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    • Review: Call The Plumber Tour—Frank on Tap and Wet Denim
      • Frank on Tap and Wet Denim concluded their “Call The Plumber” tour in Wellington at San Fran this past Saturday. Co-headlining the tour, the show was nothing if not a striking finale. With supporting artists, First Reserve, Messie, and Swimcap, the venue was packed and brimming with excitement—there wasn’t a single bad spot to watch the show from. Taking the stage as the first headliner, Frank on Tap delivered a vibrant pop-rock performance that raised the energy of the whole room. There wasn’t a single person either fully immersed and dancing or at least nodding their head along to the beat. From captivating vocals to energising drum beats, there wasn’t an uninteresting second of their set.
      • Accepted from Salient 2024 by tonytw1
      • Tagged as:
      • reviews
      • theatre

        • San Francisco Bath House, Swan Lane, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Review: Sandwich Artist
      • Maybe I’m being subjective here, but a show playing “Man or Muppet” as house music is bound to be good fun. And Sandwich Artist was! A heartwarming and silly musical, that poked fun at the genre conventions while being a genuinely well-put together show, with a lot of love and just a bit more to it than only sliced bread. The story follows Sammy Rye (Phoebe Caldeiro), an unrecognised sandwich genius working for an unnamed sandwich chain, who’s unorthodox, off-menu sandwiches get her fired, despite how good they are. She gambles it all on a bus ride to Wellington, where a fellowship is formed with a despondent carrot farmer (Catherine Gavigan-Binnie), a butcher with attachment issues (Anna Barker), and a strangely shifty baker (Dylan Hutton). Phoebe and Jack McGee worked together on a story that does a lot with very little: only 6 major speaking roles and minimal props or set.
      • Accepted from Salient 2024 by tonytw1
      • Tagged as:
      • reviews
      • theatre

        • Te Auaha, Dixon Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Review: blackpill
      • Content Warning: Misogyny, sexual content Before I watched this show I was warned it would ‘challenge me.' Naturally, a show about incel culture should not be easy to digest. However, as the show unfolded, I found myself facing a different kind of challenge than I had expected—one that tested my empathy and ability to connect with others. As expected from the topic, the show's title, blackpill, is derived from the incel community, and its definition is essentially what the show presents. In short, the ‘blackpill ideology’ maintains that physical attractiveness is the most important factor in attracting women, and that certain physical and social factors are necessary for success.
      • Accepted from Salient 2024 by tonytw1
      • Tagged as:
      • reviews
      • theatre

        • BATS Theatre, 1, Kent Terrace, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Review: An Old-Fashioned Lesbian Love Story
      • Whisking us back to a world of swing jazz and giggle juice, Bars Behind Bars is an immersive experience. From the moment the audience enters, the actors are scattered about, welcoming us, having secret conversations in the hallway, sending us back in time. The show begins with a fourth-wall-breaking introduction to the characters and their lives at The Cat’s Pajamas, an illicit bar in Manhattan during the prohibition. When the bar’s owner is murdered in the back room, his wife Annie is the primary suspect of the interrogation.
      • Accepted from Salient 2024 by tonytw1
      • Tagged as:
      • lgbt
      • reviews
      • theatre

        • Ivy Bar, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Review: After the Storm
      • Emma Salzano's After the Storm was originally a project created at Te Auaha, then went through a development season as a Lift-Off piece, and now it's making its world premiere at the New Zealand Fringe Festival. And let me tell you, I'm thrilled that it's back. It's been quite some time since I've seen a play that has genuinely touched me. And I don't say this to be disrespectful, but perhaps to acknowledge my own desensitisation towards such things. After the Storm changed that. Maybe I'm just a sucker for a good love story. But this play is more than just a romance; at its core, it's about grief and how our emotions shape our lives. The story takes place in the 1930s and follows a group of Italian immigrants who leave their volcanic island of Stromboli and start anew on the shores of Island Bay.
      • Accepted from Salient 2024 by tonytw1
      • Tagged as:
      • island-bay
      • reviews
      • theatre

        • Te Auaha, Dixon Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Review: Twenty Minutes to Nine
      • am genuinely lost for words, trying to describe Twenty Minutes to Nine. It was nostalgic, raw, grim and witty, heart-sinking and furious and so painfully wise. Absolutely phenomenal. The show is personal even before it starts. I’m sitting in the front of two rows of seats, so there’s no doubt it’ll be an intimate show. Amanda (Santuccione (They/Her), the show’s writer and performer) asks what we’re up to afterwards, if we’d be alright to wait another 5 minutes for the last few people. In the end it’s me, a mother-and-adult-son duo, three other women and Amanda. We chat back and forth about hills and penguins, public transport and spilt beer. Then suddenly, with only the quieting of the house music, it begins.
      • Accepted from Salient 2024 by tonytw1
      • Tagged as:
      • reviews
      • theatre

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