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    • Slow Boat Christmas/ New Year 2025
      • Well, crikey - somehow, we have nearly made it to the end of another year at the proverbial rock'n'roll coalface - the 40th Anniversary of our founder, 'The Coach', Dennis O'Brien opening the store way back in 1985 (which we commemorated with some handsome bright yellow tee shirts and totes bearing his youthful mug!) Every year brings with it fresh challenges in seeking to keep the store relevant in a wildly changing entertainment and retail landscape, and we are, as ever, immensely grateful to you all for sticking with us, shopping with us, engaging with our Instagram and Facebook platforms, and sharing your energy and enthusiasm for music and movies, and for physical media, and for everything inbetween. We have seen your enthusiasm for vinyl remain undiminished, along with a soaring demand for CDs (hell, they are cheaper now than they were when they were introduced some 40 years ago, at the store's inception, when we thought they seemed like a bit of a fad...!) We have hosted some terrific in-store events, including Record Store Day 2025 (with instore performances from Warm Regards and Fazerdaze), The Phoenix Foundation's "Pegasus" vinyl release launch (a few dewy eyes at that one!), an impromptu instore performance from Evan Dando, plus listening parties for The Beths' "Straight Line Was A Lie" and most recently, Hayley Williams' "Ego Death At A Bachelorette Party" - all wonderful occasions that felt joyful, and like celebrations, so a great big SB shoutout to all who made those extraordinary events happen, and all who attended. Would also like to send big Slow Boat love to the friends and family of some dear people we lost this year - including the indomitable Ms Lorraine Barry, dear friend and much loved supporter of the store; you are sorely missed and hugely appreciated for all you have done for the NZ music landscape. So, without getting too sappy and sentimental, let's just conclude by saying - we are here for you, music lovers; Slow Boat will be open every day over the holiday period, with the exception of Christmas Day and New Years' Day - we will, however, be operating on a reduced hours schedule to give here everyone a chance to recover from a hectic Festive season; count on hours along the lines of 11am-4pm for the weeks immediately following Xmas... We are doing our best to make sure we have good stocks of hot ticket items in store ahead of Xmas, but there is always the sane and sensible option of the trusty Slow Boat Voucher if you can't decide, or SB branded tee shirts, totes and caps... So, all the best to you all for a safe, healthy and happy Silly Season, and hope to see you all soon!! With much aroha, respect and figgy pudding, your pals XX The Slow Boat Crew XX
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        • Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


    • Post Festival Survey
      • Another Festival is done and dusted and already we are starting to think about the next one. And part of this is collecting feedback about this year’s edition. We are not only interested in responses from those of you who attended the 2025 Festival, but also from those of you who are interested in the … Continue reading Post Festival Survey
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        • Brookfield Outdoor Education Center, 562, Moores Valley Road, Homedale, Lower Hutt, Lower Hutt City, Wellington, 5373, New Zealand (OpenStreetMap)


    • Festival site update
      • The wind is starting to abate here in Wellington (although still a bit gusty) and the sun is shining! It does augur well for the weekend which is expected to be “mainly fine” from Friday onwards. Three important things to note: The weather has disrupted preparations, through delaying the arrival of materials and people, and … Continue reading Festival site update
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        • Brookfield Outdoor Education Center, 562, Moores Valley Road, Homedale, Lower Hutt, Lower Hutt City, Wellington, 5373, New Zealand (OpenStreetMap)


    • 60th festival celebrations
      • There’s been a ton of work going on behind the scenes to make sure we mark the 60th festival in style! On Saturday at 4:00pm on the Main Stage there’s a 60th Anniversary Showcase concert featuring invited guests Chris Penman, Mike Moroney, the Madillionaires, Davy Stuart, Butter wouldn’t Melt, Mike Harding and the Wooden Box … Continue reading 60th festival celebrations
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        • Brookfield Outdoor Education Center, 562, Moores Valley Road, Homedale, Lower Hutt, Lower Hutt City, Wellington, 5373, New Zealand (OpenStreetMap)


    • Gathering Wellyfest history
      • 60 Festivals in 61 years! What an amazing feat! How many have you attended? What are your highlights and favourite memories? We’re planning to continue the tradition of writing up history of the festival every ten years, and we’d love to include your reminiscences. Janette Munneke will be out at the festival with a voice … Continue reading Gathering Wellyfest history
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        • Brookfield Outdoor Education Center, 562, Moores Valley Road, Homedale, Lower Hutt, Lower Hutt City, Wellington, 5373, New Zealand (OpenStreetMap)


    • Earlybird tickets now open!!
      • We are all go!! Tickets for Wellyfest 2025 Now “Alive Alive Oh!!” Tickets for the 2025 60th Anniversary edition of the Wellington Folk Festival are now on sale at Humanitix. Early bird prices run until midnight 28 September. We have had a bit of drama with our usual infrastructure provider Hiremaster going into liquidation. Thanks … Continue reading Earlybird tickets now open!!
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        • Brookfield Outdoor Education Center, 562, Moores Valley Road, Homedale, Lower Hutt, Lower Hutt City, Wellington, 5373, New Zealand (OpenStreetMap)


    • The Wrap Up (Week 6, Term 3) 2025
      • Calculate the impressive number of wins for our Maths competitors and be quick off the mark to get your ticket for Battle of the Bands. Take advantage of doing your Learner Licence at school and submit any sporting achievements for the upcoming Sports Awards. This and much more in this week's Wrap Up.
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        • Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • The Wrap Up (Week 6, Term 3) 2025
      • Calculate the impressive number of wins for our Maths competitors and be quick off the mark to get your ticket for Battle of the Bands. Take advantage of doing your Learner Licence at school and submit any sporting achievements for the upcoming Sports Awards. This and much more in this week's Wrap Up.
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        • Wellington High School, Taranaki Street, Mount Cook, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)


    • Wellyfest 2025 Artist Announcement
      • Wellyfest 2025 Guest Performer Announcement We’re thrilled to announce our main stage guest lineup for the 2024 Wellington Folk Festival! Mark your calendars now for October 24th to 27th Labour weekend), at the Brookfield Outdoor Education Centre (the former “Scout Camp”) in picturesque Moore’s Valley, Wainuiomata, for a long-weekend celebration of folk music, culture, and … Continue reading Wellyfest 2025 Artist Announcement
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        • Brookfield Outdoor Education Center, 562, Moores Valley Road, Homedale, Lower Hutt, Lower Hutt City, Wellington, 5373, New Zealand (OpenStreetMap)


    • How Did I Get Hear? #17 - Alan Gregg on Ed Cake's "Downtown Puff"
      • Behold the Golden Man! Some time in the mid-1990s I was sitting on a sofa in Auckland watching a Saturday morning kids’ TV show called What Now? A band came on and played a song which featured the lyric “If I go to hospital / Will you administer my pill?” I had no idea who they were, but the song was brilliant, and one of the band members appeared to have springs attached to the soles of his shoes. A few weeks later I met two members of that band, Edmund McWilliams and Geoff Maddock, at a Supergroove show at Auckland University. We talked about our shared enthusiasm for the music of Jonathan Richman, and they gave me a cassette(!) of some songs they were working on. When I got home and played the cassette it was a revelation. It contained intensely melodic songs with absurd lyrics and unusual arrangements. I felt like I’d stumbled upon some kind of secret treasure. They were pop songs, but not like anything I’d heard before. The songs on that cassette later turned into the eponymous Bressa Creeting Cake album (Flying Nun Records 1997), which is still spoken of in reverential tones in certain circles. The three piece Bressa Creeting Cake band, with Joel Wilton on drums, came on tour around New Zealand with The Mutton Birds (who I played bass with), and it felt like a privilege to watch them play these amazing songs to baffled audiences each night. By that time Edmund McWilliams was becoming better known under the moniker Edmund Cake. In 1999 Edmund and I played together in Bic Runga’s band, when she supported Paul Kelly on a tour of Australia. On that trip I saw first hand how Ed’s approach was not like other musicians I knew. At one show Bic’s band was invited to join Paul Kelly and his band onstage for their encore, and during the song Ed played Paul Kelly’s acoustic guitar with such intensity that his hand bled all over the body of the guitar. At soundcheck the next day Paul Kelly’s unimpressed guitar technician greeted Ed with the guitar and a cleaning cloth. Ed set to work making it spotless, and we weren’t invited onstage for the encore again. Bressa Creeting Cake split up around that time, and Geoff Maddock formed the band Goldenhorse, which went on to become hugely popular in New Zealand. All of this is a very longwinded way of getting to the point that after the demise of Bressa Creeting Cake, Edmund Cake made a solo album called Downtown Puff (Lil’ Chief Records 2004), which I consider to be a masterpiece. Around the time Bressa Creeting Cake ended, an A&R man from the Dreamworks record label in LA came to visit Ed in New Zealand and gave him an advance to make some demos. Ed recorded three songs and sent them to the label. After not hearing from the A&R guy for a while, Ed called him in LA to ask what he thought of the songs. He replied that they were “Quite great”. Dreamworks did not sign Edmund Cake to the label in the end, but they did sign a little-known artist named Nelly Furtado. In the meantime, Tim Finn had become a supporter of Ed’s music and lent him some recording equipment for a studio Ed had assembled in a building in Gore Street in Auckland. Neil Finn had also become a fan and gave Ed time to complete Downtown Puff in his own studio. Edmund Cake is an unusually talented songwriter. He has a gift for composing melodies and chord changes which are both surprising and breathtakingly beautiful. He’s also able to write lyrics which can be funny and strangely affecting at the same time. And he doesn’t sound like anyone else. On Downtown Puff Ed played most of the instruments, and he engineered and produced the songs himself. It’s an album that constantly treads the line between the sublime and the ridiculous, and sometimes does both at the same time. "You’re Watching Me” and “Beautiful Sleep” are ballads as melodic and effortless as any I can think of. The song "Gunga" sounds like Captain Beefheart jamming with Devo on the set of Sesame Street. “My Son the Harpist” tells the story, over an Omnichord drum beat, of a young harp player who meets a tragic end. Ed was improvising the lyrics the first time he ever recorded the vocal on that song and he never changed them. As a result, there are some spontaneous words in that song that you won’t find in any dictionary. The song “Oh Baby Bear” is the catchiest song you’ll ever hear about the Auckland Public Transport system. Ed sings “She’s got a cuppa tea and sandwich, she’s feeling fine / She just crossed the Pukapuka line,” all delivered in a fair dinkum Kiwi accent. Perhaps Downtown Puff’ s master stroke is the track “Golden Man”, which sounds a bit like a 1970s psychedelic folk band singing a gospel song. The poetic lyrics, swooping melodies and Ed’s trademark falsetto vocals all contribute to the song’s eerie beauty. “He commands the cats to claw / He commands the boats to shore / He commands the gulls to fly / He commands the crops to die”. Sometimes Edmund’s music can evoke the genius of Brian Wilson in the way he can take really unusual chord changes and make them seem completely natural in a pop song. But this music doesn’t sound like Brian Wilson. Ed often adopts different character voices for the songs. One moment he’s singing in a sweet falsetto, and in the next he’s growling like Tom Waits. Each song has a distinct vocal identity, almost reminiscent of the way Prince used completely different voices for some of his songs. But this music sounds nothing like Prince. Sometimes I wonder why the Downtown Puff album isn’t better known than it is. It certainly has some devoted fans, but I can’t help thinking more people would like it if they knew about it. For me it’s the work of a visionary musical artist, and it's a collection of songs that contains just the right balance of beauty, mystery, playfulness and outrageously good tunes. It’s also worth mentioning that Edmund Cake released another album under the name Pie Warmer a few years later called The Fearsome Feeling (2009 Lil’Chief Records), which is every bit as great as Downtown Puff. Alan Gregg last year released a superb album under the name Polite Company, entitled "Please Go Wild" - first single "Circulation" is here, we have copies on LP and CD, and his website is here
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        • Slow Boat Records, Cuba Street, Te Aro, Wellington, Wellington City, Wellington, 6040, New Zealand (OpenStreetMap)


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