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Performing Arts / August 2022

September 2022 | July 2022
    • Review: Skin Tight
      • Skin Tight is my favourite ever play and I’ve been wanting to see it performed since I first read it. Circa Theatre did not disappoint with their iteration of this show; a gloriously evocative piece with incredible staging, performances and movement. The play is not just a love story to its characters – and the highs […]
      • Accepted from Wellingtonista Blog Feed by feedreader
      • Tagged as:
      • theatre
      • reviews

        • Circa Theatre, Cable Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Skin Tight
      • The searing and sensual romance of Elizabeth and Tom. Dark secrets, deep passions, and heart-breaking truths bubble over as lovers savour precious moments together. Set in twentieth-century Canterbury, the text has striking parallels to the present. As stunningly physical as it is poetic, Skin Tight is a theatre experience that will leave you with goosebumps. One of Aotearoa’s most poignant and lasting works of theatre, Skin Tight premiered at BATS Theatre in 1994. It won a coveted Fringe First Award at the 1998 Edinburgh Fringe Festival and has been produced in the UK, Australia, South Africa, Europe, Canada, and the USA.
      • Submitted by anon9319f12c-0e46-4a78-a048-790cdef90eca
      • Automatically tagged as:
      • theatre

        • Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Trojan War
      • Like a wild dress-up party, this show combines theatrical magic, twisted pop songs and explosive wit. The most charming performers you can hope to meet play a revolving repertoire of outrageous characters.
      • Accepted from Bats Theatre openings by feedreader
      • Tagged as:
      • art

        • BATS Theatre, 1, Kent Terrace, Mount Victoria, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Zeal Kāpiti Musicians lounge
      • Every second-month young people come together at Zeal Kāpiti to showcase their skills. From experienced performers to new artists, live sound engineers, photographers, and event managers, this event is made by young people for young people. The Kāpiti team of young people arrive at midday to start setting up the stage, lighting, sound gear, green room, clear out the hangs and events spaces, and fill the centre with chairs and beanbags. If the weather is nice they open up our massive roller door which opens up a whole wall in our events space and creates an awesome indoor outdoor flow. Young people start rolling in, some grab the Zeal DSLR cameras and start taking photos and videos while the performers are getting prepped in the green room upstairs.
      • Submitted by tonytw1
      • Tagged as:
      • kapiti
      • music

    • Making the World by Stella Peg Carruthers
      • <figure class=" sqs-block-image-figure intrinsic " > A Place for Local Making - Xin Cheng & Adam Ben-Dror | Image - Markuza Maric More than only fixing things, the Urban Dream Brokerage facilitated makerspace and online platform ‘A Place for Local Making’ took making to the next level of resourcefulness. Artists Xin Cheng and Adam Ben-Dror (with support from Grace Ryder) recently ran the pop-up focusing on creative remaking in central Wellington.  Taking pre-loved materials as the basis for creative exploration, Xin and Adam forged local connections within the fields of waste-minimization. Equally, by hosting convivial events which opened up questions around the right to repair and the role of the designer in contemporary society, they fostered an alternative view towards cultures of making and living together. Through re-visioning the acts of designing, making, using and remaking, it was not only objects being re-created but also notions of community. Informed by Free University principles, resourceful makerspaces such as ‘A Place for Local Making’ meet the issue of waste head on in an egalitarian manner.  Applying local practices to address global issues, resourceful makerspaces can be platforms for genuine community connection. This re-making of waste materials within a community context felt particularly pertinent in Wellington – a city recovering from a violent protest, with the cloud of Covid-19 still hanging low. Through coming together to fix and transform broken things and waste materials, people engaged with their material surrounds in new ways. Repair and remaking together can also regenerate community cohesion. <figure class=" sqs-block-image-figure intrinsic " > Creative Mending Circle coordinator & writer - Stella Carruthers | Image - Markuza Maric With a background in community education, textile crafts and a passion for sustainability, I joined ‘A Place for Local Making’ as a co-facilitator for the workshop ‘Creative Mending Circle’ in April. Influenced by strong ecological ideals and my own low-waste lifestyle, I was attracted by the resourceful use of waste applied in a community setting.    To fix rather than throw out is a philosophy that serves both people and the planet. It is one I personally adhere to. It is also at the heart of Xin and Adam’s creative practices where they consider conviviality, sustainability, and ways of living in a waste-conscious way. As Adam said, ‘Sometimes it is hard to connect the act of gathering and working with these “waste” materials with global societal changes that have to happen in order for us to come into more harmony with the rest of life. They just seem so small. Xin pointed out to me though that these practices add to the diversity, that the world is a richer place because someone is practicing this kind of thing. It opens possibilities for other ways of living and adds up to something greater than the sum of its parts.’ As artists, Xin and Adam have been growing this idea of opening new possibilities through sharing the process of re-making. <figure class=" sqs-block-image-figure intrinsic " > Creative Mending Circle at A Place For Local Making | Image - Markuza Maric De-stabilising traditional hierarchies through re-making practices can democratise creativity. In the mending workshop I co-facilitated with Xin, we supported everyday people in giving new lives to clothing. Snaps on a shirt were both strengthened and adorned with brightly-coloured stitches. Meanwhile, children’s clothing and hard-wearing socks were patched to extend their useful lives. Taking an egalitarian approach to making, anyone could learn to add to and alter their world through making and remaking.  As we face the challenges of the 21st century: the effects of the Anthropocene and the climate crisis, the COVID pandemic, a myriad of issues around waste... What is the role of the artist and the designer today? What kind of creative practices could there be, with locality and community at the centre? Xin and Adam approached their position as artists and designers by taking on a facilitator role. Whether it is running a practical workshop or hosting a reading group, both artists work with materials and ideas. More than ‘Think Globally, Act Locally’ – their approach is about thinking locally as well. <figure class=" sqs-block-image-figure intrinsic " > Frugal Electronics Workshop | Image: Markuza Maric Through amplifying and sharing innovative ways of (re)making at A Place for Local Making, fellow human beings were supported in designing to meet their own needs. This approach is based on Ezio Manzini’s ideas of diffuse design: people revisioning reality in a manner meaningful to their own context. The principles of small, local, open, connected help communities reimagine new ways of providing for their needs and community life. Adam and Xin talk about sharing resourcefulness, re-making and repair as ways of changing the culture of living. By taking the time to fix things at hand, doing so through working with our hands, and learning from each other, we are envisioning the possibilities for a different kind of collective future. In this future, social connections are made through non-hierarchical skill-sharing, across generational and demographic diversity. In the mending workshop I co-hosted, participants ranged from the elderly to early twenties. I enjoyed seeing a middle-aged mother showing a young man how to hem a shirt. Next to them, a younger woman helped thread a needle for an older lady. These exchanges are beautiful examples of people approaching repair as both life-enhancing and pleasurable. More powerfully, they are also moments where everyday people practice new (and ancient) skills for an uncertain future. Local skills and resources are utilised in the broadest sense, both in accessibility and value. <figure class=" sqs-block-image-figure intrinsic " > Frugal Electronics Workshop - Curator Grace Ryder & Artist Adam Ben-Dror | Image Markuza Maric Value and the associated idea of abundance are central to the discussions of making and social innovation at ‘A Place for Local Making’. Cherishing small acts of making, re-making and caring can reshape our mental models which give rise to values in life. ‘Time’s gone by so quickly!’ I overheard one participant say. ‘This mending thing, it’s slow… but it’s fun!’  Here, time became valued once again–not only for the results of the work done, but also for the creative enjoyment and the human connections which grew from time spent together. As a creative adventure, mending and (re)making is as much about the process as the end result.  In their time at ‘A Place for Local Making’, Xin and Adam facilitated process-based creativity. They asked questions around waste and wants, value and needs, and they did so through reaching out rather than drawing in. Instead of making artworks to display on a wall, they supported community creativity through researching local waste streams and stories of remaking, gathering reclaimed materials for communal use and facilitating public events. Through the workshops and numerous examples of local (re)making documented on the online platform, we can see that with the toolkit of resourceful making and thinking, we can reconsider how we relate with our material surroundings. A product or object may be repaired to fulfil its original designed purpose, or adapted to new, future lives. To consider what happens to an object when it eventually leaves a person’s hands gives new meaning to the word resourcefulness. Here, as we learned at ‘A Place for Local Making,’ it can be fruitful to think of materiality in terms of what a thing is made of, how it is made and remade, who is doing the caring and remaking, as well as what it could become within a constantly changing, living world.  <figure class=" sqs-block-image-figure intrinsic " > Contributors links Writer - Stella Carruthers Project - A Place For Local Making Artists - Xin Cheng + Adam Ben-Dror Photographer - Markuza Maric
      • Accepted from Urban Dream Brokerage Blog by feedreader
      • Tagged as:
      • covid-19

    • Wellington wax: Local vinyl picks
      • This month we’re looking at Wellington artists that have braved the world of international shipping and production delays to jump on the vinyl revival train in the last few years. You can get all of these albums from our vinyl collections at Te Awe or Johnsonville (or reserve to the branch of your choice for free!) today and confuse your parents who sold or left their records behind in the wake of the CD revolution.
      • Accepted from WCL Blog feed by tonytw1
      • Tagged as:
      • music

    • Artists for Social Change – A Kōrero with Justice Joe Williams
      • Circa Theatre and the Wharewaka o Poneke Charitable Trust are delighted to welcome you to a kōrero with Justice Joe Williams at Circa Theatre. Justice Williams (Ngāti Pukenga, Waitaha, Tapuika) the country’s first Māori Supreme Court Justice – and member of the 80s band ‘Aotearoa’ most famous for their, then, controversial song Maranga Ake Ai – will talk about the world he sees where artists lead the way.
      • Submitted by tonytw1
      • Automatically tagged as:
      • theatre

        • Circa Theatre, Taranaki Street, Te Aro, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


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