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• • July Update from DCM

    • 30 Jul 2020
    • Downtown Community Ministry
    • 96 July Update from DCM p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Together we can end homelessness Ensuring that our taumai have a voice At DCM, we are committed to ensuring that our taumai* have a voice – at DCM and in Aotearoa.  Many of us have been sharing stories of lock-down; we wanted to ensure that the experience of taumai over this time was also captured and shared. We interviewed 65 of our taumai and will share some of their insights over the next few updates. We asked taumai to name the biggest challenges of the period for them, as well as what they enjoyed most about lock-down. An empty Wellington city, 2 April 2020 What have been the biggest challenges for you? Staying indoors, not being able to go out - 33% Not being able to spend time with friends or whānau - 27% Not being able to do the things I enjoy, missing my routine - 29% There haven’t been any challenges - 15% What have you enjoyed most about lock-down? One third commented that they had not enjoyed anything about this period (“Nothing really”; “I enjoyed nothing, just carried on with my life”), but two thirds spoke about the positives of lock-down. They had enjoyed the quiet, time with family, being busy and getting exercise - “watching TV and listening to music”, “cleaning my house”, “I have been enjoying the long walks daily” and “getting out and getting fresh air”. And then there were those who most enjoyed not having much to do – “the best thing has been not having to do anything”, “being lazy” and “we don’t have to do so many things”. Several referred to the positives of reduced alcohol and drug use:   “We are not drinking as much as we used to.”   “I have given up drinking and have been using my money for much needed things for my home. Utility bills and food. I always have food now.” “I've been getting off the drugs.”  “Getting off the drugs means I've been enjoying food more.” “I didn’t gamble.” But the very best thing about lock-down, mentioned by 25% of those we spoke with, was having a roof over their heads or moving in to a home:   “Not having to worry about where I am going to stay.” “Showers, warm bed, a roof.” “Having my own apartment, I can make a drink when I want to, turn my TV on.” “Having a place to stay - just knowing there was somewhere.” “Being safe and having a roof over my head.” “Being in a motel has made me feel safe and warm.” “I have coped well, better now that I am housed.” <!-- --> General Election 2020 We are excited to also share with you another way in which we are ensuring our taumai have a voice in Aotearoa. With the support of the Electoral Commission, we have been encouraging our taumai to enrol to vote, and look forward to having a polling booth here at DCM to ensure voting is as accessible for our taumai as possible. Among the many taumai we've enrolled this month is Manu. Manu is a Māori man in his late 50s who has never voted in his lifetime. He is now signed up to the Māori electorate and is looking forward to voting in his first-ever election right here at DCM. <!-- --> Checking in with Arthur - two years later We celebrate each time one of our taumai is housed; we also celebrate the hard mahi they put in to sustaining that tenancy, often with the ongoing support of DCM kaimahi. Two years ago we introduced you to Arthur. Arthur was delighted to have his own whare after months of being without shelter. But DCM’s support extended beyond getting Arthur into his own whare. He was supported through the DCM Dental Service to get a new set of teeth, and DCM’s volunteer audiologist treated him so he was able to hear much better. “DCM helped me with pretty much everything,” Arthur says. “They gave me food parcels, supported me to get my license back and got a copy of my birth certificate.” Another important support DCM was able to offer was to visit Arthur in his whare to make sure everything was going OK. This month marked another milestone for Arthur - he has now been housed for two years. Arthur has whānau living with him, and is taking part in his local community, attending a weekly community group at a local church. He also works part time, an amazing accomplishment two years on from living on the streets. Kia kaha, kia maia, kia manawanui Arthur!  You can read the story we shared two years ago when Arthur was first housed. Would you like to support someone who has recently moved in to their own home? We would welcome donations of microwaves for our taumai. Contact us or find other ways to support us here. *We call the people we work with taumai, meaning to settle. This reflects the journey we embark on together to become settled, stable and well. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • 

    October Messenger

    • 7 Nov 2022
    • St John's in the City
    • RASING THE STANDARD OF GIVING <figure class=" sqs-block-image-figure intrinsic " > ‘Raising the standard of giving’ – describes the thoughtful re-examination of our giving as an important expression for our faith.  We give meaningfully, not because the Church needs it (it does, of course) but because as Christians we need to give it for our own sake spiritually. Our giving connected to our:  Discipleship Shared mission and vision Expression of generosity in proportion to our means. Together we are encouraging one another to think about our values, to examine or re-examine our giving habits accordingly, to make carefully thought-out decisions, and to re-arrange our priorities in using money to enable us to carry out these decisions.  Money is a real responsibility. The more we have of it, the greater our responsibility. The place we give it in our lives, the purposes to which we put it, are very relevant to our Christian life.   Our attitude to money and possessions provides a practical test of our love of God and for others. Often our money may be taken as a yardstick measuring the value we put upon our beliefs. Our attitudes to money, the place we give it in our lives, provide a telling clue to our Christian character.  What is ‘token giving’? Giving is not primarily token by the size of the gift, but by its relationship to the financial means of the giver and how it relates to her/his intention in making it.  What about ‘sacrificial giving’? Graham Redding recently wrote:  “Has the concept of sacrificial giving had its day? For as long as people deem the act of giving to be an integral part of their sense of vocation, then the answer to that question must be no. What is freely and abundantly given, even at a sacrificial level, can be a joy, not a burden.”1  Sacrificial giving is best understood as generous enough to involve substantial cost, and so has real meaning to the giver. It brings to the giver a sense of fulfilment - of responsibilities faced and met. It comes only after careful thought, realisation of the issues involved, prayer and the planning that makes such a gift practicable. It makes a significant impression on the giver’s spiritual life because it brings into sharp focus the importance of spiritual values in life.  So, as we move forward on the journey of faith together, let us re-examination our giving as we put our faith into action every day.  [1] ‘Time to talk about responsible rather than sacrificial giving?’ Graham Redding, Otago Daily Times, 29th April 2022. https://www.odt.co.nz/opinion/time-talk-about-responsible-rather-sacrificial-giving LUMINARY Luminary is a sculptural installation by artist Auckland Karen Sewell which was installed in St John’s chapel from 29 July to 7 August this year, having earlier been shown as part of the collateral projects programme of the Venice Biennale 2022 in Italy and in Auckland, Dunedin and Christchurch. It explored the metaphor of light and light giving bodies and was an effort to revive the long-standing tradition of placing art in churches, in this case with contemporary art. It involved a large sphere illuminated in white and gold light high in the ceiling of the chapel, accompanied by a display of lumen prints, showing another aspect of light.  We saw it as more than that. While providing an opportunity for people to reflect on creation and light, it was also an opportunity for St John’s to connect with the wider community and tell people about our own historic building, with its own art works of high interest such as our stained-glass window of the Good Samaritan on our north wall or Christ’s last supper, shown in the chapel. It worked well. With support from the Congregation contributing to expenses and volunteers helping to open Church, more than 300 people saw the work, including more than 200 from beyond the Congregation. Some stayed for up to half an hour and engaged well about St Johns and what we do on site. A good range of people showed interest, including many students and younger people, some who just wanted to see inside the Church which is normally not open. The sale of Karen Sewell’s donated artworks raised $207 for DCM’s work with the homeless too.   A big thank you to all who helped, including to show us some other ways to connect with our community, as we want to fulfil our vision for St John’s.   See the video production of the installation at St John’s in the city https://www.luminaryvenice.com/luminary-wellington-video  See more at www.luminaryvenice.com  David Galt  <figure class=" sqs-block-image-figure intrinsic " > CHURCH CAMP 2022 This month saw our church whānau join together at Forest Lakes campground for Church Camp 2022. We were treated to lovely spring weather, a plethora of activities, and meaningful worship sessions all packed into just 2 nights! <figure class=" sqs-block-image-figure intrinsic " > Arriving on Friday night, we quickly stowed our things in our cabins, then started camp right with icebreaker games, and a session in the chapel. We got to sing along with the combined worship band and hear more about our theme of “Journeying together”. It felt apt knowing that not only had we all journeyed to Otaki to be together, but we’ve all been on our own journeys through COVID and a rapidly changing world. Games and movies and supper sufficiently tired us all out ready for what we hoped would be a good nights’ sleep in cold cabins. Saturday dawned bright and the whole day stretched before us. After breakfast it was time to welcome our day campers and get stuck into more worship. Truly, guitars and clapping and singing - such a great way to wake up! Then came a life auction; working together in multi-generational teams and trying to build a meaningful life on a (imaginary) budget created rich conversations for sure. Being a part of a ‘poorer’ group really did make our group focus on just a few, top priority qualities that make a huge difference to a good life. Digesting this while hearing more stories of people on a journey brought home how lucky we are, and how we can keep going towards more. Free time in the sun followed our time together, with kayaking, golfing, archery and more. Kids entertained and happy campers mingling together and chatting through life with smiles beaming. <figure class=" sqs-block-image-figure intrinsic " > After more games and then dinner, it was time for the long-awaited camp concert. What talent our church whānau possesses! From dancing to singing to karate to hose trumpets, it all ended with a blow out youth band jam session. What do you do when you’re alone in an elevator?? And of course, camp wouldn’t be complete without the bonfire. We saw roaring flames, gooey marshmallows, and warmth all on a beautifully still night. A perfect chance to be real, and engage with one another. <figure class=" sqs-block-image-figure intrinsic " > Sunday morning worship and we tied together our journeying theme of the weekend. All tied together like a fairy tale.Church camp had been just another casualty of the COVID cancellation era last year, and it was fantastic that we got to pick it up and revive it for this year. It seemed extra rewarding that it came following a big time of post-pandemic change and busy-ness in our lives. A huge thanks to the team of volunteers who helped plan and organise to get it going, and to all those that helped while we were there to keep things running smoothly for us all. God is definitely close when we’re moving towards Him together. Amanda Fitch A FUTURE IN THE CITY In 1853 St John’s was surrounded by paddocks, on the fringe of a new settlement town. Down the road was Te Aro Pa, and in and around Dixon St were ramshackle shanty buildings and an abattoir. Muddy roads, typhoid outbreaks and a British immigrant population were seeking a new beginning having bought land from the unscrupulous NZ Company. Meanwhile Tangata Whenua hailing from Taranaki Whanui and Te Ati Awa were slowly being disenfranchised from their land. The history of Wellington’s settlement is far from pretty. By 1893 women had the vote and there was a strong movement for social improvement. As expressed in the NZ Presbyterian magazine the ‘Christian Outlook’, the place of cities, their influence, the call to be a part of the social fabric and be Christ ‘where you are’ was strong. To ‘Make that one corner, room, house, office as like heaven as you can.’… to “Beautify it, ventilate it, drain it.’… Educate it, Amuse it, Church it. Christianise capital; dignify labour.’’ In 1895, the church was calling members to get involved in the nitty gritty and dirty parts of life, to use their capital for good. To be involved in the hard stuff, to engage in social issues and matters of justice. Not to sit back and watch, but to “Join councils and committees. Provide for the poor, the sick, and the widow. So will you serve the city." This is the whakapapa of St Johns – In the City. Fast forward to 2022. 169 years later we are asking ourselves once again, what does it mean to be part of the City? How do we be Christ’s hands and feet amongst the high-rises, the apartments, and the shadows of the City where loneliness is common? How do we provide a place of restoration in a world of hard tarmac and where open spaces are rare? How do we meaningfully share the knowledge of a loving, hope-filled God to a understandably cynical generation, who have heard more about the damage meted out by religious authority, and never had firsthand experience of the church as a loving, accepting and generous community? This is what we have been grappling with for the last year. We’ve been asking ourselves what is our future? Who do we need to be for a new generation? How do we demonstrate Christ’s message of love, hope and create a place where people feel they belong and can find respite, in order to recharge for whatever life throws at them?After much deliberation, prayerful, presbyterian debate and discussion, we agreed the following statement captured our Vision for the future:We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. <figure class=" sqs-block-image-figure intrinsic " > The Pohutukawa tree represents our community, our hopes and aspirations – with strong roots in God’s love building faith together, a trunk with many strands that is a place of acceptance and belonging, reaching out our branches in many diverse ways to connect with the dynamic community that surrounds our site and explore the Gospel together.Quickly moving onto Actions, we have tried to put legs on good intentions, and turn theory into practical actions providing a renewed sense of community purpose post-COVID. An interactive workshop where members got a chance to choose a project team they wanted to participate in kicked off this stage. Site and Space TeamChristmas in the Courtyard - a celebration with food, music and carols    Friday 9 DecemberContact Rob Anderson or Judi Ferguson , Phone: 021 239 1702    Community Rebuild Supporting Attendance at Church Camp and Talent Show. 20 older congregation members came to church camp for the day! Awesome job team!!  Whānau Night ExtensionYouth Lead Code Breaker Night, 20 November 2022 – Come along! Vision Communication and ConnectionsImproving Signage and Billboards, Contact: Elizabeth Gibbs. This group has met and made plans. Now…full steam ahead! Getting to Know our Neighbours / Understanding Our Eco System/CommunityParticipating in Wellington Heritage Week (with our Open Day on 5 November), connecting with local property developers to understand future populations.  Contact: Pamela Cohen  Phone:  027 440 1838 Fiona Purchas NOTABLE MENTIONS New MembersAnjali George, Robyn Albertson Pearse Lane for receiving the Chief Scout Award, as well as a Karori Youth Award and MVP for his Football season with Wellington College. Alice Carter won Hutt singing competition and sang in the national Memorial Service for QEII Leon Scohpa (Son of Richard Hpa and Chantelle Scoon) for his Baptism. Bhanu Pancha for her Baptism
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    St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • April update from DCM - together we can end homelessness

    • 1 May 2020
    • Downtown Community Ministry
    • 96 April update from DCM - together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Reaching out to the most marginalised – during lock-down Reaching out to the most marginalised – during lock-down Natalia and Chris catch up with Mark in Te Aro Park During the COVID crisis, the priority for DCM’s Street Outreach team has been connecting with people rough sleeping or who are sleeping in their cars, and getting them in to emergency accommodation. “Government and other agencies worked together to rapidly increase the supply of emergency housing in response to the pandemic, and so we have been able to get rooms for many of these people, some of whom were not even prepared to consider such an option before the lock-down,” explains Outreach team leader, Natalia. “At DCM we often talk about 'Ki te hoe' or 'pick up the paddle'. What is it that motivates someone to finally pick up the paddle and do what it takes to get off the streets and into housing? In this case, concerns about limited access to food and toilets during lock-down, seeing that there weren’t the same opportunities to supplement their income through street begging with the streets empty, and being offered appealing accommodation, including new facilities, some of which also provide three meals a day. COVID-19 and the lock-down have offered us a unique opportunity in our work to end homelessness.” With a growing group of rough sleepers in emergency housing, the Outreach team can now prioritise supporting them to take the next steps. “We are seeing rough sleepers who were very reluctant to try emergency housing, even during the lock-down, now thriving in their new accommodation. The next step is to follow up with these taumai, and to have more kōrero with them about housing. There’s a window of opportunity while we know where they are, to talk about their situations and to do the groundwork to get them on the path to housing.” DCM is totally committed to a Housing First approach; this means that we will work with those we have been able to get off the streets and in to emergency housing, to get their names on to the social housing register and to work together to access a permanent home for them. This is something that for many of them would have been inconceivable a few months ago; but now they have taken a giant step, and this has opened up a whole new world of possibilities to them. Who knew that a time like this could be the greatest support in achieving our goal of ending homelessness in our city? This is part of a longer story about the mahi which DCM’s Street Outreach team is doing during lock-down: read the full story on our website. <!-- --> “Together we can” – find innovative solutions during lock-down Natalia out on outreach during Level 3, speaks to a man outside Westpac on Lambton Quay Some of the most marginalised people in our city have no home, no income and no ID. When these people are unable to access a bank account of their own, DCM provides them with a money management service, accesses a benefit for them and pays their bills; they then receive the remainder of their money by cheque. These cheques have to be cashed at a bank branch. This not only presented a significant problem during lock-down, but was potentially no longer a viable long-term option. DCM approached MSD and Westpac, and together came up with a solution which will make a difference in the lives of the poorest people during the current crisis and well beyond. Instead of receiving a weekly cheque, these people are now able to use a payment card supplied by Westpac. “Usually this would take a couple of months to organise, but we expedited it within two weeks so that these people could have their money,” Transactional Solutions Manager at Westpac, Julia Hopkins, says. It works like a debit card but is called a ‘prepaid card’ so DCM can put the amount of discretionary income which would have previously been paid out as a cash cheque onto the card, and the person can spend up to that limit. This is a fantastic step change, as we have grappled for some time with the problem of how to continue to deliver our money management service when cheques are ultimately phased out. The new initiatives which have enabled us to continue to support the most marginalised people in our city during the COVID-19 pandemic, also offer long-term benefits and solutions for our taumai.   Ehara taku toa i te toa takitahi, he toa takitini – Success is not the work of one, but the work of many. <!-- --> “Together we can” – an important conversation and shared commitment This morning the entire DCM team was thrilled to have the opportunity to meet with our local MP and New Zealand’s Minister of Finance, Grant Robertson – that’s 32 of us participating in a Zoom hui! We were able to share with him some of our learnings from recent weeks - the positive things and the challenges - and we were all uplifted by his responses. We updated Grant on the practical and innovative ways that DCM has responded to the crisis, and shared some of the positives, including: the speed at which a whole new stock of emergency housing has been made available, and  the excellent way in which the partnership between DCM, government, MSD and HUD, and other community agencies, has been working. Everyone has had a can-do attitude. Amongst the concerns we were able to raise:  The need to increase the stock of permanent housing, for people to move from emergency housing into their own homes During lock-down it has become clear that the level of substance misuse is larger than even we knew, and we will need more specialist drug and alcohol support in the future There are gaps around the integration of people exiting prison. During lock-down, we have had a significant number of taumai come to us direct from prison, including people who have served long prison terms sent to us to house in emergency housing. Grant acknowledged the courage and compassion that DCM has showed as we have kept working with vulnerable people. He spoke about a commitment to “Build Back Better” across a range of domains – from inequality and income support to a low carbon future.  And he invited DCM to be a part of this: “In the midst of this crisis, there is also a chance to look out to the horizon. We get to re-set things a bit; there is an opportunity here, and we need your help to co-design this new future.” Stephanie thanked him, accepted his challenge and issued another on behalf of DCM: “Thank you for the leadership you and the Prime Minister have shown to us as a nation. You have made bold decisions for us and you have shown the world this can be done with compassion and kindness” ... “Grant, we don’t want anyone to go backwards from here. Your government has often spoken about going hard, going fast. We have seen rapid decision-making and the benefits of this; let’s continue to go hard and go fast to end homelessness.” <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Read More Success Stories Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 67 months ago by tonytw1
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    Wellington Zoological Gardens, Manchester Street, Melrose, Wellington, Wellington Region, 6021, New Zealand (OpenStreetMap)
  
  
• • 

    The artist as many other things first

    • 16 Feb 2023
    • Urban Dream Brokerage
    • Holly McEntegart in conversation with Anne Noble, facilitated by Mark Amery <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Merging her work as an artist, mother and full spectrum doula, Holli McEntegart recently brought something remarkably different to the bustle of Wellington’s Courtenay Place, in an exploration of art as a social practice.  Providing a warm, calm space for participation, Inhabit brought together mothers and their infants to examine how community, cultural and whānau postpartum care has changed in Aotearoa, sharing experiences in real-time and as oral history. A private issue was brought into a public realm. Rethinking the artist’s role in society, McEntegart was supported by artist Anne Noble in a project commissioned by Letting Space for vacant space activators Urban Dream Brokerage. McEntegart now has plans to bring the project to Auckland.  Here are Holli and Anne in conversation. Mark Amery Anne Noble: Letting Space and Urban Dream Brokerage have made a really remarkable contribution to the Wellington art scene. Letting Space positioned itself as an entity that sits outside the conventional domain of the gallery, where the artist is mostly defined e as a producer of objects and artefacts. They offered an experimental space and an invitation to artists to expand the ecology of contemporary art and provide support for them to provide a new kind of experience for communities and publics to engage with contemporary art I see Inhabit as a perfect example of the kind of project that Letting Space and Urban Dream Brokerage were established to nurture, enable and support.  When I first thought about your ambition for Inhabit: to marry both your practices as an artist and a full spectrum doula, one of my first questions was about the expanded role of the artist in a social practice. How is your work first and foremost art while being shaped by other practices and concerns?   What came to mind was a book [^1] I’ve had on my bookshelf, which has on its cover The Artist As followed by a list: that includes such descriptors of the artist as .. producer; the artist as… archivist; the artist as… ethnographer; the artist as… catalyst; the artist as… orchestrator; the artist as… poet; the artist as… curator. And it ends with this really beautiful phrase in capital letters: AND MANY OTHER THINGS FIRST. This points to the fundamental premise of your art practice - driven and formed by another whole domain of expertise, professional practice, experience and activist concerns. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble | Infant massage with Jo Chambers. From left: Megan Rodgers and Jasper, Jo Chambers from Blissful Bubs You define yourself as a social practice artist but you also practice as a full spectrum doula.   How did you arrive at the idea of merging your practice as an artist with your life as a mother, your interest in the post-partum experience and your activism in this space?    Holli McEntegart: You and I talked a lot about the artist as a conduit; or as activator. As a young artist I was always really interested in capturing images of moments that had complicated stories behind them. I realised that my interest was often more in the story; how we got to this point; the full stop. The work was always, for me, in the negotiation of  getting to that image - with the image itself feeling lacklustre in comparison to that journey. Then when I moved to Pittsburgh to complete my Masters I found that there was a greater focus on social practice as a role for the artmaker. The driving need for me has always been to build relationships, and therefore community. So when I was taking photographs I would spend months getting to know people, navigating the permission, not just to be there, but to be accepted; to belong. I’ve joined every group under the sun! A loon (an aquatic bird) counting group in Maine, a porcelain painting group in Mt Albert, a bluegrass group, banjo club and a barbershop quartet in Pittsburgh, and a cake decorating group in Otara, to name a few. But I didn't feel like I had the right to be there unless I was really an accepted part of the community. That came to a head for me in Pittsburgh when I joined a  semi-gated spiritualist community called Lily Dale, and began making work out of the readings they were doing for me. I would spend eight months with them before I could make that work. By the time I was living in New York there were many grants, residencies and galleries supporting a socially engaged framework of art making. My eyes were opened to the fact that this community exchange and the energy I was investing into relationship building was not only valid, it was the work.That really gave me permission to move past just documenting my work with photographs or videos and writing and to pull the focus back to the process, the making and the relationship tending.  Research is a huge part of my process, whatever I’m working on I’m always off down a research tunnel. So, when I got pregnant in New York with my first child Arlo I went on a huge journey to understand pregnancy, birth and everything that was happening to my body. I discovered that in New York City, the maternal mortality rate in pregnancy, birth and early postpartum is astoundingly high, and that black women are 12 times more likely to die in childbirth than white women. OB’s are often pushing for a lot of unnecessary interventions within the hospital system and midwives are not as commonly used, though that is changing. I come from a family of home birthers in New Zealand, it was normalised and seemed like the obvious place for me to birth, but only around 1.5% of people give birth at home in the US, so it's quite a radical thing to do in that context.  I was so lucky that I had a neighbour and friend who was training to be a midwife and was working as a birth doula. Through her I discovered this group of folks called doulas. I started learning about the role they play in birth work, about reproductive and birth justice advocacy, and about everything I was going to need to know to birth my baby at home while being supported by a midwife and doula team. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble New York City is so compact, we had a tiny apartment and I had a home studio. My son, Arlo, was born underwater, in a birth pool on my studio floor. At that point I had been working for some time within these spiritualist communities. I had been really delving into why people were seeking healing in these communities and what it meant to be constantly practising these healing rituals. Birthing my son in my studio was like an epiphany, I was on a healing journey myself and this was a part of the work.  Birth was incredibly healing for me at that point in my life and then, like many people, postpartum was a completely different beast. Like most people experiencing giving birth far from their home and family, I just felt an intense lack of support from the world. And with that a deep loneliness. I was so homesick. My parents came to visit for two weeks which was incredible, but it went so fast. A few good friends showed up as best they could but I was living and working as an artist in New York, I didn’t know anyone with babies or even young kids. People are busy - for everyone else, life goes on. It’s the postpartum person that is stuck in stillness, but constantly working. It was a totally different world. You get the sense  that everybody shows up for birth, everyones interested, you learn so much about pregnancy and childbirth, tracking the changes in your body all the way through to this kind of event, and then everyone leaves, and you’re left in charge of a human. It’s wild, uncharted territory and no-one’s told you that much, or what they have told you is irrelevant, biassed, outdated and sometimes even harmful. I longed for my family, mostly for my mum. I found myself floating out to sea, and there was a realisation that no one was going to rescue me - I had to rescue myself. And to do that I needed  to dive even deeper into what was happening to me, go down that research tunnel again and find out what support there was in the world and how I could heal.  That led to me doing Seen, a postpartum doula mentorship programme with Birdsong Brooklyn, and learning constantly - four or five months too late - what could have rescued me before I needed rescuing! It was eye opening and there was a lot of deep grief about the care I had missed out on, and the ways I could have been  supported. I was diving deeply into the profoundness of becoming a mother and the reality of how much is lacking in the world in supporting new parents. I just fell in love with this idea that we could be healing collectively if we just looked after each other better and shared our knowledge.  I built my community from that in New York in that first year of parenting. At that point I had been  working for three years as the studio manager for an incredible artist, Janine Antoni, who is also a parent and understands that mothering work. It was a huge question for me: how do I keep working in the world as an artist, be able to show up as a mother and earn enough money to live? How do I juggle all of this and stay tethered to myself? I gave birth to my son when I was 38 and I was being called a geriatric mother by the medical system. It scared me. I wanted to breathe in my baby, just inhale him and not miss a second. But  how do I do that and keep up my practice? Well… I just gave birth to my son in my studio…. It was these layers of realisation: this labour is the work. I have to reframe my life so that this labour of the home, the labour of care, of mothering, is seen and valued. So I left my job in the studio with Janine and went straight into postpartum doula training. I needed to be immersed in the community in the same way I had been with the spiritualists or the cake decorators or the bird counters in Maine. <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group. From left: Jessie Lee Broadbent, anon Anne: You have talked about your journey as a photographer engaging with communities, and how the outcome can be separated from those experiences that feel like part of the work. That is n true for many documentary photography projects.You’ve also described beautifully your dissatisfaction with being both outside a subject and yet needing to be  right in the heart of it.  The notion of a social practice artist is less common in New Zealand than in the US. It has currency in art schools, but my instinct when we first met and talked was that you have a really highly evolved practice in which you prioritise your  relationship as an artist to the post-partum communities you engage with  Your work  begins with you your life as a mother and your practice as a doula being the site of public art activism, of making the post-partum world experience shared and visible. How have you then addressed the visibility of this as an artwork? You only need to look at the project website to see the level of community engagement and the number of people you have drawn into this space. It’s really significant. Those workshops - people flocked to them. But to make it public, visible to participants and to audiences how does that work?  Holli: What comes first for me is the relationship, being a good community member and trust. I come at relationship building and getting people involved with their whole heart; with a genuine interest and respect. I have to have something at risk as well. Inhabit was a year in the making, but the day we opened, with a multiples lactation support workshop. We had six twin mums and probably six assistants or helpers, including grandmas, friends, lactation and doula support. That's 12 babies plus Indigo [Holli’s own baby]. Over 24 bodies breathing life into the space. That was the moment that the work became art; that it became an artwork. It was activated by the community of people in the room and their energy. Up until then there’s a lot of risk on my part because I don’t know who is going to show up and what they will bring on the day. The work is filled with intention but it has to meet people where they are and vice versa, and for that reason, it’s never the same, it evolves and unfolds and, much like mothering, I must surrender to it.   I think I’m comfortable leaning into the unknown. Within a socially engaged practice you really don’t know how your participants or your audience (the public) are going to enter the work.  I consider the folks facilitating  workshops my co-creators. There were six months of emailing and zoom conversations about what I was making with that final group of people, so many conversations about what the community needed. And then there was a point when  they came to me with a  plan to set up this specific workshop for multiples families. They were asking for my permission, and I was overjoyed because, it was at that point that they took ownership and really began to have agency within the work. That was the moment when the community was activated, they started creating what they needed under the umbrella that I offered - this community activation was where the social practice aspect of the work really came into play. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers I was coming to Wellington, into a community I’m not from, so I’m constantly asking myself, how do I leave this space better than when I got here?  Within social practice I think there is a very real responsibility to care for the community you're working in and to make sure there are ongoing care agreements in that community. Everyone that provided a workshop for Inhabit offers free or sliding scale services that could continue to be accessed after Inhabit closed for example.  Anne: That’s a beautiful description of the artist as catalyst. I’m very fond of the notion that when an artist plays those roles, the artist in a conventional sense disappears to become a  generating and catalysing force  Holli: I’m interested in the way my role shifted from facilitator to participant, or mother , or host. Hourly that changed. Originally I thought I would be facilitating some workshops but I didn't end up doing that because so many people wanted to facilitate their own. At the beginning of each workshop I would introduce the project and really ground it back into the context of an artwork, to remind people they were participating in something both bigger than them, but also inherently generated by them, and then I would participate alongside them. I was  never an observer, I was a participant.  I think it’s really important I have the ability to be part of what’s happening as opposed to being an outsider. Learning, participating and being vulnerable. That vulnerability permissions other people in the space to also be vulnerable. It’s not like, as you’re describing Anne, that ‘‘you’re the artist and you’re over there’ on a pedestal. The process is about me sinking back into the work. It’s a dance between making sure people feel like they are being held and acknowledged and the space is being tended to in the correct way, but not dominating it. <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble Anne: As a public artwork, positioned in Courtenay Place, it was a really beautiful intervention with really subtle signage and this glowing light masked by a wall of handmade stitched together nappies! It offered a surprising encounter that was intriguingly signposted and people were welcomed to just stop and to consider what it might be - as a public art project.  Sometimes I was amazed at the number of people participating and how  the work created an opportunity for a community to assemble. How did you introduce participants to the process of being part of something for them but also part of something larger? Of being participants and collaborators in Inhabit as an artwork. Holli: That was definitely one of my biggest challenges. There were a couple of things I did practically. Even before Inhabit opened I worked very hard to centre the project in the community with this drawing project that involved - six Love Note posters that were plastered repetitively around the city in the two weeks leading up to our opening. I was documenting them in situ and sending images of them to people when they were signing up for the workshops as well as using them in social media. So there was a centring of it as an art project before they arrived. Most people had seen these drawings and then saw the wall of Love Notes  growing on the wall when they came into the space. I introduced that as a collaborative drawing project and really impressed the importance of adding everyone's voice to that growing archive.   <figure class=" sqs-block-image-figure intrinsic " > Image: Lily Dowd I constantly was re-centring it as an artwork in this way all the time, and encouraging the public  to participate, reminding them of what they are a part of. I see the Love Notes as the beginning of an archive of postpartum stories - a collection. And that maybe this is how we start something: a movement, a book, an archive - we just have to start putting our stories on the wall. I think that grew really organically and became a way for people to gently  be reminded of the fact that they were a part of an artwork, and then they forgot about it - which was great. Someone hands them a bowl of soup, nourishes them, checks in and makes sure they’re OK. Offers to hold their baby.  and that energy of care flows into the space and  people feel really comfortable. And that comfort was there in part because I was there visibly parenting, making the work. Creating a space that makes visible the lived experience of parenting, and artmaking at the same time.   <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble As it transpired there was very little foot traffic, and actually the space needed to be very protected, intimate and gate kept. So the curtain that I made really provided a level of intimacy. It is another drawing project I had been working on as a part of the show, but I didn’t quite know where it would fit. I’ve been collecting these used flat nappies. They are very identifiable, heavily washed and starched white cotton with a red stripe down the side. They are the kind of do everything cloth of motherhood. So representative of the labour of the home. Soaking up the mess of it all. I’ve been stamping all over them with my own mother at my kitchen table, “Ssshhhhhh sshhh shhh ssshhh shh shh shh…” On the first day of installation it was clear to me that we needed to be able to transform the space into a private, intimate one, and to open it up to the world. Sewing the nappies together to make a curtain was a wonderful way to create that boundary between public and private. And then at the end of the last workshop I was really inspired to “pull back that curtain” and be seen. I called you and asked you to document this moment of being seen in parenting and artmaking. It was such a moment of connectivity and community connection. There’s now two groups I believe that came together at Inhabit and are continuing to meet. It was great to cultivate this level of nurturance and community engagement  in a place like Courtenay Place - buses, cars and people with so much going-to-work energy,  once we pulled back that curtain I think people were taken aback by it “there are so many babies!” <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric | Combined yoga and Infant massage workshop with Emma Chen Flitcroft and Jo Chambers Anne: Yes it was a brightly lit window that glowed like a little jewel! And was such a surprising experience walking by. You’ve described the artist as a generator and how there is a legacy for participants beyond the exhibition space. What were some of the highpoints during Inhabit and some of those legacies? Holli: The highest high was our opening, that first day. 13 babies in the space. One of the sets of twins was only five weeks old and it was their first time out of the house and their mum had driven an hour to get there, they spent all day with us. Any future Inhabit projects will always open with a multiples workshop  because these folks are the least catered for within the system. The world was not made for people birthing two or three babies at a time… So to have this space where people were surrounded by support and advice and understanding. It was so magic and it was so clear there was a need for that.  I think that in the current Covid climate people are feeling so much more isolated and unable to get out of the house. Opportunities for connection that were available to parents pre covid often aren't now, like community or library meetups and coffee groups. Many people were speaking of coming to Inhabit  as the first time they’d been to a group outside the home, there is a lot of isolation and fear out there, and a deep lack in support services. A few people who weren’t parents had some very interesting interactions with the space as an artwork, which I found fascinating. Some really generative conversations came from them being confronted: that they were coming to a public  exhibition, and were questioning ‘what is this?!’ I had very interesting conversations with other artists about what participation looks like when you’re not a parent. For parents their participation was organic but for others, it felt very different. They accessed it through my facilitation and it was interesting seeing them sink into comfort because they were being cared for; getting down on the floor and playing with Indigo. Having some soup, and learning about traditions of postpartum care and methodologies. I’m interested in pulling back the veil on this kind of care work because we can all benefit from learning how to tend to our communities and families. <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Another highlight was my involvement with Little Shadow. They run perinatal mental health support groups in the Wellington region and virtually across the motu. They were so supportive of this project. They really saw the power of what Inhabit created in offering an entrance point  to conversations about perinatal mental health that are softer and more nurturing than how it’s often tackled when people are looking for support within a healthcare system. Inhabit provides nourishing food, a space to express yourself creatively, a place to move your postpartum body,  and a room full of folks on a similar path. Once there, we are able to get into the nitty gritty of what we are all experiencing because the space itself is so tended to. Something that I repeat all the time is that I’m examining patterns of care, whilst caring for our communities. I want to decolonise postpartum care so that we may all gain the knowledge of how to care for each other. Then there was that final reveal, pulling back that curtain. I felt I was truly being seen as my whole self in the work. Before that point I was a shapeshifter facilitating everybody else's journey. But at that moment I was in my deeply creative space of making and mothering as I  finished the project. It felt like closure and an answer to that question of how I can be an artist, make work and be a parent. It struck me how that question has deeply impacted my relationships with people and how I move in the world.  In my first few days in Wellington I had a clear vision of that image we captured at the  end. I saw the room glowing with light, semi dark outside and the interior being a place of making and of process. A gallery, and a living room and a studio and a feeding place. Where bums are getting changed, a place where all of life is happening at the same time. And that the public are walking past and peeking in. The labour of parenthood and of artmaking is usually so invisible. That moment at the end just felt like: let’s get it all on display! <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric <figure class=" sqs-block-image-figure intrinsic " > Image: Milan Maric Anne: I love what you say about risk. Because if art doesn't involve risk it doesn't leave the opportunity for engagement - If it's there and says it all it doesn’t ask very much of people. The way both your processes of making and lived experience are entirely central to the work raises questions for people coming in off the street  - challenging their notions about art - and confronts them with the invisibility of the post-partum experience. Can you talk about how Inhabit is an evolving work? How it’s more than  a one-off event where communities come together and are potentially transformed. How is the  website a part of the evolution of the work? Holli: If you are thinking about community engagement and looking at different types of communities' needs then you’ve got to move around those communities. My vision for Inhabit was always that it would move around the motu. One of the things I thought was important about the experience in Wellington was that it felt disruptive. It felt radical. It was an  interesting way to inhabit vacant space in the CBD and disrupt a community. It ignited something that people were aware they needed, but no-one knew how to connect on and build.  <figure class=" sqs-block-image-figure intrinsic " > Image: Anne Noble I think there’s a lot of power in Inhabit travelling around regionally and disrupting systems in ways that are really positive and ignite connection. I think of little things growing, sprouting. And of having this homebase of an archive online where we can collect and hold these postpartum stories and learn from what we’ve been doing here to better support communities. Anne: Thanks Holli - for the pleasure of being a small part of this project with you.  Anne Noble (Laureate), ONZM, is a photographer and curator whose work spans still and moving image, installation and international curatorial commissions. Over multiple projects Annne Noble has considered the significance of memory and imagination to personal and cultural narratives of place and belonging.Holli McEntegart is an interdisciplinary artist using social practice, video, performance, photography and text. She holds a Bachelor of Visual Arts in Photography (NZ), and a Masters of Visual Art and Design from Auckland University of Technology (NZ), which included a one year MFA scholarship at Carnegie Mellon School of Art, Pittsburgh (USA). In 2014  she was an artist in residence at the Skowhegan School of Painting & Sculpture in Maine (USA). Her work has been performed and exhibited throughout the USA and New Zealand. In 2018 she trained as a Full Spectrum Doula after giving birth to her first son in Brooklyn, New York. Returning to Aotearoa in 2020, where she continues her work as an artist and as a Reproductive Justice Advocate. Holli is now an island named Mother to two boys, aged 4 and 9 months.  <figure class=" sqs-block-image-figure intrinsic " > Image: Holli McEntegart | Multiples Feeding Support Group - From left; Anon, Georgie Manning, Jessie [^1]: Aileen Burns, Tara McDowell, and Johan Lundh, The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First. Institute of Modern Art, Brisbane, Curatorial Practice at Monash University, Melbourne and Sternberg Press, 2018.
    • Accepted from Urban Dream Brokerage Blog 34 months ago by feedreader
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    Brooklyn, Wellington, New Zealand (OpenStreetMap)
  
  

• • May Update from DCM - Together we can end homelessness

    • 30 May 2022
    • Downtown Community Ministry
    • 96 May Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Today we introduce you to a few of our kaitautoko, people like you who support DCM and the most marginalised people in many different ways. Kaitautoko   noun Someone who supports, backs up or advocates for TOGETHER we can end homelessness – DCM's tagline acknowledges the many individuals, businesses and groups who share our vision and are part of team DCM. Here we introduce you to a few of our kaitautoko, people like you who support DCM and the most marginalised people in many different ways. Mon Mon has been supporting DCM for many years – in our Foodbank, at the DCM Bookfair, and as a regular donor. "It must have been 18 years ago that I first joined team DCM. I wasn’t working, and wanted to try something a little different. I first heard about DCM through Volunteer Wellington, and joined the team as a Foodbank volunteer one day a week, back when DCM was based in Eva Street. Steph was new in the role of director, and Pam Whittington was another key person on the team at that time. I sorted out the food donations and stocked the shelves in the Foodbank. I got to know Steph well and she shared a lot about DCM’s work and vision with me. After about a year, I got a full time job – but of course I wanted to continue to be part of DCM’s great work. Year after year, Mon was part of the team which delivered DCM's highly successful annual Bookfair. Here she is at the DCM Bookfair in 2014 (left) and 2017 (right). From 2005 right through until the final Bookfair in 2019, I was part of the team delivering the iconic DCM Bookfair, working with the book sorting teams during the year and at the Bookfair itself. In the later years, my job meant I could no longer help with sorting but I continued to work on the Bookfair weekend. Over the last four years, I have also been part of the DCM Foodbank Appeal, another great way to be involved over a weekend. As my working life has become busier and I have had less opportunity to support DCM with my time, I have chosen to become an AP donor, setting aside a little each month to support an organisation and way of working which I am totally committed to. Why is this? I guess I began with an understanding that I was fortunate while others were doing it tough, a sense of social justice and an awareness of the unfairness in our society. Over time, I came to understand more about the connectedness we have to each other. One measure of marginalisation is isolation, lack of connection, being unseen and unknown. Is that the worst thing of all? Quite possibly. To be invisible, to exist in a society where governments, societies, individuals, want you to be out of sight. DCM will NOT let this happen. Over all of these years, I have witnessed DCM doing an incredible job of truly seeing these people. Of knowing them, of connecting to them, and in turn connecting them to others. DCM is genuinely an organisation which is trying to do themselves out of a job! They really do make a difference in the lives of the most marginalised people. I love that they now regularly share awesome stories with all of us who support their work. The challenge to us now is to share those stories with our networks, to make the people DCM works with visible across our society. Through our time, our dollars and our sharing of stories, we can build and celebrate the connectedness we all have to one another." If you would like to know more about regular giving, please get in touch - donate@dcm.org.nz <!-- --> Tia Recently we put out a call for furniture for some of the people we are working with who are now housed. And then we received a message on Facebook... DCM kaimahi Stephen Bowater (left) and Moses Davis (right) visited Tia to pick up furniture for taumai who they are supporting. Tia was moving to the Hawke's Bay, and had a household of furniture to donate, which was great timing for a number of taumai who we are working with. She thought of DCM, as her late stepbrother Brad was supported by us and went on to work here. She was surprised and pleased to learn that we indeed remembered Brad, who died in 2014. You may have read the story of Russell in last month's update or on our website. So many of our taumai pass away at a young age. Brad was 47 years old when he died, but at that time he was housed and doing well. He wanted to give back to DCM, and had started volunteering in DCM's Foodbank as well as helping out at the DCM Bookfair. How special it is that Tia's furniture now lifts up other taumai - the items have been shared with several different people. What a wonderful way to support these taumai to thrive in their very own homes, just as Brad did. <!-- --> Restocking DCM's Foodbank It is that time of year again, when we need to re-stock our empty foodbank shelves for the winter. And this year it is more important than ever, with increasing prices placing even more pressure on those who have very little.  It’s a time when we are always reminded of the many different people who come together, offering their time, money, food donations or skills, to make our work possible. Here are just a few of the many supporters who were involved in last weekend’s Foodbank Appeal. Some are new faces, others will be very familiar to you all. Shaun Shaun Monaghan is DCM's Property Procurement kaimahi. Shaun and Tihema visited New World Chaffers on Saturday to support the DCM team. It was great to see DCM kaimahi popping by on Foodbank Appeal day. Day in, day out, Shaun works tirelessly, seeking out rental properties, speaking with landlords, finding whare for us to house taumai in. His partner Tihema is a dentist who has taken dental sessions at DCM. If you or anyone you know would like to find out more about providing a rental property for someone who is experiencing homelessness, Shaun would love to have a chat with you. And you can enjoy reading the story of one such very special kaitautoko, landlord Dev, again here. Stephanie DCM’s former director Stephanie McIntyre  You never know who may drop by to support the DCM Foodbank Appeal, including our former director Stephanie! "Stephen has done a great job of leading DCM through such challenging times. For many years, DCM has insisted that the answer to homelessness is homes! More than a decade later, everyone is now accepting this. None of the tail-chasing to set up emergency housing and transitional housing has been effective. All can now see that this is not the answer. I am very pleased that DCM remains committed to housing first, to supporting people to access and sustain their own homes. During the period since I left DCM, I have continued to be involved, albeit often at arm’s length, in finding ways to grow the stock of permanent homes for DCM’s taumai. And I know that DCM will continue to deliver the wrap-around support that is essential for taumai to thrive in their homes." Shaun DCM Board member Shaun Greenslade-Hibbert and his husband Alan helped out at the Foodbank Appeal. Shaun joined the DCM Board in 2021 as a representative of the Religious Society of Friends, a community which has been supporting DCM since the very early days. He trained as a nurse in the 1980s and has worked in palliative care for over 25 years. Shaun arrived in New Zealand from the UK in January 2019 to continue his work in palliative care at Mary Potter Hospice. He has welcomed the opportunity to support DCM’s work in any way that he can – including taking his turn on Foodbank Appeal day, welcoming shoppers and telling them about our work. Wesley Church It is quite a job, sorting and labelling the food we receive at our Foodbank Appeal. DCM is very grateful to Wesley Church for providing the space to sort and store this much needed kai. Wesley Methodist Church has been supporting DCM since we began as ICM back in 1969. In fact the original DCM office was located at Wesley. They have always been there when we have needed them – providing space for community events like the Thanksgiving meals we hosted with the US Embassy, a room for our uke band to practice, putting a basket out for food donations at their church services, and groups of volunteers whenever we need them. Many Wesley Church members also choose to donate regularly to DCM. And now, with space all over this city at such a premium, Wesley has stepped up again and provided somewhere for DCM to store kai, and to sort food donations during our two annual Foodbank Appeals. Tree and Rhea Tree was down at New World Chaffers last week, ensuring that the DCM food donation bin was clearly marked ready for the weekend's Foodbank Appeal. We love it when people reach out to us and suggest creative ways that they can support our mahi. Tree Mackay is an accomplished designer who approached us to offer her time and skills. She has helped us re-fresh our food donation bin at New World Chaffers. Rhea is part of a team of talented students who have been undertaking some design work for DCM, developing new templates, infographics and digital tools for us. She created some designs and flyers to let people know which items we most need for the DCM Foodbank. "I'm currently undertaking post-graduate study at Victoria University. I first heard about DCM through Ignite Consulting, an organisation which connects students with socially conscious organisations. A few weeks ago, I was able to visit DCM and see first-hand the work being done and the tangible difference DCM is making in people's lives." If you were not able to drop some food items in over the weekend, why not pop down to New World Chaffers, have a look at Tree’s handiwork, and leave some of the items suggested in Rhea's beautiful shopping list for DCM to provide for taumai. Yes, it takes many different kaitautoko to deliver DCM's mahi and vision. And this month, once again, you all stepped up, supporting us when we needed it most. TOGETHER we can end homelessness – we cannot do this important mahi without you all. It’s as simple as that. <!-- --> Support DCM We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 42 months ago by feedreader
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• • November Update from DCM - Together we can end homelessness

    • 29 Nov 2021
    • Downtown Community Ministry
    • 96 November Update from DCM - Together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Fiona's story Fiona's story My name is Fiona, and I am very proud to be part of the team at DCM. I can’t tell you how much it has meant to me to have this job, and I just love it! But I have always been a worker. I was born in Christchurch in 1962; I was the only girl and grew up with my six brothers. We had to earn our own money because mum and dad were pretty broke. Dad was a slaughter man but it was seasonal work, and my mum was a nurse. We used to go around the streets with home grown veges in a wheelbarrow, my brothers and I. We did raspberry picking on weekends, and I had a paper round. I then went into the shearing sheds, shearing sheep with my brothers. From the age of 15, I was a gang member. Robert Muldoon set up a scheme to help gangs back then, to help them get into work and off the street. I started my apprenticeship to become a chef – it took four years: the first year in the vege room, the second year washing dishes, third year kitchen-hand and in the fourth year I went from third cook, to second to first cook. My gangster career ended when I got a long prison sentence. I made the decision right there and then: I don’t need the gang. I would stand on my own two feet – finally. I used the system to better myself. I joined kapa haka which built my confidence and self-esteem. I put my head down, supported myself in prison by bone carving, and went to all the groups I could think of to sort out my issues. I sat School Cert and academically I grew. But after all those years in jail, when I got out, I realised I still needed to grow emotionally. DCM was there for me when I needed them most. Let me tell you about that. I moved to Wellington 12 years ago where I married my husband. He got cancer and I looked after him for 3 months before he passed away. That led to me abusing alcohol. I moved to a one bedroom flat in Island Bay where I thought I could start over but things went downhill from there. I lost my job, didn’t pay my rent and found myself on the verge of homelessness, and suicide. My power was getting cut off and I was told that I couldn’t go on a benefit for 13 weeks. I heard about this organisation in the city called DCM, so I walked in from Island Bay, asking for help along the way. I believe if I didn’t come down Lukes Lane that day, I would have given up there and then. That’s when my life changed. DCM worked with me to help me get into a new place which I’m still in today. I got on to DCM’s money management programme which helped me pay my rent and bills on time, and debts as well. I’m debt-free today! And I have savings for the first time too. It’s amazing. There are many other great memories of my time as taumai at DCM. The Te Reo classes were very special, and I just loved being part of the DCM Ukes - the rehearsals at Wesley Church, performing at Thanksgiving and other events at DCM. I got a lot out of the self-management for health and wellbeing course I did at DCM too. Yup, DCM supported me when I needed it most, and now I am honoured to be able to support other taumai. I began by volunteering to cook at the DCM Bookfair. On Christmas Day I was part of the team at Te Aro Community Centre feeding the whānau. Then DCM started running peer support courses, and several of the team suggested that I should take part. After the course, I finished off my CV and applied for some of the roles going. I started as a paid support worker – a kaiawhina – at DCM in February 2020, just before the COVID lock-down. During the first lock-down I was working with taumai in emergency housing. We were mainly at the old Night Shelter, doing welfare checks, and other peer support work. Back at DCM, it has just been brilliant. I love the whānau! And especially the equality – being treated the same. I’ve worked all my life but I have never before been in an environment where people are treated as equally as they are at DCM. Peer support can cover a whole lot of tasks. I can be working in Te Hāpai in the mornings, interacting with taumai. I’m there to listen, observe and support. In the afternoons, I may be out with other kaimahi on home visits. We have a lot of taumai who have recently been housed, and we go in to support them. I do the basics – cleaning and showing taumai how to clean. We’ve dealt with hoarders, people who have a lot of challenges, and people who don’t even know how to cook a piece of toast. But generally our taumai take great pride in their whare. They just need the utensils. I ask them what their favourite food is. If it’s scrambled eggs, we make sure they have a frying pan and a whisk, along with some of the basics we take for granted, like a toaster or a microwave. And I love the “Welcome to Your Whare” packs which DCM puts together for people moving in to a home. All those cleaning items are expensive for taumai. Providing them with the basics, and seeing the pride on their faces when they ki te hoe (pick up the paddle), and take care of their own whare, that is a special privilege. I am able to do more and more, to take the initiative. I have a clean driver’s licence, so I can help with driving, shopping, deliveries and home visits. I have finished a Literacy Aotearoa course and am three-quarters of the way through achieving a certificate in health and wellbeing which Paula has been helping me with. I want to do to anything I can to keep developing my skills. Because DCM has given me an amazing opportunity, and I want to grab it with both hands, and to really play my part on this very special team. Most of my work now is with the Aro Mai Housing First team, supporting people who have long histories of homelessness. Photo shoot by Gabrielle McKone. Let me tell you about one man we have housed recently. Patrick* is a long-term rough sleeper who struggles with a critical mental health condition and severe substance abuse, as well as the after-effects of traumatic experiences from his childhood. Now he has his own home – thanks to a local landlord who provided the team with a whare. Twice each week I head out with Patrick’s keyworker to check in on him; we make sure he is doing okay and looking after his whare. To begin with, there was so much about living in a house that he didn’t understand. He didn’t know how to take the washing out of the machine, hold a vacuum cleaner or wipe the benches down. It is the simple stuff that we can show him, and which makes such a difference. Things like what to do with cigarette butts – you don’t drop them on the floor when you have a whare. And we celebrate the small changes – like rather than leaving his dirty clothes scattered all over the floor, he now puts them into his washing basket. Yes, now he is really looking after his home – it looks great. This year I have also been double vaccinated – right here at DCM. It wasn’t easy for me, and it took a while to make the decision. But then we had a vaccine day with Bronwyn from Te Aro Health. I know and trust her and her team, and then I saw taumai who were getting their vaccines and they were so brave. Finally, my fellow kaiawhina Rochelle encouraged me, and we decided to do it together. I am so pleased that we did, because we can now support our taumai, and we know how much they are going to need our support when COVID hits Wellington. Our work will be even more important, and much needed.  Our ultimate goal is to end homelessness and I believe we will get there. We’re all part of the solution. And the work we do here at DCM is a major part of that solution. I am proud and privileged to be part of this team. <!-- --> Jordon Jordon was recently housed thanks to another local landlord who provided a whare, and the support of our Aro Mai Housing First team. This is the first time Jordon has been housed in over a decade. When her keyworker Bella asked her what the best part of having her own whare is, she shared “Having my very own bed - being on the streets is really hard”. We love to be able to lift up taumai like Jordon who have done the hard mahi needed to get housed. Bella was able to take her out shopping thanks to those of you have have donated vouchers. Jordon got herself some items for her bathroom, sheets and two new pillows. “I am excited to be able to put bedding on the spare bed so that I can have family to come stay, hopefully my youngest son... Thank you so much guys, I really appreciate it.” Ka mau te wehi Jordon! <!-- --> Acknowledging David Zwartz At DCM’s AGM this month, we were able to acknowledge the contribution of retiring board member, David Zwartz, who joined the DCM board in 2005. A member of Temple Sinai and a past President of the New Zealand Jewish Council, David has been a passionate advocate for interfaith cooperation. He is proud of the different perspectives which are now involved in DCM’s governance, and hopes that this will continue to widen. Thank you David for all your mahi on behalf of the most marginalised people in our community. <!-- --> Re-stocking our Foodbank Kia ora rawa atu ki a koutou! Thank you to everyone who purchased items for our Foodbank re-stock on Saturday, to New World Chaffers and Wesley Church for providing the venues, and to our lovely team of volunteers who gave up their time to collect the items and sort them. If you weren’t able to get down to the city last weekend, we would love any groceries you are able to drop in to our collection bin at New World Chaffers. And our friends at Ngaio Union Church accept donations for our Foodbank on the first Saturday morning of each month. That means that you can drop some items to them this weekend.  <!-- --> How can I help? As we look ahead to 2022, and a time when COVID will be in our communities and a part of our daily lives, we know that the people DCM supports will be the most impacted. They will need our support more than ever as they experience illness and isolation, many of them without any family support. If you would like to make a donation to DCM this Christmas so that we can continue to provide this level of support to the most vulnerable in the year ahead, please visit our website. If you are, or know, a landlord who would like to speak with us about providing a home for people like Patrick and Jordon, our Director, Stephen Turnock would love to hear from you. Together, and at the most challenging of times, we will continue to do something very special. <!-- --> *Not his real name. We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well.   Support DCM! Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2021 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • Ngā Kōrero - Latest stories from DCM

    • 22 Aug 2022
    • Downtown Community Ministry
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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Looking back into the past, and toward the future, Jason remembers kindness – “The biggest thing on my list today.” Building commuities where whānau are housed, connected, valued and thriving About Us Contact Healing through kindness – Jason’s story It’s a cold mid-winter’s Monday morning at DCM, and the building is bustling with activity. Jason has just arrived for work, and there’s plenty to be done. Jason is going to show a new volunteer the ropes. Food awaits pick-up at some local churches, Kaibosh and New World – and when the DCM van returns back to base Jason will have food parcels to pack so taumai can receive emergency food assistance. For Jason, employed as kaiāwhina in DCM’s Foodbank, he knows that there are lots of little ways he can help. For example, “If someone needs an overnight food parcel, chances are they’re rough sleeping. So I’ll go out of my way to make sure they have some disposable containers, tear tabs – I couldn’t think of anything worse than being given some food and not being able to eat it!” Another day in DCM's busy Foodbank. Jason describes it as a selfless job. “It really gets me out of my own way, to help share the vision of DCM. I always walk away at the end of my shift feeling better about myself.” Looking back into the past, and toward the future, Jason remembers kindness. But life was not always kind to Jason, and he is remarkably honest about his journey. Jason was born in the Hawke’s Bay, where family life was pretty tough. “I had an alcoholic stepfather who brought violence into the home,” Jason shares. “My mum was trying to raise me and my two brothers and she kind of got trapped in this relationship and couldn’t escape.” Jason came out when he was quite young, and he was bullied at school. This had a big impact on him, as did working in hospitality from a young age. Jason is reflective about how drugs and alcohol helped him to suppress his emotions. “So you have the cultural aspects, and the family harm aspects, and also depression runs right through my family. I didn’t have good coping mechanisms. So one thing I learned is that when things get tough you just pack up and run. “I learned to pack very lightly, and not put roots down. I couch surfed, spending many years doing that. I learned that all your possessions are the clothes on your back, and what you can carry.” Jason was thrown out of places for not paying rent due to his drug problem, ending up in Australia. But despite the change of scene, and a good job in hospitality, Jason acknowledges, “I thought life would be OK. But I still hadn’t addressed that I had a drug and alcohol problem. Or that I was an addict.” It was back in New Zealand that Jason reached what he describes as his lowest point. “I remember getting to a point where I’d use drugs, walk around the house, and felt like I just ‘existed’. That was a scary feeling. I just felt empty, like I had nothing.” With family help, Jason was finally able to start the process of getting into rehab. That took four months, and in the meantime Jason started going to 12-step meetings, and anything he could find that was recovery-focussed. “I found online blogs of people sharing stories about how they managed to give up drugs, and I was drawn to that kōrero,” Jason says. “I thought, ‘Hang on, there’s a life outside this?’” After a relapse, Jason found himself rough sleeping. He went to Work and Income to ask for help with emergency housing, and they suggested popping down to DCM to get some food, where Dominic was his first point of contact. “I was a mess, but Dom was really kind. He helped me with a food parcel and then we had a bit of a kōrero about how DCM could help. I was willing to take whatever help I could get, and he said that Evan had just started at DCM, and that he would like to engage me with him. I wasn’t too keen on meeting a drug and alcohol counsellor! I just wanted to isolate in my own little bubble, and wallow in my pity. But as I was walking out of the interview room, Dom goes, ‘Oh, this is Evan here!’ So I didn’t have a choice in the matter! And that was kind of a turning point in my life.” Jason with DCM drug and alcohol counsellor Evan. From then, Jason started popping down to DCM regularly. “I would come down most mornings, even if it was only for a coffee and a chat to the staff. Just so that they had ‘eyes’ on me. I started opening my doors for change. I just let DCM in. “I maintained going to regular meetings – every single day, even when I didn’t want to. I joined Te Awatea. I would go along Mondays and Fridays. And have a kōrero in there with the other taumai, sharing my journey, and what was going on for me. It is so good that there is a safe space at DCM for people to speak openly and honestly. “Evan used to call me, saying ‘Hey brother, I’ve put your name down for this. If you’re not interested, you don’t have to do it’. As I started getting better I decided to take up the challenge of doing the things that scared me the most. And one of those things was doing the peer support training with Brodie and Hannah at DCM.” Jason was able to access other services at DCM, such as the emergency dental service. “I was terrified of seeing the dentist!” Jason explains. “I hadn’t looked after myself, but the dentist (Morris Wong) was amazing. He sees people. He talked me through my anxiety. It wasn’t as bad as I expected. I needed a tooth extraction and a filling, probably two things people fear the most. And he helped me through it. I went away thinking, ‘Wow, what a great experience!’” Jason also saw the Te Aro Health nurses at DCM. “Don’t even get me started on them! Rebecca and Bronwyn have been incredible, and super-supportive. I went to Bronwyn with a medical problem and she made it her business to push for the hospital to see me. They helped me, and it’s been great. She went above and beyond, just pushing for them to do something. “All the staff at DCM are amazing,” Jason adds. “All the staff who are there now, and those who have moved on.” Having completed training with PeerZone, another kaiāwhina (Renee) suggested Jason apply for a job working in the DCM Foodbank. “She set up an interview and I was absolutely terrified about going into a job. I hadn’t been in employment for eight years. I didn’t know if I’d be any good or be able to hold the job down. So much unknown, but I used a bit of courage. Then I thought, actually, the job’s not about me. I found purpose in the job and that’s about knowing that the mahi that I’m doing is impacting the lives of others today. “I used to give money to street beggars – until Evan pointed out the dangers. If I’m walking down the street now and hear a taumai calling out to ask for money I say, ‘If you’re hungry, pop down to DCM. WE can help.’” Jason now has a whare with help from Evan and DCM's Aro Mai Housing First team. He is proud to be housed, working, and officially off Work and Income’s books. He’s even ditched cigarettes. But most of all, Jason is proud to be living clean, one day at a time. “What I have learned in that time is to show others compassion and kindness. And that comes from the people who have loved me since walking through the doors at DCM. I wasn’t judged and they were there to help me. So today I try to see people and meet them where they’re at. I’m continuing to show that love and kindness to others.” Jason now has a life he never dreamed he’d have. “Some days I still feel like an alien trapped in my own body. I definitely don’t have it all together – but that’s OK. I’m on the right path. I’ve had many months of re-building my Te Whare Tapa Whā. I’ve learned core values and spiritual principles along the way. I’m a better person today, and I’m OK with who I am. “When I look back to my darkest times, what stands out to me the most are those who showed me kindness. Those who were able to be there for me, to say ‘It’s OK. It won’t be like this forever.’ “So I remember kindness – that’s the biggest thing on my list today.” Photoshoot by Gabrielle McKone. <!-- --> Te Awatea – Doing whatever it takes It's later on Monday morning at DCM – almost 11am. “Last call for coffee!” Clifton announces to the room. Some taumai get their final cup, while others mill around, waiting for Te Awatea to begin. Evan and Jo have set up the space, where taumai are welcome to come and go. They are joined by Clifton and other kaiāwhina, offering peer support for the group. Te Awatea is as accommodating as possible, though Evan and Jo will keep an eye on disruptions, and manage any behaviour that starts to impact other members of the group. Te Awatea is all about harm reduction – and today the nine members of the group start with a round of, “How are you doing today, on a scale of 1-10?” Some taumai rate themselves pretty high, a 7 or 8, while others are feeling a bit down today. A couple of taumai are dealing with medical issues at the moment, which is not making life any easier. Everyone shares how their weekend went. For some taumai, there are challenges. There are members of the group who freely share that they are dependent on drugs or alcohol, and feel stuck. But there’s no judgement from Evan and Jo, or from other taumai in the room. This is a safe space to share whatever you’re feeling, wherever you’re at. One taumai has to leave early to see a nurse. Before he goes he shares how he’s managed to reduce his alcohol intake. He had a great weekend, and is feeling good today. The group cheer him on – “Awesome mahi!” – as he pops out to see the Te Aro Health team. After the intros, Evan leads a kōrero about mental health. By sharing some of his story Evan knows that it will help break the ice, and get the group to open up about their own experiences. Taumai share how they face mental health challenges too, and some acknowledge that they use drugs and alcohol to self-medicate, but that it doesn’t really help. There are a lot of laughs at Te Awatea. Everyone is different – and there are some characters! – but everyone is so open and honest that it’s hard not to share in a joke or two, to lift the spirit in the room. As the session comes to a close Evan leads with the serenity prayer, “Grant me the serenity to accept the things I cannot change; courage to change the things I can; and wisdom to know the difference.” Taumai chat amongst themselves as they head off. Some are looking forward to the next session, which will take place on Friday. In the meantime, Evan and Jo have their own little side room at DCM for one-on-one sessions with taumai who need them. While the group focusses on harm reduction, the offer of other pathways forward is always there if that’s what it takes for taumai to thrive. “Whatever it takes” is part and parcel of DCM’s kaupapa. Te Awatea truly shows that kaupapa in action. It’s not just on Mondays we hear stories like these. Here at DCM we are privileged to journey with taumai towards their housing and wellbeing aspirations, each and every day. You can help support us by forwarding this email on to anyone you think may be interested in learning more about our mahi. We will share our Ngā Kōrero bi-monthly. <!-- --> Support DCM We call the people we work with taumai, meaning to settle. This reflects the journey we set out on together – to become settled, stable and well. Nāku te rourou, nāu te rourou, ka ora ai te iwi. With your basket and my basket, the people will thrive. <!-- --> Copyright © 2022 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
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• • DCM Bookfair 2018 - One Week to Go!

    • 27 Jul 2018
    • Downtown Community Ministry
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DCM Bookfair 2018 - One Week to Go! View this email in your browser DCM's annual, fundraising Bookfair is ONE week away! Saturday 4 August, Shed 6, Queen's Wharf, 8am-6pm. Wellington's annual DCM Bookfair has been raising funds for vulnerable Wellingtonians for 23 years - but unless a new storage venue is found, this year's event will be the last. Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. There's never a shortage of donations but the storage unit DCM has relied on will not be available next year, leaving the future of the book fair in doubt. Every year, book lovers flock to the DCM Bookfair on Wellington's waterfront to grab an armful of bargains in support of vulnerably housed citizens. But unless a new storage venue is found, this year's event will be the last. Lee-Anne Duncan reports. It's catnip to bibliophiles, that smell. It's the bouquet of books, heavy with dust and knowledge, to be stacked and sorted, packed then transported to Wellington's Shed 6 for next Saturday's DCM Bookfair. This year is the 23rd time hundreds of volunteers have poured thousands of hours into collecting, sorting, boxing and setting out nearly 100,000 books for the country's biggest book fair. The event is also DCM's biggest single fundraiser. Formerly known as the Downtown Community Ministry, DCM works "at the serious end" of homelessness. Along with supporting people to find sustainable accommodation, DCM provides a variety of services to support vulnerable Wellingtonians. The organisation calls the people they work with "taumai", meaning "to settle", preferring it to the less personal "client". While DCM receives funds from local and central government to carry out some of its work, donations and fundraising events like this one are its lifeblood. If this book fair is as successful as those past, a near quarter century of book fairs will have collectively raised at least $2 million to fund DCM's work. "That's $2 million we haven't had to ask of central or local government agencies," says Stephanie McIntyre, DCM's director for the past 14 years. "The only reason we have been able to raise that money is through the generosity of Wellingtonians who donate their books, the people who buy them, and of course the volunteers who give their time to make it all happen." A fundraiser's success often comes down to those volunteers, especially for an event as large and complex as DCM's annual book fair. But this year's event might be its last, as the planned development of Shelly Bay means the Wellington City Council-owned warehouse used to store and sort donated books won't be available next year. "All this is absolutely at risk," says McIntyre. "We have had zero response trying to find another warehouse. We'd love to have another book fair as it's become such a classic Wellington thing and it's essential fundraising for us. Next year is our 50th birthday and it would be a great shame not to have a book fair in such an important year." DCM director Stephanie McIntyre. Many – if not most – of the fair's volunteers give their time year after year. A core group of about 30 helpers travel to the warehouse on Thursdays or Saturdays, or both, for generally five or six hours a day every week between April and August. There, wrapped up against the winter chill, they receive donations, sort the books into categories, then into subcategories, and sometimes even into micro-categories. "I've found quite a few books on grief. I'm hoping I can get enough together to make a section of its own," says long-time volunteer Wendy Nelson. "And I've got all these diet books. This year we seem to have a lot of paleo books." Spirited exchanges have been known to happen over categories. All Blacks Don't Cry by John Kirwan, for example: "Is that sport or mental health? I even found copy in Psychology earlier," says Nelson. If there's more than one copy – and often there is – the books can be allotted wherever book seekers may think to find it. A marine biologist, Nelson works full time as a principal scientist at Niwa but spends her Saturdays sorting. She's been involved in the book fair every year since the first, in 1996. "The then director, Helen Walch, said she'd had this great idea to hold a second-hand book fair as a fundraiser that would engage the volunteers and community. "I thought it sounded like a good idea – I like books, so why not get involved? DCM does such important work, and is such an important part of Wellington. Sometimes it's hard to know how to contribute, but this is a way for us to do our own small bit."  Volunteer Wendy Nelson, a marine biologist and book lover. Each year DCM supports about 1000 people who are experiencing homelessness or in danger of becoming homeless. But the work DCM does goes far beyond putting a roof over their heads. Every DCM day begins with a karakia and waiata. DCM kaimahi (staff) and their taumai gather to give thanks for the new day at 9am when the organisation's doors open in Te Aro's Lukes Lane. Social workers are on hand to talk to taumai to get to the heart of why they're experiencing homelessness. They support the person to access a benefit and manage their money, find and sustain housing, and connect to whānau and culture, health and other services. Statistics New Zealand defines homelessness as: "Living situations where people with no other options to acquire safe and secure housing are without shelter, in temporary accommodation, sharing accommodation with a household, or living in uninhabitable housing." Research by Otago School of Medicine in 2016 put the number of New Zealanders living this way at more than 40,000 people, nearly 1 per cent of our total population – the highest rate of homelessness in the OECD. It's difficult to accurately quantify homelessness. During this year's census, DCM staff worked with Statistics NZ staff to encourage and support people who were homeless to complete the census forms. "We explained that government funding decisions are made on census data, so filling out the census made sure they were counted," says McIntyre. DCM's own data vividly describes the increase in demand. Over the past five years, the number of people who are homeless that come to DCM for support has increased by more than a third. "Even more worrying, the number of people we see who are actually without shelter – so rough sleeping, or sleeping in cars – has more than doubled." McIntyre expects the number of people DCM supports to increase this year. "When you get a severe housing crisis, as we have now, it's the most vulnerable who are kicked to the end of the line. As housing gets harder for everyone it gets especially hard for these people, which makes our work even more necessary." In May, the Government announced $100 million to address homelessness – $37 million of that was allocated to find places by the end of this winter, with the rest spent over four years on the Housing First programme. While DCM will be at the forefront of delivering Housing First in Wellington, the organisation will continue to rely on volunteers and donations to pay for its core services. We visit four Saturdays from sale day. There's a stiff nor'wester whipping the waves a few metres from the warehouse. Out in the harbour, a rare southern right whale is leading the news. Te Amo Roberts, another volunteer and someone DCM has supported, reports he saw the whale on his way in. He stirs himself a coffee between breaking down cardboard boxes and helping with some of the "grunt work". Volunteer Te Amo Roberts received assistance from DCM in the past. Today, he's an important part of the book fair team. "There are some biscuits on the sideboard, Te Amo – Cameo Cremes," says McIntyre, who's holding a brief meeting with a small group of volunteers, a long, tightly written to-do list on her crossed knee. Cut sandwiches and fruit are boxed on the sideboard, along with those Cameo Cremes. Everyone knows a volunteer army sorts and packs on its stomach. Most of the fair's book-sorting volunteers stick to their areas of expertise – a retired anaesthetist is set to work deciding which medical books are still useful, and a war buff flicks through the military books. They determine which books will sell and for how much, which subjects are likely to be "in"' this year, and which – judging by the number of those donated – are on their way out. The volunteers' knowledge also means they're well-placed to spot a valuable book. Then, with the aid of local auction house expertise and internet bookseller searches, a price is applied and the book is included in the high-value stack. "We do get some amazing finds where people might not have realised they've gifted us an extraordinary treasure, but we have no way of reuniting it with its owner," says McIntyre, who, drawing on her own pre DCM music industry career knowledge, found a rare Beatles book some fairs back. "At the same time I'm sure we've had books we've sold for $2 that may have been worth hundreds. But you've got to be philosophical." A hand-drawn diagram of the Shed 6 book fair layout is pinned to the wall. Each table has a number assigned to a book category: children's, history, health, fiction (so much fiction), New Zealand, art, and so on. The more work done now, the better 100 or so volunteers on set-up day know exactly where everything fits. Taking too many books to fit a category's allocated section would lead to chaos – setting out 90,000 books is a precise science. "We've got a phenomenally good offering of children's books this year, so we've had to shuffle up some other things to accommodate that," says McIntyre, scrutinising the diagram. "The foreign languages are fine but the music is the big headache at the moment," says one volunteer, popping in to give McIntyre a quick update on her areas. The team is following a packing plan with scheduled revision points. According to the plan, by this day 75 per cent of books must be sorted, tallied and packed on pallets (each holding about 800 books) ready for transportation to Shed 6 at dawn the day before fair day. With clipboard in hand, Alexi Manouilenko is responsible for the tally. DCM stepped in when he needed support a couple of years ago, which led to him volunteering on fair day in 2016. "As well as wanting to give back to DCM, I'd been out of work for a while and people are reluctant to hire you when you don't have anything to explain your time off. I realised the best way to get back into work was to volunteer to show I could work. I already knew DCM so I volunteered for two years. That led to some paid work and now I have a full-time job with DCM."  Part of Manouilenko's job is to decide how many books in each category should go to the fair and use his maths skills to keep tabs on the packing. "I look at the previous two years to see how many books were taken in each category and how many were sold. From that I try to guess at what we should take this year, and I tell the volunteers how many boxes in each category to pack." This level of organisation is why DCM must close the book on donations four weeks out from the fair. Even on the last day, every few minutes book-toting donors poke their heads around the peeling-painted door. "I just want to drop some books," says a man, setting down his burden. "Thank you, mate," says McIntyre. "Come to the fair and buy a whole lot more, won't you?" Surely he will – book lovers only clear their shelves to fill them with new finds. While the DCM Bookfair is certainly about finding new homes for old books, it's also about raising funds to support marginalised Wellingtonians into homes of their own. Nelson remembers when the team was ecstatic to raise $15,000 – now the book fair raises around $100,000, which goes directly into funding DCM's work with people experiencing homelessness. It's that work, as well as their shared love of books, that motivates the volunteers. Volunteer Tamara Morton with stacks of books ready for the fair. Tamara Morton is a consulate advisor at the Ministry of Foreign Affairs and Trade, but spends her Saturday mornings in the warehouse's fiction section, estimating the book-buying public's appetite for Philippa Gregory and Dan Brown. "When I was living overseas, circumstances happened that I found myself looking for a place to live. It was short-lived and I've never been truly homeless, but I can't forget the anguish that came with thinking, 'What am I going to do? I've got nowhere to go.' To be able to help an organisation with the resources to address that is why I do this for DCM. "There's also the huge bonus of making connections with people you wouldn't meet in a lifetime of routine days. The people who work here come from all sorts of backgrounds and different stages of life. It's really cute to see the cheeky banter that goes on between a Millennial and a Baby Boomer. It's really delightful to be a part of that." Nelson is busy assessing travel guides (nothing published before 2010 goes on sale). "What I love about the book fair is that everyone's winning," she says. "The people off-loading their books feel they're going to a good place, the people who rock up to the book fair get fantastic bargains, and the people who volunteer get satisfaction from contributing to something. And it's about making connections into the community." Our thanks to Lee-Anne Duncan for this story, published in today's Your Weekend. Feel free get in touch with us at DCM over the coming week if you have any questions about the Bookfair on (04) 384 7699 or events@dcm.org.nz Click Here to Donate Now! <!-- --> Copyright © 2018 DCM, All rights reserved. Want to change how you receive these emails? You can update your preferences or unsubscribe from this list
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• • Maranui newsletter october 2022

    • 28 Oct 2022
    • Maranui Surf Life Saving Club
    • 96 MARANUI NEWSLETTER OCTOBER 2022 p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; 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} } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. KIA ORA Sun, sand, surf, the season is almost upon us. A very warm welcome to all our Maranui families for the 2022-23 season! Being part of Maranui is a great opportunity for parents to get involved in a number of ways in and out of the water. Whether it’s helping coaches gather equipment, helps kids handle and tidy away gear, sweep & mop changing rooms at the end of the session and many other little tasks that keep our club working, don’t be afraid to jump in or ask what needs doing. Be part of the Maranui way. There will be an induction to the Junior Surf season in the lounge on Sunday 6th November once children are warming up, please make sure one parent/caregiver attends. We had a fantastic turn out for both Working Bee's. Enormous thanks to all our clubbies who gave up a couple of hours to help give the club some TLC. A massive Ka Pai! Please ensure your U10s - U14s athlete(s) have registered to attend the 200m badge swim assessment this Sunday 30 October. We need your registration to ensure all U10s-U14s are attending. Otherwise any athlete who has not refreshed or gained their 200m badge will be unable to use a board and do the swim. Please see registraion and more info below. Please note the time change for the Sunday Junior Surf session this season for the U11 - U14 age group is now at 10am - 11.30pm (signed in by 9.45am). We can't wait to see all our Junior Surf athletes on Sunday 6 November for another fabulous season. Hopefully accompanied by sunshine and some surf!  An email about the upcoming season will be sent by next week to all registered clubbies. Maranui Oceans'23 have a Quiz Night Fundraiser at the Parrot Dog on Tuesday 1 November, 7pm. A FUN evening not to be missed. See details below. Please ensure you have paid your subs for the season by Monday 31 October. Any queries please email Patricia Kelly (Maranui Finance Manager) - accounts@maranui.co.nz Have a lovely weekend. Ngā mihi.  <!-- --> THE MARANUI WAY Our Purpose is to: Grow people to their potential by providing an INCLUSIVE and SUPPORTIVE environment where people ENJOY what they do, put in maximum EFFORT through a surf environment that is constantly changing and CHALLENGING. VISION: One of New Zealand's premier surf lifesaving clubs providing world class surf lifesaving services and developing leaders and champions. PURPOSE: Provide our community a safe surf and beach environment. OUR CORE VALUES: Community, Excellence, Fun, Respect, and Tradition. <!-- --> HAERE MAI, WELCOME I am excited to welcome all our new families to Maranui as well as our returning cubbies. As we prepare for this year summer of surf fun I have taken a moment to reflect on the challenges we have faced over the last couple of seasons with COVID19. The impacts on community junior sport is being felt with participation across all sports nationally down I am excited to see our membership holding tight. This is don to the amazing work of our Board, volunteers and families. Junior surf has one main purpose and that is to grow our lifeguards of the future. All the fun we have week in week out, the carnivals and the xtra development sessions are all designed to be fun, engaging and grow our children who participate whatever age & stage they are. We as a club can not do that with out family support and volunteers. Thank you for joining us on this fun journey. Our first session is Sunday 6th November. Once all our cubbies are signed in and away with our coaches for a warm up I invite all parents to join us in the club lounge for a welcome to the club catch up. This is for all parents new & returning. Our development sessions for our U11-U14 cubbies are now underway, these are open to any athlete keen for more time in the water to grow their skills and anyone keen to head to Oceans in 2023. Please drop me an email if you are interested. More development opportunities for kids and parents will pop up over the season so keep you eyes peeled. As for any community sports club we are always looking for new & enthusiastic parents to join us coaching, officiating, co-ordinating age groups at carnivals or just to do some of those ongoing tasks through the sessions and on a weekly basis…. Cleaning the club at the end of sessions, hosing equipment at the end sessions, helping coaches with equipment, clearing sand out of the boasted…. The tasks are endless, jump in, help out and if in doubt ask one of us for a pointer.  See you all on the 6th November…. Cheers  Lucy Barry Director Junior Surf Development <!-- --> MARANUI OCEANS'23 FUNDRAISER QUIZ NIGHT Please come along and support the Maranui Junior Squad for Oceans'23 to go to the National Surf Lifesaving Competition at Mount Maunganui. DATE: Tuesday 1 November VENUE: Parrotdog, 60/66 Kingsford Smith Street, Lyall Bay TIME: 7pm (quiz starts)  TICKETS: $25 each, which includes a free drink courtesy of Parrotdog on arrival. Tables of six Reserve your table now by emailing Caroline - lunasa@hotmail.com It will be a FUN night! <!-- --> 200M BADGE (must be refreshed every year) 200M BADGE (must be refreshed every year) 200m BADGE ASSESSMENT - (U10 - U14) athletes DATE: Sunday 30 October WHERE: The Aquadome, East Girls College Austin Street, Mount Victoria TIME: 11am - 1pm CLICK HERE TO REGISTER FOR THE 200M BADGE ASSESSMENT -  https://forms.gle/LxkW7ttBns2yrvnx6  We need all (U10 - U14) athletes to register, so we know who will be attending. All clubbies should be swimming - we don't teach athletes to swim. As we are in the business of saving lives and not risking them, swimming skills go hand-in-hand with surf life saving. Therefore we require Junior Surf members to attain this award so they can satisfy the mandatory requirement to compete with paddle boards in the Junior Surf Carnivals. A safety requirement is that children aged 9-13 years (U10 - U14 age group) must be proficient swimmers and have a 200 metre safety badge. This is advisable for U9s but compulsory from age 9 (Under 10s).  In view of the beach environment in which our activities are carried out, every effort should be made to ensure that all children have some swimming proficiency. It is expected that as children progress through their age groups, their swimming ability increases.  Children are not taught to swim at ‘Junior Surf’ Sunday beach sessions. Life Saving is an aquatic sport and it is strongly recommended that children participate in swimming lessons. Pool swimming is essential to develop the strength, fitness and confidence that they require to negotiate surf conditions. Children who swim regularly prove to be the most capable in the surf and ultimately gain the most from participating in a Junior Surf programme. The 200m safety award must be refreshed every year. Children who do not successfully meet the swim requirements will be unable to use the paddle boards and compete in the water events at junior surf sessions and carnivals until they obtain their current 200m badge.  Junior Surf athletes will need to swim 200m confidently (25m lane), followed by a 1 minute tread water, within the SLSNZ allotted time depending on their age.  U10/U11/U12 is swim 200m in 7 mins, tread water 1 minute U13 swim in under 5.5 mins, tread water 1 minute U14 swim in under 4.5mins, tread water 1 minute 200m BADGES Badges are to be sewn (carefully) onto your competition cap. If your child(ren) has completed the 200m swim a badge can be collected at sign-in at junior surf sessions on Sunday mornings. <!-- --> JUNIOR SURF (NIPPERS) Junior Surf starts on Sunday 6 November. JUNIOR SURF SUNDAY SESSION TIMES  U7 - U10, 10am - 11am (signed in by 9.45am) U11 - U14, 10am - 11.30pm (signed in by 9.45am)  * * TIME CHANGE * * Please note: The time change for the Sunday Junior Surf session this season for the U11 - U14 age group is now 10am - 11.30pm. Note: Age as at 30th September CANCELLATION PROCESS A message will be posted on Facebook - www.facebook.com/MaranuiSLSC and on the homepage of the Maranui website - www.maranui.co.nz There will be no Sundays cancelled because of bad weather for the U13 & U14s.  WHAT TO BRING Togs - NO boardshorts, wetsuit, swim goggles, towels, drink bottle, sunhat, sunscreen (a MUST, slip, slop, slap), and something warm to put on afterwards. Small flexi tubs are great to put all your wet gear in.  Wetsuits are optional, but we recommend full length wetsuits are worn as Wellington waters are hardly tropical. Please ensure everything is named - Everything. COLOURED BEANIE'S U6 - U9: wear a coloured age group beanie + Pink or Red Hi-vis vest  U10 - U14: wear a Red Hi-vis or Pink hi-vis vest  (no beanie required) U6 - U9 age group are identified by coloured beanies that are issued and returned on the day.  Note: Coloured beanies must be put in the flexi tub at the bottom of the stairs in the boatshed after the session. <!-- --> NIPPERS2GUARD NIPPERS2GUARD Session starts this season Nippers U13 & U14 will have nippers2guard (n2g) sessions in tandem with regular nippers sessions. The objective is to build a solid foundation of knowledge before starting your Surf Lifeguard Award (SLA) course at 14yrs. You will be doing practical and theory sessions alternating with nippers sessions to keep up the fitness.  There will be no more Sundays cancelled due to bad weather for the U13 & U14s. We have so much to learn and so little time - so let's get started learning 'How to Lifeguard'!! Carrie Matson Speirs Maranui SLS Head Instructor <!-- --> JUNIOR SURF STARTS SUNDAY 6 NOVEMBER Please arrive in togs and wetsuit ready to go. Please arrive at least 20 minutes prior to the session starting.  Parents leave plenty of time to ensure you find a park. It will be busy. All members must sign-in with the sign-in crew in the clubhouse. ANNUAL MEMBERSHIP SUBSCRIPTION Invoices have been sent out by Patricia Kelly (Maranui SLSC accounts) and are due by Monday 31 October. Subs are an important part of the viability of the club and your prompt payment of the invoice will be contributing to the success of the club. If you have any queries please contact Patricia Kelly (Maranui Finance Manager) - accounts@maranui.co.nz <!-- --> PARENTS / CAREGIVERS IN THE WATER U7 AGE GROUP is an age which, at our beach with its variable wave height and harsh conditions, is unable to be left to just the coaches and lifeguards. U7 athletes require a parent/caregiver to be in the water with them at all times. U8 - U9 AGE GROUP we ideally would like a parent/caregiver in the water or water edge ready to enter if required,  If your child requires extra assistance in the water, please enter the water with them, rather than assuming our volunteers will be able to look after them. Please note:  Our club relies heavily on the active involvement of parents, the club cannot function without people volunteering. Kids love to see their parents/caregivers interacting at the club. Parent/Caregivers participation is encouraged in the water at all ages. This is a great way for parents to be actively involved, it’s a great way to increase your own water confidence and have FUN. The more adults we have in the water the better.  If you are not a competent swimmer, there is always a need for people to remain in the shallows to help retrieve boards and ensure children exit safely, providing close and constant supervision of our young athletes in the water. <!-- --> MARANUI CLUB CLOTHING We have togs (limited stock), competition beanies, hi-vis vests, swim caps in stock. These can be ordered at any time.   CLOTHING ORDER DEADLINE SUNDAY 13 NOVEMBER 2022. CLICK HERE TO ORDER CLOTHING - http://goo.gl/9AzpoK CLOTHING (EXPLANATIONS ABOUT STYLES - MALI/ WAFER TEES etc) /TOGS SIZE GUIDE- https://docs.google.com/document/d/1q_ee9WxNPVKIBcGmXHIKs_I5DhYLmC03zPwbiJXKAVQ/edit Please ensure you 'name' club clothing, this includes competition beanie and hi-vis vest.   BUY SWAP SELL Buy, sell, swap Facebook Group Please request to join the group. Maranui SLSC - Buy, Sell and Swap - https://www.facebook.com/groups/528242194283996/ If you have an item you would like to list please click the "Sell Something" button and post all relevant details. Only post Surf related items please. Happy buying, swapping and selling! <!-- --> 2022/23 CAPITAL COAST OFFICIALS INTAKE We are on the lookout for new officials for the 2022/23 season,  If you are interested in helping out, please indicate by filling out the online form with events you'd like to attend.  The process this season is for anyone who would like to help out, come along and help out as a volunteer for the event. If you like the feel of the job, we will schedule you for another 2 more events in which you will get some training, mentoring and eventually be signed off as an official!  The Capital Coast is also looking for new, fresh and passionate parents / volunteers to help continue the high quality of surf sporting events we have here in our space of New Zealand.  Perks include but not limited to: Free lunches, a fabulous blue outfit, name tag & the potential to try a vast array of baked good with other officials from around the country side.  PLEASE FILL OUT THE FORM HERE If you have any questions please feel free to email troy.greenem@surflifesaving.org.nz  Troy Greenem Sport Manager – Central Region  - - - - - - - - -  We need more officials at Maranui, so grab this opportunity. This is a great way to help our club and support surf sport events in the Capital Coast region. Please sign up. <!-- --> MARANUI SUBSCRIPTIONS 2022/2023 Invoices have been sent out by Patricia Kelly (Maranui Finance Manager) for the upcoming season. MARANUI SUBSCRIPTIONS 2022/2023 U7s - $60 (+ Hi-Vis Vest Pink $15 or Hi-Vis Vest Red $25) Juniors (U8s - U14s) - $120 (+ Hi-Vis Vest Red $25 and Competition Beanie $15) Active and Patrolling Lifeguard - $85 (issued a Lifeguard uniform and includes training) Associate - $85   Family - $330 three or more members of the same family household - capped SPORTS FEE 2022/2023 (additional add-on, invoiced separately) Oceans (U11 - U14) - $80  Lifeguard Sport (senior competitor) - $150 (+ Hi-Vis Vest Red $25 and Competition Beanie $15) IRB Racing - $150  Subs cover Capital Coast carnivals, lifeguard training courses and SLSNZ courses. Lifeguards are required to return lifeguard uniforms if they are no longer lifeguarding. ADDITIONAL COST:  Hi-Vis Red Vest $25, Hi-Vis Pink Vest $15 and Competition Beanie $15  All club members are required to purchase and wear a hi-vis vest when training and competing, as these are mandatory.  Athletes will need to purchase a Competition beanie and have a Hi-Vis Red Vest for carnivals, as these are mandatory for competing. - - - - -  U7s don't require to purchase competition beanies as they don't compete in carnivals. U7s can purchase either a Red or Pink Hi-vis vest to wear.  - - - - -  Pink vests can be purchased by clubbies to wear for training, to keep their red vests for Carnivals. <!-- --> HOUSE KEEPING REMINDER: Every member is responsible for keeping the club clean and tidy. Our lounge area is used for external meetings, so needs to be kept tidy. Please use the wet vac and try to not add further water to the already wet floor after change rooms have been used.  Please ensure gear your children have used is cleaned down and stacked away properly. If you use a mug or glass, please wash it and put it away after use. Don't leave it on the bench. NO JUMPING ON THE SOFAS - Please ensure your children don't use the sofas as trampolines. WET PEOPLE - Please don't enter the kitchen / lounge area if you are wet.    <!-- --> RACHAEL BURKE - PEER SUPPORT Rachael Burke has recently undertaken training through SLSNZ to take on the role of Peer Supporter within Maranui Surf Life Saving Club. Peer Supporters are specially trained SLSNZ members who can provide confidential support to their fellow members on a range of issues including wellbeing concerns, personal stress, and traumatic lifesaving incidents.  Peer Supporters can also connect Maranui members with the Benestar programme. All current active members and their immediate families have access to FREE counselling and wellbeing support through Benestar. If you would like to discuss anything further feel free to contact Rachael on 021767347.   KOOGA DECK PARKAS FOR SALE Price: $170 380gsm fleece 3000mm waterproof Comes below the knee.  The fit is quite generous. GARMENT MEASUREMENT GUIDE Please check sizing before you place an order. https://drive.google.com/file/d/1aj9zvZchA1SY6Kbd-gcUFQ9YhbQwqPUi/view?usp=sharing Please contact Rhys - rhys.speirs@gmail.com <!-- --> CALENDAR 2022/2023 200m Badge Assessment - Sunday 30 October, 11am - 1pm Junior Surf Starts - Sunday 6 November Whitehorse #1 - Sunday 20 November, venue Foxton Beach Junior Surf Series #1 - Sunday 27 November, venue Worser Bay Whitehorse #2 - Sunday 11 December, venue TBC Last Junior Surf session - Sunday 11 December (Santa) - TBC Junior Surf Series #2 - Sunday 18 December, venue Titahi Bay - - - - - - - - - - - - - - -  2023 2023 Central Regional Champs (CRC & CRJC) - Friday 13 January - Sunday 15 January, Fitzroy Junior Surf Series #3 - Sunday 22 January 2023, Riversdale Capital Coast Junior Championships  - Saturday 11 February, venue Maranui SLSC Whitehorse #3 - Sunday 19 February, venue TBC Oceans’23 - Thursday 23 February - Sunday 26 February, Mt Maunganui 2023 TSB NZ Surf Life Saving Champs - Thursday 9 March - Sunday 12 March, New Brighton Beach SLSNZ Calendar - https://www.surflifesaving.org.nz/calendar All dates, times, locations etc are correct when published but subject to change. <!-- --> CLUB CONTACTS Jim Warwick (Club Chairperson) - chair.maranuislsc@gmail.com Anna McDonnell (Director of Lifesaving) - lifesaving.maranuislsc@gmail.com Rhys Speirs (Director of Sport) - rhys.speirs@gmail.com Francie Russell (Director of Business) - frances.russell@xtra.co.nz Pru Popple (Director of Operations) - prupopple@hotmail.com Lucy Barry (Director of Junior Development) - lucyjanebarry@gmail.com <!-- --> Thank you to our MAJOR SUPPORTERS for your continued support! <!-- --> Copyright © 2022 Maranui SLSC, All rights reserved. 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    Maranui Surf Life Saving Club, 107, Lyall Parade, Melrose, Wellington, Wellington City, Wellington, 6242, New Zealand (OpenStreetMap)