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Events / December 2020

January 2021 | November 2020
    • The role of vacant urban space in a Covid crisis
      • <figure class=" sqs-block-image-figure intrinsic " > Jan Bieringa, Sophie Jerram, Linda Lee and Jason Muir with 'Exquisite Kaitiaki' by Miriama Grace-Smith, Xoe Hall and Gina Kiel at Urban Dream Brokerage and Brokered Dreams book launch, 2/57, Wellington. Image: Ebony Lamb Wellington communities need more creative and public spaces as inner city population booms and housing crisis puts rental stress on the young and vulnerable  Covid-19 and economic recession leaves empty shops and buildings empty in Wellington Urban Dream Brokerage programme will resume connecting artists with owners of unoccupied property Applications for artists to run projects are now open online www.urbanddreambrokerage.org.nz  <figure class=" sqs-block-image-figure intrinsic " > Ariki Bloomwell presenting welcoming karakia. Image: Ebony Lamb As the residential property market escalates, and as increasing numbers move into city apartments, a need for inner city spaces for exchange and community is growing.  With significant growth in commercial property left vacant since Covid-19 hit, the programme Urban Dream Brokerage is relaunching in Wellington to provide vital spaces for people to exchange, meet and help the city develop.    Following its first run between 2012 and 2018 in response to the Global Financial Crisis, creative space programme Urban Dream Brokerage (UDB) has been relaunched funded by the Wellington City Council Tipu Toa: Build Back Better / City Recovery fund.  <figure class=" sqs-block-image-figure intrinsic " > Image: Ebony Lamb The relaunch is spurred by a rise in unoccupied property around Wellington city due to the pandemic, and the need to create shared public spaces and experiences in a central city whose population is growing fast. The programme continues to run in Dunedin and has previously run in Porirua and Masterton. After the 2016 Kaikōura earthquake many buildings were taken off the Wellington market for strengthening, meaning fewer spaces could be used. Now property owners are embracing the renewed opportunity to enrich the city with artist and community occupied spaces.  “We have a commitment to a city that feels good for the most vulnerable and gives space to the most generous. We see ourselves as intentionally curating projects that will provoke change, for example decarbonising and indigenising the city,” says UDB co-founder Sophie Jerram. <figure class=" sqs-block-image-figure intrinsic " > Victoria Singh from The Waiting Room Image: Ebony Lamb “Other cities across the world including Brussels and Barcelona are taxing buildings that are vacant for more than three months, providing incentives to keep buildings occupied, something that could work well when property is surging in value.” The aim of the brokerage is not just to help restore the city to pre-pandemic levels and types of activity, but to help create a new and better place where art acts as a bridge that welcomes all comers.  UDB co-founder Mark Amery makes a case for culture providing a vital sense of place and meaning for city dwellers that leads to economic development.   “A cultural recovery in Wellington is more than about attracting visitors through events.  Culture is fundamental to our wellbeing and a sense of ownership of the city for those who live here. And we also invest financially where we feel a sense of belonging.” <figure class=" sqs-block-image-figure intrinsic " > Mark Amery and Helen Kirlew Smith. Image: Ebony Lamb A book of past projects  Brokered Dreams: 98 Uses For Vacant Space has just been launched. “We also need to test new models of living space as we face environmental and social crises. Artists and community groups are leading the way,” says Amery. <figure class=" sqs-block-image-figure intrinsic " > Brokered Dreams: 98 Uses for Vacant Space. Image: Ebony Lamb Wellington City Council is supporting the brokerage to re-enliven the city in 2021 with activities, including support for the performance programme The City as a Theatre and a rejuvenated Cubadupa. UDB is produced by Maverick Creative, managed by dynamic Political Cutz performer Jason Muir with Linda Lee from Shared Lines Collaborative. Muir is already visiting property owners to find homes for projects. “UDB rules! My creative practice emerged from Urban Dream Brokerage so now I feel proud to manage the project and look forward to enabling others on their journey, to share their dreams with the people of Wellington,” says Muir. Urban Dream Brokerage was established in 2012 by Sophie Jerram and Mark Amery as part of their Letting Space entity under the umbrella of Wellington Independent Arts Trust. UDB found spaces around New Zealand for over 120 creative projects, some short and some long term with more than 40 property owners, allowing the artists’ work to infuse energy into the properties while new tenants were found. Some projects continue in the properties where they started - Come Sew With Me in Masterton’s Queen Elizabeth Park is celebrating this month its third anniversary, while others like Coliberate a ‘mental health gym’ are now successful innovative businesses.  Brokered Dreams: 98 Uses for Vacant Space - the book is available at www.urbandreambrokerage.org.nz/book or at Unity Bookshop Wellington. <figure class=" sqs-block-image-figure intrinsic " > Evzen Novak, Thomas Lahood, Darcy Case Laurie Foon, Suzanne Tamaki and Gerry Paul during karakia. Image: Ebony Lamb <figure class=" sqs-block-image-figure intrinsic " > Sam Trubridge. Image: Ebony Lamb <figure class=" sqs-block-image-figure intrinsic " > Crowd at two/fiftyseven. Image: Ebony Lamb <figure class=" sqs-block-image-figure intrinsic " > Image: Ebony Lamb
      • Accepted from Urban Dream Brokerage Blog by tonytw1
      • Tagged as:
      • cubadupa
      • theatre
      • porirua
      • covid-19
      • Porirua, Wellington Region, New Zealand (OpenStreetMap)


    • Ski Resort
      • Ski Resort is the collaborative project of Violet Hirst, Jamin Forlong, Riley Noonan and Phoebe Johnson — combining their experiences to create a unique form of alt-rock with soft progressive influences, topped with a romanticist twist. Fresh off an EP release and a string of shows in early 2020, they are eager to get back on the scene to deliver an alluring set of performances and new material.
      • Accepted from Newtown festival 2019 by feedreader
      • Automatically tagged as:
      • newtown
      • events
      • wcn-hosted

    • The Steampunk Minstrels
      • Steampunk Minstrels formed in Auckland with two other musicians, but Marius and Mairi-Anne moved to Wellington in 2018 and have played various open mic evenings in Newtown and Plimmerton and were also the featured artists at Acoustic Roots’ Roseneath evening and Songwriters 6021 at Moon with Charles Harter on violin and percussion.
      • Accepted from Newtown festival 2019 by feedreader
      • Tagged as:
      • newtown
      • roseneath
      • Roseneath, Wellington, Wellington City, Wellington, New Zealand/Aotearoa (OpenStreetMap)


    • The Godwits
      • Vic and Lis met at Thorndon Farmers’ Market a few years ago where Vic was playing his songs to an appreciative crowd. Playing acoustic tunes about love and life, they go by the principle that more is less while aspiring to an orchestral sound with two guitars and two voices. Although genre fluid their sound could be loosely labeled Americana. 
      • Accepted from Newtown festival 2019 by feedreader
      • Tagged as:
      • thorndon
      • Thorndon, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)


    • Ssendam Rawkustra
      • A multi-headed rhythm beast arising in 2007 out of the murky depths of the South Wellington mental health scene, 12 years, seven practice rooms, 1 album, and countless performances later (including 10 or more outings at the Newtown Fair), the Ssendam Rawkustra are still going strong and are as raw, cuz, as ever! The Rawkustra aim to mesmorise listeners with their musical oxymoron of organised percussionistic chaos, drawing on a plethora of influences from Maurice Ravel to the Doors, under the inspired direction of maestro Andreas Lepper, with spiritual oversight from the Assistant Vicar of Newtown, Reverend Richard Noble.
      • Accepted from Newtown festival 2019 by feedreader
      • Tagged as:
      • newtown
      • Newtown, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)


    • Scattered Wreckage
      • Four years ago a bunch of Newtown friends started getting together for a weekly fun “session” upstairs at the Office Bar. This evolved into “The Thirsty Night Music Club” playing an eclectic collection of country bluegrass and Americana covers. These days they are Scattered Wreckage with an all originals set assembled from the works of the five songwriters in the lineup. 
      • Accepted from Newtown festival 2019 by feedreader
      • Tagged as:
      • newtown
      • Newtown, Wellington, Wellington City, Wellington, New Zealand (OpenStreetMap)


    • Bambin
      • Inspired by bees, trees and the magic (and grief) of existing in the world as a 22 year old, Bambin is a solo project by Jasmine Byrami (guitar + vocals) lovingly cultivated between Te Papaioea and Pōneke.
      • Accepted from Newtown festival 2019 by feedreader
      • Tagged as:
      • te-papa
      • Te Papa, 55, Cable Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


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