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Performing Arts / March 2018

April 2018 | February 2018
    • Orchestra Wellington and MIXT Create Groundbreaking Virtual...
      • Orchestra Wellington and MIXT Create Groundbreaking Virtual Reality Conductor Experience In a world first, Orchestra Wellington and Wellington interactive company MIXT are offering up the best seat in the house, although you won’t want to sit down!The world premiere of the Virtual Conductor Experience is launching at the CubaDupa Festival on Saturday 24th March from 12pm, open to the public and free of charge.If you stop by its shipping container installation on Leeds Street,the orchestra promises you a mind-blowing virtual arts experience,regardless of whether you’re eight or 80. Along with audio recorded by RNZ Concert, the 360° filming, editing and interactions were done by Wellington VR/AR specialists, MIXT, and puts the viewer at the centre of a symphony orchestra experience, and brings all the emotion of a multi-sensory challenge.“The finished product immerses you into the world of the symphony conductor, standing on the podium to lead a 90 piece orchestra as they perform the powerful Rite of Spring by Igor Stravinsky in front of a full 2000 person live audience,” says Orchestra Wellington’s Marketing Manager and project co-ordinator Marek Peszynski.Orchestra Wellington was an award winner in 2016 with its New Zealand made 360° video. With MIXT’s help, Peszynski believes it’s gone one better with the world’s first virtual orchestra video with a full live audience.“We wanted to move away from the novelty factor of VR technology by placing the user at the centre of a full live concert. That way the experience really puts people in the moment and feels one hundred percent real and unstaged."“More importantly we can visualise its use after the installation,with its applications in education and in accessibility of music. Butat CubaDupa we’re inviting everyone to step up and take the challenge,because once you’ve tried it you’re hooked."Following its CubaDupa release, the 360° virtual concert will launch for free home use later this month and its makers believe its appeal will extend beyond the city’s many lounge-room conductors.
      • Accepted from Orchestra Wellington posts by feedreader
      • Tagged as:
      • video
      • music
      • wellington
      • education
      • art
      • people
      • cubadupa

        • Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Orchestra Wellington and MIXT Create Groundbreaking Virtual...
      • Orchestra Wellington and MIXT Create Groundbreaking Virtual Reality Conductor Experience In a world first, Orchestra Wellington and Wellington interactivecompany MIXT are offering up the best seat in the house, although youwon’t want to sit down!The world premiere of the Virtual Conductor Experience is launching atthe CubaDupa Festival on Saturday 24th March from 12pm, open to thepublic and free of charge.If you stop by its shipping container installation on Leeds Street,the orchestra promises you a mind-blowing virtual arts experience,regardless of whether you’re eight or 80.Along with audio recorded by RNZ Concert, the 360° filming, editingand interactions were done by Wellington VR/AR specialists, MIXT, andputs the viewer at the centre of a symphony orchestra experience, andbrings all the emotion of a multi-sensory challenge.“The finished product immerses you into the world of the symphonyconductor, standing on the podium to lead a 90 piece orchestra as theyperform the powerful Rite of Spring by Igor Stravinsky in front of afull 2000 person live audience,” says Orchestra Wellington’s MarketingManager and project co-ordinator Marek Peszynski.Orchestra Wellington was an award winner in 2016 with its New Zealandmade 360° video. With MIXT’s help, Peszynski believes it’s gone onebetter with the world’s first virtual orchestra video with a full liveaudience.“We wanted to move away from the novelty factor of VR technology byplacing the user at the centre of a full live concert. That way theexperience really puts people in the moment and feels one hundredpercent real and unstaged."“More importantly we can visualise its use after the installation,with its applications in education and in accessibility of music. Butat CubaDupa we’re inviting everyone to step up and take the challenge,because once you’ve tried it you’re hooked."Following its CubaDupa release, the 360° virtual concert will launchfor free home use later this month and its makers believe its appealwill extend beyond the city’s many lounge-room conductors.
      • Accepted from Orchestra Wellington posts
      • Tagged as:
      • cubadupa

        • Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Mentoring announced for three Urban Dream Brokerage projects
      • <figure class=" sqs-block-image-figure intrinsic " > 'We Spoke', Candace Smith, Performance Arcade, Wellington, March 2018 Letting Space's Urban Dream Brokerage service is thrilled to announce three artists and projects in Wellington that have been given mentors in a new peer-to-peer mentorship programme for artists working in new spaces in the city.  Candace Smith will be mentored by artist Vivien Atkinson, who works across a variety of media and is known for her work with The See Here and Occupation Artists (website here). Candace's series of public works has commenced with installation 'We Spoke' at Performance Arcade, in which the public generated energy with a bicycle,  operating fans within a transparent space,  sealed from the wind, which gently moved mobiles made from umbrella parts (themselves deconstructed by the wind). A performer joined the work in response to the cyclists at night. Candace is interested in creating installations of reassembled objects which explore ideas around the fragmentation and reconnection associated with migration. Rosie White and the project Playdate will be mentored by Jo Randerson, artist and co-producer of Barbarian Productions (website here). White has recently completed a Masters of Fine Arts at Massey's College of Creative Arts and will work with collaborators' on a project that is a work of craftivism or art activism, concerned with a social issue: slavery, with specific concern to the significant numbers of people in the world today trafficked for sex. New Zealand says Rosie is not exempt and the project will seek to highlight the issue. Visual artist Mark Antony Smith and his project The Lost Future Exchange will be mentored by theatremaker Leo Gene Peters of company A Slightly Isolated Dog. This is a project Mark Antony is starting in 2018 to gather stories, dreams and remembrances of place in the central area of Wellington. It is an evolution of Ghosting About a project he did for his Masters study at Massey which included work 'Imperial Ghosts' concerning Dixon Street's Imperial Building for Lux Festival. Mark Antony Smith's previous shows also include Black Dog: Failure at Toi Poneke Gallery 2015. We hope to announce a fourth mentored project shortly. Initial information on the kaupapa behind this mentoring scheme can be found here.  
      • Accepted from Urban Dream Brokerage Blog by tonytw1
      • Tagged as:
      • theatre

    • Announcing Urban Dreams Monthly Lunchtime programme 2018
      • <figure class=" sqs-block-image-figure intrinsic " > Thomas King Observatory, Wellington, work residency for artist Julian Priest in 2018 with thanks to the Wellington Museums Trust. Introducing for your diaries the Urban Dreams Monthly Tuesday lunchtime programme for March to May 2018 at Toi Poneke. We've got a great set of guests, across artforms: Leo Gene Peters, Julian Priest, Sacha Copland, Kerry Ann Lee and our mayor Justin Lester. We're always aware of the holes in knowledge between artforms even in a small city, so read on for more details on these strong artists. First gathering: next Tuesday March 13. An opportunity for artists or all kinds to network and discuss ideas working in new ways in Wellington city. Tuesdays 12.30-2pm March 13: On being embedded. Working with other industries and groups - what is the potential for residences or having artists embedded in different spaces in the city? We talk with two artists who have been working in work residencies and have an interest in how their work can interact in new ways through this: theatremaker Leo Gene Peters, and visual artist Julian Priest. Leo Gene Peters is a theatre director and maker and founder of A Slightly Isolated Dog who have been creating celebrated devised work since 2005. “We’re trying to have a conversation with the public about what matters to each of us… and through that conversation we’ll create performance work. The goal is to find new and different ways to use live performance, conversation, virtual platforms, social media (and other things) to create a space where we can meet and reflect together. A space where we can discuss important questions in our lives that we normally don’t talk about with strangers.” A Slightly Isolated Dog are currently in residence at Creative HQ. who aim to help develop and grow businesses in Wellington through “nourishing entrepreneurial talent and driving innovation.” Julian Priest is an artist working with participatory and technological forms and recent work explores relationships to different infrastructures including time, energy, security, health and communications. In 2017 Julian created the Citizen Water Map Lab with Letting Space as part of the Common Ground Public Art Festival where Hutt City residents and community groups were invited to collect ground water and bring it to the lab and test it with data represented in an illuminated installation that produced a map of local water quality. Julian was co-founder of early wireless freenetwork community Consume.net in London. He became an advocate for the freenetworking movement and has pursued wireless networking as a theme in fields of arts, development, and policy. Julian is currently undertaking a residency at the Thomas King observatory Wellington (supported by the Wellington Museums Trust), an old 1912 observatory which is part of the Carter Observatory complex. April 17: On the art of keeping in business. Sasha Copland and Kerry Ann Lee. The realities of the business of being an independent artist. We introduce two artists both interested in working in a variety of different ways with the public and communities. Kerry Ann Lee is a celebrated visual artist, designer and educator who uses hand-made processes and socially-engaged projects to explore hybrid identities and histories of migration. She creates installation, publication and image-based work and has a long practice in independent artists’ publishing. Sacha Copland is a dancer, choreographer and the Artistic Director of Java Dance Theatre. As she told The Big Idea here she believes in the power of dance to build empathy and her works aim to permeate and dissolve the distance between people by creating dance that “clambers into your senses and gets underneath your fingernails.” Founded in 2003 Java is a professional dance company that presents dance theatre nationally and internationally often working in site specific locations, or creating work around specific themes that engage new audiences. May 8: On creating creative capital. Mayor Justin Lester  A discussion with our mayor who holds the arts and culture portfolio on what is needed to take our creative scene to the next level. All events are free. You are very welcome to bring your lunch. For podcasts of the 2017 series go here.
      • Accepted from Urban Dream Brokerage Blog by tonytw1
      • Tagged as:
      • events
      • theatre

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