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• • Weekly Wrap Up (Term 3, Week 8)

    • 11 Sep 2020
    • Wellington High School
    • Important Dates Te Wiki o Te Reo Māori: September 14th – 20th Monday 21st – Friday 25th September: Mental Health Awareness Week Course choices for 2021 for current Years 9—12 to be entered in the portal: Sunday 20th September  Friday 25th September: End of Term 3 Important Information Year 9 Choices for Year 10 in 2021 The Year 10 Course Choice Booklet for 2021 is now available on our website: http://www.whs.school.nz/course-choice-booklet/ Your student is invited to explore the options available. They will receive a copy of the planning sheet in rōpū and the planning sheet is also included as the last page in the booklet online. Choices can be made online in the Student Portal from Monday 14th September. It would be appreciated if students can have their options entered by Sunday 20th September (note: this is earlier than reported in the email home). Senior Course Choices for 2021 The second part of senior course choice selection for 2021 is now underway. Students now need to re-confirm their subjects on the portal by Friday 18th September.  Please note there have been considerable movements with the lines to eliminate as many clashes as possible. It is unlikely there will be significant changes to the lines from now, so students are strongly advised to choose non-clashing subjects if possible. However, students who still have a problematic clash should indicate this on the updated lines sheet (which will be given out at rōpū) and give this to their rōpū teacher. Concerning online content  Netsafe has received several reports about a concerning video that was shared on social media. It has now been removed from Facebook. The video has been shared on other social media sites, such as Tik Tok and Instagram, and the platforms are actively removing this video.  Regardless of whether students have seen the video or heard about it second-hand, young people may experience emotional distress given the nature of this content. As a school, our best advice is to make sure that your students are supported and have avenues to talk about how this content may be affecting them.  If students do come across copies of the video being shared, we’d strongly encourage them to report it to the social media site or website that it’s on, and to report it to Netsafe. Netsafe has several helpful resources: Helping students exposed to upsetting content Online Safety Parent Toolkit is a wider framework for helping parents navigate online safety with their young people. If students would like further support they can contact Youthline on free text 234 or call 0800 376 633 Achievements Debating Finalists! A huge congratulations to our Junior Prem and Prem B teams who have made it through to their regional finals for debating! The Junior Prem team of Sky Gobbi, Liv Calder, Tom Bonert, and Fergus Martin-Edgar, won their semi-final debate last Tuesday against Samuel Marsden. The Senior Prem B team of Julia Randerson,  Alex Buyck, Corwin Heath-Cameron, and Rata Petherick won their semi-final debate this week against Scots. It is a very impressive result for Wellington High School debate teams to make it into two finals! We are very proud of both teams and wish them all the best for their finals.  Also — a special congratulations to Julia Randerson who qualified for Wellington Black (one of the two Wellington regional teams) a couple of months ago. Her team made it to the national semi-finals for debating after winning four of their preliminary debates! Katherine Mansfield Short Story success! Congratulations to Nadezhda Macey for winning the Katherine Mansfield Short Story Award 2020 with her story ‘Matahiwi’, and to Cadence Chung for her Highly Commended story ‘The End of the World’. Wellington High School was the only school to have two students short-listed — a great achievement. Both pieces of writing received glowing praise and you can enjoy all the short-listed stories online at: https://www.katherinemansfield.com/creative-corner/km-short-story-competition. Nadezhda received a $500 cash prize and the eleven short-listed students were presented with certificates by guest judge Tina Makereti at the annual award ceremony at the National Library on Tuesday night. [Image right: Nadezhda and Cadence are pictured with Tina Makereti, Principal Dominic Killalea and Head of English Faculty, Caitlin Reilly.] What’s happening? Mural workshop with Sheyne Tuffery This week a group of art students joined Sheyne in developing a design for a mural for the level 2 linkwell. This is a WCC funded project that Sheyne has been working on for some months. Sheyne’s mural work can be seen on Wallace Street and Hopper Street. We look forward to seeing the final results — BSJ WHS Tramping Club heads to Atiwhakatu Hut Last weekend, 18 students tramped to Atiwhakatu hut. We walked from Holdsworth station car park along the river to Atiwhakatu hut and back. Students cooked their own meals and lit the fire for a cosy night. A little rain failed to dampen our spirits; there is no such thing as bad weather, just bad gear! — AEJ/PAB From the Greenhouse! From the school garden greenhouse this week orchids for WHS reception. Grown with care by the senior horticulture students. He Kākano news Our He Kākano students have enjoyed an outdoor education week. We visited the learning centre at the Botanical Gardens to learn about how produce grows from a seed to a fruit and vegetable. There were opportunities to pick our own carrots too! A visit to Toi Art at Te Papa had us in a colour room with some interesting group photos. Sports Underwater Hockey Congratulations go to Carlos Relph and Henry Murdoch from our Senior Open team for their selection to the U18 Central Zone B team, and to Milly Woodbury from our Senior Girls team for her selection to the U18 Central Zone A team. We wish them good luck at nationals. Well done to them, and something to aim for in future years for our junior players Junior Girls’ Football Our Junior Girls’ Football played their last game this week, this is the first team we have had in this grade for a number of years and we are looking forward to having a team in this grade for years to come. Huge thanks to Bea Gladding and Jennifer Argyle for really driving this team and making it fun for all the girls.   Skateboard success Congratulations to Gala Baumfield who top scored across all competitions with 85/100 to win the Senior Girls’ section at the regional Skateboard Champs this week.     Winter Tournament Our Girls’ Football 1st XI finished their Round robin the Regional Premier 2 competition in 3rd place with Semi Finals, and possibly Finals, to come. At the Winter Tournament, the girls place 12th which is their best finish to date. A special thanks to Isobel Smith, Heidi Coleman, Ella Blakely, Gala Baumfield, Emma Allen, Kayla Landers and Isla McInnes who all competed in their final tournament for the school. Also, thanks to Will Dewhirst who has done a great job coaching. Our Boys’ Football 1st XI finished their last game of the Round Robin D1 competition, finishing unbeaten after 7 games. So, we have finished 1st with 17 points (5 wins and 2 draw). We are heading now into Semi Finals on Saturday 12 September. Our Boys’ Hockey 1st XI are currently in 2nd place in the P3 division and are hoping to compete at the final in week 10. The boys competed hard at Winter Tournament week and finished it off with a win over Newlands. Big thank you to Will Pinckney, Jess Johnson and Kether Gati for looking after the team. Netball: Last year our Senior A netball team won their grade and this year they have done it again! Well done, too, to our Senior B team who won their grade too. Great things are coming from these young strong wāhine…and our Year 13s finishing on a high. Senior A – Isobel Smith, Tilly Coup, Rebecca Te Kahika, Senior B – Lily Parkin-Foon, Mai Cooper, Emily Rosemergy The post Weekly Wrap Up (Term 3, Week 8) first appeared on Wellington High School.
    • Accepted from WHS 2019 68 months ago by feedreader
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Vosseler 2015 HVH results

    • 28 May 2015
    • Hutt Valley Harriers
    • Grade/ Name  Time Place SW 5km 3 Julie Johnson 24:12:00 9 Kristi Perkinson  27:28 W35 5km 16  Liz Gibson 36:14:00 W50 5km 3  Vanessa Trompetter 29:39:00 4 Marian Goodwin 30:08:00 9 Trish Coley 32:45:00 MU18 7 Lars Van Beusekom 28:43:00 5km Peter Roberts Matthew Roberts M60 5km 4  Peter Sparks 28:58:00 14 Keith Holmes 32:58:00 GU15 3.7km 1  Phoebe McKnight 13:41 4 Lucy England 16:46 5  Maria Cramp 16:56 8  Jessica Kincaid 18:55 9  Mieke Van Den Bergh 19:24 10 Hannah Gordon 22:01 MU18 3.7km 4 Joel Carman 12:40 11 Gus Reece 13:36 Matthew Sutcliffe BU11 1.6km 1  Nathaniel Graham 7:43 2  Alexander Prichard 7:47 4  Nicholas Green 8:12 5 Luke Stoupe 8:14 15 Tyler Rollo 9:21 19 Jonathan Green 9:37 20 Oscar Strickland 9:42 21 Harrison Kowalizyk 9:53 22 Hunter Hughs 9:59 24 Harvey Butler 10:20 26 Bailey Rollo 11:18 27  Tim Cherry 11:32 28  Henry Mellor 11:34 29  Joseph Mellor 11:34 30  David Gordon 11:34 32 Liam Carson 14:23 BU13 1.6km 6  Logan Stoupe 7:40 John Roberts Nic England 24  Ben Cherry 10:31 GU11 1.6km 4 Rylee Watt 8:45 10 Charlotte Ross 10:07 GU13 1.6km 13  Jorja Watt 9:22 15  Una Strickland 9:50 16 Amelia Adams 10:36 SM 10km 9 Nicholas Sasse 46:20:00 29 Tim Johnson 51:44:00 M40 10km 3  Darren Gordon 48:00:00 8 Brendan Quirke 49:29:00 11  Stephen Cummings 53:40:00 17  Tony Plowman 57:02:00 19  Neil Sargisson 57:51:00 21 Stuart McKenzie  1:03:11 24 Martyn Cherry 1:22:02 M50 10km 3 Marcus Smith 49:02:00 9  Bill Trompetter 53:07:00 13  Graeme Burr 54:06:00 18  Richard Kellett 56:08:00 27 Paul Newsom  1:00:00 29  Donald Coley 1:02:50 35  Glenn Perkinson 1:11:21
    • Accepted from HVH news 132 months ago
    • Tagged as:
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    Alexandra Road, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand/Aotearoa (OpenStreetMap)
  
  

• • St Peter's student addresses work meeting in te reo

    • 3 Oct 2013
    • Welcom
    • Schools October 2013 St Peter’s College student Te Rangioinga Karatea-Goddard spoke in Māori from the floor of the Social Justice Week seminar in Palmerston North: From a Māori point of view, I came to learn that for my work to be meaningful it would consist of three main aspects: To consistently learn something new; For it to be enjoyable so that I would come home knowing that I spent the day doing something that I love and enjoy; and, most importantly Giving back to my whānau and iwi. A number of Pasifika students also addressed the meeting and told of the hope that their parents brought to New Zealand which was then dashed through lack of work and high rents. One student said the rent was almost half what her parents earned and there were bills to pay on top of that. A Tongan student spoke of her disgust at the numbers of young unemployed. 'Those businesses that are being established, I don’t see my friends working in those businesses, not at all.' We are the future but we are not being employed, she said. See also story page 14
    • Accepted from Archdiocese of Wellington - Wel-com articles 152 months ago
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    • media
  
  

• • Weekly Wrap Up (T2, W7)

    • 24 Jun 2016
    • Wellington High School
    • Important Dates 24 June : Learning Profiles published to portal 29 June : Wig Wednesday 4 July : Parent Teacher interviews (Year 11,12 & 13 only) 6 July : Music Evening 8 July : Last day of Term 2 25 July : First day of Term 1 1 August : Parent Teacher interviews (Year 9 & 10 only) Congratulations Underwater Hockey Regional Tournament Last weekend we had three Wellington High School teams compete in the Wellington Regional Underwater Hockey tournament.  The teams performed superbly all weekend and never gave up.   Our Junior Boys finished the tournament in 10th place and had their first win of the season.  The Junior Girls finished in 7th place and the Senior Girls finished in 5th place.   Senior Girls qualified for Nationals, to be held in Wellington from 1-4 September.  Well done to all teams and coaches you did the school proud. Junior Boys MVP – Max Steel Junior Girls MVP – Liberty McIntyre-Reet Senior Girls MVP – Amy Andrews   Glastonbury Beckons Estere Dalton, an ex-WHS student and a wonderful musician has been selected to go to Glastonbury.  Read more here. https://www.tvnz.co.nz/one-news/new-zealand/choked-my-porridge-wellington-muso-chokes-brekky-after-finding-shes-in-glastonbury-line-up
    • Accepted from WHS news 119 months ago
    • Automatically tagged as:
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • When Road Cycling is Illegal

    • 16 Apr 2015
    • Sustainable Wellington Transport
    • Following my recent post on fixing cyclist infrastructure, I received a reply that questioned the rationale of pushing cyclists into pedestrian space: @sustwelltrans Lets make roads that work for all vehicles - Arras underpass should have bikes ok - leave #footpaths for #pedetrians — Ellen Blake (@Windynell) April 05, 2015 Since I didn’t know how or why cyclist restrictions happen, I emailed WCC to ask. Cyclists can use all roads except for motorways, lanes reserved for Buses Only, pedestrian malls, and some tunnels.  Cyclists are banned from these places due to safety concerns which derive from conflicts very high volumes of other users who have been formally given exclusive priority.  Cyclists may use all normal Bus Lanes, but not Bus Only lanes. Motorways in Wellington City area are: State Highway 1 from the Karo/Willis intersection to Ngauranga State Highway 1 from Johnsonville to Porirua Bus Only lanes are: Throndon Quay southbound centre lane into Lambton Interchange Lambton Quay from Bunny St to Whitmore St (Lambton Interchange site) Lambton Quay southbound from Brandon St to Featherston St Hunter St-Customhouse Quay-Willis St southbound from Featherston St to Manners St Manners St from Willis St to Cuba St both directions Pedestrian Malls are: Cuba St from Ghuznee St to Manners St Tunnels where cyclists are banned are: Arras Tunnel (State Highway 1) Mt Victoria Tunnel road lanes (State Highway 1) Hataitai Bus Tunnel. I’m sure that there are plenty of points that could be contested within that list, but I’ll only touch on a couple. For the road tunnels, the conditions of the road are identical to normal urban roads, with the exception of ventilation and lighting. It’s not clear how or why the Arras and Mt Victoria tunnels would create an actual safety risk beyond that of normal urban cycling. If there is some exceptional risk, wouldn’t it be better to educate the motorists that cause the risk? The decisions are the responsibility of the appropriate Road Controlling Authority.  For all urban roads Wellington City Council is the RCA, for the entire state highway network it is the New Zealand Transport Agency.  The timing of decisions result from safety and management reviews on an as required basis. Both tunnels are part of SH1 and fall under NZTA’s authority. I’ve just sent an OIA request for justification of the exclusion. They have until May 15 to respond.
    • Accepted from Sustainable Wellington Transport posts 134 months ago
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    • hataitai
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    Porirua, Wellington Region, New Zealand (OpenStreetMap)
  
  

• • Maranui newsletter november 2022

    • 29 Nov 2022
    • Maranui Surf Life Saving Club
    • 96 MARANUI NEWSLETTER NOVEMBER 2022 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. HAERE MAI Sun, sand, surf, the silly season is fast approaching.  Welcome to all our new families who have recently joined Maranui. We are looking forward to another fun and busy season and hope you enjoy it as much as we do. Unfortunately, due to water quality the first Junior Surf Carnival of the season at Worser Bay was cancelled last Sunday. But we have the Titahi Bay Carnival coming up on Sunday 18 December. Sunday 11 December - Not to be missed is our FABULOUS FUN last session for Junior Surf for the year and a special appearance by Santa and one of his reindeers. Put it in your calendar now. Always are great FUN day! Lifeguard Sport have Whitehorse #2 on Sunday 11 December, venue TBC. We have the Junior Surf Series #2 Carnival on Sunday 18 December at Titahi Bay. We encourage all Maranui athletes (U8’s and above) to attend carnivals. These are super fun events where athletes test their surf skills against other clubs. Information will be sent in the next week or two. We had three more Patrol Support / Lifeguards pass the exam in late October. Huge Congratulations. See below. Want dinner sorted for one night. Make sure you order a SAMOAN SUPPER to support the Maranui SLSC IRB Race Team Fundraiser. See details below. Ngā mihi.  <!-- --> THE MARANUI WAY Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. VISION: One of New Zealand's premier surf lifesaving clubs providing world class surf lifesaving services and developing leaders and champions. PURPOSE: Provide our community a safe surf and beach environment. OUR CORE VALUES: Community, Excellence, Fun, Respect, and Tradition. <!-- --> HAERE MAI What a great start to the season. 3 sessions and the weather has played ball. Although Mother Nature, more specifically water quality have set new challenges our coaches, kids and parents have all adapted well to sessions. A few people have asked about our sessions when water quality is deemed unsafe to swim. For those at Sundays session I explained we will run sessions when Land, Air, Water, Aotearoa (LAWA) deem the water quality unsuitable for swimming with a modified programme that mitigated risk and reduces our participants time in the water at a depth where they are at risk of ingesting water. If on days where water quality is poor you as a parent don’t feel comfortable with you child in the water feel free to miss those sessions. We want the kids & parents  to have fun & feel safe. Our sport relies on volunteers and at the moment we are in a transitional phase and find our selves in a position where we need more coaches and officials. If you are keen to get involved please do catch me for a chat. Is coaching for you? Are you enthusiastic, fun and like helping our youngsters grow in sport? Are you keen to get out learn some new skills and share these all the while having fun on the beach and working with a dedicated group of coaches who want to help our kids grow in the sport? If you answer yes then coaching is for you!!  What next? Let me or Rhys know, arrive at the next Sunday session in a wetsuit and shadow one of the coaches. Jump on the next coaching course (date TBC) Is Officiating for you? Do you enjoy helping our athletes learn how to enjoy competitions in a fun and nurturing environment. Are you organised & willing to work with technology in an ever changing environment? Do you enjoy endless yummy food while watching our athletes give 100%. If you answered yes then Officiating is for you!! What next? Sign up to Surf Life Saving NZ https://webportal.surflifesaving.org.nz/new-membership/. From here you can access the members portal and do the on line learning. Once you have completed that let me know and at the next carnival we can arrange for you to jump in and shadow one of our amazing officials. From Thursday 1st December I will be running board skill upskill sessions (advertised initially as Wednesday but circumstances changed). This is open to all U9-U14 who just want more time on the boards, learning the more technical parts of paddling. Pre-requisite is having the 200m badge. Please register interest at - https://forms.gle/UU43nrCsnptBmRSe8 Sunday 27th November there was the Worser Bay Carnival. Unfortunately the Carnival was cancelled due to water quality issues.  We will be back on Sunday 4th December for more surf fun! Cheers  Lucy Barry Director Junior Surf Development <!-- --> SURF LIFEGUARD AWARD - Maranui's newest Patrol Support/lifeguards Three more successful Patrol Support/Lifeguards for Maranui passed the exam in late October. The exam was long, with lots of candidates, rough water and big lateral tow. We were very happy to see Abi emerge from the ocean successful. Big congratulations to (Above L to R)  Dave, Abi and Greta. <!-- --> JOIN THE SLSNZ DATABASE  All Maranui financial members need to be registered online through Surf Life Saving New Zealand (SLSNZ).  This will give you a Surf Lifesaving New Zealand registration number which is important when it comes to entering surf sport carnivals and patrolling the beach. Also your details will be on the national database so you will receive news and information from Surf Life Saving New Zealand. Important points as follows: There is no cost. Membership to SLSNZ is only required once per person, and mandatory to become a Maranui member. Take note that if your child has competed in a surf carnival they will already be registered. Parents will be registered if they have previously completed any SLSNZ awards or online courses. A SLSNZ number is required for all athletes competing in Carnivals. The number an athlete is given is their number for life.   CLICK HERE TO REGISTER WITH SLSNZ -  https://webportal.surflifesaving.org.nz/new-membership/ Please go to the Surf Life Saving New Zealand ‘Join a Club’ section and click on ‘Join a Club’ to register as a Maranui SLSC member on the Surf Life Saving NZ membership database. <!-- --> IRB RACE TEAM FUNDRAISER Maranui SLSC IRB Race Team Fundraiser. Help the team compete at the 2023 Regional and National Events. SAMOAN SUPPER: Dinner without a FUSS - Includes Chicken Thigh, Chop Suey and Potato Salad. $10 EACH.  Oh My Goodness, put your order in now! You don't want to miss out on this delicious goodness.  PICK UP: Wednesday 7 December, 41 Tirangi Road, Rongotai, 4pm - 7.30pm (Other pickup times by arrangement). Text - 211660654 to place order or see IRB team on the beach. <!-- --> LAST JUNIOR SURF SESSION FOR 2022 - SUNDAY 11 DECEMBER FUN games, shared lunch and sausage sizzle, and a special appearance by Santa and one of his reindeer. We have a combined fun session on Sunday 11 December, so all Junior Surf clubbies make sure you get to the club for at least 9.40am.  Combined Session: 10am - 11.30am.  Not to be missed, loads of FUN! HO, HO, HO - we need a willing friendly face to wear the big red suit on Sunday 11 December. Have you always wanted an IRB ride?  Well here is your chance, Santa will arrive on the beach with one of his reindeer via IRB and then run the lolly scramble. If you would love to be Santa, please email Lucy Barry lucyjanebarry@gmail.com or text 021 243 2469 <!-- --> NIPPERS2GUARD NIPPERS2GUARD Session starts this season Nippers U13 & U14 will have nippers2guard (n2g) sessions in tandem with regular nippers sessions. The objective is to build a solid foundation of knowledge before starting your Surf Lifeguard Award (SLA) course at 14yrs. You will be doing practical and theory sessions alternating with nippers sessions to keep up the fitness.  There will be no more Sundays cancelled due to bad weather for the U13 & U14s. We have so much to learn and so little time - so let's get started learning 'How to Lifeguard'!! Carrie Matson Speirs Maranui SLS Head Instructor <!-- --> JUNIOR SURF SESSIONS Please arrive in togs and wetsuit ready to go. Please arrive at least 20 minutes prior to the session starting.  Parents leave plenty of time to ensure you find a park.  All members must sign-in with the sign-in crew in the clubhouse. ANNUAL MEMBERSHIP SUBSCRIPTION Invoices for subs and donations have been sent out by Patricia Kelly (Maranui SLSC accounts) and are due. Subs are an important part of the viability of the club and your prompt payment of the invoice will be contributing to the success of the club. If you have any queries please contact Patricia Kelly (Maranui Finance Manager) - accounts@maranui.co.nz <!-- --> PARENTS / CAREGIVERS IN THE WATER U7 AGE GROUP is an age which, at our beach with its variable wave height and harsh conditions, is unable to be left to just the coaches and lifeguards. U7 athletes require a parent/caregiver to be in the water with them at all times. U8 - U9 AGE GROUP we ideally would like a parent/caregiver in the water or water edge ready to enter if required,  If your child requires extra assistance in the water, please enter the water with them, rather than assuming our volunteers will be able to look after them. Please note:  Our club relies heavily on the active involvement of parents, the club cannot function without people volunteering. Kids love to see their parents/caregivers interacting at the club. Parent/Caregivers participation is encouraged in the water at all ages. This is a great way for parents to be actively involved, it’s a great way to increase your own water confidence and have FUN. The more adults we have in the water the better.  If you are not a competent swimmer, there is always a need for people to remain in the shallows to help retrieve boards and ensure children exit safely, providing close and constant supervision of our young athletes in the water. <!-- --> KOOGA JACKETS KOOGA DECK PARKAS FOR SALE Price: $170 Limited numbers and sizes. 380gsm fleece 3000mm waterproof Comes below the knee.  The fit is quite generous. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com <!-- --> MARANUI CLUB CLOTHING ORDERS - COLLECTION Orders can be collected on Sunday 11 December at the clubhouse. Please see Finola.   BUY SWAP SELL Please request to join Buy, sell, swap Facebook Group. Maranui SLSC - Buy, Sell and Swap - https://www.facebook.com/groups/528242194283996/ If you have an item you would like to list please click the "Sell Something" button and post all relevant details. Only post Surf related items please. <!-- --> 2022/23 CAPITAL COAST OFFICIALS We are on the lookout for new officials for the 2022/23 season,  If you are interested in helping out, please email maranuinippers@gmail.com The process this season is for anyone who would like to help out, come along and help out as a volunteer for the event. If you like the feel of the job, we will schedule you for another 2 more events in which you will get some training, mentoring and eventually be signed off as an official!  The Capital Coast is also looking for new, fresh and passionate parents / volunteers to help continue the high quality of surf sporting events we have here in our space of New Zealand.  Perks include but not limited to: Free lunches, a fabulous blue outfit, name tag & the potential to try a vast array of baked good with other officials from around the country side.   - - - - - - - - -  We need more officials at Maranui, so grab this opportunity. This is a great way to help our club and support surf sport events in the Capital Coast region. Please sign up. <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347.   CANCELLATION PROCESS Junior Surf Coaches will access the weather and surf conditions and make a decision by 8am Sunday morning. A message will be posted on Facebook - www.facebook.com/MaranuiSLSC and on the frontpage of the website - www.maranui.co.nz  if the session(s) won't be going ahead.   <!-- --> <!-- --> CALENDAR 2022/2023 Whitehorse #2 - Sunday 11 December, venue TBC Last Junior Surf session - Sunday 11 December (Santa) - TBC Junior Surf Series #2 - Sunday 18 December, venue Titahi Bay - - - - - - - - - - - - - - -  2023 2023 Central Regional Champs (CRC & CRJC) - Friday 13 January - Sunday 15 January, Fitzroy Junior Surf Series #3 - Sunday 22 January 2023, Riversdale Capital Coast Junior Championships  - Saturday 11 February, venue Maranui SLSC Whitehorse #3 - Sunday 19 February, venue TBC Oceans’23 - Thursday 23 February - Sunday 26 February, Mt Maunganui 2023 TSB NZ Surf Life Saving Champs - Thursday 9 March - Sunday 12 March, New Brighton Beach Last Junior Surf Sunday session - Sunday 19 March 2023 BP Surf Rescue North Island Championships - Saturday 25 March - Sunday 26 March, Waipu Cove 2023 BP Surf Rescue New Zealand Championships - Saturday 15 April - Sunday 16 April, Whangamata Beach Awards of Excellence - Sunday 30 April, TBC SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com Rachael Burke (Director of Membership) - rachael@tiaki.net.nz <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2022 Maranui SLSC, All rights reserved. Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from Maranui Surf Life Saving Club newsletters 36 months ago by tonytw1
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    • titahi-bay
    • worser-bay

    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)
  
  

• • Match Report Rd 8 Swindale – OBU outclasses Avalon

    • 13 Aug 2020
    • Old Boys - University Rugby Club
    • <div class="slider slider-nav-circle slider-nav-large slider-nav-light slider-style-normal" data-flickity-options='{ "cellAlign": "center", "imagesLoaded": true, "lazyLoad": 1, "freeScroll": false, "wrapAround": true, "autoPlay": 6000, "pauseAutoPlayOnHover" : true, "prevNextButtons": true, "contain" : true, "adaptiveHeight" : true, "dragThreshold" : 10, "percentPosition": true, "pageDots": true, "rightToLeft": false, "draggable": true, "selectedAttraction": 0.1, "parallax" : 0, "friction": 0.6 }' > #image_2121900899 { width: 100%; } #image_1756060410 { width: 100%; } #image_1620690608 { width: 100%; } #image_1026050202 { width: 100%; } #image_1577598149 { width: 100%; } #image_1927667897 { width: 100%; } #image_1641516802 { width: 100%; } #image_827261293 { width: 100%; } #image_216336848 { width: 100%; } #image_91478291 { width: 100%; } #image_1173873092 { width: 100%; } #image_529119233 { width: 100%; } Score OBU 78 Avalon 5 This was a difficult game to report on as the scoring action was thick and fast so some of the action may not be as precise as we’d like! Conditions There was a strong crosswind blowing from the new clubrooms across the field to the North. There was the usual low-sun for this time of year to contend with for both teams. OBU played from right to left as we viewed from the clubrooms side. A couple of changes to the run-on team announced on the Club Rugby website. Taine Plumtree was out with a minor injury. Same Godwin gets a start. Josh Thomas, in his premier debut, was wearing the 22 Jersey and Tiaki Fabish switched to 21 pushing Matt Sleith to 20 (I think). Notable Performances Shamus can’t seem to keep his name off the scoresheet this season. Another 3 tries for him taking him to joint top of the try-scoring leader board in Wellington club rugby! Sam Reid had another solid game at centre and picked up a brace of tries. The Waimea wanderer, Caleb Delaney, notched a couple of tries and was a powerhouse around the field in the set-piece and loose play. Matt Fowler played a full match and claimed to be even more shattered than he looked at the end. Nevertheless, he was into everything from sniping runs around the phase plays to mighty defensive covering tackles. The whole front row was on fire especially with the ball in hand, Kenan Gillson taking the reward of a try on behalf of the engine room. Special mention for late replacement Sam Godwin who started in Taine’s place and got on the scoreboard early on with a well-taken try. A typically abrasive performance from Sam! How the Game Unfolded Minute What happened Score 1 Min OBU run it back strongly from the kickoff but get penalised for holding on 5 Mins OBU worked into the Avalon 22 but get penalised for offside in the backs. Avalon takes the quick tap and hit it up with one-off ball runners. But the OBU defence is strong and they don’t really go anywhere eventually knocking it on for an OBU scrum. 7 Mins Shamus takes it off the back of a solid scrum. There is some great inter-passing between the forwards and inside backs. Eventually, it is turned over and kicked out. 9 Mins From the lineout, it is taken up the middle. Reece crashes in through the centres. Avalon is penalised for offside. OBU elect to take the scrum. 10 Mins Shamus makes another strong run off the back of the scrum and is under extreme pressure but somehow manages to keep going forward. Avalon infringes at the ruck. 12 Mins Callum crashes over about 8m from the left-hand touch. The conversion just misses floating directly over the top of the right hand upright. Unlucky! OBU 5-0 18 Mins There is a series of pick and go’s at the try line by OBU. Eventually, Sam Godwin breaks the deadlock to score it near the sticks. Conversion is successful. OBU 12-0 23 Mins After 6 or so phases near the Avalon line, Shamus takes the ball back around to the left and scores it. Conversion is successful. OBU 19-0 29 Mins Some nice play by the OBU backs. Dale drops a little inside pass to Sam Reid who crashes over the top in the tackle to score. OBU 26-0 34 Mins Disallowed try after a foot in touch! It started from a great run inside the OBU 22. Olly got the pass from Reece to run it in, but out! 39 Mins There is a long-range try finished off by Shamus. Conversion misses. OBU 31-0 Halftime 41 Mins Starts off with OBU on a long period of attack with Avalon holding on well. Eventually, the pressure becomes too much and Shamus sneaks it in under the sticks. Conversion is successful. OBU 38-0 44 Mins There is a series of great offloads in the centre of the pitch has the Avalon defence at 6s and 7s. Ty Poe gets the try under the sticks. The conversion is successful. OBU 45-0 47 Mins OBU forwards mount a drive at the line which is then spun to the left. Sam Reid crashes over the line. Conversion is successful. OBU 52-0 48 Mins Josh Thomas takes the field along with Izzy Foai for his premier debut. Congratulations Josh. 55 Mins Kenan Gillson carries the ball strongly into the 22 and it is then recycled a few times from the ruck. Eventually, Kenan takes the reward for his endeavours to score in the corner. Dale lands a tough kick back upwind to register the conversion. OBU 59-0 56 Mins Fui, Kenan and Shamus are subbed off. 60 Mins Caleb Delaney gets a well-deserved try after the ball is moved into open spaces in the middle of the pitch OBU 66-0 65 Mins A few changes and a lapse in concentration allows Avalon to crash over in a pick and go on the OBU line. Conversion misses. OBU 66-5 70 Mins There is a lineout drive and OBU score the try. I couldn’t see who scored it but by subtraction, it must have been Caleb Delaney again(Waimea College forever)! The conversion was successful. OBU 73-5 79 Mins Reece juggles the pass initially but gets it off to Tiaki Fabish who scores it. The conversion was unsuccessful! That’s the final score! OBU 78-5 The post Match Report Rd 8 Swindale – OBU outclasses Avalon appeared first on OBU Rugby.
    • Accepted from OBU feed 70 months ago by feedreader
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• • December Update from DCM

    • 29 Dec 2020
    • Downtown Community Ministry
    • 96 December Update from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Together we can end homelessness Ngā mihi o te tau hou Over the holiday period, our kaimahi (staff) have been reflecting on the very unusual year which 2020 has been, and have been looking ahead to 2021. We asked some of them to share a special moment from 2020. We check in with two of them here; have a look at our Facebook page to hear from more of our team. Natalia Natalia, leader of our Outreach team, on the beach with her dog Scout. Photo by Hayley Trenwith One highlight or special moment from 2020 For about a year, I chatted with a man in Te Hāpai who was rough sleeping in the bush, had been living that way for years and had no intention of changing that. For one reason or another, he decided that he no longer wanted to come in to the DCM building, but was still OK to talk to me on the street or in the bush where he lived. He was adamant that he didn't want to live any other way and would shut down any conversations about housing. I started to think that maybe he was one of the exceptional few that really, truly don't want to be housed. Then about a month ago, he came into DCM and asked to see me. It was the first time he'd stepped inside our building in almost two years. He came to ask me to help him find housing. That was one of the most significant moments for me this year and in fact, over my whole time at DCM. It showed me that persevering in building relationships with our taumai, even if that relationship building goes at a snail's pace, is a worthwhile investment. It also showed me, again, that we have to get this idea out of our head that people don't want to be housed. What are your hopes and dreams for our taumai and our mahi in 2021? Linked to my moment, I'd love to see DCM continue to be leaders in messaging to Wellingtonians and New Zealanders that the homeless people we see, and don't see, want, need and deserve permanent housing. That they want good things for their lives, they want to be settled, they want to thrive and be part of communities. I would also love to see our Wellington City Council outreach contract renewed. And for taumai, well, my hopes and dreams for them - other than every single one of them being offered permanent housing - I'd love to see people finding meaning and purpose, to realise they are worthy of good things, are accepted and loved. In 2021, we also want to support them to find communities where they feel safe and have opportunities to learn something new, share a skill or be an encourager or supporter for someone else's journey. Emily Emily, our lead Dental Assistant. One highlight or special moment from 2020   A highlight for me this year has been seeing the DCM dental service grow with several new dentists and dental assistants - meaning we can offer more taumai the care they need. It's a very uplifting experience for everyone involved. Taking away people's pain, transforming broken and decayed teeth, or cleaning away sometimes decades of calculus build up - it still warms my heart so much to be part of this service.   What are your hopes and dreams for our taumai and our mahi in 2021?   I have high hopes for DCM capitalising on the amazing mahi that was done this year. While this year's lock-down was very difficult for the country, it was inspiring to see the opportunities it created for taumai. It will be wonderful to see this progress continue. For the DCM dental service, I still dream of even more dental staff and volunteers so we can help as many taumai as regularly as possible. I hope the current government's election promise of increased dental benefits from $300 a year per person to $1000 will be fulfilled; this would be a huge positive for the oral and overall health of our taumai, and the continued improvement of the DCM dental service. Bronwyn Bronwyn (right) is Clinic Lead at Te Aro Health (TAHC). Te Aro Health is committed to providing high quality, low cost health care for vulnerable Wellingtonians. They have 1200 enrolled patients, and operate a satellite clinic at DCM. One highlight or special moment from 2020 I valued our collaboration with DCM, especially through lock-down. What we achieved together was huge - DCM supported us so we could get into taumai accommodation to do those important health checks, and flu vaccines ahead of winter. At a time when other health services were closed, we were out there, identifying people at risk and connecting with them. And we did it collectively. What are your hopes and dreams for 2021?   In 2021 Te Aro Health is hoping to have more staff, especially another nurse practitioner to add to the value of our outreach clinics. We only have two prescribers who can complete medical certificates. We always want to do more, but we need more staff capacity. This is our goal for the year ahead. Henry Henry joined team DCM this year. One highlight or special moment from 2020 Housing an elderly couple into their first permanent home here in Wellington - both of them with varied health, mental, physical and personal challenges, including very strong views about not being housed. However after eventually getting them to view a potential unit, their whole demeanour changed, they were able to envision themselves living there for a very long time and eventually moved in. Another highlight was supporting a taumai with Fetal Alcohol Spectrum Disorder (FASD), which comes with other social issues, to obtain permanent housing. He is immensely grateful and appreciative of his whare and very determined to not to do anything to lose it. All three of these people will begin 2021 settled in their own home. How special is that? What are your hopes and dreams for our taumai and our mahi in 2021? For our taumai to have a sense of belonging, worthiness, identity, purpose and belief… “The best is yet to come!” And as for our mahi - to continue with our goal of “working together to end homelessness”. As we go in to the new year, 2021, Wellington, let’s all commit to “doing whatever it takes!” <!-- --> Thinking about changing jobs in 2021? Would you like to join team DCM? Read Alex's story, 'I absolutely love working at DCM'. And for more info on our jobs available visit our website. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 65 months ago by feedreader
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    • religious-groups
  
  
• • 

    Article | About Tania & Our Whare

    • 4 May 2021
    • Wellington Homeless Women's Trust
    •   <figure class=" sqs-block-image-figure intrinsic " >  Sitting on the floor of her room, Tania Thompson says she has been working on an art piece for her bedroom wall. The 58-year-old is fond of recycling and often sees the worth in what others have thrown away. The piece she is weaving comes from discarded thin, wooden planks she found around central Wellington. It’s been a while since Thompson had a place to call home, which she could decorate how she liked. For the past two years, Thompson has been couch-surfing, living in her cousin’s shed and on the streets of central Wellington. She’s one of 41,000 people who are homeless in New Zealand. This figure included people who were living out of cars and in garages. But for the past five months, Thompson has been living in transitional housing on Manners St, provided by Wellington Homeless Women’s Trust (WHWT). “I feel really safe and wish I had come here ages ago. I look forward to coming home," she said.   <a href="https://www.stuff.co.nz/national/125008567/wellington-homeless-womens-trust-tenant-looks-forward-to-coming-home" class="sqs-block-button-element--small sqs-button-element--tertiary sqs-block-button-element" target="_blank" > Full Article   Permalink
    • Accepted from Wellington Homeless Women's Trust JOURNAL 52 months ago by tonytw1
    • Tagged as:
    • recycling
  
  
• • 

    With just over 1 week to go until our next concert 'SONG OF THE...

    • 31 Jul 2014
    • Orchestra Wellington
    • With just over 1 week to go until our next concert 'SONG OF THE NIGHTINGALE' next Saturday, here are a few words from our head conductor & music director Marc Taddei on the ideas behind the shows ‘Bird’ theme! "Sometimes as programmers we get a little ‘cute’ with concepts and I could not resist the idea of a ‘bird’ concert! Of course, themes like this work only if the music is first rate! I love the connection between the master of the 20th Century and his teacher. One can clearly hear the exoticism that Stravinsky absorbed from Rimsky-Korsakov. These are two orchestral tours de force. The Ravel G major concerto is a genius work of modernism that is clearly inspired by Jazz while the Haydn symphony expertly balances the grave G-minor tonality with a light-hearted quality that soon wins out”  For a full rundown of the concert head HERE Tickets are still available online from TICKETEK NEW ZEALAND and also from the Ticketek Box Office so don’t forget to utilise our special offer, by presenting your PITA & THE WOLF’ stub (or proof of purchase as your details will be on file) you will get 50% OFF full-priced Adult and Gold Card Concession tickets! Absolutely Positively Wellington #WickedWellingtonAdventure
    • Accepted from Orchestra Wellington posts 142 months ago
    • Automatically tagged as:
    • music
  
  

• • Weekly Wrap-up (Term 1 – Week 5)

    • 2 Mar 2018
    • Wellington High School
    • Important Dates for Term 1 Monday 5 March – Friday 9 March: Noho marae for 9 Riley and 9 Royal whānau Monday 5 March – Friday 9 March: ERO visiting WHS Wednesday 7 March: Western Zone Athletics Thursday 15 March: College Sport Wellington Athletics Day (Western Zones) Thursday 29 March: Learning Conversations Friday 30 March – Tuesday 3 April (includes Tuesday): Easter break Term Dates 2018   Ambassador Gwen Palmer-Steeds Gwen Palmer – Steeds  is one of only six students from the Wellington Region to be selected by Zealandia for the Senior Ambassador Programme. Ranger, Sue Lum notes that “The calibre of applicants was extremely high and it was a privilege to meet such passionate and articulate young people during the interview process.” Gwen and her sister Ursula have established WHS’ first eco group through the Jane Goodall Institute Roots and Shoots program. They have invited speakers to WHS and organized a group of students to attend the Predator Control Workshop at EBIS on Thursday 1st March. Their latest initiative is to reduce and replace the use of wasteful plastic bags through direct action at school and in the community (using Boomerang Bags see below). We are fortunate to have such eco leaders and conservation minded students in our school and whanau.
    • Accepted from WHS news 99 months ago
    • Tagged as:
    • karori-sanctuary

    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • 2020 Port Nicholson Regatta – You Were Here!

    • 8 Mar 2020
    • Royal Port Nicholson Yacht Club (Inc)
    • What a sensational Port Nicholson Regatta! With over 170 Sailors and 30 boats on the water, including over half a dozen visiting boats with 4 Sports Boats from Auckland, RPNYC delivered an event members can be proud of! The Port Nicholson Regatta opened with the Lawson’s Dry Hills Charity Cup Race on Thursday, followed by a convivial Regatta Dinner and presentations to Britannia Sea Scouts, Wellington Free Ambulance, and Live Ocean. It provided opportunity to acknowledge the fantastic support from our sponsors who help make things better and easier: Yamaha, Crombie Lockwood, Lawson’s Dry Hills, Mt Gay, Steinlager, North Sails, Burnsco, Pivotal Print, Barton Marine, Havana, Mevo, Chaffers Marina, and Whittaker’s. The event delivered three days of intensive and rewarding regatta racing in perfect weather. Impeccable race management led by John and Linda Parrish, was ably supported by our support crews and assistants. Notably Marg McVeagh, Janine Small, Julie Bate, Carole Inkster, Phil Taylor, Mel Zytecka and Ashley Owers who were out on the water for the duration of the event. Not forgetting Kim McMorran of course, for our brand new marks. After the relentless start sequence to get 44 races away in 4 divisions over three days (plus the 8 starts in the Lawson’s Dry Hills Charity Cup Race), there was silverware to award. Ross Telford Memorial Trophy (Regatta Champion) – Zimmerframe Racing Team II Div A – PHRF Shield – Kaimai Flyer Div A – General Handicap – St Laurence Div B – PHRF Shield – Zimmerframe Racing Team II Div B – General Handicap – Prime Mover Div C – General Handicap – White Cavalier Div C – PHRF Shield – Saucy Sausage Young 88 Roger Land Trophy – Whistler III Young 88 Owner / Helm – Whistler III Charity Cup – Airship Check out the website for links to the amazing photos taken by Mel Zytecka over the three days (while laying marks!). Look out for a debrief and review of the 2020 Port Nicholson Regatta in the next few weeks as we set up for 2021 Port Nicholson Regatta in 18-21 February 2021 – we’ll need some more help, if John Parrish’s challenge to the regatta fleet of bring a boat is met! Port Nicholson Regatta Director Ashley Owers extends a huge Thank You to everyone who contributed to make the 2020 Port Nicholson Regatta a success.
    • Accepted from RPNYC feed 2019 75 months ago by feedreader
    • Automatically tagged as:
    • boating

    Royal Port Nicholson Yacht Club, 103, Oriental Parade, Oriental Bay, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    A tale of two cities + campaigns

    • 29 May 2013
    • WCC Watch
    • With the Greens’ announcing that they’re going all in for the Dunedin council elections it begs the question – why aren’t they doing the same in Wellington? Contrast the cone of silence that’s effectively been dropped in Wellington with the concerted push supporting Aaron Hawkin’s bid for the Dunedin City mayoralty and other council seats (campaign launches, media releases, websites, party resources, party leader support and endorsement, fundraising and volunteer recruitment), you have to wonder. Is it because the Greens have put Celia Wade-Brown at arms distance since she supported outsourcing of council services and voted against fellow Green Councillor, Iona Pannett? Or is it that the Greens think she’s bad for their brand as the right-wing Whale Oil claims? Or does Celia think she can do it without them? Wellington should be the jewel in the Greens’ local government crown. They have the mayoralty and other elected members and sympathizers, and like Dunedin, Wellington continues to deliver some of its highest amounts of party votes in general elections. But so far we haven’t seen any sign that the Greens see it that way and their slate of potential new candidates doesn’t really give that impression either. Rumours are also circulating her 2010 campaign manager Kent Duston has either been fired or has decided to quit, and now her campaign team isn’t much wider than her husband, Alastair. This would be a great shame as Kent proved to be an incredibly astute and effective political operator and his work probably pushed Celia over the line. How Celia responds to John Morrison’s recent entry into the mayoral race and enviable headlines in the past week will be critical. She needs to kick-start her campaign (and fix her website, below) soon. Celia defeated Kerry Prendergast because her campaign took the initiative, caught the incumbent off-guard, fronted footed issues, and had strong grassroots support and volunteer networks. Prendergast on the other hand looked complacent, barely made an effort to campaign, and lacked any real campaign apparatus. Incumbency will be Celia’s biggest strength, but with only 112 days until ballot papers start arriving in letterboxes I fear Celia is falling to the same traps her predecessor did. Here’s hoping I’m wrong.
    • Accepted from WCC Watch feed 156 months ago
    • Automatically tagged as:
    • elections-2010
    • featured
    • wellington-city-council
  
  

• • Social Justice Week 2013: Unemployment – the local face of a global concern

    • 28 Aug 2013
    • Welcom
    • Social Justice Week, 8-14 September, 2013 September 2013 Unemployment affects everyone, particularly young people whose ability to find work has been hindered by the loss of jobs after the 2009 economic recession. Four years on, youth unemployment remains high throughout the world. In New Zealand, 75,000 Kiwis agead 15-24 are not in employment, education or training. For young people on the margins, the repercussions of long-term unemployment can be scarring. Each year New Zealand’s Catholic Bishops use Social Justice Week to consider Catholic social teaching on a specific social justice issue relevant to our society. This year the focus for 8 to 14 September is on ‘meaningful work for the young worker’. Caritas Aotearoa New Zealand has provided resources for Catholic parishes, schools and the wider community. The core booklet Walk Alongside: Meaningful work for the young worker helps us to consider what it is like to be a young worker today and the difficulties young people face as they look for stable work. The bishops also challenge individuals and communities to consider how they can accompany or ‘walk alongside’ the young people around them. Other resources include posters, prayer cards and liturgical resources, as well as a special website on the issue. Now more than ever, young people need the encouragement of their wider community and of the church. The local face of a global concern On his way to World Youth Day last month, Pope Francis talked with journalists about his concern for the impact of the economic recession on young unemployed people. In New Zealand, one in six young people looking for work cannot find a job. This is a concern for the whole community. Work that is meaningful enhances human dignity. It gives people enough to live on and leads to lifelong, secure employment. New Zealand’s labour market has been slow to recover from the economic recession and the number of jobs available is still below pre-recession levels. Young people are often at the end of long job queues. New entry jobs for young graduates are few. A baby blip in the early 1990s means there are now 42,000 more people aged 20 to 25 entering the labour force than five years ago. Fact – 42 percent of all casual workers are aged 15 to 24. Young people tend to work in casual employment with no fixed hours or job security. These jobs tend to be the first to go in times of financial hardship. Many tertiary graduates are struggling to find work in their field of study. In 2012, the Ministry of Education told Victoria University primary teaching students that only a fifth of graduates would find work within a year of graduating. A recent graduate, Nicole Jenness, has applied for more than 60 teaching roles and, after 10 months of searching, has yet to find a teaching job. Pope Francis has said, ‘We have all become accustomed to this disposable culture... With all the young people out of work, even they are affected by a culture in which everything is disposable.’ Government responses such as the Starting-Out Wage and the 90-day probationary period continue to reinforce a disposable culture where young people may be seen as a source of cheap labour and deprived of a just wage. Economic recessions come and go, but the impact of insecure work and unemployment on young people and our community can be long lasting. For young people on the margins, job insecurity and unemployment further pushes them towards disengagement because they miss out on a sense of belonging in society. Reflecting the sentiment of Pope Francis we, as a community, are called to walk together towards a culture of inclusion where the skills and contribution of everyone can be recognised and realised.
    • Accepted from Archdiocese of Wellington - Wel-com articles 153 months ago
    • Automatically tagged as:
    • catholic
    • media
  
  

• • Night Creature

    • 16 May 2013
    • Orchestra Wellington
    • George Gershwin:   An American in Paris Leonard Bernstein: Three Meditations from “Mass” Karlo Margetic:        Music for Wind, Brass and Percussion Duke Ellington:        Night Creature   Andrew Joyce, cello Marc Taddei, music director   Sunday, 26 May 4pm Wellington Town Hall Pre-concert talk 3pm   "Night creatures, unlike stars, do not come out at night - they come on, each thinking that before the night is out he or she will be the star”. – Duke Ellington The first half of the twentieth century saw America on the ascendant, and its music reflected this confident new society with bold new styles that strutted and swung.  For their first subscription concert, Night Creature, the orchestra presents works by Gershwin, Ellington and Bernstein that embrace the exciting new rhythms and harmonies of America. Orchestra Wellington music director Marc Taddei says he is fascinated by the way great classical composers are inspired by the popular music of their day. Most familiar perhaps is Gershwin’s An American in Paris. It’s 1928, the close of the Gilded Age, and for Americans, anything seems possible. Gershwin visits Paris to experience more of a culture he enjoyed. If there are some bluesy moments reflecting Gershwin’s longing for home, overall this piece is a sparkling tribute from a great cosmopolitan to the bustling metropolis he admired. Leonard Bernstein’s Mass was a child of its time too: 1971 and anything goes! These short meditations for solo cello and orchestra are extracted from a much larger Mass whose vast theatrical conception embraced everything from rock and gospel to Lutheran chorales and atonal expressionism. The full Mass, requiring three choirs, rock and military bands, has been vilified in some quarters and hailed as a masterpiece in others. But there is no question about the power and beauty of these short Meditations drawn from it. The Orchestra is proud to welcome NZSO Principal Cello Andrew Joyce as soloist. Joyce is a recent addition to the New Zealand’s concert stages, following on from a busy career as an orchestral, solo and chamber music player on the London scene. Duke Ellington’s Night Creature, from 1955, takes a bold new direction in form and orchestration. It is a kind of three-movement concerto grosso, with a core group comprised of a saxophone quartet and jazz rhythm section forming a ‘concertino’ within the orchestra. Our own New Zealand voice is explored by Orchestra Wellington’s Emerging Composer in Residence, Karlo Margetic, in his Music for Wind, Brass and Percussion.
    • Accepted from Orchestra Wellington posts 153 months ago
    • Automatically tagged as:
    • music
  
  
• • 

    Keeping the Council and the Airport honest, or will Tangaroa have the last word anyway?

    • 31 Jul 2015
    • Guardians of the Bays
    • Over the last couple of months two important developments occurred regarding the proposed Wellington Airport Runway Extension: Its $90m co-funding by Council found its way into the LTP – despite significant opposition against it, but with some very important caveats Nature has shown us on several occasions just how insane the proposal is to put such vulnerable infrastructure into the Cook Strait. In addition, WIAL met with the directly affected residents of Moa Point to update them about the work they’re doing in relation to the airport extension. We will discuss these two points in separate blogs, so let’s have a look at how the Long-Term Plan consultation went first… Despite being touted as a great success by its proponents, with apparently only a ‘noisy minority’ of people opposing the $90m for the runway extension that was ring-fenced in the LTP, this really doesn’t stack up on closer scrutiny. Strathmore Park blog has written about this extensively, eg here, here and here, but it was clear during consultation that both the Council and WIAL got quite rattled once submitters started asking some difficult questions. The WIAL CEO went as far as swearing – twice! – during his oral submission when he commented on the report by NZIER reviewing EY’s economic impact statement  that they prepared for BARNZ, the Board of Airline Representatives. However, upon reading the EY report’s full page of caveats it becomes very clear that the content cannot be relied upon as a fair representation of the truth, not that that stopped Justin Lester from insisting that ‘the numbers are sound’. When the Councillors were asked if they had actually seen any plans or designs so far for the $90m of ratepayer money they were willing to put forward, they looked on rather blankly. It is a sad indictment that you even have to ask a public official if they would pay a builder millions up-front for building their house without having seen any designs or plans, but as we suspected, the answer to that question was a resounding ‘no’. However, despite all of this, and the fact that the submission process may well have violated Section 93B under the Local Government Act as well as there being questions about whether the Mayor and Deputy Mayor fulfilled their own code of conduct in relation to giving at least the appearance of open-mindedness and independence during a public consultation process, the majority of Councillors signed off this mad plan to ring-fence almost $100m of our money for this ‘white elephant’ (according to John Key). On a very positive note, however, our and many other submitters’ strong objections did lead to some extremely important caveats and amendments being included. The LTP now says that the Council will make a final decision on this project and whether to commit funding to construction once: WIAL has obtained resource consent for the project The Council has received and considered a cost-benefit analysis and business case from WIAL that will be independently reviewed. Other key considerations that the Council has said will need to be considered before it makes its final decision relate to: The resilience of a runway extension to weather and climate change The proposed investment vehicle and any revenue agreement Satisfactory airline commitments Funding arrangements for construction and confirmed construction costs The governance and management structure to oversee construction. The Council has also said it will undertake further public consultation before making a final decision on whether to commit funding to construct the runway extension. It is our expectation that it won’t ever get that far as the business case simply won’t stack up, but at least we now have some protections in place to stop the Council from just gifting a private company several million dollars more on top of what ratepayers have already given without setting out some clear requirements first. By the way – to this date, it seems not a single report (other than the EY statement) or progress update has been received by Councillors from WIAL for the almost $3m they gifted the airport for undertaking the resource consent application (back in May 2013 and then again in December 2014), which may be a breach of contract. Presumably, the Mayor would have received updates during board meetings in her role as Director but it does not seem as if this information flowed on to the rest of the Council. This again raises the potential conflict of interest of the Mayor who sometimes seems to take her position as a WIAL Director more seriously than her mandate to the city and its ratepayers. Why has no one wondered about this lack of progress or at least started asking some hard questions before signing off the money in the draft LTP? All this makes it clear that it is really important to make sure that the Council will stick to what it has approved in the LTP in relation to the runway extension instead of rolling over again and doing WIAL’s bidding based on no more than one-sided, overly optimistic and inadequate information and PR spin. It is also really important that all, but especially the most severely affected residents, have a fair say during this process which to date has been intransparent and inadequate. So far, the involvement and conduct of the Council has not led us to believe that they are overly interested in due diligence but we hope that the new caveats will ensure that we are protected against pushing ahead with a project where the main benefit seems to go largely to the airport company, but the main costs, risks and impacts sit squarely on the ratepayers and residents.
    • Accepted 130 months ago
    • Tagged as:
    • consultation
    • runway-extension
  
  
• • 

    Orchestra Wellington presents RITE OF SPRINGTwo works that...

    • 13 Nov 2017
    • Orchestra Wellington
    • Orchestra Wellington presents RITE OF SPRING Two works that changed the course of musical history SATURDAY DECEMBER 2, 7:30PM MICHAEL FOWLER CENTRE, WELLINGTON Ludwig van Beethoven Symphony No 3 in E-flat Major, Op 55 “Eroica” Igor Stravinsky The Rite of Spring Marc Taddei, Conductor Orchestra Wellington’s 2017 season goes out with a bang, in a concert combining two of the greatest pieces of music ever written, conducted by music director Marc Taddei. First, Beethoven’s mighty Eroica Symphony features on Saturday 2nd December at the Michael Fowler Centre.  At the other end of the concert, the orchestra is performing the one work which can top Beethoven’s in terms of its impact, Stravinsky’s Rite of Spring. “I’m extraordinarily excited to present the defining works of the 19th and 20th century for our grand finale concert,” says conductor Marc Taddei. “Music would never be the same after the Eroica and The Rite of Spring. The sense of drive, power and rhythmic impulse connect these two monuments of Western civilisation.” Beethoven’s Eroica caused a sensation when it was first performed in 1803, a hundred years later, Stravinsky’s Rite of Spring started a riot. Beethoven demanded the orchestra play a series of discords so shocking to audiences, many of them thought he had gone mad. No longer was music just for aristocrats, or the church, with the Eroica symphony, Beethoven created something to take on the world. The crowning work of his triad of ballet masterpieces, Stravinsky’s Rite of Spring, about a girl chosen to dance herself to death in a pagan sacrifice, sounds as fresh now, as it did a century ago. Paris audiences knew to expect the unexpected from Diagilev’s Ballets Russes, but the Rite was beyond anything they had imagined. With exotically primitive melodies, irregular rhythms and brutal harmonies, the orchestra is pushed to its technical limits. And despite the modern rhythms and harmonies, audiences find Stravinky’s music irresistible. The tentative, questioning woodwind fragments that open the work, the brutal asymmetric stomping rhythms of the first dance, the deep, grinding harmonies that seemed to come from the earth itself, and the virtuosic sacrificial dance at the end: all combine to make a music more carnal, primitive and instinctive than any ballet before. Now the Rite of Spring is one of the most popular ballets ever, and always a sensation whenever it is performed. This is Orchestra Wellington’s biggest concert of the year, and it also marks the full launch of its 2018 season. Music Director Marc Taddei has hinted at the programmes for next year, but at this concert, all will be revealed. To secure your seats head to TICKETEK.CO.NZ
    • Accepted from Orchestra Wellington posts 52 months ago by feedreader
    • Automatically tagged as:
    • music
  
  
• • 

    Orchestra Wellington presents RITE OF SPRINGTwo works that...

    • 13 Nov 2017
    • Orchestra Wellington
    • Orchestra Wellington presents RITE OF SPRING Two works that changed the course of musical history SATURDAY DECEMBER 2, 7:30PM MICHAEL FOWLER CENTRE, WELLINGTON Ludwig van Beethoven Symphony No 3 in E-flat Major, Op 55 “Eroica” Igor Stravinsky The Rite of Spring Marc Taddei, Conductor Orchestra Wellington’s 2017 season goes out with a bang, in a concert combining two of the greatest pieces of music ever written, conducted by music director Marc Taddei. First, Beethoven’s mighty Eroica Symphony features on Saturday 2nd December at the Michael Fowler Centre.  At the other end of the concert, the orchestra is performing the one work which can top Beethoven’s in terms of its impact, Stravinsky’s Rite of Spring. “I’m extraordinarily excited to present the defining works of the 19th and 20th century for our grand finale concert,” says conductor Marc Taddei. “Music would never be the same after the Eroica and The Rite of Spring. The sense of drive, power and rhythmic impulse connect these two monuments of Western civilisation.” Beethoven’s Eroica caused a sensation when it was first performed in 1803, a hundred years later, Stravinsky’s Rite of Spring started a riot. Beethoven demanded the orchestra play a series of discords so shocking to audiences, many of them thought he had gone mad. No longer was music just for aristocrats, or the church, with the Eroica symphony, Beethoven created something to take on the world. The crowning work of his triad of ballet masterpieces, Stravinsky’s Rite of Spring, about a girl chosen to dance herself to death in a pagan sacrifice, sounds as fresh now, as it did a century ago. Paris audiences knew to expect the unexpected from Diagilev’s Ballets Russes, but the Rite was beyond anything they had imagined. With exotically primitive melodies, irregular rhythms and brutal harmonies, the orchestra is pushed to its technical limits. And despite the modern rhythms and harmonies, audiences find Stravinky’s music irresistible. The tentative, questioning woodwind fragments that open the work, the brutal asymmetric stomping rhythms of the first dance, the deep, grinding harmonies that seemed to come from the earth itself, and the virtuosic sacrificial dance at the end: all combine to make a music more carnal, primitive and instinctive than any ballet before. Now the Rite of Spring is one of the most popular ballets ever, and always a sensation whenever it is performed. This is Orchestra Wellington’s biggest concert of the year, and it also marks the full launch of its 2018 season. Music Director Marc Taddei has hinted at the programmes for next year, but at this concert, all will be revealed. To secure your seats head to TICKETEK.CO.NZ
    • Accepted from Orchestra Wellington posts 101 months ago
    • Automatically tagged as:
    • music
  
  

• • Test Cricket

    • 17 Mar 2010
    • The Wellingtonista
    • When the New Zealand cricket team (note not BLACKCAPS™) first toured South Africa in 1953 they had never won a Test Match and were given no show against a ruthless South Africa, on pitches tailored to support their fast, mean quick bowlers. The cricket was tough, and victory was ultimately beyond New Zealand's grasp, but it wasn't the cricket that ensured that the series became a NZ sporting legend. The 1953 Second (Christmas Day) Test is famous for the profoundly moving story of one player, Kiwi fast bowler Bob Blair, and his story has been brought to the stage by talented actor Jonny Brugh (Sugar & Spice) and it's playing now at BATS. During the rest day of the Test, Blair got the news that his fiancée Nerissa Love had been killed along with 150 others in the Tangiwai Rail Disaster. When play resumed on Boxing Day nobody expected Blair to play any further part in the game. Without giving too much away, the rest (as they say) is history. Brugh's play is a moving and beautifully acted treatment of the story. He plays dozens of parts (Blair & Love; cricketers Rabone, Reid, Sutcliffe, etc; Prime Minister Sid Holland) and imbues them all with fine detail and a sweet comic sensibility. He brings, not just the game to life, but the era - a different age.read more
    • Automatically tagged as:
    • blogs
    • featured
  
  
• • 

    Aitken Angst

    • 17 Jun 2013
    • WCC Watch
    • We got a rare insight into Greater Wellington Regional Council-Wellington City Council dynamics when regional councillor Judith Aitken posted this odd statement on Celia Wade-Brown’s Facebook about her (last time I checked, fellow Labour Party) colleague Daran Ponter: This prompted the following stinging rebuke from Daran Ponter and Wellington City councillor Paul Eagle: Good on Ponter for calling her out. Oh, Baby Boomer with a 100% subsided Gold Card, please tell me more about how we can’t increase public transport subsidies. This is staggering. If you’re a Regional Councillor, you would need to have been hiding under a rock for the past few years not to be aware of the issues around public transport. And you’d expect someone who has been on the GWRC since 2001 to already be discussing issues with their WCC colleagues and community stakeholders. Aitken doesn’t even live in the constituency area she is elected to represent (Wellington City), enjoys fully subsidised public transport with her tax-payer funded Gold Card, and is one of those local government shapeshifters, like Helene Ritchie, who get elected to both a council and a health board purely on name recognition, then aren’t in a hurry to leave anytime soon. She should retire and let a new, fresh, and forward thinking person take her seat and actually represent Wellington City. They deserve better.
    • Accepted from WCC Watch feed 156 months ago
    • Tagged as:
    • regional-council
    • fares
    • wellington-city-council
  
  

• • Match Report Rd 7 Swindale – OBU defence wins the day against determined Tawa

    • 6 Aug 2020
    • Old Boys - University Rugby Club
    • <div class="slider slider-nav-circle slider-nav-large slider-nav-light slider-style-normal" data-flickity-options='{ "cellAlign": "center", "imagesLoaded": true, "lazyLoad": 1, "freeScroll": false, "wrapAround": true, "autoPlay": 6000, "pauseAutoPlayOnHover" : true, "prevNextButtons": true, "contain" : true, "adaptiveHeight" : true, "dragThreshold" : 10, "percentPosition": true, "pageDots": true, "rightToLeft": false, "draggable": true, "selectedAttraction": 0.1, "parallax" : 0, "friction": 0.6 }' > Taine Plumtree in the blood bin. Sensational sponsor logo! #image_840778479 { width: 100%; } Fui and Morgan charge it up the field #image_35539783 { width: 100%; } Callum Harkin steps the Tawa centre #image_832130887 { width: 100%; } Dale lines up the shot with Jack Green doing the tee duties, Luke Chisolm returning from injury in the nbackground #image_1739355293 { width: 100%; } Sam Reid slides over for the 5 points after whipping down the sideline #image_419362905 { width: 100%; } #image_1665940115 { width: 100%; } Caleb Delaney with a towering lineout take #image_2048566506 { width: 100%; } Morgan bullocks through the tackles with Fui and Shamus in support. Sam Reid is eyeing up options to the right! #image_632142925 { width: 100%; } #image_11988736 { width: 100%; } OBU 27 Tawa 9 The rugby trip to the suburb of Tawa-hiti is always a torrid affair. This week was no exception. For extra spice, Tawa drew the ire of many in the rugby community by starting the player currently accused of assault in an incident outside the Poneke clubrooms late at night a few weeks ago. From an OBU perspective, the most important points were a solid defence that didn’t leak any tries and no serious injuries. Sam Reid has a minor injury concern but was thumbs up for the Avalon fixture this coming Saturday. Conditions It was an overcast day with with barely a breath of wind. This brought terror to those still petrified from Alfred Hitchcock’s movie, ‘The Birds’ as a tree on the clubrooms side of the field attracted thousands of twittering birds. Who knows if it interfered with the lineout calls. OBU was playing from right to left from the terraces side of the field in the first half. Or if you like back to the road and clubrooms end. Notable Performances Caleb Delaney had one of his best if not the best performances in the jersey. A towering presence in the lineout and involved in everything around the field. Similarly Morgan Poi had the best game I’ve seen him play for OBU proving a really difficult opponent for Tawa to stop. The partnership of Dale Sabbagh and Callum Harkin at first and second five is looking stronger every week both on attack and defence! Ty Poe continues to grow in the centre role. He may not be the size of some of the players he marks, but he proves that they still hit the ground hard if you use good technique. It seems like I repeat myself every week but Shamus was stellar at the back of the scrum, as was Kyle at 9 and Sam Reid playing at fullback this week. How the game unfolded Minute What happened Score 1 Min OBU win the kickoff and set to the right. Finally lost forward in the ensuing ruck. 4 Min OBU scrum on halfway, close side. the ball spins wide but goes in behind the backs. Well picked up and taken into contact. OBU penalised for holdng on. Kick to the corner by Tawa goes out in goal. 6 Mins Scrum to OBU, Shamus takes it down the blindside and recycled 10 m on. Kyle chips it over the top. Tawa gather and bring it back to the close side of the field. Sam Reid makes a good tackle and Shamus turns the ball over and kicks it long. 8 Mins OBU feed to the scrum. The backs take it right for one phase then back to the left. Tawa backs get caught offside. It’s not straightforward but is a kickable penalty. OBU successfully kick to the corner through Dale. The lineout throw is called not straight and scrum is set. OBU penalised for dropping the scrum. 16 Mins OBU penalised for side entry to the ruck. Tawa opt for the shot 38 metres out from the posts and just to the left. Penalty is successful! Tawa 3 OBU 0 18 Mins OBU knock on from the restart! 20 Mins OBU penalised for not releasing the tackled player. This starts a solid period on defence 5 meters out from the goal line. Eventually Tawa spill the ball on about the 6th or 7th pick and go. Somewhere in the middle of that Taine subs off for blood and Josh runs on to take his place (Caleb into lock, Josh on the blindside). Josh Gimblett Replaces Taine Plumtree (blood bin) 25 Mins OBU penalised for player going off their feet at the ruck. It’s about 35 meters out and in front of the posts. Kick at goal is successful. Tawa 6 OBU 0 27 Mins The kickoff goes out on the full. Taine and Josh trade places after Taine is cleaned up. Taine Plumtree replaces Josh Gimblett (blood bin) 33 Mins Tawa lineout on their 22 meter line. They clear the ball down to Sam Reid who runs it back strongly but is taken in a head high for his trouble. OBU elect to go for the shot 40 meters in front. Dale lands it. Tawa 6 OBU 3 39 Mins Tawa penalised for dropping the scrum 5 meters in from the near touch on halfway. OBU kick to the corner to take the lineout 5 meters out. Tawa are penalised for collapsing the ensuing maul. OBU go back to the lineout again. The lineout drive goes again with the backs piling in. The ref has a penalty advantage to OBU. there are several pick and go’s. The penalty is called and a quick tap is taken with a driver at the line. try to Taine. Successfully converted by Dale. OBU take 10-6 lead into the halftime oranges. Tawa 6 OBU 10 ———————————- 44 Mins OBU attacking the Tawa line are penalised for not releasing the tackled player. Someone offers an opinion and we are marched 10 meters. Ouch! Tawa elect to have a shot 45 meters out and to the right of the sticks. Tawa kicker lands a useful kick Tawa 9 OBU 10 46 Mins Tawa center makes a good break and looks to put his wing into space. Not sure if the pass wasn’t up to it or the wing didn’t get to where he needed to be, either way the ball rolls meekly into touch on the close side of the field. 48 Mins Tawa holding on in the tackle. OBU go for the posts about 42 meters out in front and slightly to the left. The discipline monster is back to upset proceedings for Tawa. The kick misses but the ref plays his joker and gives Dale another shot. I think it is due to a Tawa player trying to put Dale off by shouting something. No-one seems to know what the hand signal is for that! Dale makes no mistake on his second attempt. Tawa 9 OBU 13 50 Mins From the 10 meter line in Tawa territory Adam Clarke gets away an impossible pass to Sam Reid who boosts along the far touchline and scores it in the far corner. The referee and his assistant consult for a few seconds before the try is awarded. The difficult conversion is successful. Tawa 9 OBU 20 53 Mins Great kick from Dale down into Tawa corner. Tawa lineout. OBU backs are caught offside. Tawa clears to touch about halfway. An action replay takes Tawa into the 22. Morgan is issued a team warning. Tawa mounts an attack down the sideline and the Tawa fans are ecstatic but Kyle has taken care of the hooker who is in touch before the corner. Kurt Sickler on for Sam Reid (injury) 58 Mins Tawa concede a penalty on the 22 for backs offside. The referee issues another warning to both teams. Josh Gimblett on for Matt Sleith (tactical) Matt has had yet another busy day at the office. This time in the number 7 shirt after a few weeks in the front row. 63 Mins Tawa has a strong scrum which they drive off to the left. The OBU clean-out comes from the side and the ball is cleared out to the touch on halfway. 65 Mins OBU has a strong lineout drive to disrupt Tawa possession. Tawa’s experimental kick pass to the left wing doesn’t pay off as OBU is awarded a penalty possibly for in front of the kicker. Cleared down to 15 Meters out from Tawa line. 66 Mins Another powerful OBU lineout drive at the line with Shamus taking it over to keep his try tally marching on (2nd equal for Wellington premier rugby, 1 ahead of Sam Reid and 2 ahead of Ty Poe and Taine Plumtree!) OBU were under penalty advantage for collapsing again. Conversion successful. Substitutions – Luke Chisholm on for Fui at tighthead prop (tactical) Wirangi Parata on for Kenan Gillson at hooker (tactical) Great to see these two back in action after a few weeks off for injury. Tawa 9 OBU 27 75 Mins Matt Fowler on for Kyle Preston at halfback (tactical) Izzy Foai on for Adam Clarke (tactical). Clarky was on the wing but Izzy is usually a 2nd 5. I didn’t get much time to work out who moved to where but safe to say Izzy’s hard ball running was back on display nearer to the ruck than wing. Great to have him back! Josh  makes a great break from a lineout but the pass in the tackle goes into touch. 78 Mins Long period of OBU attacking the Tawa line. Tawa infringe and seeking the bonus point, OBU takes the lineout in the corner. 81 Mins From there an error leads to a Tawa scrum. they bravely try to run it out to salvage something from the game. Eventually they knock it on from some strong OBU defence. From the scrum OBU are penalised for not rolling away and after a few more phases the game is whistled to completion. All in all a well taken victory. OBU looked in control for most of the match while not ever looking completely dominant. That was probably the strongest scrummaging side of the season so far. We didn’t get the clear advantage we have usually enjoyed. That’s to Tawa’s credit. There were a lot of penalties, but to that we’d have to say there was a lot of infringing! The referee had a very good game I thought. The post Match Report Rd 7 Swindale – OBU defence wins the day against determined Tawa appeared first on OBU Rugby.
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    Tawa, Wellington, New Zealand (OpenStreetMap)
  
  

• • November Update from DCM - Together We Can End Homelessness

    • 29 Nov 2019
    • Downtown Community Ministry
    • 96 November Update from DCM - Together We Can End Homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Support DCM this Christmas Each year, Nota Bene hold a very special Christmas concert at Prefab Hall as a fundraiser for DCM’s work with people who are experiencing homelessness. Those of you who were able to visit our 50th birthday photo exhibition will have seen this image by Wellington photographer Mark Beehre which reflected the loyal support of these talented performers. We encourage you to head down and join us at Prefab for a glass of wine in the sun, some beautiful music and a chance to lift up these kaitautoko of our work. Please get the word out to all your contacts and networks!   Tuesday 3 December, 6-8pm Prefab Hall, 14 Jessie Street No cover charge. Koha for DCM. <!-- --> Reaching out to the most marginalised DCM’s Outreach team helps support Wellington’s most marginalised people. It also gives Wellingtonians a way to make a real difference in the lives of people begging or sleeping rough in the city. It’s the bright blue sleeping bag that catches Natalia Cleland’s eye. The woman is lying on a wooden bench in the winter sun outside the McDonald’s on Manners Street. Her long brown hair falls over the backpack she’s using as a pillow as she tries to sleep, facing the back of the bench. While Rob Sarich stays back, both to not alarm the woman and to remain watchful, Natalia approaches and talks to her. After a few minutes, Natalia returns. "I know her. And I’m really glad to see her because she hasn’t been in for a while and I was starting to get worried. She told me she’s hungry, so I said to come in for a feed and a korero. I’ll also check where she is on the social housing register and see if there’s anything I can do." Natalia and Rob are social workers with DCM. Formerly known as the Downtown Community Ministry, for 50 years DCM has been working to end homelessness in Wellington. Offering a variety of services, one of their main focuses is on supporting their taumai (meaning ‘to settle’, and what DCM calls those who use its services) into sustainable housing and back into life. To ensure people who are experiencing homelessness get the support they need, each week day DCM social workers walk the capital’s streets, usually in pairs, on ‘Outreach’, looking for people who are begging or appear to be sleeping rough. While much of DCM’s work is funded by donors and fundraising, the Wellington City Council pays for DCM’s Outreach team as part of its commitment to ending homelessness and street begging. "Many people experiencing homelessness or street begging find their way here to DCM," says Natalia. "But there are others who we aren’t working with and who aren’t engaging with other services. So we go out to speak with them where they are, and to encourage them to spend some time with us at DCM. "We also get referrals from other social services. Like, the team at the Soup Kitchen might call to say there’s someone new in town and can we come talk to them about how DCM can support them? We take the approach that any door is the right door. We don’t mind how they get to us; we just want them to come in and spend time at DCM. Then we can begin to build a relationship with them, with the aim of getting them off the street and into a whare," says Natalia. Rob and Natalia clearly have great memories for names and faces. At Midland Park, on the lunchtime-busy Lambton Quay, the pair spot a man they’ve seen before. He’s sitting on a bench, his duffle bag tucked beside him. "To most people he looks like someone taking a rest, but we immediately see someone who’s not quite fitting in," says Rob. They both go over and talk; Natalia perches a polite distance away on the bench and Rob sits on a concrete step in front of him. They don’t talk long. "But that’s the longest we’ve managed to talk to him. Usually he doesn’t even let us sit down," says Natalia. "He just says, 'No thank you, no thank you,' and waves us off. But we usually get a bit more information each time." It takes a certain chutzpah to go up to someone sleeping rough and begging to talk about their situation.  But it’s what Natalia, Rob and other members of DCM who go on Outreach do. "We’ll introduce ourselves and say where we’re from, and we’ll invite them down to DCM," says Natalia.  And when they do come down, there’s a lot DCM can offer. They can talk to the physio about their aches from sleeping rough, see a dentist for the toothache that’s giving them constant pain or get something from the food bank. "We look for what’s going to interest them enough to engage, then we can start talking about housing," says Rob.  There is some reciprocity expected. "That might be only that they open up to us a little too, that they give us their real name, or their real date of birth; something that shows some trust in us," says Rob. "What we do is about manaakitanga, which is about hospitality, but also about lifting up people’s mana. So we need to give them the space to show that they can do something too." There’s something the public can do as well, and it’s not about giving money or sandwiches. It’s calling the Wellington City Council if they see someone sleeping rough within the council’s boundaries. The council then calls DCM, who send one of their people out to engage with them, bashing through bush, scrambling up trees or down under bridges if that’s what it takes. "Often it’s people we would never have found on our own," says Natalia. "One time we got a call about a woman sleeping at the Freyberg Beach toilets, and another in the Balaena Bay toilets. We can’t go and knock on all the toilet doors so we wouldn’t have found them without someone calling us." While DCM certainly needs notifications from the public, the best ones come from the taumai themselves, concerned about someone new sleeping rough. "Often they will meet someone at the Night Shelter or somewhere on the streets and they’ll encourage them to come and see us, or they’ll bring them in. We love that. That shows real trust.’" – From the latest One Percent Collective Generosity Journal. Words by Lee-Anne Duncan. Images by Pat Shepherd. We are looking for new kaimahi (staff) to join DCM's Street Outreach Team. If you would love to be part of the amazing work you've just read about, please get in touch with Matt. <!-- --> Giving feels good! One Percent Collective helps to raise money for DCM and 13 other Kiwi-based charities. They’re a tiny crew of two people but they’re making a big difference. Since 2015 their regular givers have contributed $170,000 to DCM. 100% of that money has been passed on to us. One Percent Collective handles all of the admin so the money just shows up in our account – no strings attached. One Percent Collective’s running costs are covered by 50 generous individuals and corporate sponsors but they don’t have big marketing budgets. Between now and March 2020, they’re running a campaign with a target of 200 new givers. That could mean up to $10,000 extra raised per year for DCM! Their campaign celebrates those who give and the good feelings that giving brings. We encourage you to join One Percent Collective. If you already donate to us, please help One Percent Collective inspire generosity in more people by sharing this link via social media. Do good - feel good! Support One Percent Collective and DCM. <!-- --> Buy a gift for DCM We just can’t get by without a reliable freezer here at DCM. We store the wonderful donations of Pandoro products and other frozen goods which we receive from generous Wellingtonians in our foodbank freezers. But our trusty and ageing freezer is beginning to make strange noises, and we really need to replace it in the next few weeks. Can you or someone you know help us with this? A brand new chest freezer will cost us about $1,000.If this is something you'd like to purchase, or contribute toward, please get in touch. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Read More Success Stories Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2019 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • 

    Free Community Event: City Nature Challenge Guided Walk

    • 9 Apr 2023
    • Manawa Karioi Ecological Restoration Project
    • <figure class=" sqs-block-image-figure intrinsic " > The City Nature Challenge Guided Walk - The 3 Southern Reserves.Sunday April 30th, 10.30am - 12.30pmBring sturdy shoes, water and a picnic lunch.The City Nature Challenge is a great chance to help people connect with their backyards, natural environments, parks and reserves. As part of this city-wide event we are hosting a 2-hour walk through 3 of our southern restoration reserves. If you would like to make wildlife observations as part of the City Nature Challenge, please bring your smart phone to take photos. You can sign up on the iNaturalist website and use the iNaturalist app to record any wildlife observations, this is of course optional otherwise you can just enjoy the walk and meet some great people! <figure class=" sqs-block-image-figure intrinsic " > The City Nature Challenge Guided WalkThe 3 Southern Reserves - The Walk Rundown Sunday April 30th, 10.30am The meeting point for the walk is at 10.30am at 46a Derwent street in Island Bay at the entrance of Paekawakawa Reserve. Please be on time so we can set off as a group.The walk will begin at the entrance of Paekawakawa reserve on Derwent Street and head up the valley passing by streams, and through restored native bush in the Paekawakawa reserve.  You will be treated to unique vantages of Tapu te Ranga Island and Raukawa Moana (the Cook Strait).We will then enter the oldest restoration project in Pōneke, Manawa Karioi on Tapu te Ranga Marae land and hike along part of the loop track called Te Ahi Kā with amazing views over Island Bay Valley and back to the city.We will depart Manawa Karioi on the ridge line and enter into Tawatawa reserve, we will past the reservoir on the City to Sea track stopping for a break at the Lizard Garden with views over Hawkins Hill and the Dog Park.We will then head back down the hill and there is a picnic spot at the starting point for those who would like to have a picnic lunch.We are looking forward to meeting you all and sharing our enthusiasm for our Southern reserves. We will have a few spots where we stop to tell you about the 3 reserves. Feel free to bring your dog (and a lead) and any keen children.Please RSVP with names and contact emails to manawakarioisociety@gmail.com so we can keep track of numbers and incase of cancellation due to weather.
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    Te Ahi Ka - Loop Track, Island Bay, Wellington, Wellington City, Wellington, 6023, New Zealand (OpenStreetMap)
  
  
• • 

    Weekly Bulletin: Staying connected as a church - 15 October 2023

    • 12 Oct 2023
    • St John's in the City
    • Kia ora St John’s whānau, This Sunday is CLUBS DAY at St John’s in the City! This is a fun opportunity allowing us all to find out about activities across St John’s, and get more involved! If you want to read the Bible readings before Sunday, they are: Exodus 32:1-14 Matthew 22:1-14 Our young people have their peer group time during the second part of the service, going out after the Sung Blessing. If you can’t gather in the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759 Passcode: worship The link to join the Zoom worship service is below. If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet Printable Service Sheet Link to Zoom Service OTHER THINGS TO KNOW ABOUT… ST JOHN’S ANNUAL REPORT & AGM The Annual Report of St John’s in the City for the year ended June 2023 is available on the St John’s website: https://www.stjohnsinthecity.org.nz/publications-and-archive A limited number of printed copies of the Annual Report will be available closer to the time of the Annual General Meeting, which is after the Sunday morning service on the 29th October 2023 in the church. YOUNG ADULTS GROUP A weekly group for university students and young professionals to meet and study the Bible together, with occasional social events. When: 6:00 – 7:15 pm on Thursdays Where: St John’s Office Contact Hannah North: h.north@stjohnsinthecity.org.nz DUTY ROSTERS It’s time to complete the rosters for Nov-Feb. Please let Linda know your availability for this session. New people, especially bell ringers are most welcome. WELLINGTON HERITAGE WEEK During Wellington’s Heritage week, the church will be open 11am to 5pm. October 23 (Labour Day) October 27 October 28 An exhibition of quilts from the Wellington Quilters’ Guild will be on display in the Church. Volunteers are required to welcome and show visitors around. If you are able to assist, please contact Rob Anderson. https://wellingtonheritagefestival.co.nz/event/st-johns-in-the-city-open-day-and-quilting-display/ CHRISTMAS IN THE COURTYARD We are having Christmas in the Courtyard again this year on Friday 8 December. If you can contribute in any way, please contact Rob Anderson. The grace and peace of our Lord Jesus Christ be with you.
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Weekly Bulletin: Staying connected as a church - 24 December 2023

    • 19 Dec 2023
    • St John's in the City
    • Kia ora St John’s whānau, In this week of Christmas we are celebrating the birth of Christ with three services at St John’s in the City… Sunday 24th December 10am Sunday 24th December 6pm Monday 25th December 10am If you can’t gather in the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759 Passcode: worship The link to join the Zoom worship service is below. If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheets: Printable Service Sheet - Sunday 24th December 10am Printable Service Sheet - Monday 25th December 10am Link to Zoom Service OTHER THINGS TO KNOW ABOUT… CHRISTMAS EVE FAMILY SERVICE A kids-friendly celebration for everyone …and inviting others along. Starts at 6:00pm and will be finished by 6:30pm CWS CHRISTMAS APPEAL We are dedicating our offering of money on Christmas Day (once again) to Christian World Service (CWS) whose annual appeal is working to Share Food This Christmas. The poorest people are already experiencing the challenges of the climate crisis. Our offerings will help small-scale farmers learn how to grow food and improve their livelihoods in these very challenging times. With the help of our local partners, they will be able to prepare for the more intense natural disasters that come with climate change. There will be special envelopes provided during the Christmas Day service to make a donation; you can put your details on the envelope to receive a receipt from CWS. OFFICE CLOSURE The St John’s Office will close over the holidays starting midday Wednesday 20th December 2023 and reopening the morning of Tuesday 23rd January 2024. During this time there will not be weekly emails, so please check the St John’s Facebook page for any current updates/alerts. The usual Zoom link for joining the services online will continue. NEW YEAR LUNCH Come and celebrate the start of a new year on Sunday 7th January 2024. After the morning service, we would love you to join us for a special New Year Lunch in the St John’s Centre. KOHA : $5 Fellowship, Fun, Delicious Food …...and Ice cream! Hosted by the Building Community Vision Team YOUTH & FAMILIES PASTOR SECONDMENT Next year Hannah North is expanding our ministry to young people by making connections directly with school students. One of our goals for our St John’s ministry with young people is: Build numbers of youth and children attending and being reached by our programmes. To build relational connections with school students and encourage non-churched young people to join in what we do at St John’s, next year Hannah will be at Scots College 10 hours a week working with the Chaplain Rev David Jackson. This secondment is just for 2024, while the Assistant Chaplain Rebecca Wilcox is on 12 months parental leave. Working within a community of over a thousand young people is an expansion of the St John’s youth ministry, and we will find ways for Hannah’s ongoing ministry to be further supported by others. Are you (or someone you know) interested in working part-time with our Youth & Families ministry team? Let us know if you want to know more about this. GIVING ISN’T JUST SOMETHING WE DO AT CHRISTMAS To keep all we do going strong we have budgeted for an overall increase in congregational giving of 10% for the coming year, and asked to discern God’s guidance for our personal/household giving. Giving by regular bank transfer expresses an ongoing commitment to be part of our mission and ministry, and details for setting that up are available on the ‘Donations’ page of the website: https://www.stjohnsinthecity.org.nz/donate If you are already giving regularly, you may want to decide if your giving can change to reflect our goal. We know it is hard times for many, so if you are already giving what you are able, please know it is deeply appreciated. If you are away at Christmas, may God give you safe travels and we look forward to seeing you next year. Wherever we are at Christmas, may our hearts be open to the coming of Christ. Allister
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Hataitai Past 2021 Calendar

    • 29 Oct 2020
    • Hataitai Community Website
    • <figure data-test="image-block-v2-outer-wrapper" class=" sqs-block-image-figure image-block-outer-wrapper image-block-v2 design-layout-poster combination-animation-none individual-animation-none individual-text-animation-none image-position-left " data-scrolled > On Sunday 18 October, we launched our Hataitai Past 2021 Calendar. What a journey it has been! The process of creating the calendar started in March during Covid-19 Lockdown - not that we were bored! The idea came about as we felt that fundraising events were not going to happen for quite some time.  Quotes and samples from national printers were sourced, then onto the mammoth task of selecting photographs by committee approval.  So many great photos to choose from. We spent hours pouring over wonderful pieces of our community’s history. What a business!  We decided that our very own local Smith Print was the best designer and printer to use for the job.  What an amazing product they’ve delivered for us. The Wellington Libraries Recollect collection, and the Alexander Turnbull Library had wonderful photographs available - some at a small fee. Their librarians were very helpful. As was Russell Jenkins of the Wellington Tramway Museum.  What a wonderful Tram photograph they sourced for our cover page..  As Hataitai has a unique heritage, we have ensured that photos were included of the old Patent Slip, the Tram Tunnel and the Flying Boat, as well as a variety of others. You may not have known that there was a commercial Flying Boat service operating in Evans Bay from 1938 to 1954, where passengers boarded a small passenger terminal near Hataitai’s current changing rooms and flew to Sydney. The proceeds are going towards the Hataitai Community House. As with many small and nonprofit businesses, our income has been greatly impacted by Covid 19. If we achieve high sales we hope to also support the redevelopment of the Hataitai Centre (previously known as the Bowling Club).  The calendar is sponsored by many local businesses and for that we are very grateful. We could not have done it without you. We are now thrilled to be able to launch this wonderful calendar. Buy one for yourself or as a Christmas present for your friends and family, only $20 each, or 3 for $50. It fits into an A4 envelope for easy postage. Check out NZ Post for Christmas sending cut-off dates.    Ways to purchase;  Buy online now Email hataitaievents@gmail.com to order and arrange payment by internet banking Pop into one of our stockists - Hataitai Pharmacy, Coolsville, Waitoa Social Club or the Hataitai Community House, at 112 Waipapa Road.  We can arrange free delivery within Hataitai or postage at your cost.  We will also be selling the calendar at our up and coming community markets.  Keep an eye on our Latest News for details. To view a sample of the calendar click here
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    Hataitai, Wellington, New Zealand (OpenStreetMap)
  
  

• • Masters Registrations open for 2020

    • 11 Feb 2020
    • Island Bay United AFC
    • <figure class=" sqs-block-image-figure intrinsic " > Masters football registration is now open! Inviting existing and new masters players to join the fastest growing area of Island Bay United! Costs are $285 per player for the season, and we have 5 confirmed teams, ranging from Masters 2 to Masters 5. Each team has a minimum squad of 16 players, although most will carry a few more to allow for injuries and player unavailability. Many existing players are local fathers of our junior members or long time friends of the club. Teams also range from competitive to social, but all teams have a great culture and want to go out and have some fun on the pitch on a Saturday afternoon. New players are welcome as we are trying to build a new team this year, so feel free to contact our Masters Coordinator Rod Lawson. You may have played in the past, have been wanting to give football a go or just wanting to get back into doing something active on the weekends. Let us know a little about yourself and what you are wanting out of Masters football when you contact Rod. Sill not sure, come down for one of the social training runs on a Wednesday night or Sunday morning to have a kick and make a call from there! if you are a returning player, please register online at MyComet and you will be allocated to your team separately.
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    Island Bay, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)
  
  

• • NEWSFLASH: Hilbron Returns!!!

    • 18 Jan 2020
    • Island Bay United AFC
    • <figure data-test="image-block-v2-outer-wrapper" class=" sqs-block-image-figure image-block-outer-wrapper image-block-v2 design-layout-poster combination-animation-none individual-animation-none individual-text-animation-none image-position-left " data-scrolled > Goal machine Caleb Hilbron is returning to IBU in 2020 to help in the 1st team's redemption season! Coach James Prosser assesses the situation... "Another massive player commitment that I'm extremely excited to have secured and proud to have back at the club. Caleb is an individual of strong moral character and personality who encompasses what the IBU club culture and ethos is all about. In addition to these positive characteristics, the Big Man is a force on the pitch. We expect Caleb to bring endless amounts of energy, passion and hopefully bunches of goals to help us reach our 1st team aspirations for the season. Welcome back Caleb, we are stoked to have you home!!”  #sharkattack 😎⚽ #enjoytheprocess Caleb adds "I'm excited to be back apart of the IBU club family at the beginning of a long-term project and I desire to perform to the best of my abilities in all capacities required of me.I'm looking forward to being around this great club and patrons such as Mike [Gaeta], John Barton and Paul Muollo who have left big impressions upon me as a player and person, as well as with James Prosser, who has made the decision to come back an easy one."  #goalsgalore #followtheprosseress
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• • 

    2024!!

    • 11 Jan 2024
    • Slow Boat Records
    • Bloody hell, it's another year, already!! Welcome to it, everyone, and let us start by offering our sincerest thanks to you all for helping make it a busy and memorable one for us all here at The Boat - so many people must have gotten vinyl, and CDs, and vouchers, and tee shirts, and posters and all manner of Slow Boat goodies for Christmas, and that means more people listening to and loving music, and that can only be a good thing, right?! Thanks, also, for your patience in bearing with us with reduced hours and staff in the Xmas/ New Year period - all pretty much back to normal now (just as the Summer really arrives - typical, huh?!) ANYWAY - enjoying meeting folks from around the motu, and indeed around the globe, and helping people find the music they connect with - redeeming those vouchers seems like a swell time to me...! So - all the very best to you, your friends and whanau for 2024, looking forward to continuing to serve you up the platters that matter (have just topped up a HEAP of new vinyl that we sold out of over Xmas!), and to bringing the joy - a few things in the pipeline (not least of which being Record Store Day '24!), will let you know when plans firm up... Take care of yerselves - eat yer greens, keep cool, stay sun smart, and don't leave yer vinyl in the sun!! Peace and love, The Slow Boat Crew XX
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    Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)
  
  
• • 

    The artist as many other things first

    • 16 Feb 2023
    • Urban Dream Brokerage
    • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
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