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    • October Messenger
      • RASING THE STANDARD OF GIVING <figure class=" sqs-block-image-figure intrinsic " > ‘Raising the standard of giving’ – describes the thoughtful re-examination of our giving as an important expression for our faith.  We give meaningfully, not because the Church needs it (it does, of course) but because as Christians we need to give it for our own sake spiritually. Our giving connected to our:  Discipleship Shared mission and vision Expression of generosity in proportion to our means. Together we are encouraging one another to think about our values, to examine or re-examine our giving habits accordingly, to make carefully thought-out decisions, and to re-arrange our priorities in using money to enable us to carry out these decisions.  Money is a real responsibility. The more we have of it, the greater our responsibility. The place we give it in our lives, the purposes to which we put it, are very relevant to our Christian life.   Our attitude to money and possessions provides a practical test of our love of God and for others. Often our money may be taken as a yardstick measuring the value we put upon our beliefs. Our attitudes to money, the place we give it in our lives, provide a telling clue to our Christian character.  What is ‘token giving’? Giving is not primarily token by the size of the gift, but by its relationship to the financial means of the giver and how it relates to her/his intention in making it.  What about ‘sacrificial giving’? Graham Redding recently wrote:  “Has the concept of sacrificial giving had its day? For as long as people deem the act of giving to be an integral part of their sense of vocation, then the answer to that question must be no. What is freely and abundantly given, even at a sacrificial level, can be a joy, not a burden.”1  Sacrificial giving is best understood as generous enough to involve substantial cost, and so has real meaning to the giver. It brings to the giver a sense of fulfilment - of responsibilities faced and met. It comes only after careful thought, realisation of the issues involved, prayer and the planning that makes such a gift practicable. It makes a significant impression on the giver’s spiritual life because it brings into sharp focus the importance of spiritual values in life.  So, as we move forward on the journey of faith together, let us re-examination our giving as we put our faith into action every day.  [1] ‘Time to talk about responsible rather than sacrificial giving?’ Graham Redding, Otago Daily Times, 29th April 2022. https://www.odt.co.nz/opinion/time-talk-about-responsible-rather-sacrificial-giving LUMINARY Luminary is a sculptural installation by artist Auckland Karen Sewell which was installed in St John’s chapel from 29 July to 7 August this year, having earlier been shown as part of the collateral projects programme of the Venice Biennale 2022 in Italy and in Auckland, Dunedin and Christchurch. It explored the metaphor of light and light giving bodies and was an effort to revive the long-standing tradition of placing art in churches, in this case with contemporary art. It involved a large sphere illuminated in white and gold light high in the ceiling of the chapel, accompanied by a display of lumen prints, showing another aspect of light.  We saw it as more than that. While providing an opportunity for people to reflect on creation and light, it was also an opportunity for St John’s to connect with the wider community and tell people about our own historic building, with its own art works of high interest such as our stained-glass window of the Good Samaritan on our north wall or Christ’s last supper, shown in the chapel. It worked well. With support from the Congregation contributing to expenses and volunteers helping to open Church, more than 300 people saw the work, including more than 200 from beyond the Congregation. Some stayed for up to half an hour and engaged well about St Johns and what we do on site. A good range of people showed interest, including many students and younger people, some who just wanted to see inside the Church which is normally not open. The sale of Karen Sewell’s donated artworks raised $207 for DCM’s work with the homeless too.   A big thank you to all who helped, including to show us some other ways to connect with our community, as we want to fulfil our vision for St John’s.   See the video production of the installation at St John’s in the city https://www.luminaryvenice.com/luminary-wellington-video  See more at www.luminaryvenice.com  David Galt  <figure class=" sqs-block-image-figure intrinsic " > CHURCH CAMP 2022 This month saw our church whānau join together at Forest Lakes campground for Church Camp 2022. We were treated to lovely spring weather, a plethora of activities, and meaningful worship sessions all packed into just 2 nights! <figure class=" sqs-block-image-figure intrinsic " > Arriving on Friday night, we quickly stowed our things in our cabins, then started camp right with icebreaker games, and a session in the chapel. We got to sing along with the combined worship band and hear more about our theme of “Journeying together”. It felt apt knowing that not only had we all journeyed to Otaki to be together, but we’ve all been on our own journeys through COVID and a rapidly changing world. Games and movies and supper sufficiently tired us all out ready for what we hoped would be a good nights’ sleep in cold cabins. Saturday dawned bright and the whole day stretched before us. After breakfast it was time to welcome our day campers and get stuck into more worship. Truly, guitars and clapping and singing - such a great way to wake up! Then came a life auction; working together in multi-generational teams and trying to build a meaningful life on a (imaginary) budget created rich conversations for sure. Being a part of a ‘poorer’ group really did make our group focus on just a few, top priority qualities that make a huge difference to a good life. Digesting this while hearing more stories of people on a journey brought home how lucky we are, and how we can keep going towards more. Free time in the sun followed our time together, with kayaking, golfing, archery and more. Kids entertained and happy campers mingling together and chatting through life with smiles beaming. <figure class=" sqs-block-image-figure intrinsic " > After more games and then dinner, it was time for the long-awaited camp concert. What talent our church whānau possesses! From dancing to singing to karate to hose trumpets, it all ended with a blow out youth band jam session. What do you do when you’re alone in an elevator?? And of course, camp wouldn’t be complete without the bonfire. We saw roaring flames, gooey marshmallows, and warmth all on a beautifully still night. A perfect chance to be real, and engage with one another. <figure class=" sqs-block-image-figure intrinsic " > Sunday morning worship and we tied together our journeying theme of the weekend. All tied together like a fairy tale.Church camp had been just another casualty of the COVID cancellation era last year, and it was fantastic that we got to pick it up and revive it for this year. It seemed extra rewarding that it came following a big time of post-pandemic change and busy-ness in our lives. A huge thanks to the team of volunteers who helped plan and organise to get it going, and to all those that helped while we were there to keep things running smoothly for us all. God is definitely close when we’re moving towards Him together. Amanda Fitch A FUTURE IN THE CITY In 1853 St John’s was surrounded by paddocks, on the fringe of a new settlement town. Down the road was Te Aro Pa, and in and around Dixon St were ramshackle shanty buildings and an abattoir. Muddy roads, typhoid outbreaks and a British immigrant population were seeking a new beginning having bought land from the unscrupulous NZ Company. Meanwhile Tangata Whenua hailing from Taranaki Whanui and Te Ati Awa were slowly being disenfranchised from their land. The history of Wellington’s settlement is far from pretty. By 1893 women had the vote and there was a strong movement for social improvement. As expressed in the NZ Presbyterian magazine the ‘Christian Outlook’, the place of cities, their influence, the call to be a part of the social fabric and be Christ ‘where you are’ was strong. To ‘Make that one corner, room, house, office as like heaven as you can.’… to “Beautify it, ventilate it, drain it.’… Educate it, Amuse it, Church it. Christianise capital; dignify labour.’’ In 1895, the church was calling members to get involved in the nitty gritty and dirty parts of life, to use their capital for good. To be involved in the hard stuff, to engage in social issues and matters of justice. Not to sit back and watch, but to “Join councils and committees. Provide for the poor, the sick, and the widow. So will you serve the city." This is the whakapapa of St Johns – In the City. Fast forward to 2022. 169 years later we are asking ourselves once again, what does it mean to be part of the City? How do we be Christ’s hands and feet amongst the high-rises, the apartments, and the shadows of the City where loneliness is common? How do we provide a place of restoration in a world of hard tarmac and where open spaces are rare? How do we meaningfully share the knowledge of a loving, hope-filled God to a understandably cynical generation, who have heard more about the damage meted out by religious authority, and never had firsthand experience of the church as a loving, accepting and generous community? This is what we have been grappling with for the last year. We’ve been asking ourselves what is our future? Who do we need to be for a new generation? How do we demonstrate Christ’s message of love, hope and create a place where people feel they belong and can find respite, in order to recharge for whatever life throws at them?After much deliberation, prayerful, presbyterian debate and discussion, we agreed the following statement captured our Vision for the future:We explore and share the gospel with our dynamic neighbourhood. We create safe spaces to be, to belong, and to navigate the tough stuff. Getting to know God is a team sport – that’s why we do this together, not alone. <figure class=" sqs-block-image-figure intrinsic " > The Pohutukawa tree represents our community, our hopes and aspirations – with strong roots in God’s love building faith together, a trunk with many strands that is a place of acceptance and belonging, reaching out our branches in many diverse ways to connect with the dynamic community that surrounds our site and explore the Gospel together.Quickly moving onto Actions, we have tried to put legs on good intentions, and turn theory into practical actions providing a renewed sense of community purpose post-COVID. An interactive workshop where members got a chance to choose a project team they wanted to participate in kicked off this stage. Site and Space TeamChristmas in the Courtyard - a celebration with food, music and carols    Friday 9 DecemberContact Rob Anderson or Judi Ferguson , Phone: 021 239 1702    Community Rebuild Supporting Attendance at Church Camp and Talent Show. 20 older congregation members came to church camp for the day! Awesome job team!!  Whānau Night ExtensionYouth Lead Code Breaker Night, 20 November 2022 – Come along! Vision Communication and ConnectionsImproving Signage and Billboards, Contact: Elizabeth Gibbs. This group has met and made plans. Now…full steam ahead! Getting to Know our Neighbours / Understanding Our Eco System/CommunityParticipating in Wellington Heritage Week (with our Open Day on 5 November), connecting with local property developers to understand future populations.  Contact: Pamela Cohen  Phone:  027 440 1838 Fiona Purchas NOTABLE MENTIONS New MembersAnjali George, Robyn Albertson Pearse Lane for receiving the Chief Scout Award, as well as a Karori Youth Award and MVP for his Football season with Wellington College. Alice Carter won Hutt singing competition and sang in the national Memorial Service for QEII Leon Scohpa (Son of Richard Hpa and Chantelle Scoon) for his Baptism. Bhanu Pancha for her Baptism
      • Accepted from News - St John's in the City Presbyterian Church by feedreader
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      • St John's, Willis Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • *official press release*orchestra wellington’s fourth...
      • *OFFICIAL PRESS RELEASE* ORCHESTRA WELLINGTON’S FOURTH SUBSCRIPTION CONCERT   “FATE” Concierto de Aranjuez -  Joaquín Rodrigo Piano Concerto No 2 in F Major - Dmitri Shostakovich Symphony No 4 in F minor - Pyotr Ilyich Tchaikovsky Orchestra Wellington Marc Taddei, Musical Director Michael Houstoun, Piano Andrey Lebedev, Guitar Rodrigo’s guitar concerto casts a shaft of warm Spanish sunlight over Orchestra Wellington’s largely Russian programming this year. The Orchestra welcomes Russian-born Australian guitarist, Andrey Lebedev, performing it as part of his prize for winning the 2013 Gisborne International Music Competition. Gisborne International Music Competition manager Mark La Roche says he is incredibly proud of the partnership formed with Orchestra Wellington to provide the overall winner of the GIMC with the opportunity to perform in Orchestra Wellington’s subscription series. “I can vividly recall Andrey’s winning performance and know you will thoroughly enjoy hearing him play the Rodrigo Concerto - he is an exceptionally gifted and thoughtful musician.” Continuing its association with Michael Houstoun, Orchestra Wellington also presents Shostakovich’s Second Piano Concerto as part of this year’s Russian Piano theme. Shostakovich was a virtuoso pianist and a composer with a reputation for grim and cryptic works. But in this concerto he paid tribute to his son, for whom it was written, with a piece reflecting the boy’s lively, mischievous nature. He also gifted him a slow movement filled with beautiful melodies and lush harmonies worthy of the great Romantics. With his Fourth Symphony, Tchaikovsky stopped trying to be anything other than himself. It opens with the full brass section hammering out an uncompromising theme inspired by the “Fate” motif in Beethoven’s Fifth Symphony. As Musical Director Marc Taddei says, “The Fourth Symphony is Romantic to its core, with clear programmatic expressions of fate, melancholy, grandeur and joy”. Tchaikovsky’s heartfelt expression of his inner life has found resonance with audiences everywhere ever since. Andrey Lebedev on Rodrigo’s Concierto de Aranjuez Lebedev says that the concerto had a profound impact on his life when he first heard it as a teenager. “I knew that I had experienced something very rare and special, and it was a key moment in my journey to become a professional musician. “My goal is to create this same magic when I perform - to remind ourselves that there is something greater than just the here and now.” He likes to view the concerto as a triptych framing the second movement. “The second movement is all about expression and meaning. I strive for intense beauty of sound, intimacy, lyricism, and direction - leading the music organically from the first bar all the way to the climax in the cadenza and resolving into the major cadence at the very end. When all of these elements come together I think the impact can be earth-shattering.” “The first movement introduces Rodrigo’s sound world and draws the audience into a relationship with the guitar and orchestra. It is joyous and spirited. The music has a natural vitality that stems from Rodrigo’s fascination with ancient Spanish rhythms and the flamenco tradition. “The final movement is a buoyant and uplifting finale, again using elements from the Spanish baroque in a modern context. I am still young, and every year I feel like I am discovering amazing new things about music. This piece has grown and developed just as I have over the last years. Most notably I now strongly feel that this is both a flamenco concerto and a baroque concerto, and somehow finding the balance of these elements lies at the heart of understanding the music.” Andrey Lebedev Biography Recognised for his powerful and expressive sound and exceptional musicality, classical guitarist Andrey Lebedev has defined himself as an artist pushing the boundaries of the instrument and gaining acknowledgment from new audiences. Born in Moscow and raised in Adelaide, he was brought to international attention as the first-prize winner of three major multi-instrumental competitions. In 2012 he won both the Australian National Fine Music Young Performers Award and the Sydney Eisteddfod NSW Doctors Orchestra Instrumental Scholarship, in both cases the only classical guitarist to receive this award. His artistry was further highlighted in 2013 as winner and recipient of the Bach prize at the 25th Gisborne International Music Competition, and the only Australian winner of the Adelaide International Guitar Competition. Now based in London, Lebedev enjoys a dynamic performance career as soloist with orchestra, solo recitalist and chamber musician. His engagements for the 2014/15 season include solo recitals at the Wigmore Hall, and the Adelaide International Guitar Festival. He has featured with the Australian Chamber Orchestra and Canberra Festival Camerata. Lebedev studied with Timothy Kain at the Australian National University School of Music and is a postgraduate student at the Royal Academy of Music with Michael Lewin on an ABRSM international full scholarship and Julian Bream Trust scholarship. ORCHESTRA WELLINGTON  “FATE” Saturday 5 September, 7:30pm Michael Fowler Centre, Wellington Tickets from Ticketek box office (0800 842 538) or online HERE Ticket Prices: Adult Full Price $60 Under 35, (with ID), $25 Concession (Gold Card Holder), $48 Community Services Card $12 Student (with ID) $12 Child (still at school) $10
      • Accepted from Orchestra Wellington posts
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    • Match Report Rd 7 Swindale – OBU defence wins the day against determined Tawa
      • <div class="slider slider-nav-circle slider-nav-large slider-nav-light slider-style-normal" data-flickity-options='{ "cellAlign": "center", "imagesLoaded": true, "lazyLoad": 1, "freeScroll": false, "wrapAround": true, "autoPlay": 6000, "pauseAutoPlayOnHover" : true, "prevNextButtons": true, "contain" : true, "adaptiveHeight" : true, "dragThreshold" : 10, "percentPosition": true, "pageDots": true, "rightToLeft": false, "draggable": true, "selectedAttraction": 0.1, "parallax" : 0, "friction": 0.6 }' > Taine Plumtree in the blood bin. Sensational sponsor logo! #image_840778479 { width: 100%; } Fui and Morgan charge it up the field #image_35539783 { width: 100%; } Callum Harkin steps the Tawa centre #image_832130887 { width: 100%; } Dale lines up the shot with Jack Green doing the tee duties, Luke Chisolm returning from injury in the nbackground #image_1739355293 { width: 100%; } Sam Reid slides over for the 5 points after whipping down the sideline #image_419362905 { width: 100%; } #image_1665940115 { width: 100%; } Caleb Delaney with a towering lineout take #image_2048566506 { width: 100%; } Morgan bullocks through the tackles with Fui and Shamus in support. Sam Reid is eyeing up options to the right! #image_632142925 { width: 100%; } #image_11988736 { width: 100%; } OBU 27 Tawa 9 The rugby trip to the suburb of Tawa-hiti is always a torrid affair. This week was no exception. For extra spice, Tawa drew the ire of many in the rugby community by starting the player currently accused of assault in an incident outside the Poneke clubrooms late at night a few weeks ago. From an OBU perspective, the most important points were a solid defence that didn’t leak any tries and no serious injuries. Sam Reid has a minor injury concern but was thumbs up for the Avalon fixture this coming Saturday. Conditions It was an overcast day with with barely a breath of wind. This brought terror to those still petrified from Alfred Hitchcock’s movie, ‘The Birds’ as a tree on the clubrooms side of the field attracted thousands of twittering birds. Who knows if it interfered with the lineout calls. OBU was playing from right to left from the terraces side of the field in the first half. Or if you like back to the road and clubrooms end. Notable Performances Caleb Delaney had one of his best if not the best performances in the jersey. A towering presence in the lineout and involved in everything around the field. Similarly Morgan Poi had the best game I’ve seen him play for OBU proving a really difficult opponent for Tawa to stop. The partnership of Dale Sabbagh and Callum Harkin at first and second five is looking stronger every week both on attack and defence! Ty Poe continues to grow in the centre role. He may not be the size of some of the players he marks, but he proves that they still hit the ground hard if you use good technique. It seems like I repeat myself every week but Shamus was stellar at the back of the scrum, as was Kyle at 9 and Sam Reid playing at fullback this week. How the game unfolded Minute What happened Score 1 Min OBU win the kickoff and set to the right. Finally lost forward in the ensuing ruck. 4 Min OBU scrum on halfway, close side. the ball spins wide but goes in behind the backs. Well picked up and taken into contact. OBU penalised for holdng on. Kick to the corner by Tawa goes out in goal. 6 Mins Scrum to OBU, Shamus takes it down the blindside and recycled 10 m on. Kyle chips it over the top. Tawa gather and bring it back to the close side of the field. Sam Reid makes a good tackle and Shamus turns the ball over and kicks it long. 8 Mins OBU feed to the scrum. The backs take it right for one phase then back to the left. Tawa backs get caught offside. It’s not straightforward but is a kickable penalty. OBU successfully kick to the corner through Dale. The lineout throw is called not straight and scrum is set. OBU penalised for dropping the scrum. 16 Mins OBU penalised for side entry to the ruck. Tawa opt for the shot 38 metres out from the posts and just to the left. Penalty is successful! Tawa 3 OBU 0 18 Mins OBU knock on from the restart! 20 Mins OBU penalised for not releasing the tackled player. This starts a solid period on defence 5 meters out from the goal line. Eventually Tawa spill the ball on about the 6th or 7th pick and go. Somewhere in the middle of that Taine subs off for blood and Josh runs on to take his place (Caleb into lock, Josh on the blindside). Josh Gimblett Replaces Taine Plumtree (blood bin) 25 Mins OBU penalised for player going off their feet at the ruck. It’s about 35 meters out and in front of the posts. Kick at goal is successful. Tawa 6 OBU 0 27 Mins The kickoff goes out on the full. Taine and Josh trade places after Taine is cleaned up. Taine Plumtree replaces Josh Gimblett (blood bin) 33 Mins Tawa lineout on their 22 meter line. They clear the ball down to Sam Reid who runs it back strongly but is taken in a head high for his trouble. OBU elect to go for the shot 40 meters in front. Dale lands it. Tawa 6 OBU 3 39 Mins Tawa penalised for dropping the scrum 5 meters in from the near touch on halfway. OBU kick to the corner to take the lineout 5 meters out. Tawa are penalised for collapsing the ensuing maul. OBU go back to the lineout again. The lineout drive goes again with the backs piling in. The ref has a penalty advantage to OBU. there are several pick and go’s. The penalty is called and a quick tap is taken with a driver at the line. try to Taine. Successfully converted by Dale. OBU take 10-6 lead into the halftime oranges. Tawa 6 OBU 10 ———————————- 44 Mins OBU attacking the Tawa line are penalised for not releasing the tackled player. Someone offers an opinion and we are marched 10 meters. Ouch! Tawa elect to have a shot 45 meters out and to the right of the sticks. Tawa kicker lands a useful kick Tawa 9 OBU 10 46 Mins Tawa center makes a good break and looks to put his wing into space. Not sure if the pass wasn’t up to it or the wing didn’t get to where he needed to be, either way the ball rolls meekly into touch on the close side of the field. 48 Mins Tawa holding on in the tackle. OBU go for the posts about 42 meters out in front and slightly to the left. The discipline monster is back to upset proceedings for Tawa. The kick misses but the ref plays his joker and gives Dale another shot. I think it is due to a Tawa player trying to put Dale off by shouting something. No-one seems to know what the hand signal is for that! Dale makes no mistake on his second attempt. Tawa 9 OBU 13 50 Mins From the 10 meter line in Tawa territory Adam Clarke gets away an impossible pass to Sam Reid who boosts along the far touchline and scores it in the far corner. The referee and his assistant consult for a few seconds before the try is awarded. The difficult conversion is successful. Tawa 9 OBU 20 53 Mins Great kick from Dale down into Tawa corner. Tawa lineout. OBU backs are caught offside. Tawa clears to touch about halfway. An action replay takes Tawa into the 22. Morgan is issued a team warning. Tawa mounts an attack down the sideline and the Tawa fans are ecstatic but Kyle has taken care of the hooker who is in touch before the corner. Kurt Sickler on for Sam Reid (injury) 58 Mins Tawa concede a penalty on the 22 for backs offside. The referee issues another warning to both teams. Josh Gimblett on for Matt Sleith (tactical) Matt has had yet another busy day at the office. This time in the number 7 shirt after a few weeks in the front row. 63 Mins Tawa has a strong scrum which they drive off to the left. The OBU clean-out comes from the side and the ball is cleared out to the touch on halfway. 65 Mins OBU has a strong lineout drive to disrupt Tawa possession. Tawa’s experimental kick pass to the left wing doesn’t pay off as OBU is awarded a penalty possibly for in front of the kicker. Cleared down to 15 Meters out from Tawa line. 66 Mins Another powerful OBU lineout drive at the line with Shamus taking it over to keep his try tally marching on (2nd equal for Wellington premier rugby, 1 ahead of Sam Reid and 2 ahead of Ty Poe and Taine Plumtree!) OBU were under penalty advantage for collapsing again. Conversion successful. Substitutions – Luke Chisholm on for Fui at tighthead prop (tactical) Wirangi Parata on for Kenan Gillson at hooker (tactical) Great to see these two back in action after a few weeks off for injury. Tawa 9 OBU 27 75 Mins Matt Fowler on for Kyle Preston at halfback (tactical) Izzy Foai on for Adam Clarke (tactical). Clarky was on the wing but Izzy is usually a 2nd 5. I didn’t get much time to work out who moved to where but safe to say Izzy’s hard ball running was back on display nearer to the ruck than wing. Great to have him back! Josh  makes a great break from a lineout but the pass in the tackle goes into touch. 78 Mins Long period of OBU attacking the Tawa line. Tawa infringe and seeking the bonus point, OBU takes the lineout in the corner. 81 Mins From there an error leads to a Tawa scrum. they bravely try to run it out to salvage something from the game. Eventually they knock it on from some strong OBU defence. From the scrum OBU are penalised for not rolling away and after a few more phases the game is whistled to completion. All in all a well taken victory. OBU looked in control for most of the match while not ever looking completely dominant. That was probably the strongest scrummaging side of the season so far. We didn’t get the clear advantage we have usually enjoyed. That’s to Tawa’s credit. There were a lot of penalties, but to that we’d have to say there was a lot of infringing! The referee had a very good game I thought. The post Match Report Rd 7 Swindale – OBU defence wins the day against determined Tawa appeared first on OBU Rugby.
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      • Tawa, Wellington, New Zealand (OpenStreetMap)


    • Mentoring announced for three Urban Dream Brokerage projects
      • <figure class=" sqs-block-image-figure intrinsic " > 'We Spoke', Candace Smith, Performance Arcade, Wellington, March 2018 Letting Space's Urban Dream Brokerage service is thrilled to announce three artists and projects in Wellington that have been given mentors in a new peer-to-peer mentorship programme for artists working in new spaces in the city.  Candace Smith will be mentored by artist Vivien Atkinson, who works across a variety of media and is known for her work with The See Here and Occupation Artists (website here). Candace's series of public works has commenced with installation 'We Spoke' at Performance Arcade, in which the public generated energy with a bicycle,  operating fans within a transparent space,  sealed from the wind, which gently moved mobiles made from umbrella parts (themselves deconstructed by the wind). A performer joined the work in response to the cyclists at night. Candace is interested in creating installations of reassembled objects which explore ideas around the fragmentation and reconnection associated with migration. Rosie White and the project Playdate will be mentored by Jo Randerson, artist and co-producer of Barbarian Productions (website here). White has recently completed a Masters of Fine Arts at Massey's College of Creative Arts and will work with collaborators' on a project that is a work of craftivism or art activism, concerned with a social issue: slavery, with specific concern to the significant numbers of people in the world today trafficked for sex. New Zealand says Rosie is not exempt and the project will seek to highlight the issue. Visual artist Mark Antony Smith and his project The Lost Future Exchange will be mentored by theatremaker Leo Gene Peters of company A Slightly Isolated Dog. This is a project Mark Antony is starting in 2018 to gather stories, dreams and remembrances of place in the central area of Wellington. It is an evolution of Ghosting About a project he did for his Masters study at Massey which included work 'Imperial Ghosts' concerning Dixon Street's Imperial Building for Lux Festival. Mark Antony Smith's previous shows also include Black Dog: Failure at Toi Poneke Gallery 2015. We hope to announce a fourth mentored project shortly. Initial information on the kaupapa behind this mentoring scheme can be found here.  
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    • Masters Registrations open for 2020
      • <figure class=" sqs-block-image-figure intrinsic " > Masters football registration is now open! Inviting existing and new masters players to join the fastest growing area of Island Bay United! Costs are $285 per player for the season, and we have 5 confirmed teams, ranging from Masters 2 to Masters 5. Each team has a minimum squad of 16 players, although most will carry a few more to allow for injuries and player unavailability. Many existing players are local fathers of our junior members or long time friends of the club. Teams also range from competitive to social, but all teams have a great culture and want to go out and have some fun on the pitch on a Saturday afternoon. New players are welcome as we are trying to build a new team this year, so feel free to contact our Masters Coordinator Rod Lawson. You may have played in the past, have been wanting to give football a go or just wanting to get back into doing something active on the weekends. Let us know a little about yourself and what you are wanting out of Masters football when you contact Rod. Sill not sure, come down for one of the social training runs on a Wednesday night or Sunday morning to have a kick and make a call from there! if you are a returning player, please register online at MyComet and you will be allocated to your team separately.
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      • Island Bay, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)


    • Courtenay Park update
      • The simple beauty of rusting steel keeps getting better at Courtenay Park. These pictures speak without words: When the sun is out, the new park gets quite popular, especially on a sunny lunchtime.
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      • 56 Taranaki Street, Wellington


    • Local bar: Ageists
      • I'm appalled to discover that local Wellington sports establishment the 'Big Kumara', home of more giant TVs than your local Harvey Norman, is willing to ban a willing drinker because he's "too old".
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      • A design company with over 15 years experience in the field. Our expertise includes brand identity and development, web design, exhibitions, photography and much, much more.
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    • Evans Bay Intermediate
      • Evans Bay Intermediate is the only specialist provider of Education for Years 7 and 8 in the Eastern Suburbs. The school was opened in 1964 and has a roll of approximately 450 students. It caters for students in the Seatoun, Miramar, Kilbirnie, Lyall Bay areas with an ethnic mix of approximately 60% European, 12.5% Maori, 15% Asian, 9.5% Pacific Island.
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    • The Jackson Street Programme
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    • Boulcott Street Bistro
      • Our doors opened in 1991, since then we have been serving Wellingtonians innovative, modern food as well as some classics such as Lamb Shanks, Fillet Bearnaise and Creme Brulee. Reservations are accepted for lunch only. Dinner is casual dining so just come along and you will feel more than welcome.
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      • restaurants-and-bars

    • Learn English NZ
      • Learn English NZ - Learn to speak and write English with homestay English tuition. Intensive one-to-one teaching for 10-15 hours per week. Stay in the seaside home of native English speaking, fully qualified teachers and combine learning and sightseeing
      • Tagged as:
      • education

    • The life and times of James Walter Chapman-Taylor
      • ‘The life and times of James Walter Chapman-Taylor’ enables us to enter into the life and times of a man, a family, a society, and ways of thinking and acting different to, yet not so distant from, our own. We enter the world of an architect, who is also an artist; builder, craftsman; a theosophist, an astrologer, a photographer, a furniture maker.
      • Tagged as:
      • heritage-buildings
      • art

    • East by West Ferry
      • Experience the best of Wellington with a cruise out on the city's harbour ferry service. Up to 15 return scheduled sailings daily between Queens Wharf/Matiu Somes Island/Days Bay. Additionally in the weekends our new round Harbour Explorer Tours include stops at Petone, Seatoun, Days Bay, Matiu Somes Island & Queens Wharf.
      • Tagged as:
      • ferry

    • Sarah Free
      • I started this site as a forum to discuss all sorts of things related to urban Wellington living, and so it will continue. I hope at least some people are finding it interesting and/or useful!
      • Submitted by tonytw1
      • Tagged as:
      • people

    • Lower Hutt Amateur Athletic Club
      • The Lower Hutt Amateur Athletic Club (LHAAC) caters for children aged 7-15 years. The 2006-07 season runs from 25th October to 15th March. Club nights offer a mixture of competition and coaching to enable children to gain the necessary skills to participate in a variety of running, jumping and throwing events. The club meets at the Hutt Recreation Ground on Wednesday nights from 6.00pm-7.30pm.
      • Tagged as:
      • hutt-valley
      • athletics

    • A City for People
      • Decades of inaction have meant house prices are out of control, while old rental properties rot out from underneath us. A whole generation of people are at risk of being forced out from the central city into new suburbs sprawling north, spending hours every day in traffic jams. We believe the Spatial Plan will allow Wellington to plan for the future so that new generations of Wellingtonians can share the city we love, and have a chance to live in a home that is affordable, accessible, healthy and warm.
      • Submitted by tonytw1
      • Tagged as:
      • draft-spatial-plan
      • housing
      • lobby-groups

    • Yellow Fever
      • Supporters of Wellington Phoenix FC. We dig our football. We think its brilliant Wellington has the A-League franchise. We know Wellington has a great football community and we know the city will get behind the team. So will we - and we'll have a bit of a lark along the way.
      • Tagged as:
      • soccer

    • Masala Restaurant
      • Masala Indian Restaurant welcomes you to join us in central Wellington for the ultimate Indian dining experience.Our comfortable lounge style setting and warm atmosphere will ensure you a great night out on the Courtney Place Strip. We have a large restaurant so we can easily cater for both big group bookings or dinner for two.
      • Tagged as:
      • restaurants

    • The Street City Church
      • We're a group of everyday people who are trying to become the kind of church described in the Bible, where teaching is relevant, worship is real and lived-out everyday, friendships are honest, prayer is constant and compassionate care is given to those in need.
      • Tagged as:
      • religious-groups

    • Wakefield Hospital
      • Wakefield Hospital is the largest private hospital in the Wellington region. It is located in the suburb of Newtown and along with Bowen Hospital is owned and operated by parent company Wakefield Health Ltd.
      • Tagged as:
      • hospital
      • newtown

    • Glenside - the halfway
      • Glenside is a suburb located between Wellington and Porirua, centrally located at the southern end of New Zealand's North Island. It is mainly rural zoned and is between the neighbouring communities of Johnsonville and Tawa on the old Porirua Road. Hills, streams and rural landscape characterise the area. The resident population is 336
      • Tagged as:
      • wcn-hosted
      • porirua
      • johnsonville
      • community-groups
      • tawa

    • Our Bar
      • New Zealand’s capital city now has a fantastic new gay bar - ‘Our Bar’, is opening in October. With a warm and inviting atmosphere it is unparalleled in the community. Our Bar is not an average pub; it is a bar with great food, great people, great staff and an even greater heart.
      • Tagged as:
      • lgbt
      • cuba-street
      • bars

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