Victoria University / August 2020
September 2020 | July 2020-
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Mastering the slow art of architecture
- Victoria University of Wellington
- Alumnus James Wallace shares what he loves about a meaningful career designing projects that positively benefit local communities and makes the case for helping mentor the next generation of architects.
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Indigenous designs help Wellington celebrate Matariki 2020
- Victoria University of Wellington
- Wellington’s 2020 Matariki celebrations saw a variety of events and installations across the city—several of them created by David Hakaraia, lecturer at the School of Design Innovation.
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Virtual educational tourism experience offered to schools
- Victoria University of Wellington
- School students will get the chance to ‘visit’ Peru and learn about its people and culture thanks to an experiential learning tool developed at Te Herenga Waka—Victoria University of Wellington.
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Retirement of Professor Gregor Coster
- Victoria University of Wellington
- Professor Gregor Coster, Dean of the Wellington Faculty of Health, has announced that he will retire at the end of this year.
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Influenza expertise supports COVID-19 vaccine development
- Victoria University of Wellington
- Alumna and senior lecturer in Immunology Dr Lisa Connor is using her vaccine expertise to help in the quest for a New Zealand made COVID-19 vaccine.
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A gap between criticism and reality
- Victoria University of Wellington
- From the tone and tenor of criticism in New Zealand, an otherwise uninformed observer would think our leadership has performed as badly as that of Donald Trump and Boris Johnson, writes Professor Jack Vowles.
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University part of new COVID-19 vaccine alliance
- Victoria University of Wellington
- Te Herenga Waka—Victoria University of Wellington researchers will play a key role in a new alliance that brings together several organisations in the search for a COVID-19 vaccine for New Zealand.
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When good intentions aren’t enough: where New Zealand’s border quarantine system really went wrong
- Victoria University of Wellington
- Although blame games over New Zealand's border testing shortcomings are inevitable, more urgent is a closer look at the assumptions and responsibilities embedded in our institutional structures, write Dr Barbara Allen and Dr Flavia Donadelli.
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When good intentions aren’t enough: where New Zealand’s border quarantine system really went wrong
- Victoria University of Wellington
- Prime Minister Jacinda Ardern has shown a remarkable grasp of fine detail and an ability to communicate it under pressure.
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Designing 'with' not 'for': the social movement of co-design
- Victoria University of Wellington
- School of Design Innovation alumni Kelly Ann McKercher (they/them) has forged a varied career that spans design, teaching, and public health.
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September graduation ceremonies in Wellington are cancelled
- Victoria University of Wellington
- In light of the recent announcement by the Government extending the COVID-19 level 2 restrictions until at least Sunday 6 September, Te Herenga Waka—Victoria University of Wellington is cancelling its September graduation ceremonies and parades.
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Wellbeing focus for schools in lockdown
- Victoria University of Wellington
- Eighteen principals from a diverse range of secondary schools throughout New Zealand were interviewed about their experiences in lockdown, and their feedback was remarkably similar, writes Associate Professor Kate Thornton.
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Predicting diabetes
- Victoria University of Wellington
- After using data from 10,000 patients to develop an algorithm to predict the onset of type 2 diabetes, Dr Binh Nguyen and Professor Colin Simpson want to turn what they learned into a tool healthcare professionals can use.
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Pandemic shifts some education myths
- Victoria University of Wellington
- The world after COVID-19 calls for a new educational purpose, one that reconnects thinking around environmental wellbeing, social health and economic fairness, write Professor Stephen Dobson and Dr Neil Boland.
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Public Programme September – December 2020
- Te Pātaka Toi Adam Art Gallery
- Frances Hodgkins: European Journeysdeveloped and toured by Auckland Art Gallery Toi o Tāmaki19 Gallerydeveloped and toured by Auckland Art Gallery Toi o Tāmakito accompany Frances Hodgkins: European JourneysImogen Taylor and Sue Hillery: Double Portraitan Adam Art Gallery commission05.
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Adam Art Gallery, Hunter Car Park, Kelburn, Wellington, Wellington City, Wellington, 6145, New Zealand (OpenStreetMap)
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What is Islam’s appeal to Māori?
- Victoria University of Wellington
- With Islam one of the fastest-growing religions in Aotearoa New Zealand, particularly among Māori, Dr Ayca Arkilic is exploring its growing appeal and the socio-political implications of conversion.
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Upcoming exhibitions:
- Te Pātaka Toi Adam Art Gallery
- Frances Hodgkins, Red Jug, 1931, oil on canvas, Collection of Auckland Art Gallery Toi o Tāmaki, purchased 1982 Frances Hodgkins: European Journeysdeveloped and toured by Auckland Art Gallery Toi o TāmakiFull gallery 19 Gallerydeveloped and toured by Auckland Art Gallery Toi o Tāmakito accompany Frances Hodgkins: European JourneysWindow gallery Imogen Taylor and Sue Hillery: Double Portraitan Adam Art Gallery commissionCongreve Foyer 5 September – 13 December 2020 Frances Hodgkins: European Journeys Adam Art Gallery Te Pātaka Toi is proud to be the last New Zealand venue for Auckland Art Gallery Toi o Tāmaki’s touring exhibition Frances Hodgkins: European Journeys. Featuring more than 65 works produced between 1901 and 1946, some drawn from private collections in Wellington, this exhibition has been specially reconceived for the gallery’s unique spaces. Curated by Mary Kisler, an acknowledged expert on Hodgkins and her work, this is the culmination of a significant international project to explore the artist’s place in 20th-century art. The exhibition traces Frances Hodgkins’ creative and peripatetic life through France, Morocco and Spain to her final days in England, tracking her unique engagement with modernism, examining the influence of location on her development as a painter, and exploring how travel and journeying served her as sources of artistic inspiration. Born in Dunedin, Frances Hodgkins (1869–1947) left for Europe in 1901 and, by the late 1920s, had become an important figure within British Modernism, exhibiting with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. With a professional life that spanned almost six decades, the two World Wars, and periods of massive social and cultural change, Hodgkins caught the spirit of a new age. Today, she is celebrated as one of New Zealand’s most successful expatriate artists of the 20th century, and has an ongoing legacy in both Europe and this country. 19 Gallery In 1934, London art dealer Sydney Burney commissioned a range of leading British modernist artists to create small-scale works for a miniature gallery, to raise money for the Fund for the Blind. This model gallery became known as the 34 Gallery, symbolising both the year it was created and the number of artworks featured in the display. It included two paintings by Frances Hodgkins. A replica was made in 1997 with 25 of the original paintings, which is on display at Pallant House, Chichester, UK. In 2019, on the occasion of the major touring exhibition Frances Hodgkins: European Journeys, Auckland Art Gallery Toi o Tāmaki reworked Burney’s concept. 19 Gallery (2019) includes commissioned paintings and sculptures by 19 New Zealand artists invited to respond to the invitation. They are Gretchen Albrecht, Nick Austin, Kirstin Carlin, Vita Cochran, Bronwynne Cornish, Jane Dodd, Nicola Farquhar, Finn Ferrier, Star Gossage, Julian Hooper, Ryder Jones, Areez Katki, Christina Pataialii, Jeena Shin, Richard Stratton, and Isobel Thom, who each made works for the replica of the miniature gallery designed and built by David Kisler. Imogen Taylor and Sue Hillery: Double PortraitIn 2020, for this presentation of Frances Hodgkins: European Journeys, Adam Art Gallery Te Pātaka Toi invited artist Imogen Taylor and architect Sue Hillery to develop a work that draws inspiration from Hodgkins as a new site-specific wall painting for the gallery’s Congreve Foyer. Based on a careful engagement with two paintings by Hodgkins: Double Portrait (Friends), 1922 and Wings over Water, 1931–2, their work adds one more to the lineup of contemporary practitioners in 19 Gallery who have responded to their modernist forbear. Subtly referencing Hodgkins’ palette and her choice of subjects, this new wall painting extends Taylor’s efforts to ‘queer’ space, adapting a new visual language developed from iconography like the screw thread she has used in earlier works and Maoriculpus Roseus shells with their long screw-like bodies that are abundant on Dunedin’s—Hodgkin’s home town—beaches, particularly Aramoana, that generate allusions to female sexuality and queer desire. The idea to invite Taylor and Hillery was inspired by the wall painting they made for the exhibition Sapphic Fragments (1 February – 28 March 2020) at the Hocken Gallery at the end of Taylor’s residency as University of Otago’s 2019 Frances Hodgkins Fellow and her recent work in Fire-lit Kettle at Enjoy Contemporary Art Space in Wellington (19 June – 25 July 2020). The pair have also partnered to develop spatial design and architectural interventions for Taylor’s solo-exhibition Ōtepoti; Betwixt and Between (2019) at Michael Lett Gallery, Tāmaki Makaurau, and the group exhibition Pocket Histories at Te Uru Waitakere Contemporary Gallery, Tāmaki Makaurau (2018) and The Dowse Art Museum, Te Awakairangi (2018). Imogen Taylor (born 1985, Whangarei) is recognised for her paintings that relitigate a history of modern art through a queer lens. Since graduating from the Elam School of Fine Arts with a Post-graduate Diploma in Fine Arts in 2010, Taylor has exhibited widely throughout New Zealand and has enjoyed significant successes, including receiving the Paramount Award at the Wallace Trust Art Awards (2018), a McCahon House Residency (2017), and an invitation to be studio artist at the Corban Estate Art Centre. She is represented by Michael Lett, Auckland. Sue Hillery studied sculpture at Ilam School of Fine Arts, graduating in 1991, before completing a Bachelor of Architecture in 2001 at the University of Auckland (1st Class Honours). Initially establishing a solo architecture practice, Hillery then partnered with architect Richard Priest to form Hillery Priest Architecture from 2006-2012. Throughout her career Hillery has maintained strong ties to the art world, having sat on the board of artist-run gallery Teststrip from 1992-7 and having continued to work on a number of joint projects.
- Accepted from Adam Art Gallery feed by feedreader
- Automatically tagged as:
- events
- museums-and-galleries
- victoria-university
Adam Art Gallery, Hunter Car Park, Kelburn, Wellington, Wellington City, Wellington, 6145, New Zealand (OpenStreetMap)
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Upcoming exhibitions:
- Te Pātaka Toi Adam Art Gallery
- Frances Hodgkins, Red Jug, 1931, oil on canvas, Collection of Auckland Art Gallery Toi o Tāmaki, purchased 1982 Frances Hodgkins: European Journeysdeveloped and toured by Auckland Art Gallery Toi o TāmakiFull gallery 19 Gallerydeveloped and toured by Auckland Art Gallery Toi o Tāmakito accompany Frances Hodgkins: European JourneysWindow gallery Imogen Taylor and Sue Hillery: Double Portraitan Adam Art Gallery commissionCongreve Foyer 5 September – 13 December 2020 Frances Hodgkins: European JourneysAdam Art Gallery Te Pātaka Toi is proud to be the last New Zealand venue for Auckland Art Gallery Toi o Tāmaki’s touring exhibition Frances Hodgkins: European Journeys. Featuring more than 65 works produced between 1901 and 1946, some drawn from private collections in Wellington, this exhibition has been specially reconceived for the gallery’s unique spaces. Curated by Mary Kisler, an acknowledged expert on Hodgkins and her work, this is the culmination of a significant international project to explore the artist’s place in 20th-century art. The exhibition traces Frances Hodgkins’ creative and peripatetic life through France, Morocco and Spain to her final days in England, tracking her unique engagement with modernism, examining the influence of location on her development as a painter, and exploring how travel and journeying served her as sources of artistic inspiration. Born in Dunedin, Frances Hodgkins (1869–1947) left for Europe in 1901 and, by the late 1920s, had become an important figure within British Modernism, exhibiting with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. With a professional life that spanned almost six decades, the two World Wars, and periods of massive social and cultural change, Hodgkins caught the spirit of a new age. Today, she is celebrated as one of New Zealand’s most successful expatriate artists of the 20th century, and has an ongoing legacy in both Europe and this country. 19 GalleryIn 1934, London art dealer Sydney Burney commissioned a range of leading British modernist artists to create small-scale works for a miniature gallery, to raise money for the Fund for the Blind. This model gallery became known as the 34 Gallery, symbolising both the year it was created and the number of artworks featured in the display. It included two paintings by Frances Hodgkins. A replica was made in 1997 with 25 of the original paintings, which is on display at Pallant House, Chichester, UK. In 2019, on the occasion of the major touring exhibition Frances Hodgkins: European Journeys, Auckland Art Gallery Toi o Tāmaki reworked Burney’s concept. 19 Gallery (2019) includes commissioned paintings and sculptures by 19 New Zealand artists invited to respond to the invitation. They are Gretchen Albrecht, Nick Austin, Kirstin Carlin, Vita Cochran, Bronwynne Cornish, Jane Dodd, Nicola Farquhar, Finn Ferrier, Star Gossage, Julian Hooper, Ryder Jones, Areez Katki, Christina Pataialii, Jeena Shin, Richard Stratton, and Isobel Thom, who each made works for the replica of the miniature gallery designed and built by David Kisler. Installation view: Imogen Taylor and Sue Hillery, Sapphic Fragments, 2020, Hocken Collections, Dunedin Imogen Taylor and Sue Hillery: Double PortraitIn 2020, for this presentation of Frances Hodgkins: European Journeys, Adam Art Gallery Te Pātaka Toi invited artist Imogen Taylor and architect Sue Hillery to develop a work that draws inspiration from Hodgkins as a new site-specific wall painting for the gallery’s Congreve Foyer. Based on a careful engagement with two paintings by Hodgkins: Double Portrait (Friends), (1922) and Wings over Water, (1931–2), their work adds one more to the lineup of contemporary practitioners in 19 Gallery who have responded to their modernist forbear. Subtly referencing Hodgkins’ palette and her choice of subjects, this new wall painting extends Taylor’s efforts to ‘queer’ space, adapting a new visual language developed from iconography like the screw thread she has used in earlier works and Maoriculpus Roseus shells with their long screw-like bodies that are abundant on Dunedin’s—Hodgkin’s home town—beaches, particularly Aramoana, that generate allusions to female sexuality and queer desire. The idea to invite Taylor and Hillery was inspired by the wall painting they made for the exhibition Sapphic Fragments (1 February – 28 March 2020) at the Hocken Gallery at the end of Taylor’s residency as University of Otago’s 2019 Frances Hodgkins Fellow, and her recent work in Fire-lit Kettle at Enjoy Contemporary Art Space in Wellington (19 June – 25 July 2020). The pair have also partnered to develop spatial design and architectural interventions for Taylor’s solo-exhibition Ōtepoti; Betwixt and Between (2019) at Michael Lett Gallery, Tāmaki Makaurau, and the group exhibition Pocket Histories at Te Uru Waitakere Contemporary Gallery, Tāmaki Makaurau (2018) and The Dowse Art Museum, Te Awakairangi (2018). Imogen Taylor (born 1985, Whangarei) is recognised for her paintings that relitigate a history of modern art through a queer lens. Since graduating from the Elam School of Fine Arts with a Post-graduate Diploma in Fine Arts in 2010, Taylor has exhibited widely throughout New Zealand and has enjoyed significant successes, including receiving the Paramount Award at the Wallace Trust Art Awards (2018), a McCahon House Residency (2017), and an invitation to be studio artist at the Corban Estate Art Centre. She is represented by Michael Lett, Auckland. Sue Hillery studied sculpture at Ilam School of Fine Arts, graduating in 1991, before completing a Bachelor of Architecture in 2001 at the University of Auckland (1st Class Honours). Initially establishing a solo architecture practice, Hillery then partnered with architect Richard Priest to form Hillery Priest Architecture from 2006-2012. Throughout her career Hillery has maintained strong ties to the art world, having sat on the board of artist-run gallery Teststrip from 1992-7 and having continued to work on a number of joint projects with artists.
- Accepted from Adam Art Gallery feed by feedreader
- Automatically tagged as:
- events
- museums-and-galleries
- victoria-university
Adam Art Gallery, Hunter Car Park, Kelburn, Wellington, Wellington City, Wellington, 6145, New Zealand (OpenStreetMap)
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Frances Hodgkins: European Journeys / 19 Gallery / Imogen Taylor and Sue Hillery: Double Portrait
- Te Pātaka Toi Adam Art Gallery
- Frances Hodgkins: European Journeysdeveloped and toured by Auckland Art Gallery Toi o TāmakiFull gallery 19 Gallerypart of the Frances Hodgkins: European Journeys projectWindow gallery Imogen Taylor and Sue Hillery: Double Portraitan Adam Art Gallery commissionCongreve Foyer 5 September – 13 December 2020 Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_1-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_1-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_1-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_2-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_2-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_2-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_3-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_3-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_3-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_4-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_4-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_4-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_5-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_5-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_5-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_6-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_6-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_6-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_7-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_7-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_7-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_9-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_9-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_9-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_10-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_10-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_10-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" /> Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_11-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_11-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_11-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_12-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_12-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_12-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_13-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_13-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_13-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_14-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_14-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_14-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" /> Frances Hodgkins: European Journeys, curated by Mary Kisler, developed and toured by Auckland Art Gallery Toi o Tāmaki, Adam Art Gallery Te Pataka Toi, 5 September – 13 December 2020. Photo: Ted Whitaker" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_15-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_15-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Hodgkins_15-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" /> Frances Hodgkins: European JourneysAdam Art Gallery Te Pātaka Toi was proud to be the last New Zealand venue for Auckland Art Gallery Toi o Tāmaki’s touring exhibition Frances Hodgkins: European Journeys. Featuring more than 65 works produced between 1901 and 1946, some drawn from private collections in Wellington, this exhibition was specially reconceived for the gallery’s unique spaces. Curated by Mary Kisler, an acknowledged expert on Hodgkins and her work, this was the culmination of a significant international project to explore the artist’s place in 20th-century art. The exhibition traced Frances Hodgkins’ creative and peripatetic life through France, Morocco and Spain to her final days in England, tracking her unique engagement with modernism, examining the influence of location on her development as a painter, and exploring how travel and journeying served her as sources of artistic inspiration. Born in Dunedin, Frances Hodgkins (1869–1947) left for Europe in 1901 and, by the late 1920s, had become an important figure within British Modernism, exhibiting with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. With a professional life that spanned almost six decades, the two World Wars, and periods of massive social and cultural change, Hodgkins caught the spirit of a new age. Today, she is celebrated as one of New Zealand’s most successful expatriate artists of the 20th century, and has an ongoing legacy in both Europe and this country. Image: Francis Hodgkins, Red Jug, 1931, oil on canvas. Collection of Auckland Art Gallery Toi o Tāmaki, purchased 1982. Image: Francis Hodgkins, Red Jug, 1931, oil on canvas. Collection of Auckland Art Gallery Toi o Tāmaki, purchased 1982. 19 Gallery: Relocating Frances Hodgkins (installation view), Auckland Art Gallery Toi o Tāmaki, 2019 19 Gallery In 1934, London art dealer Sydney Burney commissioned a range of leading British modernist artists to create small-scale works for a miniature gallery, to raise money for the Fund for the Blind. This model gallery became known as the 34 Gallery, symbolising both the year it was created and the number of artworks featured in the display. It included two paintings by Frances Hodgkins. A replica was made in 1997 with 25 of the original paintings, which is on display at Pallant House, Chichester, UK. In 2019, on the occasion of the major touring exhibition Frances Hodgkins: European Journeys, Auckland Art Gallery Toi o Tāmaki reworked Burney’s concept. 19 Gallery (2019) included commissioned paintings and sculptures by 19 New Zealand artists invited to respond to the invitation. They are Gretchen Albrecht, Nick Austin, Kirstin Carlin, Vita Cochran, Bronwynne Cornish, Jane Dodd, Nicola Farquhar, Finn Ferrier, Star Gossage, Julian Hooper, Ryder Jones, Areez Katki, Christina Pataialii, Jeena Shin, Richard Stratton, and Isobel Thom, who each made works for the replica of the miniature gallery designed and built by David Kisler. Double Portrait, acrylic on wall, courtesy of the artists" width="600" height="400" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_1-600x400.jpg 600w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_1-750x500.jpg 750w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_1-768x512.jpg 768w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_1.jpg 900w" sizes="(max-width: 600px) 100vw, 600px" /> Double Portrait, 2020, acrylic on wall. Courtesy of the artists" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_2-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_2-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_2-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Double Portrait, 2020, acrylic on wall. Courtesy of the artists" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_3-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_3-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_3-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Double Portrait, 2020, acrylic on wall. Courtesy of the artists" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_4-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_4-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_4-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Double Portrait, 2020, acrylic on wall. Courtesy of the artists" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_5-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_5-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_5-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Double Portrait, 2020, acrylic on wall. Courtesy of the artists" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/2020-09-01_IMOGEN-TAYLOR-DETAILS-11_resized630W-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/2020-09-01_IMOGEN-TAYLOR-DETAILS-11_resized630W-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/2020-09-01_IMOGEN-TAYLOR-DETAILS-11_resized630W-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" />Double Portrait, 2020, acrylic on wall. Courtesy of the artists" width="70" height="70" srcset="https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_6-70x70.jpg 70w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_6-300x300.jpg 300w, https://www.adamartgallery.org.nz/wp-content/uploads/2020/08/Taylor_Hillery_6-100x100.jpg 100w" sizes="(max-width: 70px) 100vw, 70px" /> Imogen Taylor and Sue Hillery: Double Portrait In 2020, for this presentation of Frances Hodgkins: European Journeys, Adam Art Gallery Te Pātaka Toi invited artist Imogen Taylor and architect Sue Hillery to develop a work that drew inspiration from Hodgkins as a new site-specific wall painting for the gallery’s Congreve Foyer. Based on a careful engagement with two paintings by Hodgkins: Double Portrait (Friends), (1925) and Wings over Water, (1931–2), their work added one more to the lineup of contemporary practitioners in 19 Gallery who have responded to their modernist forbear. Subtly referencing Hodgkins’ palette and her choice of subjects, this new wall painting extended Taylor’s efforts to ‘queer’ space, adapting a new visual language developed from iconography like the screw thread she has used in earlier works and Maoriculpus Roseus shells with their long screw-like bodies that are abundant on Dunedin’s—Hodgkin’s home town—beaches, particularly Aramoana, that generate allusions to female sexuality and queer desire. The idea to invite Taylor and Hillery was inspired by the wall painting they made for the exhibition Sapphic Fragments (1 February – 28 March 2020) at the Hocken Gallery at the end of Taylor’s residency as University of Otago’s 2019 Frances Hodgkins Fellow, and her work in Fire-lit Kettle at Enjoy Contemporary Art Space in Wellington (19 June – 25 July 2020). The pair have also partnered to develop spatial design and architectural interventions for Taylor’s solo-exhibition Ōtepoti; Betwixt and Between (2019) at Michael Lett Gallery, Tāmaki Makaurau, and the group exhibition Pocket Histories at Te Uru Waitakere Contemporary Gallery, Tāmaki Makaurau (2018) and The Dowse Art Museum, Te Awakairangi (2018). Imogen Taylor (born 1985, Whangarei) is recognised for her paintings that relitigate a history of modern art through a queer lens. Since graduating from the Elam School of Fine Arts with a Post-graduate Diploma in Fine Arts in 2010, Taylor has exhibited widely throughout New Zealand and has enjoyed significant successes, including receiving the Paramount Award at the Wallace Trust Art Awards (2018), a McCahon House Residency (2017), and an invitation to be studio artist at the Corban Estate Art Centre. She is represented by Michael Lett, Auckland. Sue Hillery studied sculpture at Ilam School of Fine Arts, graduating in 1991, before completing a Bachelor of Architecture in 2001 at the University of Auckland (1st Class Honours). Initially establishing a solo architecture practice, Hillery then partnered with architect Richard Priest to form Hillery Priest Architecture from 2006-2012. Throughout her career Hillery has maintained strong ties to the art world, having sat on the board of artist-run gallery Teststrip from 1992-7 and having continued to work on a number of joint projects with artists. View the media release for these exhibitions here: ‘Adam Art Gallery presents unique version of Frances Hodgkins survey show’, 1 September 2020 Listen on RNZ: ‘Curator Mary Kisler: tiny art inspired by Frances Hodgkins’ Download public programme here
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Adam Art Gallery, Hunter Car Park, Kelburn, Wellington, Wellington City, Wellington, 6145, New Zealand (OpenStreetMap)
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The riddles and challenges of ‘island syndrome’
- Victoria University of Wellington
- Professor Kevin Burns examines the concept of 'island syndrome' in plants and animals as he attempts to solve some of the riddles of island evolution.
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Alumni and donor data security
- Victoria University of Wellington
- If you have studied at another university, you may have been recently contacted about a data security breach. This breach affected Blackbaud, a database management software commonly used by universities and charities globally, including this University.
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VUW Have Cancelled Their Open Day 21 August
- Wellington Girls' College
- We are writing to inform you that given the current uncertainty surrounding the COVID-19 alert levels, we have made the difficult decision to cancel our Open Day on 21 August.
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Wellington Girls' College, Pipitea Street, Pipitea, Wellington, Wellington City, Wellington, 6011, New Zealand (OpenStreetMap)
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New research shows declining alcohol and cigarette use in New Zealand youth
- Victoria University of Wellington
- A new study co-led by a Te Herenga Waka—Victoria University of Wellington researcher shows that cigarette smoking is now rare in high school students, and binge drinking has declined since 2012.
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Study sheds light on the state of mental health and wellbeing amongst New Zealand youth
- Victoria University of Wellington
- New research co-led by a Te Herenga Waka—Victoria University of Wellington researcher shows that while more than two-thirds of high school-aged New Zealanders reported good wellbeing, an increasing number of students are reporting high levels of distress.
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Te Herenga Waka—Victoria University of Wellington academic wins prestigious national teaching award
- Victoria University of Wellington
- Senior lecturer Dr Awanui Te Huia (Ngāti Maniapoto) from Te Kawa a Māui (School of Māori Studies) at Te Herenga Waka—Victoria University of Wellington has won a 2020 Tertiary Teaching Excellence Award.
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What can we learn from the last lockdown?
- Victoria University of Wellington
- Having surveyed over 2,000 people, Dr Kate Prickett has valuable advice for families, employers and government to make life easier for New Zealanders this time around.
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Acclaimed New Zealand writer to receive honorary doctorate
- Victoria University of Wellington
- Acclaimed New Zealand writer Elizabeth Knox is to receive an honorary Doctor of Literature from Te Herenga Waka–Victoria University of Wellington.
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Rethinking the English effect
- Victoria University of Wellington
- When English becomes the global language of education we risk losing other, often better, ways of learning, write Professor Stephen Dobson and Muhammad Zuhdi.
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Space data gives Earth insights
- Victoria University of Wellington
- With the support of a Fulbright-EQC Scholarship, PhD student Jesse Kearse from Te Herenga Waka—Victoria University of Wellington’s School of Geography, Environment, and Earth Sciences plans to head to the United States to study satellite data with world-leading experts at the NASA Jet Propulsion Laboratory in California.
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Climate explained: could electric car batteries feed power back into the grid?
- Victoria University of Wellington
- Alan Brent, Professor and Chair in Sustainable Energy Systems at Te Herenga Waka—Victoria University of Wellington, discusses whether it's possible to put spare power from electric vehicles back into the grid.
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Uncovering the social life of plants
- Victoria University of Wellington
- Individuals living in colonies, working together through the division of labour and cooperating to care for young is nothing new in the animal kingdom, but the discovery of this behaviour in a plant offers a major breakthrough in our understanding of how life has evolved on Earth.
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Scholarships shaping Pasifika futures
- Victoria University of Wellington
- After my degree I want to do everything. I want to write, teach, make films. I want to be creative. Pasifika people are great story tellers and I want to use that to help in the work I hope to do with Pasifika communities here in New Zealand.—Kaitlin Abbott, Teresia Teaiwa Memorial Scholarship 2020
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Wellington scholar changing refugee narratives
- Victoria University of Wellington
- Iranian photographer Ehsan Hazaveh wants to challenge the stereotypical stories people often see in the media about refugees through his PhD in Media Studies at Te Herenga Waka—Victoria University of Wellington.
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Lockdown’s legality and the rule of law
- Victoria University of Wellington
- Associate Professor Dean Knight provides expert analysis of the High Court judicial review of New Zealand's COVID-19 lockdown.
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Track Zero funds seven climate change projects
- Victoria University of Wellington
- A climate change charity with support from Te Herenga Waka—Victoria University of Wellington has announced $40,000 seed funding to seven collaborative climate-related art projects.
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Glacier melt linked to human greenhouse gas emissions
- Victoria University of Wellington
- Research from Te Herenga Waka—Victoria University of Wellington’s Antarctic Research Centre has shown a strong link between human greenhouse gas emissions and the increased melting of glaciers.
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The silence around miscarriage
- Victoria University of Wellington
- We are more comfortable than ever telling stories about intimate experiences in public, so why is miscarriage still such a taboo subject, asks Associate Professor Rhonda M. Shaw.
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