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    • Review: and the Lochburns
      • The Lochburn family have moved into Circa Theatre from the 5th of October to the 2nd of November, filling the stage with family drama, nostalgia, and lots of music. and the Lochburns, by married couple William Duignan and Andrew Paterson—playwright and director, respectively—presents an authentic depiction of a family moving through grief and change (with an ensemble cast of talented actor-musicians).
      • Accepted from Salient 2024 by tonytw1
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        • Circa Theatre, Cable Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Review: Lizzie
      • By Talia Carlisle Have you ever heard someone scream bloody murder? It’s worth cutting down the door to watch LIZZIE, the rocking hit musical by WITCH Music Theatre, where murder sounds hellishly good…. This punk rock’n’rollercoaster will keep you on the edge of your seat from start to finish. So tighten your corset and quieten […]
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        • Circa Theatre, Cable Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • REVIEW: Blunt Dog: Bullet Train to Dunedin
      • In addition to playing an Eyegum Wednesday at San Fran, Blunt Dog spent the weekend recording their upcoming album at the Massey University studio. The album, titled Bullet Train To Dunedin, promises a warm and unpolished sound reminiscent of old home recordings. This album marks a significant departure from their first album, How is a Dog So Honest?. The new tracks, primarily derived from guitarist and vocalist Dom’s demos, are both harder and softer, expanding on the range of their earlier work. The album concept originated from drummer Logan’s whimsical idea of a Japanese bullet train travelling from Britomart station in Auckland to Dunedin, described by the band as “a moment of genius and a passage of jest.”
      • Accepted from Salient 2024 by tonytw1
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        • San Francisco Bath House, Swan Lane, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Review: Iphigeneia at Aulis
      • Words by: Lyra Caughley (she/her) Victoria Ancient Theatre Society’s first offering this year, Iphigeneia at Aulis, adapted Euripides’s tragedy concerning Agamemnon’s mythic decision to sacrifice his own daughter. As someone who’s been obsessed with classical myth during past studies, I was enchanted by this show’s atmosphere and the chilling clarity of its storytelling.
      • Accepted from Salient 2024 by tonytw1
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        • BATS Theatre, 1, Kent Terrace, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Review: Natasha, Pierre, and the Great Comet of 1812
      • Words by: Ngan Dang (she/they) Picture Credit: WITCH Musical Theatre Dream-like and grandiose; Natasha, Pierre, and the Great Comet of 1812 was a memorable experience which thoroughly entertained me. I expected a messy love story, but the melancholy was balanced out with just as much fun and wit—this was truly a show of anticipation and charging emotions. In this classic Broadway musical, co-directors Maya Handa Naff and Nick Lerew take a youthful twist to the lavish 19th-century Moscow from Tolstoy’s War and Peace. Through the stories of “young” Natasha and “warm-hearted” Pierre, the show explores their journey to navigate love, purpose, and pleasure in the heart of emotional turmoil and conflict.
      • Accepted from Salient 2024 by tonytw1
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        • Hannah Playhouse, 12, Cambridge Terrace, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Review: Call The Plumber Tour—Frank on Tap and Wet Denim
      • Frank on Tap and Wet Denim concluded their “Call The Plumber” tour in Wellington at San Fran this past Saturday. Co-headlining the tour, the show was nothing if not a striking finale. With supporting artists, First Reserve, Messie, and Swimcap, the venue was packed and brimming with excitement—there wasn’t a single bad spot to watch the show from. Taking the stage as the first headliner, Frank on Tap delivered a vibrant pop-rock performance that raised the energy of the whole room. There wasn’t a single person either fully immersed and dancing or at least nodding their head along to the beat. From captivating vocals to energising drum beats, there wasn’t an uninteresting second of their set.
      • Accepted from Salient 2024 by tonytw1
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        • San Francisco Bath House, Swan Lane, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Review: Sandwich Artist
      • Maybe I’m being subjective here, but a show playing “Man or Muppet” as house music is bound to be good fun. And Sandwich Artist was! A heartwarming and silly musical, that poked fun at the genre conventions while being a genuinely well-put together show, with a lot of love and just a bit more to it than only sliced bread. The story follows Sammy Rye (Phoebe Caldeiro), an unrecognised sandwich genius working for an unnamed sandwich chain, who’s unorthodox, off-menu sandwiches get her fired, despite how good they are. She gambles it all on a bus ride to Wellington, where a fellowship is formed with a despondent carrot farmer (Catherine Gavigan-Binnie), a butcher with attachment issues (Anna Barker), and a strangely shifty baker (Dylan Hutton). Phoebe and Jack McGee worked together on a story that does a lot with very little: only 6 major speaking roles and minimal props or set.
      • Accepted from Salient 2024 by tonytw1
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        • Te Auaha, Dixon Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Review: blackpill
      • Content Warning: Misogyny, sexual content Before I watched this show I was warned it would ‘challenge me.' Naturally, a show about incel culture should not be easy to digest. However, as the show unfolded, I found myself facing a different kind of challenge than I had expected—one that tested my empathy and ability to connect with others. As expected from the topic, the show's title, blackpill, is derived from the incel community, and its definition is essentially what the show presents. In short, the ‘blackpill ideology’ maintains that physical attractiveness is the most important factor in attracting women, and that certain physical and social factors are necessary for success.
      • Accepted from Salient 2024 by tonytw1
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        • BATS Theatre, 1, Kent Terrace, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Review: An Old-Fashioned Lesbian Love Story
      • Whisking us back to a world of swing jazz and giggle juice, Bars Behind Bars is an immersive experience. From the moment the audience enters, the actors are scattered about, welcoming us, having secret conversations in the hallway, sending us back in time. The show begins with a fourth-wall-breaking introduction to the characters and their lives at The Cat’s Pajamas, an illicit bar in Manhattan during the prohibition. When the bar’s owner is murdered in the back room, his wife Annie is the primary suspect of the interrogation.
      • Accepted from Salient 2024 by tonytw1
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        • Ivy Bar, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Review: After the Storm
      • Emma Salzano's After the Storm was originally a project created at Te Auaha, then went through a development season as a Lift-Off piece, and now it's making its world premiere at the New Zealand Fringe Festival. And let me tell you, I'm thrilled that it's back. It's been quite some time since I've seen a play that has genuinely touched me. And I don't say this to be disrespectful, but perhaps to acknowledge my own desensitisation towards such things. After the Storm changed that. Maybe I'm just a sucker for a good love story. But this play is more than just a romance; at its core, it's about grief and how our emotions shape our lives. The story takes place in the 1930s and follows a group of Italian immigrants who leave their volcanic island of Stromboli and start anew on the shores of Island Bay.
      • Accepted from Salient 2024 by tonytw1
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        • Te Auaha, Dixon Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Review: Back to Square One?
      • Reviewed by Shona Jaunas Back to Square One invites you into conversation between 95 year old Inga’s living room in Denmark and her grandson, Anders Falstie-Jensen in New Zealand. It starts with the audience all writing their names on the stage front in chalk which immediately brings us into the space; we are all involved […]
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        • Circa Theatre, Cable Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Review: Skin Tight
      • Skin Tight is my favourite ever play and I’ve been wanting to see it performed since I first read it. Circa Theatre did not disappoint with their iteration of this show; a gloriously evocative piece with incredible staging, performances and movement. The play is not just a love story to its characters – and the highs […]
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        • Circa Theatre, Cable Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Review: Illegally Blind
      • Now, I’m literally in this show so I figured probably not the best for me to review it. This week we’ve got the lovely Cordy Black writing some kind words! The experience starts in the foyer, after a ritual of scanning and phone-waving – the default programme for Illegally Blind is presented to the visitor […]
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        • BATS Theatre, 1, Kent Terrace, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Serious Monkey(ish) business at Wellington Zoo
      • Okay, let’s get the puns out of the way. While it is never inappropriate to spank your monkey in public, and only Peter Gabriel can shock the monkey, at Wellington Zoo you can, however, touch some monkeys. Sort of. Well, the touching part is correct, but technically the Black-and-White Ruffed Lemurs aren’t actually primates, they’re a kind of pre-primate. Okay, I should have written notes, but I WAS TOUCHING A LEMUR at the very kind invitation of Wellington Zoo to try out their new Lemur Encounter.
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        • Wellington Zoological Gardens, Manchester Street, Melrose, Wellington, Wellington Region, 6021, New Zealand (OpenStreetMap)


    • It’s wonderful
      • Shaking, spinning, rotating and swaying. The City Gallery’s new Kaleidoscope exhibition of Len Lye’s kinetic sculptures is unmissably exciting. In fact, all four of the Gallery’s new exhibitions are fascinating. They’re also complementary. Which is some consolation for all the visitors to Te Papa who’ve been puzzled by the national museum’s inexplicable and unforgivable decision to close its entire art space for two months.
      • Accepted from Wellington Scoop features
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        • Wellington City Gallery, Civic Square, Te Aro, Wellington, 6011, New Zealand/Aotearoa


    • Rasa Malaysia – top eats near the top’o Cuba
      • Over the past couple of months I have been reviewing Malaysian restaurants all around Wellington for Malaysia Kitchen (full disclosure – I got refunded some of the costs). It’s time to share the reviews! A freezing southerly was blowing around Wellington when I met with a group of friends at Rasa Malaysia on Upper Cuba Street, pushing all thoughts of trying something new out of my mind. The weather meant I had to have my favourite laksa.
      • Accepted from Wellingtonista Blog Feed
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        • Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Lullaby Jock reviewed by a Lower Hutt RSA member
      • Hutt News reporter Priyanka Bhonsule arranged for a representative from the Lower Hutt RSA to accompany her to review Lullaby Jock last week. Here's what he thought of the show: Lower Hutt RSA member Peter Gooch and his wife Margaret were invited by Downstage and Hutt News to see Lullaby Jock. Mr Gooch gives us his thoughts:
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        • Downstage Theatre, Cambridge Terrace, Mt. Victoria, Wellington, Wellington Region, 6011, New Zealand


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