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• • 

    Weekly Bulletin: Staying connected as a church - 9 October 2022

    • 5 Oct 2022
    • St John's in the City
    • Kia ora St John’s whānau, This Sunday we have 10,000 reasons for our hearts to sing, as we pray for those who live in our city! <figure class=" sqs-block-image-figure intrinsic " > It is the middle weekend of the school holidays, and so we will stay together for the whole worship time, celebrating Communion together too. If you can’t gather in the city, and you want to join the worship service via Zoom, here are the details to access the live-stream: Zoom Meeting ID: 370 260 759Passcode: worship The link to join the Zoom worship service is below. https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09   If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet  <a href="https://www.dropbox.com/s/ws84o51zzseszij/9%20October%202022%20Order%20of%20Service.pdf?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet <a href="https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Link to Zoom Service   OTHER THINGS TO KNOW ABOUT... RAISING THE STANDARD OF GIVING We are invited to reflect on how our giving is an important part of living out our faith. ‘Raising our standard of giving’ – describes the thoughtful re-examination of our giving as an important expression for our faith. Together we are thinking about our values, re-examining our giving habits accordingly, making carefully thought-out decisions, and re-arranging our priorities in using money to enable us to carry out these decisions. We give meaningfully, not because the Church needs it (it does, of course) but because as Christians we need to give for our own sake spiritually.More information will be provided in the coming weeks to help us re-examine our giving. <figure class=" sqs-block-image-figure intrinsic " >   ANNUAL REPORT AND AGM The Annual Report of St John’s in the City for the year ended June 2022 is available on the St John’s website: https://www.stjohnsinthecity.org.nz/publications-and-archiveI know you will enjoy the collection of stories and experiences shared in the various contributions. The Annual Performance Report (financial) is included there also.Printed copies of the Annual Report will be available closer to the time of the Annual General Meeting, which is after the Sunday morning service on the 30th October 2022 in the St John’s Centre.   FELLOWSHIP GROUP Our next speaker will be Ken Edgecombe, who will share with us memories of his time as Chaplain at St Margaret College, the school that St John’s in the City built!We will meet on Tuesday 25th October 2022 at 11am in the hall. Please bring finger food for lunch.   NAME TAGS As we turn our Vision into action, one very easy and practical way we can build community is to wear a name tag.Please keep your name tag on when you come over for Morning Tea in the Centre, and there will be a receptacle to drop your name tag into before you leave.   ONE CONFERENCE This leadership training conference for the Presbyterian Church is being hosted at St John’s in November (2pm 17th of November - 2:30pm Saturday the 19th of November).We will have many folks travelling from out of town and many have asked if there is any possibility of being billeted. Would you like to consider billeting out-of-town attendees to the conference?Conference attendees will have all meals provided at the conference except breakfast. If you can offer billeting please fill in this form One Conference Billet Host Form or email grace@presbyterian.org.nz <figure class=" sqs-block-image-figure intrinsic " >   NEW WINE FESTIVAL At this all age festival many voices worship the One. 19th-23rd January 2023 (Wellington Anniversary Weekend) at Wairarapa College in Masterton.For more details and to register to go (along with others from St John’s): https://newwine.org.nz/   VOICES IN THE WIND CONCERT “Treasures from American Composers” is a concert happening twice: 7.30pm Friday 14 October at St Barnabas Mana, and 3pm Sunday 16 October at Khandallah Town Hall.Tickets $20, $15 unwaged. See Linda Van Milligan 027 2889210 for tickets.   The grace and peace of our Lord Jesus Christ be with you.Allister
    • Accepted from News - St John's in the City Presbyterian Church 42 months ago by feedreader
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    RE-BLOG KEITH JOHNSON: CentrePort Proposals to Scour Wellington Berths and Dredge Wellington Harbour Mouth need proper Multi-Criteria Appraisal

    • 17 May 2016
    • Guardians of the Bays
    • JUST BIGGER IS BETTER AS FAR AS TRAFFIC IS CONCERNED? By Keith Johnson While road transport increasingly grinds to a halt in Wellington and road rage is becoming common, partly consequent on Wellington City Council’s dog-in-the-manger approach to investment in roads, the Bigger is Better philosophy is receiving ringing endorsement from local authorities with respect to the aviation and maritime shipping industries. Much has been published on this website about Wellington International Airport’s Runway Extension Project – including an article by Dr Sea Rotmann which draws attention to the massive contribution of air travel worldwide to CO2 emissions. Maritime transport is also a major emitter. In this respect, Wellington Regional Council should be insisting upon a proper Multi-Criteria Assessment of the proposed dredging of Wellington Harbour by CentrePort. http://www.stuff.co.nz/business/industries/79692673/CentrePort-reveals-details-of-plans-to-dredge-7km-channel-in-Wellington-Harbour A Multi-Criteria Assessment would cover all dimensions of a major public investment: Cost-Benefit Analysis [including the Business Case] Economic Impacts Environmental and Safety Impacts Social and Distributional Impacts With the whole to be concluded with an over-arching summary of redlines and trade-offs. Looking at the current situation, the parallels between the CentrePort proposal and the Runway Extension Project are very interesting: Doubts about financial viability Optimistic multiplier-based ‘economic’ rather than business case justification Concern over who will eventually pay [ferry customers, GWC ratepayers] etc. Environmental concerns The one glaring difference is that Wellington ratepayers are not being asked to pay directly in the case of the Port. SOME ISSUES ON THE PORT PROPOSAL THAT NEED PROPER APPRAISAL Viability of Log Traffic growth as a major driver [with its associated road transport issues] http://maritimealumni.ac.nz/alumni/whats-the-latest/ The silt is potentially toxic: http://www.sandandgravel.com/news/article.asp?v1=4444 The cost could be anywhere between $20 million and $40 million: http://www.radionz.co.nz/news/regional/265225/dredging-plan-for-wellington-port The proposal could have adverse effects on recreational and commercial fishing, the recreational use of Wellington Harbour and artesian water pressure and purity in Eastbourne: http://wellington.scoop.co.nz/?p=76457 Wellingtonians will pay through their rate contributions to the Greater Wellington Council and possibly also through higher ferry fares to and from the South Island: http://www.stuff.co.nz/business/79886817/harbour-dredge-could-push-up-cook-strait-ferry-prices-shipping-federation Any possible relationship between the dumping of silt and its migration towards the unstable deep sea submarine canyons in Cook Strait seems unconsidered: http://www.nzherald.co.nz/nz/news/article.cfm Plus a couple of challenges on ‘shifting sands’ by ‘Old Saltie’ Jim Mikoz: Dredging, dumping, and the moving river of shingle and Why Centreport’s dumping sites are in the wrong places CentrePort’s Channel Deepening Project http://www.centreportbigpicture.co.nz/project-overview CentrePort is applying for consents to deepen the harbour to allow for ships with draughts of up to 14.5metres at the harbour entrance and the Thorndon Container Wharf. These consents would provide CentrePort the flexibility to dredge in one stage or a series of stages, allowing the port to deepen the channel only as required, in response to the size of ships actually visiting New Zealand. An extensive optimisation exercise was undertaken to identify the most cost effective design delivering the least amount of dredging for the best operational outcome. As Wellington is a naturally deep harbour, no deepening is required in the main harbour basin and the overall volume proposed to be removed is less than at other ports to achieve the same outcomes. At the harbour entrance consents are being sought that would allow the port to remove up to 6.0 million cubic metres of seabed sediment. The proposed disposal site is off Fitzroy Bay, in water approximately 50 metres deep.  This site is a refinement of the existing consented disposal area. The main container berth and northern approach at Thorndon Container Wharf would also be deepened, with placement of that material, up to 270,000 cubic metres, in deeper water near the berth. Alternatives for disposal have, and will continue to be considered [hopefully].
    • Accepted from Guardians of the Bays posts 119 months ago
    • Tagged as:
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    Thorndon, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap-Up (Term 1 – Week 7)

    • 15 Mar 2019
    • Wellington High School
    • Important Dates NOTE: You can access the school calendar on our website: WHS School Calendar 26 March: FRIDAY timetable runs today 29 March: Learning Conversations all day (with rōpū teachers) 12 April: End of Term 1 Important Information Learning Conversations — 29 March 2019 The Learning Conversation takes place between your student, the student’s rōpū teacher and parent(s) / caregiver(s).  Each learning conversation will take 20 minutes at the most. Students will only be at school on Friday 29 March for their learning conversation. Emails have been sent home. Bookings for learning conversations can be made at https://www.schoolinterviews.co.nz/ using code xktku NCEA Internal Assessment calendars online Students and their families can access the NCEA Levels 1—3 assessment calendars via our website.  On the calendars, you can see all the assessment deadline for the year. Go to Students > Calendars and choose the one that applies to you. You can add the appropriate calendar to your own via the Google button at the bottom left.         Measles Outbreak — Advice to schools As you are likely aware, there is a large and ongoing outbreak of measles in Christchurch, with 26 cases as at 14 March. Auckland and Dunedin now also have measles cases. While there are currently no reported cases in the greater Wellington region, people will move around NZ during the school holiday period of 13 – 28 April, which includes Easter (19 April –22 April), and ANZAC Day (25 April), and it is likely measles will spread. Accordingly, attached is an information sheet and FAQs regarding measles for primary, intermediate and secondary schools.  Regional Public Health – www.rph.org.nz Ministry of Health – www.health.govt.nz Immunisation Advisory Centre – www.immune.org.nz What’s happening? Focus on Climate Change At the time of writing, a large number of our students are in town for the Climate Change Strike, part of a global movement of youth protest.  In the build up to this, Wellington High’s Molly Doyle in Year 13, took part in a panel with Prime Minister Jacinda Ardern, the Green Party’s James Shaw, and student leaders from other schools. You can read more about the event here.             World Vision Youth Conference Stop Press: While many of our students have been out at the Strike4Climate this morning, four students have been representing WHS at the World Vision Youth Conference. Abishkar Palma, Emily Brooke, Liberty McIntyre-Reet, and Jack Davies have been learning and sharing their ideas and vision of how they can be change makers in our community.           Talking Books with Jacinda Ardern Johanna Christ, Alex Buyck, Otis Brown and Em Flux attended a fundraiser for the Katherine Mansfield House and Garden on the evening of Wednesday 13 March to hear Jacinda Ardern talk about her love of books. The Prime Minister shared advice for teenagers, “Know yourself. Know when you are feeling fragile and get off social media. Don’t live life on a screen.” She also talked about the importance of reading saying, “In order to give children the gift of reading, we need to give parents and caregivers the gift of time.” The students came away feeling very lucky to have had the opportunity to attend the event.       Farewell to Chrissy Laing We reluctantly said goodbye to Chrissy Laing on Thursday 14 March after four and a half years of outstanding service as our Gateway coordinator. Chrissy brought enormous positive energy to this important role and she will be greatly missed. Chrissy is embarking on a new journey much closer to home and we wish her well in her new role.       French Club trip to view a French Film Festival  On Thursday members of the French film club, joined with other French students in Wellington to view the view Au Bout des Doigts.       Tongariro Crossing On Monday the GEO223 and ESS223 classes left for the long bus ride up to Tongariro. We journeyed up to the mountains and on Tuesday did the long 19.4km Tongariro Crossing. The 22 students and 3 staff made it over in just under 8 hours, some more adventurous students choosing to run the final 3km downhill. Everyone did a great job an had a great time, and the warm hot pools straight afterward were welcomed by us all. The weather was fantastic – a number of us were sporting pink noses by the afternoon. Thank you to Kerry Parker and Kyle West who accompanied and made it possible to do the Crossing for the first time in many years. Drama Camp Last week Year 13 Drama went on camp to Riversdale in the Wairarapa. The purpose of the camp was to have an extended rehearsal period for two upcoming performance assessments. While they were away students worked on their acting technique for an assessment which finished yesterday, and started drafting self-devised character-based solos for presentation in week 11 (9-11 April).       JustSpeak lunchtime lecture The lunchtime lecture on Friday 8 March was delivered by Tania Sawiki Mead.  Tania is the Director of JustSpeak: a movement of young people who are speaking up and speaking out about criminal justice, aspiring for a thriving Aotearoa. JustSpeak develops  youth-led tools, resources, spaces and support to facilitate public conversation on criminal justice informed by evidence and experience. Thank you to the Library for hosting another fascinating talk, and to Kathryn Hutchinson  for organizing the lecture and visit.       Achievements Talented footballer and former WHS student featured in Sunday Star Times The Sunday Star Times on 10 March featured the story of former WHS student, Athman Othman. Athman is remembered by many of his teachers for his sporting talent and we were glad to read of his success on the field playing for Tasman United. Read the full article here. NZYPT – New Zealand Young Physicists’ Tournament take silver On the 9th March, two teams of WHS physicists competed in the Wellington regional heat of the 14th New Zealand Young Physicists’ Tournament (NZYPT). Held at Victoria University, the teams took part in science fights defending their research into seven pre-determined problems, and challenging that of their opponents. The team of Millie Rea, Sophie Mance and Khalid Adam are to be congratulated for finishing second. They will head to Auckland next weekend to take part in the national finals.       Sport Futsal We have had another busy week sport wise.  On Wednesday 13 March we had a Junior Boys and Senior Boys team compete in the College Sport Wellington Futsal Competition held at the ASB Sport Centre in Kilbirnie.  The teams had a great day with some very close results. Big thanks goes to Mr Junca for coaching the boys. Junior vs St Patrick Town, 6-3 lost vs Hutt International, 4-2 lost (draw until last 3 minutes!) vs Hutt Valley High, 8-3 win vs Scots College, 4 all draw (excellent game!!!) vs Tawa College, 6-1 win Senior: vs Wellington College, 7 nil lost vs Aotea College, 2 all draw vs Hutt International, 7-3 lost vs St Patrick Town, 3-2 win vs Onslow College, 3 nil lost Regional Athletics On Thursday 14 March a team of six from Wellington High School competed in the College Sport Wellington Regional Athletics meet at Newtown Park. Competing were: Fynn Hutson Senior Boys High Jump Thomas Woodward Senior Boys 100m and 200m Liberty McIntyre-Reet Senior Girls 800m Tiopira Mulholland Intermediate Boys High Jump Ari Koed-Chang Intermediate Boys Long Jump Frankie Coup Junior Girls Javelin All athletes participated extremely well.  Thomas reached the final of Senior Boys 100m and Frankie  won the Junior Girls Javelin with a throw of 24.97m (which beats our school record). Netball Reminder: Junior and Senior Netball Trials take place on Saturday 16 March (tomorrow) and Saturday 23 March here at school in the Tindall Gym. Juniors 9.00-11.30am Seniors 1.00-3.30pm Players must bring the correct shoes and a drink bottle.  If you cannot make both trial dates please let Ms McIntyre (Sports Office) know. Football Trials for all Junior Boys wishing to compete in the Junior Boys Football team take place on Tuesday 19 March from 3.30-5.00pm. Players must bring their football boots and correct clothing for the trials.  Also on Tuesday 19th March, trials for Senior students (Year 11-13) wanting to compete in the 2nd and 3rd XI Football teams, should meet at Wakefield Park, Adelaide Road, Berhampore, from 3.45-5.00pm. They will need their football boots and correct clothing for the trials.  Upcoming Sporting Events Summer Tournament week is quickly approaching!  From 25-31 March, we have the following teams away competing in the NZ Secondary Schools National Sporting Events. Floorball – ASB Sports Centre 30-31 March Ultimate Frisbee – Owen Delaney Park in Taupo 25-26 March Wake Ama –  Lake Tikitapu (Blue Lakes) Rotorua 25-29 March Futsal (Senior and Junior Boys only)- ASB Sports Centre 27-29 March Mountain Biking – Waiu Trail Park, Wainuiomata 30-31 March Sports Exchange For the 2nd year running we have our Sports Exchange with Newlands College.  This year Wellington High School are hosting the exchange and we are looking forward to yet another great battle on the sports field.  The following team will be competing: Badminton – Boys and Girls Basketball – Boys and Girls Hockey – Boys Football – Boys and Girls Netball – Girls  
    • Accepted from WHS news 83 months ago by feedreader
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    • wairarapa
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    • basketball
    • libraries
    • wainuiomata

    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Characterful medium density housing!

    • 16 Aug 2021
    • Talk Wellington
    • Who else is having conversations where someone goes “ooh but it’s all leaky soulless apartments, we don’t want that”? Here’s a feast for your eyes and balm for your worried soul Welcome to Talk Wellington’s random collection of neat medium-density examples to cheer you up, to show your friends, to tell the council you want … and to inspire density skeptics (presuming they’re in good faith, not just being awful). (Images’ links are in the image, caption or the text – click for more.) Enjoy! Characterful, “old”… medium density Montréal has a LOT of medium density residential neighbourhoods. They’re super liveable and beloved, and they are home to numbers of people that would sort out many of Wellington’s classic woes. Here’s some pretty historic-y medium density which has actual awesome neighbourhood vitality and character by the bucketload, for everyone. Medium density can be… no more than two storeys, with lots of mixed use and features like shop-top housing! No offence, Mt Vic / Khandallah / Thorndon / Woburn, but your neighbourhoods can’t hold a candle to the Castro for real liveable character, not just visual character. So leafy! Apartments you rent short-term: this is the Garden Wing of Singapore’s Shangri-La Hotel. It was built in the 1970s! Lush az. This is all open air How ’bout indigenous character! The stunning medium-density Utukoia replaces two detached homes on traditional quarter-acre sections with 14 new terrace homes (53 bedrooms total), communal facilities and a range of private, shared and public spaces. Phwoar. Check out the Auckland Māori Design Hub for more delicious stuff There are some smart folks stimulating Māori design and innovation at the Āpōpō accelerator right here in Te Whanganui-a-Tara, run by the Indigenous Design and Innovation Aotearoa / IDIA team. How about some modern character? Check out the beautiful high density of the Urban Habitat Collective, coming soon right in Newtown: Or the beautiful CoHaus (read their amazing story here) Even ol’ Kiwibuild is finally doing lovely stuff in Onehunga: How about the spaces in between the housing? Density done well brings your laneways to life as a part of people’s backyards, as in Queensland… Go large We really need comprehensive, multi-block developments to sort out whole areas of our cities. You can do ’em on something that’s underused space like… a golf course? Or even as a regeneration of… ooh, maybe a large area of detached housing, hello Kāinga Ora. So check out this thread on Vancouver’s Regent Park development. Hello #densitydonewell: a big uplift in density is helping fund all sorts of fantastic public amenities for the residents of the varied and accessible apartments: green space, schools, lovely public realm, community gardens, people-friendly street grid… That fourfold increase in density has helped to pay for generous public realm and community facilities including parks, athletic grounds, and an amazing aquatic centre #torontotweets #densitydonewell #citiesforall pic.twitter.com/cCy2dYq6V5 — Stuart (@HoughtonSd) September 11, 2018 Be still, our beating hearts…. And finally… DensityNOTdonewell While we tend to agree with Bernard Hickey that the battle over densifying suburbs is the battle of our generation, there’s plenty of reasonable property-owning folks who are genuinely, good-faith worried. They’re worried that crappy, ugly things will be built – and are vulnerable to being scaremongered by wild claims about housing values (hat tip Property Investors Federation). And let’s be honest: NZ has strong historical form in doing medium density badly – especially badly in construction, which means bad financially for those who bought in them. The cars seem to have the best of this bargain… And bad design is far from history: there’s still plenty of crap designs out there, thanks to our unfamiliarity with good-quality medium density. Here’s one example of rubbish medium density that appears to deny its residents most of the benefits of density done well like access to green space and social connection. So let’s also be clear: nobody wants crap design or construction, and we absolutely don’t have to accept it “because housing crisis”. So let’s get more and more people on the bandwagon for good medium density, #densitydonewell! What other examples of great (or grotty) medium density do you know? How do they make you feel and why?
    • Accepted from Talk Wellington posts 55 months ago by feedreader
    • Tagged as:
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    • newtown
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    Thorndon, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap Up (Week 6, Term 1)

    • 6 Mar 2020
    • Wellington High School
    • Important Dates Monday 9 March: Board of Trustees meeting 6pm Friday 27 March: Learning Conversations Monday 6 April: Board of Trustees meeting 6pm Wednesday 8 April: Term ends Important Information Principal’s message and community consultation for property planning  his mid-term Principal’s message, Dominic talks of the school’s roll growth, the Education Growth Plan for Wellington Central, and the opportunity to be involved in the first stages of consultation as we work with master planners to develop our facilities and site. To read the Principal’s message, click here. One of the first steps in planning for our future is to consult the school community to talk about aspirations and vision for a future school. The first consultation sessions are on Tuesday 17 March and Wednesday 18 March and will involve groups of students, whānau and staff. To sign up to be involved in the future planning consultation meetings on 17 and 18 March, click here. Student safety The Police have advised us of incidents in the Webb Street area where members of the public have been threatened. If your student walks through this area, please advise them to be safe and walk with friends where possible. Metlink bus service information You may be aware that a number of Metlink bus services start at or near WHS. To see the full list of services for Term 1, 2020, click here. What’s happening? Dragonboating This weekend our staff and student teams will be out on the water. If you are in the city at the following times, head down to the waterfront to support them. Staff teams will be on the water on Saturday 7 March at 10.00am, 10.40am, 12.20am, 1.50pm and 3.50pm. On Sunday 8 March, it is our students’ term. Their races will take place at 10.20am, 11.00am, 11.50am with the time for the finals to be confirmed. Drama Camp 2020  Year 13 Drama students travelled to Featherston this week for a three day rehearsal intensive. Isolated from distraction we took the scripted word and forged this into physical action. Hard work, focus and commitment by the students means we are now looking good for opening night on Monday 23rd March.  While Wairarapa sunshine demanded intervals of bush walks and river swims we still ploughed through an extraordinary amount of material.  We look forward to sharing with you the fruits of our labour as follows: Every Brilliant Thing by Duncan MacMillan Monday 23rd – Wednesday 25th March, 4pm and 6pm on the Riley Hall stage Girls Like That by Evan Placey Tuesday 31st March at 6pm, Wednesday 1st March at 4pm and 7pm Year 12 visit City Gallery Photography students had a treat this week listening to Shaun Waugh talk about his passion and inspiration for creating his work . Students were then taken through a workshop on developing their own cyanotype based on cubism. The students really enjoyed the opportunity to meet an artist and get involved in a hands on workshop.  Te Papa workshop Te Papa  has developed some new provocations to get audiences and in particular young adults thinking about art in the galleries in new ways. Te papa has invited a group of WHS students to trial these ideas. Last Monday,the students went into the galleries trying out and giving feedback on the provocations,  and what worked for them. The students feedback will definitely feed into what Te Papa is planning to produce in coming exhibitions. Thanks to Samson Bodkin, Eve Ashby, Dillon Parker and Molly Henry who took part in this workshop. He Kākano supported by Year 11 PE The He Kākano students were supported by a YR11 PE class during their mainstream in practice-integrated, interactive adapted involvement with peers session in the gym this week.       Careers Gateway opportunity with Chorus Telecommunications The Chorus Gateway program is run one day per week over eight weeks and is made up of two unit standards totaling 21 credits at Levels 2 and 3. The course is run by iskills, a Category One NZQA private training establishment that offers the only telecommunications technician apprenticeship in New Zealand. This course will include classroom-based learning, hands-on network lab activities, and in-field observation. Students may be introduced to industry contacts regarding employment and recruiting opportunities following successful completion of the course. They are looking for students who: Show an interest in the future of technology Enjoy learning about modern tech devices such as mobile, tablet, and device applications  Have a natural curiosity of how technologies work  Are innovative and enjoy new challenges Work well with teams  This Gateway placement is by application, applications close Friday 13 March, to apply please email paula.willis@whs.school.nz and complete a Gateway Expression of Interest form available from Student Services or on the school website, the form must be signed by a parent or caregiver. Successful applicants would start in Term 2, 2020. For more information on the Chorus Gateway programme visit https://www.iskills.co.nz/gateway/
    • Accepted from WHS news 73 months ago by feedreader
    • Tagged as:
    • wairarapa
    • waterfront
    • consultation
    • te-papa

    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Urban Dream Brokerage to close in Wellington with a call to support artists developing work independently in the city

    • 5 Jun 2018
    • Urban Dream Brokerage
    • <figure class=" sqs-block-image-figure intrinsic " > Brides, Barbarian Productions, Bowen House, 2013 A letter to our city, our artists, our property owners, our supporters.   We have loved changing Wellington City’s dynamic through Letting Space’s Urban Dream Brokerage service - with thanks to some remarkable creative people, property owners and the funding of the Wellington City Council and Wellington Community Trust. Over the past five and half years, Urban Dream Brokerage in Wellington has placed over 300 creators and artists in 45 spaces with 61 projects. Images and details of these can be found here, including three new, current projects. Some have been short, others have lasted much longer – the amazing group Coliberate have just finished 18 months running  a mental health gym in Featherston Street, for example. On 30th June we come to the end of a three-year contract with Wellington City Council for the delivery of the service. Letting Space has made the decision not to renew this contract. Rather we will do new work under the auspices of our trust, the Wellington Independent Arts Trust.  We all continue to look for ways to make Wellington a diverse and people-oriented place. In terms of the brokerage, property owners will tell you they are facing unprecedented issues with earthquake strengthening plus a far higher demand for retail spaces in the city than when we began, during a recession. It has got harder and harder for us to find spare spaces in a popular little city. It remains key work to provide infrastructure for independent artists. This is our challenge to council, to organisations, to all: if you wish Wellington to remain creative you need to prioritise directly supporting the city's most dynamic artists, through funds or resources such as space. It is in their hands, not established organisations or events, that the future lies. This needs new and different energies right now. We also need to celebrate and thank our city. The UDB projects have seen artists and other creatives consistently and uniquely challenge the expectation of the city’s offerings. They have helped us recognise that our city needs to provide diverse living spaces for all, where many people feel included and new ideas can take shape. Where artists and other creatives have the space to grow new enterprises and ways of working, developing their own interaction with the city. This has led to us working in Dunedin - where a programme now thrives, and programmes in Porirua and Masterton, as well as providing inspiration and advice to other cities nationwide and overseas. We’ve helped along the way with the development of proposals with many groups and in this last year have offered a monthly lunchtime gathering and podcast and, currently, a mentoring programme. We’ve loved working with artists and makers, helping them see their ideas to fruition. Many have gone on to develop stronger practices and businesses as part of the city. We continue to believe this kind of work is vital and special to Wellington’s identity. A place where artists feel they can be part of the city’s fabric. It’s something that helped the notion of being a ‘creative capital’. We’re thrilled to see artist run spaces like Te Haukāinga, meanwhile and play_station join others in the CBD in the last two years – artists are stepping up and taking on property.  Others also need to lead and some are looking for space. In May 2017 we conducted focus groups and surveyed of artists with experience in working in unconventional spaces about what they really need to stay active and sustained in Wellington.  A report on this can be found here. We think it’s time to heed the lead of authorities like Dunedin City Council currently and work actively to see how artists can be more embedded in infrastructure. Artists need more than event presentation space and promotion - they need space for development, where they can collaborate and be more part of the city. They suffer from a lack of the working spaces and connections that other creatives are gaining from co-share working spaces. Artists need to be funded to be artists - to develop, think and contribute to Wellington’s public, private and government institutions. It’s about artists working to be more embedded dynamic activators of the city. And it’s about recognising artists’ time and need for development potential, rather than seeing them as temporary pop-ups, or as free agents of lightweight cool projects. It's about seeing them as contributors to our city’s development. We hope Urban Dream Brokerage has helped challenge what exchange means for Wellington’s CBD - non-commercial activity as a vital part of the urban infrastructure. Projects like Moodbank, People’s Cinema, Co-Liberate, Political Cuts, to name a few, have gone on to have lives in other places, following the legacy of Letting Space produced and curated projects in the city like Kim Paton’s Freestore.  Temporary sometimes leads to permanent, but even without physical legacy we think the traces of the network that has been created have a lasting resonance for many creators in Wellington. Urban Dream Brokerage ends in June but we are encouraging others to pick up the challenge to do this work. Never underestimate the generosity there is amongst property and business owners who understand how value in a city needs to work in different ways and are committed to Wellington’s arts ecosystem. Expect knockbacks, but hold to your vision! We are making our resources, forms and processes available through Creative Commons for anyone to pick up. A link to these will be posted on our website, our blog and through our social media threads soon. All three of us are looking forward to continuing to work with our many dear friends and valued colleagues to continue to make Wellington such a special place to live and work. Thank you for the amazing work you do. Ngā mihi, Helen, Mark and Sophie Letting Space          
    • Accepted from Urban Dream Brokerage Blog 49 months ago by tonytw1
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    Porirua, Wellington Region, New Zealand (OpenStreetMap)
  
  

• • Ngā Kōrero – Latest Stories from DCM

    • 22 Apr 2025
    • Downtown Community Ministry
    • Ngā Kōrero – Latest Stories from DCM Ngā Kōrero – Latest Stories from DCM communities where whānau are housed, connected, valued and thriving About Us Contact A Message From Our Manahautū He Rā Ka Huri: Seasons Change, Our Purpose Remains Stephen Turnock, Manahautū (Director) at DCM Tēnā koutou katoa, As the seasons shift once again, I find myself reflecting on just how much change we’ve witnessed lately, not only in the weather, but across our communities, sector, and Aotearoa. Like the turn from summer to autumn, some changes are expected, while others arrive quickly, bringing with them a sense of uncertainty. This changing environment is being felt deeply across the community sector. Policy directions are shifting, funding decisions are pending. Many of us are operating in a space where the future feels less certain than before. At DCM, this has real impacts. The security of our contracts, the continuity of our mahi, and the wellbeing of our kaimahi (staff) are all front of mind. And it's not just our sector, every day we see how these pressures are being experienced by whānau across Te-Whanganui-a-Tara: the cost of living, the struggle to find and keep a safe place to live, and the weight of navigating systems that often don’t work for them. Change is constant, but for many, it doesn’t always feel like it’s moving in the right direction. In the face of this, we ground ourselves in what remains constant. Our commitment to whānau-led support, our belief in housing as a human right, and our dedication to walking alongside those doing it tough. No matter the season, our purpose stays the same. And we want you to know, we have a plan. Even in a time of shifting sands, we’re clear on our direction. We’re committed to building on what works, data-informed insights, whanau-centred practice and courageous leadership. And we know we can’t do this alone. It’s through community collaboration, with whānau, with partners, and with people like you, that real solutions are found and created. So as the leaves begin to fall and we prepare for the colder months ahead, we do so with determination, with hope, and with deep gratitude for your continued support. You are part of this journey, and together, we will keep working towards a city where everyone has a place to stand. Ngā manaakitanga, Stephen Turnock Finding An Oasis At DCM I was homeless and running around the country before I came to Wellington. I was drinking heavily. I was an alcoholic. My mental health issues hadn’t been diagnosed, so I was unmedicated and pretty messy. Before that I was in Christchurch. I got made redundant, and then I had nothing to do. I started drinking, getting into hard drugs, getting in trouble. I made a lot of people mad and I had to leave. I just wanted to hide somewhere and drink. That was my plan. It’s crazy I kept drinking even when I was that sick. I knew I was sick, but the need for alcohol was stronger than any concern I had for my own safety. I was housed out in the Hutt maybe six or seven years ago, not by DCM but someone else. They put me there to get me out of Wellington, away from the drinking. But I still drank sometimes. Then I got told my liver couldn’t take it anymore. They said it was no good. That changed everything. I had to stop drinking, and that changed my life completely. I couldn’t fill the voids with alcohol anymore. I had to deal with stuff. Face my demons. And it was too much, really. I ended up needing medication. There was nothing like DCM out in the Hutt then. I came back into town because there’s more here, and DCM is a hub that has everything I need. I’ve been coming here every day, every week, for as long as I’ve been back in Wellington. DCM has supported me in all sorts of ways. I come here for coffee, for health, for dental, and they make sure I get to my appointments. Te Aro Health and the nurse let me know if the doctors want to see me. It’s amazing that everything is just here. And yeah, I get food from DCM. It’s good to know it comes from people I know, not some stranger. It keeps it in the whānau, you know? I don’t eat much. Once a day is usually enough to keep me going. I used to be a good cook, but I’ve lost all interest in it. Cooking for one is boring. Food is just something I put in myself now. The DCM staff are even trying to get more fruits and vegetables into me. I’ll eat it if it’s put in front of me, but I won’t cook it. I’m eating like an old man now. DCM hasn’t given up on people, not like other places have. That’s what surprised me. DCM is an oasis and people rely on this place. If they weren’t here, there’d be nothing for us. We’d be eating out of rubbish bins. "DCM is absolutely brilliant because it’s saving people in Wellington. It’s keeping people alive. Without this service, people would be lost. They’d just be lost." These days, I guess, I’m mostly just working out what life looks like until I die. That’s what concerns me now. My health isn’t great. I don’t know how long I’ve got, but I’m trying to be all right until then. If you’re struggling, don’t stop yourself. Get to DCM. If they see the need, they’ll help. I fully recommend it to anyone in Wellington who needs support. Spotlight on Lynda: Fundraising For Hope Lynda McGregor, owner of Little Bread Loaf, wears many hats. She runs a small artisan bakery in Lower Hutt where everything is made from scratch, a busy café in Miramar, works in fresh produce markets, and does catering too. Yet despite her full plate (pun intended), Lynda makes time to support DCM. Her connection with DCM began when she saw one of our Instagram posts calling for donations. “It really moved me,” she says. “I just thought, we can all do something to help our community. It’s not about pity, it’s about showing up and helping.” Lynda shared the post, a conversation followed, then a tour, and she soon found herself organising her first foodbank collection for DCM at Little Bread Loaf where she and her community raised over 200 cans of food. “I’ve always known about DCM and the work you do. I know you don’t get as much funding as the bigger charities, and I felt I could add value here in a way that would make a real impact.” Supporting DCM wasn’t a random choice. It aligned with Lynda’s values. “My mum always tithed. She gave a portion of what she had or her time to help others. I’ve always tried to do that too. I’m not religious, but giving back is a part of who I am.” She’s also realistic. “In the charity sector, it’s often the causes that are more ‘attractive’ that get attention". But DCM, she says, offers something deeper. “I truly believe that nobody wakes up wanting to be on the street. DCM works with some of the most vulnerable people in Wellington and you stay constant, even when others would walk away. The whānau you support can keep coming back for coffee, a chat, or whatever they need and you are always there for them.” For Lynda, donating food is not about charity. It’s about manaakitanga. “If the food isn’t good enough for me to eat, I won’t bring it in. What I give has to be mana enhancing; for DCM, for me as the maker, and for anyone who receives it. I want people to feel dignity when they receive something from me.” She adds that contributing makes her feel good too. “It feeds my soul. I do this for selfish reasons because it makes me happy and brings me joy.” Lynda has seen the challenges facing our communities and the pressure DCM is under. “It makes me sad to see the foodbank shelves so bare. You’re doing incredible work, and so much of it comes from heart. You can tell that your team is here because they genuinely want to be of service.” She believes anyone can make a difference and her hope is that more people and businesses will step up.. “You don’t have to give a lot. A couple of cans, a few dollars, whatever you can manage. That small act might have a huge impact on someone’s day." She adds, "It’s not about changing someone’s whole life. It’s about easing their path just a little. It’s about giving someone a little hope.” We are so thankful to Lynda, and our other wonderful supporters, for standing with us. DCM is proud to work alongside people who care so deeply about making Wellington a city where everybody has a place. This year, we are running a Foodbank Appeal Week from 17 to 24 May, and we are inviting the community to help us to continue to provide essential food support to Wellington’s most marginalised residents. There are many ways you can get involved. You could host a food donation box at your workplace, school, or church, run a fundraiser for DCM, or, if you would like to support us financially, you can do so by clicking the button below. Support DCM Copyright © 2025 DCM. All rights reserved. Our mailing address is: DCM Wellington, 2 Lukes Lane, Te Aro, Wellington Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 11 months ago by feedreader
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    Lower Hutt, Lower Hutt City, Wellington, 5010, New Zealand (OpenStreetMap)
  
  
• • 

    The artist as many other things first

    • 16 Feb 2023
    • Urban Dream Brokerage
    • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
    • Accepted from Urban Dream Brokerage Blog 38 months ago by feedreader
    • Tagged as:
    • brooklyn
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    Brooklyn, Wellington, New Zealand (OpenStreetMap)
  
  
• • 

    Harakeke Happenings in Term 2

    • 27 May 2012
    • Amesbury Drive School Blog
    • We have been a busy hub in Harakeke so far this term! We have been focusing on:*Art - completing portraits either in Picasso style or using foreshortening (optical illusion making some parts of our body look closer than others) *Performance - for our official school opening all students took part in at least one performance, with most students being involved in several, including street dance, guitar, tuned percussion, Chinese dance, World Cafe maths, library activities, singing and many more! We also performed a wide variety of items for our school concert after the official opening.*Creative electives - choosing from a range of activities such as creating dioramas and print making*Language learning: Te Reo Maori and Mandarin*Developing our understanding and performance of our powhiri ceremony *Maths and literacy learning*Music - tuned percussion, singing*Learning conferences: all students spent between 30-45 minutes with one of the Harakeke teachers talking through their three matrices (maths, reading, writing). This discussion then led to the creation of a personal learning treaty (PLT) for each student, including a series of goals chosen by the student, using their matrices to identify their next learning steps. Students then talked through the matrices and their PLT with their parent/s, and these documents have been shared with students and parents so that they can be continually viewed and updated. Now that our art unveiling and school opening  ceremonies are behind us we can move into the more settled part of our term. The learning conferences and creation of PLTs have been extremely useful in helping to inform our planning for the rest of this term. Focus areas for Weeks 5-10:*Maths: Specific skills based work through workshops, Snappers and World Cafe Maths. For information on World Cafe Maths please see our Harakeke blog - scroll down a little way to find an explanation of it. Snapper maths involves short videos we are creating to explain specific skills. To view Snappers we have created thus far please see the ‘Snapper’ link at the top of our Harakeke blog. Our Snappers will not only be about maths skills, they will be created for all learning areas. We have just begun to create them, so there are only a few to begin with...watch this space! Maths will be personalised for all students with workshops, activities and snappers developed for groups of students needing specific instruction or skill development. We are currently spending time showing the students how to use their maths matrix and PLT to identify their next learning steps and then choose particular activities/websites/materials/textbooks to achieve their learning goal. Specific maths areas we will be focusing on: fractions, division and multiplication skills and strategies, problem posing and solving.Below is a collage of Snapper maths work: *Literacy: Matariki module - students are reading and analysing books and information about Matariki (Maori New Year). They share their learning in a variety of ways, including retelling the story orally and in written form. Students will then be researching a range of Maori legends explaining Matariki and presenting their learning in a variety of forms, culminating in a Harakeke video telling the story of Matariki, along with a range of legends. They will then be exploring and researching explanations of the Matariki stars from other countries and cultures. We are also developing our narrative writing skills, including giving and receiving feedback from peers. Students are practicing using their reading and writing matrices and their PLTs to ascertain the particular skills they need to focus on when reading and writing. Creative writing is also an ongoing task for all students. *Inquiry: Students are continuing with their inquiries from last term (such as creating lunch orders made for students by students, exploring 1-1 devices at school and ordering senior literacy resources). These inquiries will be completed by the end of Week 6, with proposals, where necessary, written and presented, and actions taken across the school. For Weeks 7-10 a variety of different inquiry work will then begin, including beginning a travel plan for the school (a group of students investigating how students travel to school, exploring how environmentally friendly our travel habits are to/from school and looking at any actions we can take to increase sustainable and environmentally friendly travel) and exploring our school and its features. Food tech: Amaria Picard will begin working with our school lunches inquiry group to start creating school lunches prepared and cooked by students one day a week. This module will include planning, costing, purchasing, storing and cooking the lunches. Amaria will work with this group for 5 weeks, and then she will start the same module with another group of students. All Yr 4-6 students will complete this food tech module with her by the end of the year.  *Active learners: We will continue to focus on students becoming active, self-directed learners through developing their understanding and use of their matrices and PLTs to inform their learning choices. All students will be directed to continually access and use their matrices to ensure their focus is on their next learning steps in reading, writing and maths. Every Friday students spend an hour reflecting on their learning, reviewing their PLT goals and identifying what they have done to achieve their learning goals. They are also asked to inform teachers of the workshops, Snappers or 1-1 guidance they now need to achieve their learning goals.
    • Accepted from Amesbury Drive School feed 166 months ago
    • Tagged as:
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• • 

    Weekly Bulletin: Staying connected as a Church 28 November 2021

    • 27 Nov 2021
    • St John's in the City
    • Kia ora St John’s whānau, This Sunday is the first Sunday of Advent! <figure class=" sqs-block-image-figure intrinsic " > Young people will start in the service at 10:00am for 15-20 minutes of worship all together, before peer group time.   Our Guest Preacher on Sunday is Dr Andrew Shepherd, Lecturer in Theology and Public Issues for Otago University – based in Wellington.   We know that while we remain under Alert Level 2 the maximum numbers for gatherings is 100.  So, as well as worshipping at St John’s in the City this Sunday, we also offer a live stream option. Here are the details for joining in worship via Zoom…   Zoom Meeting ID: 370 260 759 Passcode: worship   The link to join the Zoom worship service is below.  https://us02web.zoom.us/j/370260759?pwd=b2ZkajZ5d28rTy9EN1VKZDJUM3N4dz09 ’> If using your phone: dial 04 886 0026 (Meeting ID: 370 260 759#, Passcode: 1560107#) This is the link to the printable Service Sheet <a href="https://www.dropbox.com/s/azzu73pgyehkju2/OOS%2028%20Nov%202021.docx?dl=0" class="sqs-block-button-element--medium sqs-button-element--primary sqs-block-button-element" > Printable Service Sheet This Sunday after the service, you are invited to stay for tea and coffee and the Congregational Forum on the new Covid Traffic Light system: The new Traffic Light Protection Framework is coming into effect this week. While the media has highlighted the conflict around this, the St John’s Session are wanting to find a way to manage this that bears witness to our faith. Before Session makes necessary decisions, there is the opportunity for anyone to join a discussion to better understand the relevant issues for us as a Church. Please come ready to share and listen together, so we can recognise the range of perspectives and maintain unity.  (Ephesians 4:3) <figure class=" sqs-block-image-figure intrinsic " >  OTHER THINGS TO KNOW ABOUT ADVENT FAITH EXPERIENCES <figure class=" sqs-block-image-figure intrinsic " > Mary and Joseph walked 145k from Nazareth to Bethlehem, before Mary gave birth to Jesus. This advent many people in our congregation are going to either walk or run 145 km's, and you are very welcome to join the challenge. It may surprise you to know that walking is considered an ancient spiritual practice for many people, in fact walking is mentioned 247 times in the bible. In proverbs 14:15 it tells us that “the prudent give thought to their steps” We have created a booklet in which people can record their daily km traveled. If you would like a copy please let us know, and we will get one to you. <figure class=" sqs-block-image-figure intrinsic " > Another way to prepare your heart for the birth of Christ this Advent, is to listen to our podcast via Spotify, Apple Music or from our Podcast Website. 22 members of our congregation, of all ages, have recorded these daily devotions, so listen each day to hear very familiar voices.  Each devotion is focused on a different scripture, and includes a reflection and prayer. The devotions have been written by Advent Conspiracy.  WE ARE LOOKING FOR A CHILDREN & FAMILIES MINISTRY WORKER We are passionate about ministry with young people, and seeking passionate leadership for coordinating this in our midst. Our VISION STATEMENT for ministry with young people is “Enjoying faith formation with young people in an intergenerational community, equipping them for a lifetime of discipleship and encouraging them to worship, grow, live, and share as children of God.”This part-time permanent position is for 18.75 hours per week with flexibility when the hours are worked. This role includes our gathered time as a Church community on Sunday mornings. Those interested in up to full-time equivalent work may also consider a harmonious position working with young people in a part-time Assistant Chaplain role currently advertised by Scots College. https://www.scotscollege.school.nz/scots-college-assistant-chaplain/ Perhaps you know someone you could you pass this information on to…? For the position description or any questions Please contact: enquiries@stjohnsinthecity.org.nz    Phone: 04 385 1546Closing date for applications is Friday 3rd December 2021 <figure class=" sqs-block-image-figure intrinsic " >  FELLOWSHIP GROUP This year the Fellowship Group Advent Meeting actually falls into Advent – on Tuesday 30 November 2021.  Starting in the Church at 11am for worship, moving to the St John’s Centre afterwards for a finger food lunch (which is provided), complete with ice cream and strawberries!  Please bring a koha for Christian World Service.  CHRISTMAS STAR BOXES At St John’s we have empty Christmas Star Boxes from Wellington City Mission – for us to fill them with gifts! Filling these boxes is a way to spread love as we celebrate Christmas, and will make a joyous difference for people in need.  Gifts are to be unwrapped, and here are some ideas: Vouchers (e.g. Movies/Zoo/Pool/Supermarket), construction toys (e.g. Lego/Meccano/Blocks) books, puzzles & board games, sports gear.  The last Sunday before the Christmas Star Boxes are collected is 5th December – so we have just a few weeks to make our donations! <figure class=" sqs-block-image-figure intrinsic " >  MENTORING PROGRAMME We give thanks to God for the first-ever 12 month Mentoring Programme which recently concluded. Next year, we are running our second St John's Mentoring Programme. As part of our St John's inter-generational faith formation, this Mentoring Programme expresses our Mission Statement very well. Will you be involved as a Mentor?  Will you be involved as a Mentee? As the start of this Mentoring Programme will be at the beginning of 2022, we encourage you to register your interest early. <a href="https://docs.google.com/forms/d/e/1FAIpQLSfSntlX1oCcWSljMKunqED9t6-LLBXSRNzpXYl4S00_BfQMZQ/viewform" class="sqs-block-button-element--small sqs-button-element--tertiary sqs-block-button-element" > Sign up as a mentee <a href="https://docs.google.com/forms/d/e/1FAIpQLScwXk8C5flT7Qz9Q0xqX40bvkvZzGR5qFab_s2BCTUGyGhyLw/viewform" class="sqs-block-button-element--small sqs-button-element--tertiary sqs-block-button-element" > Sign up as a mentor <figure class=" sqs-block-image-figure intrinsic " >  
    • Accepted from News - St John's in the City Presbyterian Church 52 months ago by feedreader
    • Tagged as:
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  
• • 

    Miramar v BNU 1sts - 25th August 2013

    • 28 Aug 2013
    • Brooklyn Northern United AFC
    • 2pm, David Farrington Park We headed to David Farrington Park to play Miramar in the final game of the season.  Following Saturday's results, we believed a solitary point would be enough to keep us clear of the relegation places.   The game kicked off with the intensity of a cup final.  The Brooklyn crowd were vocal in their support, the large travelling contingent of fans certainly made the lads feel 10 feet tall.  The game was being played at a cracking pace: a strong Miramar side featuring former All White Campbell Banks and current Solomon Islands International Henry Fa'arodo, was being matched by the heroes in red and black.   The first 30 minutes was fairly even.  Both sides were spraying the ball around with confidence and great speed,  the Miramar coach admitting the game was being played at Capital Premier standard.   The deadlock was broken when Miramar smashed a volley from the top of the box after 32 minute s, a quality strike that left Zen no chance.  Miramar doubled their lead 10 minutes later from a free kick, the Miramar player's run not being picked up, leaving him unmarked at the far post for an easy finish.  2-nil down and all to play for.   BNU were awarded a penalty right on half time for a handball in the box.  Paul Sanchez, who has been great from the penalty spot, strode forward with purpose, only to watch his shot go wide of the left hand upright.  The score remained 2-nil to Miramar at half time.   There was calm in the changing room, as we were creating a number of chances and our covering defence had prevented Miramar from testing Zen with shots on goal.  We believed if we kept to our standards we could get back into the game.  The next goal would be the most important of the match.   The 2nd half started at the same pace as the first.  We continued to press high up the pitch to prevent Miramar from getting into any kind of rhythm.  Their increased ball speed certainly tested us and the class and experience of their players was stretching us right across the pitch.  However, we were not giving up without a fight and were rewarded for our efforts when Paul Clune smashed home after 58 minutes to bring the score back to 2-1.  This also bought the crowd back into the game, they had been fantastic throughout.   Ben Goodwin, who had been introduced at half time, went close on two occasions shortly after, with almost identical shots from the edge of the area.  His pace and direct style were causing problems for the Miramar back four.  We were dealt a blow on 70 minutes when Campbell Banks finally got the better of Damian Gurnick, turning on the edge of the area, to beat Zen in the left hand bottom corner.  3-1 down, with 20 minutes to play.  It was time to gamble and throw numbers forward.  We had nothing to lose and everything to gain.   2 minutes later Banks was at it again, losing his marker and slotting his 2nd to make it 4-1 with 15 minutes to play.  You would forgive BNU if heads dropped, but not with this team, the lads weren't prepared to throw in the towel, and in true BNU fashion they fought for every possession and continued to push forward.   Tom Bisley and Ben Purser were introduced, giving us 4 strikers on the pitch for the final 15 minutes of the season.  Tom Bisley went close, not once but twice, but unfortunately shot wide on both occasions.   As we pressed forward, there were inevitably gaps left at the back and Banks completed his hat-trick with 3 minutes to play.  Just to rub salt into the wound, Miramar scored a 6th with the last kick of the game. 6-1 the final score which in no way reflects how close the game was.   As the lads left the pitch, and rightly applauded the large BNU crowd, our attention now turned to the Island Bay vs Seatoun match being played at Wakefield Park.  A Seatoun win would see us clear of the bottom 2.  We received update after update from our Chairman Martin Gray, who was finally able to phone through the result we had all been waiting for, 2-1 victory to Seatoun.   Back in the Miramar clubrooms, there was a mix of cheer and relief as we believed we could now reflect on a season of highs and lows.   Strong performances, in this our last game, from Captain Andy Cochrane, who was all industry and quality in the middle of the park, Damian Gurnick, who put his body on the line time and time again, and Man of the Match Simon Barker, who won everything in the air and reminded everyone of his undoubted talent.   A special thanks to the crowd who really helped the lads dig deep right to the end.  You guys were fantastic!   I would also like to take this opportunity to thank Martin Gray, Adam Brownie and the Committee for all of their support over the last 2 seasons.  Special thanks needs to go to our physio Dan Sainsbury and my team manager Annie Bannister for all of their hard work and high standards set and maintained throughout the season.   Finally, I would like to publicly thank the playing group for their contribution to the 2013 season.  It has been a pleasure working with you all this year.  You have represented this club in the best possible way, on and off the pitch.  You all bought into the plan and genuinely wanted to play football the way it's meant to be played.  Andy Cochrane and Simon Barker led the team each week with class and integrity.  Without them, the task would have been so much harder.  Thank you both.   I look forward to seeing you all this weekend at the Prize Giving.  Hopefully we can sit down over a beer and celebrate what has been an eventful season. Dene Bannister
    • Accepted from BNU match reports 151 months ago
    • Tagged as:
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    Island Bay, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)
  
  

• • Ngā Kōrero - Latest Stories from DCM

    • 8 Dec 2023
    • Downtown Community Ministry
    • Ngā Kōrero - Latest Stories from DCM Lives and smiles transformed at the DCM Dental Service communities where whānau are housed, connected, valued and thriving About Us Contact Lives and smiles transformed at the DCM Dental Service DCM’s emergency dental service has been operating since March 2016 – and is the only dental service of its kind outside of hospital emergency departments in New Zealand. Over 800 individuals have had their lives and smiles transformed thanks to the expertise of DCM’s volunteer dentists, led by Dr. Sophie McKenna, our lead dentist. Volunteer dentist Dr. Sophie McKenna leads DCM’s Dental Service. (Source: 1News.) Sophie’s father was a dentist, and she worked with him as a dental assistant during the school holidays. By the age of 17, she had decided that dentistry was a good path for her. Marrying Andrew, a fellow dentist, and working in different practices in the Wellington area, the two were able to share work and parenting responsibilities. Sophie first heard about DCM at a New Zealand Dental Association branch meeting, putting her name forward as a volunteer. “DCM was a surprise to me,” says Sophie. “I didn’t expect to receive so much pleasure from helping the whānau with their dental care. “When I first began volunteering, our son was dealing with significant health challenges, and I was at a low point. To come into DCM and see good people working hard to improve themselves from their very low points, with the support of DCM staff, was humbling and put my own woes into perspective.” Sophie explains that many of the people coming to DCM’s Dental Service need fillings, periodontal work, and extractions. “They often come to us with broken and missing teeth. When you are experiencing homelessness, living from crisis to crisis, oral health care may fall lower on the priority list, especially due to the expense. “But the big key to DCM’s success is not that treatment is free – but that DCM makes marginalised people feel so welcome when they come here. They don’t feel judged – and that includes when they sit in our dental chair.” Sophie treats Ngata during an emergency dental session at DCM. (Source: 1News.) “I’ll say, ‘what’s the most important thing that I can help you with today?’ And they look astonished,” says Sophie. “They are normally told to lie back, open up, and then a health professional gives them a carefully worded lecture about what isn’t being done, how disastrous things are. “And that’s not we’re here for. We’re here to make them feel better.” We know that poor oral health has been linked to gingivitis, oral infection, heart disease and strokes. But additionally, aesthetic issues can affect your ability to eat and speak – with a huge cost to your self-esteem. DCM Manahautū (Director) Stephen Turnock says that most of the people DCM works with have missing or decayed teeth, and the feelings of shame around this can take a toll. “When someone is continually looking at the ground, and not wanting to smile or feeling whakamā, then that creates more barriers.” This is why in 2023, we have begun creating dental impressions (diagnostic models or moulds) on-site at DCM and fitting whānau with partial plates – often of upper teeth. Sophie has been joined in this initiative by her husband, Andrew, who is no longer able to practice dentistry on his own due to an injury. Still wanting to support DCM, Andrew is able to assist Sophie in various ways. Sophie shares how life-changing their work has already been. Toko before and after. Toko was someone with missing incisors – the most visible teeth in the upper mouth. Sophie and Andrew created a mould and fitted him with replacement teeth. “Toko was exceptionally happy with the partial plate, and his ‘after’ smile filled the room!” says Sophie. Another person whose smile has been transformed is Lisa. Lisa has experienced homelessness, including rough sleeping, before she was housed through DCM’s Aro Mai Housing First service. From there, she was able to focus on her wellbeing, including her oral healthcare. Lisa before and after. Sophie had to encourage Lisa to do a ‘before’ photo while smiling so we could compare the results. “Now she can’t stop smiling!” Sophie says. When DCM first met Simon, he had little to smile about. DCM Outreach workers Ngaire and Hazel approached him on the street in Kilbirnie, where he says he was at his lowest ebb. “DCM saved my life, literally” Simon explains. “If there’s a God, it was great timing on all fronts.” Simon also survived the Loafers Lodge fire. On the tragic night, he knocked on people’s doors, urging them to evacuate, while managing to escape with his phone and wallet, and the clothes on his back. After a move into transitional housing, Simon was able to concentrate on other pressing matters, including agonising dental pain. He popped into DCM one day, and met Ali Janes, who coordinates our dental clinic. Ali got Simon in to see Sophie and Andrew, who extracted the problem teeth. “You could really see the difference it had made for him, which was awesome,” says Ali. “He left pain free and basically floated out of here!” Simon was left with very few teeth, but Sophie and Andrew supported him through the life-changing process of getting a full denture. “I’m still learning to smile properly, which is something I haven’t done for a long time,” Simon explains. “But – I can almost look in the mirror again. “When I needed DCM the most, you guys have always been there. Now I’m trying to pay it forward.” Simon popped into DCM to show us his new smile. DCM’s new initiative creating replacement teeth for whānau has been supported by a $5,000 community grant from the New Zealand Dental Association. “My vision for DCM’s Dental Service is that we are able to expand our services a little,” says Sophie. “Ideally, we would like to offer more opportunities to replace teeth that have previously been extracted, as we’ve been doing with the grant this year. “Currently, relief of pain is great, but what can we do to support our lovely people and lift them up even more? It is obvious from the beaming smiles of Toko, Lisa and others that restoring their smile boosts their sense of worth. Society inadvertently judges those with missing teeth. “When someone’s smile is restored and they feel and look good, they project a confidence and positivity that is difficult to measure. It is infused in their posture, their willingness to engage with others – and we see that their approach to issues that challenge them is altered for the better. “It’s a no-brainer to try to help with this more.” We mihi to Sophie and Andrew McKenna for their passion and professional expertise as they help to transform the lives and smiles of our whānau. Can you help support DCM’s Dental Service this Christmas? DCM is grateful to all those dentists who, like Sophie and Andrew, give their time to allow us to provide emergency dental care to the most marginalised people in Wellington. We would also like to thank the NZDA for their community grant, the St. John’s in the City Carter Fund for a grant toward a new dental chair for our service, and the Bowen Hospital Trust for their on-going support. But DCM’s Dental Service is primarily funded by YOU, the people of Wellington. If you would like to support the most marginalised people in our city – like Toko, Lisa, and Simon this Christmas – please click below and consider donating toward our appeal. Or, if you know a dentist or dental assistant who would like to learn more about working at the DCM Dental Service, we would love to hear from them! Support DCM's Dental Service Copyright © 2023 DCM. All rights reserved. Our mailing address is: DCM PO Box 6133 Marion Sq Wellington, Wellington 6011 New Zealand Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 28 months ago by feedreader
    • Tagged as:
    • kilbirnie
    • lectures
    • loafers-lodge

    Loafers Lodge, 160, Adelaide Road, Newtown, Wellington, Wellington City, Wellington, 6021, New Zealand (OpenStreetMap)
  
  
• • 

    Waiting for light rail? Let’s build a busway now!

    • 20 Oct 2019
    • Talk Wellington
    • One question on the mind of everyone suffering from Wellington’s transport problems is – when will Let’s Get Wellington Moving actually get us moving? Guest poster Marko Garlick sees a supercharger hiding in plain sight There seem to be lots of abstract projects planned to be delivered, maybe years from now: urban State Highway 1 “improvement” with more tunnels, and a rapid (or maybe just frequent) mass transit line from Lambton through Newtown and to the Airport.  But where will these actually go? And how do we deal with difficult questions about flows around the Basin Reserve? Wellingtonians waiting for new transport infrastructure to be built… Where does mass transit go? For mass transit, there are many things to consider. Is it along the waterfront quays or along Lambton Quay / the Golden Mile? Along Taranaki St or along Cambridge Terrace? Where does it go through the Basin Reserve? Many people are speculating. And the big one: light rail or trackless trams, or both? Mock-up of a route down Taranaki St What about the urban motorway? The LGWM proposal has a pretty good plan to maintain the amenity of the city above. They want to underground the motorway from the Terrace to Mt Vic. A new Te Aro park will be created on top. However people are questioning the need for more lanes created by a new Terrace and a new general traffic Mt Vic tunnel. More lanes in urban motorways creates induced demand. More lanes means make people drive more which kills off any travel savings created by the bigger road. It’s a transport strategy just as smart as trying to lose weight by buying bigger pants! Bigger roads take up valuable space and just fill up with more traffic (looking at you Auckland, thanks for showing us what not to do) This uncertainty is paralysing! Those who are in the “pro-car” camp say they like mass-transit but that must come after their bigger road. Those in the “pro-PT” camp want light rail first and a smaller road. Finger-pointing and party lines are drawn. Tough and costly decisions will have to be made about irreversible projects around the Basin. Once you make a flyover, tunnel or lay down tracks you can’t (quickly) go back. I think we can break out of this inaction and stupor with an interim middle ground: a busway. Case Study: Auckland’s Northern busway The idea for this has come from the success of Auckland’s northern busway. It is a dedicated two-lanes for buses from the northern foot of the Harbour Bridge up SH1 to Constellation Drive with world-class stations and frequent congestion-free services into the city.  It has seen year-on-year double-digit growth numbers over its 11 years in service, and is being extended to Albany and beyond shortly. Eventually tracks will be laid down for a second-harbour crossing for light-rail. Radical incrementalism Initially the busway was just a narrow shoulder each side of the northern motorway. People were sceptical initially but its success was undeniable and has provided the basis for upgrades and extensions. What the Northern busway shows is that doing something now, and building on it, is more practical and politically palatable than trying to justify a massive spend up front. This is applicable to Wellington’s light rail situation. It is relatively low-cost initially, can display almost mass-transit qualities and is more flexible as progress is made towards light-rail. Why a busway? A busway is what Wellington needs now. We cannot wait another 10-15 years for a big decision on the Basin and Mt Vic tunnel. A busway will provide many benefits: It is far cheaper to implement right away and far quicker to implement (I envisage 3 years for the first stage).It also demonstrates demand for mass-transit and will allow us to see whether a certain route is a good idea or not.It also allows for land-use intensification now, providing greater density and amenity to a future light rail line. What will it look like? So what would this look like? I think that the busway should start at the train station, go along the waterfront quays, and then either go along Taranaki St or Cambridge/Kent Terrace. Ideally, it should run in the centre of street with weather protected stops and room for cycleway and signal-priority. Stops should mirror light rail ones, being spaced out for speed and reliability.  Along most of the route the buses could probably hit 60km/h speeds, congestion free, all day. [Ed: just let that sink in. Congestion free. A clear run.] Separate branding would be an excellent addition. The Northern Express (NEX) is what Auckland has; the Wellington Express (WEX) is what we could have. This post is about incrementalism and the key takeaway is something half-done is better than waiting ages for the ‘perfect’ solution. If the busway is barebones at first before getting upgrades then so be it. The mess at the Basin can be avoided by stopping bus priority at the start, then resuming it into Newtown. This is what the Northern Busway does with dedicated lanes ending at the Harbour Bridge, then resuming on Fanshawe St. What the waterfront quays look like now (shudders). Hardly the “walkable city”. A thing of beauty: What a complete Wellington busway could look like The busway can be upgraded over time. Greenspace, cycleways, better stops, a possible underpass on Waterloo Quay to connect to the railway station. Summing up In an ideal world, we can all agree on the light-rail and grade-separation issues at the Basin and they may already have been implemented. But that is not the case. Although there is lots of details to work, the principle of a busway now then future conversion to higher-capacity light-rail is a sound one in my mind. Do you have any ideas why Wellington has not had bus priority – via a busway, or anything else – for so long? What do you think of fast buses in the city centre, and in the suburbs? A version of this post was originally published on TraNZport; see the original here. Image credits Cover image by Smarter TransportSkeleton waiting, original unknownTaranaki mock-up by LGWMAuckland rush hour by Getty imagesAuckland busway by Greater AucklandQuays now, screen grabBusway by AT
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    Newtown, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)
  
  
• • 

    Weekly News 10 February 2020

    • 10 Feb 2020
    • Wellington Scottish Athletics Club
    • Five big favours to ask this week for everyone doing RTB: (a) wear your singlet – be visible and promote the club, (b) join us at the yellow tent afterwards, (c) say hello to the people near you during the run/walk and invite them to visit us at the yellow tent, (d) tell friends and colleagues who had fun to come and talk to us, and (e) make sure you sign up for our membership special for 2020-2021. Options for the week  Tuesday 5.30pm, Waterfront 5km, Outside Mac’s Brewbar on Taranaki Wharf. Come and run, volunteer or support.Wednesday 6.15pm, Newtown Park Track workout. Meet 6.15pm for 6.30pm start, lead by Andy and Rowan, shorter distance track reps.Saturday, 8.00am, Newtown Track workout – contact Chandima for info, or check Facebook for details. Longer track reps with a focus on building towards major events.Saturday, 8.00am, Lower Hutt 5km Parkrun, Porirua 5km Parkrun, Kapiti Coast 5km Parkrun.Saturday, 1:58pm, Porritt Classic, Hamilton (Hiro Tanimoto 1500m)Sunday, Round the Bays, half marathon at 7.45am, 10km at 8.30am and 6.5km at 9.15am. Frank Kitts Park.  Results The Tarawera Ultramarathon is such an amazing atmosphere even in the years when the Trail Queens do not turn up in dominating numbers. 102km: Fiona Hayvice 11:54:08, Emma Bessett 13:35:25, Chris Howard 22:33:31. Mel Aitken DNF at 75km. 52km: Nicholas Vessiot 5:53:48, Jaime Vessiot 6:01:25, Emily Solsberg 6:15:10, Jo Badham 6:44:36, Marketa Langova 6:50:01, Ben Cornelius 7:54:28. 21km: Melanie Hart 2:02:41, Kate Slater 2:04:19, Abigail Pitman 2:19:03, Michelle Knight 2:27:32, Isobel Deeley 2:30:08,  Lindsay Young 2:31:14, Kath Littler 2:34:21 – Results So it turns out a lot of you have more than one string to your bow. Capital City Triathlon: Danielle Trewoon won the Medium Distance (750m/15km/5km) in 01:02:30, Anna Breen 01:18:19, and Claire Jennings 01:24:50. Valentino Luna Hernandez was second in the Enduro Distance (2km/60km/15km) in 3:14:58, James Turner 3:40:12, Helen Bradford 4:16:35, Paul Rodway 4:20:58, Richard Sweetman 4:28:41, Greg Williams 4:31:37. Rachael Cunningham did 03:11:48 for a revised distance Triathlon of 2km/60km/10km and Tricia Sloan did 45:05 for the enduro swim. – ResultsMalcolm Hodge ran a big PB 01:09:54.0 for 13th place in the First Half Half Marathon in Vancouver.Hamish Carson ran 1:51.66 for 800m at the Meeting National des Sacres (YouTube) in Reims (France) and 3:42.40 for 1500m at the Orlen Copernicus Cup (YouTube) in Torun (Poland).At the Combined Junior/Senior Track and Field meet at Newtown Park on Sunday 800m: Hiro Tanimoto 2:07.22. 3000m Run: Hiro Tanimoto 9:42.79, Ayesha Shafi 11:08.57. 3000m Walk: Sean Lake 17:54.99, Daphne Jones 22:42.86 – Results. Upcoming events Round the Bays, 16  February, Frank Kitts Park  Round the Bays is the biggest running festival in Wellington. It’s one of our best opportunities to invite new people to join the club. So, repeating from above, here are five big favours to ask this week for everyone doing RTB:  Wear your singlet – be visible and promote the club; Join us at the yellow tent afterwards; Say hello to the people near you during the run/walk and invite them to visit us at the yellow tent; Tell friends and colleagues who had fun to come and talk to us; and Sign up for our membership special for 2020-2021. Michelle Knight will be coordinating that recruitment drive. If you think you can help either beforehand with promotion, publicity and administration support or on the day handing out flyers, staffing our tent and talking to people about Scottish contact her.  Todd Stevens, todd.stevens@pwc.com is looking for a 40min pacer for the 10km. Please let him know if you want to help.  Matairangi Fun Run, 23 February Hataitai Velodrome,  Open to the public, the Matairangi Fun Run, based on Mount Victoria, runs over the iconic Vosseler Shield course. There are two race options: the One Loop Race (5 km); or the Two Loop Race (two 5 km loops, adding up to 10 km). Each loop has approximately 190 metres of elevation. McVilly Shield Relay, 7 March, Karori Park The McVilly Shield is the first club event for the season and a great way to get to know other people in the club. This relay has teams of three people each. Everyone can participate, runners, walkers, J Team, seniors, masters and friends of the club. Just turn up and we will find you a team. You can either race it or use it as an opportunity to do some training.  Each team must do ten laps of Karori Park. No individual team member can do more than four laps. But you can do the laps in any order you like. The race is randomly handicapped after the teams start. Notices Join this week and save $20 or more Join or re-join Wellington Scottish at Round the Bays this year and you get $20 off your new season of Scottish full adult membership (down from $185 to $165). You can sign up at our bright yellow tent at Kilbirnie Park or you email us at membership@scottishathletics.org.nz and pay Wellington Scottish Athletics 38-9005-0501833-00. Put your name and “RTB JOIN” in the reference. If you want a singlet too, add $39. This will be the biggest discount we offer this year so don’t miss out by waiting. Also: if you, as an existing member, sign up an adult friend who is new to the club or has not been a member for the last five years, we will give both you and your friend $15 off your membership fees. If you sign up two friends who are new to the club you get two lots of $15 off your membership fee. And so on. So, talk to your friends and colleagues who are running or walking Round the Bays this year. Tell them they could enjoy the same fun all year round at Scottish. If you get a friend to join make sure you email membership@scottishathletics.org.nz to let us know. Discounts Join a new friend -$15 per new friendRound the Bays discount for adult members -$20 Switch to new email system I have switched from TinyLetter to MailChimp to send out these weekly emails. Hopefully, those of you who want them still receive them and those who don’t won’t. You can unsubscribe at the link below if you choose. Or you can subscribe here: <form aria-describedby="wp-block-jetpack-mailchimp_consent-text" > <input aria-label="Enter your email" placeholder="Enter your email" required title="Enter your email" type="email" name="email" /> Subscribe Processing… Success! You're on the list. Whoops! There was an error and we couldn't process your subscription. Please reload the page and try again. Events calendar Our full events calendar is available on our website. It is also available as a Google Calendar that you can add to your own electronic diary. Keep in touch with the club:  If you want to contact anyone about anything then your first ports of call are our club captains Ben Twyman and Danielle Trewoon, our coaching coordinator Jamie White and our club president Michael Wray.Public Facebook page. And join the Scottish member Facebook group hereInstagramWebsite
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    Velodrome, Hataitai, Wellington, Wellington City, Wellington, 6011, New Zealand/Aotearoa (OpenStreetMap)
  
  

• • Weekly Wrap Up (Week 11, Term 2)

    • 26 Jun 2020
    • Wellington High School
    • Important Dates Monday 29 June: Open Evening 6pm Wednesday 1 July: Music Evening 7pm Friday 3 July: End of Term 2 Monday 20 July: Start of Term 3 Wednesday 22 July: Parents’ Evening (Senior Students) Monday 27 July: Parents’ Evening (Junior Students) Important Information Board of Trustees by-election results As a result of the recent Board of Trustees by-election, Dr Wyatt Page has been elected to the Board. Wyatt will join the Board with effect from the next meeting on Monday 27 July. Reports and parent-teacher meetings Learning Profile reports for Term 2 are now available for download from the Parent Portal (see Results > Reports). Parent Teacher meetings will take place on Wednesday 22 July (Senior students) and Monday 27 July (Junior students). To make appointments go to: Go to: https://www.schoolinterviews.co.nz/ Enter the code: vdm7q (Juniors) or 5yjhn (Seniors) Choose the SUBJECT then the TEACHER. Please leave a five minute gap between bookings. Note that we are only able to run one conversation with each teacher per student. If you are hearing impaired the Riley Centre can be a challenging environment: please email admin@whs.school.nz and we will aim to accommodate your bookings separately.   Revised guidance on testing for COVID-19 The Ministry of Education has circulated the following information to all schools: At a time where there are increasing numbers of colds and other winter illnesses, the Ministry of Health has revised its guidance on who might need testing for COVID-19. It is important to note that there is currently no known community transmission of COVID-19 in New Zealand. The vast majority of adults, children and young people with symptoms consistent with COVID-19 will not have COVID-19. Symptoms of COVID-19 can include new onset or worsening of one or more of the following: Cough Fever Sore throat Runny nose Shortness of breath/difficulty breathing Temporary loss of smell Health’s information on who should get tested notes that people with any of the COVID-19 symptoms who are close contacts of confirmed cases, have recently travelled overseas, or been in contact with recent travellers, should get assessed. If anyone has symptoms but is unsure if they have been exposed to COVID-19, they should ring Healthline on 0800 358 5453 or their GP for advice. Over winter there are many other viruses about that can cause people to feel unwell and have symptoms similar to those of COVID-19. Some people with symptoms consistent with COVID-19 may be tested as part of Health’s ongoing surveillance to ensure that there is no community transmission in New Zealand. If they are not close contacts of confirmed cases, have not recently travelled overseas, or have not been in contact with recent travellers, then there is no need for them to self-isolate while awaiting the test result, and they can return to school once they are feeling well. If not recommended for testing, they will be able to return to school or their early learning service when they are feeling well and no longer displaying symptoms. Wallace Street roadworks update The current phase of the Wallace Street roadworks is due for completion by the end of the month. As long as the rain holds off, Wallace Street should be re-opened to through traffic on 1 July. Following this, however, works will need to get underway along Wallace Street, near Massey University’s entrance, to upgrade wastewater pipes. This will take place in off peak hours (9.00am-4.00pm) on weekdays and traffic will often be reduced to a single lane with Stop / Go control. This is likely to take two months to complete. What’s happening? Economists breakfast with Dr Allan Bollard On Thursday, Year 13 Economics students Sarah Bennett and Rachel Woolcott, attended a Cullen Breakfast at the Wellington Club. Speaking at this week’s breakfast was Dr Alan Bollard, who has held numerous senior positions in Government and interGovernmental agencies. Dr Bollard discussed the economic impact of the covid epidemic and then participated in a question and answer session.  Sarah said  “the range of angles in the topic discussed was thought provoking”. Rachel commented “it was a very interesting discussion and I enjoyed listening to his jokes and insight.”         Year 13 performance of ‘Girls like that’   Evan Placey’s Girls Like That is an ensemble play that explores the pressures young people face today in the face of advancing technologies. Year 13 Drama students produced and performed this play this week. The students are to be congratulated for their sophisticated performance which was an enduring piece of theatre, an achievement all the more impressive when considering that much of this production was conceived and developed during lockdown. Congratulations to all, and to Drama teacher Roger Mantel.       He Kākano  The He Kākano students have been engaged in a range of creative activities, cognitive thinking skills and maths throughout the week.      Winter in the garden The weather over the past few weeks has seen our horticulture students spend time on maintenance, cleaning and repairing tools including secateurs. They will be well prepared for winter pruning and work outside once the weather improves.    Instrumental & vocal lessons update If your Junior student is interested in taking instrumental / vocal lessons but has not yet enrolled, please download the form from the Student Hub and hand in or email the completed form to Fritz Wollner Lessons will be reorganised for Terms 3 and 4. If students have not been attending regularly, they need to see Mr Wollner as soon as possible to ensure they do not lose their spot. Achievements National Bridge Speech competition place secured Year 13 Amelia Smith qualified for a place in the National Bridge Speech competition following her success in the regional Chinese speech competition last week. Amelia will represent the North Island outside Auckland region in the competition, to be held at Victoria University on Sunday 2 August. At that event, each qualified candidate will need to present a speech, perform to demonstrate a skill and answer questions in Chinese. Finalists will represent New Zealand and compete with candidates from all over the world in October. We wish Amelia luck as she progresses through the competition. Sports Junior girls football For the first time in many years WHS has a junior girls football team out in competition. Their most recent game resulted in a very close 2-1 loss but the girls had fun and were very impressive despite some players not having very much experience. This team could not have gone ahead without the support of parents who helped with both transport and officiating.  Special thanks to Bea Gladding and Jennifer Argyle who are the coach/manager dream team who make this team possible. Below are some photos of the action and sideline support. Basketball Basketball is underway with all teams at WHS having played at least one game so far. Big thanks to Jason Reddish who is taking on the entire boys programme at school which includes four teams and doing a great job. Another big thanks to Nick Andrews who along with a parent is coaching the Senior girls team. Junior Boys play on a Tuesday and another junior team plays on a Thursday. All Senior teams play on Fridays, with the top boys and girls team playing at the ASB Centre. Below are some photos from the first junior basketball game. Boys 1st XI football The 1st XI played their first game of the season, bringing home a 5-1 victory against St Patrick’s Silverstream. Their next fixture is against Newlands College this coming weekend.
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap-Up (Term 1 – Week 5)

    • 1 Mar 2019
    • Wellington High School
    • Important Dates NOTE: You can access the school calendar on our website: WHS School Calendar 4-6 March: 9Royal Noho Marae 6-8 March:  9Howell Noho Marae 26 March: FRIDAY timetable runs today 29 March: Learning Conversations all day (with rōpū teachers) 12 April: End of Term 1 Message from the Principal I hope your young person is settled into their classes and school routine and that they are setting themselves up for success this year. Our Year 9 cohort is the largest in many years with the roll nearing 1300 for the first time since I joined WHS. It is fantastic to see the community embracing coeducation at secondary level. Your increased support is an endorsement that a school should be a reflection of the society we live in. The increased roll places some pressures on us all, not least with some larger junior classes, and it is satisfying to see students settled well into the new academic year. At the start of the year, we acquaint/reacquaint ourselves with WHS’s cornerstone priorities based around the māori word WERO. WERO means ‘challenge’. Its letters represent our core strategic priorities. W is for Whānau. Education is a partnership between the school and family. We have the greatest success when we are all working together. When we speak of whānau we mean this in the broadest community sense: we are looking after all of our students to ensure everyone is given a fair, even chance of success and that no one is left behind. E represents Excellence. Excellence is not confined to academic achievement but represents everyone giving their best and achieving to their own personal level of excellence. Excellence is not confined to academic areas and includes sporting, cultural, social and personal excellence. R is for Respect. Respectful relationships should be at the core of everything we do and want our young people to acquire. R can also represent relational teaching practice and how this shows the importance of good relationships. And R can represent restorative practice because when things go wrong it is important to try and repair harm that may have been caused. O stands for Ora representing physical and emotional wellbeing. We all need quality of life and we need to actively take steps to look after ourselves and others. When I think of Ora I think of the airline safety videos that talk about looking after ourselves first before helping others when the oxygen mask drops down from overhead. It is the same with Ora. We need to look after our own wellbeing to be in a position to look after others. On 14 February our WERO leaders and DP Megan Southwell, ran ‘Aroha Day’: an opportunity for students to find out about sporting and cultural activities and sign up to something that interested them. It was great to see students signing up for so many opportunities enthusiastically. I hope that these initial commitments turn into enjoyable and rewarding experiences throughout the year. As you read this, our students will have just be finishing competing in our annual Athletics Day. I hope this provides a positive fun day for all of those who compete and helps to engender a stronger sense of pride in our great school. You will be able to read about the event in next week’s Wrap Up. On Friday 29 March we will run our first learning conversations for the year. The emphasis will be on how students can gain the requisite learning competencies to build success. These key competencies are an important part of our NZ curriculum and are: thinking; using language, symbols and text; managing self; relating to others; and participating and contributing. They all contribute to how a student prepares for and engages in learning. Through the media you may have heard that a student strike in support of a worldwide day of action over global warming is planned for Friday 15 March. Some of our students have expressed an interest in attending and publicity material has been circulating at school and online. The action is a global initiative expected to bring thousands of students onto the streets worldwide. In Wellington students will be meeting in Civic Square at 10am and marching to Parliament. We anticipate that students who participate will be out of school for the day. If your young person wants to support this action please notify us as soon as possible. Although the school supports students who wish to use this day to take this action, we do not support those that may use this issue as an excuse for a day off with no intention of being involved in the positive action being planned. Ngā mihi nui Dominic Killalea Important Information Thank you to the WF Anderson Educational Foundation Wellington High School has received a grant of $5000 from the WF Anderson Educational Foundation. This money will be used to assist students in financial need. We are deeply appreciative of the Foundation’s support. Board Elections  | A message from the Wellington High School Board of Trustees 2019 is an election year for school trustees.  We understand that asking people to put their hand up and stand for election is difficult, especially if parents aren’t really clear on what the role entails! Find out about becoming a trustee New Zealand School Trustees Association are offering a new programme, Kōrari, which is designed to recognise the experience of existing trustees and help to encourage potential new trustees to come and find out what it really means to serve on a school board. People who want to understand what school governance looks like can come along and find out more. A hui will be facilitated by a regional adviser from NZSTA who will talk about the reality of being a trustee, the support and training that is available and encourage existing trustees to tell their story. The Hui will be held at Wellington High School on Monday 1st April at 6pm. NZSTA will provided refreshments. If you are interested in becoming a school trustee we encourage you to come along. Please RSVP using this link if you ARE attending: https://goo.gl/forms/MBa8fFYExKC1N7YS2 What’s happening? The first Capital City Kāhui Ako Super Hui! On Monday this week, teachers from our Kāhui Ako/Community of Learning schools gathered together for the first time. Wellington High is part of a Ministry-funded collective with seven of its feeder schools (SWIS, Brooklyn School, Owhiro Bay, Island Bay, Newtown Primary, Houghton Valley, and Ridgway School). We are committed to working closely together around challenges related to wellbeing, cultural identity and capabilities for lifelong learning. The staff met, talked and shared their first thoughts about the direction and potential outcomes of our collective. It was great for staff to begin to ‘reach across’ to connect with colleagues in other local schools. The next step is to complete and submit our action plan to the Ministry of Education for approval.   John Minto visits WHS As part of the Thursday Library lunchtime lecture series for 2019, John Minto spoke to a group of WHS staff and students on Thursday. For the past 72 days the veteran activist has been walking the length of the North Island, partly to fulfil a personal ambition but also to advocate for Human Rights equality for Palestinians in Israel. John spoke thoughtfully, starting with the aims of his Te Araroa walk and gave the floor to students and staff to ask questions and extend their own understanding about activism, issues in the Middle East and his own actions during the SpringBok Tour. In a session that looked at both sides of the debate, John responded to the audience’s desire to better understand the complex and politically divisive struggles between Israel and Palestine.   Earth and Space Science students visit Island Bay Earth and Space Science NCEA level 2 students enjoyed a beautiful afternoon carrying out field work at Island Bay and Princess Bay. They practised sketching, photographing and observing the rock formations. Students learned how the rocks were formed as layers of sand 200 million years ago which became buried under an ocean that was maybe 2 km deep. Within the sedimentary rock a volcano left a layer of basalt that is now visible just east of the Bait shed as purple/red rock.  At Princess Bay there are traces of the sea creatures that lived on the ocean floor.   Overseas exchange scholarship information evening Is your student interested in spending a semester overseas? Student Exchange will be running an information session at Victoria University to provide further details.  FREE STUDENT EXCHANGE INFORMATION EVENING IN WELLINGTON Hear from returned students, find out more about discounts and scholarships available and ask questions. Thursday, 7th March – 7.00pm Victoria University of Wellington, Pipitea Campus Room GBG04, Old Government Buildings 23 Lambton Quay PIPITEA Visit www.studentexchange.org.nz or call 0800 440 077  for more information. Achievements WHS students Eli Martin (Year 11) and John Shea (Year 12) took place in the first round of NZOI (New Zealand Olympiad in Informatics) last weekend. 70 students, of all ages, and from across the country took part. Congratulations to Eli, who placed 18th, and John, who placed 11th.  
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Weekly Wrap-Up (Term 1 – Week 8)

    • 22 Mar 2019
    • Wellington High School
    • Important Dates NOTE: You can access the school calendar on our website: WHS School Calendar 26 March: FRIDAY timetable runs today 29 March: Learning Conversations all day (with rōpū teachers) 1 April: BoT NZSTA event: Becoming a Trustee (see below) 12 April: End of Term 1 Principal’s message: Support, unity and strength of action It was lovely to see a number of current and past students and teachers at the Basin Reserve last Sunday evening for a chance to grieve and to show strength and unity with our muslim communities. SLT met with WERO leaders on Monday who had a range of ideas for support and these have been actioned this week: the school made available a reflection room with senior staff for students who needed time out and someone to talk to in order to help process the event, a book of condolences is available at reception in which members of our community can write, draw and express their messages for those affected in Christchurch the school came together on the field yesterday at lunch for a unity picnic – it was great to see so many of our students there, particularly senior students – and students took part in impromptu sing-a-longs, football matches, frisbee throwing and hula hooping, to name a few activities, today the school has observed the ‘colour your day’ promotion and have observed the call to prayer at 1.30pm followed by the 2 minute silence at 1.32pm, students have created a chalk wall where anyone can leave a message for our muslim whānau, and, students have been busy creating art works inspired by and in answer to the events. The students through all of this have been wonderful and caring and I hope we can all emerge from this feeling more kinship towards each other. The events last Friday overshadowed what was a wonderful response from our young people in civic square and at parliament in relation to climate change. A large number of our students took part in the climate change march and this was worthy of national focus. We made it very clear at Wellington High School that we supported our students with this action and I was really disappointed to see some principals and teachers in other areas devaluing the students’ initiative. We should all take strength from their actions last Friday and their continuing action this week in unrelated events. They are our future and their actions over the past week have been inspiring. Dominic Killalea Principal Important Information Learning Conversations — 29 March 2019 The Learning Conversation takes place between your student, the student’s rōpū teacher and parent(s) / caregiver(s).  Each learning conversation will take 20 minutes at the most. Students will only be at school on Friday 29 March for their learning conversation. Emails have been sent home. Bookings for learning conversations can be made at https://www.schoolinterviews.co.nz/ using code xktku. Lift Access: Please note that we have no lift access at the moment and are awaiting a new lift. If you would usually require the lift, please email Alison Jeffery (alison.jeffery@whs.school.nz) to request an accessible room. We apologise for any inconvenience this may cause. Emergency preparation We acknowledge that this has been a difficult week for everyone. We are keen to make sure you are fully informed of how our school would respond in an emergency. We are upgrading our alarm system at present but will conduct a practice lockdown and evacuation soon. We will inform you and the students in advance when we plan to do this. Meanwhile, you can read about our processes here: Emergency preparation.     Viewing disturbing content online This week, we issued a reminder to students that they should not be viewing or sharing disturbing content related to the Christchurch events online. We amended the use of computers in the library in relation to the kinds of games being played and we reviewed our whole school filtering options. We will continue to take this very seriously. Netsafe has issued the following advice: “The footage of the Christchurch attacks is disturbing and will be harmful for people to see. If you or someone you know has viewed the video and are struggling with what you have seen please contact ‘Need to talk’ – free call or text 1737. While the content is online there is some risk that children or young people may come across it. We encourage all parents to proactively discuss with their children what they should do if they come across distressing content online. Further information is available at netsafe.org.nz/upsetting-content/     What’s happening? In support of Christchurch: Unity Picnic At lunchtime on Thursday, several hundred members of the WHS community congregated on the school field for our Unity Picnic. An inspired, inclusive and community-focused idea from our WERO leaders, the picnic gave us all the opportunity to sit, eat, chat and enjoy each others company. Students took the opportunity to play guitar and sing, or get involved with games of frisbee, or even to focus on school work while they ate.            Memorial Wall Students have taken the opportunity to express their respect and support for those affected by the Christchurch shootings creating a colourful memorial wall. Located by the car park near the Science block, the wall is a striking feature at the entrance to the campus.   Board Elections  | A message from the Wellington High School Board of Trustees 2019 is an election year for school trustees.  We understand that asking people to put their hand up and stand for election is difficult, especially if parents aren’t really clear on what the role entails! Find out about becoming a trustee New Zealand School Trustees Association are offering a new programme, Kōrari, which is designed to recognise the experience of existing trustees and help to encourage potential new trustees to come and find out what it really means to serve on a school board. People who want to understand what school governance looks like can come along and find out more. A hui will be facilitated by a regional adviser from NZSTA who will talk about the reality of being a trustee, the support and training that is available and encourage existing trustees to tell their story. The Hui will be held at Wellington High School on Monday 1st April at 6pm. NZSTA will provide refreshments. If you are interested in becoming a school trustee we encourage you to come along. Please RSVP using this link if you ARE attending. Meet Ron Year 10 2018’s second semester sculpture will be taking up residence on the WHS campus very soon.   New Zealand Young Scientists’ Tournament Last week, teams from schools in Auckland, New Plymouth, Lower Hutt and Wellington met to compete in the first New Zealand Young Scientists’  Tournament (NZYST). Over two days, the 9 teams took part in Science Fights, presenting, opposing and reporting on research completed since September.  WHS fielded two teams: the Immovable Concrete Pillars and the Generous Practitioners who are to be congratulated for finishing 3rd and 4th respectively. Competitors may now be selected to take part in the International Young Naturalists’ Tournament in Minsk, Belarus later in 2019.                 Sport Futsal New Zealand Secondary School FUTSAL Champs will be held on Wednesday 27, Thursday 28 and Friday 29 March at the ASB Sport Center in Kilbirnie Wellington High School will be represented at the NZSS FUTSAL champs by a Junior Boys and a Senior Boys teams. A list of the students representing us at the Championships are: Junior Futsal (Boys): National Beau Buckley Yusef Idris Ibrahim Arthur Kraemer Ashwin Ellis Ibrahim Idris Ibrahim Hidu Choi Mohammad Mazraeh Senior Futsal (Boys): National Nathan McConnel Willem Rodgers-Rowe Louis Cowan Ruairi Whelan Turbull Leo Clark Jack Ure Seth Mitchell Webster Liam Gillespie Thomas Woodward Cade Kelly Felix Ayland Jibril Abid Yusef Callum Godfrey (Manager)   Waka Ama The CSW Waka Ama championships were held on Saturday 16th March at Onepoto in Porirua.  All of our teams did so well and represented Wellington High School to a high standard. A huge thank you to their coach Matua Whakamarurangi for all his time and expertise.       Lawn Bowls On Tuesday 19 March College Sport Wellington held the Lawn Bowls Championships out at Silverstream.  Theo Sutorius competed at the event for Wellington High School. Theo has played Lawn Bowls for the school for the last four years and has enjoyed every aspect of the sport.  Well done Theo!       Achievements WHS Alumnus wins Gold at Special Olympics Dominic Faherty, one of our alumni, won a GOLD MEDAL in the 200m event, and achieved a personal best, at the Special Olympics in Dubai. Dom is pictured on the podium. Congratulations! Frankie Coup — From Javelin novice to national competitor in 3 weeks! Frankie Coup threw her first javelin at the WHS Athletics day on 1st March 2019. She managed an impressive second in the junior girls’ category. After the competition she threw a few more times, one of which was 4m further than the current Junior Girls WHS record! Unfortunately, as it was out of competition, it wasn’t able to be officially recorded. Frankie was chosen to represent Wellington High at the Western Zone Athletics meet on 6 March 2019. Here she managed to win the Junior Girls’ competition, and earn a spot at the Regional Athletics meet. At the Regionals on 14 March, she won again, making her the best javelineer in Wellington. She has now been selected to represent Wellington at the National Athletics meet in Tauranga on 6 April 2019, a stunning feat for someone who threw their first javelin fewer than three weeks ago!
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    Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • REBLOG Croaking Cassandra: Further thoughts on the airport Part 1

    • 9 Dec 2015
    • Guardians of the Bays
    • Shortly after the release of the cost-benefit analysis of the proposed Wellington airport runway extension, prepared by Sapere for Wellington International Airport Limited (WIAL) I wrote a post in which I posed the question “If they build it, what if no one comes?” Since that post, I’ve been to one of the open day/public consultation meetings, have read and thought about the documents more thoroughly, and have read various pieces written by others, including the new one by Ian Harrison that I linked to yesterday.  I have also had some engagement with Sapere and WIAL, which has helped to sharpen my sense of what the issues really are. The cost-benefit analysis is not a business case document.  It has been prepared in support of a resource consent application.  What I hadn’t known when I wrote earlier (and was advised of by Sapere) is that  under the RMA the applicants will need to be able to demonstrate national benefits to get permission to fill in some more of Lyall Bay, to extend the runway. I’m sure that the cost-benefit analysis is not serving as a business case for Infratil, the major shareholder in WIAL.  But since this project is generally accepted to be viable only if there is significant public funding, and any such funding can only be defended if there would be material net public benefits , the Sapere cost-benefit analysis is by default serving as something of a business case at present.  If the numbers don’t stack up, neither the Wellington region councils nor central government should be putting any money into the project (beyond WIAL’s resources, and of course Wellington City Council is a 34 per cent shareholder in WIAL). In this post, I will offer a few thoughts on the plausibility of the assumed increase in international passenger traffic to/from New Zealand as a result of the extension. Extending the runway at Wellington airport could materially reduce the cost of some forms of international travel in and out of Wellington. If long-haul flights were offered,  lower costs could result by reducing the time taken (eg. by eliminating the one hour flight to Auckland and the stopover time in Auckland, it might reduce the total time for a trip to Singapore (and onward points) by perhaps 2.5 hours).  For those travelling anyway, those gains could be material –  time has an opportunity cost.  In addition, by allowing long-haul aircraft to fly into Wellington, the direct cost of international airfares in and out of Wellington could also be expected to fall –  quite materially, if the numbers Sapere quotes are correct.  Those gains apply not just to long haul routes themselves –  a Wellington-Singapore direct fare should be materially cheaper than the current options via Auckland, Christchurch or Sydney –  but also to trans-Tasman flights, as the longer runway would also facilitate used of wide-bodied aircraft on trans-Tasman routes (as for examples, the Emirates flights between Christchurch and Australia). Of course, simply building the runway extension does not bring about any of these savings.  They depend on airlines finding it profitable to run additional services.  And although international air travel has increased enormously to and from New Zealand in recent decades, provincial New Zealand is littered with the dreams of local authorities (airport owners) with aspirations to have an international airport.  New Zealand has plenty of attractive places, but one main international airport. Wellington, of course, has a significant business market, and business travel is typically much more profitable for airlines than leisure travel. And unlike the predominantly leisure travel into Christchurch, the Wellington business travel probably isn’t very seasonal.  So the idea the long haul flights into Wellington could be viable isn’t self-evidently absurd.  But, on the other hand, the economic cost of making such flights technically feasible – lengthening the runway –  is far higher than in many other places.  At $1m a metre, it is considerably more costly than putting some asphalt on some more grassy fields in Christchurch.  Wellington isn’t a natural place for a long-haul international airport. The WIAL proposal uses modelling by international consultants to estimate likely growth in traffic and passenger numbers with and without the extension.  There are some questions about the baseline forecast, including for example around the potential future impact of climate change mitigation policies.  But my main interest is the difference between these two –  the increase in traffic that would result from the runway extension itself. It is hard to pick one’s way through all the numbers, but the bottom line appears to be that the cost-benefit analysis is done on the basis that by 2060 there will be an additional 400000 foreign international passengers per annum arriving in Wellington, and an additional 200000 New Zealand international departures per annum through Wellington[1].  Many of these are people who would otherwise have travelled via Auckland or Christchurch, so that the net gain in international travel numbers to New Zealand is around 200000, with an additional 100000 or so New Zealanders travelling abroad.    Many of the gains are forecast to occur early in the period.  Thus, by 2035, the analysis assumes an annual net gain to New Zealand of around 125000 international visitors (relative to the no-extension baseline). How plausible is this?    The various reports highlight the phenomenon of “market stimulation” –  putting on new air services tends to stimulate total passenger numbers.  That shouldn’t be surprising.  Not only do point-to-point services lower the cost of visiting a particular place, but marketing expenditure raises awareness of the destinations concerned. On the other hand, one can’t just take for granted that such market stimulation will render long haul flights into and out of Wellington viable.  After all, there are plenty of cities around the world with few or no long haul flights.  Closer to home, Rotorua is an attractive tourist destination and can’t sustain direct flights even to Sydney. What of Wellington?  The modelling exercise involves lowering the cost of foreigners visiting Wellington –  to some extent artificially, because the costs of providing the longer runway are not passed back in additional charges to those using long haul flights –  but not the cost of them visiting New Zealand (since Auckland and Christchurch fares would stay largely unchanged).   Any long-haul flights into Wellington will almost certainly be from cities that already have flights to Auckland (and possibly to Christchurch).  Is it really plausible that an additional 200000 people per annum (or even 125000 by 2035) will visit New Zealand simply because they can fly direct to Wellington, or (in respect of trans-Tasman traffic) fly into Wellington more cheaply than previously? Perhaps I’m excessively negative on Wellington.    I reckon it is a nice place for a weekend, but not a destination that many long haul leisure travellers would choose.  What is there to do after the first two days?  And there is little or nothing else in the rest of the bottom of the North Island.   So it is plausible that lower fares resulting from additional competition would attract more weekend visitors from Australia. But no one is going to come for a weekend in Wellington all the way from China or Los Angeles.  And since the principal attractions of New Zealand are either in the upper North Island or the South Island, how many  more people are likely to come to New Zealand just because they can choose Wellington as the gateway for their New Zealand holiday? And what of New Zealanders travelling abroad?  Since the costs of Wellingtonians (and others in the nearby areas) getting to desirable destinations abroad would be cheaper if there were direct flights from Wellington, it is credible that the total number of New Zealand overseas travellers would increase.  In fact, whereas the modelling suggests twice as many new foreign visitors as new New Zealand international travellers (and in total there are twice as many international visitors to New Zealand as travelling New Zealanders), in this case I wonder if the putative new  routes would not be more attractive to New Zealanders than to foreigners?  One can illustrate the point with a deliberately absurd example: put on long haul international flights to Palmerston North, and they would be quite attractive to people in Manawatu (much easier/cheaper to get to desirable places like New York or London) but not very attractive at all to foreigners (for whom Manawatu has few attractions). But even if wide-bodied aircraft flights from Wellington did make overseas travel more attractive to New Zealanders, is the effect really large enough to be equivalent to one more trip every year for every 10 people in Wellington and its hinterland?  And would the effect still be remotely that large if passengers (users) had to cover the cost of providing the longer runway (which should really be the default option)? Reasonable people can differ on these issues. In my discussions, a lot seems to turn on just how attractive people think Wellington is.  I’m pretty sceptical that long haul tourists will ever come to New Zealand to see cities.  Perhaps if one is thinking of visiting New Zealand cities, Wellington is more attractive than our other cities, but even if so Wellington still has the feel of being a logical gateway to nowhere much.  It isn’t an obvious starting point for a “whole of New Zealand” trip, or a North Island one (given that most of the attractions are further north), or a South Island one.   So I’m left (a) sceptical that the net addition to visitor numbers to New Zealand will be as large as the analysis assumes even if the users don’t bear the costs, and (b) suspecting that the boost to the demand for New Zealanders to travel abroad might be greater than the boost to the demand for foreigners to visit New Zealand. On that latter point, the experts point out that they assume that the new long haul services will be provided by foreign airlines, and that the evidence of recent new air services to New Zealand provided  by foreign airlines is that they disproportionately boost the number of foreigners travelling.  I have no reason to doubt the numbers, but I still wonder if the same result would apply to routes into Wellington.  New flights into Auckland are often the first direct flights offered into New Zealand (as a whole) from that city or country.   My impression is that “New Zealand” is the destination marketed to long haul passengers.  But direct flights to/from Wellington do more to open up the world (more cheaply) to Wellingtonians than they do to open New Zealand to foreigners.   And if so, would the foreign airlines be keen to offer the Wellington services at all? This post has been about the sort of increased passenger numbers that might be expected if the runway was extended.  In some sense, that should be largely an issue for WIAL.  If they can extend their capacity and attract sufficient users at a price that covers the cost of capital of WIAL and its shareholders, the rest of us might not care much (I’m not much bothered about environmental issues, although my family enjoys the waves at Lyall Bay beach).    But the cost-benefit analysis being used to lure ratepayers and taxpayers into funding much of the proposed expansion suggests that there are very large economic benefits to New Zealand which cannot be captured directly by airlines or airports.  I think they are wrong, and my next post will explain why. [1] From tables 5.11 and 5.12 in the InterVISTAS report.
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    Lyall Bay, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)
  
  

• • Match Report Rd 6 Swindale – OBU lose first 2020 match to MSP

    • 29 Jul 2020
    • Old Boys - University Rugby Club
    • <div class="slider slider-nav-circle slider-nav-large slider-nav-light slider-style-normal" data-flickity-options='{ "cellAlign": "center", "imagesLoaded": true, "lazyLoad": 1, "freeScroll": false, "wrapAround": true, "autoPlay": 6000, "pauseAutoPlayOnHover" : true, "prevNextButtons": true, "contain" : true, "adaptiveHeight" : true, "dragThreshold" : 10, "percentPosition": true, "pageDots": true, "rightToLeft": false, "draggable": true, "selectedAttraction": 0.1, "parallax" : 0, "friction": 0.6 }' > #image_638246734 { width: 100%; } #image_886644742 { width: 100%; } #image_1156154081 { width: 100%; } #image_2018455272 { width: 100%; } #image_975258038 { width: 100%; } #image_627336695 { width: 100%; } OBU 18 MSP 22 This was never going to be an easy match. MSP have recruited well this season particularly in the backs and welcomed some Hurricanes experience in the Proctor brothers to the starting line-up. It was old-timers day for MSP and a fair few of the older members had turned out to their clubrooms to preload! Conditions The weather was fine with the wind blowing diagonally down the pitch from the north into the south-eastern corner where the field dips away a little. the sun was low in the first half and difficult for OBU to deal with playing into it from the southeastern corner. It would be even worse for MSP in the second half. OBU was playing from Gym end toward the road in the first half. John ‘JC’ Cable & Jaesen Sumner were kindly present to keep an eye on the play while I wrestled with the screen lock on my phone. We are positioned up beside the video platform on the northern side. Notable performances The front row was mighty but didn’t really get the rewards it may have felt entitled to. The lineout applied lots of pressure and caused plenty of mistakes from MSP Paddy Carter was immense around the field. He is becoming a valuable utility player covering locks and flanks and is certainly a lineout option with outstanding aerial skills whichever position he is in. Shamus and Caleb deserve a mention every week. Hardworking, rugged and abrasive all over the park. In the backs, Sam Reid was once again rock-solid barely making a mistake. Ty Poe is a consistent performer growing each week. Callum and Dale are a great pairing of skill, speed and determination. Kyle really stood up in this match and had several classy touches including the chip and regather for the try. How the game unfolded 2 mins The tone for the match was set early scrum-wise by OBU. A powerful shunt spoilt the MSP feed which resulted in a knock-on in the backline due to the backfoot ball. 5 mins A series of pick and goes near the MSP line in the left corner resulted in a penalty to OBU. Dale steps up and nails the shot on the 22m line about 15 in from the left touchline OBU 3-0 6 mins From the kick-off there is a penalty for a high shot on Paddy. The penalty kick doesn’t find touch. The kick is followed up well enough to pressure MSP whop are finally able to clear to the touch after a couple of minor wobbles. 9 mins MSP manages to get it wide to their left side close to the touchline in front of us. The MSP player makes a great burst upfield but eventually, it breaks down and we go back to the penalty the ref was playing advantage for. The shot is successfully taken from 35 metres out and just to the right of the posts. 3-3 13 mins MSP puts up an up and under (or ‘Gary Owen’ for the northerners), then they regain at the ensuing ruck and the halfback chips downfield. Sam Reid has no choice but to run it into touch near our line on the far side of the paddock. From the lineout MSP throw is not straight so OBU gets to clear from the scrum. Pressure diffused for now. 17 mins MSP sets up a driving maul from a lineout but OBU gets the drive on. The maul breaks up with MSP players in behind our forwards. MSP flanker and halfback both have a dab at the line but it’s the right-winger who busts through for the score. The conversion misses. MSP 8-3 20 mins OBU charge down an MSP clearing kick. Ty Poe claims the loose ball and scores it under the sticks. The conversion was successful. OBU 10-8 23 mins A great move from OBU down the left-hand side of the field, Shamus makes lots of ground commits the defence and sets Paddy for the pass but it goes behind Paddy. MSP runs it out. There is a brief altercation. The Assistant Referee puts his flag out and a discussion ensues with the ref. The referee calls the captains together and presumably issues a warning to both teams to keep it clean despite what looked like a punch thrown by the red player. 24 mins Kyle darts down the blindside and chips past the first line of defence. He regathers under pressure from 3 defenders and scoots the rest of the way down the far sideline to score it in the corner. Conversion unsuccessful. OBU 15-8 28 mins Shamus crashes through the defence with some good pace and offloads to Finbarr. Reece ratchets up the pressure with an attack down the close touchline. OBU is right on the MSP goal line but are penalised. Can’t tell from our position what it was for. Unfortunately, someone says something to the ref so we deservedly get marched 10 metres. 30 mins OBU is in MSPs half again and looking likely but are penalised for holding on in the tackle. Good play from MSP flanker to beat the cleaners to the ball. MSP kick into the far corner. From the lineout MSP over-throw the ball and Kyle makes a great 40-meter clearance. 39 mins MSP is penalised for backs offside. Callum steps up to have a long-range shot from just inside the MSP half and out to the left. Kick misses Halftime OBU 15-8 41 mins MSP on the attack, OBU backs are caught offside 35 metres out and slightly to the right of the posts. Kick landed OBU 15-11 46 mins A long sequence of pick and goes on the MSP line. An MSP player crashes over the top believing he is onside and concedes a very obvious penalty. Dale successfully takes the shot. OBU 18-11 49 mins OBU concede a penalty for holding near the 10-metre line straight out in front. Kick is successfully taken. OBU 18-14 52 mins Paddy claims the kickoff with a memorable AFL-style leap. 55 mins OBU move the ball wide to Sam Reid who slips through the first tackle but can’t get through the second and eventually the ball runs into touch. MSP again overthrow the lineout. Morgan tries to gather the ball but knocks it on. MSP feed to the scrum. 57 mins MSP manages to clear the scrum which is under pressure and begin a promising period of attack near the OBU line. OBU player gest over the ball and wins the penalty which is cleared to touch taking some of the pressure off but we lose the lineout. Matt Fowler makes it on for his 50th replacing Kyle Preston at the base of the scrum. Sam Godwin on James Poloniati Off 60 mins A great driving maul from OBU. Eventually, MSP concedes the penalty and OBU elects to kick to the corner. Another great driving maul and an MSP forward rolls the dice by dropping it and gets away with it this time. Eventually, OBU knocks the ball forward. 63 mins MSP clear their line from a massive kick by James Proctor playing at 2nd 5. He kicked from the 5-meter line and the ball eventually goes out just on OBUs side of halfway. 66 mins Almost an action replay with another great clearing kick from Proctor. 73 mins MSP are hot on the attack and looking dangerous. There is an OBU player down. It turns out to be Matt Fowler in his 50th. Kyle comes on to replace him as a precaution. Morgan comes back on sporting a bandage on his head. I missed where he went off! Sam Coombs leaves the field. Taine Plumtree is replaced by Josh Gimblett 75 mins There is a series of Pick and goes on our line. Eventually #19 James Tuia crashes over. Conversion unsuccessful. MSP 19-18 75 mins Sam Coombs is on for Finbarr Kerr-Newell and somewhere along the way Matt Sleith came on at hooker for Kenan Gillson. OBU just need to hold the ball and work it back up the field to get in position to pressure MSP into a mistake. OBU puts the drive on from a lineout but the ball is knocked on. 78 mins OBU desperate now tries to run it out to the other end of the field but MSP turn the ball over in our 22 and the 1st 5 for MSP lines up and slots the drop goal. MSP 22-18 That’s the way the match ended. A riveting game with a very tight finish. I get the feeling that this match could well be replayed over the coming weeks in a semi or a final, but let’s not count our chickens just yet. Another almighty challenge awaits against Tawa out at Lyndhurst Park next week. Final Score MSP 22-18   The post Match Report Rd 6 Swindale – OBU lose first 2020 match to MSP appeared first on OBU Rugby.
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    Tawa, Wellington, New Zealand (OpenStreetMap)
  
  
• • 

    October Messenger

    • 7 Nov 2022
    • St John's in the City
    • RASING THE STANDARD OF GIVING <figure class=" sqs-block-image-figure intrinsic " > ‘Raising the standard of giving’ – describes the thoughtful re-examination of our giving as an important expression for our faith.  We give meaningfully, not because the Church needs it (it does, of course) but because as Christians we need to give it for our own sake spiritually. Our giving connected to our:  Discipleship Shared mission and vision Expression of generosity in proportion to our means. Together we are encouraging one another to think about our values, to examine or re-examine our giving habits accordingly, to make carefully thought-out decisions, and to re-arrange our priorities in using money to enable us to carry out these decisions.  Money is a real responsibility. The more we have of it, the greater our responsibility. The place we give it in our lives, the purposes to which we put it, are very relevant to our Christian life.   Our attitude to money and possessions provides a practical test of our love of God and for others. Often our money may be taken as a yardstick measuring the value we put upon our beliefs. Our attitudes to money, the place we give it in our lives, provide a telling clue to our Christian character.  What is ‘token giving’? Giving is not primarily token by the size of the gift, but by its relationship to the financial means of the giver and how it relates to her/his intention in making it.  What about ‘sacrificial giving’? Graham Redding recently wrote:  “Has the concept of sacrificial giving had its day? For as long as people deem the act of giving to be an integral part of their sense of vocation, then the answer to that question must be no. What is freely and abundantly given, even at a sacrificial level, can be a joy, not a burden.”1  Sacrificial giving is best understood as generous enough to involve substantial cost, and so has real meaning to the giver. It brings to the giver a sense of fulfilment - of responsibilities faced and met. It comes only after careful thought, realisation of the issues involved, prayer and the planning that makes such a gift practicable. It makes a significant impression on the giver’s spiritual life because it brings into sharp focus the importance of spiritual values in life.  So, as we move forward on the journey of faith together, let us re-examination our giving as we put our faith into action every day.  [1] ‘Time to talk about responsible rather than sacrificial giving?’ Graham Redding, Otago Daily Times, 29th April 2022. https://www.odt.co.nz/opinion/time-talk-about-responsible-rather-sacrificial-giving LUMINARY Luminary is a sculptural installation by artist Auckland Karen Sewell which was installed in St John’s chapel from 29 July to 7 August this year, having earlier been shown as part of the collateral projects programme of the Venice Biennale 2022 in Italy and in Auckland, Dunedin and Christchurch. It explored the metaphor of light and light giving bodies and was an effort to revive the long-standing tradition of placing art in churches, in this case with contemporary art. It involved a large sphere illuminated in white and gold light high in the ceiling of the chapel, accompanied by a display of lumen prints, showing another aspect of light.  We saw it as more than that. While providing an opportunity for people to reflect on creation and light, it was also an opportunity for St John’s to connect with the wider community and tell people about our own historic building, with its own art works of high interest such as our stained-glass window of the Good Samaritan on our north wall or Christ’s last supper, shown in the chapel. It worked well. With support from the Congregation contributing to expenses and volunteers helping to open Church, more than 300 people saw the work, including more than 200 from beyond the Congregation. Some stayed for up to half an hour and engaged well about St Johns and what we do on site. A good range of people showed interest, including many students and younger people, some who just wanted to see inside the Church which is normally not open. The sale of Karen Sewell’s donated artworks raised $207 for DCM’s work with the homeless too.   A big thank you to all who helped, including to show us some other ways to connect with our community, as we want to fulfil our vision for St John’s.   See the video production of the installation at St John’s in the city https://www.luminaryvenice.com/luminary-wellington-video  See more at www.luminaryvenice.com  David Galt  <figure class=" sqs-block-image-figure intrinsic " > CHURCH CAMP 2022 This month saw our church whānau join together at Forest Lakes campground for Church Camp 2022. We were treated to lovely spring weather, a plethora of activities, and meaningful worship sessions all packed into just 2 nights! <figure class=" sqs-block-image-figure intrinsic " > Arriving on Friday night, we quickly stowed our things in our cabins, then started camp right with icebreaker games, and a session in the chapel. We got to sing along with the combined worship band and hear more about our theme of “Journeying together”. It felt apt knowing that not only had we all journeyed to Otaki to be together, but we’ve all been on our own journeys through COVID and a rapidly changing world. Games and movies and supper sufficiently tired us all out ready for what we hoped would be a good nights’ sleep in cold cabins. Saturday dawned bright and the whole day stretched before us. After breakfast it was time to welcome our day campers and get stuck into more worship. Truly, guitars and clapping and singing - such a great way to wake up! Then came a life auction; working together in multi-generational teams and trying to build a meaningful life on a (imaginary) budget created rich conversations for sure. Being a part of a ‘poorer’ group really did make our group focus on just a few, top priority qualities that make a huge difference to a good life. Digesting this while hearing more stories of people on a journey brought home how lucky we are, and how we can keep going towards more. Free time in the sun followed our time together, with kayaking, golfing, archery and more. Kids entertained and happy campers mingling together and chatting through life with smiles beaming. <figure class=" sqs-block-image-figure intrinsic " > After more games and then dinner, it was time for the long-awaited camp concert. What talent our church whānau possesses! From dancing to singing to karate to hose trumpets, it all ended with a blow out youth band jam session. What do you do when you’re alone in an elevator?? And of course, camp wouldn’t be complete without the bonfire. We saw roaring flames, gooey marshmallows, and warmth all on a beautifully still night. A perfect chance to be real, and engage with one another. <figure class=" sqs-block-image-figure intrinsic " > Sunday morning worship and we tied together our journeying theme of the weekend. All tied together like a fairy tale.Church camp had been just another casualty of the COVID cancellation era last year, and it was fantastic that we got to pick it up and revive it for this year. It seemed extra rewarding that it came following a big time of post-pandemic change and busy-ness in our lives. A huge thanks to the team of volunteers who helped plan and organise to get it going, and to all those that helped while we were there to keep things running smoothly for us all. God is definitely close when we’re moving towards Him together. Amanda Fitch A FUTURE IN THE CITY In 1853 St John’s was surrounded by paddocks, on the fringe of a new settlement town. Down the road was Te Aro Pa, and in and around Dixon St were ramshackle shanty buildings and an abattoir. Muddy roads, typhoid outbreaks and a British immigrant population were seeking a new beginning having bought land from the unscrupulous NZ Company. Meanwhile Tangata Whenua hailing from Taranaki Whanui and Te Ati Awa were slowly being disenfranchised from their land. The history of Wellington’s settlement is far from pretty. By 1893 women had the vote and there was a strong movement for social improvement. As expressed in the NZ Presbyterian magazine the ‘Christian Outlook’, the place of cities, their influence, the call to be a part of the social fabric and be Christ ‘where you are’ was strong. To ‘Make that one corner, room, house, office as like heaven as you can.’… to “Beautify it, ventilate it, drain it.’… Educate it, Amuse it, Church it. Christianise capital; dignify labour.’’ In 1895, the church was calling members to get involved in the nitty gritty and dirty parts of life, to use their capital for good. To be involved in the hard stuff, to engage in social issues and matters of justice. Not to sit back and watch, but to “Join councils and committees. Provide for the poor, the sick, and the widow. So will you serve the city." This is the whakapapa of St Johns – In the City. Fast forward to 2022. 169 years later we are asking ourselves once again, what does it mean to be part of the City? How do we be Christ’s hands and feet amongst the high-rises, the apartments, and the shadows of the City where loneliness is common? How do we provide a place of restoration in a world of hard tarmac and where open spaces are rare? How do we meaningfully share the knowledge of a loving, hope-filled God to a understandably cynical generation, who have heard more about the damage meted out by religious authority, and never had firsthand experience of the church as a loving, accepting and generous community? This is what we have been grappling with for the last year. We’ve been asking ourselves what is our future? Who do we need to be for a new generation? How do we demonstrate Christ’s message of love, hope and create a place where people feel they belong and can find respite, in order to recharge for whatever life throws at them?After much deliberation, prayerful, presbyterian debate and discussion, we agreed the following statement captured our Vision for the future:We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. <figure class=" sqs-block-image-figure intrinsic " > The Pohutukawa tree represents our community, our hopes and aspirations – with strong roots in God’s love building faith together, a trunk with many strands that is a place of acceptance and belonging, reaching out our branches in many diverse ways to connect with the dynamic community that surrounds our site and explore the Gospel together.Quickly moving onto Actions, we have tried to put legs on good intentions, and turn theory into practical actions providing a renewed sense of community purpose post-COVID. An interactive workshop where members got a chance to choose a project team they wanted to participate in kicked off this stage. Site and Space TeamChristmas in the Courtyard - a celebration with food, music and carols    Friday 9 DecemberContact Rob Anderson or Judi Ferguson , Phone: 021 239 1702    Community Rebuild Supporting Attendance at Church Camp and Talent Show. 20 older congregation members came to church camp for the day! Awesome job team!!  Whānau Night ExtensionYouth Lead Code Breaker Night, 20 November 2022 – Come along! Vision Communication and ConnectionsImproving Signage and Billboards, Contact: Elizabeth Gibbs. This group has met and made plans. Now…full steam ahead! Getting to Know our Neighbours / Understanding Our Eco System/CommunityParticipating in Wellington Heritage Week (with our Open Day on 5 November), connecting with local property developers to understand future populations.  Contact: Pamela Cohen  Phone:  027 440 1838 Fiona Purchas NOTABLE MENTIONS New MembersAnjali George, Robyn Albertson Pearse Lane for receiving the Chief Scout Award, as well as a Karori Youth Award and MVP for his Football season with Wellington College. Alice Carter won Hutt singing competition and sang in the national Memorial Service for QEII Leon Scohpa (Son of Richard Hpa and Chantelle Scoon) for his Baptism. Bhanu Pancha for her Baptism
    • Accepted from News - St John's in the City Presbyterian Church 41 months ago by feedreader
    • Tagged as:
    • karori
    • covid-19

    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • AW Final NZ Cross Country Team

    • 29 Jul 2019
    • Athletics Wellington
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Swan (W), Dougal Thorburn (S), Andrew Wharton (S).   Masters Men 50 Paul Hewitson (W), Jim Jones (S), David Kettles (S), Grant McLean (S), Tony Price (M), Peter Stevens (S), Michael Wray (S).   Senior Women Melissa Black (W), Maiya Christini (W), Sarah Drought (W), Esther George (W), Jess Kikstra (S), Nicole Mitchell (S), Andrea Peat (W), Miranda Spencer (W).   Women’s Under 20 Hannah Gordon (H), Hannah Houghton (W), Jessica Hughes (O),  Kirstie Rae (W).    Women’s Under 18 Caitlin Bassett (W), Emma Douglass (O), Lucy Hegan (O), Maia Holbert (O),  Esther Kozyniak (W), Maali Kyle-Ford (W), Hannah Molloy (T), Hannah Stegenwallner (H).           Masters Women 35 Mel Aitken (S), Renae Creser (K), Anna Douglas (K), Sally Duffy (M), Andrea Harris (Wairarapa), Katie Jenkins (O), Mel Stevens (S), Michelle Van Looy (O).    Masters Women 50  Lesley Graham (M), Vickie Humphries (W), Judith Taylor (K), Carline Thomas (W), Helen Willis (S).
    • Accepted from Athletics Wellington 2019 80 months ago by feedreader
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• • 

    A city with a vision? AKL x WLG

    • 6 Sep 2020
    • Talk Wellington
    • Wellington’s got a lot of bustle and noise (Let’s Get Wellington Moving – Spatial Plan – new subdivisions – convention centre – library) but where’s the coherent vision? Hey Auckland – can we learn some things? The Wellington Urbanerds invited some insightful Aucklanders to talk about the Auckland City Centre Masterplan (CCMP) because it’s getting a lot of positive interest in nerdy circles nationwide, and we thought “Wellington needs one of those to galvanise our progress!” But it turns out that the CCMP is not the cause of Auckland’s progress – it’s a milestone marker of a bigger evolution in Tāmaki.  Auckland City Centre’s chief urban designer George Weeks was insightful, visually engaging and occasionally very funny. Auckland city centre’s chief transport designer Daniel Newcombe injected insights that were pithy and thought-provoking. All up it’s worth watching the video – details at the bottom. But this post has some of the big insights for Wellington that we took away.  Hat tip to Charles Dawson for invaluable note taking. A galvanising vision, with a strong whakapapa  What makes the CCMP unusual as an official planning document, Weeks told us, is that it’s not “a planner’s plan” – 2,000 pages of vision down to prescriptive requirements. Instead it’s “the brochure for the city centre”. He told us that “with the 2012 CCMP, we thought it was better to have a 200 page document that 10,000 people see, or at least have skimmed, than a 2,000 page document that 100 people read in detail. We have used this approach to shape the 2020 CCMP.” It has had a major refresh in the last 8 years and the 2020 version is quite something. Galvanising vision  Weeks took us through how the updated CCMP works: how it delivers on the Auckland Plan’s promise of life in Auckland, through the city centre’s form and function. It’s worth laying these out because while we definitely have bits of the formula, there’s some powerful elements we’re missing.   Experience of being there The Auckland Plan (essentially the Tāmaki-Makaurau 30-year plan) sets out ten Outcomes for the city – effectively the promise of life experience that you should get, being in Auckland. The whole super-city is supposed to fulfil these promises, and the city centre’s no exception. In the CCMP, the ten citywide Outcomes or life promises are intertwined with eight place-specific Transformational Moves. The latter are the major initiatives to change the physical environment of the city centre so it can deliver those outcomes – the good Auckland experiences – for anyone who’s there.  A lot of this has come into the 2020 CCMP thanks to Access for Everyone (A4E), the city centre’s transport programme done to support the CCMP refresh process (more on A4E later). Street forms and place shapes… So the 2020 CCMP has street explainers that show – conceptually but with a lot of verisimilitude – the components of the streets and buildings, the overall shape of the whole public realm that’s needed for the city centre to give people that great experience.  a generic “transit street” explainer – from the CCMP These explainers are conceptual, but are tied enough to specific places, that everyone can see the trajectory of how their specific bit of the city will be changing, but crucially they can see a really solid why. …because This means “X street, and its environment, should have Y shape and form because…”. We saw, for example, that one of the biggest streets in the Learning Quarter, Symonds Street, will be a transit street for all these reasons: Symonds St, for example, needs to become a transit street not because of some abstracted notion of “sorting out the transport” but because it is at the heart of Auckland’s city centre universities, and “transit street” is the form for Symonds Street that will let it best serve people in the Learning Quarter with the good experience the Auckland Plan promises. Weeks flicked through a few examples of how the CCMP is signalling change to the built environment of Tāmaki’s city centre (which is pretty interesting – have a play here, the 2020 version is fully digital!) Our impression of all this was that the CCMP, thanks to the Auckland Plan and Access For Everyone (the transport dimension), has pretty well integrated two things that any self-respecting city needs to integrate. This is the roles of movement (transport) and place or exchange (destination activity) in any given area of the city centre. And Auckland manages to integrate these with a nice clear Why and Because for each set of changes. [Hold on, is that anything special? We know about this stuff… This tight integration – of form to function, place with movement, built form to people’s lived experience – seems pretty elementary for self-respecting cities. And you’d be forgiven for assuming Wellington has that integration in place. Indeed, things like the street concepts in Auckland’s 2020 (refreshed) CCMP don’t look too dissimilar to what LGWM put out for the Golden Mile. And the material coming out from LGWM and the Central City elements of the Spatial Plan and Wellington 2040 use a lot of the right words. Golden Mile concept from LGWM But in listening to Weeks’ presentation, we realised just how explicit and unequivocal the CCMP and A4E are about the why, the because for the physical city changes they describe, anchored home to that lived experience promised in the Auckland Plan. And the locked-in coupling between the place / destination train and the movement / transport train so they’re pulling each part of the city in the same direction towards that better experience for all Aucklanders. This coupling is something we’re muddling around in Wellington. We’re hedging our bets on saying explicitly what lived experiences we want to prioritise and privilege in our city centre. This means the transport planning and place planning are making (at best) vague bows in each other’s direction, with lots of hedging our bets about whether and how we’re prioritising “drive-through” vs “go-to” in our city centre. OK back to the presentation…] Galvanising and enabling Weeks told us that in the CCMP, when you combine the Auckland Plan’s Outcomes and the CCMP’s Transformational Moves, the product is the city centre “Opportunities”. Opportunities are projects, quite specific things, and there are quite a few listed. click on the image to have a play in the CCMP Opportunities But they’re not a set of business-case investments that clamp tunnel-vision onto ambition. They seemed to be as much illustrating the kinds of projects that would make the city centre better at giving people that great experience of Auckland living. As Weeks emphasised: “anyone can come up with an Opportunity”. (We imagine the galvanising could run like this… Hello, I’m a developer looking at buying or developing neighbouring Building X and Building Y, I can see the direction of profitable change and unprofitable change that I could make to that property, given the trajectory of change in its environment.  And I can make up a project that creates a much better laneway space between them, plus better delivery access, better stormwater handling, and augmented residential-plus-commercial uses… This bundle of investments will make me money, and enhance really well that little corner of the city – so public investment and other private are likelier to come join me… ) CCMP’s generic laneways explainer (click to expand) Lesson for Wellington: let the vision be the vision, get other activity making it reality A big lesson for Wellington, Weeks said, was to “be clear about what different plans are to do. The City Centre Masterplan sets the vision, which allows many actors to work out how to deliver its different facets, or to develop their own ideas too.” The CCMP is only the green-circled bits in this picture. CCMP: a strong whakapapa The CCMP’s technical pedigree is strong – it makes good application of internationally-accepted principles of urban physics and urban dynamics. But – as Weeks put it – if the CCMP can “see further, it’s because [it is] standing on the shoulders of giants”. Complementing the CCMP’s technical pedigree is its collective human ancestry: the people, organisations, and relationships that have coalesced around it, the support that it’s known and seen to have, and the mana that this contributes to its strong legitimacy and mandate today.  From the presentation a few points stood out on each of these… The technical pedigree of the CCMP  Weeks and Newcombe gave us a whistle-stop tour of the set of transport and urban planning documents of which the 2020 CCMP is the progeny. Auckland Unitary Plan – The supercity’s first joined up District Plan, the “rulebook” for implementing the Auckland Plan. Forced much more collaboration in planning, for everything. City Centre Future Access Study – NZTA, Ministry of Transport, Auckland Council, Treasury, Auckland Transport found the City Rail Link would blitz all other 46 options for getting people to and from the city centre. The City Rail Link (CRL) –  an underground railway link turning the city centre heavy rail terminus into a through-station, building 4 new underground stations. Doubles the number of Aucklanders with 30min access to city centre. After years of arguing, finally underway once tax was to pay 50% (thanks ATAP). Auckland Transport Alignment Project (ATAP) (2016-17, updated 2018) Auckland-region-wide (not just one bit) merit-based priority list of all the big-ticket transport projects, costed and agreed by all funders and deliverers.  Crucially: first acknowledgement by central government that Auckland couldn’t road-build its way out of its traffic problems Business Case for Walking – first quantification of the value of city centre walking to Auckland’s economy, done in 2017. [Hey “walkable capital”, where’s ours?] The creation of documents always sounds more coherent in retrospect, but Weeks and Newcombe emphasised that it’s not been a nice clean sequential progress.  Key principles of urban physics (like the role of people walking) have only been given oxygen relatively late in the sequence. The need to get tax funding to co-fund megaprojects has meant a lot of back-and-forth raruraru with central government, and between the various bits of Auckland’s council family.  And some great documents – like the Business Case for Walking mentioned above – have no official legal weight: a decision-making body can completely ignore them if it wants.  But we heard that the various documents have meant that amongst the bureaucracy and other government power-holders, there’s been an accumulation of key principles of good urban physics, akin to accumulation of organic matter. Sometimes it’s just leaves falling, but sometimes there’s a large trunk. These accumulations in the establishment’s hivemind make it much harder to go back and relitigate, as there’s been some crystallisation in the thinking. (Though, of course, as Newcombe noted, that doesn’t stop people trying!)   Access for Everyone – the complementary transport element of the City Centre Masterplan which was developed as part of the CCMP refresh – is a great example. In traditionally car-mad Auckland, the entire Auckland Council voted unanimously to begin A4E trials “enabling a decisive mode shift away from private vehicles, to make better use of finite city centre space and improve the quality of the environment.” Wow. Access For Everyone’s car-free Queen Street / Horotiu Valley with Low Traffic Neighbourhoods around. And no more driving through the city centre! The human side of CCMP’s whakapapa We heard that a major benefit of the sequence of documents was the relationships and conversations that a document creates a pretext to have.   There’s been a lot of investment in behind-the-scenes engagement, with big stakeholders in the city. This has paid off in an unusual level of big players’ trust and buy-in to the vision and the big moves to get there. From large developers, through Heart of the City (the inner city Business Improvement District), through the AA, NZTA, to the City Centre Residents’ Group  (fun fact: 40,000 people live in Auckland’s city centre alone). This good stakeholder engagement bears fruit: it enabled councillors to support the 2020 CCMP relatively easily, despite it having relatively little engagement from the wider public (a few hundred submissions compared with the Unitary Plan’s ~10,000). It’s not a coincidence that Precinct Properties has seen fit to drop a billion (with a B) dollars of its shareholders’ money into the Commercial Bay development – Weeks observed that it’s on the strength of the new trust and joined-up thinking developed through the CCMP process.  Daniel Newcombe spoke from experience about the collaboration that had eventually started to come, once “you can get people to stop introducing competing plans” and come together. Sometimes this requires biding your time, working by osmosis, and finding the sensible individuals in an organisation on whom to work, and building coalitions that chip away at antipathetic organisations. Getting people to issue formal letters of support on behalf of their organisations can be extremely powerful, he said. Iwi influence  We heard that one major improvement of the 2020 refreshed CCMP over the 2012 original is the inclusion of Māori outcomes. For the refresh, the ADO worked closely in partnership with Auckland’s Mana Whenua Kaitiaki Forum to develop a Māori outcomes plan. This work shaped Transformational Move 1: Māori Outcomes, with proposals for a papa kōkiri at the waterfront and a whare tāpere at Aotea Square.  The 2020 CCMP manifests the Auckland Plan’s Māori Identity and Wellbeing outcome and Te Aranga Māori Design Principles via Outcome 1: Tāmaki Makaurau – Our place in the world. It sets out the big interventions and systemic changes to bring mana whenua presence, Māori identity and life into the city centre and waterfront.  There are some big-ticket, high-visibility things and pervasive, interwoven ones. To our (Pākehā) ears this sounded pretty great…  Attack of the roadcones! Plans are essential, but how do you get them going, especially when there’s so many large, cumbersome players with inertia?  Weeks had peppered the presentation with cool before-and-after shots of some iconic Auckland changes, including Te Ara i Whiti / the (pink) LightPath, and localised street improvements like our favourite, O’Connell Street (below). O’Connell Street. oh.yes.melbourne We know (though the webinar didn’t go in depth here) that much of Auckland city centre’s evolution that you and I can see today was driven by the Auckland Design Office, with Auckland Transport and Auckland Council partners. Their projects opened people’s eyes to how good street change could be done, and that actually the good “urban physics” did apply in Auckland too. And they gave Auckland council family a chance to practice delivering street change together, and figure out how it can be done without anyone losing an eye.  They did it with a combination of a figurehead / champion / lightning rod / air cover for the ground troops (AKA Ludo-Campbell-Reid) plus a ninja team of designers, engagers and doers, doing on-the-ground projects that brought to life the good practice of urban design.    Projects like Fort Street, O’Connell Street, Fort Lane, and Jean Batten Place showed that – contrary to received wisdom – replacement of on-street car parking with high-quality streetscape was good for business. Collaboration with Auckland Transport led to the creation of a pop-up cycleway along Quay Street (well before the Innovating Streets for People pilots) which is now being incorporated into a permanent street redesign that will finish this year.  It’s not been an easy road: by now, ten pilots of the street changes for Access for Everyone were supposed to be underway, following that unanimous Council vote, but just one (High Street) has been. And the ADO has now been disbanded, allegedly due to their irritating conservative parts of the establishment with cost-cutting as a pretext.  But there’s momentum now…  Auckland’s changing, and has lessons for us  Throughout the session the Zoom chat pane had been running hot with questions and comments from the “floor” (aka the online audience). Weeks and Newcombe took questions from the pane and from the Urbanerds presenters, and a few highlights stood out including lessons for Pōneke… Lesson for Wellington: get partners on the same transport page Weeks’ and Newcombe’s first lesson was to get a multi agency agreement on transport together. It can’t just be the city council or regional council. It has to have central government buy-in; they can’t be pulling in the other direction from the city or region with their ambitions for the city’s transport. Updated ATAP, with all the partners This consensus shifts the conversation from “Do we need that good stuff replacing the bad stuff?” to “When do we need it?”. You have to keep the focus at that “when” level, not allowing relitigation of the fundamental principle of urban physics that you’ve achieved consensus on. We wonder: is this LGWM? Is it shifting our conversation? Is NZTA pulling in the same direction as the city, as the regional council?   Lesson for Wellington: generate the brochure, together A second big lesson is that you have to have the vision, the brochure, the clear picture of the good life that your city wants to give everyone who’s in the city centre, whatever they’re doing there. This has to be the rationale for any the physical changes that you entertain or consider. The Auckland Plan’s 8 outcomes – promises of the experience of life in Auckland, that the CCMP too must deliver This “brochure” must be developed hand in glove with the actors we want to be supporting it, building on any public mandate you already have but not driven by the wider public. This conversation with the big players should not feel like it’s led by any one player (developers, or transport-planners, or inner-city-residents, or businesses – nor even, we wonder, council?). What it must be is very good quality engagement that builds a strong trust and instils a foundation layer of commitment to (or at least grudging acknowledgement of) solid urban physics, and the trajectory of change needed throughout the city.    Lesson for Wellington: CBDs are doomed Listener Sally asked whether a focus on a city centre had been overtaken by COVID and its boost to working from home, and localism, especially in Wellington where there’s such a large commuter population. Weeks’ answer put it in much more professional terms, but the message came through clearly: if your city centre is mostly a Central Business District, where “business” is the dominant activity, it’s doomed. Monocultures always make a system vulnerable to shocks, in agriculture, horticulture and in cities If it’s a central city, with a hundred or a thousand different reasons for people of all different walks of life to be there, then it’ll be fine – it’ll change and adapt, but the power of people wanting to be there is the lifeblood of a city. “The death of the city has been predicted since the invention of the city, in the Bronze Age” Weeks observed – “and if you’ve got an actual city, it won’t happen.” We wonder… how much of Wellington’s central city is a dead zone by 6.30pm? How much are we reinvigorating and diversifying the reasons to be there?   Lesson for Wellington: lock all good plans to something with teeth Weeks emphasised that the power of these plans comes from linking area plans and other non-statutory plans to ones with statutory power.  So despite being a non-statutory document, the City Centre Masterplan carries weight because they mapped its outcomes tightly against the Auckland Plan (the statutory 30-year plan for the whole city) and councillors have voted overwhelmingly in favour of it. diagram showing how the CCMP is making good on the Auckland Plan’s promises, in the city centre We definitely don’t yet have the vision and its trust, nor the solid hook between statutory and non-statutory … but we have some elements of the recipe.    We wonder… how much of the CCMP-style whakapapa do we have, if not the actual document?  Could we build these levels of trust and vision together?  Some Wellington City Council planning and design gurus attended the session and helpfully fielded some questions about where Wellington was at. Our one-liner summary was: it’s not going to hell in a handcart, but it’s definitely all up in the air. Smart engagement from Urbanerds listeners and Talk Wellington readers is really needed. We’ll pick up “so what for us?” in the next post. Here’s the video: link, passcode SUa&tOC5 Meantime… where have you seen signs of a clear vision of good Wellington city life, for everyone?
    • Accepted from Talk Wellington posts 67 months ago by feedreader
    • Tagged as:
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• • 

    Circa 2015 Season - jam-packed with theatre for all audiences!

    • 8 Dec 2014
    • Circa Theatre
    • Red Riding Hood, the PantomimeBy Roger HallSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson2-10 JanuaryCirca One What a big smile you’ll have …Don’t miss Circa’s fabulous Christmas panto! And this year Red Riding Hood is back with one of the great traditional stories – innocent Red Riding Hood, her poor, short sighted grandmother, and of course the handsome woodcutter and that villain of all villains, the Wolf!There’s lots of laughter, hilarious jokes and musical goodies in Red’s basket as she sets off on her journey to entertain young and old with this marvellous magical treat.“A great way to introduce kids to the magic of theatre, and Red Riding Hood is easily the ideal Christmas outing for the holdiays … a treat” – Salient“Roger Hall’s helter-skelter Red Riding Hood… is wonderfully exuberant seasonal fun” – The Dominion Post The Kitchen at the End of the WorldBy William ConnorDirected by Steffen Kreft16-25 JanuaryCirca Two “Something is coming. I don’t know what it is. And I don’t know if I should fight it or welcome it.” One snowy evening, an empty 83-room hotel on the edge of the Vastness receives a thin guest who has walked all the way from the City. Penniless, he is smuggled into the hotel kitchen where a kind cook works near an extraordinary thyme plant. He says that creativity is dying. Described as “intensely beautiful”, “provocative and moving”, The Kitchen at the End of the World is the story of marionettes who know they are limited by the extent of their strings – even kissing can tangle them – but they crave what lies beyond their reach. A story about home, the unknown, and the courage to face everything in between. The show captivated audiences at its sell-out debut season during the Greytown Festival 2012and is a powerful reminder that puppetry is not just a children's art form. SeedBy Elisabeth EastherDirected by Kerryn Palmer17 January – 14 FebruaryCirca One SEX & DRUGS, WITHOUT THE ROCK ‘N’ ROLL IVF isn’t foolproof and IUDs aren’t failsafe. iPhones come with ovulation apps and ‘choosing from the menu’ means selecting your sperm. Seed follows four women as they try to get pregnant, stay pregnant or become un-pregnant - the dilemmas of modern reproduction. Elisabeth Easther’s Seed is winner of the 2014 Adam New Zealand Play Award, which recognises and celebrates the best in new writing for the theatre. It’s a multi-narrative play about the mysterious business of fertility, with all of its challenges, heartaches and hormones. Seed is a drama that’ll have you laughing ‘til the tears are running down your face, and it’s a comedy that’ll make you cry. “Highly entertaining, funny and sophisticated” - Adam Play Award Judges “[A] sophisticated, witty and very contemporary meditation on the timeless processes of procreation.” - NZ Herald STARRING: Tess Jamieson-Karaha, Jamie McCaskill, Emily Regtien, Holly Shanahan and Amy Tarleton Warning: Adult themes and strong language. Demolition of the CenturyBased on the novel by Duncan SarkiesCreated by Duncan Sarkies and Sean O’Brien31 January – 21 FebruaryCirca Two Welcome to the world of Tom Spotswood, an insurance investigator who has lost his socks, his suitcase, his ex-wife and his son, Frank. Fresh from performances in the New Zealand Festival, Auckland Writers Festival, Tauranga Arts Festival and Nelson Arts Festival, Demolition of the Century sees author/performer Duncan Sarkies (Two Little Boys/Scarfies/Flight of the Conchords) stage a humorous and sometimes heartbreaking look at families, memories and the fragility of the human mind. He is accompanied by musician Joe Blossom, who plays a soundtrack that is both haunting and invigorating. “A series of brilliant vignettes, delivered in an inspired cabaret-style reading by the multi-talented Sarkies, and outstanding musician Joe Blossom… Blossom not only creates fluid and essential musical transitions, but his beautiful vocals, self-accompanied on piano and guitar, imbue this work with a powerful pathos that allow glimpses of the inner landscape of these characters. Demolitionis a fast-paced, darkly captivating cabaret-comedy, which leaves us fully entertained and tantalizingly close to solving a puzzle.” –Bay of Plenty Times Wake Up TomorrowPresented by Everybody Cool Lives HereIn association with ActiveDirected by Isobel MacKinnon21-28 FebruaryCirca One Welcome aboard Active Airlines! Join the eccentric passengers during this compelling, surreal and funny flight. Made under the guidance of Wellington theatre makers in collaboration with Active, a service for youth with an intellectual impairment, Wake Up Tomorrow was created from the minds of these incredible young people. Audiences will be transported from the mundane moments on a long haul flight to bizarre and hilarious scenarios.  Please fasten your seat belts, make sure you are in the upright position and enjoy the journey. We may or may not arrive at the expected destination. “In a work of this kind there is always a delicate balance to be held between presenting a polished product at the same time as allowing for a playful improvised quality to emerge that allows the actors to perform to their strengths. This was very evident in the final few scenes …” – Madeline McNamara Yep, Still Got It!By Jane Keller and Sandy BrewerDirected by Alan PalmerMusical Director Michael Nicholas Williams28 February – 21 MarchCirca Two YOUTH IS A GIFT OF NATURE, BUT AGE IS A WORK OF ART – Stanislaw Jerzy Lec Following the huge success of BOOMERS BEHAVING BADLY, Jane Keller returns with another hilarious show. A little older, a little wiser, a lot sassier, and even more confused. Whatever happened to the days when a cloud was a cloud, when face time was over a G&T, and we punctuated our sentences with full stops - not smiley faces? From senior sex and those pesky STDs to shopping sprees and colonoscopies, Jane shares stories of abject embarrassment, medical (mis)adventures, empowerment, and acceptance. In YEP, STILL GOT IT!  she embraces the power of an older woman with no FOMO. Together with the brilliant Michael Nicholas Williams on the piano Jane brings a brand-new show to Circa Two combining her special style of storytelling with her virtuoso Broadway voice. Capital E Kids FestivalCirca One CaterpillarsBy Kallo Collective Directed by Thomas MoncktonProduced by Show Pony7 March 10 am & 11.30am A tale of two puppeteers’ failed attempts at beautification. In the magical world of flitting butterflies, jumping eggs and giant swaying flowers, two lycra-clad puppeteers try their hardest to remain unseen and at service to their puppets: two enormous plump caterpillars. Caught in the wrong place at the wrong time, with nothing but their wits to cover up their escalating blunders, two appealingly hopeless clown puppeteers bring upbeat absurdity, slapstick silliness, and a good dose of reality to their hilarious and unpredictable antics. Beards! Beards! Beards!By Trick of the Light TheatreDirected by Hannah SmithWritten by Ralph McCubbin HowellProduced by Show Pony21 March 10am & 1pm Beatrix didn’t want a tiara. Beatrix wanted a BEARD! From Charles Darwin to Abraham Lincoln, Karl Marx to Mr Twit, it is said the secret to power and greatness is all in the size and shape of the beard. This is a tale of one young girl’s increasingly inventive efforts to grow the world’s most magnificent beard. Join a madcap and hilarious musical romp of physical comedy and clowning, as our plucky young heroine shakes up social rules and attempts to answer the questions that have puzzled mankind since the dawn of the beard. Suitable for  children 5+. The PianistBy Circo Aereo (Fin) and Thomas Monckton (NZ)In conjunction with Show Pony (NZ)Directed by Sanna Silvennoinen and Thomas Monckton7-22 MarchCirca One Direct from Edinburgh Fringe and the London Mime Festival, last year’s hit returns to Circa! “It would be no exaggeration to declare Thomas Monckton nothing short of a genius.” – Broadway Baby (UK) “I doubt very much that you’ll see, in fact I am prepared to bet on it, a funnier show this year…miss him at your peril”  – The Dominion Post (NZ) Fresh from a five-star reviewed season at the Edinburgh Festival Fringe and a sell-out season at Circa Two last year, award-winning performer Thomas Monckton returns with his smash hit The Pianist, this time at Circa One! The Pianist is a solo comic contemporary circus piece by Thomas Monckton (NZ) and Circo Aereo (Finland). The show is centered on, in, under, and around the magnificent grand piano. Accompanying this elegant apparatus is the poised pianist himself. Only he is so focused on impressing everyone that before he realises it, his show has transformed from the highbrow concert he hoped for, into a spectacularly amusing catastrophe. Suitable for all ages. The Mystery of Edwin DroodA musical by Rupert HolmesDirected by Lyndee-Jane Rutherford28 March – 25 AprilCirca One Who the Dickens did the deed? You decide! A non-stop ride of mystery, murder, and musical delight! Based on Charles Dickens’ final, unfinished novel, The Mystery of Edwin Drood is filled with clues, red herrings, villainy, and debauchery. Everyone on stage is a suspect – and it's up to you to decide how this mystery ends!Hot off Broadway, this Tony Award-winning theatrical genius is led by director Lyndee-Jane Rutherford (Midsummer (a play with songs)), who reunites with the artistic team that brought Grease and Mamma Mia to the Wellington stage. The cast includes beloved actor of stage, screen and radio, Lloyd Scott, and internationally renowned soprano, Barbara Graham (Christine, Phantom of the Opera). The Mystery of Edwin Drood boasts spectacular big dance numbers, rousing showtunes, stunning theatrics, magic, and illusions!  Tony Awards for Best Musical, Best Book, and Best Score“One of the most inventive, inspired and rousing musicals ever devised.”—AM New York“Infectious fun!”—Time Out New York “Bawdy fun!”—Associated Press “Sheer fun!”—The Wall Street Journal Two MortalsDirected by Geoff PinfieldPerformed by Rachael Dyson-McGregor & Mike McEvoyComposed by Beatrice Lewis1-18 AprilCirca Two 'A powerful theatrical experience suffused with humour, beauty and emotional intelligence' – The Melbourne AgeTwo Mortals is a delicate, poetic and humorous exploration of life, death and the moment in between. Composed word-for-word from interviews with people who live and work at the ends of life – morticians, cryogenicists, palliative care workers and ministers – Two Mortals weaves these true stories and experiences into a richly theatrical exploration of mortality. This uplifting work about one of our society's most taboo subjects was directed by Chapman Tripp Director of the Year Geoff Pinfield. Created and performed by Rachael Dyson-MacGregor and Mike McEvoy, Two Mortals sold out two critically-acclaimed seasons at Melbourne's La Mama Theatre. Improv for KidsBy The Improvisors7-18 AprilCirca Two Kids love theatre that’s interactive. So do the Improvisors. Kids (and their grown-ups) loved the 2014 season of Improv For Kids, so we’re bringing it back. It’s a great opportunity to introduce your kids to the world of live theatre. We may not have millions of dollars worth of computer-generated effects, but we do listen to kids and we make their ideas central to what happens on stage. In Improv For Kids, imagination is the best special effect of them all! Don JuanBased on Don Juan by MoliereCreated by A Slightly Isolated DogDirected by Leo Gene Peters25 April – 23 MayCirca Two World Premiere A sexy, fierce, raucous celebration.  Don Juan explodes with the energy of a music gig or a club.  It’s a cabaret.  It’s chaos.  It’s a furious adrenalized romp through the games of attraction and sexuality.  It’s the BEST… PARTY… EVER.  Five mad performers use a variety of theatrical forms and styles to bring an adaptation of Moliere’s classic play to life.  Loaded with pop songs and flirting, this imaginative work will continually intrigue, delight and surprise. While the bar keeps serving drinks.  All night long.   Created by A Slightly Isolated Dog, one of Wellington’s most innovative and exciting companies.  Critically acclaimed and award winning shows include:  Death and the Dreamlife of Elephants (2009, 2011), Perfectly Wasted (2012 - in partnership with Long Cloud Youth Theatre) and Settling (2007). A Servant to Two MastersBy Carlo GoldoniA new adaptation by Lee HallDirected by Ross Jolly2-30 MayCirca One NZ Premiere Love, passion and pandemonium Goldoni’s much-loved comic classic is a masterpiece starring a wily servant whose cheeky, inventive trickery gets the best of his masters, in a merry mix-up of mayhem and mistaken identity. Truffaldino, the scheming and perpetually hungry servant, concocts a zany scheme to double his wages (and his meals) by simultaneously serving two masters – the lovelorn Beatrice (disguised as a man) and her lost lover Florindo. Hilarity abounds In this sharp, new, rapid-fire adaptation by award winning dramatist Lee Hall (The Pitmen Painters, Billy Elliot).   A delicious, madcap Italian comedy of lovers, disguises, tricks, traps, mishaps and meatballs! “A sparkling, wonder filled new version by Lee Hall... An evening to cherish” – Daily Mail “A hugely enjoyable night out" – Covent Garden Life TheatresportsBy The Improvisors3 May – 14 JuneCirca Two Part of NZ International Comedy Festival The Improvisors are back at Circa with another season of this very popular show. Each night two teams of Improvisors take suggestions from the audience and spin them into short scenes, songs, poems or whatever else takes their fancy. Each show is completely different – what does stay the same is that Theatresportsis always a great night’s entertainment for the whole family. We don’t know what ideas you are going to throw at us – we do know that our kind of improv magic has been keeping audiences laughing over many years. Theatresports – putting the “make up” on stage. Second AfterlifeBy Ralph McCubbin HowellDirected by Kerryn Palmer29 May – 13 JuneCirca Two Return Season of the 2014 Young and Hungry sensation!Dan was an internet junkie – now he’s calling it quits. But in order to forge a new profile, he must face up to his online history and it’s not going down without a fight.When Dan finds himself sucked into the Second Afterlife – a dark underworld of the internet, a very real and dangerous landscape of broken memes, deleted pages, and the ghosts of profiles past. Second Afterlife is a dark comedy about life (and death) in the digital age. Inspired by Dante's Inferno, and in the tradition of Scott Pilgrim vs. the World, it is a twisted allegory for the Facebook generation – a poetic, ass-kicking romp to the darkest corners of the web. “Ralph McCubbin Howell cements his status as one of NZ's best young playwrights with Second Afterlife and director Kerryn Palmer, her designers and crew, and her exemplary cast of six do him proud.” - TheatreviewBy arrangement with Playmarket.Edge/Turning PageBroadway Star, ANGELICA PAGE“An actress of the highest possible voltage” – Wall Street JournalPerforming two shows, alternate nights, two weeks only6-20 JuneCirca One EDGE written by PAUL ALEXANDER Set in 1963 on the day of Sylvia Plath’s death, Edge presents the self-told story of the troubled poet and author of The Bell Jar, The Colossus, Ariel and the Pulitzer-Prize winning Collected Poems. “… a resurrected Sylvia Plath… the showcase of a lifetime” NEW YORK TIMESRETURNING TO OUR STAGE 10 YEARS AFTER ITS SENSATIONAL 2005 CIRCA SEASON TURNING PAGE written by ANGELICA PAGEGeraldine Page’s sparkling career earned her a record-breaking eight Academy Award nominations, an Oscar for Best Actress in 1986, and made her one of the most influential American artists of the 20th century. Turning Page is the triumphant and heartbreaking true story of one of the most celebrated actresses of all time, written and performed by the person who knew her best: her own daughter. “A privilege” Los Angeles Times Matariki Development FestivalPresented by Tawata Productions22 June – 4 JulyCirca TwoAn international indigenous playwrights’ festival boasting an enviable whakapapa of the very best of contemporary Maori & Pasifika theatre.  MDF 2015 features new writing by Natano Keni, James Nokise and Pikihuia Haenga. the beautiful onesWritten and Directed by Hone KoukeProduced by Tawata ProductionsMovement by Dolina Wehipeihana & Hone KoukaDesign by K*Saba, Tama Waipara, Johnson Witehira, Wai Mihinui, Jaimee Warda, Sopheak Seng, Laurie Dean 27 June – 11 JulyCirca One World Premiere A hyperreal digital love story.  the beautiful ones is a story of young love.  A promise Hana made to Ihia – a promise to return.  Will she return?  Will love triumph over temptation?  the beautiful ones bursts from the late night sheen of a city club.  Beautiful bodies & vital vocals.  Defiant dance moves and the meaning of love.  the beautiful ones features a dance floor for the audience to share the vibe.  From the company that brought you I, George Nepia, Sunset Road and TŪ. Warning: Contains Big Beats & Dance Music. The Ugly OneWritten by Marius von Mayenburg; translated by Maja ZadaDirected by Giles Burton11 July – 8 AugustCirca Two A scalpel sharp, absurd comic fantasy about beauty. Lette thinks he is normal, but when he discovers that he is, in fact, unbelievably ugly he turns to a plastic surgeon for help. Suddenly he is the most beautiful man in the world. Fame and riches follow; women want to sleep with him and men want to look like him. And with surgery they can look like him. Exactly like him. Received around the world to great acclaim, The Ugly One now receives its NZ premiere. With writer von Mayenburg’s star very much in the ascendant, this show is a must see.   "A stripped bare satire on the nature of beauty. If you are interested in theatrical story-telling see this show." – The Times (UK) “Savage social satire … A small but perfectly formed play” – The Guardian (UK) “The concept is simple but the philosophical implications are profound: What if money could buy the perfect face? It’s The Elephant Manmeets The Matrix” – Post City (Toronto) The Hound of the BaskervillesBy Arthur Conan DoyleAdapted for the stage by Clive FrancisDirected by Ross Jolly25 July – 29 AugustCirca One Sherlock Holmes vs the Powers of Evil A bloodcurdling howl is heard across a cold, moonlit moor; the horrifying, spectral hound has claimed another victim … When Sir Charles Baskerville is found dead on his remote estate, in eerie, seemingly supernatural circumstances, Sherlock Holmes, the legendary, world-famous detective and his assistant, the ever-reliable Dr Watson are called upon to unravel the extraordinary mystery of The Hound of the Baskervilles. Sir Arthur Conan Doyle's most famous and most popular story, in an exhilarating adaptation by Clive Francis (Our Man in Havana), sees four actors playing all the parts in this gripping, classic tale of terror. A thrilling, ripping good night of fun, drama and suspense! “A cracking good yarn … Excellent ... Highly enjoyable." - Daily Telegraph "Chillingly atmospheric... this fun show will really thrill. " - The Observer Downton AdlibBy The Improvisors2 August – 27 SeptemberCirca Two Quality costume drama – only funnier. An aristocratic English family and their servants face the challenges of life in the early twentieth century. A cast of Wellington’s top improv comedians face the challenge of making up a brand new episode every night. We supply the characters, you supply the key plot ingredients and the result is costume drama as you’ve never seen it before. Love, laughter, passion and a wide range of hats! The Travelling SquirrelBy Robert LordDirected by Susan Wilson5 September – 3 OctoberCirca One NZ Premiere “We that live to please must please to live” – Dr Samuel Johnson From Robert Lord, the author of the award-winning and much loved Joyful & Triumphant, comes The Travelling Squirrel, a romp through the fickle nature of the entertainment industry. Protagonist Bart compares his struggles as a writer to those of Roger the squirrel, a misunderstood painter. Hilarious and packed with larger-than-life characters, this play is a testament to Lord’s ability to write brilliant comedy.  A satire tempered with deep affection, The Travelling Squirrel depicts a dangerous world in which fame and fortune are always temptingly just around the corner “This is surely one of Lord’s funniest plays, just as it is one of the most moving”   – Philip Mann “For two decades, Robert Lord’s plays astonished and entertained theatre audiences with their sharp satire and flamboyant farce.”  - David O’Donnell The BookbinderWritten by Ralph McCubbin HowellDirected by Hannah SmithPresented by Trick of the Light Theatre25 September – 10 OctoberCirca TwoThey say you can get lost in a good book. But it's worse to get lost in a bad one... From award-winning company Trick of the Light Theatre (The Road That Wasn’t There) comes a story of mystery, magic and mayhem. The Bookbinder weaves shadowplay, paper art, puppetry, and music into an original dark fairytale in the vein of Coraline and Jonathon Strange and Mr Norrell. An inventive one-man performance for curious children and adventurous adults... suitable for children 8+. Best Theatre and Best in the Fringe - NZ Fringe 2014 International Excellence Award - Sydney Fringe 2014 "Spell-binding storytelling at its purest and best..." - Theatreview"Absorbing and imaginative… a small gem of theatre" - The Dominion Post "Tuned to perfection... Bookworms of all stripes and ages will adore it."- The Age, Melbourne For more information visit www.trickofthelight.co.nz GiftedBy Patrick EvansBased on the novel of the same nameDirected by Conrad Newport10-31 OctoberCirca One It is 1955 and beyond the famous hedge something magic is about to happen. In his beloved garden the “Father of the Nations Fiction” Frank Sargeson is waiting for his old mate Harry to turn up. Instead, he encounters a young woman fresh from a mental institution. Her name is Janet Frame. Their world is about to change forever. From the director of Rita and Douglas comes this very funny and profoundly moving story. Touring the Arts Festivals in 2013 to incredible reviews and widespread acclaim it’s now Wellington’s chance to experience this celebrated New Zealand production. “Like an exquisite work of art, the play Gifted is honed to near perfection … go and see this gorgeous production.” – Taranaki “Superb performances by all … it is thrilling … it makes for astonishingly joyful, mischievous theatre.” – Dunedin “Sheer quality” – Christchurch Adventures in PianolandWritten and performed by JAN PRESTONDirected by GAYLENE PRESTON15-17 OctoberCirca Two How I learned to stop worrying and love the piano The irrepressible Jan Preston comes clean on her longstanding and sometimes bumpy road to piano stardom. Jan will spin yarns from dives in Soho to the concert halls of Europe, to stealing a piano in broad daylight from the 1860s Bar in Lambton Quay. She will accompany herself, of course, on Circa Theatres' lovingly cared for piano.  You will hear Chopsticks as you have never heard it, with Jan's original songs and compositions providing perfect counterpoint to her story. AcheBy Pip HallDirected by Lyndee-Jane Rutherford24 October – 21 NovemberCirca Two Fate, chance and rooftop romance.  Ache is a fateful comedy about two thirty-somethings trying to find their way through modern love, materialism and the Wellington dating-drought. At a time when we are promised happiness with the swipe of a card or the swig of a bottle, true joy and connection seems almost impossible. At crossroads and rooftop gardens, fate decides to surprise them. At last, connection, chemistry, charisma. He’s perfect, she’s gorgeous. Only timing’s not as kind – he’s taken. Is it just not meant to be or will she push timing aside and take fate into her own hands?   Achingly-funny and heart-breakingly sad, Ache is a modern story of love, timing and seizing the day.Don’t miss this WELLINGTON PREMIERE, finally on our stage after its SOLD-OUT season at Christchurch’s Court Theatre. All Our SonsBy Witi IhimaeraPresented by Taki Rua5-14 NovemberCirca One World Premiere Courage and loyalty is tested in this new play by Witi Ihimaera “Once they fought each other, now shoulder to shoulder they fight together” Two generations go to war while a third fights a battle to keep her family at home. Waru Mataira and his two sons Tai and Rangi volunteer to represent the Maori iwi of Mataira Mountain in the New Zealand Native Contingent to Gallipoli. Under the guidance of their Pakeha leader Alec Campbell, they join the battle on the western front as part of the newly titled Pioneer Battalion where their courage is tested and so too are their loyalties. Taki Rua Productions presents the World Premiere of All Our Sons, a ground-breaking play by Witi Ihimaera. Roger Hall’s Robin Hood, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson21 November – 20 DecemberCirca One There he is! Oh no he isn’t. Oh, yes he is!! With loaded bow behind a treeYou never know where he will beHe moves like velvet, sleek and svelteAround the Wellington town belt His eye is quick, his aim is sureHe robs the rich to feed the poorHe’s always on the side of goodThe hero known as Robin Hood He lies in wait for those who ownA big estate and second homeFor millionaires who don’t pay tax  For bankers who don’t watch their backs You’ll see them suffer their defeatIn Circa’s brand new summer treatA pantomime for one and allIt’s Robin Hood by Roger Hall “fabulously fast and furious ... A treat”  - Capital Times “ACTION-PACKED… TONS OF FUN FOR YOUNG AND OLD!”  - The Dominion Post A Child’s Christmas in Wales (and other memories of childhood)By Dylan ThomasDramatised and performed by Ray Henwood28 November – 20 DecemberCirca Two What has been described as one of the most magical of Christmas stories is brought to the stage by Ray Henwood. It is rounded out by other memories of childhood, first presented by Dylan Thomas in one of his regular talks on the BBC Welsh Home Service. Thomas had a very happy childhood and so many of his young experiences resonate still with us today.The town of Swansea which is the locale of his stories had changed little by the time Ray was growing up. While Dylan lived in more salubrious surroundings, Ray was a “Sandfields” boy referred to by Dylan- and played in many of the areas described in the stories. It is a truly timeless tale and family celebrations have changed little, even in countries that celebrate a summer Christmas. Dylan’s work brings back memories that resonate so well with young and old. it is a true celebration of our experiences growing up. www.circa.co.nz
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    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)