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Reviews / February 2024

March 2024 | October 2023
    • Review: After the Storm
      • Emma Salzano's After the Storm was originally a project created at Te Auaha, then went through a development season as a Lift-Off piece, and now it's making its world premiere at the New Zealand Fringe Festival. And let me tell you, I'm thrilled that it's back. It's been quite some time since I've seen a play that has genuinely touched me. And I don't say this to be disrespectful, but perhaps to acknowledge my own desensitisation towards such things. After the Storm changed that. Maybe I'm just a sucker for a good love story. But this play is more than just a romance; at its core, it's about grief and how our emotions shape our lives. The story takes place in the 1930s and follows a group of Italian immigrants who leave their volcanic island of Stromboli and start anew on the shores of Island Bay.
      • Accepted from Salient 2024 by tonytw1
      • Tagged as:
      • island-bay
      • reviews
      • theatre
      • Te Auaha, Dixon Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Review: Twenty Minutes to Nine
      • am genuinely lost for words, trying to describe Twenty Minutes to Nine. It was nostalgic, raw, grim and witty, heart-sinking and furious and so painfully wise. Absolutely phenomenal. The show is personal even before it starts. I’m sitting in the front of two rows of seats, so there’s no doubt it’ll be an intimate show. Amanda (Santuccione (They/Her), the show’s writer and performer) asks what we’re up to afterwards, if we’d be alright to wait another 5 minutes for the last few people. In the end it’s me, a mother-and-adult-son duo, three other women and Amanda. We chat back and forth about hills and penguins, public transport and spilt beer. Then suddenly, with only the quieting of the house music, it begins.
      • Accepted from Salient 2024 by tonytw1
      • Tagged as:
      • reviews
      • theatre