are ensuring our taumai have a voice in Aotearoa. With the support of the Electoral Commission, we have been encouraging our taumai to enrol to vote, and look forward to having a polling booth here at DCM to ensure voting is as accessible for our taumai as possible. Among the many taumai we've enrolled this month is Manu. Manu is a Māori man in his late 50s who has never voted in his lifetime. He is now signed up to the Māori electorate and is looking forward to voting in his first-ever election right here at DCM. <!-- --> Checking in with Arthur - two years later We celebrate each time one of our taumai is housed; we also celebrate the hard mahi they put in to sustaining that tenancy, often with the ongoing support of DCM kaimahi. Two years ago we introduced you to Arthur. Arthur was delighted to have his own whare after months of being without shelter. But DCM’s support extended beyond getting Arthur into his own whare. He was supported through the DCM Dental Service to get a new set of teeth, and DCM’s volunteer audiologist treated him so he was able to hear much better. “DCM helped me with pretty much everything,” Arthur says. “They gave me food parcels, supported me to get my license back and got a copy of my birth certificate.” Another important support DCM was able to offer was to visit Arthur in his whare to make sure everything was going OK. This month marked another milestone for Arthur - he has now been housed for two years. Arthur has whānau living with him, and is taking part in his local community, attending a weekly community group at a local church. He also works part time, an amazing accomplishment two years on from living on the streets. Kia kaha, kia maia, kia manawanui Arthur!  You can read the story we shared two years ago when Arthur was first housed. Would you like to support someone who has recently moved in to their own home? We would welcome donations of microwaves for our taumai. Contact us or find other ways to support us here. *We call the people we work with taumai, meaning to settle. This reflects the journey we embark on together to become settled, stable and well. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 64 months ago by feedreader
    • Automatically tagged as:
    • religious-groups
  
  
• • 

    Circa 2015 Season - jam-packed with theatre for all audiences!

    • 8 Dec 2014
    • Circa Theatre
    • Red Riding Hood, the PantomimeBy Roger HallSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson2-10 JanuaryCirca One What a big smile you’ll have …Don’t miss Circa’s fabulous Christmas panto! And this year Red Riding Hood is back with one of the great traditional stories – innocent Red Riding Hood, her poor, short sighted grandmother, and of course the handsome woodcutter and that villain of all villains, the Wolf!There’s lots of laughter, hilarious jokes and musical goodies in Red’s basket as she sets off on her journey to entertain young and old with this marvellous magical treat.“A great way to introduce kids to the magic of theatre, and Red Riding Hood is easily the ideal Christmas outing for the holdiays … a treat” – Salient“Roger Hall’s helter-skelter Red Riding Hood… is wonderfully exuberant seasonal fun” – The Dominion Post The Kitchen at the End of the WorldBy William ConnorDirected by Steffen Kreft16-25 JanuaryCirca Two “Something is coming. I don’t know what it is. And I don’t know if I should fight it or welcome it.” One snowy evening, an empty 83-room hotel on the edge of the Vastness receives a thin guest who has walked all the way from the City. Penniless, he is smuggled into the hotel kitchen where a kind cook works near an extraordinary thyme plant. He says that creativity is dying. Described as “intensely beautiful”, “provocative and moving”, The Kitchen at the End of the World is the story of marionettes who know they are limited by the extent of their strings – even kissing can tangle them – but they crave what lies beyond their reach. A story about home, the unknown, and the courage to face everything in between. The show captivated audiences at its sell-out debut season during the Greytown Festival 2012and is a powerful reminder that puppetry is not just a children's art form. SeedBy Elisabeth EastherDirected by Kerryn Palmer17 January – 14 FebruaryCirca One SEX & DRUGS, WITHOUT THE ROCK ‘N’ ROLL IVF isn’t foolproof and IUDs aren’t failsafe. iPhones come with ovulation apps and ‘choosing from the menu’ means selecting your sperm. Seed follows four women as they try to get pregnant, stay pregnant or become un-pregnant - the dilemmas of modern reproduction. Elisabeth Easther’s Seed is winner of the 2014 Adam New Zealand Play Award, which recognises and celebrates the best in new writing for the theatre. It’s a multi-narrative play about the mysterious business of fertility, with all of its challenges, heartaches and hormones. Seed is a drama that’ll have you laughing ‘til the tears are running down your face, and it’s a comedy that’ll make you cry. “Highly entertaining, funny and sophisticated” - Adam Play Award Judges “[A] sophisticated, witty and very contemporary meditation on the timeless processes of procreation.” - NZ Herald STARRING: Tess Jamieson-Karaha, Jamie McCaskill, Emily Regtien, Holly Shanahan and Amy Tarleton Warning: Adult themes and strong language. Demolition of the CenturyBased on the novel by Duncan SarkiesCreated by Duncan Sarkies and Sean O’Brien31 January – 21 FebruaryCirca Two Welcome to the world of Tom Spotswood, an insurance investigator who has lost his socks, his suitcase, his ex-wife and his son, Frank. Fresh from performances in the New Zealand Festival, Auckland Writers Festival, Tauranga Arts Festival and Nelson Arts Festival, Demolition of the Century sees author/performer Duncan Sarkies (Two Little Boys/Scarfies/Flight of the Conchords) stage a humorous and sometimes heartbreaking look at families, memories and the fragility of the human mind. He is accompanied by musician Joe Blossom, who plays a soundtrack that is both haunting and invigorating. “A series of brilliant vignettes, delivered in an inspired cabaret-style reading by the multi-talented Sarkies, and outstanding musician Joe Blossom… Blossom not only creates fluid and essential musical transitions, but his beautiful vocals, self-accompanied on piano and guitar, imbue this work with a powerful pathos that allow glimpses of the inner landscape of these characters. Demolitionis a fast-paced, darkly captivating cabaret-comedy, which leaves us fully entertained and tantalizingly close to solving a puzzle.” –Bay of Plenty Times Wake Up TomorrowPresented by Everybody Cool Lives HereIn association with ActiveDirected by Isobel MacKinnon21-28 FebruaryCirca One Welcome aboard Active Airlines! Join the eccentric passengers during this compelling, surreal and funny flight. Made under the guidance of Wellington theatre makers in collaboration with Active, a service for youth with an intellectual impairment, Wake Up Tomorrow was created from the minds of these incredible young people. Audiences will be transported from the mundane moments on a long haul flight to bizarre and hilarious scenarios.  Please fasten your seat belts, make sure you are in the upright position and enjoy the journey. We may or may not arrive at the expected destination. “In a work of this kind there is always a delicate balance to be held between presenting a polished product at the same time as allowing for a playful improvised quality to emerge that allows the actors to perform to their strengths. This was very evident in the final few scenes …” – Madeline McNamara Yep, Still Got It!By Jane Keller and Sandy BrewerDirected by Alan PalmerMusical Director Michael Nicholas Williams28 February – 21 MarchCirca Two YOUTH IS A GIFT OF NATURE, BUT AGE IS A WORK OF ART – Stanislaw Jerzy Lec Following the huge success of BOOMERS BEHAVING BADLY, Jane Keller returns with another hilarious show. A little older, a little wiser, a lot sassier, and even more confused. Whatever happened to the days when a cloud was a cloud, when face time was over a G&T, and we punctuated our sentences with full stops - not smiley faces? From senior sex and those pesky STDs to shopping sprees and colonoscopies, Jane shares stories of abject embarrassment, medical (mis)adventures, empowerment, and acceptance. In YEP, STILL GOT IT!  she embraces the power of an older woman with no FOMO. Together with the brilliant Michael Nicholas Williams on the piano Jane brings a brand-new show to Circa Two combining her special style of storytelling with her virtuoso Broadway voice. Capital E Kids FestivalCirca One CaterpillarsBy Kallo Collective Directed by Thomas MoncktonProduced by Show Pony7 March 10 am & 11.30am A tale of two puppeteers’ failed attempts at beautification. In the magical world of flitting butterflies, jumping eggs and giant swaying flowers, two lycra-clad puppeteers try their hardest to remain unseen and at service to their puppets: two enormous plump caterpillars. Caught in the wrong place at the wrong time, with nothing but their wits to cover up their escalating blunders, two appealingly hopeless clown puppeteers bring upbeat absurdity, slapstick silliness, and a good dose of reality to their hilarious and unpredictable antics. Beards! Beards! Beards!By Trick of the Light TheatreDirected by Hannah SmithWritten by Ralph McCubbin HowellProduced by Show Pony21 March 10am & 1pm Beatrix didn’t want a tiara. Beatrix wanted a BEARD! From Charles Darwin to Abraham Lincoln, Karl Marx to Mr Twit, it is said the secret to power and greatness is all in the size and shape of the beard. This is a tale of one young girl’s increasingly inventive efforts to grow the world’s most magnificent beard. Join a madcap and hilarious musical romp of physical comedy and clowning, as our plucky young heroine shakes up social rules and attempts to answer the questions that have puzzled mankind since the dawn of the beard. Suitable for  children 5+. The PianistBy Circo Aereo (Fin) and Thomas Monckton (NZ)In conjunction with Show Pony (NZ)Directed by Sanna Silvennoinen and Thomas Monckton7-22 MarchCirca One Direct from Edinburgh Fringe and the London Mime Festival, last year’s hit returns to Circa! “It would be no exaggeration to declare Thomas Monckton nothing short of a genius.” – Broadway Baby (UK) “I doubt very much that you’ll see, in fact I am prepared to bet on it, a funnier show this year…miss him at your peril”  – The Dominion Post (NZ) Fresh from a five-star reviewed season at the Edinburgh Festival Fringe and a sell-out season at Circa Two last year, award-winning performer Thomas Monckton returns with his smash hit The Pianist, this time at Circa One! The Pianist is a solo comic contemporary circus piece by Thomas Monckton (NZ) and Circo Aereo (Finland). The show is centered on, in, under, and around the magnificent grand piano. Accompanying this elegant apparatus is the poised pianist himself. Only he is so focused on impressing everyone that before he realises it, his show has transformed from the highbrow concert he hoped for, into a spectacularly amusing catastrophe. Suitable for all ages. The Mystery of Edwin DroodA musical by Rupert HolmesDirected by Lyndee-Jane Rutherford28 March – 25 AprilCirca One Who the Dickens did the deed? You decide! A non-stop ride of mystery, murder, and musical delight! Based on Charles Dickens’ final, unfinished novel, The Mystery of Edwin Drood is filled with clues, red herrings, villainy, and debauchery. Everyone on stage is a suspect – and it's up to you to decide how this mystery ends!Hot off Broadway, this Tony Award-winning theatrical genius is led by director Lyndee-Jane Rutherford (Midsummer (a play with songs)), who reunites with the artistic team that brought Grease and Mamma Mia to the Wellington stage. The cast includes beloved actor of stage, screen and radio, Lloyd Scott, and internationally renowned soprano, Barbara Graham (Christine, Phantom of the Opera). The Mystery of Edwin Drood boasts spectacular big dance numbers, rousing showtunes, stunning theatrics, magic, and illusions!  Tony Awards for Best Musical, Best Book, and Best Score“One of the most inventive, inspired and rousing musicals ever devised.”—AM New York“Infectious fun!”—Time Out New York “Bawdy fun!”—Associated Press “Sheer fun!”—The Wall Street Journal Two MortalsDirected by Geoff PinfieldPerformed by Rachael Dyson-McGregor & Mike McEvoyComposed by Beatrice Lewis1-18 AprilCirca Two 'A powerful theatrical experience suffused with humour, beauty and emotional intelligence' – The Melbourne AgeTwo Mortals is a delicate, poetic and humorous exploration of life, death and the moment in between. Composed word-for-word from interviews with people who live and work at the ends of life – morticians, cryogenicists, palliative care workers and ministers – Two Mortals weaves these true stories and experiences into a richly theatrical exploration of mortality. This uplifting work about one of our society's most taboo subjects was directed by Chapman Tripp Director of the Year Geoff Pinfield. Created and performed by Rachael Dyson-MacGregor and Mike McEvoy, Two Mortals sold out two critically-acclaimed seasons at Melbourne's La Mama Theatre. Improv for KidsBy The Improvisors7-18 AprilCirca Two Kids love theatre that’s interactive. So do the Improvisors. Kids (and their grown-ups) loved the 2014 season of Improv For Kids, so we’re bringing it back. It’s a great opportunity to introduce your kids to the world of live theatre. We may not have millions of dollars worth of computer-generated effects, but we do listen to kids and we make their ideas central to what happens on stage. In Improv For Kids, imagination is the best special effect of them all! Don JuanBased on Don Juan by MoliereCreated by A Slightly Isolated DogDirected by Leo Gene Peters25 April – 23 MayCirca Two World Premiere A sexy, fierce, raucous celebration.  Don Juan explodes with the energy of a music gig or a club.  It’s a cabaret.  It’s chaos.  It’s a furious adrenalized romp through the games of attraction and sexuality.  It’s the BEST… PARTY… EVER.  Five mad performers use a variety of theatrical forms and styles to bring an adaptation of Moliere’s classic play to life.  Loaded with pop songs and flirting, this imaginative work will continually intrigue, delight and surprise. While the bar keeps serving drinks.  All night long.   Created by A Slightly Isolated Dog, one of Wellington’s most innovative and exciting companies.  Critically acclaimed and award winning shows include:  Death and the Dreamlife of Elephants (2009, 2011), Perfectly Wasted (2012 - in partnership with Long Cloud Youth Theatre) and Settling (2007). A Servant to Two MastersBy Carlo GoldoniA new adaptation by Lee HallDirected by Ross Jolly2-30 MayCirca One NZ Premiere Love, passion and pandemonium Goldoni’s much-loved comic classic is a masterpiece starring a wily servant whose cheeky, inventive trickery gets the best of his masters, in a merry mix-up of mayhem and mistaken identity. Truffaldino, the scheming and perpetually hungry servant, concocts a zany scheme to double his wages (and his meals) by simultaneously serving two masters – the lovelorn Beatrice (disguised as a man) and her lost lover Florindo. Hilarity abounds In this sharp, new, rapid-fire adaptation by award winning dramatist Lee Hall (The Pitmen Painters, Billy Elliot).   A delicious, madcap Italian comedy of lovers, disguises, tricks, traps, mishaps and meatballs! “A sparkling, wonder filled new version by Lee Hall... An evening to cherish” – Daily Mail “A hugely enjoyable night out" – Covent Garden Life TheatresportsBy The Improvisors3 May – 14 JuneCirca Two Part of NZ International Comedy Festival The Improvisors are back at Circa with another season of this very popular show. Each night two teams of Improvisors take suggestions from the audience and spin them into short scenes, songs, poems or whatever else takes their fancy. Each show is completely different – what does stay the same is that Theatresportsis always a great night’s entertainment for the whole family. We don’t know what ideas you are going to throw at us – we do know that our kind of improv magic has been keeping audiences laughing over many years. Theatresports – putting the “make up” on stage. Second AfterlifeBy Ralph McCubbin HowellDirected by Kerryn Palmer29 May – 13 JuneCirca Two Return Season of the 2014 Young and Hungry sensation!Dan was an internet junkie – now he’s calling it quits. But in order to forge a new profile, he must face up to his online history and it’s not going down without a fight.When Dan finds himself sucked into the Second Afterlife – a dark underworld of the internet, a very real and dangerous landscape of broken memes, deleted pages, and the ghosts of profiles past. Second Afterlife is a dark comedy about life (and death) in the digital age. Inspired by Dante's Inferno, and in the tradition of Scott Pilgrim vs. the World, it is a twisted allegory for the Facebook generation – a poetic, ass-kicking romp to the darkest corners of the web. “Ralph McCubbin Howell cements his status as one of NZ's best young playwrights with Second Afterlife and director Kerryn Palmer, her designers and crew, and her exemplary cast of six do him proud.” - TheatreviewBy arrangement with Playmarket.Edge/Turning PageBroadway Star, ANGELICA PAGE“An actress of the highest possible voltage” – Wall Street JournalPerforming two shows, alternate nights, two weeks only6-20 JuneCirca One EDGE written by PAUL ALEXANDER Set in 1963 on the day of Sylvia Plath’s death, Edge presents the self-told story of the troubled poet and author of The Bell Jar, The Colossus, Ariel and the Pulitzer-Prize winning Collected Poems. “… a resurrected Sylvia Plath… the showcase of a lifetime” NEW YORK TIMESRETURNING TO OUR STAGE 10 YEARS AFTER ITS SENSATIONAL 2005 CIRCA SEASON TURNING PAGE written by ANGELICA PAGEGeraldine Page’s sparkling career earned her a record-breaking eight Academy Award nominations, an Oscar for Best Actress in 1986, and made her one of the most influential American artists of the 20th century. Turning Page is the triumphant and heartbreaking true story of one of the most celebrated actresses of all time, written and performed by the person who knew her best: her own daughter. “A privilege” Los Angeles Times Matariki Development FestivalPresented by Tawata Productions22 June – 4 JulyCirca TwoAn international indigenous playwrights’ festival boasting an enviable whakapapa of the very best of contemporary Maori & Pasifika theatre.  MDF 2015 features new writing by Natano Keni, James Nokise and Pikihuia Haenga. the beautiful onesWritten and Directed by Hone KoukeProduced by Tawata ProductionsMovement by Dolina Wehipeihana & Hone KoukaDesign by K*Saba, Tama Waipara, Johnson Witehira, Wai Mihinui, Jaimee Warda, Sopheak Seng, Laurie Dean 27 June – 11 JulyCirca One World Premiere A hyperreal digital love story.  the beautiful ones is a story of young love.  A promise Hana made to Ihia – a promise to return.  Will she return?  Will love triumph over temptation?  the beautiful ones bursts from the late night sheen of a city club.  Beautiful bodies & vital vocals.  Defiant dance moves and the meaning of love.  the beautiful ones features a dance floor for the audience to share the vibe.  From the company that brought you I, George Nepia, Sunset Road and TŪ. Warning: Contains Big Beats & Dance Music. The Ugly OneWritten by Marius von Mayenburg; translated by Maja ZadaDirected by Giles Burton11 July – 8 AugustCirca Two A scalpel sharp, absurd comic fantasy about beauty. Lette thinks he is normal, but when he discovers that he is, in fact, unbelievably ugly he turns to a plastic surgeon for help. Suddenly he is the most beautiful man in the world. Fame and riches follow; women want to sleep with him and men want to look like him. And with surgery they can look like him. Exactly like him. Received around the world to great acclaim, The Ugly One now receives its NZ premiere. With writer von Mayenburg’s star very much in the ascendant, this show is a must see.   "A stripped bare satire on the nature of beauty. If you are interested in theatrical story-telling see this show." – The Times (UK) “Savage social satire … A small but perfectly formed play” – The Guardian (UK) “The concept is simple but the philosophical implications are profound: What if money could buy the perfect face? It’s The Elephant Manmeets The Matrix” – Post City (Toronto) The Hound of the BaskervillesBy Arthur Conan DoyleAdapted for the stage by Clive FrancisDirected by Ross Jolly25 July – 29 AugustCirca One Sherlock Holmes vs the Powers of Evil A bloodcurdling howl is heard across a cold, moonlit moor; the horrifying, spectral hound has claimed another victim … When Sir Charles Baskerville is found dead on his remote estate, in eerie, seemingly supernatural circumstances, Sherlock Holmes, the legendary, world-famous detective and his assistant, the ever-reliable Dr Watson are called upon to unravel the extraordinary mystery of The Hound of the Baskervilles. Sir Arthur Conan Doyle's most famous and most popular story, in an exhilarating adaptation by Clive Francis (Our Man in Havana), sees four actors playing all the parts in this gripping, classic tale of terror. A thrilling, ripping good night of fun, drama and suspense! “A cracking good yarn … Excellent ... Highly enjoyable." - Daily Telegraph "Chillingly atmospheric... this fun show will really thrill. " - The Observer Downton AdlibBy The Improvisors2 August – 27 SeptemberCirca Two Quality costume drama – only funnier. An aristocratic English family and their servants face the challenges of life in the early twentieth century. A cast of Wellington’s top improv comedians face the challenge of making up a brand new episode every night. We supply the characters, you supply the key plot ingredients and the result is costume drama as you’ve never seen it before. Love, laughter, passion and a wide range of hats! The Travelling SquirrelBy Robert LordDirected by Susan Wilson5 September – 3 OctoberCirca One NZ Premiere “We that live to please must please to live” – Dr Samuel Johnson From Robert Lord, the author of the award-winning and much loved Joyful & Triumphant, comes The Travelling Squirrel, a romp through the fickle nature of the entertainment industry. Protagonist Bart compares his struggles as a writer to those of Roger the squirrel, a misunderstood painter. Hilarious and packed with larger-than-life characters, this play is a testament to Lord’s ability to write brilliant comedy.  A satire tempered with deep affection, The Travelling Squirrel depicts a dangerous world in which fame and fortune are always temptingly just around the corner “This is surely one of Lord’s funniest plays, just as it is one of the most moving”   – Philip Mann “For two decades, Robert Lord’s plays astonished and entertained theatre audiences with their sharp satire and flamboyant farce.”  - David O’Donnell The BookbinderWritten by Ralph McCubbin HowellDirected by Hannah SmithPresented by Trick of the Light Theatre25 September – 10 OctoberCirca TwoThey say you can get lost in a good book. But it's worse to get lost in a bad one... From award-winning company Trick of the Light Theatre (The Road That Wasn’t There) comes a story of mystery, magic and mayhem. The Bookbinder weaves shadowplay, paper art, puppetry, and music into an original dark fairytale in the vein of Coraline and Jonathon Strange and Mr Norrell. An inventive one-man performance for curious children and adventurous adults... suitable for children 8+. Best Theatre and Best in the Fringe - NZ Fringe 2014 International Excellence Award - Sydney Fringe 2014 "Spell-binding storytelling at its purest and best..." - Theatreview"Absorbing and imaginative… a small gem of theatre" - The Dominion Post "Tuned to perfection... Bookworms of all stripes and ages will adore it."- The Age, Melbourne For more information visit www.trickofthelight.co.nz GiftedBy Patrick EvansBased on the novel of the same nameDirected by Conrad Newport10-31 OctoberCirca One It is 1955 and beyond the famous hedge something magic is about to happen. In his beloved garden the “Father of the Nations Fiction” Frank Sargeson is waiting for his old mate Harry to turn up. Instead, he encounters a young woman fresh from a mental institution. Her name is Janet Frame. Their world is about to change forever. From the director of Rita and Douglas comes this very funny and profoundly moving story. Touring the Arts Festivals in 2013 to incredible reviews and widespread acclaim it’s now Wellington’s chance to experience this celebrated New Zealand production. “Like an exquisite work of art, the play Gifted is honed to near perfection … go and see this gorgeous production.” – Taranaki “Superb performances by all … it is thrilling … it makes for astonishingly joyful, mischievous theatre.” – Dunedin “Sheer quality” – Christchurch Adventures in PianolandWritten and performed by JAN PRESTONDirected by GAYLENE PRESTON15-17 OctoberCirca Two How I learned to stop worrying and love the piano The irrepressible Jan Preston comes clean on her longstanding and sometimes bumpy road to piano stardom. Jan will spin yarns from dives in Soho to the concert halls of Europe, to stealing a piano in broad daylight from the 1860s Bar in Lambton Quay. She will accompany herself, of course, on Circa Theatres' lovingly cared for piano.  You will hear Chopsticks as you have never heard it, with Jan's original songs and compositions providing perfect counterpoint to her story. AcheBy Pip HallDirected by Lyndee-Jane Rutherford24 October – 21 NovemberCirca Two Fate, chance and rooftop romance.  Ache is a fateful comedy about two thirty-somethings trying to find their way through modern love, materialism and the Wellington dating-drought. At a time when we are promised happiness with the swipe of a card or the swig of a bottle, true joy and connection seems almost impossible. At crossroads and rooftop gardens, fate decides to surprise them. At last, connection, chemistry, charisma. He’s perfect, she’s gorgeous. Only timing’s not as kind – he’s taken. Is it just not meant to be or will she push timing aside and take fate into her own hands?   Achingly-funny and heart-breakingly sad, Ache is a modern story of love, timing and seizing the day.Don’t miss this WELLINGTON PREMIERE, finally on our stage after its SOLD-OUT season at Christchurch’s Court Theatre. All Our SonsBy Witi IhimaeraPresented by Taki Rua5-14 NovemberCirca One World Premiere Courage and loyalty is tested in this new play by Witi Ihimaera “Once they fought each other, now shoulder to shoulder they fight together” Two generations go to war while a third fights a battle to keep her family at home. Waru Mataira and his two sons Tai and Rangi volunteer to represent the Maori iwi of Mataira Mountain in the New Zealand Native Contingent to Gallipoli. Under the guidance of their Pakeha leader Alec Campbell, they join the battle on the western front as part of the newly titled Pioneer Battalion where their courage is tested and so too are their loyalties. Taki Rua Productions presents the World Premiere of All Our Sons, a ground-breaking play by Witi Ihimaera. Roger Hall’s Robin Hood, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson21 November – 20 DecemberCirca One There he is! Oh no he isn’t. Oh, yes he is!! With loaded bow behind a treeYou never know where he will beHe moves like velvet, sleek and svelteAround the Wellington town belt His eye is quick, his aim is sureHe robs the rich to feed the poorHe’s always on the side of goodThe hero known as Robin Hood He lies in wait for those who ownA big estate and second homeFor millionaires who don’t pay tax  For bankers who don’t watch their backs You’ll see them suffer their defeatIn Circa’s brand new summer treatA pantomime for one and allIt’s Robin Hood by Roger Hall “fabulously fast and furious ... A treat”  - Capital Times “ACTION-PACKED… TONS OF FUN FOR YOUNG AND OLD!”  - The Dominion Post A Child’s Christmas in Wales (and other memories of childhood)By Dylan ThomasDramatised and performed by Ray Henwood28 November – 20 DecemberCirca Two What has been described as one of the most magical of Christmas stories is brought to the stage by Ray Henwood. It is rounded out by other memories of childhood, first presented by Dylan Thomas in one of his regular talks on the BBC Welsh Home Service. Thomas had a very happy childhood and so many of his young experiences resonate still with us today.The town of Swansea which is the locale of his stories had changed little by the time Ray was growing up. While Dylan lived in more salubrious surroundings, Ray was a “Sandfields” boy referred to by Dylan- and played in many of the areas described in the stories. It is a truly timeless tale and family celebrations have changed little, even in countries that celebrate a summer Christmas. Dylan’s work brings back memories that resonate so well with young and old. it is a true celebration of our experiences growing up. www.circa.co.nz
    • Accepted from drama* on the waterfront posts 132 months ago
    • Tagged as:
    • tawa
    • town-belt
    • snow
    • matariki

    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Maranui newsletter february 2023

    • 28 Feb 2023
    • Maranui Surf Life Saving Club
    • 96 MARANUI NEWSLETTER FEBRUARY 2023 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:left; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:left; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:left; } #templateHeader{ background-color:#ffffff; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0px; padding-bottom:0px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#FFFFFF; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0px; padding-bottom:0px; } .bodyContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#0b4986; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0px; padding-bottom:0px; } .footerContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. KIA ORA Tomorrow will be the first day of the start of autumn, let's hope summery conditions will linger. The season may be coming to an end but Lifeguard Sport Team (Seniors) and the IRB Team (Inflatable Rescue Boat) still have competitions coming up.  We still need a First Aid Officer, so if this sounds like you please get in touch with Carrie - redmanatee@gmail.com Sadly our last Junior Surf session for the season is Sunday 19 March. Make sure you don't miss this. It will be loads of FUN! Ngā mihi. <!-- --> OCEANS'23 - FESTIVAL OF JUNIOR SURF LIFESAVING It's a wrap! 16 athletes competed at this Surf Lifesaving Sport Competition extravaganza at Mt Maunganui, Thursday 23 February - Sunday 26 February (four action-packed days). Our Maranui athletes trained incredibly hard all season to compete against other athletes from all over New Zealand at this event!   This event is an iconic Surf Life Saving New Zealand (SLSNZ) tradition which encapsulates the joy, excitement and skill involved in Surf Lifesaving, as well as providing a chance for kids U11-U14 to test their mettle in a safe surf environment. Highlights from the action at Oceans'23 will feature in next month's newsletter.   <!-- --> U11 boys at Capital Coast Junior Championships JUNIOR SURF What a month. We have had some amazing sessions back at the beach. February kicked off with a very successful Cap Coast Champs where we had several overall age grade winners. U13 Female Rosie Dunn (Silver) & Isabella Bethall (Gold),  U12 Male Isaac Goodwin (Gold) & Noah Isaia (Bronze), U11 Male Eddie Dunn (Silver), U9 Female Mille Isaia & Zhana Condliffe (Bronze). Thanks to our officials Anne Ferriss, Jeff Warburton, Ben Barry and newbies Ben Gleisner & Alex Dalzell!! Our nippers sessions have been well attended and even had a few waves to play in. Great to see new coaches stepping up, next season looks exciting!  Our board development skills sessions have continued when able and it’s great to see kids developing key skills and having fun… anyone with 200m badge wanting to gain experience on boards welcome! We had a team of 16 athletes attend Oceans'23 Festival of Junior Surf lifesaving over 4 days of fun, surf and personal success. They did all the Mahi and got to have fun, race and achieve personal goals! You made us all proud! 2023/24 season jumps to mind now for me… ALL current 10/11/12/13 members, how much do you live this sport? Do you want more time developing skills and even join us up here in the Mount next year?? If you think you do, please reach out to any of the coaches or myself over the next few weeks…. We want to grow more lifeguards and more amazing youth experienced in being amazing in our surf!  Lucy Barry Director Junior Surf Development Athletes at Capital Coast Junior Championships <!-- --> MARANUI IRB RACE TEAM QUIZ NIGHT More than 100 family and friends of our fabulous Maranui IRB race team got together on February 12 for a quiz night fundraiser at Brooklyn's 1852 Pub and Kitchen. It's the first time we've held a quiz at 1852 and, thanks to our wonderful host Jono and our amazing athletes and their families, the night proved hugely successful. To help our five IRB race teams with costs to upcoming events, including southerns, northerns and nationals, we've managed to raise almost $3000. As they say, it takes a village!  <!-- --> FIRST AID OFFICER WANTED After 6 years in the role I am stepping down.  I will do a proper hand over and provide support in the transition. If you are interested please contact Carrie - redmanatee@gmail.com Look forward to hearing from you, Carrie Matson Speirs <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347. SUBS & DONATIONS Calling all members - please ensure your subs and any outstanding fees/costs have been paid. Life Members & Associates (parents/caregivers) please don't forget to support Maranui by giving a donation. Thank you for your support.   <!-- --> KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 inc GST Branded Maranui 300gsm fleece lining 3000mm water resistant shell Knee length Fleece lined hood Super toastie warm for Wellington weather or between races. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com JUNIOR SURF - SUNDAY 19 MARCH Sunday 19 March is our last Junior Surf (Nippers) session for the season. We will be running fun races: Certificates for all registered Junior Surf members FUN activities Lolly scramble BBQ / Shared Lunch  Don't miss this - we would love to have a big turnout for the last session of the season. It will be loads of FUN. <!-- --> THE MARANUI WAY Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. VISION: One of New Zealand's premier surf lifesaving clubs providing world class surf lifesaving services and developing leaders and champions. PURPOSE: Provide our community a safe surf and beach environment. OUR CORE VALUES: Community, Excellence, Fun, Respect, and Tradition. <!-- --> OCEANS '23 FESTIVAL OF JUNIOR SURF LIFESAVING   Photos Courtesy Jamie Troughton Dscribe Media Services <!-- --> SEASON CALENDAR 2023 2023 TSB NZ Surf Life Saving Champs (Seniors) - Thursday 9 - Sunday 12 March, New Brighton Beach Last Junior Surf Sunday session for the season - Sunday 19 March 2023 BP Surf Rescue North Island Championships (IRB) - Saturday 25 - Sunday 26 March, Waipu Cove 2023 BP Surf Rescue New Zealand Championships (IRB) - Saturday 15 - Sunday 16 April, Whangamata Beach Easter - Friday 7 April to Monday 10 April 2023 School Holidays - Friday 7 April to Tuesday 25 April 2023  ANZAC Day - Tuesday 25 April 2023 Awards of Excellence / Prize giving (All Club Members) - Sunday 7 May 2023 SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2023 Maranui SLSC, All rights reserved. Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from Maranui Surf Life Saving Club newsletters 30 months ago by tonytw1
    • Tagged as:
    • brooklyn

    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  

• • February update from DCM - together we can end homelessness

    • 28 Feb 2019
    • Downtown Community Ministry
    • 96 February update from DCM - together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:left; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:left; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:left; } #templateHeader{ background-color:#10076f; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#333333; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Marking milestones This year at DCM we are celebrating our 50th birthday – but that is not the only milestone we have marked this month Our inspirational director, Stephanie McIntyre, took up the role 15 years ago, in February 2004. 50 years ago, DCM was set up to support the most marginalised people in the city of Wellington (DCM's constitution). Under Stephanie's leadership, we have adopted the byline "together we can end homelessness" reflecting our current focus on one key marginalised group. How appropriate that we should mark Stephanie's anniversary with a morning tea at Te Hāpai (to lift up), the safe, welcoming space here at DCM for people who are experiencing homelessness. There we shared photos and memories from the last 15 years, and our taumai acknowledged the part Stephanie and DCM have played in lifting them up and supporting them on a journey to housing and greater wellbeing. We were very proud to acknowledge Stephanie as one of our featured supporters this month. At the morning tea celebrating her 15 years at DCM, Stephanie noted that Te Amo was the only person who had worked at DCM longer than her. Te Amo works in our Foodbank, breaking down items, re-stocking the freezers with bread, and generally keeping the DCM whare clean and tidy. <!-- --> Our Foodbank needs your support Another of the supporters we lifted up this month was Kaibosh, who supply a wide range of healthy, nutritious food for our taumai. Food rescue service Kaibosh provides quality surplus food three times a week to DCM, and as you can see it includes fresh veges, which is a welcome boost for the nutritional needs of taumai. In addition to food provided by Kaibosh, DCM's Foodbank relies on donated goods from the people of Wellington. The Foodbank has been busy lately, and we are very short of the following items: Tinned stews and ready meals Pasta and curry sauces Jam, honey, peanut butter Tinned fruit Soap, toilet paper, washing powder We would very much welcome your donations of food here at DCM, 2 Lukes Lane, week days or to our food donation bin at New World Chaffers any time. <!-- --> Our health volunteers The other key supporters we featured this month as “kaitautoko of the week” were our dentists. Oral health care is one of the most significant unmet needs of the people who DCM works with, the most marginalised people in our city. This group of amazing dentists from the Wellington branch of the NZDA volunteer their time so that our taumai can receive much needed emergency dental treatment and pain relief. At every session of the DCM Dental Service, we are reminded of just how significant this initiative is in enhancing the wellbeing of people in Wellington who are experiencing homelessness. Here are some examples of people who our dentists have supported recently. 'J' has been rough sleeping for some time. He came into DCM because he had tried to pull his own tooth out and left remnants behind, causing him further pain. He was seen by one of our dentists that day; he came back the next day pain free and ready to talk about his housing options.  'T' is a Māori man who has cycled in and out of homelessness over recent years. He is currently staying at the Night Shelter and has been taking pain relief for some badly infected teeth. He came in to DCM and was seen at the dental service. T needed a number of extractions, and the dentists recommended a second appointment at the DCM Dental Service. T has now been referred to Wellington Hospital; DCM staff will support him to connect with the hospital dental service to be fitted with dentures. The dental service has been important in continuing to build a strong relationship between DCM and T, to support our ongoing work to address his homelessness.    'H' is a daily visitor to Te Hapai. He is also profoundly deaf, and someone DCM staff have often struggled to communicate with. Last week he pointed to his teeth and we were able to make a dental appointment for him, writing the time down on an appointment card. We were unsure if he would remember, but he came to the appointment and was able to receive some much-needed treatment. He has been much more communicative and eager to engage with DCM since. The fourth supporter we featured this month was eye doctor Paul Herrick. He runs a monthly session here at DCM – each time he sees 10-15 taumai, some of whom leave that very day with a new pair of glasses and a whole new view of the world. For all our regular updates follow DCM on Facebook and Twitter. <!-- --> What can I do? We are recruiting! Would you or any of your contacts like to join the amazing team at DCM? We need experienced, qualified kaimahi to join our Sustaining Tenancies team, and our exciting new collaborative outreach team, supporting people who are experiencing homelessness, or at risk of homelessness. Visit our listings on Trademe here and here and please pass this along to anyone who may be interested. For more ideas about how you can help, visit our website and Support DCM Do you know others who would love to learn more about DCM and our work with people who are experiencing homelessness? Encourage them to join our mailing list for monthly updates during our 50th birthday year. <!-- --> Read More Success Stories <!-- --> Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2019 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 67 months ago by feedreader
    • Tagged as:
    • media
    • dental
    • featured
    • wellington
    • art
    • housing
    • hospital
    • people
  
  

• • February update from DCM - together we can end homelessness

    • 28 Feb 2020
    • Downtown Community Ministry
    • 96 February update from DCM - together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:left; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:left; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:left; } #templateHeader{ background-color:#0f288b; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#333333; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Reception at Government House A highlight this month was the opportunity for us to visit Government House where The Rt. Hon. Dame Patsy Reddy hosted a reception to celebrate DCM’s 50th birthday. This also provided an opportunity to recommit to our vision of ending homelessness, and to reflect on what we all need to do to better support this vision going forward. We share some key sound bytes from the speeches delivered by Dame Patsy and by DCM Director Stephanie McIntyre at Government House. Dame Patsy with DCM Kaihautū Neavin Broughton. “I was interested to learn that DCM is located on a site once occupied by Te Ati Awa. "One of my predecessors, Sir Paul Reeves, was descended from those people who lived in Aro Pā, and he talked about the pain experienced by his tipuna when they lost their homes there in the early days of settlement in Wellington. "So I think Sir Paul would be pleased that an organisation dedicated to finding homes for the homeless is now in that very locality, particularly given that a large proportion of DCM’s taumai are Māori. "We all know that shelter is a basic human right, and that individuals can’t address other issues or explore their aspirations if they don’t have a roof over their heads. "It must be particularly challenging for DCM and its partners to be working at a time when there just aren’t enough houses for Wellington’s population, let alone the range of accommodation options to suit the needs of the people who walk in DCM’s door.” - Dame Patsy Reddy Morris Wong, President of the Wellington Branch of the New Zealand Dental Association with the former President, Gavin Cho, at the reception at Government House; both are volunteers at DCM's emergency Dental Service. "Over the last year, DCM has grown to the point where we now have the human resources to support people in to houses, and to provide the wrap-around support and intensive case management they need. The irony is, however, that we haven’t got the bricks and mortar. "Last year we were able to support 85 people from homelessness into houses, but this year, in the midst of a very significant housing crisis, we are really struggling to access homes for our taumai. This is something we need to do together, and this is why my key message to you all tonight is this. "If you or anyone you know has a rental property or is thinking about investing in a rental property, please speak to us. We can offer landlords a 'no hassles' service – guaranteed rent, no fees, maintenance sorted and funded – and you will be providing a whare for a person who is experiencing homelessness." - Stephanie McIntyre, Director, DCM <!-- --> Meet Junior This year, we are introducing you to some of our kaimahi, the amazing team of people who support taumai to access and sustain housing. Junior Leota joined us in October 2019. He is working with the Aro Mai Housing First team, getting people with long histories of homelessness in to a permanent home, and supporting them to get to a good place in all aspects of their lives. What have you most enjoyed about your time at DCM so far? I’ve enjoyed seeing a lot of our taumai come out of their current position, homeless or at risk of homelessness, into a more stable one. Seeing the happy look on their faces from a good end result is priceless. What have you learned about homelessness since you started at DCM? It can be a long road for someone to move out of homelessness. Patience is important. Be sensitive and compassionate toward their situation. Sometimes you just want people to snap out of bad habits, but there may be a lifetime of trauma behind it. DCM is keeping me humble! When people ask you how they can be part of the solution to homelessness, what do you suggest? I would suggest bringing people who are homeless to a service like this – like DCM. Find places that can provide the right level of support for them. Find the people who really care, and introduce them to us. What is your favourite…? Food? Cream donuts.  Waiata? Whakataka Te Hau.  Sport? Volleyball.  Film? Enter the Dragon. (I love Bruce Lee.) What’s on your bucket list? Get a lot healthier and eat better. Less donuts! At DCM we often share “moments” from our interactions with taumai. What’s a special “moment” you enjoying sharing with others? I have enjoyed the best moment – finding permanent housing for people who have been homeless for a long, long time. Our latest taumai to be housed was teary-eyed when he got to view his place. We saw a burden lifted off his shoulders – he no longer has to worry about where to go or where to sleep. And his kids can come and stay with him now. Getting a roof over your head is truly life-changing. <!-- --> Foodbank shortage As Junior has noted, it is very special to see people who have been homeless for a long time move into a permanent home. But with this comes new challenges – adjusting to the realities of their new living situation, paying rent, electricity and other bills. Often there is very little left for food. DCM’s foodbank is busy year-round, but as our mahi has expanded, we are visiting more and more people in their new homes, supporting them to sustain their tenancy and to thrive in all aspects of their lives. Being able to offer food support from time to time is an important part of this, and our foodbank is busier than ever. We are now very short of many items, and we seek your support to re-stock the shelves. Some of the things we most need at present are:   Tinned fish Instant noodles Soups and ready meals Spaghetti Spreads Please drop food items in our food bin at New World Chaffers any time, or bring them directly in to DCM at 2 Lukes Lane, Te Aro, weekdays. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Read More Success Stories Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 67 months ago by tonytw1
    • Tagged as:
    • accommodation
    • government
    • media
    • dental
    • wellington
    • art
    • housing
    • places
    • sport
    • people
  
  

• • September Update from DCM - Together we can end homelessness

    • 29 Sep 2020
    • Downtown Community Ministry
    • 96 September Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:center; } #templateHeader{ background-color:#0f288b; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#333333; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } After a number of years of homelessness and, more recently, sleeping rough for a year, the future looks bright for Steven Cooking up a smile After a number of years of homelessness and, more recently, sleeping rough for a year, the future looks bright for Steven. The team at DCM have him back in a home of his own, and looking forward to getting back to work and smiling again. Steven in his whare Last year, Steven was sleeping rough, mostly in “the coves” along Wellington’s waterfront, where he felt safest. Steven qualified as a chef at 18 and worked in Australia for 20 years or so before coming back to New Zealand in 2005, often heading up busy kitchens. But back in New Zealand, things were not so good, and Steven found himself on the street, staying in different boarding houses and hostels until eventually he ended up sleeping rough on the waterfront. Instead of working in restaurants, he was now sleeping outside them, taking advantage of their heaters when they were on. “That’s where I’d go every night. It’s the safest place – much better than a tent in the bush. I’d drink to keep me warm and put me out at night so I could sleep in the cold. That was the only reason I drank – I don’t drink much now because I don’t need to.” He doesn’t need to because he’s now permanently housed in his own one-bedroom whare up in Karori, thanks to DCM and Te Aro Health. The Te Aro Health nurses, the DCM Dental Service and DCM’s volunteer physiotherapist Jeff have all been part of the team working with Steven to get him housed and well. Nurse Bronwyn and DCM kaimahi Kat continue to work together to support Steven When he was sleeping rough, Steven began coming into DCM “a lot – I was constantly on the move and this was the only place I could come and chill out and keep warm.” He’d also come in to talk with the team at DCM about how he could get off the street. They helped him onto the social housing waiting list. And then, at the end of last year, Steven was handed the keys to his new flat, and the team from DCM helped him to get together the furniture and items he needed for his home. “It was just like heaven. It was a load off my mind because you’re hyper-sensitive and aware when you’re outside doing it rough. You’re always aware, even when you’re sleeping. Moving in was a load off my mind. I could start planning ahead again and I could start thinking about getting back to work. If I hadn’t had DCM working with me, I reckon I would have been waiting three or four years." The next thing Steven plans to get sorted is his teeth, with DCM’s Dental Service having referred him to the hospital to get false teeth. “My teeth had been great till about 10 years ago but then they went real quick. I have a great smile, but I just didn’t smile with my teeth the way they were. I can’t wait to get false teeth and become a grinning idiot. It will give me so much more confidence to get back into looking for work. I want to be able to walk into an interview and give them a proper smile.” That work will likely be back in the kitchen, because cooking is what he does and unsurprisingly, having a kitchen again is Steven’s favourite thing about having his own flat. The first thing he cooked in his new whare? “A big roast pork with orange Beauregard kumara. I candied up the kumara with brown sugar and garlic, then added a little butter at the end. Delicious.” To read more of Steven’s story, click here. <!-- --> As you know, DCM is committed to ensuring that our taumai* have a voice – at DCM, in our community, and in Aotearoa New Zealand. Next month, our taumai will be able to vote in the General Election, right here at DCM. Despite the complexity of operating at Level 2 for much of September, we have continued to enrol as many taumai as possible, and to provide training and practice voting sessions – all with the support of the lovely team of Janet, Erin and Bridget from the Electoral Commission. Supporting taumai to enrol K is a 48 year old man who has been in and out of housing and often rough sleeping over the past 15 years. He has not been able to vote without an address, and voting in elections was not a major concern for him when he had so much going on in his life. Just before lock-down, DCM got K in to emergency accommodation and he is now on a waiting list for his own whare. K popped into DCM for a cup of coffee at Te Hāpai this month, asked about the enrolment forms there, and decided to get himself on the roll for this year’s General Election. K is looking forward to voting at the mobile voting booth at DCM for the first time in 15 years, especially as this year’s election will be held the day before K’s 49th birthday. A is a 40 year old Māori man who has not voted since 2005. He has been in and out of different homelessness scenarios, from rough sleeping, to the Night Shelter, to boarding houses and backpackers. In February 2019 he finally got his own Wellington City Housing whare and he has been doing well since. A came into DCM where he found out just how easy it is to enrol; he is now enrolled for the Te Tai Tonga electorate. He can’t wait to vote right here at DCM for the first time in many years. Explaining the referendum process C is a 37 year old Māori woman who has a lot going on in her life, having to deal with multiple addictions and mental health issues, which have seen her in and out of homelessness scenarios over many years. She is now in her own whare and working with DCM’s Sustaining Tenancies team. When the DCM and Electoral Commission kaimahi were able to show her how voting works this month, C decided to enrol to vote. She wanted to cast her vote immediately; we had to explain that voting wasn’t open quite yet! L is a 42 year old Māori man who is currently staying in emergency accommodation and working with DCM’s Aro Mai Housing First team. He didn’t think he’d be able to vote this year, as he doesn’t have a permanent address – until DCM staff explained that he could use DCM’s address. L was very excited and wanted to know who all the candidates are for the Te Tai Tonga Māori electorate. He too is looking forward to voting for the first time in years – right here at DCM. *We call the people we work with taumai, meaning to settle. This reflects the journey we embark on together to become settled, stable and well. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 62 months ago by feedreader
    • Tagged as:
    • karori
    • waterfront

    Karori, Wellington, New Zealand (OpenStreetMap)
  
  

• • April Update from DCM - together we can end homelessness

    • 29 Apr 2021
    • Downtown Community Ministry
    • 96 April Update from DCM - together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:center; } #templateHeader{ background-color:#0f288b; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#333333; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Me aro ki te hā o Hine-ahu-one - Pay heed to the mana of women Me aro ki te hā o Hine-ahu-one Pay heed to the mana of women Meda From rough sleeping and pregnant – to housed and hopeful Meda first came to DCM in 2016 – pregnant, and rough sleeping on the streets of Wellington. It has been a long journey for Meda – but she is in a good place now, in her own home and doing well. Photos by DCM kaitautoko Gabrielle McKone Meda grew up in a home she describes as “a house filled with love”, with two half-sisters, and one brother. “As a kid I enjoyed everything from running to swimming – I especially loved building tree houses! My childhood was full of outdoorsy stuff. I enjoyed school and I liked my teachers.” After her parents split, Meda bounced around a bit, eventually living with her aunty. But when she was kicked out of the house, she became homeless, living on the streets of Wellington with nowhere to go. It was a Wellington street friend who told Meda about DCM. “Someone said, ‘If you go down there they might be able to help you out.’ So I did.” It was around this time that Meda discovered she was pregnant. She was able to get into emergency housing, but a week before she was due to give birth, she found out that the courts had decided to uplift her baby once he was born. Losing her son was heart-breaking for Meda, and she describes it as being “the trigger for my trauma”. It led her to drink, and she no longer took very good care of herself. But in the midst of all this, Meda continued to work with DCM. “DCM has supported me in so many different ways,” says Meda. “I’ve seen the dentist a few times, popped in to see the Te Aro Health nurses, received food support and I was also on DCM’s money management service for a while until I got my own bank account. I was really proud when I got that – it felt like a big thing.” Sometimes it’s the little things that count. When Meda reflects back on the years of support from DCM, one of her favourite memories is of a woman greeting her by name, giving her a cup of coffee and a muesli bar each morning – this woman was DCM kaimahi Joanne. DCM helped Meda get into her own place, and continues to provide support so that she can thrive in her whare. Meda has made some friends in her new community and is loving this new feeling of independence, but she also appreciates being part of the wider “DCM family”. Best of all, Meda has been able to see her son. “It wasn't until I was housed and feeling a bit more stable that I was finally able to see him. A highlight for me was when I was able to go down to Nelson for his 5th birthday.” Meda maintains regular contact and is able to see her son from time to time. She’s so proud of this, and how far she’s come. “I’ve achieved a lot in the last year, getting my act together – and along the way I’ve developed a real passion for health and wellbeing. In the year ahead, I’d like to do some studies. I am proud of how far I have come, and I have plans and a lot of hope for the future.” You can read Meda's full story on our website. <!-- --> Regina and Joanne A hīkoi of courage and pride Sisters Regina and Joanne work together at DCM; both have big hearts for our mahi and our people. This month has seen them return from a hīkoi to get their moko kauae. Photos by Kylie Robinson (Regina and Joanne’s niece) It took many decades to get to this point. While the desire and longing was always there, there was too much stigma attached, and although their great grandmother had her moko kauae, it had skipped a few generations. Earlier this year, Regina and Joanne headed home for their grandmother’s tangi. It was a catalyst for them both, and opened up their sense of longing again. They prayed about this as well as speaking to family members. They both laugh as they talk about who was going to speak to their mother. Joanne lost, and spoke to their mum, who fully supported their decision. Joanne had her moko kauae completed at Mataora Bay; this is where their grandmother is buried and a place Joanne returns to often. Regina went inland to Ngahutoitoi marae where their father was raised and is buried. Several taumai challenged and encouraged them to take this step, and it has had a big impact on taumai since. At a taumai tangi soon after they returned to Wellington, Doc approached Regina. He held her hand, and put his hands on her face – “I am so proud of you.” * “Coming back to Wellington, I feel grounded,” says Regina. “I am not ashamed of being Māori. I’m proud of my culture. We have been indoctrinated to be ashamed of who we are. There are those who say that to carry the moko kauae, I would be carrying the bad things of the past. I choose instead to carry all the blessings of my tīpuna.” Many of our taumai, like Regina and Joanne, have received so many negative messages over the years about what it is to be Māori. They have been robbed of their reo; they have given up speaking it or have never learned it. Instead of feeling proud of who they are, they often carry the stigma and whakamā over many years, or over a whole lifetime. Here at DCM, we lift up Joanne and Regina for their courage, for their example, and for their commitment to DCM’s taumai and kaupapa. * Doc Manuel died soon after as a result of an accident in Wellington. Taumai had encouraged Joanne and Regina to set out on this journey, and Doc had blessed them when they had returned from that journey. RIP Doc.  <!-- --> Stephanie Homelessness...and home Stephanie McIntyre stepped down as Director of DCM at the end of 2020. This month, the Dominion Post caught up with her; they asked her to share some of her reflections on homelessness, and discussed what she has been up to since leaving DCM. You can read her reflections and her challenge to us all on Stuff. “We’ve long had the tag line at DCM: ‘together, we can end homelessness’. Without sounding twee, this is something everyone’s got to embrace together, and do together.” <!-- --> How can I help? It would be fantastic if we could take Meda and some of the other wāhine we've recently housed shopping so they can select something for their home. If you would like to purchase some vouchers for Briscoes or similar, that would be much appreciated. Drop these in to Matthew Mawkes at DCM, 2 Lukes Lane, week day mornings, or pop in the post. Kia ora! <!-- --> Support DCM! Me aro ki te hā o Hine-ahu-one Pay heed to the mana of women <!-- --> Copyright © 2021 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 55 months ago by feedreader
    • Automatically tagged as:
    • religious-groups
  
  

• • June Update from DCM - Together we can end homelessness

    • 29 Jun 2021
    • Downtown Community Ministry
    • 96 June Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:center; } #templateHeader{ background-color:#0707b9; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#333333; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Hearing, homelessness – and being heard Hearing, homelessness – and being heard This month we have marked National Volunteer Week. One of the very special health professionals who volunteer their time at DCM is our long-time audiologist, Dr. Lisa Seerup. We especially want to lift up Lisa and to congratulate her on her appointment as President of the New Zealand Hearing Association. Lisa is committed to using her time in this role to ensure that the most marginalised, the people she supports at DCM, have a voice and are heard. She has learned a lot during her time at DCM, but she has also taught us a lot. “It was Michelle Scott from DCM who initially approached Hearing Association Wellington. Michelle knew that the Māori population have higher rates of ear and hearing problems. DCM does a great job of looking beyond the usual to see what other factors might be contributing to a person not meeting their potential. Hearing issues have a causative impact on a person’s life. No other New Zealand programme for people who are homeless has incorporated audiology services into their support network. I really applaud DCM for the foresight." Photo by Pat Shepherd, One Percent Collective "One of the things I can’t thank DCM enough for is recognising where barriers exist. Out there, barriers are everywhere and for Māori and Pasifika, it can go right back to childhood. The middle ear predominantly affects Māori kids – can you imagine going to school with an ear infection. You can’t hear, and you’re getting yelled at by the teacher. This leads to so many problems later in life, including mental health issues. The data tells us that 60% of people in New Zealand prisons have hearing issues, and this climbs to 90% for Māori in prisons. We know that many of these individuals would not be in prison if they had been able to hear the charges and questions they faced. Nodding and signalling assent is often a way of responding when you cannot hear. It is an honour for me to take on this leadership role in our profession, and to share these learnings and voices with those who most need to hear – decision-makers, funders and the wider community. Because we need to address this together.” Earlier this year, Lisa shared her story and spoke about her work with DCM with our friends at One Percent Collective. We encourage you to read the story in full here. <!-- --> Celebrating three more years Earlier this year we shared a special film clip with you all, inviting you to spend a day both here at DCM, and heading out on to the street with our Outreach team. The difference DCM’s Outreach team makes in the lives of the most marginalised people in our city has again been acknowledged by Wellington City Council. This month they committed to continuing to fund this mahi, along with DCM's work supporting vulnerable Wellington City Housing tenants, for a further three years. Wellington City Council has a long history of work to end homelessness, including supporting DCM in many different ways over the years. They grasped the need to address and end homelessness before any other local authority in Aotearoa, and this has been critical to DCM playing the role which we do in our city. Since 2018, they have partnered with DCM to deliver this Assertive Outreach Programme, whereby DCM kaimahi go out and connect directly with our city’s rough sleeping community. The council’s contact centre manages the notifications and concerns from members of the public, passing them on to DCM. This 'assertive' approach focuses on assisting and encouraging people to exit homelessness, rather than supporting them in maintaining their homelessness. It can take a long time, but we work to build a relationship of trust, in order to connect people with the many wrap-around supports which DCM offers, and with other appropriate services. The hook which gets people to engage may be the removal of pain which comes from a dental appointment at DCM, the ability to access a benefit through DCM’s Money Management Service, or the hospitality and purposeful activity we offer at Te Hāpai. Those with long histories of homelessness can then be supported by our Aro Mai Housing First team to access a home and improve their quality of life. Wellington City Housing tenant Johnny has been supported by DCM over many years. Here Nani from DCM's Sustaining Tenancies team visits Johnny in his whare. At DCM, we understand that ending homelessness means working to ensure that homelessness is rare, brief and non-recurring. Our commitment is not only to those experiencing homelessness, but we also support people at risk of losing their tenancies and falling back into homelessness. Wellington City Council funds and has committed to continuing to fund DCM’s work with the most vulnerable Wellington City Housing tenants, ensuring that they not only sustain their tenancies, but go on to thrive in their lives and communities. This month it is especially appropriate that we lift up Wellington City Council, along with all of our many supporters and partners, for your commitment to being part of the “together”. Together we can end homelessness in our city… We encourage you to enjoy the film clip again: For stories about the work of DCM's Outreach team, including during last year’s COVID-19 lock-down, visit our website. If you are concerned about anyone you see rough sleeping in Wellington, please call Wellington City Council on 04 499 4444 and they will let us know. <!-- --> A place called home Earlier this year while most of us were enjoying a break or summer holiday, we were able to treat some of our taumai* to an outing, thanks to your generosity. One of those people was Dylan. Since that time, we have had even more to celebrate, as Dylan is now housed. It has been a long, long journey for him, and so many people and organisations have been part of this journey – including Te Aro Health Centre, several mental health services, Kāinga Ora, Emerge Aotearoa, and many different workers and supporters at DCM over the last nine years. From the first DCM worker, DJ, who greeted Dylan on his first visit and supported him over several years, to his current support worker, Jordon from DCM’s Aro Mai Housing First team, we have all been part of something special. Recently Dylan sat down with Deepal from Emerge to share his thoughts and reflections on what it means to him to have “a place called home”. Dylan has asked us to share this with you all. A place called home 'where I wanna be' Being taken-away from my parent’s home as a child to keep me safe, so I’ve been told Made me miss-out a place called home where I wanna be from the very beginning of my life journey From my early recollections under foster home care for rest of my childhood Running-away as a teen looking for the home where I wanna be Having walls of trust, understanding, faith, hope & most importantly, with a roof of ‘Aroha’ of unconditional love to keep me going Living rough on the street & within grey walls of prison cells ever since By losing control of things done influenced by video games, rap music & living in environments of violence & crime I did have short stays at Housing NZ accommodation that sorted-out my homelessness Yet, they never were the home where I wanna be From life of unsatisfactory accommodation, homelessness & destituteness I have now been offered new social housing to help me overcome all the adversities of the past I am looking forward with hope to make it a home where I wanna be a home full of good faith where no dream is impossible, where memory is a garden in which the future grows. <!-- --> How can I help? This month we have marked the shortest day of the year, and we are very much in the throes of winter. We have also been reminded of the importance of home during these COVID times, with Wellington experiencing the added restrictions of Level 2. We would like to be able to lift up taumai who have recently been housed and who are doing the hard mahi to sustain their tenancies and go forward. Many would enjoy having a flat screen television or DVD player, a way to settle and spend time in their whare during the darkest days of the year. If you would like to donate one of these items, please get in touch with Matt. <!-- --> *We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2021 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 53 months ago by feedreader
    • Tagged as:
    • covid-19
  
  

• • Ngā Kōrero - Latest Stories from DCM

    • 5 Dec 2022
    • Downtown Community Ministry
    • 96 Ngā Kōrero - Latest Stories from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:center; } #templateHeader{ background-color:#07486a; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#07486a; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Supporting the most marginalised this Christmas communities where whānau are housed, connected, valued and thriving About Us Contact Supporting the most marginalised this Christmas We have almost made it through another challenging year at DCM. I am proud of the way our team has delivered our vision – for communities where whānau are housed, connected, valued and thriving – regardless of everything the ongoing pandemic has thrown at us. I am also proud of the courage displayed by the people we work with. They come to DCM because they genuinely feel welcome here, and because the practical mahi we do makes a huge difference in their lives. But it is when whānau are housed that true transformation takes place. This is why DCM has always believed in ‘Housing First’ – dramatically improved wellbeing comes from having a permanent roof over your head. You shouldn’t have to earn a home – you have a human right to have one. At DCM, it all starts at Te Hāpai, our hauora-focussed, week day services at 2 Lukes Lane. Read on for the story of just one day at Te Hāpai, where the most marginalised and vulnerable people in our city come. Stephen <!-- --> Another day in the life of Te Hāpai Te Hāpai – which means “to lift up” – is a safe, welcoming place where people who are rough sleeping in Wellington are supported on a journey to housing and wellbeing. DCM began Te Hāpai in 2015 amid growing concerns from the community when a number of Wellington drop-in services closed. But nobody just ‘drops in’ to DCM – our hope is that everyone who walks through our door is lifted up, so they can then engage with the services available at Te Hāpai every week day. These services have a hauora-focus – by providing a safe and supportive environment, we build relationships to encourage people to take the steps needed to be well, and to thrive. Tea, coffee and kai helps, and Tanoa has carefully set up everything for the day. Our team know that kai is a great way to build connections with people. It can be easier to have a chat about someone’s housing needs over a cuppa, especially on a cold Wellington day. DCM’s on-site team gather at 8:45am for a briefing. Rowan is our team leader today, and talks us through what’s happening. We have a carving course upstairs, some manuhiri visiting, and Jo from MSD will also join us, to work through any issues people may have, from getting on a benefit or on the housing waitlist, through to accessing a special needs grant. There are a couple of whānau the team are looking out for today, including someone Rowan and Jenny need to catch up with. Everyone is welcome at Te Hāpai, even if they are excluded from other services. We employ a ‘high tolerance, low threshold’ approach. If someone is having a bad day, they are still welcome to come back on another day. Accessibility and inclusivity are important parts of DCM’s kaupapa. At 9am, Clifton, who is taking part in the carving course, calls us to waiata with one of the instruments the team has created. We know that these sounds were once heard frequently around our building on Lukes Lane, which sits on the site of the historic Te Aro Pā. The entire DCM team gathers outside for waiata. Whaea Jenny, DCM’s Toa, leads the gathering crowd, letting us know what is happening at Te Hāpai today. Jenny reminds everyone to treat each other with respect – “Remember – manaakitanga, whānau!” “Kia ora, nan.” At the door, everyone’s name is recorded. Kaimahi ask how everyone is feeling; if anyone says they’re unwell, we will chat to them out in the courtyard. COVID is still a feature in Aotearoa, and DCM takes extra precautions. For example, if someone would like to see one of the Te Aro Health nurses, they will need to mask up. At the welcome desk, things quickly get busy. A man walks up – “I need to talk to someone about my housing.” Kaimahi take him to a private space to talk through the issues he is facing. Someone else says he has a toothache and needs to see the dentist. DCM has its own emergency dental service, but because it relies on the expertise of volunteer dentists, is only available once or twice a week. He is booked in to come back for treatment on another day. Others are here today for kai, but especially for kōrero. Carl likes to make and share his own crosswords, but today he shares an anagram – ‘DUMP OLD RANT’. Carl says the words are a hint at who this political figure may be. Te Hāpai is a place where DCM’s teams can both refer, and – helpfully – find people. DCM’s Toru Atu (Outreach) team connects with people who are rough sleeping and street begging wherever they may happen to be. They often send people down to Te Hāpai, where members of their team provide familiar faces. Kai helps as a drawcard, as does the free internet, and all the practical programmes DCM provides. Need ID? A bank account? Food parcel? Housing? Nurse, audiologist, dentist? You’ve come to the right place! DCM does it all, and does whatever it takes, to connect whānau to the supports they need. Other DCM teams pop by Te Hāpai to find whānau. Aro Mai Housing First kaimahi catch up with people here, especially if they need to access one of the many on-site health services. Today Johnny has dropped in, and Jenny gives his key worker Penny a call to come by and see him. Penny works with DCM’s Noho Pai (Sustaining Tenancies) team, supporting newly housed and vulnerable tenants within their own communities. Penny encourages some of these whānau to come to Te Hāpai on a Monday or Friday when Te Awatea – which means “the awakening of the dawn” – is running. Te Awatea is a group that aims to reduce the harm associated with substance abuse. People are welcome to come and go from the meeting, but 1-1 counselling is also available when people are ready to take the next step and talk to one of DCM’s expert AOD practitioners. DCM also receives visitors from many other agencies and services. Often nurses from TACT (Team for Assertive Community Treatment) come by, looking for whānau in need of their monthly depot – slow-release medication to help treat people for mental illnesses. Just as we have with MSD today, DCM will make a private room available for the TACT Team. Accessibility is what it’s all about at Te Hāpai, but perhaps most important is inclusivity. No one is judged here – and everyone is made to feel welcome. DCM takes this inclusivity to the next level by employing people who have been homeless themselves – their commitment to doing what it takes to become well and then go on to support others on a journey to housing and wellbeing is inspiring. Our day is winding down at Te Hāpai, and participants in the carving course are ready for some lunch. Like many of the endeavours we undertake at Te Hāpai, this mahi is only possible thanks to donations from the people of Wellington. One example is the St. John’s in the City Outreach Committee who funded our carving course, providing access to culture that is often absent for the whānau DCM works with. We have enjoyed seeing the participants in the carving course thrive – having grown in confidence, they will now go on to share their knowledge with others. Carving course at DCM: Sam from Wānanga Taonga Puoro ki Pōneke led us with his beautiful and gentle way of teaching, while we grew in confidence sharing this experience together. Outside in the courtyard Matt bumps into Piripi, who is currently rough sleeping. “What do you think of Te Hāpai – do you feel lifted up when you come here?” Piripi gets straight to the point: “DCM is awesome – you’re always there when we need you. It’s a place where everyone can come, because everyone is welcome. There are people out there who are kind of stuck, but your staff never give up on anyone.” For DCM’s kaimahi, it’s never just another day at the office. Our vision is for communities where whānau are housed, connected, valued, and thriving. We feel privileged to see this vision become a reality each and every day at the very special place that is Te Hāpai. <!-- --> We need your help more than ever We are worried about our whānau in the face of the rising cost of living. When you already have so little to begin with, the shocks from global crises will have a greater impact in every way. But DCM will be here to support them, and we know you will too. Our Te Hāpai service is not funded by central or local government contracts – but by YOU. This is why DCM’s byline is “Together we can end homelessness”. If you are in a position to help, here are some ways you can support us: Support DCM Together, in these most challenging of times, we will continue to empower those who are homeless or at risk of becoming homeless to reach their housing and social aspirations. Ngā mihi o te tau hou ki a tātou, Stephen Turnock  Manahautū <!-- --> Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 36 months ago by feedreader
    • Tagged as:
    • covid-19
  
  

• • Douglas shares his story - October at DCM

    • 31 Oct 2021
    • Downtown Community Ministry
    • 96 Douglas shares his story - October at DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:center; } #templateHeader{ background-color:#07486a; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#07486a; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Douglas is a warm-hearted man of Samoan descent who has faced many challenges in his life, struggling to find spaces to belong. Douglas's story 'O LE TAGATA MA LONA AIGA, O LE TAGATA MA LONA FA'ASINOMAGA' 'A person and their family is a person and their identity' - Samoan muagagana (whakatauki) Douglas is a warm-hearted man of Samoan descent who has faced many challenges in his life, struggling to find spaces to belong. From childhood, things have not been easy for him. He was removed from his family at a young age, and as an adult has struggled with addictions, and poor health. He has been able to hold down a tenancy at some times in his life, while at others he has cycled through various forms of homelessness – rough sleeping, couch surfing, emergency accommodation and the Night Shelter. Douglas has connected with many different DCM kaimahi since he first walked through our doors in 2008, in particular our Pasifika and Māori staff. Over the years, he has been supported by a wide range of DCM services. When he was unable to access a bank account and benefit, this gap was filled by DCM’s Money Management Service. DCM has supported him with budgeting and Work and Income advocacy, and with sorting his debts. Douglas has received emergency dental treatment at DCM on several occasions, and has lost count of the number of times DCM has stepped in with food support for him when the money has run out. Douglas has now been housed for some time in Berhampore, with the support of DCM’s Sustaining Tenancies team. But perhaps even more importantly, DCM has been able to support Douglas to rebuild connection with his family, and to connect and find his place in his own community. Photo shoot by Nikki Parlane. “I was born in Wellington and grew up in a Samoan family. My father was the caretaker at Wesley Methodist Church on Taranaki Street. I was the ‘black sheep’ of my family. I didn’t see eye to eye with my father or my brothers due to my sexuality,” Douglas shares, “which isn’t just a Christian thing, it’s also cultural. Growing up, I didn’t feel loved because of who I was. It was hard for them to accept me.” But through it all, Douglas never lost his desire to reconnect with his whānau. This disconnection and sense of rejection had a lasting impact on him, and on his mental health and addictions. As DCM built stronger connections with Douglas, it became clear how very important this reconnection was for Douglas’s wellbeing. Sia To’omaga is DCM’s Practice Lead. Her team delivers DCM’s Sustaining Tenancies and Community Connections programmes. They work with vulnerable tenants in their communities so that they do not fall back into homelessness, and are supported to thrive in their lives. “We have so many connections with Douglas,” says Sia. “Even before he came to DCM back in 2008, he already knew Regina from the Benefit Rights Service, where she used to work. And Douglas and I have a family connection. So when I came to DCM I already knew his whānau. And I knew Douglas was estranged from them, and how much this had affected his life. When his father died, it was a chance for him to reconnect. We made sure he was decked out in new clothes and new shoes and Regina and I took him to the funeral. He had to sit up front. That was a huge moment for Douglas, and the significance of that moment is hard to explain. Mostly it was a time to heal old wounds. Since then Douglas has been trying to make sense of his world. By the time of his brother's funeral, his relationship with his whānau had improved massively.” “I was left out in the dark,” agrees Douglas, “until I lost my parents. Then, my relationship with my brothers started to improve. Finally, when my older brother died, I was able to really connect with my other siblings, and we’ve been a lot closer since.” In Samoan, so'otaga refers to the making of connections, and feso'otaga to the connectivity between people. The past 12 months have brought more challenges for Douglas. The Covid-19 lockdown was hard on him – “There were no positives for me – though I understand it’s better to be safe than sorry. The hardest part for me was being stuck in a bubble. I wanted to reach out to my brothers and nieces, but I couldn’t.” He has also been coping with other health concerns. Recent surgery has made accessibility to his whare a challenge, but with DCM’s support, he is working through that as well. And the past year has brought positives too. Douglas is really enjoying connecting with DCM and his community at his local community centre. Sia and DCM’s Sustaining Tenancies team lead DCM’s community connections programme. When people move into their own homes, we want to spend time with them in their new communities, rather than having them come in to DCM in Lukes Lane. This programme is focused on building strong connections between taumai and their neighbours and other groups close to their homes, so that they can not only sustain their tenancies, but thrive – in their lives and their communities. Douglas rates the Community Connections programme highly. “I think it’s a good move. It’s good for people to see DCM out in the community. A lot of people don’t know what DCM’s about, so it’s great that the staff can catch up with people right where they live. It’s not just those of us who have been supported by DCM for years who can be part of this, but others who are struggling too.” Sophie McKenna is the lead dentist at the DCM Dental Service. Her calm and reassuring manner is a taonga, and she is able to support taumai who have considerable anxiety around dental treatment. At an emergency appointment at DCM this year, Douglas saw dentist Sophie McKenna, who discovered that he had a bad infection which needed urgent treatment. Sophie was then able to catch up with Douglas at DCM’s first mobile dental clinic right in his own community at DCM's Community Connections programme there. She checked on his progress, and explained how a referral for dentures could work to better improve his oral health. Douglas has been following this up and is getting along to the hospital appointments needed to make that happen. He has also been fully vaccinated against Covid at DCM’s vaccination clinics, and is regularly attending counselling sessions. “Mama Dee suggested I keep that going, so I will.” During his life Douglas has done a lot of voluntary work, especially with Pasifika social services where his fluency in both English and Samoan has been an asset. He has to focus on getting his health back on track first, but then he really wants to get involved with peer support at DCM, so that he can support others to build connections. He knows how very important this is. “I’ve had some tough times,” says Douglas, “and DCM has been there to back me up. Thank you to all those I’ve connected with over the years. And especially to Sia, Regina, Stephanie, Alan, Ula and now Mama Dee. Thank you for being there for me.” “The majority of the people who come to DCM are estranged from their families,” says Sia. “When we have the privilege to be part of whānau reunification – at any level – it is such a beautiful thing. We don't take the positions we have here for granted!” Douglas is on a pathway to the life he has wanted for so long, a life in which he has his own place to call home, and regular contact with his family. His is a story about the importance of connections, and about the transformation that can take place in the lives of the most vulnerable when we are able to support them to build and rebuild those connections – with their whānau, with us and with their communities.   <!-- --> In the news... Interview with Stephen This month DCM’s Director Stephen Turnock talked about our mahi with Maggie from Radio Active, DCM’s neighbours in Lukes Lane. Tune in to hear the interview here! COVID vaccination clinics The New Zealand Herald visited DCM to learn more about the COVID vaccination clinics which DCM and Te Aro Health have been running for the most vulnerable people in Wellington. Read all about it here. Saturday 16 October saw DCM kaimahi out encouraging New Zealanders to get vaccinated. Super Saturday And of course also in the news this month has been the Super Saturday Vaxathon. DCM kaimahi headed out on the streets that day to encourage people to take the opportunity to get vaccinated and to point them in the right direction. This is one very important thing we can do to protect the most marginalised in our community, including those who are experiencing homelessness. One of these DCM kaimahi was Bella from the Aro Mai Housing First team. “It was genuinely a fun day,” she tells us. “People were really positive. Most were already double vaxxed but we had quite a few people asking to be pointed in the direction of the vaccination centres – wanting to make the most of the walk in, no booking opportunity. Lots of people who were already vaccinated thanked us for the effort. I got myself vaccinated when DCM first got called up. Being a young, healthy person, I didn't really get vaccinated for myself. Rather I got vaccinated for those who are more vulnerable...my grandparents, taumai, those who are immunocompromised. If me getting vaccinated can play any part in protecting these vulnerable people, then I'm happy to do this. To those who are hesitant, I would suggest that you take the same approach. I understand being worried about the impact it might have on you, but if you can – it really is the selfless decision to protect those more vulnerable than you.” <!-- --> How can I help? Get vaccinated! Here at DCM we are doing everything we can to ensure the Covid vaccine is as accessible for taumai as possible, and you can help protect the most marginalised in our community by getting vaccinated too. It has never been easier. Help us re-stock our Foodbank On the first Saturday of the month, Ngaio Union Church open their doors to receive food to help re-stock DCM's Foodbank shelves. Please bring along any food items you would like to donate on Saturday 6 November to 3 Kenya Street between 10am-12pm. We also have a Foodbank bin at New World Chaffers where you can drop items off anytime. And on the fourth Saturday in November we will be holding our Christmas Foodbank Appeal. Follow our Facebook page for more updates or if you would like to help, please get in touch with Matt. Vouchers for taumai We asked; you delivered! Thanks to all of you who donated vouchers for us to take taumai out to purchase items for their new whare. Sharnia is someone who has had a really tough time, and we're proud to see the progress she has made right up to being housed recently. Bella was able to take her to Briscoes to choose for herself some much needed items for her new home. Sharnia really enjoyed this: “Thank you so much, this is so fun, I’m excited!” We have now used up these vouchers and would love to receive more so that other taumai doing the hard mahi to get housed can also be lifted up in this way. If you can help with this, please drop off vouchers to DCM or visit our website. A heads up... On Tuesday 23 November at 5:30pm we will be holding the DCM Annual General Meeting. This may be able to be held in person, and/or we may need to facilitate this year’s AGM by Zoom. If you would like to attend, please email us and we will be in touch with further details. <!-- --> *We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well.   Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2021 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 49 months ago by feedreader
    • Tagged as:
    • berhampore
    • ngaio
    • covid-19

    Ngaio, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)
  
  
• • 

    A city with a vision? AKL x WLG

    • 6 Sep 2020
    • Talk Wellington
    • Wellington’s got a lot of bustle and noise (Let’s Get Wellington Moving – Spatial Plan – new subdivisions – convention centre – library) but where’s the coherent vision? Hey Auckland – can we learn some things? The Wellington Urbanerds invited some insightful Aucklanders to talk about the Auckland City Centre Masterplan (CCMP) because it’s getting a lot of positive interest in nerdy circles nationwide, and we thought “Wellington needs one of those to galvanise our progress!” But it turns out that the CCMP is not the cause of Auckland’s progress – it’s a milestone marker of a bigger evolution in Tāmaki.  Auckland City Centre’s chief urban designer George Weeks was insightful, visually engaging and occasionally very funny. Auckland city centre’s chief transport designer Daniel Newcombe injected insights that were pithy and thought-provoking. All up it’s worth watching the video – details at the bottom. But this post has some of the big insights for Wellington that we took away.  Hat tip to Charles Dawson for invaluable note taking. A galvanising vision, with a strong whakapapa  What makes the CCMP unusual as an official planning document, Weeks told us, is that it’s not “a planner’s plan” – 2,000 pages of vision down to prescriptive requirements. Instead it’s “the brochure for the city centre”. He told us that “with the 2012 CCMP, we thought it was better to have a 200 page document that 10,000 people see, or at least have skimmed, than a 2,000 page document that 100 people read in detail. We have used this approach to shape the 2020 CCMP.” It has had a major refresh in the last 8 years and the 2020 version is quite something. Galvanising vision  Weeks took us through how the updated CCMP works: how it delivers on the Auckland Plan’s promise of life in Auckland, through the city centre’s form and function. It’s worth laying these out because while we definitely have bits of the formula, there’s some powerful elements we’re missing.   Experience of being there The Auckland Plan (essentially the Tāmaki-Makaurau 30-year plan) sets out ten Outcomes for the city – effectively the promise of life experience that you should get, being in Auckland. The whole super-city is supposed to fulfil these promises, and the city centre’s no exception. In the CCMP, the ten citywide Outcomes or life promises are intertwined with eight place-specific Transformational Moves. The latter are the major initiatives to change the physical environment of the city centre so it can deliver those outcomes – the good Auckland experiences – for anyone who’s there.  A lot of this has come into the 2020 CCMP thanks to Access for Everyone (A4E), the city centre’s transport programme done to support the CCMP refresh process (more on A4E later). Street forms and place shapes… So the 2020 CCMP has street explainers that show – conceptually but with a lot of verisimilitude – the components of the streets and buildings, the overall shape of the whole public realm that’s needed for the city centre to give people that great experience.  a generic “transit street” explainer – from the CCMP These explainers are conceptual, but are tied enough to specific places, that everyone can see the trajectory of how their specific bit of the city will be changing, but crucially they can see a really solid why. …because This means “X street, and its environment, should have Y shape and form because…”. We saw, for example, that one of the biggest streets in the Learning Quarter, Symonds Street, will be a transit street for all these reasons: Symonds St, for example, needs to become a transit street not because of some abstracted notion of “sorting out the transport” but because it is at the heart of Auckland’s city centre universities, and “transit street” is the form for Symonds Street that will let it best serve people in the Learning Quarter with the good experience the Auckland Plan promises. Weeks flicked through a few examples of how the CCMP is signalling change to the built environment of Tāmaki’s city centre (which is pretty interesting – have a play here, the 2020 version is fully digital!) Our impression of all this was that the CCMP, thanks to the Auckland Plan and Access For Everyone (the transport dimension), has pretty well integrated two things that any self-respecting city needs to integrate. This is the roles of movement (transport) and place or exchange (destination activity) in any given area of the city centre. And Auckland manages to integrate these with a nice clear Why and Because for each set of changes. [Hold on, is that anything special? We know about this stuff… This tight integration – of form to function, place with movement, built form to people’s lived experience – seems pretty elementary for self-respecting cities. And you’d be forgiven for assuming Wellington has that integration in place. Indeed, things like the street concepts in Auckland’s 2020 (refreshed) CCMP don’t look too dissimilar to what LGWM put out for the Golden Mile. And the material coming out from LGWM and the Central City elements of the Spatial Plan and Wellington 2040 use a lot of the right words. Golden Mile concept from LGWM But in listening to Weeks’ presentation, we realised just how explicit and unequivocal the CCMP and A4E are about the why, the because for the physical city changes they describe, anchored home to that lived experience promised in the Auckland Plan. And the locked-in coupling between the place / destination train and the movement / transport train so they’re pulling each part of the city in the same direction towards that better experience for all Aucklanders. This coupling is something we’re muddling around in Wellington. We’re hedging our bets on saying explicitly what lived experiences we want to prioritise and privilege in our city centre. This means the transport planning and place planning are making (at best) vague bows in each other’s direction, with lots of hedging our bets about whether and how we’re prioritising “drive-through” vs “go-to” in our city centre. OK back to the presentation…] Galvanising and enabling Weeks told us that in the CCMP, when you combine the Auckland Plan’s Outcomes and the CCMP’s Transformational Moves, the product is the city centre “Opportunities”. Opportunities are projects, quite specific things, and there are quite a few listed. click on the image to have a play in the CCMP Opportunities But they’re not a set of business-case investments that clamp tunnel-vision onto ambition. They seemed to be as much illustrating the kinds of projects that would make the city centre better at giving people that great experience of Auckland living. As Weeks emphasised: “anyone can come up with an Opportunity”. (We imagine the galvanising could run like this… Hello, I’m a developer looking at buying or developing neighbouring Building X and Building Y, I can see the direction of profitable change and unprofitable change that I could make to that property, given the trajectory of change in its environment.  And I can make up a project that creates a much better laneway space between them, plus better delivery access, better stormwater handling, and augmented residential-plus-commercial uses… This bundle of investments will make me money, and enhance really well that little corner of the city – so public investment and other private are likelier to come join me… ) CCMP’s generic laneways explainer (click to expand) Lesson for Wellington: let the vision be the vision, get other activity making it reality A big lesson for Wellington, Weeks said, was to “be clear about what different plans are to do. The City Centre Masterplan sets the vision, which allows many actors to work out how to deliver its different facets, or to develop their own ideas too.” The CCMP is only the green-circled bits in this picture. CCMP: a strong whakapapa The CCMP’s technical pedigree is strong – it makes good application of internationally-accepted principles of urban physics and urban dynamics. But – as Weeks put it – if the CCMP can “see further, it’s because [it is] standing on the shoulders of giants”. Complementing the CCMP’s technical pedigree is its collective human ancestry: the people, organisations, and relationships that have coalesced around it, the support that it’s known and seen to have, and the mana that this contributes to its strong legitimacy and mandate today.  From the presentation a few points stood out on each of these… The technical pedigree of the CCMP  Weeks and Newcombe gave us a whistle-stop tour of the set of transport and urban planning documents of which the 2020 CCMP is the progeny. Auckland Unitary Plan – The supercity’s first joined up District Plan, the “rulebook” for implementing the Auckland Plan. Forced much more collaboration in planning, for everything. City Centre Future Access Study – NZTA, Ministry of Transport, Auckland Council, Treasury, Auckland Transport found the City Rail Link would blitz all other 46 options for getting people to and from the city centre. The City Rail Link (CRL) –  an underground railway link turning the city centre heavy rail terminus into a through-station, building 4 new underground stations. Doubles the number of Aucklanders with 30min access to city centre. After years of arguing, finally underway once tax was to pay 50% (thanks ATAP). Auckland Transport Alignment Project (ATAP) (2016-17, updated 2018) Auckland-region-wide (not just one bit) merit-based priority list of all the big-ticket transport projects, costed and agreed by all funders and deliverers.  Crucially: first acknowledgement by central government that Auckland couldn’t road-build its way out of its traffic problems Business Case for Walking – first quantification of the value of city centre walking to Auckland’s economy, done in 2017. [Hey “walkable capital”, where’s ours?] The creation of documents always sounds more coherent in retrospect, but Weeks and Newcombe emphasised that it’s not been a nice clean sequential progress.  Key principles of urban physics (like the role of people walking) have only been given oxygen relatively late in the sequence. The need to get tax funding to co-fund megaprojects has meant a lot of back-and-forth raruraru with central government, and between the various bits of Auckland’s council family.  And some great documents – like the Business Case for Walking mentioned above – have no official legal weight: a decision-making body can completely ignore them if it wants.  But we heard that the various documents have meant that amongst the bureaucracy and other government power-holders, there’s been an accumulation of key principles of good urban physics, akin to accumulation of organic matter. Sometimes it’s just leaves falling, but sometimes there’s a large trunk. These accumulations in the establishment’s hivemind make it much harder to go back and relitigate, as there’s been some crystallisation in the thinking. (Though, of course, as Newcombe noted, that doesn’t stop people trying!)   Access for Everyone – the complementary transport element of the City Centre Masterplan which was developed as part of the CCMP refresh – is a great example. In traditionally car-mad Auckland, the entire Auckland Council voted unanimously to begin A4E trials “enabling a decisive mode shift away from private vehicles, to make better use of finite city centre space and improve the quality of the environment.” Wow. Access For Everyone’s car-free Queen Street / Horotiu Valley with Low Traffic Neighbourhoods around. And no more driving through the city centre! The human side of CCMP’s whakapapa We heard that a major benefit of the sequence of documents was the relationships and conversations that a document creates a pretext to have.   There’s been a lot of investment in behind-the-scenes engagement, with big stakeholders in the city. This has paid off in an unusual level of big players’ trust and buy-in to the vision and the big moves to get there. From large developers, through Heart of the City (the inner city Business Improvement District), through the AA, NZTA, to the City Centre Residents’ Group  (fun fact: 40,000 people live in Auckland’s city centre alone). This good stakeholder engagement bears fruit: it enabled councillors to support the 2020 CCMP relatively easily, despite it having relatively little engagement from the wider public (a few hundred submissions compared with the Unitary Plan’s ~10,000). It’s not a coincidence that Precinct Properties has seen fit to drop a billion (with a B) dollars of its shareholders’ money into the Commercial Bay development – Weeks observed that it’s on the strength of the new trust and joined-up thinking developed through the CCMP process.  Daniel Newcombe spoke from experience about the collaboration that had eventually started to come, once “you can get people to stop introducing competing plans” and come together. Sometimes this requires biding your time, working by osmosis, and finding the sensible individuals in an organisation on whom to work, and building coalitions that chip away at antipathetic organisations. Getting people to issue formal letters of support on behalf of their organisations can be extremely powerful, he said. Iwi influence  We heard that one major improvement of the 2020 refreshed CCMP over the 2012 original is the inclusion of Māori outcomes. For the refresh, the ADO worked closely in partnership with Auckland’s Mana Whenua Kaitiaki Forum to develop a Māori outcomes plan. This work shaped Transformational Move 1: Māori Outcomes, with proposals for a papa kōkiri at the waterfront and a whare tāpere at Aotea Square.  The 2020 CCMP manifests the Auckland Plan’s Māori Identity and Wellbeing outcome and Te Aranga Māori Design Principles via Outcome 1: Tāmaki Makaurau – Our place in the world. It sets out the big interventions and systemic changes to bring mana whenua presence, Māori identity and life into the city centre and waterfront.  There are some big-ticket, high-visibility things and pervasive, interwoven ones. To our (Pākehā) ears this sounded pretty great…  Attack of the roadcones! Plans are essential, but how do you get them going, especially when there’s so many large, cumbersome players with inertia?  Weeks had peppered the presentation with cool before-and-after shots of some iconic Auckland changes, including Te Ara i Whiti / the (pink) LightPath, and localised street improvements like our favourite, O’Connell Street (below). O’Connell Street. oh.yes.melbourne We know (though the webinar didn’t go in depth here) that much of Auckland city centre’s evolution that you and I can see today was driven by the Auckland Design Office, with Auckland Transport and Auckland Council partners. Their projects opened people’s eyes to how good street change could be done, and that actually the good “urban physics” did apply in Auckland too. And they gave Auckland council family a chance to practice delivering street change together, and figure out how it can be done without anyone losing an eye.  They did it with a combination of a figurehead / champion / lightning rod / air cover for the ground troops (AKA Ludo-Campbell-Reid) plus a ninja team of designers, engagers and doers, doing on-the-ground projects that brought to life the good practice of urban design.    Projects like Fort Street, O’Connell Street, Fort Lane, and Jean Batten Place showed that – contrary to received wisdom – replacement of on-street car parking with high-quality streetscape was good for business. Collaboration with Auckland Transport led to the creation of a pop-up cycleway along Quay Street (well before the Innovating Streets for People pilots) which is now being incorporated into a permanent street redesign that will finish this year.  It’s not been an easy road: by now, ten pilots of the street changes for Access for Everyone were supposed to be underway, following that unanimous Council vote, but just one (High Street) has been. And the ADO has now been disbanded, allegedly due to their irritating conservative parts of the establishment with cost-cutting as a pretext.  But there’s momentum now…  Auckland’s changing, and has lessons for us  Throughout the session the Zoom chat pane had been running hot with questions and comments from the “floor” (aka the online audience). Weeks and Newcombe took questions from the pane and from the Urbanerds presenters, and a few highlights stood out including lessons for Pōneke… Lesson for Wellington: get partners on the same transport page Weeks’ and Newcombe’s first lesson was to get a multi agency agreement on transport together. It can’t just be the city council or regional council. It has to have central government buy-in; they can’t be pulling in the other direction from the city or region with their ambitions for the city’s transport. Updated ATAP, with all the partners This consensus shifts the conversation from “Do we need that good stuff replacing the bad stuff?” to “When do we need it?”. You have to keep the focus at that “when” level, not allowing relitigation of the fundamental principle of urban physics that you’ve achieved consensus on. We wonder: is this LGWM? Is it shifting our conversation? Is NZTA pulling in the same direction as the city, as the regional council?   Lesson for Wellington: generate the brochure, together A second big lesson is that you have to have the vision, the brochure, the clear picture of the good life that your city wants to give everyone who’s in the city centre, whatever they’re doing there. This has to be the rationale for any the physical changes that you entertain or consider. The Auckland Plan’s 8 outcomes – promises of the experience of life in Auckland, that the CCMP too must deliver This “brochure” must be developed hand in glove with the actors we want to be supporting it, building on any public mandate you already have but not driven by the wider public. This conversation with the big players should not feel like it’s led by any one player (developers, or transport-planners, or inner-city-residents, or businesses – nor even, we wonder, council?). What it must be is very good quality engagement that builds a strong trust and instils a foundation layer of commitment to (or at least grudging acknowledgement of) solid urban physics, and the trajectory of change needed throughout the city.    Lesson for Wellington: CBDs are doomed Listener Sally asked whether a focus on a city centre had been overtaken by COVID and its boost to working from home, and localism, especially in Wellington where there’s such a large commuter population. Weeks’ answer put it in much more professional terms, but the message came through clearly: if your city centre is mostly a Central Business District, where “business” is the dominant activity, it’s doomed. Monocultures always make a system vulnerable to shocks, in agriculture, horticulture and in cities If it’s a central city, with a hundred or a thousand different reasons for people of all different walks of life to be there, then it’ll be fine – it’ll change and adapt, but the power of people wanting to be there is the lifeblood of a city. “The death of the city has been predicted since the invention of the city, in the Bronze Age” Weeks observed – “and if you’ve got an actual city, it won’t happen.” We wonder… how much of Wellington’s central city is a dead zone by 6.30pm? How much are we reinvigorating and diversifying the reasons to be there?   Lesson for Wellington: lock all good plans to something with teeth Weeks emphasised that the power of these plans comes from linking area plans and other non-statutory plans to ones with statutory power.  So despite being a non-statutory document, the City Centre Masterplan carries weight because they mapped its outcomes tightly against the Auckland Plan (the statutory 30-year plan for the whole city) and councillors have voted overwhelmingly in favour of it. diagram showing how the CCMP is making good on the Auckland Plan’s promises, in the city centre We definitely don’t yet have the vision and its trust, nor the solid hook between statutory and non-statutory … but we have some elements of the recipe.    We wonder… how much of the CCMP-style whakapapa do we have, if not the actual document?  Could we build these levels of trust and vision together?  Some Wellington City Council planning and design gurus attended the session and helpfully fielded some questions about where Wellington was at. Our one-liner summary was: it’s not going to hell in a handcart, but it’s definitely all up in the air. Smart engagement from Urbanerds listeners and Talk Wellington readers is really needed. We’ll pick up “so what for us?” in the next post. Here’s the video: link, passcode SUa&tOC5 Meantime… where have you seen signs of a clear vision of good Wellington city life, for everyone?
    • Accepted from Talk Wellington posts 63 months ago by feedreader
    • Tagged as:
    • draft-spatial-plan
    • supercity
    • waterfront
    • island-bay-cycle-way
    • covid-19
    • libraries
    • convention-centre
    • lets-get-wellington-moving
  
  

• • Ngā Kōrero - Latest Stories from DCM

    • 4 Apr 2023
    • Downtown Community Ministry
    • 96 Ngā Kōrero - Latest Stories from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:center; } #templateHeader{ background-color:#07486a; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#07486a; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } When we connect with our neighbours, good things happen communities where whānau are housed, connected, valued and thriving About Us Contact When we connect with our neighbours, good things happen Ka tūhonohono te hapori, ka puta ngā hua DCM has been taking part in Neighbours Aotearoa throughout the month of March. Neighbours Aotearoa is all about making connections in your neighbourhood. If we can be a resilient and supportive community, we can make longer-term and more deeply ingrained changes to the social fabric of Aotearoa. At DCM, we have often wondered how we can better take part in our neighbourhood. We work with the most marginalised people in our city. We are so focussed on ensuring our people are housed and supported to become good neighbours – but Neighbours Aotearoa made us ask, how can we as an organisation be good neighbours too? One thing DCM does very well is sing! And so, throughout March, we have been taking our daily karakia and waiata out into the middle of Te Aro Park, inviting everyone to join in. It has been a fantastic experience and we know that much like our location on Lukes Lane, the park also occupies the historic space of Te Aro Pā. It is right and appropriate that waiata should again be heard here. Ka mihi au kit e takiwā o Te Aro Pā. DCM's chess tournament in Te Aro Park. Cesar (top right, in wheelchair) was the winner on the day. A highlight of the month – and year – was a chess tournament held in Te Aro Park in collaboration with Wellington City Council. We had members of Police, Community Law, BGI (Wellington Boys & Girls Institute), Hāpai Ake (Local Hosts), Te Paapori, Barkers Clothing, students from Te Auaha Barbering Academy, and members of the public who happened to be walking past, join in the fun. But it was DCM whānau who scored the most wins, with Cesar at the top of the leader board with 10 wins in total. Nice job, Cesar. DCM kaiāwhina Fabian shares his thoughts about the day: DCM's kaiāwhina Fabian was nervous getting on camera, but here shares his thoughts on Neighbours Aotearoa and playing chess in Te Aro Park with the DCM crew and our neighbours. <!-- --> On the road with the Noho Pai team This month we share the story of DCM’s Noho Pai (Sustaining Tenancies) team. The Noho Pai team work tirelessly to support whānau to sustain their tenancies, to be good neighbours, and to thrive in their communities. Their focus is on ensuring positive outcomes for vulnerably-housed whānau – and sometimes it is very demanding and time-consuming mahi. The team is also there to pick up the pieces when things fall apart. When DCM says we work with marginalised people, this is what it truly looks like. The Noho Pai team have some of the most vulnerable members of our entire community on their books. As a result, we have opted to change the names of the people featured in this story, and we will not share any photos from inside their homes. Delena’s first stop of the day is a tall concrete building owned by Kāinga Ora (formerly Housing New Zealand). A security guard lets her in the front door, where she will visit the small, ransacked flat of someone who will not be home – Marie – because she is in prison. Delena’s task today is to save as much of Marie’s stuff as she can, especially items that are meaningful to her. Kāinga Ora has agreed to store some of Marie’s stuff, but the rest will be dumped. Patsy is a Kāinga Ora tenancy manager and good friend of DCM’s. She lets Delena into the small one-bedroom flat. The place is a shambles, with items strewn everywhere, and graffiti on the walls. The kitchen is a no-go zone. Delena explains that this isn’t entirely Marie’s doing – other people have made themselves at home, causing a lot of collateral damage. Like many of the whānau DCM works with, Marie is extremely vulnerable. She has experienced severe trauma, and lives with a chronic condition that makes socialising with others a challenge. This also makes living in a small, noisy apartment, among many other vulnerable people, a problem for people like Marie. But Marie will not be able to come back to this flat – as Kāinga Ora will not allow people to return. Like many buildings in Wellington, it needs multi-million-dollar upgrades. When Marie finally comes out of prison, all she will be left with are the items Delena can save. Marie is very proud of her clothes, and so Delena focusses on saving the items she can recognise. She puts post-its on other small items, and ensures Patsy knows that Marie will want to keep the peach couch. Marie was very proud of her couch – it will mean a lot for her to see it on the other side. Patsy from Kāinga Ora (left) with Delena. On the top floor of the complex, a number of people are taking part in a weekly café-style lunch. This is a chance for tenants to connect with one another while enjoying coffee and home-baked kai provided by one of the local faith communities. Numerous people known to DCM have come from other complexes to join in the occasion. Ava makes her way around the café with ease. She stops to talk with Douglas – whose story we shared in 2021 – in the rooftop courtyard that overlooks the city. The café is a great opportunity to catch up with people DCM hasn’t seen in a while. Ava also catches up with Patsy from Kāinga Ora about one of her whānau who was not at their flat today, with whom she wants to have a catch-up kōrero. Ava finds her relationship with Patsy essential to her work. When one of Ava’s whānau moved to another property due to circumstances outside their control – without Ava’s knowledge – it was Patsy who helped her reconnect with them at their new address. Also at the café today is Elaine, who is 67 years old and housed at another location. Elaine’s new flat sits by itself and Elaine misses the social connections she was able to make at this complex. It is good to see Elaine, as when she is unwell she will completely disconnect from services. Like a keel, the Noho Pai team know that they can use their friendship with her to help right things again. Elaine loves jigsaw puzzles, and Ava says that she has picked up some new ones for her. The Noho Pai team will pop around to visit her in her whare tomorrow, and while there will check that she is doing well inside her still-new four walls. Douglas with Ava. Across town, Moses arrives at Fred’s place. Fred suffers from schizophrenia, bipolar disorder, and depression. Wellington City Council want to re-carpet Fred’s whare, but he doesn’t trust them, and tradespeople refuse to enter the property due to the state it is in. As a result, Fred doesn’t like letting people into his home – but he opens the door to Moses. Fred seems comfortable with Moses, who is here to try to get him on to the correct benefit. They travel to Fred’s health centre as Fred needs a medical certificate. While there, Moses advises Fred to pick up a payment card from MSD so he can buy a phone and keep in contact with Moses and other important people in his life. These are positive outcomes for Fred today. Moses will broach the subject of Fred’s carpet soon – which will help raise his overall quality of life. Moses. At court, Tipene is stopped by security who ask him to put his possessions in a plastic container, which goes through a scanner. On the second floor, Tipene enters courtroom number 2, waiting for one of the 15 people on his caseload – Dean – to arrive. Dean has been having a tough time since the lockdowns, when his drinking started up after years of sobriety. He is facing charges for an incident involving some friends he has been having a hard time distancing himself from. Dean arrives, and the mood in the room is tense, with the gallery full of others waiting for their turn to be called to the stand. Dean is called, and it is humiliating for him to have to get up in front of so many strangers. The judge speaks first, and then the conversation moves from lawyer to lawyer, and finally to Dean. A date is set for the next stage in the case and Tipene takes Dean aside for a quick kōrero. Dean is relieved to have the support of a familiar face at these proceedings. This is a still from a story about Wellington's Special Circumstances Court, which you can watch on our YouTube page. Delena visits the whare of another person on her caseload – Sarah. Sarah is housed in a Kāinga Ora property, but it’s a standalone house, which Delena explains is a more appropriate fit for Sarah, who didn’t do very well in a housing complex. The lawn is overgrown but Sarah doesn’t have any gardening tools – something the team will get to when they can. Today it’s all about a phone – as Sarah’s phone is not able to make or receive calls. The whare is in a very quiet and isolated spot, and because Sarah also has schizophrenia, it’s important that she can be contactable, but also call for outside help too. Sarah freely talks about being “Under the Mental Health Act”. She sees this as a positive, as when she has an episode, or when things become a bit too much, she knows that she can go into respite care for a time. Delena explains that Sarah’s level of support at the moment is about practicalities such as a working phone. Another need at the moment is a bed. Sarah says she gets $300 a week, but Delena thinks she can access a special grant to get a bed, as sleeping on the floor isn’t ideal. Sarah says she has made a pasta meal, which Delena is delighted to hear. People have different levels of skill, and for whānau like Sarah, it’s sometimes a “two-step process”. In Sarah’s case, that’s successfully boiling the pasta, and adding some pasta sauce. There’s no cheese, but then that would be one step too far – for now. The Noho Pai team - Moses, Kesia, Ava, Penny, team leader Robert and Tipene. (Delena not pictured). Ava makes her way to the outer suburbs of Wellington to visit Hector. Ava has been working with Hector for some time. They see each other every week, and have built up a trusting relationship. When DCM first met Hector, he was sleeping in his car. He is now housed in a Kāinga Ora complex. Hector lives in a barren, windswept location, in dull, grey buildings that house many other vulnerable people. But inside Hector’s whare it’s a different story. Artworks adorn the walls and a coat that Hector is making for himself from unused curtains lies on the floor, a current work in progress. Hector has a Master of Fine Arts and his accomplished creativity is visible throughout his whare. Ava talks with Hector like an old friend, and the conversation flows across topics ranging from religion to kebabs. Hector wants to visit a local community centre, and so Ava drives him over to a bright, vibrant building that stands in stark contrast to the Kāinga Ora complex. Ava asks Hector to give her a call later about a food parcel, and Hector goes to see what’s happening at the centre today. On the road with Tipene (Stephen). Tipene goes to visit one of the most challenging people on his caseload – Trevor. Trevor is no longer able to access his property due to hoarding, and so now sleeps outside. Trevor has made his own campsite from scavenged materials, painted in bright colours. In Trevor’s mind, he had no choice but to build this fortress, with no other housing options available for him – just bureaucratic dead ends. Tipene calls out a greeting, and Trevor answers. They have a kōrero about Trevor’s situation. Trevor is understandably struggling at the moment and feels disenfranchised by the way others within the social sector treat him, particularly mental health services. Tipene often finds himself acting as an advocate for Trevor so that his mana is upheld, as at times he is known to walk out of meetings. Everyone wants the same outcome for Trevor – for him to be sustainably housed, connected, valued and thriving – but right now this seems far away. There are discarded tins of food around the campsite, and Tipene asks Trevor if he needs a food parcel with easy-tear tabs. Trevor says he is OK for now, and Tipene says that he will catch up with him soon. It is hard to leave Trevor behind on what has turned into a cold, wet afternoon. <!-- --> These are just a handful of stories from DCM’s Noho Pai team. How challenging it can be to stay housed after you have spent years living rough. Maybe you’re dealing with unaddressed mental health issues such as hoarding. Maybe you have an addiction. Maybe you were never taught how to do housework, or to cook. Maybe your mates need somewhere to stay, but their behaviour disrupts other tenants. When our whānau are dealing with these daily frustrations, housed among other vulnerable people while living on low incomes during a cost of living crisis, it might seem easier to go back to life on the street. The work of the Noho Pai team is challenging. But Ava, Moses, Tipene, Delena, Kesia, Penny, and team leader Robert don’t give up on anyone. They lift up the mana of our people, achieving positive outcomes for all – one step at a time. Ngā manaakitanga, Noho Pai team! WORDS / PHOTOS: MATTHEW MAWKES & MIRIAM HENDRY. Later in the year we will share the stories of DCM’s other amazing teams. In the meantime, thank you for your support of DCM – please do forward this Ngā Kōrero on to anyone you think may be interested in learning more about our mahi, and you’ll find other ways to support us by clicking the button below.   Support DCM <!-- --> <!-- --> Copyright © 2023 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 32 months ago by feedreader
    • Tagged as:
    • wellington-city-council
  
  
• • 

    The artist as many other things first

    • 16 Feb 2023
    • Urban Dream Brokerage
    • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
    • Accepted from Urban Dream Brokerage Blog 33 months ago by feedreader
    • Tagged as:
    • brooklyn
    • covid-19
    • exhibitions
    • libraries

    Brooklyn, Wellington, New Zealand (OpenStreetMap)