Matching Newsitems

• • DCM Bulletin - Thanks, Wellington

    • 26 May 2011
    • Downtown Community Ministry
    • Wellington really is a generous community. The Downtown Community Ministry (DCM) foodbank has gone from having bare cupboards to stocked shelves thanks to a wide range of donations. In April, we asked for donations for our foodbank. We were down to the last few cans of food, and were even out of basics like toilet paper. The past three years have shown a consistent increase in food parcels provided by DCM. In 2009, we provided 2366 parcels. This increased to 2978 in 2010, and if the current numbers continue for 2011, we estimate providing 3460 parcels.
    • Submitted by tonytw1
    • Automatically tagged as:
    • religious-groups
  
  

• • Support to Waka racing series

    • 10 Sep 2011
    • Coastguard Mana
    • Operation Details Date/Time:  Sat, 10/09/2011 - 10:35 - 12:35 Operation Type:  Other People Assisted:  50 Total Volunteer Hours:  16 The local waka club held it's annual long harbour races. This consisded of three races for single, double and six person waka both inside and outside the harbour. Mana Coastguard provided both vessels to escort the fleet along with other recue craft from the surf life saving club and Waka club.   Resources Attendees:  AlanFisher Ben Ryan Chris Darch james bass Mark Presling Paul Craven Rachel Porter Rod Hall CRV's Used:  CRV Pelorus CRV Trust Porirua Rescue
    • Accepted from Coastguard Mana news 167 months ago
    • Tagged as:
    • porirua

    Porirua, Wellington Region, New Zealand (OpenStreetMap)
  
  

• • Porirua Grand Traverse

    • 3 Apr 2011
    • Coastguard Mana
    • Operation Details Date/Time:  Sun, 03/04/2011 - 09:00 - 16:30 Operation Type:  CG Operation (good samaritan) People Assisted:  40 Coastguard Mana had a boat and a vehicle out for the day to support the on-the-water component of the Porirua Grand Traverse, the kayaking on Porirua Harbour / Paremata Inlet. The kayak course took competitors from Onepoto Rowing Club, under the bridges into Paremata Inlet and then back to the finish line at the other end of Porirua Harbour by Whiteraia Polytech. Resources Attendees:  Ben Ryan Carolyn Jameson jan allen Jann Askew Mark Presling Matt Annear tfarmer CRV's Used:  CRV Pelorus Toyota Prado read more
    • Tagged as:
    • paremata
    • porirua

    Porirua, Wellington Region, New Zealand (OpenStreetMap)
  
  

• • Vessels entangled on swing moorings

    • 1 Dec 2011
    • Coastguard Mana
    • Operation Details Date/Time:  Thu, 01/12/2011 - 18:00 - 19:00 Operation Type:  CG Operation (good samaritan) People Assisted:  2 Total Volunteer Hours:  5 Assisting the Harbour Master and the owners of two yachts that had swung onto each other and become entangled on their swing moorings by the bridges at Mana. The dinghy davits on one vessel had caught on the stays of another and they were pushing against each other in the strong current. Both vessels moved under the guidance of the Harbour Master and owners. Resources Attendees:  Chris Darch james bass Mark Presling Peter Feely Rod Hall CRV's Used:  CRV Pelorus
    • Accepted from Coastguard Mana news 164 months ago
    • Automatically tagged as:
    • boating
    • emergency-services
    • kapiti
  
  

• • Festival of the Elements

    • 6 Feb 2011
    • Coastguard Mana
    • Operation Details Date/Time:  Sun, 06/02/2011 - 08:30 - 17:00 Operation Type:  Other People Assisted:  0 Coastguard Mana joined forces with Porirua City Council's emergency management office, the local Red Cross response team and Greater Wellington Regional Council's Harbourmaster to display at the Festival of the Elements in Porirua on Waitangi Day. The purpose of this was to display to the public the emergency management capabilities of the Porirua region and to provide some awareness of who we are and what we do. Resources Attendees:  Carolyn Jameson Grant Porter Mark Presling Paul Craven Peter Tse Rachel Porter Rachel Russell tfarmer Trevor Burgess Attachments Image: 
    • Tagged as:
    • porirua

    Porirua, Wellington Region, New Zealand (OpenStreetMap)
  
  

• • Mana Ocean Race Challenge

    • 30 Apr 2011
    • Coastguard Mana
    • Operation Details Date/Time:  Sat, 30/04/2011 - 09:00 - 15:00 Operation Type:  Other People Assisted:  10 Coastguard Mana spent the day on the water with a crew of volunteers to assist the organisers of the Mana Ocean Race Challenge - a 29km paddle for outrigger canoes, kayaks and surf skis that took them from Mana to Paraparaumu Beach. Conditions on the day started off calm with light southerlies, but the wind built to around 20 knots later in the course creating some more challenging seas conditions for the competitors. Resources Attendees:  Ben Ryan Grant Porter james bass Mark Presling Matt Morris-Jenkins Peter Feely Peter Francis CRV's Used:  CRV Trust Porirua Rescue read more
    • Tagged as:
    • porirua
    • paraparaumu

    Porirua, Wellington Region, New Zealand (OpenStreetMap)
  
  

• • Yesterday’s Solution

    • 25 Jul 2011
    • Sustainable Wellington Transport
    • In 2011, you would think two considerations would be central to transport planning; the need to reduce carbon emissions and dependence on oil. Think again… The New Zealand Transport Agency has released for consultation its scheme for the inner city section (Cobham Drive to Buckle St) of its grand Levin to Wellington Airport superhighway. What the scheme amounts to is a road building extravaganza that reeks of the 1960s and 1970s. The salient point about NZTA’s consultation is that it offers no choice. The key projects including a flyover at the Basin Reserve and a second Mt Victoria Tunnel are a fait accompli. So the public is not given any meaningful options, such as the public transport alternative.
    • Accepted from Sustainable Wellington Transport posts 168 months ago
    • Tagged as:
    • light-rail
    • basin-reserve-flyover
    • consultation

    Basin Reserve, Dufferin Street, Mount Victoria, Wellington, Wellington City, Wellington, 6021, New Zealand (OpenStreetMap)
  
  

• • Jade Dernbach Joins Mighty Ape Wellington Firebirds For Game Four

    • 17 Nov 2015
    • Cricket Wellington
    •   The Mighty Ape Wellington Firebirds squad to play in their fourth game of the Georgie Pie Super Smash against the Devon Hotel Central Stags at Saxton Oval on Thursday, November 19 is: Michael Papps (Captain) Brent Arnel Craig Cachopa Alecz Day Jade Dernbach Dane Hutchinson Stephen Murdoch Jeetan Patel Michael Pollard Matt Taylor Anurag Verma Luke Woodcock   Notables: The match starts at 4pm and can be followed on live scoring; cricketwellington.co.nz and www.supersmash.co.nz Jade Dernbach joins the Mighty Ape Wellington Firebirds for the remainder of the Georgie Pie Super Smash. Jade has played 34 T20 internationals and 24 ODI’s for England since 2011 and will be an invaluable addition to the side. Career statistics are available here; http://www.espncricinfo.com/england/content/player/12461.html
    • Accepted from Cricket Wellington 116 months ago
    • Automatically tagged as:
    • cricket
  
  

• • Dinghy broken down off Pukerua Bay

    • 4 Mar 2011
    • Coastguard Mana
    • Operation Details Date/Time:  Tue, 22/02/2011 - 21:00 - 23:50 Operation Type:  SAROP Cat 1 People Assisted:  3 During training a report came in of a dinghy that had broken down up at Pukerua Bay with three people on board. CRV Pelorus took some new recruits off Trust Porirua Rescue (that had been training) and TPR immediately responded to the scene. Light was fading by this stage and finding the dinghy in the dark was very difficult as they did not have any form of lighting or signalling equipment with them, no VHF, and their cellphone battery was dying - an all too common occurance! Vessel Details Length:  4.00m Resources Attendees:  Gary Spence Grant Porter Paul Craven CRV's Used:  CRV Trust Porirua Rescue Toyota Prado read more
    • Tagged as:
    • porirua

    Porirua, Wellington Region, New Zealand (OpenStreetMap)
  
  

• • Yacht shepherded back to Wellington

    • 13 Mar 2011
    • Coastguard Mana
    • Operation Details Date/Time:  Sun, 27/02/2011 - 06:00 - 14:30 Operation Type:  CG Operation (good samaritan) People Assisted:  2 Porirua Rescue stood by the 9 metre yacht "Overload" this morning she was participating in the 2 handed around North Island race and damaged her shift keel mechanism in heavy seas North of Kapiti on Saturday. Horowhenua and Kapiti Coast units were involved in shepherding the yacht down to a safe anchorage overnight. The Coastguard Mana Incident Management Team became involved late Saturday evening and made contact with the yachts master and with members of the Mana Cruising Club for advice on getting "Overload" which draws 2.7 metres into safety at Mana. Vessel Details Length:  9.00m Resources Attendees:  Chris Darch Grant Porter Matt Annear Trevor Burgess tfarmer CRV's Used:  CRV Trust Porirua Rescue Attachments Image:  read more
    • Tagged as:
    • kapiti
    • porirua

    Porirua, Wellington Region, New Zealand (OpenStreetMap)
  
  
• • 

    Circa Theatre 2012 Season

    • 5 Dec 2011
    • Circa Theatre
    • Circa Theatre 2012 SeasonBrief Synopsis of Productions Circa One Roger Hall’s Aladdin, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson3-14 JanuaryBack by popular demand for the first two weeks in January, those of you who missed out on seeing this spectacular treat before Christmas can hiss, boo, and aww along with Aladdin, Widow Twankey and the gang! The Motor CampA comedy by Dave ArmstrongBased on a story by Danny MulheronDirected by Danny Mulheron21 January – 18 FebruaryAfter the panto we have another return season by popular demand: The Motor Camp! Director Danny Mulheron once again helms this cracker Kiwi camping comedy by NZ playwright Dave Armstrong, bringing together the talented cast from the sell out 2011 season. Tickets are available now – get yours early to avoid disappointment! PeninsulaBy Gary HendersonDirected by Jane Waddell25 February – 31 MarchUp next is Circa’s contribution to the New Zealand International Arts Festival, Peninsula, by the award-winning team who scooped the Chapman Tripp Theatre Awards in 2007 with Home Land.  A touching, bitter-sweet look at life in the 60s, Peninsula provides a richly emotional journey amid childhood games and adventures and adult issues and events. Roger Hall’s A Shortcut to HappinessDirected by Ross Jolly14 April – 28 MayA fabulous new comedy about the lives, loves and misadventures of a folk-dancing class, A Shortcut to Happiness has all of the usual Hall trademarks: shrewd observations, much mocking of Kiwis’ curious customs and of course, plenty of laughs. All My SonsBy Arthur MillerDirected by Susan Wilson2 June – 7 JulyThe director who brought us the epic dramas August: Osage County and When the Rain Stops Falling in 2011, takes on this powerful Miller classic for 2012. A brilliant and compelling family drama of love, guilt and the corrupting power of greed, All My Sons was the first great success of Arthur Miller’s supremely influential career. SpectorWith the BeatGirlsDevised, written and choreographed by Andrea Sanders14-28 JulyA musical tribute to one of pop’s legendary producers, Spector showcases the best work from Phil’s career and recounts the stories around the music. Starring the always entertaining BeatGirls (performing for the first time in Circa One!) and featuring hit songs such as ‘Be My Baby’, ‘Da Do Ron Ron’, ‘Unchained Melody’ and ‘River Deep Mountain High’. West End GirlsAdapted for the stage by Ken DuncumFrom the bestselling book by Barbara TateDirected by David O’Donnell4 August – 1 SeptemberWest End Girls is a world premiere adaptation of Barbara Tate’s autobiographical bestseller, brought to you by the writer/director team behind the 2010 Circa hit, The Great Gatsby. An eye-opening, hilarious and moving story of love, life, laughter and sex. Clybourne ParkBy Bruce NorrisDirected by Ross Jolly8 September – 6 OctoberDirector Ross Jolly presents the NZ premiere of this Pulitzer Prize-winning play. A very sharp, clever and wickedly funny study of modern manners, Clybourne Park probes the contemporary fault line between property and prejudice. It is startling, unsettling and outrageously entertaining! The Truth GameBy Simon CunliffeDirected by Danny MulheronProduced by Howard Taylor13 October – 10 NovemberSex, lies and the semicolon. The Truth Game is a fast-moving contemporary drama about journalism and the very “soul” of the news, which freeze-frames the crises of the age, while traversing universal themes of ambition, loyalty, love and betrayal. Roger Hall’s Cinderella, the PantomimeDongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson17 November – 22 DecemberThere he is! Oh no he isn’t. Oh yes he is! The team that brought you Aladdin, Robin Hood, Dick Whittington and his Cat, Jack and the Beanstalk and Red Riding Hood returns to the beginning to bring you the pantomime that started it all, Roger Hall’s Cinderella. A glittering fairytale with dazzling costumes and lots of fun and laughter – the perfect Christmas treat. Circa Two Esencia del FlamencoWith special guests from Barcelona Christina Lopez and Paul Bosauder31 January – 5 FebruaryFirst up in the 2012, Desde Sevilla Flamenco Dance Company returns to Circa Two with Esencia del Flamenco, which captures the essence of flamenco: haunting song, intense emotions and mesmeric rhythms. Meeting KarpovskyWith Helen Moulder and Sir Jon TrimmerDirected by Sue Rider10-25 FebruaryOriginally produced to rapturous response in 2002, Meeting Karpovsky toured New Zealand in 2003/4 and won Listener Best New Play and Chapman Tripp Actress of the Year. By popular demand, it returns in 2012 for a strictly limited season. Floral NotesWritten by Geraldine BrophySong book adapted by Jane Keller4 -28 AprilA blooming micro musical about friendship, life and love, starring all-time theatre favourites, Geraldine Brophy and Jane Keller. Floral Notes is a glorious evening of super songs and first-rate entertainment. Chekhov in HellBy Dan RebellatoDirected by Eleanor Bishop12 May – 9 JuneDirector Eleanor Bishop brings us a bitterly comic new play that drops nineteenth century playwright, author and pitiless observer of Russian society Anton Chekhov in twenty-first century London. This New Zealand premiere asks where have we come from, how did we get here and what do we do now? Sunset RoadWritten and directed by Miria George20 June – 7 JulyBrought to us by Tawata Productions, the award-winning team behind 2011 favourites I, George Nepia and He Reo Aroha, Sunset Road is a beautiful story of family, personal history and coming of age. World premiere. The Year of Magical ThinkingBy Joan DidionDirected by Susan Wilson11 August – 8 SeptemberStarring Catherine DownesA NZ premiere, this dramatic adaptation of Joan Didion’s award-winning best-selling memoir transforms the story of the sudden and unexpected loss of her husband and only daughter into a stunning and powerful one woman play. ManawaWritten and directed by Jamie McCaskill15 September – 13 OctoberThis world premiere play by playwright Jamie McCaskill (He Reo Aroha) examines the New Zealand justice system and the idea of community. The Mourning AfterBy Ahi KarunaharanDirected by Miria George16-27 OctoberAnother contribution to the 2012 Circa Two programme from Tawata Productions, The Mourning After is a story of loss, love and family that travels from the shores of New Zealand to a village in Sri Lanka. The Tigers of WrathBy Dean ParkerDirected by Jane Waddell3 November – 1 DecemberA world premiere, The Tigers of Wrath is an intriguing play about the strange twists of life, about hopes and reams, about a developing and then disintegrating relationship. In the background run two astonishing political trajectories: The People’s Republic of China and The New Zealand Labour Party. And threaded throughout the Circa Two programme, The Improvisors continue their 22-year tradition of providing hilarious improv comedy for Circa audiences. We have Theatresports (29 April – 1 July), History Never Repeats (1-6 May), Improv Cage Match (19 August – 7 October) and three school holiday improvised shows just for kids (10-21 April, 2-14 July, 1-13 October). Don’t miss them! Visit Circa to pick up your copy of the 2012 brochure today!
    • Accepted from drama* on the waterfront posts 164 months ago
    • Tagged as:
    • tawa

    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Media Release - June 2010

    • 15 Jun 2010
    • Amesbury Drive School Blog
    • AMESBURY DRIVE SCHOOL ESTABLISHMENT BOARD OF TRUSTEESPO Box 13417 Johnsonville, Wellington 6440Media release7 June 2010Planning for new school in Churton Park well underwayAn Establishment Board of Trustees, appointed by the Minister of Education in November last year, was involved in the Ministry’s decision to contract a consortium headed by Maycroft Construction to design and build a second primary school for Churton Park in Amesbury Drive. Callum McKenzie of McKenzie-Higham is the architect for the project. The Board is an active participant in the design work for the new school.Excavations and drillings are taking place to confirm the best location to site buildings, car parking and playgrounds. The Board has erected a sign, sponsored by Tommy’s Real Estate, on the site to update progress and advertise any future community consultation meetings.A major focus for the Board over the next few months will be the recruitment of the foundation principal. Although the principal will not officially take up his or her position until April 2011, the Board hopes to make an appointment by the end of September so that the successful applicant can have input into the planning and decision making for the school which is due to be open at the start of the 2012 school year.Board Chair, Rory O’Connor, said that the Board has also been considering the name for the school. The current name, Amesbury Drive School, was adopted as a working name by the Ministry of Education in the planning stages for the school. The Board is in favour of using Amesbury School as the name for the school. During its deliberations the Board became aware of New Zealand links with the small town of Amesbury on the Salisbury Plain in England. In the First World War, both the Maori battalion and the Wellington regiment were in camps close to the town. “The Board is very interested to know what the community thinks of the suggestion to shorten the name to Amesbury School”, said Rory O’Connor. People can make their views known before 30 June by going to the board’s blogsite at: http://amesburydrive.blogspot.com/Notes for editorsContact: Rory O’Connor, Chairperson, Establishment Board of TrusteesPhone: (04) 478 3779
    • Tagged as:
    • consultation
  
  

• • Cambridge Analytica is merely Facebook’s ‘smaller, less ambitious sibling’

    • 14 Apr 2018
    • Jack Yan
    • Beyond all that had gone on with AIQ and Cambridge Analytica, a lot more has come out about Facebook’s practices, things that I always suspected they do, for why else would they collect data on you even after you opted out?    Now, Sam Biddle at The Intercept has written a piece that demonstrates that whatever Cambridge Analytica did, Facebook itself does far, far more, and not just to 87 million people, but all of its users (that’s either 2,000 million if you believe Facebook’s figures, or around half that if you believe my theories), using its FBLearner Flow program.    Biddle writes (link in original): This isn’t Facebook showing you Chevy ads because you’ve been reading about Ford all week — old hat in the online marketing world — rather Facebook using facts of your life to predict that in the near future, you’re going to get sick of your car. Facebook’s name for this service: “loyalty prediction.”    Spiritually, Facebook’s artificial intelligence advertising has a lot in common with political consultancy Cambridge Analytica’s controversial “psychographic” profiling of voters, which uses mundane consumer demographics (what you’re interested in, where you live) to predict political action. But unlike Cambridge Analytica and its peers, who must content themselves with whatever data they can extract from Facebook’s public interfaces, Facebook is sitting on the motherlode, with unfettered access to staggering databases of behavior and preferences. A 2016 ProPublica report found some 29,000 different criteria for each individual Facebook user …    … Cambridge Analytica begins to resemble Facebook’s smaller, less ambitious sibling.    As I’ve said many times, I’ve no problem with Facebook making money, or even using AI for that matter, as long as it does so honestly, and I would hope that people would take as a given that we expect that it does so ethically. If a user (like me) has opted out of ad preferences because I took the time many years ago to check my settings, and return to the page regularly to make sure Facebook hasn’t altered them (as it often does), then I expect them to be respected (my investigations show that they aren’t). Sure, show me ads to pay the bills, but not ones that are tied to preferences that you collect that I gave you no permission to collect. As far as I know, the ad networks we work with respect these rules if readers had opted out at aboutads.info and the EU equivalent.    Regulating Facebook mightn’t be that bad an idea if there’s no punishment to these guys essentially breaking basic consumer laws (as I know them to be here) as well as the codes of conduct they sign up to with industry bodies in their country. As I said of Google in 2011: if the other 60-plus members of the Network Advertising Initiative can create cookies that respect the rules, why can’t Google? Here we are again, except the main player breaking the rules is Facebook, and the data they have on us is far more precise than some Google cookies.    Coming back to Biddle’s story, he sums up the company as a ‘data wholesaler, period.’ The 29,000 criteria per user claim is very easy to believe for those of us who have popped into Facebook ad preferences and found thousands of items collected about us, even after opting out. We also know that the Facebook data download shows an entirely different set of preferences, which means either the ad preference page is lying or the download is lying. In either case, those preferences are being used, manipulated and sold.    Transparency can help Facebook through this crisis, yet all we saw from CEO Mark Zuckerberg was more obfuscation and feigned ignorance at the Senate and Congress. This exchange last week between Rep. Anna Eshoo of Palo Alto and Zuckerberg was a good example:    Eshoo: It was. Are you willing to change your business model in the interest of protecting individual privacy?    Zuckerberg: Congresswoman, we have made and are continuing to make changes to reduce the amount of data …    Eshoo: No, are you willing to change your business model in the interest of protecting individual privacy?    Zuckerberg: Congresswoman, I’m not sure what that means.    In other words, they want to preserve their business model and keep things exactly as they are, even if they are probably in violation of a 2011 US FTC decree.    The BBC World Service News had carried the hearings but, as far as I know, little made it on to the nightly TV here.    This is either down to the natural news cycle: when Christopher Wylie blew the whistle on Cambridge Analytica in The Observer, it was major news, and subsequent follow-ups haven’t piqued the news editors’ interest in the same way. Or, the media were only outraged as it connected to Trump and Brexit, and now that we know it’s far, far more widespread, it doesn’t matter as much.    There’s still hope that the social network can be a force for good, if Zuckerberg and co. are actually sincere about it. If Facebook has this technology, why employ it for evil? That may sound a naïve question, but if you genuinely were there to better humankind (and not rate your female Harvard classmates on their looks) and you were sitting on a motherlode of user data, wouldn’t you ensure that the platform were used to create greater harmony between people rather than sow discord and spurring murder? Wouldn’t you refrain from bragging that you have the ability to influence elections? The fact that Facebook doesn’t, and continues to see us as units to be milked in the matrix, should worry us a great deal more than an 87 million-user data breach.
    • Accepted from Jack Yan posts 87 months ago
    • Automatically tagged as:
    • election-candiates-2010
    • blogs
  
  

• • Hope vs Choat

    • 17 Jan 2011
    • WCC Watch
    • Recently in David Choat’s blog he explains that a previous post recalling his observations in his first Capital and Coast DHB meeting led to him receiving a note from Board Chair Dr Virginia Hope (who was recently appointed to both the CCDHB and the Hutt Valley DHB – criticised as a first step towards amalgamation of the two health boards) as a breach of the CCDHB media policy (which effectively says that the Chair should be the person responsible for any comments for the Board) Hope’s explanation is not entirely clear from David’s post, only that it had caused her distress. It would be a fair point to make had Choat attempted to represent the Board exclusively. Yet, if anything, the article reads about what he did and thought at the meeting. I can’t see how what he said would have been any different had Choat been in a public meeting, or in a one-on-one chance meeting with one of his constituents. In fact the post by Choat in question was entitled “Reflections on my first board meeting” Go read the post for Choat’s response, which I think reflects his commitment to transparency with the public on (open) board matters being debated as part of a publicly accountable body. So, what precisely does the policy do – here is a copy (1MB PDF). It was last updated and debated at a meeting in August 2009. The comms manager wasn’t present and Helene Ritchie was the only member to vote against it. Odd. It’s no surprise how unworkable the policy has been in practice. It basically bars any direct interaction with the public by board members. I wonder what kind of world the drafters of this policy were living in when they thought that such restrictions on public debate would actually work. Would it be surprising that Dr Hope doesn’t agree with David’s very blunt but arguably popular slogan “Care not cuts” as a way to deal with the challenges at the CCDHB: “Cuts is really the wrong word. Savings, I think, is a better word” (The Wellingtonian, 6 January 2011) Clearly, any Chair would not want to have to battle the framing of an alternative viewpoint as well as the controversial challenges for an organisation like those faced by the CCDHB, but it also makes me wonder what the Chair’s personal direction will be in the Board’s response to those challenges? Regardless, there appears to be a developing division between the new board member and the new chair. Already, Choat has said that the matter of the media policy will be on the agenda at the next meeting. There doesn’t appear to be much that the Chair could do, but the board (particularly the publically elected members) should be mindful of the public’s need to be informed unfettered by the spin that sometimes happens and refuse to punish Choat. The next meeting is on February 4 at 8.30am (in the Board Room on 11th Floor of the Grace Neill Block, Wellington Regional Hospital on Riddiford Street, Newtown), and you can attend in person to make sure the Board get the point. (More info on the meeting here)
    • Tagged as:
    • hutt-valley
    • newtown

    Newtown, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)
  
  

• • Ngā Kōrero Special - BIG THANK YOUS Concert this Sunday

    • 21 Nov 2023
    • Downtown Community Ministry
    • Ngā Kōrero Special - BIG THANK YOUS Concert this Sunday Several great musical acts are coming together to help end homelessness in support of DCM's Walk a Mile Fundraiser communities where whānau are housed, connected, valued and thriving About Us Contact Concert in support of DCM’s Walk a Mile Fundraiser The official conclusion of our Walk a Mile Challenge fundraiser is the BIG THANK YOUS concert at San Fran, 171 Cuba Street, this Sunday 26 November, 5-9pm. And we have some sensational entertainment for you! Laura Collins and the Back Porch Blues Band are masterful entertainers, moving seamlessly between ballsy blues and soulful ballads. Seamus Johnson delivers blistering vocals and guitar chops: you will think you’re listening to a whole band. Dr. Blue is a must-see for all-out entertaining roots. Beans performs beautifully written folk songs. Two Times is a band that will keep your toes tapping. Tickets are just $20 each, an absolute steal but we wanted to make it affordable for everyone. Get yours right here, right now! Click below... Big Thank Yous Tickets There will also be a charity art auction run by Dunbar Sloane, including art works by DCM’s own whānau, like Hapi and Jason! The line-up Laura Collins and the Back Porch Blues Band are dynamic, masterful and all about entertainment. Laura, with high energy and vocal strength, moves between ballsy blues and soulful ballads. She gives her band license to shine and shine they do; Wayne Mason, master of boogie ‘burning it up’ on the keys, John O’Connor ‘eating it up’ on lead guitar, George Barris on warm upright bass and Pete Cogswell on back porch drums ‘putting the car in drive’. Seamus Johnson has been described as a one man musical sensation. With blistering vocals and guitar chops you will think you’re listening to a whole band. Fresh back from touring with Sea Mouse, Seamus is here to bring some authentic old school blues! Beans is a recent addition to the Wellington folk scene, importing a wild array of original songs all the way from deepest, darkest Yorkshire. They gained international acclaim in 2021 as a finalist in the Liverpool International Song Contest and have since performed across Australia and Aotearoa. Embodying the classic singer-songwriter formula, Beans’ live shows are rich with humour, honesty and interesting word choices. Expect to feel things. Mike ‘Dr. Blue’ Mckeon is an international award winning multi-instrumentalist, singer-songwriter and poet. ‘With a unique brand of early blues’ (Blues in Britain Magazine), ‘Mesmerizing’ (Broadway Baby), ‘A sensation’ (Otago Daily Times). STOP PRESS – Dr. Blue will be joined by Vicky Weeds, a singer, cellist, and burlesque darling from Pōneke. She has been performing around Aotearoa since 2011 and in 2019 won the Wellington Alternative Performing Arts Award for favourite cabaret performance. Two Times is a toe-tapping covers band regularly entertaining audiences around the Wellington region. Expect to groove to all your favourite hits. Not only will Beans perform for us, but they have also been walking a mile in support of DCM! Here's a song Beans wrote while out and about... A Mile in These Shoes by Beans DCM is truly grateful to all those people who have been walking a mile a day in support of our mahi to create communities where whānau are housed, connected, valued and thriving. For many years, DCM held an annual Bookfair, and ever since we have been hoping to find a new fundraiser that connects in a meaningful way with the work we do with the most marginalised people in our city. The Walk a Mile Challenge and BIG THANKS YOUS Concert provide an opportunity for us to come together as a community to support DCM, and raise the pūtea we need to keep our essential services running. We look forward to connecting with you on Sunday. Can’t make it? Please forward this to anyone you know who may like to come along. Or, if you'd like to support one of the individuals or teams walking a mile in support of DCM, click here. Big Thank Yous Tickets Copyright © 2023 DCM. All rights reserved. Our mailing address is: DCM PO Box 6133 Marion Sq Wellington, Wellington 6011 New Zealand Add us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 20 months ago by feedreader
    • Tagged as:
    • cuba-street
    • art

    Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
  
  

• • Hundy Club Profile: Tomasi Palu

    • 8 Jul 2020
    • Old Boys - University Rugby Club
    • #image_1200984324 { width: 100%; } #image_2101861458 { width: 100%; } #image_837846994 { width: 100%; } #image_1484466077 { width: 100%; } Tell us about where you came from to join OBU? I left straight from Wellington College to OBU. My good mate Seminar Manu (also a Hundy Club member, a profile on him coming up soon hopefully), convinced me to come across to OBU. I was supposed to be going to Poneke with my brother Dave but my brother eventually came over to OBU and played a season or two around 2008-09. What’s your favourite on-field memory? My personal favourite on-field memory had to be when I scored 4 tries against HOBM. I had a career-ending injury that forced retirement later that season. Another great team on-field memory is definitely the Jubilee Cup wins!! The 2017 OBU team was the best club team I’ve ever played in. Another great memory was the 2015 Jubilee Cup win – this win was really important to me personally and emotionally because of the death of our OBU manager and my good mate Richard ‘Puds’ Newsome the year before. He always kept in touch with me and one of the things he said was you will come back to OBU from Norths and win a Jubilee Cup. To fulfil that vision, was one of the main reasons I came back to OBU and I’m stoked we managed to achieve that, not only to make history that year but also knowing he would have been having a few wets that night watching over us and celebrating. Who was your best coach? I have been coached by some great coaches over the years but the best has been Jamie Williams, our current premier coach. He definitely had a huge impact on my form and to still keep me performing at a high level. He definitely knows the game inside and out and this shows in the results he has achieved with the club since he came into OBU. Who were some of those other coaches? Jake White coached the Tongan team on our 2016 tour to Europe. He was a great coach and was great at keeping the boys engaged by making the video analysis sessions short and using as much Tongan language as he could to keep the players engaged. Jamie Joseph coached me with the Wellington Lions 2008. Chris Boyd with the Wellington Lions & also coached me for Tonga in the 2011 World Cup, when we beat France at the Stadium in Wellington. We knew the crowd would be on our side and they were in full red Tongan attire! Definitely a career highlight for me playing in front of a home crowd (along with family and friends) at the cake tin, while representing my country of origin. I was also coached by John Plumtree at the Wellington Academy during my first year out of college. What’s your favourite off-field memory? The court sessions stand out with some fun times. Also the Jubilee cup after-parties, as well as some mighty nights at the Cambridge including the annual Mr OBU pageant. Are you involved in rugby these days?. I retired from playing in the middle of the 2018 season, upon medical advice of a prolapsed disc in my neck which caused me to end my rugby career abruptly.  I started coaching the Queen Margaret’s College 7’s team. The following year we made the national secondary schools 7’s tournament that was hosted in Auckland at King’s college. This was a big achievement for the first ever 7’s team in QMC to qualify for nationals, also a blessing as it was the start of my coaching career. Currently I’m now Director of Rugby for OBU. This includes being the Academy Director of the OBU Academy for male and female university students who play for our club. I helped coach the Premier Men’s team last year and I’ve also completed my World Rugby Level 1 and 2 for Coaching and am working on my Level 3 this year. I also volunteer as an assistant coach for the Colts Black team with Norman Ferguson this year, which is fun and keeps me developing my skills as a coach. Also learning the challenges that all coach’s face, and the many hats they have to wear but I enjoy it with a passion! Any messages of inspiration you want to pass back to the Goat community? Join in and get amongst the Goat herd, and enjoy your playing time!! Once you’ve finished, stay connected, stay involved, because without people we have no community and no club. The next generation of Goat players are always needing Goat mentors and support #OneHerd! You won’t regret it!   Thanks Tomasi! You can check Tomasi’s Hundy club profile over here… The post Hundy Club Profile: Tomasi Palu appeared first on OBU Rugby.
    • Accepted from OBU feed 61 months ago by feedreader
    • Tagged as:
    • rugby
    • video
    • stadium
    • wellington
    • art
    • people
    • secondary

    Westpac Stadium, Waterloo Quay, Pipitea, Wellington, Wellington Region, 6011, New Zealand (OpenStreetMap)
  
  

• • May update from DCM - together we can end homelessness

    • 28 May 2020
    • Downtown Community Ministry
    • 96 May update from DCM - together we can end homelessness p{ margin:10px 0; padding:0; } table{ border-collapse:collapse; } h1,h2,h3,h4,h5,h6{ display:block; margin:0; padding:0; } img,a img{ border:0; height:auto; outline:none; text-decoration:none; } body,#bodyTable,#bodyCell{ height:100%; margin:0; padding:0; width:100%; } .mcnPreviewText{ display:none !important; } #outlook a{ padding:0; } img{ -ms-interpolation-mode:bicubic; } table{ mso-table-lspace:0pt; mso-table-rspace:0pt; } .ReadMsgBody{ width:100%; } .ExternalClass{ width:100%; } p,a,li,td,blockquote{ mso-line-height-rule:exactly; } a[href^=tel],a[href^=sms]{ color:inherit; cursor:default; text-decoration:none; } p,a,li,td,body,table,blockquote{ -ms-text-size-adjust:100%; -webkit-text-size-adjust:100%; } .ExternalClass,.ExternalClass p,.ExternalClass td,.ExternalClass div,.ExternalClass span,.ExternalClass font{ line-height:100%; } a[x-apple-data-detectors]{ color:inherit !important; text-decoration:none !important; font-size:inherit !important; font-family:inherit !important; font-weight:inherit !important; line-height:inherit !important; } .templateContainer{ max-width:600px !important; } a.mcnButton{ display:block; } .mcnImage,.mcnRetinaImage{ vertical-align:bottom; } .mcnTextContent{ word-break:break-word; } .mcnTextContent img{ height:auto !important; } .mcnDividerBlock{ table-layout:fixed !important; } h1{ color:#222222; font-family:Helvetica; font-size:40px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h2{ color:#222222; font-family:Helvetica; font-size:34px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h3{ color:#444444; font-family:Helvetica; font-size:22px; font-style:normal; font-weight:bold; line-height:150%; letter-spacing:normal; text-align:center; } h4{ color:#949494; font-family:Georgia; font-size:20px; font-style:italic; font-weight:normal; line-height:125%; letter-spacing:normal; text-align:center; } #templateHeader{ background-color:#0f288b; background-image:none; background-repeat:no-repeat; background-position:50% 50%; background-size:cover; border-top:0; border-bottom:0; padding-top:54px; padding-bottom:54px; } .headerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .headerContainer .mcnTextContent a,.headerContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateBody{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:27px; padding-bottom:54px; } .bodyContainer{ background-color:#transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ color:#757575; font-family:Helvetica; font-size:16px; line-height:150%; text-align:left; } .bodyContainer .mcnTextContent a,.bodyContainer .mcnTextContent p a{ color:#007C89; font-weight:normal; text-decoration:underline; } #templateFooter{ background-color:#333333; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:45px; padding-bottom:63px; } .footerContainer{ background-color:transparent; background-image:none; background-repeat:no-repeat; background-position:center; background-size:cover; border-top:0; border-bottom:0; padding-top:0; padding-bottom:0; } .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ color:#FFFFFF; font-family:Helvetica; font-size:12px; line-height:150%; text-align:center; } .footerContainer .mcnTextContent a,.footerContainer .mcnTextContent p a{ color:#FFFFFF; font-weight:normal; text-decoration:underline; } @media only screen and (min-width:768px){ .templateContainer{ width:600px !important; } } @media only screen and (max-width: 480px){ body,table,td,p,a,li,blockquote{ -webkit-text-size-adjust:none !important; } } @media only screen and (max-width: 480px){ body{ width:100% !important; min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnRetinaImage{ max-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImage{ width:100% !important; } } @media only screen and (max-width: 480px){ .mcnCartContainer,.mcnCaptionTopContent,.mcnRecContentContainer,.mcnCaptionBottomContent,.mcnTextContentContainer,.mcnBoxedTextContentContainer,.mcnImageGroupContentContainer,.mcnCaptionLeftTextContentContainer,.mcnCaptionRightTextContentContainer,.mcnCaptionLeftImageContentContainer,.mcnCaptionRightImageContentContainer,.mcnImageCardLeftTextContentContainer,.mcnImageCardRightTextContentContainer,.mcnImageCardLeftImageContentContainer,.mcnImageCardRightImageContentContainer{ max-width:100% !important; width:100% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer{ min-width:100% !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupContent{ padding:9px !important; } } @media only screen and (max-width: 480px){ .mcnCaptionLeftContentOuter .mcnTextContent,.mcnCaptionRightContentOuter .mcnTextContent{ padding-top:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardTopImageContent,.mcnCaptionBottomContent:last-child .mcnCaptionBottomImageContent,.mcnCaptionBlockInner .mcnCaptionTopContent:last-child .mcnTextContent{ padding-top:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardBottomImageContent{ padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockInner{ padding-top:0 !important; padding-bottom:0 !important; } } @media only screen and (max-width: 480px){ .mcnImageGroupBlockOuter{ padding-top:9px !important; padding-bottom:9px !important; } } @media only screen and (max-width: 480px){ .mcnTextContent,.mcnBoxedTextContentColumn{ padding-right:18px !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcnImageCardLeftImageContent,.mcnImageCardRightImageContent{ padding-right:18px !important; padding-bottom:0 !important; padding-left:18px !important; } } @media only screen and (max-width: 480px){ .mcpreview-image-uploader{ display:none !important; width:100% !important; } } @media only screen and (max-width: 480px){ h1{ font-size:30px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h2{ font-size:26px !important; line-height:125% !important; } } @media only screen and (max-width: 480px){ h3{ font-size:20px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ h4{ font-size:18px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .mcnBoxedTextContentContainer .mcnTextContent,.mcnBoxedTextContentContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .headerContainer .mcnTextContent,.headerContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .bodyContainer .mcnTextContent,.bodyContainer .mcnTextContent p{ font-size:16px !important; line-height:150% !important; } } @media only screen and (max-width: 480px){ .footerContainer .mcnTextContent,.footerContainer .mcnTextContent p{ font-size:14px !important; line-height:150% !important; } } Here at DCM, we have been determined to do whatever it takes to support our taumai during the COVID crisis. Doing things differently Here at DCM, we have been determined to do whatever it takes to support our taumai during the COVID crisis. For many of us, this has meant taking on different roles and tasks. In our March update, we saw Rob from our Outreach Team manning DCM’s new 0800 number phone support service for our taumai from his home. In our April update, we saw how DCM and Westpac kaimahi immediately worked together to enable our taumai to access their money during lock-down. Today we talk to Paula, a team leader on our Aro Mai team, about the fantastic work she and her team have been doing during this time... Paula As soon as we learned that lock-down was imminent, my team and I had to rapidly shift our focus – from supporting people with long histories of homelessness into permanent housing, to getting people off the streets and in to emergency housing. Together we can end homelessness – yes, this is always what it comes down to. The success of this work has been built on collaboration – in particular, between the government, government agencies and organisations like DCM. Prior to the lock-down, the whole process around emergency housing was slow and complex, but to respond rapidly to the COVID challenge, we were able to work together to rapidly improve and expedite the process. HUD* immediately stepped up; like us, they quickly shifted their focus, organising emergency housing and entering in to contracts with motels and the like, to ensure that the spaces we needed would be available. MSD were regularly in touch with us, asking us what we needed and supporting our work every step of the way. We received referrals from many different sources – from DCM kaimahi and our Outreach Team, but also from Wellington City Council, the police, Probation Services, the hospital and from mental health nurses and services. When it came to placing these people in emergency housing, I was able to work closely with Regina – another key to our success. Reg has been at DCM since 2011; she knows a lot about the most marginalised people, and often knows their story. She offers insight into what will work for them, and what the issues are. Together we could determine the right location, mix of people and a plan for the management of each location. Regina You asked me what success has looked like. To begin with, people have settled and stayed in their emergency housing, and this has actually enabled us to be true to our kaupapa, and to our commitment to Housing First. We have been able to engage with taumai, see them regularly and go forward together. People who have been homeless and who were not on our radar at all have stepped forward. With street begging not an option, limited toilet facilities and with drop-in spaces closed, emergency housing has become much more attractive to those who have been rough sleeping in our city. Now we are in touch with them, building relationships, getting their names on the housing register and – yes! – moving the first of them on in to permanent housing. So it has been a change in focus for me and my team, but ultimately, it has totally supported our over-riding goal as a team and an organisation which is committed to a Housing First kaupapa. *Ministry of Housing and Urban Development (HUD) <!-- --> From emergency housing to a permanent home DCM kaimahi helping taumai move into a permanent home Yes, as Paula says, we can now begin to share the stories of people who have already moved from emergency housing into their own whare. A has had a long history of engagement with DCM; he has been a regular at Te Hāpai, we have supported him to sort his benefit and to get his name on the housing register, he has had dental appointments, seen Te Aro Health nurses and received food support at DCM. A is a very pleasant, quiet and unassuming man who doesn’t ask for support and values his independence. We initially got an emergency housing room for him at AC International; it was immediately clear that a shared place like this didn’t work for him. There were too many people – A was accustomed to living in the bush on his own. We were then able to get him a self-contained place where he could be independent, but where there are also other taumai we are working with. Together, they have formed a very supportive community. They have been company for one another, and have been able to provide advice and support to one another. Dominic from our Aro Mai team then stepped up to support A in to a permanent home. DCM has a strong relationship with Wellington City Housing, and we were able to get A a WCH tenancy – yes, last week, he moved in to his own home. He can walk in to town, and has friends and supports close by. Dominic will continue to check in with him regularly, but A is enjoying the independence that is so important to him. <!-- --> Please help us get the message out there! Forward this email on to everyone you can think of who may be interested in how to respond to homelessness, and just generally people who are passionate about Wellington. <!-- --> Read More Success Stories Nāku te rourou, nāu te rourou, ka ora ai te iwi With your basket and my basket, the people will thrive <!-- --> Copyright © 2020 DCM. All rights reserved. Our mailing address is: DCMPO Box 6133Marion SqWellington, Wellington 6011 New ZealandAdd us to your address book Want to change how you receive these emails? You can update your preferences or unsubscribe from this list.
    • Accepted from DCM alerts archive 62 months ago by feedreader
    • Tagged as:
    • government
    • media
    • dental
    • covid-19
    • wellington
    • art
    • housing
    • hospital
    • people
  
  
• • 

    Circa 2015 Season - jam-packed with theatre for all audiences!

    • 8 Dec 2014
    • Circa Theatre
    • Red Riding Hood, the PantomimeBy Roger HallSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson2-10 JanuaryCirca One What a big smile you’ll have …Don’t miss Circa’s fabulous Christmas panto! And this year Red Riding Hood is back with one of the great traditional stories – innocent Red Riding Hood, her poor, short sighted grandmother, and of course the handsome woodcutter and that villain of all villains, the Wolf!There’s lots of laughter, hilarious jokes and musical goodies in Red’s basket as she sets off on her journey to entertain young and old with this marvellous magical treat.“A great way to introduce kids to the magic of theatre, and Red Riding Hood is easily the ideal Christmas outing for the holdiays … a treat” – Salient“Roger Hall’s helter-skelter Red Riding Hood… is wonderfully exuberant seasonal fun” – The Dominion Post The Kitchen at the End of the WorldBy William ConnorDirected by Steffen Kreft16-25 JanuaryCirca Two “Something is coming. I don’t know what it is. And I don’t know if I should fight it or welcome it.” One snowy evening, an empty 83-room hotel on the edge of the Vastness receives a thin guest who has walked all the way from the City. Penniless, he is smuggled into the hotel kitchen where a kind cook works near an extraordinary thyme plant. He says that creativity is dying. Described as “intensely beautiful”, “provocative and moving”, The Kitchen at the End of the World is the story of marionettes who know they are limited by the extent of their strings – even kissing can tangle them – but they crave what lies beyond their reach. A story about home, the unknown, and the courage to face everything in between. The show captivated audiences at its sell-out debut season during the Greytown Festival 2012and is a powerful reminder that puppetry is not just a children's art form. SeedBy Elisabeth EastherDirected by Kerryn Palmer17 January – 14 FebruaryCirca One SEX & DRUGS, WITHOUT THE ROCK ‘N’ ROLL IVF isn’t foolproof and IUDs aren’t failsafe. iPhones come with ovulation apps and ‘choosing from the menu’ means selecting your sperm. Seed follows four women as they try to get pregnant, stay pregnant or become un-pregnant - the dilemmas of modern reproduction. Elisabeth Easther’s Seed is winner of the 2014 Adam New Zealand Play Award, which recognises and celebrates the best in new writing for the theatre. It’s a multi-narrative play about the mysterious business of fertility, with all of its challenges, heartaches and hormones. Seed is a drama that’ll have you laughing ‘til the tears are running down your face, and it’s a comedy that’ll make you cry. “Highly entertaining, funny and sophisticated” - Adam Play Award Judges “[A] sophisticated, witty and very contemporary meditation on the timeless processes of procreation.” - NZ Herald STARRING: Tess Jamieson-Karaha, Jamie McCaskill, Emily Regtien, Holly Shanahan and Amy Tarleton Warning: Adult themes and strong language. Demolition of the CenturyBased on the novel by Duncan SarkiesCreated by Duncan Sarkies and Sean O’Brien31 January – 21 FebruaryCirca Two Welcome to the world of Tom Spotswood, an insurance investigator who has lost his socks, his suitcase, his ex-wife and his son, Frank. Fresh from performances in the New Zealand Festival, Auckland Writers Festival, Tauranga Arts Festival and Nelson Arts Festival, Demolition of the Century sees author/performer Duncan Sarkies (Two Little Boys/Scarfies/Flight of the Conchords) stage a humorous and sometimes heartbreaking look at families, memories and the fragility of the human mind. He is accompanied by musician Joe Blossom, who plays a soundtrack that is both haunting and invigorating. “A series of brilliant vignettes, delivered in an inspired cabaret-style reading by the multi-talented Sarkies, and outstanding musician Joe Blossom… Blossom not only creates fluid and essential musical transitions, but his beautiful vocals, self-accompanied on piano and guitar, imbue this work with a powerful pathos that allow glimpses of the inner landscape of these characters. Demolitionis a fast-paced, darkly captivating cabaret-comedy, which leaves us fully entertained and tantalizingly close to solving a puzzle.” –Bay of Plenty Times Wake Up TomorrowPresented by Everybody Cool Lives HereIn association with ActiveDirected by Isobel MacKinnon21-28 FebruaryCirca One Welcome aboard Active Airlines! Join the eccentric passengers during this compelling, surreal and funny flight. Made under the guidance of Wellington theatre makers in collaboration with Active, a service for youth with an intellectual impairment, Wake Up Tomorrow was created from the minds of these incredible young people. Audiences will be transported from the mundane moments on a long haul flight to bizarre and hilarious scenarios.  Please fasten your seat belts, make sure you are in the upright position and enjoy the journey. We may or may not arrive at the expected destination. “In a work of this kind there is always a delicate balance to be held between presenting a polished product at the same time as allowing for a playful improvised quality to emerge that allows the actors to perform to their strengths. This was very evident in the final few scenes …” – Madeline McNamara Yep, Still Got It!By Jane Keller and Sandy BrewerDirected by Alan PalmerMusical Director Michael Nicholas Williams28 February – 21 MarchCirca Two YOUTH IS A GIFT OF NATURE, BUT AGE IS A WORK OF ART – Stanislaw Jerzy Lec Following the huge success of BOOMERS BEHAVING BADLY, Jane Keller returns with another hilarious show. A little older, a little wiser, a lot sassier, and even more confused. Whatever happened to the days when a cloud was a cloud, when face time was over a G&T, and we punctuated our sentences with full stops - not smiley faces? From senior sex and those pesky STDs to shopping sprees and colonoscopies, Jane shares stories of abject embarrassment, medical (mis)adventures, empowerment, and acceptance. In YEP, STILL GOT IT!  she embraces the power of an older woman with no FOMO. Together with the brilliant Michael Nicholas Williams on the piano Jane brings a brand-new show to Circa Two combining her special style of storytelling with her virtuoso Broadway voice. Capital E Kids FestivalCirca One CaterpillarsBy Kallo Collective Directed by Thomas MoncktonProduced by Show Pony7 March 10 am & 11.30am A tale of two puppeteers’ failed attempts at beautification. In the magical world of flitting butterflies, jumping eggs and giant swaying flowers, two lycra-clad puppeteers try their hardest to remain unseen and at service to their puppets: two enormous plump caterpillars. Caught in the wrong place at the wrong time, with nothing but their wits to cover up their escalating blunders, two appealingly hopeless clown puppeteers bring upbeat absurdity, slapstick silliness, and a good dose of reality to their hilarious and unpredictable antics. Beards! Beards! Beards!By Trick of the Light TheatreDirected by Hannah SmithWritten by Ralph McCubbin HowellProduced by Show Pony21 March 10am & 1pm Beatrix didn’t want a tiara. Beatrix wanted a BEARD! From Charles Darwin to Abraham Lincoln, Karl Marx to Mr Twit, it is said the secret to power and greatness is all in the size and shape of the beard. This is a tale of one young girl’s increasingly inventive efforts to grow the world’s most magnificent beard. Join a madcap and hilarious musical romp of physical comedy and clowning, as our plucky young heroine shakes up social rules and attempts to answer the questions that have puzzled mankind since the dawn of the beard. Suitable for  children 5+. The PianistBy Circo Aereo (Fin) and Thomas Monckton (NZ)In conjunction with Show Pony (NZ)Directed by Sanna Silvennoinen and Thomas Monckton7-22 MarchCirca One Direct from Edinburgh Fringe and the London Mime Festival, last year’s hit returns to Circa! “It would be no exaggeration to declare Thomas Monckton nothing short of a genius.” – Broadway Baby (UK) “I doubt very much that you’ll see, in fact I am prepared to bet on it, a funnier show this year…miss him at your peril”  – The Dominion Post (NZ) Fresh from a five-star reviewed season at the Edinburgh Festival Fringe and a sell-out season at Circa Two last year, award-winning performer Thomas Monckton returns with his smash hit The Pianist, this time at Circa One! The Pianist is a solo comic contemporary circus piece by Thomas Monckton (NZ) and Circo Aereo (Finland). The show is centered on, in, under, and around the magnificent grand piano. Accompanying this elegant apparatus is the poised pianist himself. Only he is so focused on impressing everyone that before he realises it, his show has transformed from the highbrow concert he hoped for, into a spectacularly amusing catastrophe. Suitable for all ages. The Mystery of Edwin DroodA musical by Rupert HolmesDirected by Lyndee-Jane Rutherford28 March – 25 AprilCirca One Who the Dickens did the deed? You decide! A non-stop ride of mystery, murder, and musical delight! Based on Charles Dickens’ final, unfinished novel, The Mystery of Edwin Drood is filled with clues, red herrings, villainy, and debauchery. Everyone on stage is a suspect – and it's up to you to decide how this mystery ends!Hot off Broadway, this Tony Award-winning theatrical genius is led by director Lyndee-Jane Rutherford (Midsummer (a play with songs)), who reunites with the artistic team that brought Grease and Mamma Mia to the Wellington stage. The cast includes beloved actor of stage, screen and radio, Lloyd Scott, and internationally renowned soprano, Barbara Graham (Christine, Phantom of the Opera). The Mystery of Edwin Drood boasts spectacular big dance numbers, rousing showtunes, stunning theatrics, magic, and illusions!  Tony Awards for Best Musical, Best Book, and Best Score“One of the most inventive, inspired and rousing musicals ever devised.”—AM New York“Infectious fun!”—Time Out New York “Bawdy fun!”—Associated Press “Sheer fun!”—The Wall Street Journal Two MortalsDirected by Geoff PinfieldPerformed by Rachael Dyson-McGregor & Mike McEvoyComposed by Beatrice Lewis1-18 AprilCirca Two 'A powerful theatrical experience suffused with humour, beauty and emotional intelligence' – The Melbourne AgeTwo Mortals is a delicate, poetic and humorous exploration of life, death and the moment in between. Composed word-for-word from interviews with people who live and work at the ends of life – morticians, cryogenicists, palliative care workers and ministers – Two Mortals weaves these true stories and experiences into a richly theatrical exploration of mortality. This uplifting work about one of our society's most taboo subjects was directed by Chapman Tripp Director of the Year Geoff Pinfield. Created and performed by Rachael Dyson-MacGregor and Mike McEvoy, Two Mortals sold out two critically-acclaimed seasons at Melbourne's La Mama Theatre. Improv for KidsBy The Improvisors7-18 AprilCirca Two Kids love theatre that’s interactive. So do the Improvisors. Kids (and their grown-ups) loved the 2014 season of Improv For Kids, so we’re bringing it back. It’s a great opportunity to introduce your kids to the world of live theatre. We may not have millions of dollars worth of computer-generated effects, but we do listen to kids and we make their ideas central to what happens on stage. In Improv For Kids, imagination is the best special effect of them all! Don JuanBased on Don Juan by MoliereCreated by A Slightly Isolated DogDirected by Leo Gene Peters25 April – 23 MayCirca Two World Premiere A sexy, fierce, raucous celebration.  Don Juan explodes with the energy of a music gig or a club.  It’s a cabaret.  It’s chaos.  It’s a furious adrenalized romp through the games of attraction and sexuality.  It’s the BEST… PARTY… EVER.  Five mad performers use a variety of theatrical forms and styles to bring an adaptation of Moliere’s classic play to life.  Loaded with pop songs and flirting, this imaginative work will continually intrigue, delight and surprise. While the bar keeps serving drinks.  All night long.   Created by A Slightly Isolated Dog, one of Wellington’s most innovative and exciting companies.  Critically acclaimed and award winning shows include:  Death and the Dreamlife of Elephants (2009, 2011), Perfectly Wasted (2012 - in partnership with Long Cloud Youth Theatre) and Settling (2007). A Servant to Two MastersBy Carlo GoldoniA new adaptation by Lee HallDirected by Ross Jolly2-30 MayCirca One NZ Premiere Love, passion and pandemonium Goldoni’s much-loved comic classic is a masterpiece starring a wily servant whose cheeky, inventive trickery gets the best of his masters, in a merry mix-up of mayhem and mistaken identity. Truffaldino, the scheming and perpetually hungry servant, concocts a zany scheme to double his wages (and his meals) by simultaneously serving two masters – the lovelorn Beatrice (disguised as a man) and her lost lover Florindo. Hilarity abounds In this sharp, new, rapid-fire adaptation by award winning dramatist Lee Hall (The Pitmen Painters, Billy Elliot).   A delicious, madcap Italian comedy of lovers, disguises, tricks, traps, mishaps and meatballs! “A sparkling, wonder filled new version by Lee Hall... An evening to cherish” – Daily Mail “A hugely enjoyable night out" – Covent Garden Life TheatresportsBy The Improvisors3 May – 14 JuneCirca Two Part of NZ International Comedy Festival The Improvisors are back at Circa with another season of this very popular show. Each night two teams of Improvisors take suggestions from the audience and spin them into short scenes, songs, poems or whatever else takes their fancy. Each show is completely different – what does stay the same is that Theatresportsis always a great night’s entertainment for the whole family. We don’t know what ideas you are going to throw at us – we do know that our kind of improv magic has been keeping audiences laughing over many years. Theatresports – putting the “make up” on stage. Second AfterlifeBy Ralph McCubbin HowellDirected by Kerryn Palmer29 May – 13 JuneCirca Two Return Season of the 2014 Young and Hungry sensation!Dan was an internet junkie – now he’s calling it quits. But in order to forge a new profile, he must face up to his online history and it’s not going down without a fight.When Dan finds himself sucked into the Second Afterlife – a dark underworld of the internet, a very real and dangerous landscape of broken memes, deleted pages, and the ghosts of profiles past. Second Afterlife is a dark comedy about life (and death) in the digital age. Inspired by Dante's Inferno, and in the tradition of Scott Pilgrim vs. the World, it is a twisted allegory for the Facebook generation – a poetic, ass-kicking romp to the darkest corners of the web. “Ralph McCubbin Howell cements his status as one of NZ's best young playwrights with Second Afterlife and director Kerryn Palmer, her designers and crew, and her exemplary cast of six do him proud.” - TheatreviewBy arrangement with Playmarket.Edge/Turning PageBroadway Star, ANGELICA PAGE“An actress of the highest possible voltage” – Wall Street JournalPerforming two shows, alternate nights, two weeks only6-20 JuneCirca One EDGE written by PAUL ALEXANDER Set in 1963 on the day of Sylvia Plath’s death, Edge presents the self-told story of the troubled poet and author of The Bell Jar, The Colossus, Ariel and the Pulitzer-Prize winning Collected Poems. “… a resurrected Sylvia Plath… the showcase of a lifetime” NEW YORK TIMESRETURNING TO OUR STAGE 10 YEARS AFTER ITS SENSATIONAL 2005 CIRCA SEASON TURNING PAGE written by ANGELICA PAGEGeraldine Page’s sparkling career earned her a record-breaking eight Academy Award nominations, an Oscar for Best Actress in 1986, and made her one of the most influential American artists of the 20th century. Turning Page is the triumphant and heartbreaking true story of one of the most celebrated actresses of all time, written and performed by the person who knew her best: her own daughter. “A privilege” Los Angeles Times Matariki Development FestivalPresented by Tawata Productions22 June – 4 JulyCirca TwoAn international indigenous playwrights’ festival boasting an enviable whakapapa of the very best of contemporary Maori & Pasifika theatre.  MDF 2015 features new writing by Natano Keni, James Nokise and Pikihuia Haenga. the beautiful onesWritten and Directed by Hone KoukeProduced by Tawata ProductionsMovement by Dolina Wehipeihana & Hone KoukaDesign by K*Saba, Tama Waipara, Johnson Witehira, Wai Mihinui, Jaimee Warda, Sopheak Seng, Laurie Dean 27 June – 11 JulyCirca One World Premiere A hyperreal digital love story.  the beautiful ones is a story of young love.  A promise Hana made to Ihia – a promise to return.  Will she return?  Will love triumph over temptation?  the beautiful ones bursts from the late night sheen of a city club.  Beautiful bodies & vital vocals.  Defiant dance moves and the meaning of love.  the beautiful ones features a dance floor for the audience to share the vibe.  From the company that brought you I, George Nepia, Sunset Road and TŪ. Warning: Contains Big Beats & Dance Music. The Ugly OneWritten by Marius von Mayenburg; translated by Maja ZadaDirected by Giles Burton11 July – 8 AugustCirca Two A scalpel sharp, absurd comic fantasy about beauty. Lette thinks he is normal, but when he discovers that he is, in fact, unbelievably ugly he turns to a plastic surgeon for help. Suddenly he is the most beautiful man in the world. Fame and riches follow; women want to sleep with him and men want to look like him. And with surgery they can look like him. Exactly like him. Received around the world to great acclaim, The Ugly One now receives its NZ premiere. With writer von Mayenburg’s star very much in the ascendant, this show is a must see.   "A stripped bare satire on the nature of beauty. If you are interested in theatrical story-telling see this show." – The Times (UK) “Savage social satire … A small but perfectly formed play” – The Guardian (UK) “The concept is simple but the philosophical implications are profound: What if money could buy the perfect face? It’s The Elephant Manmeets The Matrix” – Post City (Toronto) The Hound of the BaskervillesBy Arthur Conan DoyleAdapted for the stage by Clive FrancisDirected by Ross Jolly25 July – 29 AugustCirca One Sherlock Holmes vs the Powers of Evil A bloodcurdling howl is heard across a cold, moonlit moor; the horrifying, spectral hound has claimed another victim … When Sir Charles Baskerville is found dead on his remote estate, in eerie, seemingly supernatural circumstances, Sherlock Holmes, the legendary, world-famous detective and his assistant, the ever-reliable Dr Watson are called upon to unravel the extraordinary mystery of The Hound of the Baskervilles. Sir Arthur Conan Doyle's most famous and most popular story, in an exhilarating adaptation by Clive Francis (Our Man in Havana), sees four actors playing all the parts in this gripping, classic tale of terror. A thrilling, ripping good night of fun, drama and suspense! “A cracking good yarn … Excellent ... Highly enjoyable." - Daily Telegraph "Chillingly atmospheric... this fun show will really thrill. " - The Observer Downton AdlibBy The Improvisors2 August – 27 SeptemberCirca Two Quality costume drama – only funnier. An aristocratic English family and their servants face the challenges of life in the early twentieth century. A cast of Wellington’s top improv comedians face the challenge of making up a brand new episode every night. We supply the characters, you supply the key plot ingredients and the result is costume drama as you’ve never seen it before. Love, laughter, passion and a wide range of hats! The Travelling SquirrelBy Robert LordDirected by Susan Wilson5 September – 3 OctoberCirca One NZ Premiere “We that live to please must please to live” – Dr Samuel Johnson From Robert Lord, the author of the award-winning and much loved Joyful & Triumphant, comes The Travelling Squirrel, a romp through the fickle nature of the entertainment industry. Protagonist Bart compares his struggles as a writer to those of Roger the squirrel, a misunderstood painter. Hilarious and packed with larger-than-life characters, this play is a testament to Lord’s ability to write brilliant comedy.  A satire tempered with deep affection, The Travelling Squirrel depicts a dangerous world in which fame and fortune are always temptingly just around the corner “This is surely one of Lord’s funniest plays, just as it is one of the most moving”   – Philip Mann “For two decades, Robert Lord’s plays astonished and entertained theatre audiences with their sharp satire and flamboyant farce.”  - David O’Donnell The BookbinderWritten by Ralph McCubbin HowellDirected by Hannah SmithPresented by Trick of the Light Theatre25 September – 10 OctoberCirca TwoThey say you can get lost in a good book. But it's worse to get lost in a bad one... From award-winning company Trick of the Light Theatre (The Road That Wasn’t There) comes a story of mystery, magic and mayhem. The Bookbinder weaves shadowplay, paper art, puppetry, and music into an original dark fairytale in the vein of Coraline and Jonathon Strange and Mr Norrell. An inventive one-man performance for curious children and adventurous adults... suitable for children 8+. Best Theatre and Best in the Fringe - NZ Fringe 2014 International Excellence Award - Sydney Fringe 2014 "Spell-binding storytelling at its purest and best..." - Theatreview"Absorbing and imaginative… a small gem of theatre" - The Dominion Post "Tuned to perfection... Bookworms of all stripes and ages will adore it."- The Age, Melbourne For more information visit www.trickofthelight.co.nz GiftedBy Patrick EvansBased on the novel of the same nameDirected by Conrad Newport10-31 OctoberCirca One It is 1955 and beyond the famous hedge something magic is about to happen. In his beloved garden the “Father of the Nations Fiction” Frank Sargeson is waiting for his old mate Harry to turn up. Instead, he encounters a young woman fresh from a mental institution. Her name is Janet Frame. Their world is about to change forever. From the director of Rita and Douglas comes this very funny and profoundly moving story. Touring the Arts Festivals in 2013 to incredible reviews and widespread acclaim it’s now Wellington’s chance to experience this celebrated New Zealand production. “Like an exquisite work of art, the play Gifted is honed to near perfection … go and see this gorgeous production.” – Taranaki “Superb performances by all … it is thrilling … it makes for astonishingly joyful, mischievous theatre.” – Dunedin “Sheer quality” – Christchurch Adventures in PianolandWritten and performed by JAN PRESTONDirected by GAYLENE PRESTON15-17 OctoberCirca Two How I learned to stop worrying and love the piano The irrepressible Jan Preston comes clean on her longstanding and sometimes bumpy road to piano stardom. Jan will spin yarns from dives in Soho to the concert halls of Europe, to stealing a piano in broad daylight from the 1860s Bar in Lambton Quay. She will accompany herself, of course, on Circa Theatres' lovingly cared for piano.  You will hear Chopsticks as you have never heard it, with Jan's original songs and compositions providing perfect counterpoint to her story. AcheBy Pip HallDirected by Lyndee-Jane Rutherford24 October – 21 NovemberCirca Two Fate, chance and rooftop romance.  Ache is a fateful comedy about two thirty-somethings trying to find their way through modern love, materialism and the Wellington dating-drought. At a time when we are promised happiness with the swipe of a card or the swig of a bottle, true joy and connection seems almost impossible. At crossroads and rooftop gardens, fate decides to surprise them. At last, connection, chemistry, charisma. He’s perfect, she’s gorgeous. Only timing’s not as kind – he’s taken. Is it just not meant to be or will she push timing aside and take fate into her own hands?   Achingly-funny and heart-breakingly sad, Ache is a modern story of love, timing and seizing the day.Don’t miss this WELLINGTON PREMIERE, finally on our stage after its SOLD-OUT season at Christchurch’s Court Theatre. All Our SonsBy Witi IhimaeraPresented by Taki Rua5-14 NovemberCirca One World Premiere Courage and loyalty is tested in this new play by Witi Ihimaera “Once they fought each other, now shoulder to shoulder they fight together” Two generations go to war while a third fights a battle to keep her family at home. Waru Mataira and his two sons Tai and Rangi volunteer to represent the Maori iwi of Mataira Mountain in the New Zealand Native Contingent to Gallipoli. Under the guidance of their Pakeha leader Alec Campbell, they join the battle on the western front as part of the newly titled Pioneer Battalion where their courage is tested and so too are their loyalties. Taki Rua Productions presents the World Premiere of All Our Sons, a ground-breaking play by Witi Ihimaera. Roger Hall’s Robin Hood, the PantomimeSongs by Paul Jenden and Michael Nicholas WilliamsDirected by Susan Wilson21 November – 20 DecemberCirca One There he is! Oh no he isn’t. Oh, yes he is!! With loaded bow behind a treeYou never know where he will beHe moves like velvet, sleek and svelteAround the Wellington town belt His eye is quick, his aim is sureHe robs the rich to feed the poorHe’s always on the side of goodThe hero known as Robin Hood He lies in wait for those who ownA big estate and second homeFor millionaires who don’t pay tax  For bankers who don’t watch their backs You’ll see them suffer their defeatIn Circa’s brand new summer treatA pantomime for one and allIt’s Robin Hood by Roger Hall “fabulously fast and furious ... A treat”  - Capital Times “ACTION-PACKED… TONS OF FUN FOR YOUNG AND OLD!”  - The Dominion Post A Child’s Christmas in Wales (and other memories of childhood)By Dylan ThomasDramatised and performed by Ray Henwood28 November – 20 DecemberCirca Two What has been described as one of the most magical of Christmas stories is brought to the stage by Ray Henwood. It is rounded out by other memories of childhood, first presented by Dylan Thomas in one of his regular talks on the BBC Welsh Home Service. Thomas had a very happy childhood and so many of his young experiences resonate still with us today.The town of Swansea which is the locale of his stories had changed little by the time Ray was growing up. While Dylan lived in more salubrious surroundings, Ray was a “Sandfields” boy referred to by Dylan- and played in many of the areas described in the stories. It is a truly timeless tale and family celebrations have changed little, even in countries that celebrate a summer Christmas. Dylan’s work brings back memories that resonate so well with young and old. it is a true celebration of our experiences growing up. www.circa.co.nz
    • Accepted from drama* on the waterfront posts 128 months ago
    • Tagged as:
    • tawa
    • town-belt
    • snow
    • matariki

    Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)