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• • Weekly Wrap Up (Week 11, Term 2)

    • 26 Jun 2020
    • Wellington High School
    • Important Dates Monday 29 June: Open Evening 6pm Wednesday 1 July: Music Evening 7pm Friday 3 July: End of Term 2 Monday 20 July: Start of Term 3 Wednesday 22 July: Parents’ Evening (Senior Students) Monday 27 July: Parents’ Evening (Junior Students) Important Information Board of Trustees by-election results As a result of the recent Board of Trustees by-election, Dr Wyatt Page has been elected to the Board. Wyatt will join the Board with effect from the next meeting on Monday 27 July. Reports and parent-teacher meetings Learning Profile reports for Term 2 are now available for download from the Parent Portal (see Results > Reports). Parent Teacher meetings will take place on Wednesday 22 July (Senior students) and Monday 27 July (Junior students). To make appointments go to: Go to: https://www.schoolinterviews.co.nz/ Enter the code: vdm7q (Juniors) or 5yjhn (Seniors) Choose the SUBJECT then the TEACHER. Please leave a five minute gap between bookings. Note that we are only able to run one conversation with each teacher per student. If you are hearing impaired the Riley Centre can be a challenging environment: please email admin@whs.school.nz and we will aim to accommodate your bookings separately.   Revised guidance on testing for COVID-19 The Ministry of Education has circulated the following information to all schools: At a time where there are increasing numbers of colds and other winter illnesses, the Ministry of Health has revised its guidance on who might need testing for COVID-19. It is important to note that there is currently no known community transmission of COVID-19 in New Zealand. The vast majority of adults, children and young people with symptoms consistent with COVID-19 will not have COVID-19. Symptoms of COVID-19 can include new onset or worsening of one or more of the following: Cough Fever Sore throat Runny nose Shortness of breath/difficulty breathing Temporary loss of smell Health’s information on who should get tested notes that people with any of the COVID-19 symptoms who are close contacts of confirmed cases, have recently travelled overseas, or been in contact with recent travellers, should get assessed. If anyone has symptoms but is unsure if they have been exposed to COVID-19, they should ring Healthline on 0800 358 5453 or their GP for advice. Over winter there are many other viruses about that can cause people to feel unwell and have symptoms similar to those of COVID-19. Some people with symptoms consistent with COVID-19 may be tested as part of Health’s ongoing surveillance to ensure that there is no community transmission in New Zealand. If they are not close contacts of confirmed cases, have not recently travelled overseas, or have not been in contact with recent travellers, then there is no need for them to self-isolate while awaiting the test result, and they can return to school once they are feeling well. If not recommended for testing, they will be able to return to school or their early learning service when they are feeling well and no longer displaying symptoms. Wallace Street roadworks update The current phase of the Wallace Street roadworks is due for completion by the end of the month. As long as the rain holds off, Wallace Street should be re-opened to through traffic on 1 July. Following this, however, works will need to get underway along Wallace Street, near Massey University’s entrance, to upgrade wastewater pipes. This will take place in off peak hours (9.00am-4.00pm) on weekdays and traffic will often be reduced to a single lane with Stop / Go control. This is likely to take two months to complete. What’s happening? Economists breakfast with Dr Allan Bollard On Thursday, Year 13 Economics students Sarah Bennett and Rachel Woolcott, attended a Cullen Breakfast at the Wellington Club. Speaking at this week’s breakfast was Dr Alan Bollard, who has held numerous senior positions in Government and interGovernmental agencies. Dr Bollard discussed the economic impact of the covid epidemic and then participated in a question and answer session.  Sarah said  “the range of angles in the topic discussed was thought provoking”. Rachel commented “it was a very interesting discussion and I enjoyed listening to his jokes and insight.”         Year 13 performance of ‘Girls like that’   Evan Placey’s Girls Like That is an ensemble play that explores the pressures young people face today in the face of advancing technologies. Year 13 Drama students produced and performed this play this week. The students are to be congratulated for their sophisticated performance which was an enduring piece of theatre, an achievement all the more impressive when considering that much of this production was conceived and developed during lockdown. Congratulations to all, and to Drama teacher Roger Mantel.       He Kākano  The He Kākano students have been engaged in a range of creative activities, cognitive thinking skills and maths throughout the week.      Winter in the garden The weather over the past few weeks has seen our horticulture students spend time on maintenance, cleaning and repairing tools including secateurs. They will be well prepared for winter pruning and work outside once the weather improves.    Instrumental & vocal lessons update If your Junior student is interested in taking instrumental / vocal lessons but has not yet enrolled, please download the form from the Student Hub and hand in or email the completed form to Fritz Wollner Lessons will be reorganised for Terms 3 and 4. If students have not been attending regularly, they need to see Mr Wollner as soon as possible to ensure they do not lose their spot. Achievements National Bridge Speech competition place secured Year 13 Amelia Smith qualified for a place in the National Bridge Speech competition following her success in the regional Chinese speech competition last week. Amelia will represent the North Island outside Auckland region in the competition, to be held at Victoria University on Sunday 2 August. At that event, each qualified candidate will need to present a speech, perform to demonstrate a skill and answer questions in Chinese. Finalists will represent New Zealand and compete with candidates from all over the world in October. We wish Amelia luck as she progresses through the competition. Sports Junior girls football For the first time in many years WHS has a junior girls football team out in competition. Their most recent game resulted in a very close 2-1 loss but the girls had fun and were very impressive despite some players not having very much experience. This team could not have gone ahead without the support of parents who helped with both transport and officiating.  Special thanks to Bea Gladding and Jennifer Argyle who are the coach/manager dream team who make this team possible. Below are some photos of the action and sideline support. Basketball Basketball is underway with all teams at WHS having played at least one game so far. Big thanks to Jason Reddish who is taking on the entire boys programme at school which includes four teams and doing a great job. Another big thanks to Nick Andrews who along with a parent is coaching the Senior girls team. Junior Boys play on a Tuesday and another junior team plays on a Thursday. All Senior teams play on Fridays, with the top boys and girls team playing at the ASB Centre. Below are some photos from the first junior basketball game. Boys 1st XI football The 1st XI played their first game of the season, bringing home a 5-1 victory against St Patrick’s Silverstream. Their next fixture is against Newlands College this coming weekend.
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Circa 2015 Season - jam-packed with theatre for all audiences!

    • 8 Dec 2014
    • Circa Theatre
    • Red Riding Hood, the PantomimeBy Roger HallSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson2-10 JanuaryCirca One What a big smile you’ll have …Don’t miss Circa’s fabulous Christmas panto! And this year Red Riding Hood is back with one of the great traditional stories – innocent Red Riding Hood, her poor, short sighted grandmother, and of course the handsome woodcutter and that villain of all villains, the Wolf!There’s lots of laughter, hilarious jokes and musical goodies in Red’s basket as she sets off on her journey to entertain young and old with this marvellous magical treat.“A great way to introduce kids to the magic of theatre, and Red Riding Hood is easily the ideal Christmas outing for the holdiays … a treat” – Salient“Roger Hall’s helter-skelter Red Riding Hood… is wonderfully exuberant seasonal fun” – The Dominion Post The Kitchen at the End of the WorldBy William ConnorDirected by Steffen Kreft16-25 JanuaryCirca Two “Something is coming. I don’t know what it is. And I don’t know if I should fight it or welcome it.” One snowy evening, an empty 83-room hotel on the edge of the Vastness receives a thin guest who has walked all the way from the City. Penniless, he is smuggled into the hotel kitchen where a kind cook works near an extraordinary thyme plant. He says that creativity is dying. Described as “intensely beautiful”, “provocative and moving”, The Kitchen at the End of the World is the story of marionettes who know they are limited by the extent of their strings – even kissing can tangle them – but they crave what lies beyond their reach. A story about home, the unknown, and the courage to face everything in between. The show captivated audiences at its sell-out debut season during the Greytown Festival 2012and is a powerful reminder that puppetry is not just a children's art form. SeedBy Elisabeth EastherDirected by Kerryn Palmer17 January – 14 FebruaryCirca One SEX & DRUGS, WITHOUT THE ROCK ‘N’ ROLL IVF isn’t foolproof and IUDs aren’t failsafe. iPhones come with ovulation apps and ‘choosing from the menu’ means selecting your sperm. Seed follows four women as they try to get pregnant, stay pregnant or become un-pregnant - the dilemmas of modern reproduction. Elisabeth Easther’s Seed is winner of the 2014 Adam New Zealand Play Award, which recognises and celebrates the best in new writing for the theatre. It’s a multi-narrative play about the mysterious business of fertility, with all of its challenges, heartaches and hormones. Seed is a drama that’ll have you laughing ‘til the tears are running down your face, and it’s a comedy that’ll make you cry. “Highly entertaining, funny and sophisticated” - Adam Play Award Judges “[A] sophisticated, witty and very contemporary meditation on the timeless processes of procreation.” - NZ Herald STARRING: Tess Jamieson-Karaha, Jamie McCaskill, Emily Regtien, Holly Shanahan and Amy Tarleton Warning: Adult themes and strong language. Demolition of the CenturyBased on the novel by Duncan SarkiesCreated by Duncan Sarkies and Sean O’Brien31 January – 21 FebruaryCirca Two Welcome to the world of Tom Spotswood, an insurance investigator who has lost his socks, his suitcase, his ex-wife and his son, Frank. Fresh from performances in the New Zealand Festival, Auckland Writers Festival, Tauranga Arts Festival and Nelson Arts Festival, Demolition of the Century sees author/performer Duncan Sarkies (Two Little Boys/Scarfies/Flight of the Conchords) stage a humorous and sometimes heartbreaking look at families, memories and the fragility of the human mind. He is accompanied by musician Joe Blossom, who plays a soundtrack that is both haunting and invigorating. “A series of brilliant vignettes, delivered in an inspired cabaret-style reading by the multi-talented Sarkies, and outstanding musician Joe Blossom… Blossom not only creates fluid and essential musical transitions, but his beautiful vocals, self-accompanied on piano and guitar, imbue this work with a powerful pathos that allow glimpses of the inner landscape of these characters. Demolitionis a fast-paced, darkly captivating cabaret-comedy, which leaves us fully entertained and tantalizingly close to solving a puzzle.” –Bay of Plenty Times Wake Up TomorrowPresented by Everybody Cool Lives HereIn association with ActiveDirected by Isobel MacKinnon21-28 FebruaryCirca One Welcome aboard Active Airlines! Join the eccentric passengers during this compelling, surreal and funny flight. Made under the guidance of Wellington theatre makers in collaboration with Active, a service for youth with an intellectual impairment, Wake Up Tomorrow was created from the minds of these incredible young people. Audiences will be transported from the mundane moments on a long haul flight to bizarre and hilarious scenarios.  Please fasten your seat belts, make sure you are in the upright position and enjoy the journey. We may or may not arrive at the expected destination. “In a work of this kind there is always a delicate balance to be held between presenting a polished product at the same time as allowing for a playful improvised quality to emerge that allows the actors to perform to their strengths. This was very evident in the final few scenes …” – Madeline McNamara Yep, Still Got It!By Jane Keller and Sandy BrewerDirected by Alan PalmerMusical Director Michael Nicholas Williams28 February – 21 MarchCirca Two YOUTH IS A GIFT OF NATURE, BUT AGE IS A WORK OF ART – Stanislaw Jerzy Lec Following the huge success of BOOMERS BEHAVING BADLY, Jane Keller returns with another hilarious show. A little older, a little wiser, a lot sassier, and even more confused. Whatever happened to the days when a cloud was a cloud, when face time was over a G&T, and we punctuated our sentences with full stops - not smiley faces? From senior sex and those pesky STDs to shopping sprees and colonoscopies, Jane shares stories of abject embarrassment, medical (mis)adventures, empowerment, and acceptance. In YEP, STILL GOT IT!  she embraces the power of an older woman with no FOMO. Together with the brilliant Michael Nicholas Williams on the piano Jane brings a brand-new show to Circa Two combining her special style of storytelling with her virtuoso Broadway voice. Capital E Kids FestivalCirca One CaterpillarsBy Kallo Collective Directed by Thomas MoncktonProduced by Show Pony7 March 10 am & 11.30am A tale of two puppeteers’ failed attempts at beautification. In the magical world of flitting butterflies, jumping eggs and giant swaying flowers, two lycra-clad puppeteers try their hardest to remain unseen and at service to their puppets: two enormous plump caterpillars. Caught in the wrong place at the wrong time, with nothing but their wits to cover up their escalating blunders, two appealingly hopeless clown puppeteers bring upbeat absurdity, slapstick silliness, and a good dose of reality to their hilarious and unpredictable antics. Beards! Beards! Beards!By Trick of the Light TheatreDirected by Hannah SmithWritten by Ralph McCubbin HowellProduced by Show Pony21 March 10am & 1pm Beatrix didn’t want a tiara. Beatrix wanted a BEARD! From Charles Darwin to Abraham Lincoln, Karl Marx to Mr Twit, it is said the secret to power and greatness is all in the size and shape of the beard. This is a tale of one young girl’s increasingly inventive efforts to grow the world’s most magnificent beard. Join a madcap and hilarious musical romp of physical comedy and clowning, as our plucky young heroine shakes up social rules and attempts to answer the questions that have puzzled mankind since the dawn of the beard. Suitable for  children 5+. The PianistBy Circo Aereo (Fin) and Thomas Monckton (NZ)In conjunction with Show Pony (NZ)Directed by Sanna Silvennoinen and Thomas Monckton7-22 MarchCirca One Direct from Edinburgh Fringe and the London Mime Festival, last year’s hit returns to Circa! “It would be no exaggeration to declare Thomas Monckton nothing short of a genius.” – Broadway Baby (UK) “I doubt very much that you’ll see, in fact I am prepared to bet on it, a funnier show this year…miss him at your peril”  – The Dominion Post (NZ) Fresh from a five-star reviewed season at the Edinburgh Festival Fringe and a sell-out season at Circa Two last year, award-winning performer Thomas Monckton returns with his smash hit The Pianist, this time at Circa One! The Pianist is a solo comic contemporary circus piece by Thomas Monckton (NZ) and Circo Aereo (Finland). The show is centered on, in, under, and around the magnificent grand piano. Accompanying this elegant apparatus is the poised pianist himself. Only he is so focused on impressing everyone that before he realises it, his show has transformed from the highbrow concert he hoped for, into a spectacularly amusing catastrophe. Suitable for all ages. The Mystery of Edwin DroodA musical by Rupert HolmesDirected by Lyndee-Jane Rutherford28 March – 25 AprilCirca One Who the Dickens did the deed? You decide! A non-stop ride of mystery, murder, and musical delight! Based on Charles Dickens’ final, unfinished novel, The Mystery of Edwin Drood is filled with clues, red herrings, villainy, and debauchery. Everyone on stage is a suspect – and it's up to you to decide how this mystery ends!Hot off Broadway, this Tony Award-winning theatrical genius is led by director Lyndee-Jane Rutherford (Midsummer (a play with songs)), who reunites with the artistic team that brought Grease and Mamma Mia to the Wellington stage. The cast includes beloved actor of stage, screen and radio, Lloyd Scott, and internationally renowned soprano, Barbara Graham (Christine, Phantom of the Opera). The Mystery of Edwin Drood boasts spectacular big dance numbers, rousing showtunes, stunning theatrics, magic, and illusions!  Tony Awards for Best Musical, Best Book, and Best Score“One of the most inventive, inspired and rousing musicals ever devised.”—AM New York“Infectious fun!”—Time Out New York “Bawdy fun!”—Associated Press “Sheer fun!”—The Wall Street Journal Two MortalsDirected by Geoff PinfieldPerformed by Rachael Dyson-McGregor & Mike McEvoyComposed by Beatrice Lewis1-18 AprilCirca Two 'A powerful theatrical experience suffused with humour, beauty and emotional intelligence' – The Melbourne AgeTwo Mortals is a delicate, poetic and humorous exploration of life, death and the moment in between. Composed word-for-word from interviews with people who live and work at the ends of life – morticians, cryogenicists, palliative care workers and ministers – Two Mortals weaves these true stories and experiences into a richly theatrical exploration of mortality. This uplifting work about one of our society's most taboo subjects was directed by Chapman Tripp Director of the Year Geoff Pinfield. Created and performed by Rachael Dyson-MacGregor and Mike McEvoy, Two Mortals sold out two critically-acclaimed seasons at Melbourne's La Mama Theatre. Improv for KidsBy The Improvisors7-18 AprilCirca Two Kids love theatre that’s interactive. So do the Improvisors. Kids (and their grown-ups) loved the 2014 season of Improv For Kids, so we’re bringing it back. It’s a great opportunity to introduce your kids to the world of live theatre. We may not have millions of dollars worth of computer-generated effects, but we do listen to kids and we make their ideas central to what happens on stage. In Improv For Kids, imagination is the best special effect of them all! Don JuanBased on Don Juan by MoliereCreated by A Slightly Isolated DogDirected by Leo Gene Peters25 April – 23 MayCirca Two World Premiere A sexy, fierce, raucous celebration.  Don Juan explodes with the energy of a music gig or a club.  It’s a cabaret.  It’s chaos.  It’s a furious adrenalized romp through the games of attraction and sexuality.  It’s the BEST… PARTY… EVER.  Five mad performers use a variety of theatrical forms and styles to bring an adaptation of Moliere’s classic play to life.  Loaded with pop songs and flirting, this imaginative work will continually intrigue, delight and surprise. While the bar keeps serving drinks.  All night long.   Created by A Slightly Isolated Dog, one of Wellington’s most innovative and exciting companies.  Critically acclaimed and award winning shows include:  Death and the Dreamlife of Elephants (2009, 2011), Perfectly Wasted (2012 - in partnership with Long Cloud Youth Theatre) and Settling (2007). A Servant to Two MastersBy Carlo GoldoniA new adaptation by Lee HallDirected by Ross Jolly2-30 MayCirca One NZ Premiere Love, passion and pandemonium Goldoni’s much-loved comic classic is a masterpiece starring a wily servant whose cheeky, inventive trickery gets the best of his masters, in a merry mix-up of mayhem and mistaken identity. Truffaldino, the scheming and perpetually hungry servant, concocts a zany scheme to double his wages (and his meals) by simultaneously serving two masters – the lovelorn Beatrice (disguised as a man) and her lost lover Florindo. Hilarity abounds In this sharp, new, rapid-fire adaptation by award winning dramatist Lee Hall (The Pitmen Painters, Billy Elliot).   A delicious, madcap Italian comedy of lovers, disguises, tricks, traps, mishaps and meatballs! “A sparkling, wonder filled new version by Lee Hall... An evening to cherish” – Daily Mail “A hugely enjoyable night out" – Covent Garden Life TheatresportsBy The Improvisors3 May – 14 JuneCirca Two Part of NZ International Comedy Festival The Improvisors are back at Circa with another season of this very popular show. Each night two teams of Improvisors take suggestions from the audience and spin them into short scenes, songs, poems or whatever else takes their fancy. Each show is completely different – what does stay the same is that Theatresportsis always a great night’s entertainment for the whole family. We don’t know what ideas you are going to throw at us – we do know that our kind of improv magic has been keeping audiences laughing over many years. Theatresports – putting the “make up” on stage. Second AfterlifeBy Ralph McCubbin HowellDirected by Kerryn Palmer29 May – 13 JuneCirca Two Return Season of the 2014 Young and Hungry sensation!Dan was an internet junkie – now he’s calling it quits. But in order to forge a new profile, he must face up to his online history and it’s not going down without a fight.When Dan finds himself sucked into the Second Afterlife – a dark underworld of the internet, a very real and dangerous landscape of broken memes, deleted pages, and the ghosts of profiles past. Second Afterlife is a dark comedy about life (and death) in the digital age. Inspired by Dante's Inferno, and in the tradition of Scott Pilgrim vs. the World, it is a twisted allegory for the Facebook generation – a poetic, ass-kicking romp to the darkest corners of the web. “Ralph McCubbin Howell cements his status as one of NZ's best young playwrights with Second Afterlife and director Kerryn Palmer, her designers and crew, and her exemplary cast of six do him proud.” - TheatreviewBy arrangement with Playmarket.Edge/Turning PageBroadway Star, ANGELICA PAGE“An actress of the highest possible voltage” – Wall Street JournalPerforming two shows, alternate nights, two weeks only6-20 JuneCirca One EDGE written by PAUL ALEXANDER Set in 1963 on the day of Sylvia Plath’s death, Edge presents the self-told story of the troubled poet and author of The Bell Jar, The Colossus, Ariel and the Pulitzer-Prize winning Collected Poems. “… a resurrected Sylvia Plath… the showcase of a lifetime” NEW YORK TIMESRETURNING TO OUR STAGE 10 YEARS AFTER ITS SENSATIONAL 2005 CIRCA SEASON TURNING PAGE written by ANGELICA PAGEGeraldine Page’s sparkling career earned her a record-breaking eight Academy Award nominations, an Oscar for Best Actress in 1986, and made her one of the most influential American artists of the 20th century. Turning Page is the triumphant and heartbreaking true story of one of the most celebrated actresses of all time, written and performed by the person who knew her best: her own daughter. “A privilege” Los Angeles Times Matariki Development FestivalPresented by Tawata Productions22 June – 4 JulyCirca TwoAn international indigenous playwrights’ festival boasting an enviable whakapapa of the very best of contemporary Maori & Pasifika theatre.  MDF 2015 features new writing by Natano Keni, James Nokise and Pikihuia Haenga. the beautiful onesWritten and Directed by Hone KoukeProduced by Tawata ProductionsMovement by Dolina Wehipeihana & Hone KoukaDesign by K*Saba, Tama Waipara, Johnson Witehira, Wai Mihinui, Jaimee Warda, Sopheak Seng, Laurie Dean 27 June – 11 JulyCirca One World Premiere A hyperreal digital love story.  the beautiful ones is a story of young love.  A promise Hana made to Ihia – a promise to return.  Will she return?  Will love triumph over temptation?  the beautiful ones bursts from the late night sheen of a city club.  Beautiful bodies & vital vocals.  Defiant dance moves and the meaning of love.  the beautiful ones features a dance floor for the audience to share the vibe.  From the company that brought you I, George Nepia, Sunset Road and TŪ. Warning: Contains Big Beats & Dance Music. The Ugly OneWritten by Marius von Mayenburg; translated by Maja ZadaDirected by Giles Burton11 July – 8 AugustCirca Two A scalpel sharp, absurd comic fantasy about beauty. Lette thinks he is normal, but when he discovers that he is, in fact, unbelievably ugly he turns to a plastic surgeon for help. Suddenly he is the most beautiful man in the world. Fame and riches follow; women want to sleep with him and men want to look like him. And with surgery they can look like him. Exactly like him. Received around the world to great acclaim, The Ugly One now receives its NZ premiere. With writer von Mayenburg’s star very much in the ascendant, this show is a must see.   "A stripped bare satire on the nature of beauty. If you are interested in theatrical story-telling see this show." – The Times (UK) “Savage social satire … A small but perfectly formed play” – The Guardian (UK) “The concept is simple but the philosophical implications are profound: What if money could buy the perfect face? It’s The Elephant Manmeets The Matrix” – Post City (Toronto) The Hound of the BaskervillesBy Arthur Conan DoyleAdapted for the stage by Clive FrancisDirected by Ross Jolly25 July – 29 AugustCirca One Sherlock Holmes vs the Powers of Evil A bloodcurdling howl is heard across a cold, moonlit moor; the horrifying, spectral hound has claimed another victim … When Sir Charles Baskerville is found dead on his remote estate, in eerie, seemingly supernatural circumstances, Sherlock Holmes, the legendary, world-famous detective and his assistant, the ever-reliable Dr Watson are called upon to unravel the extraordinary mystery of The Hound of the Baskervilles. Sir Arthur Conan Doyle's most famous and most popular story, in an exhilarating adaptation by Clive Francis (Our Man in Havana), sees four actors playing all the parts in this gripping, classic tale of terror. A thrilling, ripping good night of fun, drama and suspense! “A cracking good yarn … Excellent ... Highly enjoyable." - Daily Telegraph "Chillingly atmospheric... this fun show will really thrill. " - The Observer Downton AdlibBy The Improvisors2 August – 27 SeptemberCirca Two Quality costume drama – only funnier. An aristocratic English family and their servants face the challenges of life in the early twentieth century. A cast of Wellington’s top improv comedians face the challenge of making up a brand new episode every night. We supply the characters, you supply the key plot ingredients and the result is costume drama as you’ve never seen it before. Love, laughter, passion and a wide range of hats! The Travelling SquirrelBy Robert LordDirected by Susan Wilson5 September – 3 OctoberCirca One NZ Premiere “We that live to please must please to live” – Dr Samuel Johnson From Robert Lord, the author of the award-winning and much loved Joyful & Triumphant, comes The Travelling Squirrel, a romp through the fickle nature of the entertainment industry. Protagonist Bart compares his struggles as a writer to those of Roger the squirrel, a misunderstood painter. Hilarious and packed with larger-than-life characters, this play is a testament to Lord’s ability to write brilliant comedy.  A satire tempered with deep affection, The Travelling Squirrel depicts a dangerous world in which fame and fortune are always temptingly just around the corner “This is surely one of Lord’s funniest plays, just as it is one of the most moving”   – Philip Mann “For two decades, Robert Lord’s plays astonished and entertained theatre audiences with their sharp satire and flamboyant farce.”  - David O’Donnell The BookbinderWritten by Ralph McCubbin HowellDirected by Hannah SmithPresented by Trick of the Light Theatre25 September – 10 OctoberCirca TwoThey say you can get lost in a good book. But it's worse to get lost in a bad one... From award-winning company Trick of the Light Theatre (The Road That Wasn’t There) comes a story of mystery, magic and mayhem. The Bookbinder weaves shadowplay, paper art, puppetry, and music into an original dark fairytale in the vein of Coraline and Jonathon Strange and Mr Norrell. An inventive one-man performance for curious children and adventurous adults... suitable for children 8+. Best Theatre and Best in the Fringe - NZ Fringe 2014 International Excellence Award - Sydney Fringe 2014 "Spell-binding storytelling at its purest and best..." - Theatreview"Absorbing and imaginative… a small gem of theatre" - The Dominion Post "Tuned to perfection... Bookworms of all stripes and ages will adore it."- The Age, Melbourne For more information visit www.trickofthelight.co.nz GiftedBy Patrick EvansBased on the novel of the same nameDirected by Conrad Newport10-31 OctoberCirca One It is 1955 and beyond the famous hedge something magic is about to happen. In his beloved garden the “Father of the Nations Fiction” Frank Sargeson is waiting for his old mate Harry to turn up. Instead, he encounters a young woman fresh from a mental institution. Her name is Janet Frame. Their world is about to change forever. From the director of Rita and Douglas comes this very funny and profoundly moving story. Touring the Arts Festivals in 2013 to incredible reviews and widespread acclaim it’s now Wellington’s chance to experience this celebrated New Zealand production. “Like an exquisite work of art, the play Gifted is honed to near perfection … go and see this gorgeous production.” – Taranaki “Superb performances by all … it is thrilling … it makes for astonishingly joyful, mischievous theatre.” – Dunedin “Sheer quality” – Christchurch Adventures in PianolandWritten and performed by JAN PRESTONDirected by GAYLENE PRESTON15-17 OctoberCirca Two How I learned to stop worrying and love the piano The irrepressible Jan Preston comes clean on her longstanding and sometimes bumpy road to piano stardom. Jan will spin yarns from dives in Soho to the concert halls of Europe, to stealing a piano in broad daylight from the 1860s Bar in Lambton Quay. She will accompany herself, of course, on Circa Theatres' lovingly cared for piano.  You will hear Chopsticks as you have never heard it, with Jan's original songs and compositions providing perfect counterpoint to her story. AcheBy Pip HallDirected by Lyndee-Jane Rutherford24 October – 21 NovemberCirca Two Fate, chance and rooftop romance.  Ache is a fateful comedy about two thirty-somethings trying to find their way through modern love, materialism and the Wellington dating-drought. At a time when we are promised happiness with the swipe of a card or the swig of a bottle, true joy and connection seems almost impossible. At crossroads and rooftop gardens, fate decides to surprise them. At last, connection, chemistry, charisma. He’s perfect, she’s gorgeous. Only timing’s not as kind – he’s taken. Is it just not meant to be or will she push timing aside and take fate into her own hands?   Achingly-funny and heart-breakingly sad, Ache is a modern story of love, timing and seizing the day.Don’t miss this WELLINGTON PREMIERE, finally on our stage after its SOLD-OUT season at Christchurch’s Court Theatre. All Our SonsBy Witi IhimaeraPresented by Taki Rua5-14 NovemberCirca One World Premiere Courage and loyalty is tested in this new play by Witi Ihimaera “Once they fought each other, now shoulder to shoulder they fight together” Two generations go to war while a third fights a battle to keep her family at home. Waru Mataira and his two sons Tai and Rangi volunteer to represent the Maori iwi of Mataira Mountain in the New Zealand Native Contingent to Gallipoli. Under the guidance of their Pakeha leader Alec Campbell, they join the battle on the western front as part of the newly titled Pioneer Battalion where their courage is tested and so too are their loyalties. Taki Rua Productions presents the World Premiere of All Our Sons, a ground-breaking play by Witi Ihimaera. Roger Hall’s Robin Hood, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson21 November – 20 DecemberCirca One There he is! Oh no he isn’t. Oh, yes he is!! With loaded bow behind a treeYou never know where he will beHe moves like velvet, sleek and svelteAround the Wellington town belt His eye is quick, his aim is sureHe robs the rich to feed the poorHe’s always on the side of goodThe hero known as Robin Hood He lies in wait for those who ownA big estate and second homeFor millionaires who don’t pay tax  For bankers who don’t watch their backs You’ll see them suffer their defeatIn Circa’s brand new summer treatA pantomime for one and allIt’s Robin Hood by Roger Hall “fabulously fast and furious ... A treat”  - Capital Times “ACTION-PACKED… TONS OF FUN FOR YOUNG AND OLD!”  - The Dominion Post A Child’s Christmas in Wales (and other memories of childhood)By Dylan ThomasDramatised and performed by Ray Henwood28 November – 20 DecemberCirca Two What has been described as one of the most magical of Christmas stories is brought to the stage by Ray Henwood. It is rounded out by other memories of childhood, first presented by Dylan Thomas in one of his regular talks on the BBC Welsh Home Service. Thomas had a very happy childhood and so many of his young experiences resonate still with us today.The town of Swansea which is the locale of his stories had changed little by the time Ray was growing up. While Dylan lived in more salubrious surroundings, Ray was a “Sandfields” boy referred to by Dylan- and played in many of the areas described in the stories. It is a truly timeless tale and family celebrations have changed little, even in countries that celebrate a summer Christmas. Dylan’s work brings back memories that resonate so well with young and old. it is a true celebration of our experiences growing up. www.circa.co.nz
    • Accepted from drama* on the waterfront posts 132 months ago
    • Tagged as:
    • tawa
    • town-belt
    • snow
    • matariki

    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Ngā Kōrero – Latest Stories from DCM

    • 22 Apr 2025
    • Downtown Community Ministry
    • Ngā Kōrero – Latest Stories from DCM Ngā Kōrero – Latest Stories from DCM communities where whānau are housed, connected, valued and thriving About Us Contact A Message From Our Manahautū He Rā Ka Huri: Seasons Change, Our Purpose Remains Stephen Turnock, Manahautū (Director) at DCM Tēnā koutou katoa, As the seasons shift once again, I find myself reflecting on just how much change we’ve witnessed lately, not only in the weather, but across our communities, sector, and Aotearoa. Like the turn from summer to autumn, some changes are expected, while others arrive quickly, bringing with them a sense of uncertainty. This changing environment is being felt deeply across the community sector. Policy directions are shifting, funding decisions are pending. Many of us are operating in a space where the future feels less certain than before. At DCM, this has real impacts. The security of our contracts, the continuity of our mahi, and the wellbeing of our kaimahi (staff) are all front of mind. And it's not just our sector, every day we see how these pressures are being experienced by whānau across Te-Whanganui-a-Tara: the cost of living, the struggle to find and keep a safe place to live, and the weight of navigating systems that often don’t work for them. Change is constant, but for many, it doesn’t always feel like it’s moving in the right direction. In the face of this, we ground ourselves in what remains constant. Our commitment to whānau-led support, our belief in housing as a human right, and our dedication to walking alongside those doing it tough. No matter the season, our purpose stays the same. And we want you to know, we have a plan. Even in a time of shifting sands, we’re clear on our direction. We’re committed to building on what works, data-informed insights, whanau-centred practice and courageous leadership. And we know we can’t do this alone. It’s through community collaboration, with whānau, with partners, and with people like you, that real solutions are found and created. So as the leaves begin to fall and we prepare for the colder months ahead, we do so with determination, with hope, and with deep gratitude for your continued support. You are part of this journey, and together, we will keep working towards a city where everyone has a place to stand. Ngā manaakitanga, Stephen Turnock Finding An Oasis At DCM I was homeless and running around the country before I came to Wellington. I was drinking heavily. I was an alcoholic. My mental health issues hadn’t been diagnosed, so I was unmedicated and pretty messy. Before that I was in Christchurch. I got made redundant, and then I had nothing to do. I started drinking, getting into hard drugs, getting in trouble. I made a lot of people mad and I had to leave. I just wanted to hide somewhere and drink. That was my plan. It’s crazy I kept drinking even when I was that sick. I knew I was sick, but the need for alcohol was stronger than any concern I had for my own safety. I was housed out in the Hutt maybe six or seven years ago, not by DCM but someone else. They put me there to get me out of Wellington, away from the drinking. But I still drank sometimes. Then I got told my liver couldn’t take it anymore. They said it was no good. That changed everything. I had to stop drinking, and that changed my life completely. I couldn’t fill the voids with alcohol anymore. I had to deal with stuff. Face my demons. And it was too much, really. I ended up needing medication. There was nothing like DCM out in the Hutt then. I came back into town because there’s more here, and DCM is a hub that has everything I need. I’ve been coming here every day, every week, for as long as I’ve been back in Wellington. DCM has supported me in all sorts of ways. I come here for coffee, for health, for dental, and they make sure I get to my appointments. Te Aro Health and the nurse let me know if the doctors want to see me. It’s amazing that everything is just here. And yeah, I get food from DCM. It’s good to know it comes from people I know, not some stranger. It keeps it in the whānau, you know? I don’t eat much. Once a day is usually enough to keep me going. I used to be a good cook, but I’ve lost all interest in it. Cooking for one is boring. Food is just something I put in myself now. The DCM staff are even trying to get more fruits and vegetables into me. I’ll eat it if it’s put in front of me, but I won’t cook it. I’m eating like an old man now. DCM hasn’t given up on people, not like other places have. That’s what surprised me. DCM is an oasis and people rely on this place. If they weren’t here, there’d be nothing for us. We’d be eating out of rubbish bins. "DCM is absolutely brilliant because it’s saving people in Wellington. It’s keeping people alive. Without this service, people would be lost. They’d just be lost." These days, I guess, I’m mostly just working out what life looks like until I die. That’s what concerns me now. My health isn’t great. I don’t know how long I’ve got, but I’m trying to be all right until then. If you’re struggling, don’t stop yourself. Get to DCM. If they see the need, they’ll help. I fully recommend it to anyone in Wellington who needs support. Spotlight on Lynda: Fundraising For Hope Lynda McGregor, owner of Little Bread Loaf, wears many hats. She runs a small artisan bakery in Lower Hutt where everything is made from scratch, a busy café in Miramar, works in fresh produce markets, and does catering too. Yet despite her full plate (pun intended), Lynda makes time to support DCM. Her connection with DCM began when she saw one of our Instagram posts calling for donations. “It really moved me,” she says. “I just thought, we can all do something to help our community. It’s not about pity, it’s about showing up and helping.” Lynda shared the post, a conversation followed, then a tour, and she soon found herself organising her first foodbank collection for DCM at Little Bread Loaf where she and her community raised over 200 cans of food. “I’ve always known about DCM and the work you do. I know you don’t get as much funding as the bigger charities, and I felt I could add value here in a way that would make a real impact.” Supporting DCM wasn’t a random choice. It aligned with Lynda’s values. “My mum always tithed. She gave a portion of what she had or her time to help others. I’ve always tried to do that too. I’m not religious, but giving back is a part of who I am.” She’s also realistic. “In the charity sector, it’s often the causes that are more ‘attractive’ that get attention". But DCM, she says, offers something deeper. “I truly believe that nobody wakes up wanting to be on the street. DCM works with some of the most vulnerable people in Wellington and you stay constant, even when others would walk away. The whānau you support can keep coming back for coffee, a chat, or whatever they need and you are always there for them.” For Lynda, donating food is not about charity. It’s about manaakitanga. “If the food isn’t good enough for me to eat, I won’t bring it in. What I give has to be mana enhancing; for DCM, for me as the maker, and for anyone who receives it. I want people to feel dignity when they receive something from me.” She adds that contributing makes her feel good too. “It feeds my soul. I do this for selfish reasons because it makes me happy and brings me joy.” Lynda has seen the challenges facing our communities and the pressure DCM is under. “It makes me sad to see the foodbank shelves so bare. You’re doing incredible work, and so much of it comes from heart. You can tell that your team is here because they genuinely want to be of service.” She believes anyone can make a difference and her hope is that more people and businesses will step up.. “You don’t have to give a lot. A couple of cans, a few dollars, whatever you can manage. That small act might have a huge impact on someone’s day." She adds, "It’s not about changing someone’s whole life. It’s about easing their path just a little. It’s about giving someone a little hope.” We are so thankful to Lynda, and our other wonderful supporters, for standing with us. DCM is proud to work alongside people who care so deeply about making Wellington a city where everybody has a place. This year, we are running a Foodbank Appeal Week from 17 to 24 May, and we are inviting the community to help us to continue to provide essential food support to Wellington’s most marginalised residents. There are many ways you can get involved. You could host a food donation box at your workplace, school, or church, run a fundraiser for DCM, or, if you would like to support us financially, you can do so by clicking the button below. Support DCM Copyright © 2025 DCM. All rights reserved. Our mailing address is: DCM Wellington, 2 Lukes Lane, Te Aro, Wellington Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 7 months ago by feedreader
    • Tagged as:
    • miramar
    • lower-hutt

    Lower Hutt, Lower Hutt City, Wellington, 5010, New Zealand (OpenStreetMap)
  
  
• • 

    Weekly Bulletin: Staying connected as a church - 11 September 2022

    • 8 Sep 2022
    • St John's in the City
    • Kia ora St John’s whānau, This Sunday’s date recalls a day of terror, which for most of us was within living memory: September 11 <figure class=" sqs-block-image-figure intrinsic " > Stephen Harris is our Guest Preacher, and will be reflecting on how the scriptures speak to the current perils of our world. His sermon is titled ‘Biblical Times’. If you want to read the Bible readings before Sunday, they are: Jeremiah 4:11-12, 22-28 and 2 Timothy 3: 1-5, 14-17 Our youth and kids will start at 10am in their peer groups (in the Centre) and join together in the Church for Communion. After the service we have our Quarterly Communion Lunch, so please bring food to share If you can’t get into the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759Passcode: worship The link to join the Zoom worship service is below. https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09   If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet  <a href="https://www.dropbox.com/s/kzpicbcfm4xq4j4/11%20September%202022%20Order%20of%20Service.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet <a href="https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Link to Zoom Service  ELECTION OF NEW ELDERS At last week’s Congregational Meeting we elected two new elders: Jason Fyfe and Nisha George. We thank God for their sense of call and look forward to their ordination to this leadership role in our church  ST JOHN’S CHURCH CAMP This is a special weekend for all of us! 16th – 18th September 2022The theme is ‘Journeying Together’. Online registrations are closed. But we might be able to squeeze in some extras. Please contact Naomi to enquire. Contact: Naomi Contact: Naomi <form method="POST" novalidate data-form-id="631949492645ee7c5a5dcd8e" data-success-redirect="" autocomplete="on" action="https://stjohnsinthecity.squarespace.com" data-dynamic-strings onsubmit="return (function (form) { Y.use('squarespace-form-submit', 'node', function usingFormSubmit(Y) { (new Y.Squarespace.FormSubmit(form)).submit({ formId: '631949492645ee7c5a5dcd8e', collectionId: '5eaba2aa9758022539788d0f', objectName: 'item-63194863e1325949ba993a7e' }); }); return false; })(this);" > Name * <input data-title="First" spellcheck="false" maxlength="30" name="fname" aria-required="true" type="text" class="field-element field-control" x-autocompletetype="given-name" /> First Name <input data-title="Last" spellcheck="false" maxlength="30" name="lname" aria-required="true" type="text" class="field-element field-control" x-autocompletetype="surname" /> Last Name Email * <input autocomplete="email" spellcheck="false" name="email" aria-required="true" id="email-yui_3_17_2_1_1662601295138_56015-field" type="email" class="field-element" /> Subject * <input aria-required="true" id="text-yui_3_17_2_1_1662601295138_56016-field" type="text" class="field-element text" /> Message * <textarea aria-required="true" id="textarea-yui_3_17_2_1_1662601295138_56017-field" class="field-element " > <input type="submit" class="button sqs-system-button sqs-editable-button sqs-button-element--primary" value="Submit" /> Thank you! <figure class=" sqs-block-image-figure intrinsic " > VISION TO ACTION <figure class=" sqs-block-image-figure intrinsic " > Our Vision: We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. How to get involved… Join a project team – everyone is welcome!!Site and Space – Get involved in exploring how the St John’s site can be used in an outreach capacity. This could involve physical changes, projects, use of the Centre.Current Project: Community Christmas MarketContact Rob Anderson or Judi Ferguson       Community Rebuild – Help re-establish and build back internal relationships and friendship in the St John’s community post COVID.Current Project: Supporting Attendance at Church Camp and Talent ShowContact: Margaret Gilkison or Jemma August Caring for Specific Groups of Need in the St John’s Community – Help us intentionally build connections between generations and serve specific groups of need e.g. young, elderly, youth.Contact: TBC Whānau Night Extension – Get involved in building on the success of Whānau Night. Held each month during school terms in the St John’s Centre or in homes. Food, fun, faith and focus.Current Project: Youth Lead Code Breaker Night, 20 November 2022Coordinator contacts for 20 November Whanau Night: Antonia Milkop and Bronwyn Wood with St John’s Youth GroupWhat we need:  In order for the church to carry on running Whanau Nights from 2023 onwards, we will need to find a committed leader to help orchestrate and organise teams to run future Whanau nights.  Does this sound like you? Vision Communication and Connections – Ensuring St John’s is communicating our Vision with the wider community and supporting the project teams.Current Project: Improving Signage and BillboardsContact: Elizabeth Gibbs Getting to Know our Neighbours /Understanding Our - Eco System/Community – Building direct relationships with our immediate neighbourhood i.e. business and organisations, Victoria University of Wellington and Massey University, Kaianga Ora, building developers, WCC, neighbouring Churches, schools.Current Projects: Follow-up event from Art Installation and Connecting with local property developers to understand future populations.Contact: Pamela Cohen         The St John’s Vision is a key focus for Session Leaders so feel free to contact any one of them about this. In particular you can contact the Session Clerk, Rob Anderson New IdeasSt John’s wants to innovate and try new things that fit in with our Vision. If you have a creative idea the following information might help you work out how to progress that from a thought to action. <figure class=" sqs-block-image-figure intrinsic " > If needed, talk to Ino Pasullean so he can connect you with the right project team or provide further advice.  NAME TAGS As we turn our Vision into action, one very easy and practical way we can build community is to wear a name tag.This Sunday all those who wear a name tag (or sign up to get one) will get a chocolate!Please keep your name tag on when you come over for Morning Tea in the Centre, and there will be a receptacle to drop your name tag into before you leave.  LEADERSHIP FOR OUR MINISTRY WITH YOUNG PEOPLE We are looking for new paid leadership to support our ministry with Children & Families and Youth. These are important and life-giving ministries for us at St John’s and we remain committed to these ministries as an expression of our faith shared and grown together.While we have existing position descriptions for these roles (half-time for the Children & Families role, and full-time for the Youth Pastor role), we are also wanting to be flexible and shape the responsibilities of these roles, where appropriate, to match a) the strengths of suitable applicants, and b) with the emerging needs at St John’s.Our St John’s Vision is encouraging us to focus on being intergenerational, having safe spaces for people to belong, being flexible and responsive, with an open-minded and positive culture.We are open to explore possibilities with anyone who has a passion and aptitude for these ministries.If you, or someone you know, might consider these roles, please contact Rev Allister Lane for more information, including the current position descriptions (Ph: 021 466 526).Applications close 23rd September 2022. including a CV and a covering letter that lays out your vision for the role. <figure class=" sqs-block-image-figure intrinsic " >  FREE GAMELAN CONCERT <figure class=" sqs-block-image-figure intrinsic " >  FELLOWSHIP GROUP “Seeing the Invisible: Black Holes, the Universe and our place in it”This was the title of a presentation given last month at a Science & Faith seminar at St John’s by Prof Jeff Tallon.At this month’s Fellowship Group you can hear this presentation again, along with the wondrous images from the deepest parts of space.Tuesday 27th September, 11am in the Hall.  ONE CONFERENCE This leadership training conference for the Presbyterian Church is being hosted at St John’s in November (2pm 17th of November - 2:30pm Saturday the 19th of November).We will have many folks travelling from out of town and many have asked if there any possibility of being billeted. Would you like to consider billeting out-of-town attendees to the conference?Conference attendees will have all meals provided at the conference except breakfast. If you can offer billeting please fill in this form One Conference Billet Host Form or email grace@presbyterian.org.nz <figure class=" sqs-block-image-figure intrinsic " >  The grace and peace of our Lord Jesus Christ be with you.Allister
    • Accepted from News - St John's in the City Presbyterian Church 39 months ago by feedreader
    • Tagged as:
    • covid-19
    • wellington-city-council

    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Weekly Bulletin: Staying connected as a church - 13 November 2022

    • 11 Nov 2022
    • St John's in the City
    • Kia ora St John’s whānau, This Sunday we have a Baptism, celebrate Communion and a special guest preacher (see below), and we will consider how much we rate human wisdom in relation to God’s power! <figure class=" sqs-block-image-figure intrinsic " > If you want to read the Bible readings before Sunday, they are: Isaiah 12: 2-6 and 1 Corinthians 2:4-5 Children start at 10am with their peer group in the St John’s Centre and join in Communion later. The Youth Group will stay in the whole service this Sunday, to hear Dr Gray Manicom. If you can’t gather in the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759Passcode: worship The link to join the Zoom worship service is below. https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09   If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet  <a href="https://www.dropbox.com/s/c2g9klv741oqk46/13th%20November%202022%20Order%20of%20Service.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet <a href="https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Link to Zoom Service If worshipping via Zoom, please be prepared for Communion at home with your bread and cup. <figure class=" sqs-block-image-figure intrinsic " > VISITING MATHEMATICIAN We are delighted to be hosting Dr Gray Manicom for a visit at St John’s in the City this weekend (12th & 13th November)There will be three opportunities to hear him: on Saturday at 3pm (for students), in the Sunday morning service, and an informal presentation after the service. Dr Gray Manicom is a mathematician with interests in dynamical systems. His PhD is in the study of memory effects in heteroclinic networks. He is a research fellow in the Department of Physics at the University of Auckland, modelling and investigating the spread of the COVID-19 epidemic on a network. He loves cricket, movies and talking about ideas. Please help us share the Saturday event for students… <figure class=" sqs-block-image-figure intrinsic " > ‘Uses of Mathematics today: How Mathematics helps solve the world’s problems’Can 42 actually be the answer to the ultimate question? Can an equation take over the world? Can mathematics unlock lockdowns and quarantine pandemics? The next few decades of human development will depend on big data, AI, genetic editing, quantum computing, space travel and other fields that are, in essence, entirely dependent on mathematics. Quantum particles are too small, space too far, data too plentiful and AI too unpredictable to experiment on these things in traditional ways. Scientists in these fields typically no longer rely on experimental data to tell them what is true or not, instead, they rely on the language of mathematics' ability to describe the world. But is this trust justified? What are the differences between science and mathematics? And where does God fit in? Saturday 12th November, at 3pm in the St John’s Centre at St John’s in the City On Sunday after the morning service the talk in the St John’s Centre is: ‘Mathematics, Creativity and the Creator’All mathematics is created by people, and imagination is still the main tool for mathematical progress. However, just like with inspiring art, sometimes it seems to go beyond something created, beyond the imagination of the human creator, to suggest there was something fantastic and real waiting to be discovered the entire time. Join me as I reveal the secret life of the mathematician, and how my quest through the realm of mathematics has led me closer to the ultimate Creator.   OTHER THINGS TO KNOW ABOUT... THE MESSENGER The most recent St John’s Messenger newsletter reviews some recent events, and looks ahead to what is next. <a href="https://www.stjohnsinthecity.org.nz/news/october-messenger" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > The Messenger Newsletter   RAISING THE STANDARD OF GIVING Last week, we highlighted the slides from the AGM about the church finances. <a href="https://www.dropbox.com/s/s9vqtz7wnuqaegp/AGM%20Finances%2030th%20October%202022%20slides.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Slides from the AGM These show that we are continuing to navigate a difficult financial environment with multiple pressures. Even though St John’s achieved an “accounting surplus” for 2021/22, a large deficit of $400,000 is budgeted for 2022/23. This arises because of:• The need to inflation protect the Trust Fund – high inflation and low returns means very limited real returns are expected this year• Insurance costs are $176,000 (plus GST) for the year – a $20,000 increase on last year and a 50% increase over the last 3 years• Repairs and maintenance – painting the manse, washing the buildings on the St John’s site, and the repair of the Church reception roof have added to costs this year• Higher salaries arising from market demand and the intention to fill the youth and children’s ministry vacancies• A significant decline in annual congregational giving of about $60,000 compared with 2018.Some of these challenges, such as insurance, will require a regional or national approach, as other Churches are facing similar cost challenges. And some of these challenges are ours. Giving should be a joy that reflects our faith and enables our worship, ministry, mission and outreach. Jesus talked about money a lot. At least a third of his teaching was about money and property related matters – the incidents of the rich young ruler and the widow’s mite are forthright in their implications. Jesus did this because he knew that many of those he spoke to considered money more important than the Kingdom of God. Let’s prayerfully re-examine our giving as an important expression of our faith and rise to the challenge of an additional $20,000 a year over the next three years. <figure class=" sqs-block-image-figure intrinsic " >   ONE CONFERENCE We are excited to have over 240 participants registered for the One Conference here at St John's in the City November 17-19. <figure class=" sqs-block-image-figure intrinsic " > You have the opportunity to attend any of the four main sessions of the conference for just $5 per session. For information on the main sessions go to: https://www.oneconference.org.nz/keynote-speakersYou do not need to preregister to attend, simply come with $5 cash before the session and pay it at the hospitality desk in the St Johns Centre.   WHĀNAU NIGHT 5pm-6.30pm, Sunday 20 November, BYO Picnic. The theme for the evening will be a youth-led Code Breaker night.We started off the year with a picnic in the park, and we are going to finish off with a picnic in the hall. We invite you to bring your own meal to our final celebration.This will be our LAST whānau night of 2022. And in order to continue whānau nights in 2023, we are looking for a committed leader to help orchestrate and organise teams, as Gordon Fitch is stepping down from this role. Please get in touch if you can to help organise whānau nights. <figure class=" sqs-block-image-figure intrinsic " >   DCM Foodbank Appeal …Saturday 19th of November. St John's have been asked to collect from 9am -1pm at Chaffers St New World, with two collectors per hour. You might consider doing this for the sake of those in our city who need help. Please contact Carolyn Goudswaard, if you are able to help. Annual General Meeting …Monday 28th November. Their AGM is in the St John’s Centre. Refreshments will be served from 5:30pm with a meeting start time of 6pm. DCM’s Manahautū, Stephen Turnock, will offer a reflection.   SCOTS COLLEGE ADVENT SERVICE At St John’s in the City 4pm Sunday 27th November 2022.   COMBINED ADVENT SERVICE With St Mary of the Angels and St Peter’s.At St Mary of the Angels 7pm Sunday 27th November 2022 <figure class=" sqs-block-image-figure intrinsic " >   FELLOWSHIP GROUP The Fellowship Group meets for the traditional Advent Service on Tuesday 29th November at 11am in the St John’s Church. Please note this is the fifth Tuesday of the month.The usual shared lunch will be enhanced by strawberries and ice-cream. And a koha will be invited in support of the work of Christian World Service.   The grace and peace of our Lord Jesus Christ be with you.Allister
    • Accepted from News - St John's in the City Presbyterian Church 37 months ago by feedreader
    • Tagged as:
    • covid-19

    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap-Up (Term 1 – Week 5)

    • 1 Mar 2019
    • Wellington High School
    • Important Dates NOTE: You can access the school calendar on our website: WHS School Calendar 4-6 March: 9Royal Noho Marae 6-8 March:  9Howell Noho Marae 26 March: FRIDAY timetable runs today 29 March: Learning Conversations all day (with rōpū teachers) 12 April: End of Term 1 Message from the Principal I hope your young person is settled into their classes and school routine and that they are setting themselves up for success this year. Our Year 9 cohort is the largest in many years with the roll nearing 1300 for the first time since I joined WHS. It is fantastic to see the community embracing coeducation at secondary level. Your increased support is an endorsement that a school should be a reflection of the society we live in. The increased roll places some pressures on us all, not least with some larger junior classes, and it is satisfying to see students settled well into the new academic year. At the start of the year, we acquaint/reacquaint ourselves with WHS’s cornerstone priorities based around the māori word WERO. WERO means ‘challenge’. Its letters represent our core strategic priorities. W is for Whānau. Education is a partnership between the school and family. We have the greatest success when we are all working together. When we speak of whānau we mean this in the broadest community sense: we are looking after all of our students to ensure everyone is given a fair, even chance of success and that no one is left behind. E represents Excellence. Excellence is not confined to academic achievement but represents everyone giving their best and achieving to their own personal level of excellence. Excellence is not confined to academic areas and includes sporting, cultural, social and personal excellence. R is for Respect. Respectful relationships should be at the core of everything we do and want our young people to acquire. R can also represent relational teaching practice and how this shows the importance of good relationships. And R can represent restorative practice because when things go wrong it is important to try and repair harm that may have been caused. O stands for Ora representing physical and emotional wellbeing. We all need quality of life and we need to actively take steps to look after ourselves and others. When I think of Ora I think of the airline safety videos that talk about looking after ourselves first before helping others when the oxygen mask drops down from overhead. It is the same with Ora. We need to look after our own wellbeing to be in a position to look after others. On 14 February our WERO leaders and DP Megan Southwell, ran ‘Aroha Day’: an opportunity for students to find out about sporting and cultural activities and sign up to something that interested them. It was great to see students signing up for so many opportunities enthusiastically. I hope that these initial commitments turn into enjoyable and rewarding experiences throughout the year. As you read this, our students will have just be finishing competing in our annual Athletics Day. I hope this provides a positive fun day for all of those who compete and helps to engender a stronger sense of pride in our great school. You will be able to read about the event in next week’s Wrap Up. On Friday 29 March we will run our first learning conversations for the year. The emphasis will be on how students can gain the requisite learning competencies to build success. These key competencies are an important part of our NZ curriculum and are: thinking; using language, symbols and text; managing self; relating to others; and participating and contributing. They all contribute to how a student prepares for and engages in learning. Through the media you may have heard that a student strike in support of a worldwide day of action over global warming is planned for Friday 15 March. Some of our students have expressed an interest in attending and publicity material has been circulating at school and online. The action is a global initiative expected to bring thousands of students onto the streets worldwide. In Wellington students will be meeting in Civic Square at 10am and marching to Parliament. We anticipate that students who participate will be out of school for the day. If your young person wants to support this action please notify us as soon as possible. Although the school supports students who wish to use this day to take this action, we do not support those that may use this issue as an excuse for a day off with no intention of being involved in the positive action being planned. Ngā mihi nui Dominic Killalea Important Information Thank you to the WF Anderson Educational Foundation Wellington High School has received a grant of $5000 from the WF Anderson Educational Foundation. This money will be used to assist students in financial need. We are deeply appreciative of the Foundation’s support. Board Elections  | A message from the Wellington High School Board of Trustees 2019 is an election year for school trustees.  We understand that asking people to put their hand up and stand for election is difficult, especially if parents aren’t really clear on what the role entails! Find out about becoming a trustee New Zealand School Trustees Association are offering a new programme, Kōrari, which is designed to recognise the experience of existing trustees and help to encourage potential new trustees to come and find out what it really means to serve on a school board. People who want to understand what school governance looks like can come along and find out more. A hui will be facilitated by a regional adviser from NZSTA who will talk about the reality of being a trustee, the support and training that is available and encourage existing trustees to tell their story. The Hui will be held at Wellington High School on Monday 1st April at 6pm. NZSTA will provided refreshments. If you are interested in becoming a school trustee we encourage you to come along. Please RSVP using this link if you ARE attending: https://goo.gl/forms/MBa8fFYExKC1N7YS2 What’s happening? The first Capital City Kāhui Ako Super Hui! On Monday this week, teachers from our Kāhui Ako/Community of Learning schools gathered together for the first time. Wellington High is part of a Ministry-funded collective with seven of its feeder schools (SWIS, Brooklyn School, Owhiro Bay, Island Bay, Newtown Primary, Houghton Valley, and Ridgway School). We are committed to working closely together around challenges related to wellbeing, cultural identity and capabilities for lifelong learning. The staff met, talked and shared their first thoughts about the direction and potential outcomes of our collective. It was great for staff to begin to ‘reach across’ to connect with colleagues in other local schools. The next step is to complete and submit our action plan to the Ministry of Education for approval.   John Minto visits WHS As part of the Thursday Library lunchtime lecture series for 2019, John Minto spoke to a group of WHS staff and students on Thursday. For the past 72 days the veteran activist has been walking the length of the North Island, partly to fulfil a personal ambition but also to advocate for Human Rights equality for Palestinians in Israel. John spoke thoughtfully, starting with the aims of his Te Araroa walk and gave the floor to students and staff to ask questions and extend their own understanding about activism, issues in the Middle East and his own actions during the SpringBok Tour. In a session that looked at both sides of the debate, John responded to the audience’s desire to better understand the complex and politically divisive struggles between Israel and Palestine.   Earth and Space Science students visit Island Bay Earth and Space Science NCEA level 2 students enjoyed a beautiful afternoon carrying out field work at Island Bay and Princess Bay. They practised sketching, photographing and observing the rock formations. Students learned how the rocks were formed as layers of sand 200 million years ago which became buried under an ocean that was maybe 2 km deep. Within the sedimentary rock a volcano left a layer of basalt that is now visible just east of the Bait shed as purple/red rock.  At Princess Bay there are traces of the sea creatures that lived on the ocean floor.   Overseas exchange scholarship information evening Is your student interested in spending a semester overseas? Student Exchange will be running an information session at Victoria University to provide further details.  FREE STUDENT EXCHANGE INFORMATION EVENING IN WELLINGTON Hear from returned students, find out more about discounts and scholarships available and ask questions. Thursday, 7th March – 7.00pm Victoria University of Wellington, Pipitea Campus Room GBG04, Old Government Buildings 23 Lambton Quay PIPITEA Visit www.studentexchange.org.nz or call 0800 440 077  for more information. Achievements WHS students Eli Martin (Year 11) and John Shea (Year 12) took place in the first round of NZOI (New Zealand Olympiad in Informatics) last weekend. 70 students, of all ages, and from across the country took part. Congratulations to Eli, who placed 18th, and John, who placed 11th.  
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • July Update from DCM

    • 30 Jul 2020
    • Downtown Community Ministry
    • 96 July Update from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Together we can end homelessness Ensuring that our taumai have a voice At DCM, we are committed to ensuring that our taumai* have a voice – at DCM and in Aotearoa.  Many of us have been sharing stories of lock-down; we wanted to ensure that the experience of taumai over this time was also captured and shared. We interviewed 65 of our taumai and will share some of their insights over the next few updates. We asked taumai to name the biggest challenges of the period for them, as well as what they enjoyed most about lock-down. An empty Wellington city, 2 April 2020 What have been the biggest challenges for you? Staying indoors, not being able to go out - 33% Not being able to spend time with friends or whānau - 27% Not being able to do the things I enjoy, missing my routine - 29% There haven’t been any challenges - 15% What have you enjoyed most about lock-down? One third commented that they had not enjoyed anything about this period (“Nothing really”; “I enjoyed nothing, just carried on with my life”), but two thirds spoke about the positives of lock-down. They had enjoyed the quiet, time with family, being busy and getting exercise - “watching TV and listening to music”, “cleaning my house”, “I have been enjoying the long walks daily” and “getting out and getting fresh air”. And then there were those who most enjoyed not having much to do – “the best thing has been not having to do anything”, “being lazy” and “we don’t have to do so many things”. Several referred to the positives of reduced alcohol and drug use:   “We are not drinking as much as we used to.”   “I have given up drinking and have been using my money for much needed things for my home. Utility bills and food. I always have food now.” “I've been getting off the drugs.”  “Getting off the drugs means I've been enjoying food more.” “I didn’t gamble.” But the very best thing about lock-down, mentioned by 25% of those we spoke with, was having a roof over their heads or moving in to a home:   “Not having to worry about where I am going to stay.” “Showers, warm bed, a roof.” “Having my own apartment, I can make a drink when I want to, turn my TV on.” “Having a place to stay - just knowing there was somewhere.” “Being safe and having a roof over my head.” “Being in a motel has made me feel safe and warm.” “I have coped well, better now that I am housed.” <!-- --> General Election 2020 We are excited to also share with you another way in which we are ensuring our taumai have a voice in Aotearoa. With the support of the Electoral Commission, we have been encouraging our taumai to enrol to vote, and look forward to having a polling booth here at DCM to ensure voting is as accessible for our taumai as possible. Among the many taumai we've enrolled this month is Manu. Manu is a Māori man in his late 50s who has never voted in his lifetime. He is now signed up to the Māori electorate and is looking forward to voting in his first-ever election right here at DCM. <!-- --> Checking in with Arthur - two years later We celebrate each time one of our taumai is housed; we also celebrate the hard mahi they put in to sustaining that tenancy, often with the ongoing support of DCM kaimahi. Two years ago we introduced you to Arthur. Arthur was delighted to have his own whare after months of being without shelter. But DCM’s support extended beyond getting Arthur into his own whare. He was supported through the DCM Dental Service to get a new set of teeth, and DCM’s volunteer audiologist treated him so he was able to hear much better. “DCM helped me with pretty much everything,” Arthur says. “They gave me food parcels, supported me to get my license back and got a copy of my birth certificate.” Another important support DCM was able to offer was to visit Arthur in his whare to make sure everything was going OK. This month marked another milestone for Arthur - he has now been housed for two years. Arthur has whānau living with him, and is taking part in his local community, attending a weekly community group at a local church. He also works part time, an amazing accomplishment two years on from living on the streets. Kia kaha, kia maia, kia manawanui Arthur!  You can read the story we shared two years ago when Arthur was first housed. Would you like to support someone who has recently moved in to their own home? We would welcome donations of microwaves for our taumai. Contact us or find other ways to support us here. *We call the people we work with taumai, meaning to settle. This reflects the journey we embark on together to become settled, stable and well. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • DCM Bookfair 2018 - One Week to Go!

    • 27 Jul 2018
    • Downtown Community Ministry
    • 96 DCM Bookfair 2018 - One Week to Go! p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ #templatePreheader{ display:block !important; } } @media only screen and (max-width: 480px){ #templatePreheader .mcnTextContent,#templatePreheader .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ #templateHeader .mcnTextContent,#templateHeader .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ #templateBody .mcnTextContent,#templateBody .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ #templateFooter .mcnTextContent,#templateFooter .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Saturday 4 August, Shed 6, Queen's Wharf, 8am-6pm. DCM Bookfair 2018 - One Week to Go! View this email in your browser DCM's annual, fundraising Bookfair is ONE week away! Saturday 4 August, Shed 6, Queen's Wharf, 8am-6pm. Wellington's annual DCM Bookfair has been raising funds for vulnerable Wellingtonians for 23 years - but unless a new storage venue is found, this year's event will be the last. Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. There's never a shortage of donations but the storage unit DCM has relied on will not be available next year, leaving the future of the book fair in doubt. Every year, book lovers flock to the DCM Bookfair on Wellington's waterfront to grab an armful of bargains in support of vulnerably housed citizens. But unless a new storage venue is found, this year's event will be the last. Lee-Anne Duncan reports. It's catnip to bibliophiles, that smell. It's the bouquet of books, heavy with dust and knowledge, to be stacked and sorted, packed then transported to Wellington's Shed 6 for next Saturday's DCM Bookfair. This year is the 23rd time hundreds of volunteers have poured thousands of hours into collecting, sorting, boxing and setting out nearly 100,000 books for the country's biggest book fair. The event is also DCM's biggest single fundraiser. Formerly known as the Downtown Community Ministry, DCM works "at the serious end" of homelessness. Along with supporting people to find sustainable accommodation, DCM provides a variety of services to support vulnerable Wellingtonians. The organisation calls the people they work with "taumai", meaning "to settle", preferring it to the less personal "client". While DCM receives funds from local and central government to carry out some of its work, donations and fundraising events like this one are its lifeblood. If this book fair is as successful as those past, a near quarter century of book fairs will have collectively raised at least $2 million to fund DCM's work. "That's $2 million we haven't had to ask of central or local government agencies," says Stephanie McIntyre, DCM's director for the past 14 years. "The only reason we have been able to raise that money is through the generosity of Wellingtonians who donate their books, the people who buy them, and of course the volunteers who give their time to make it all happen." A fundraiser's success often comes down to those volunteers, especially for an event as large and complex as DCM's annual book fair. But this year's event might be its last, as the planned development of Shelly Bay means the Wellington City Council-owned warehouse used to store and sort donated books won't be available next year. "All this is absolutely at risk," says McIntyre. "We have had zero response trying to find another warehouse. We'd love to have another book fair as it's become such a classic Wellington thing and it's essential fundraising for us. Next year is our 50th birthday and it would be a great shame not to have a book fair in such an important year." DCM director Stephanie McIntyre. Many – if not most – of the fair's volunteers give their time year after year. A core group of about 30 helpers travel to the warehouse on Thursdays or Saturdays, or both, for generally five or six hours a day every week between April and August. There, wrapped up against the winter chill, they receive donations, sort the books into categories, then into subcategories, and sometimes even into micro-categories. "I've found quite a few books on grief. I'm hoping I can get enough together to make a section of its own," says long-time volunteer Wendy Nelson. "And I've got all these diet books. This year we seem to have a lot of paleo books." Spirited exchanges have been known to happen over categories. All Blacks Don't Cry by John Kirwan, for example: "Is that sport or mental health? I even found copy in Psychology earlier," says Nelson. If there's more than one copy – and often there is – the books can be allotted wherever book seekers may think to find it. A marine biologist, Nelson works full time as a principal scientist at Niwa but spends her Saturdays sorting. She's been involved in the book fair every year since the first, in 1996. "The then director, Helen Walch, said she'd had this great idea to hold a second-hand book fair as a fundraiser that would engage the volunteers and community. "I thought it sounded like a good idea – I like books, so why not get involved? DCM does such important work, and is such an important part of Wellington. Sometimes it's hard to know how to contribute, but this is a way for us to do our own small bit."  Volunteer Wendy Nelson, a marine biologist and book lover. Each year DCM supports about 1000 people who are experiencing homelessness or in danger of becoming homeless. But the work DCM does goes far beyond putting a roof over their heads. Every DCM day begins with a karakia and waiata. DCM kaimahi (staff) and their taumai gather to give thanks for the new day at 9am when the organisation's doors open in Te Aro's Lukes Lane. Social workers are on hand to talk to taumai to get to the heart of why they're experiencing homelessness. They support the person to access a benefit and manage their money, find and sustain housing, and connect to whānau and culture, health and other services. Statistics New Zealand defines homelessness as: "Living situations where people with no other options to acquire safe and secure housing are without shelter, in temporary accommodation, sharing accommodation with a household, or living in uninhabitable housing." Research by Otago School of Medicine in 2016 put the number of New Zealanders living this way at more than 40,000 people, nearly 1 per cent of our total population – the highest rate of homelessness in the OECD. It's difficult to accurately quantify homelessness. During this year's census, DCM staff worked with Statistics NZ staff to encourage and support people who were homeless to complete the census forms. "We explained that government funding decisions are made on census data, so filling out the census made sure they were counted," says McIntyre. DCM's own data vividly describes the increase in demand. Over the past five years, the number of people who are homeless that come to DCM for support has increased by more than a third. "Even more worrying, the number of people we see who are actually without shelter – so rough sleeping, or sleeping in cars – has more than doubled." McIntyre expects the number of people DCM supports to increase this year. "When you get a severe housing crisis, as we have now, it's the most vulnerable who are kicked to the end of the line. As housing gets harder for everyone it gets especially hard for these people, which makes our work even more necessary." In May, the Government announced $100 million to address homelessness – $37 million of that was allocated to find places by the end of this winter, with the rest spent over four years on the Housing First programme. While DCM will be at the forefront of delivering Housing First in Wellington, the organisation will continue to rely on volunteers and donations to pay for its core services. We visit four Saturdays from sale day. There's a stiff nor'wester whipping the waves a few metres from the warehouse. Out in the harbour, a rare southern right whale is leading the news. Te Amo Roberts, another volunteer and someone DCM has supported, reports he saw the whale on his way in. He stirs himself a coffee between breaking down cardboard boxes and helping with some of the "grunt work". Volunteer Te Amo Roberts received assistance from DCM in the past. Today, he's an important part of the book fair team. "There are some biscuits on the sideboard, Te Amo – Cameo Cremes," says McIntyre, who's holding a brief meeting with a small group of volunteers, a long, tightly written to-do list on her crossed knee. Cut sandwiches and fruit are boxed on the sideboard, along with those Cameo Cremes. Everyone knows a volunteer army sorts and packs on its stomach. Most of the fair's book-sorting volunteers stick to their areas of expertise – a retired anaesthetist is set to work deciding which medical books are still useful, and a war buff flicks through the military books. They determine which books will sell and for how much, which subjects are likely to be "in"' this year, and which – judging by the number of those donated – are on their way out. The volunteers' knowledge also means they're well-placed to spot a valuable book. Then, with the aid of local auction house expertise and internet bookseller searches, a price is applied and the book is included in the high-value stack. "We do get some amazing finds where people might not have realised they've gifted us an extraordinary treasure, but we have no way of reuniting it with its owner," says McIntyre, who, drawing on her own pre DCM music industry career knowledge, found a rare Beatles book some fairs back. "At the same time I'm sure we've had books we've sold for $2 that may have been worth hundreds. But you've got to be philosophical." A hand-drawn diagram of the Shed 6 book fair layout is pinned to the wall. Each table has a number assigned to a book category: children's, history, health, fiction (so much fiction), New Zealand, art, and so on. The more work done now, the better 100 or so volunteers on set-up day know exactly where everything fits. Taking too many books to fit a category's allocated section would lead to chaos – setting out 90,000 books is a precise science. "We've got a phenomenally good offering of children's books this year, so we've had to shuffle up some other things to accommodate that," says McIntyre, scrutinising the diagram. "The foreign languages are fine but the music is the big headache at the moment," says one volunteer, popping in to give McIntyre a quick update on her areas. The team is following a packing plan with scheduled revision points. According to the plan, by this day 75 per cent of books must be sorted, tallied and packed on pallets (each holding about 800 books) ready for transportation to Shed 6 at dawn the day before fair day. With clipboard in hand, Alexi Manouilenko is responsible for the tally. DCM stepped in when he needed support a couple of years ago, which led to him volunteering on fair day in 2016. "As well as wanting to give back to DCM, I'd been out of work for a while and people are reluctant to hire you when you don't have anything to explain your time off. I realised the best way to get back into work was to volunteer to show I could work. I already knew DCM so I volunteered for two years. That led to some paid work and now I have a full-time job with DCM."  Part of Manouilenko's job is to decide how many books in each category should go to the fair and use his maths skills to keep tabs on the packing. "I look at the previous two years to see how many books were taken in each category and how many were sold. From that I try to guess at what we should take this year, and I tell the volunteers how many boxes in each category to pack." This level of organisation is why DCM must close the book on donations four weeks out from the fair. Even on the last day, every few minutes book-toting donors poke their heads around the peeling-painted door. "I just want to drop some books," says a man, setting down his burden. "Thank you, mate," says McIntyre. "Come to the fair and buy a whole lot more, won't you?" Surely he will – book lovers only clear their shelves to fill them with new finds. While the DCM Bookfair is certainly about finding new homes for old books, it's also about raising funds to support marginalised Wellingtonians into homes of their own. Nelson remembers when the team was ecstatic to raise $15,000 – now the book fair raises around $100,000, which goes directly into funding DCM's work with people experiencing homelessness. It's that work, as well as their shared love of books, that motivates the volunteers. Volunteer Tamara Morton with stacks of books ready for the fair. Tamara Morton is a consulate advisor at the Ministry of Foreign Affairs and Trade, but spends her Saturday mornings in the warehouse's fiction section, estimating the book-buying public's appetite for Philippa Gregory and Dan Brown. "When I was living overseas, circumstances happened that I found myself looking for a place to live. It was short-lived and I've never been truly homeless, but I can't forget the anguish that came with thinking, 'What am I going to do? I've got nowhere to go.' To be able to help an organisation with the resources to address that is why I do this for DCM. "There's also the huge bonus of making connections with people you wouldn't meet in a lifetime of routine days. The people who work here come from all sorts of backgrounds and different stages of life. It's really cute to see the cheeky banter that goes on between a Millennial and a Baby Boomer. It's really delightful to be a part of that." Nelson is busy assessing travel guides (nothing published before 2010 goes on sale). "What I love about the book fair is that everyone's winning," she says. "The people off-loading their books feel they're going to a good place, the people who rock up to the book fair get fantastic bargains, and the people who volunteer get satisfaction from contributing to something. And it's about making connections into the community." Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. Feel free get in touch with us at DCM over the coming week if you have any questions about the Bookfair on (04) 384 7699 or events@dcm.org.nz Click Here to Donate Now! <!-- --> Copyright © 2018 DCM, All rights reserved. Want to change how you receive these emails? You can update your preferences or unsubscribe from this list
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• • Maranui slsc newsletter march/april 2023

    • 28 Apr 2023
    • Maranui Surf Life Saving Club
    • 96 MARANUI SLSC NEWSLETTER MARCH/APRIL 2023 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. 2023 BP Surf Rescue North Island IRB Championships IRB Team: L-R Bruno Joli, Oskar Wickens, Kano Hill, Joe Barry, Max Reynolds, John Tuia, Lucan Speirs, Ben Wickens, Tom Warburton. Kia ora e te whānau, Thank you to ALL our amazing clubbies for another epic season. Amazing work everyone.  Well Done to all our amazing tamariki and rangatahi who have given it a go, learnt new skills, grown in confidence, developed, shown leadership, achieved outstanding results, personal bests and had FUN!  Awesome work Maranui athletes. A HUGE THANKS to all the athletes, awesome coaches, parents who got in the water, managers, lifeguards, officials, IRB drivers & crew, age group managers, BBQ crew, helpers, event crew, towing the trailers, parents, supporters, sign-in crew, maranui whānau, supporters, sponsors, admin staff and board members for making it such a fantastic and awesome season.   Shout out to all those who became lifeguards and officials. We couldn’t have done it without you. Big thanks!   Nothing short of magnificent - TEAM MARANUI - LEGENDS!  We look forward to seeing you all at the Maranui End of Season Celebration on Sunday 7 May. Please join us in celebrating the 2022/2023 season. This celebration is for both juniors and seniors, we hope to see as many of you there as possible - details below.   Subs for 2023/2024 have not been agreed as of yet, but just a reminder that subs finish at end of June with a new year commencing on 1 July.  Ngā mihi. <!-- --> MARANUI END OF SEASON CELEBRATION Maranui SLSC invites you all to come and celebrate the Maranui End of Season Celebration 2023.  This is held annually to recognise the achievements and service of club members over the season for lifeguarding, junior surf, senior sports, instructors, coaches and service to Maranui SLSC over multiple years.  We encourage all club members to attend. This celebration is for both juniors and seniors, we hope to see as many of you there as possible PLEASE RSVP USING THE ONLINE FORM - https://forms.gle/k8pFYAwMcwwRZ3U37 RSVP by Monday 1 May SUNDAY 7 MAY Wellington Rugby Club Hataitai Park, Ruahine St, Hataitai AWARDS START 3PM SHARP Awards finish 5pm Finger food, water and fruit juice will be provided. Drinks can be purchased from the bar (EFTPOS is available). <!-- --> Junior Surf (Nippers) What a season we have had. I know we haven’t celebrated our tamariki as often as we should in this newsletter, but hopefully our social media content has shown how we love seeing what they and the parents achieve. Jump on Facebook www.facebook.com or instgram www.instagram.com/maranuislsc/. As I look back over this season I feel proud of every child that pulls on togs or wetsuit and hits the water at Sunday sessions, Carnivals & Mid week development sessions. I thank our amazing coaches for the effort and care they give to developing these amazing kids. We did not cancel a Sunday session, ran for 3 extra weeks into March and ran the Inaugural Boat ramp to beach swim. This year had 18 athletes regularly taking part in mid week development & 16 of those headed to Oceans - Junior surf nationals and represented Maranui with pride and showed all the values of the Maranui way. We also had a steady 6-10 keen paddlers come on a Thursday to board skills sessions. We want to grow these groups and grow more lifeguards as well as athletes who continue through to lifeguard sports. We can not achieve what we achieve without unwavering support from our parent group, sign in crew, lifeguards and board members. Thank you to the parents who have become officials this year, managed age groups at carnivals and squeegeed the floor before leaving, it was noticed and appreciated. As we plan for 2023/24 we are always looking for more officials, coaches, helpers …If your not sure what you can do give me a call/text/email. If you have any thoughts on what we can do to support more kids getting involved again reach out. Sunday 7th May is our end of season celebration. We celebrate the success of our tamariki, excellence in our senior lifeguard sport athletes, achievements of lifeguards in service and our amazing volunteers. Please do join us, its also an opportunity to meet some of those people you don’t see often or haven’t met but do heaps for our Nippers.  Lucy Barry Director Junior Surf Sport lucyjanebarry@gmail.com   <!-- --> Maranui SLSC Lifeguard Sport athletes (Seniors) Back Row L-R: Joshua Bethell, Bruno Joli, Kano Hill, Joseph Barry, Max Reynolds, Thomas Warburton + Coach Rhys Speirs. Front Row L-R: Amelia Brown, Holly Reynolds, Lola Beck, Bella Tuia, Ruby Douglas, Sarah Hay, Olivia Butcher, Ella Strang. MARANUI REPRESENTS AT TSB NATIONALS 2023 IN NEW BRIGHTON  Big, challenging, scary and exciting are all words that Maranui's lifeguard sport team would use to describe the surf conditions at TSB Nationals. Maranui has been going through a rebuilding phase of it's senior team with only 2 current athletes having experienced Nationals previously thanks to Covid. The club has some exciting talent that showed their potential and that they are heading in the right direction. Athletes made a number of finals across the age groups. Whilst only one Podium was achieved the young team showed they are on the cusp of producing podium finishes, by recording 4ths, 5ths, 6ths, 7ths and top 15's in highly competitive races and challenging conditions. Ski events were incredibly hard in 3 metre surf and gnarly sandbars. It was incredibly satisfying to see our U19 women's ski relay team of Holly Reynolds, Ruby Douglas and Ella Strang rewarded with a bronze. Coach Rhys is looking forward to continuing the work and fun, seeing what can be achieved in 2023/24 as the team matures and the mahi starts. Rhys Speirs Director of Sport rhys.speirs@gmail.com   U19 Women's Ski Relay Team L - R: Holly Reynolds, Ruby Douglas and Ella Strang  - Bronze medalists. L-R: Ella Strang, Amelia Brown, Holly Reynolds, Ruby Douglas, Kano Hill, Joe Barry, Bruno Joli, Tom Warburton <!-- --> MARANUI IRB RACE TEAM  The Maranui IRB Team competed at the 2023 bp New Zealand IRB Championships at Waihi Beach, Bay of Plenty on Saturday 15 April. Unfortunately due to surf conditions, Day 2 racing (Sunday 16 April) was cancelled. Day 1 - Strong wind and rough conditions meant a challenging day of racing for the crews.  U23 Mens - Mass Rescue Semi, Single Rescue Semi U19 Mens - Mass Rescue Semi - - - - - - - - - - - - - - - - - - - Want to be part of the IRB TEAM? Qualifications expression of interest will be sent out to lifeguards/members in the coming month. IRB Crewpersons Module - www.surflifesaving.org.nz/lifesaving/powercraft-education/irb-crewpersons Senior Lifeguard Award - IRB Driver - www.surflifesaving.org.nz/lifesaving/powercraft-education/irb-driver <!-- --> FIRST AID OFFICER WANTED After 6 years in the role I am stepping down. I will do a proper hand over and provide support in the transition. If you are interested please contact Carrie - redmanatee@gmail.com Look forward to hearing from you, Carrie Matson Speirs <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347. KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 inc GST Branded Maranui 300gsm fleece lining 3000mm water resistant shell Knee length Fleece lined hood Super toastie warm for Wellington weather or between races. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com <!-- --> IRB  <!-- --> SEASON CALENDAR 2023 / 2024 Maranui End of Season Celebration (All Club Members) - Sunday 7 May 2023, Wellington Rugby Club, 3pm - 5pm Junior Surf Starts - Sunday 5 November 2023 Oceans'24 - Thursday 22 February - Sunday 25 February 2024, Mount Maunganui Beach, Tauranga SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2023 Maranui SLSC, All rights reserved. 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    • Accepted from Maranui Surf Life Saving Club newsletters 30 months ago by tonytw1
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    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  

• • May Update from DCM - Together we can end homelessness

    • 30 May 2022
    • Downtown Community Ministry
    • 96 May Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Today we introduce you to a few of our kaitautoko, people like you who support DCM and the most marginalised people in many different ways. Kaitautoko   noun Someone who supports, backs up or advocates for TOGETHER we can end homelessness – DCM's tagline acknowledges the many individuals, businesses and groups who share our vision and are part of team DCM. Here we introduce you to a few of our kaitautoko, people like you who support DCM and the most marginalised people in many different ways. Mon Mon has been supporting DCM for many years – in our Foodbank, at the DCM Bookfair, and as a regular donor. "It must have been 18 years ago that I first joined team DCM. I wasn’t working, and wanted to try something a little different. I first heard about DCM through Volunteer Wellington, and joined the team as a Foodbank volunteer one day a week, back when DCM was based in Eva Street. Steph was new in the role of director, and Pam Whittington was another key person on the team at that time. I sorted out the food donations and stocked the shelves in the Foodbank. I got to know Steph well and she shared a lot about DCM’s work and vision with me. After about a year, I got a full time job – but of course I wanted to continue to be part of DCM’s great work. Year after year, Mon was part of the team which delivered DCM's highly successful annual Bookfair. Here she is at the DCM Bookfair in 2014 (left) and 2017 (right). From 2005 right through until the final Bookfair in 2019, I was part of the team delivering the iconic DCM Bookfair, working with the book sorting teams during the year and at the Bookfair itself. In the later years, my job meant I could no longer help with sorting but I continued to work on the Bookfair weekend. Over the last four years, I have also been part of the DCM Foodbank Appeal, another great way to be involved over a weekend. As my working life has become busier and I have had less opportunity to support DCM with my time, I have chosen to become an AP donor, setting aside a little each month to support an organisation and way of working which I am totally committed to. Why is this? I guess I began with an understanding that I was fortunate while others were doing it tough, a sense of social justice and an awareness of the unfairness in our society. Over time, I came to understand more about the connectedness we have to each other. One measure of marginalisation is isolation, lack of connection, being unseen and unknown. Is that the worst thing of all? Quite possibly. To be invisible, to exist in a society where governments, societies, individuals, want you to be out of sight. DCM will NOT let this happen. Over all of these years, I have witnessed DCM doing an incredible job of truly seeing these people. Of knowing them, of connecting to them, and in turn connecting them to others. DCM is genuinely an organisation which is trying to do themselves out of a job! They really do make a difference in the lives of the most marginalised people. I love that they now regularly share awesome stories with all of us who support their work. The challenge to us now is to share those stories with our networks, to make the people DCM works with visible across our society. Through our time, our dollars and our sharing of stories, we can build and celebrate the connectedness we all have to one another." If you would like to know more about regular giving, please get in touch - donate@dcm.org.nz <!-- --> Tia Recently we put out a call for furniture for some of the people we are working with who are now housed. And then we received a message on Facebook... DCM kaimahi Stephen Bowater (left) and Moses Davis (right) visited Tia to pick up furniture for taumai who they are supporting. Tia was moving to the Hawke's Bay, and had a household of furniture to donate, which was great timing for a number of taumai who we are working with. She thought of DCM, as her late stepbrother Brad was supported by us and went on to work here. She was surprised and pleased to learn that we indeed remembered Brad, who died in 2014. You may have read the story of Russell in last month's update or on our website. So many of our taumai pass away at a young age. Brad was 47 years old when he died, but at that time he was housed and doing well. He wanted to give back to DCM, and had started volunteering in DCM's Foodbank as well as helping out at the DCM Bookfair. How special it is that Tia's furniture now lifts up other taumai - the items have been shared with several different people. What a wonderful way to support these taumai to thrive in their very own homes, just as Brad did. <!-- --> Restocking DCM's Foodbank It is that time of year again, when we need to re-stock our empty foodbank shelves for the winter. And this year it is more important than ever, with increasing prices placing even more pressure on those who have very little.  It’s a time when we are always reminded of the many different people who come together, offering their time, money, food donations or skills, to make our work possible. Here are just a few of the many supporters who were involved in last weekend’s Foodbank Appeal. Some are new faces, others will be very familiar to you all. Shaun Shaun Monaghan is DCM's Property Procurement kaimahi. Shaun and Tihema visited New World Chaffers on Saturday to support the DCM team. It was great to see DCM kaimahi popping by on Foodbank Appeal day. Day in, day out, Shaun works tirelessly, seeking out rental properties, speaking with landlords, finding whare for us to house taumai in. His partner Tihema is a dentist who has taken dental sessions at DCM. If you or anyone you know would like to find out more about providing a rental property for someone who is experiencing homelessness, Shaun would love to have a chat with you. And you can enjoy reading the story of one such very special kaitautoko, landlord Dev, again here. Stephanie DCM’s former director Stephanie McIntyre  You never know who may drop by to support the DCM Foodbank Appeal, including our former director Stephanie! "Stephen has done a great job of leading DCM through such challenging times. For many years, DCM has insisted that the answer to homelessness is homes! More than a decade later, everyone is now accepting this. None of the tail-chasing to set up emergency housing and transitional housing has been effective. All can now see that this is not the answer. I am very pleased that DCM remains committed to housing first, to supporting people to access and sustain their own homes. During the period since I left DCM, I have continued to be involved, albeit often at arm’s length, in finding ways to grow the stock of permanent homes for DCM’s taumai. And I know that DCM will continue to deliver the wrap-around support that is essential for taumai to thrive in their homes." Shaun DCM Board member Shaun Greenslade-Hibbert and his husband Alan helped out at the Foodbank Appeal. Shaun joined the DCM Board in 2021 as a representative of the Religious Society of Friends, a community which has been supporting DCM since the very early days. He trained as a nurse in the 1980s and has worked in palliative care for over 25 years. Shaun arrived in New Zealand from the UK in January 2019 to continue his work in palliative care at Mary Potter Hospice. He has welcomed the opportunity to support DCM’s work in any way that he can – including taking his turn on Foodbank Appeal day, welcoming shoppers and telling them about our work. Wesley Church It is quite a job, sorting and labelling the food we receive at our Foodbank Appeal. DCM is very grateful to Wesley Church for providing the space to sort and store this much needed kai. Wesley Methodist Church has been supporting DCM since we began as ICM back in 1969. In fact the original DCM office was located at Wesley. They have always been there when we have needed them – providing space for community events like the Thanksgiving meals we hosted with the US Embassy, a room for our uke band to practice, putting a basket out for food donations at their church services, and groups of volunteers whenever we need them. Many Wesley Church members also choose to donate regularly to DCM. And now, with space all over this city at such a premium, Wesley has stepped up again and provided somewhere for DCM to store kai, and to sort food donations during our two annual Foodbank Appeals. Tree and Rhea Tree was down at New World Chaffers last week, ensuring that the DCM food donation bin was clearly marked ready for the weekend's Foodbank Appeal. We love it when people reach out to us and suggest creative ways that they can support our mahi. Tree Mackay is an accomplished designer who approached us to offer her time and skills. She has helped us re-fresh our food donation bin at New World Chaffers. Rhea is part of a team of talented students who have been undertaking some design work for DCM, developing new templates, infographics and digital tools for us. She created some designs and flyers to let people know which items we most need for the DCM Foodbank. "I'm currently undertaking post-graduate study at Victoria University. I first heard about DCM through Ignite Consulting, an organisation which connects students with socially conscious organisations. A few weeks ago, I was able to visit DCM and see first-hand the work being done and the tangible difference DCM is making in people's lives." If you were not able to drop some food items in over the weekend, why not pop down to New World Chaffers, have a look at Tree’s handiwork, and leave some of the items suggested in Rhea's beautiful shopping list for DCM to provide for taumai. Yes, it takes many different kaitautoko to deliver DCM's mahi and vision. And this month, once again, you all stepped up, supporting us when we needed it most. TOGETHER we can end homelessness – we cannot do this important mahi without you all. It’s as simple as that. <!-- --> Support DCM We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • Maranui newsletter november 2022

    • 29 Nov 2022
    • Maranui Surf Life Saving Club
    • 96 MARANUI NEWSLETTER NOVEMBER 2022 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. HAERE MAI Sun, sand, surf, the silly season is fast approaching.  Welcome to all our new families who have recently joined Maranui. We are looking forward to another fun and busy season and hope you enjoy it as much as we do. Unfortunately, due to water quality the first Junior Surf Carnival of the season at Worser Bay was cancelled last Sunday. But we have the Titahi Bay Carnival coming up on Sunday 18 December. Sunday 11 December - Not to be missed is our FABULOUS FUN last session for Junior Surf for the year and a special appearance by Santa and one of his reindeers. Put it in your calendar now. Always are great FUN day! Lifeguard Sport have Whitehorse #2 on Sunday 11 December, venue TBC. We have the Junior Surf Series #2 Carnival on Sunday 18 December at Titahi Bay. We encourage all Maranui athletes (U8’s and above) to attend carnivals. These are super fun events where athletes test their surf skills against other clubs. Information will be sent in the next week or two. We had three more Patrol Support / Lifeguards pass the exam in late October. Huge Congratulations. See below. Want dinner sorted for one night. Make sure you order a SAMOAN SUPPER to support the Maranui SLSC IRB Race Team Fundraiser. See details below. Ngā mihi.  <!-- --> THE MARANUI WAY Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. VISION: One of New Zealand's premier surf lifesaving clubs providing world class surf lifesaving services and developing leaders and champions. PURPOSE: Provide our community a safe surf and beach environment. OUR CORE VALUES: Community, Excellence, Fun, Respect, and Tradition. <!-- --> HAERE MAI What a great start to the season. 3 sessions and the weather has played ball. Although Mother Nature, more specifically water quality have set new challenges our coaches, kids and parents have all adapted well to sessions. A few people have asked about our sessions when water quality is deemed unsafe to swim. For those at Sundays session I explained we will run sessions when Land, Air, Water, Aotearoa (LAWA) deem the water quality unsuitable for swimming with a modified programme that mitigated risk and reduces our participants time in the water at a depth where they are at risk of ingesting water. If on days where water quality is poor you as a parent don’t feel comfortable with you child in the water feel free to miss those sessions. We want the kids & parents  to have fun & feel safe. Our sport relies on volunteers and at the moment we are in a transitional phase and find our selves in a position where we need more coaches and officials. If you are keen to get involved please do catch me for a chat. Is coaching for you? Are you enthusiastic, fun and like helping our youngsters grow in sport? Are you keen to get out learn some new skills and share these all the while having fun on the beach and working with a dedicated group of coaches who want to help our kids grow in the sport? If you answer yes then coaching is for you!!  What next? Let me or Rhys know, arrive at the next Sunday session in a wetsuit and shadow one of the coaches. Jump on the next coaching course (date TBC) Is Officiating for you? Do you enjoy helping our athletes learn how to enjoy competitions in a fun and nurturing environment. Are you organised & willing to work with technology in an ever changing environment? Do you enjoy endless yummy food while watching our athletes give 100%. If you answered yes then Officiating is for you!! What next? Sign up to Surf Life Saving NZ https://webportal.surflifesaving.org.nz/new-membership/. From here you can access the members portal and do the on line learning. Once you have completed that let me know and at the next carnival we can arrange for you to jump in and shadow one of our amazing officials. From Thursday 1st December I will be running board skill upskill sessions (advertised initially as Wednesday but circumstances changed). This is open to all U9-U14 who just want more time on the boards, learning the more technical parts of paddling. Pre-requisite is having the 200m badge. Please register interest at - https://forms.gle/UU43nrCsnptBmRSe8 Sunday 27th November there was the Worser Bay Carnival. Unfortunately the Carnival was cancelled due to water quality issues.  We will be back on Sunday 4th December for more surf fun! Cheers  Lucy Barry Director Junior Surf Development <!-- --> SURF LIFEGUARD AWARD - Maranui's newest Patrol Support/lifeguards Three more successful Patrol Support/Lifeguards for Maranui passed the exam in late October. The exam was long, with lots of candidates, rough water and big lateral tow. We were very happy to see Abi emerge from the ocean successful. Big congratulations to (Above L to R)  Dave, Abi and Greta. <!-- --> JOIN THE SLSNZ DATABASE  All Maranui financial members need to be registered online through Surf Life Saving New Zealand (SLSNZ).  This will give you a Surf Lifesaving New Zealand registration number which is important when it comes to entering surf sport carnivals and patrolling the beach. Also your details will be on the national database so you will receive news and information from Surf Life Saving New Zealand. Important points as follows: There is no cost. Membership to SLSNZ is only required once per person, and mandatory to become a Maranui member. Take note that if your child has competed in a surf carnival they will already be registered. Parents will be registered if they have previously completed any SLSNZ awards or online courses. A SLSNZ number is required for all athletes competing in Carnivals. The number an athlete is given is their number for life.   CLICK HERE TO REGISTER WITH SLSNZ -  https://webportal.surflifesaving.org.nz/new-membership/ Please go to the Surf Life Saving New Zealand ‘Join a Club’ section and click on ‘Join a Club’ to register as a Maranui SLSC member on the Surf Life Saving NZ membership database. <!-- --> IRB RACE TEAM FUNDRAISER Maranui SLSC IRB Race Team Fundraiser. Help the team compete at the 2023 Regional and National Events. SAMOAN SUPPER: Dinner without a FUSS - Includes Chicken Thigh, Chop Suey and Potato Salad. $10 EACH.  Oh My Goodness, put your order in now! You don't want to miss out on this delicious goodness.  PICK UP: Wednesday 7 December, 41 Tirangi Road, Rongotai, 4pm - 7.30pm (Other pickup times by arrangement). Text - 211660654 to place order or see IRB team on the beach. <!-- --> LAST JUNIOR SURF SESSION FOR 2022 - SUNDAY 11 DECEMBER FUN games, shared lunch and sausage sizzle, and a special appearance by Santa and one of his reindeer. We have a combined fun session on Sunday 11 December, so all Junior Surf clubbies make sure you get to the club for at least 9.40am.  Combined Session: 10am - 11.30am.  Not to be missed, loads of FUN! HO, HO, HO - we need a willing friendly face to wear the big red suit on Sunday 11 December. Have you always wanted an IRB ride?  Well here is your chance, Santa will arrive on the beach with one of his reindeer via IRB and then run the lolly scramble. If you would love to be Santa, please email Lucy Barry lucyjanebarry@gmail.com or text 021 243 2469 <!-- --> NIPPERS2GUARD NIPPERS2GUARD Session starts this season Nippers U13 & U14 will have nippers2guard (n2g) sessions in tandem with regular nippers sessions. The objective is to build a solid foundation of knowledge before starting your Surf Lifeguard Award (SLA) course at 14yrs. You will be doing practical and theory sessions alternating with nippers sessions to keep up the fitness.  There will be no more Sundays cancelled due to bad weather for the U13 & U14s. We have so much to learn and so little time - so let's get started learning 'How to Lifeguard'!! Carrie Matson Speirs Maranui SLS Head Instructor <!-- --> JUNIOR SURF SESSIONS Please arrive in togs and wetsuit ready to go. Please arrive at least 20 minutes prior to the session starting.  Parents leave plenty of time to ensure you find a park.  All members must sign-in with the sign-in crew in the clubhouse. ANNUAL MEMBERSHIP SUBSCRIPTION Invoices for subs and donations have been sent out by Patricia Kelly (Maranui SLSC accounts) and are due. Subs are an important part of the viability of the club and your prompt payment of the invoice will be contributing to the success of the club. If you have any queries please contact Patricia Kelly (Maranui Finance Manager) - accounts@maranui.co.nz <!-- --> PARENTS / CAREGIVERS IN THE WATER U7 AGE GROUP is an age which, at our beach with its variable wave height and harsh conditions, is unable to be left to just the coaches and lifeguards. U7 athletes require a parent/caregiver to be in the water with them at all times. U8 - U9 AGE GROUP we ideally would like a parent/caregiver in the water or water edge ready to enter if required,  If your child requires extra assistance in the water, please enter the water with them, rather than assuming our volunteers will be able to look after them. Please note:  Our club relies heavily on the active involvement of parents, the club cannot function without people volunteering. Kids love to see their parents/caregivers interacting at the club. Parent/Caregivers participation is encouraged in the water at all ages. This is a great way for parents to be actively involved, it’s a great way to increase your own water confidence and have FUN. The more adults we have in the water the better.  If you are not a competent swimmer, there is always a need for people to remain in the shallows to help retrieve boards and ensure children exit safely, providing close and constant supervision of our young athletes in the water. <!-- --> KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 Limited numbers and sizes. 380gsm fleece 3000mm waterproof Comes below the knee.  The fit is quite generous. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com <!-- --> MARANUI CLUB CLOTHING ORDERS - COLLECTION Orders can be collected on Sunday 11 December at the clubhouse. Please see Finola.   BUY SWAP SELL Please request to join Buy, sell, swap Facebook Group. Maranui SLSC - Buy, Sell and Swap - https://www.facebook.com/groups/528242194283996/ If you have an item you would like to list please click the "Sell Something" button and post all relevant details. Only post Surf related items please. <!-- --> 2022/23 CAPITAL COAST OFFICIALS We are on the lookout for new officials for the 2022/23 season,  If you are interested in helping out, please email maranuinippers@gmail.com The process this season is for anyone who would like to help out, come along and help out as a volunteer for the event. If you like the feel of the job, we will schedule you for another 2 more events in which you will get some training, mentoring and eventually be signed off as an official!  The Capital Coast is also looking for new, fresh and passionate parents / volunteers to help continue the high quality of surf sporting events we have here in our space of New Zealand.  Perks include but not limited to: Free lunches, a fabulous blue outfit, name tag & the potential to try a vast array of baked good with other officials from around the country side.   - - - - - - - - -  We need more officials at Maranui, so grab this opportunity. This is a great way to help our club and support surf sport events in the Capital Coast region. Please sign up. <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347.   CANCELLATION PROCESS Junior Surf Coaches will access the weather and surf conditions and make a decision by 8am Sunday morning. A message will be posted on Facebook - www.facebook.com/MaranuiSLSC and on the frontpage of the website - www.maranui.co.nz  if the session(s) won't be going ahead.   <!-- --> <!-- --> CALENDAR 2022/2023 Whitehorse #2 - Sunday 11 December, venue TBC Last Junior Surf session - Sunday 11 December (Santa) - TBC Junior Surf Series #2 - Sunday 18 December, venue Titahi Bay - - - - - - - - - - - - - - -  2023 2023 Central Regional Champs (CRC & CRJC) - Friday 13 January - Sunday 15 January, Fitzroy Junior Surf Series #3 - Sunday 22 January 2023, Riversdale Capital Coast Junior Championships  - Saturday 11 February, venue Maranui SLSC Whitehorse #3 - Sunday 19 February, venue TBC Oceans’23 - Thursday 23 February - Sunday 26 February, Mt Maunganui 2023 TSB NZ Surf Life Saving Champs - Thursday 9 March - Sunday 12 March, New Brighton Beach Last Junior Surf Sunday session - Sunday 19 March 2023 BP Surf Rescue North Island Championships - Saturday 25 March - Sunday 26 March, Waipu Cove 2023 BP Surf Rescue New Zealand Championships - Saturday 15 April - Sunday 16 April, Whangamata Beach Awards of Excellence - Sunday 30 April, TBC SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2022 Maranui SLSC, All rights reserved. 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    • Accepted from Maranui Surf Life Saving Club newsletters 30 months ago by tonytw1
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    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  
• • 

    A city with a vision? AKL x WLG

    • 6 Sep 2020
    • Talk Wellington
    • Wellington’s got a lot of bustle and noise (Let’s Get Wellington Moving – Spatial Plan – new subdivisions – convention centre – library) but where’s the coherent vision? Hey Auckland – can we learn some things? The Wellington Urbanerds invited some insightful Aucklanders to talk about the Auckland City Centre Masterplan (CCMP) because it’s getting a lot of positive interest in nerdy circles nationwide, and we thought “Wellington needs one of those to galvanise our progress!” But it turns out that the CCMP is not the cause of Auckland’s progress – it’s a milestone marker of a bigger evolution in Tāmaki.  Auckland City Centre’s chief urban designer George Weeks was insightful, visually engaging and occasionally very funny. Auckland city centre’s chief transport designer Daniel Newcombe injected insights that were pithy and thought-provoking. All up it’s worth watching the video – details at the bottom. But this post has some of the big insights for Wellington that we took away.  Hat tip to Charles Dawson for invaluable note taking. A galvanising vision, with a strong whakapapa  What makes the CCMP unusual as an official planning document, Weeks told us, is that it’s not “a planner’s plan” – 2,000 pages of vision down to prescriptive requirements. Instead it’s “the brochure for the city centre”. He told us that “with the 2012 CCMP, we thought it was better to have a 200 page document that 10,000 people see, or at least have skimmed, than a 2,000 page document that 100 people read in detail. We have used this approach to shape the 2020 CCMP.” It has had a major refresh in the last 8 years and the 2020 version is quite something. Galvanising vision  Weeks took us through how the updated CCMP works: how it delivers on the Auckland Plan’s promise of life in Auckland, through the city centre’s form and function. It’s worth laying these out because while we definitely have bits of the formula, there’s some powerful elements we’re missing.   Experience of being there The Auckland Plan (essentially the Tāmaki-Makaurau 30-year plan) sets out ten Outcomes for the city – effectively the promise of life experience that you should get, being in Auckland. The whole super-city is supposed to fulfil these promises, and the city centre’s no exception. In the CCMP, the ten citywide Outcomes or life promises are intertwined with eight place-specific Transformational Moves. The latter are the major initiatives to change the physical environment of the city centre so it can deliver those outcomes – the good Auckland experiences – for anyone who’s there.  A lot of this has come into the 2020 CCMP thanks to Access for Everyone (A4E), the city centre’s transport programme done to support the CCMP refresh process (more on A4E later). Street forms and place shapes… So the 2020 CCMP has street explainers that show – conceptually but with a lot of verisimilitude – the components of the streets and buildings, the overall shape of the whole public realm that’s needed for the city centre to give people that great experience.  a generic “transit street” explainer – from the CCMP These explainers are conceptual, but are tied enough to specific places, that everyone can see the trajectory of how their specific bit of the city will be changing, but crucially they can see a really solid why. …because This means “X street, and its environment, should have Y shape and form because…”. We saw, for example, that one of the biggest streets in the Learning Quarter, Symonds Street, will be a transit street for all these reasons: Symonds St, for example, needs to become a transit street not because of some abstracted notion of “sorting out the transport” but because it is at the heart of Auckland’s city centre universities, and “transit street” is the form for Symonds Street that will let it best serve people in the Learning Quarter with the good experience the Auckland Plan promises. Weeks flicked through a few examples of how the CCMP is signalling change to the built environment of Tāmaki’s city centre (which is pretty interesting – have a play here, the 2020 version is fully digital!) Our impression of all this was that the CCMP, thanks to the Auckland Plan and Access For Everyone (the transport dimension), has pretty well integrated two things that any self-respecting city needs to integrate. This is the roles of movement (transport) and place or exchange (destination activity) in any given area of the city centre. And Auckland manages to integrate these with a nice clear Why and Because for each set of changes. [Hold on, is that anything special? We know about this stuff… This tight integration – of form to function, place with movement, built form to people’s lived experience – seems pretty elementary for self-respecting cities. And you’d be forgiven for assuming Wellington has that integration in place. Indeed, things like the street concepts in Auckland’s 2020 (refreshed) CCMP don’t look too dissimilar to what LGWM put out for the Golden Mile. And the material coming out from LGWM and the Central City elements of the Spatial Plan and Wellington 2040 use a lot of the right words. Golden Mile concept from LGWM But in listening to Weeks’ presentation, we realised just how explicit and unequivocal the CCMP and A4E are about the why, the because for the physical city changes they describe, anchored home to that lived experience promised in the Auckland Plan. And the locked-in coupling between the place / destination train and the movement / transport train so they’re pulling each part of the city in the same direction towards that better experience for all Aucklanders. This coupling is something we’re muddling around in Wellington. We’re hedging our bets on saying explicitly what lived experiences we want to prioritise and privilege in our city centre. This means the transport planning and place planning are making (at best) vague bows in each other’s direction, with lots of hedging our bets about whether and how we’re prioritising “drive-through” vs “go-to” in our city centre. OK back to the presentation…] Galvanising and enabling Weeks told us that in the CCMP, when you combine the Auckland Plan’s Outcomes and the CCMP’s Transformational Moves, the product is the city centre “Opportunities”. Opportunities are projects, quite specific things, and there are quite a few listed. click on the image to have a play in the CCMP Opportunities But they’re not a set of business-case investments that clamp tunnel-vision onto ambition. They seemed to be as much illustrating the kinds of projects that would make the city centre better at giving people that great experience of Auckland living. As Weeks emphasised: “anyone can come up with an Opportunity”. (We imagine the galvanising could run like this… Hello, I’m a developer looking at buying or developing neighbouring Building X and Building Y, I can see the direction of profitable change and unprofitable change that I could make to that property, given the trajectory of change in its environment.  And I can make up a project that creates a much better laneway space between them, plus better delivery access, better stormwater handling, and augmented residential-plus-commercial uses… This bundle of investments will make me money, and enhance really well that little corner of the city – so public investment and other private are likelier to come join me… ) CCMP’s generic laneways explainer (click to expand) Lesson for Wellington: let the vision be the vision, get other activity making it reality A big lesson for Wellington, Weeks said, was to “be clear about what different plans are to do. The City Centre Masterplan sets the vision, which allows many actors to work out how to deliver its different facets, or to develop their own ideas too.” The CCMP is only the green-circled bits in this picture. CCMP: a strong whakapapa The CCMP’s technical pedigree is strong – it makes good application of internationally-accepted principles of urban physics and urban dynamics. But – as Weeks put it – if the CCMP can “see further, it’s because [it is] standing on the shoulders of giants”. Complementing the CCMP’s technical pedigree is its collective human ancestry: the people, organisations, and relationships that have coalesced around it, the support that it’s known and seen to have, and the mana that this contributes to its strong legitimacy and mandate today.  From the presentation a few points stood out on each of these… The technical pedigree of the CCMP  Weeks and Newcombe gave us a whistle-stop tour of the set of transport and urban planning documents of which the 2020 CCMP is the progeny. Auckland Unitary Plan – The supercity’s first joined up District Plan, the “rulebook” for implementing the Auckland Plan. Forced much more collaboration in planning, for everything. City Centre Future Access Study – NZTA, Ministry of Transport, Auckland Council, Treasury, Auckland Transport found the City Rail Link would blitz all other 46 options for getting people to and from the city centre. The City Rail Link (CRL) –  an underground railway link turning the city centre heavy rail terminus into a through-station, building 4 new underground stations. Doubles the number of Aucklanders with 30min access to city centre. After years of arguing, finally underway once tax was to pay 50% (thanks ATAP). Auckland Transport Alignment Project (ATAP) (2016-17, updated 2018) Auckland-region-wide (not just one bit) merit-based priority list of all the big-ticket transport projects, costed and agreed by all funders and deliverers.  Crucially: first acknowledgement by central government that Auckland couldn’t road-build its way out of its traffic problems Business Case for Walking – first quantification of the value of city centre walking to Auckland’s economy, done in 2017. [Hey “walkable capital”, where’s ours?] The creation of documents always sounds more coherent in retrospect, but Weeks and Newcombe emphasised that it’s not been a nice clean sequential progress.  Key principles of urban physics (like the role of people walking) have only been given oxygen relatively late in the sequence. The need to get tax funding to co-fund megaprojects has meant a lot of back-and-forth raruraru with central government, and between the various bits of Auckland’s council family.  And some great documents – like the Business Case for Walking mentioned above – have no official legal weight: a decision-making body can completely ignore them if it wants.  But we heard that the various documents have meant that amongst the bureaucracy and other government power-holders, there’s been an accumulation of key principles of good urban physics, akin to accumulation of organic matter. Sometimes it’s just leaves falling, but sometimes there’s a large trunk. These accumulations in the establishment’s hivemind make it much harder to go back and relitigate, as there’s been some crystallisation in the thinking. (Though, of course, as Newcombe noted, that doesn’t stop people trying!)   Access for Everyone – the complementary transport element of the City Centre Masterplan which was developed as part of the CCMP refresh – is a great example. In traditionally car-mad Auckland, the entire Auckland Council voted unanimously to begin A4E trials “enabling a decisive mode shift away from private vehicles, to make better use of finite city centre space and improve the quality of the environment.” Wow. Access For Everyone’s car-free Queen Street / Horotiu Valley with Low Traffic Neighbourhoods around. And no more driving through the city centre! The human side of CCMP’s whakapapa We heard that a major benefit of the sequence of documents was the relationships and conversations that a document creates a pretext to have.   There’s been a lot of investment in behind-the-scenes engagement, with big stakeholders in the city. This has paid off in an unusual level of big players’ trust and buy-in to the vision and the big moves to get there. From large developers, through Heart of the City (the inner city Business Improvement District), through the AA, NZTA, to the City Centre Residents’ Group  (fun fact: 40,000 people live in Auckland’s city centre alone). This good stakeholder engagement bears fruit: it enabled councillors to support the 2020 CCMP relatively easily, despite it having relatively little engagement from the wider public (a few hundred submissions compared with the Unitary Plan’s ~10,000). It’s not a coincidence that Precinct Properties has seen fit to drop a billion (with a B) dollars of its shareholders’ money into the Commercial Bay development – Weeks observed that it’s on the strength of the new trust and joined-up thinking developed through the CCMP process.  Daniel Newcombe spoke from experience about the collaboration that had eventually started to come, once “you can get people to stop introducing competing plans” and come together. Sometimes this requires biding your time, working by osmosis, and finding the sensible individuals in an organisation on whom to work, and building coalitions that chip away at antipathetic organisations. Getting people to issue formal letters of support on behalf of their organisations can be extremely powerful, he said. Iwi influence  We heard that one major improvement of the 2020 refreshed CCMP over the 2012 original is the inclusion of Māori outcomes. For the refresh, the ADO worked closely in partnership with Auckland’s Mana Whenua Kaitiaki Forum to develop a Māori outcomes plan. This work shaped Transformational Move 1: Māori Outcomes, with proposals for a papa kōkiri at the waterfront and a whare tāpere at Aotea Square.  The 2020 CCMP manifests the Auckland Plan’s Māori Identity and Wellbeing outcome and Te Aranga Māori Design Principles via Outcome 1: Tāmaki Makaurau – Our place in the world. It sets out the big interventions and systemic changes to bring mana whenua presence, Māori identity and life into the city centre and waterfront.  There are some big-ticket, high-visibility things and pervasive, interwoven ones. To our (Pākehā) ears this sounded pretty great…  Attack of the roadcones! Plans are essential, but how do you get them going, especially when there’s so many large, cumbersome players with inertia?  Weeks had peppered the presentation with cool before-and-after shots of some iconic Auckland changes, including Te Ara i Whiti / the (pink) LightPath, and localised street improvements like our favourite, O’Connell Street (below). O’Connell Street. oh.yes.melbourne We know (though the webinar didn’t go in depth here) that much of Auckland city centre’s evolution that you and I can see today was driven by the Auckland Design Office, with Auckland Transport and Auckland Council partners. Their projects opened people’s eyes to how good street change could be done, and that actually the good “urban physics” did apply in Auckland too. And they gave Auckland council family a chance to practice delivering street change together, and figure out how it can be done without anyone losing an eye.  They did it with a combination of a figurehead / champion / lightning rod / air cover for the ground troops (AKA Ludo-Campbell-Reid) plus a ninja team of designers, engagers and doers, doing on-the-ground projects that brought to life the good practice of urban design.    Projects like Fort Street, O’Connell Street, Fort Lane, and Jean Batten Place showed that – contrary to received wisdom – replacement of on-street car parking with high-quality streetscape was good for business. Collaboration with Auckland Transport led to the creation of a pop-up cycleway along Quay Street (well before the Innovating Streets for People pilots) which is now being incorporated into a permanent street redesign that will finish this year.  It’s not been an easy road: by now, ten pilots of the street changes for Access for Everyone were supposed to be underway, following that unanimous Council vote, but just one (High Street) has been. And the ADO has now been disbanded, allegedly due to their irritating conservative parts of the establishment with cost-cutting as a pretext.  But there’s momentum now…  Auckland’s changing, and has lessons for us  Throughout the session the Zoom chat pane had been running hot with questions and comments from the “floor” (aka the online audience). Weeks and Newcombe took questions from the pane and from the Urbanerds presenters, and a few highlights stood out including lessons for Pōneke… Lesson for Wellington: get partners on the same transport page Weeks’ and Newcombe’s first lesson was to get a multi agency agreement on transport together. It can’t just be the city council or regional council. It has to have central government buy-in; they can’t be pulling in the other direction from the city or region with their ambitions for the city’s transport. Updated ATAP, with all the partners This consensus shifts the conversation from “Do we need that good stuff replacing the bad stuff?” to “When do we need it?”. You have to keep the focus at that “when” level, not allowing relitigation of the fundamental principle of urban physics that you’ve achieved consensus on. We wonder: is this LGWM? Is it shifting our conversation? Is NZTA pulling in the same direction as the city, as the regional council?   Lesson for Wellington: generate the brochure, together A second big lesson is that you have to have the vision, the brochure, the clear picture of the good life that your city wants to give everyone who’s in the city centre, whatever they’re doing there. This has to be the rationale for any the physical changes that you entertain or consider. The Auckland Plan’s 8 outcomes – promises of the experience of life in Auckland, that the CCMP too must deliver This “brochure” must be developed hand in glove with the actors we want to be supporting it, building on any public mandate you already have but not driven by the wider public. This conversation with the big players should not feel like it’s led by any one player (developers, or transport-planners, or inner-city-residents, or businesses – nor even, we wonder, council?). What it must be is very good quality engagement that builds a strong trust and instils a foundation layer of commitment to (or at least grudging acknowledgement of) solid urban physics, and the trajectory of change needed throughout the city.    Lesson for Wellington: CBDs are doomed Listener Sally asked whether a focus on a city centre had been overtaken by COVID and its boost to working from home, and localism, especially in Wellington where there’s such a large commuter population. Weeks’ answer put it in much more professional terms, but the message came through clearly: if your city centre is mostly a Central Business District, where “business” is the dominant activity, it’s doomed. Monocultures always make a system vulnerable to shocks, in agriculture, horticulture and in cities If it’s a central city, with a hundred or a thousand different reasons for people of all different walks of life to be there, then it’ll be fine – it’ll change and adapt, but the power of people wanting to be there is the lifeblood of a city. “The death of the city has been predicted since the invention of the city, in the Bronze Age” Weeks observed – “and if you’ve got an actual city, it won’t happen.” We wonder… how much of Wellington’s central city is a dead zone by 6.30pm? How much are we reinvigorating and diversifying the reasons to be there?   Lesson for Wellington: lock all good plans to something with teeth Weeks emphasised that the power of these plans comes from linking area plans and other non-statutory plans to ones with statutory power.  So despite being a non-statutory document, the City Centre Masterplan carries weight because they mapped its outcomes tightly against the Auckland Plan (the statutory 30-year plan for the whole city) and councillors have voted overwhelmingly in favour of it. diagram showing how the CCMP is making good on the Auckland Plan’s promises, in the city centre We definitely don’t yet have the vision and its trust, nor the solid hook between statutory and non-statutory … but we have some elements of the recipe.    We wonder… how much of the CCMP-style whakapapa do we have, if not the actual document?  Could we build these levels of trust and vision together?  Some Wellington City Council planning and design gurus attended the session and helpfully fielded some questions about where Wellington was at. Our one-liner summary was: it’s not going to hell in a handcart, but it’s definitely all up in the air. Smart engagement from Urbanerds listeners and Talk Wellington readers is really needed. We’ll pick up “so what for us?” in the next post. Here’s the video: link, passcode SUa&tOC5 Meantime… where have you seen signs of a clear vision of good Wellington city life, for everyone?
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• • 

    The artist as many other things first

    • 16 Feb 2023
    • Urban Dream Brokerage
    • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
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    Brooklyn, Wellington, New Zealand (OpenStreetMap)